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Parisiensis Stock Photos and Images
Line drawing of Frater Mathias Parisiensis kneeling in adoration. Drawn by Matthew Paris. Dated 13th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-line-drawing-of-frater-mathias-parisiensis-kneeling-in-adoration-drawn-104967251.htmlRMG2NJPB–Line drawing of Frater Mathias Parisiensis kneeling in adoration. Drawn by Matthew Paris. Dated 13th Century
Line drawing of Frater Mathias Parisiensis kneeling in adoration. Drawn by Matthew Paris. Dated 13th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/line-drawing-of-frater-mathias-parisiensis-kneeling-in-adoration-drawn-by-matthew-paris-dated-13th-century-image225044052.htmlRMR23HYG–Line drawing of Frater Mathias Parisiensis kneeling in adoration. Drawn by Matthew Paris. Dated 13th Century
Wenceslaus Hollar, (artist), Bohemian, 1607 - 1677, Matrona Parisiensis, Theatrum mulierum and Aula Veneris, (series), 1643, etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wenceslaus-hollar-artist-bohemian-1607-1677-matrona-parisiensis-theatrum-mulierum-and-aula-veneris-series-1643-etching-image386234815.htmlRM2DCAECF–Wenceslaus Hollar, (artist), Bohemian, 1607 - 1677, Matrona Parisiensis, Theatrum mulierum and Aula Veneris, (series), 1643, etching
Purple betony, Stachys officinalis. handcoloured; botanical; engraving; Pierre; Bulliard; Flora; Parisiensis; 1776; Didot; Paris; famous; French; botanist; three; plate; printing; technique; flowers. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/purple-betony-stachys-officinalis-handcoloured-botanical-engraving-pierre-bulliard-flora-parisiensis-1776-didot-paris-famous-french-botanist-three-plate-printing-technique-flowers-image209908141.htmlRMP5E3Y9–Purple betony, Stachys officinalis. handcoloured; botanical; engraving; Pierre; Bulliard; Flora; Parisiensis; 1776; Didot; Paris; famous; French; botanist; three; plate; printing; technique; flowers.
Purple betony, Stachys officinalis. handcoloured; botanical; engraving; Pierre; Bulliard; Flora; Parisiensis; 1776; Didot; Paris; famous; French; botanist; three; plate; printing; technique; flowers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/purple-betony-stachys-officinalis-handcoloured-botanical-engraving-pierre-bulliard-flora-parisiensis-1776-didot-paris-famous-french-botanist-three-plate-printing-technique-flowers-image331782827.htmlRM2A7P0AK–Purple betony, Stachys officinalis. handcoloured; botanical; engraving; Pierre; Bulliard; Flora; Parisiensis; 1776; Didot; Paris; famous; French; botanist; three; plate; printing; technique; flowers
Civis Parisiensis Bourgeois de Paris, map of Paris by Claes Jansz. Visscher Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-civis-parisiensis-bourgeois-de-paris-map-of-paris-by-claes-jansz-visscher-142522525.htmlRMJ7TCX5–Civis Parisiensis Bourgeois de Paris, map of Paris by Claes Jansz. Visscher
Wenceslas Hollar - Matrona Parisiensis (State 2) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wenceslas-hollar-matrona-parisiensis-state-2-135699670.htmlRMHTNJ8P–Wenceslas Hollar - Matrona Parisiensis (State 2)
Fallopia convolvulus - Flora Parisiensis - vol. 6 - t. 475. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fallopia-convolvulus-flora-parisiensis-vol-6-t-475-image328926728.htmlRM2A33WB4–Fallopia convolvulus - Flora Parisiensis - vol. 6 - t. 475.
. Titelvignette zu Guilelmus Parisiensis: Super septem sacramentis, Anton Caillot, Paris 1492 . 1492. Anton Caillot 1151 Super septem sacramentis Paris 1492 Titelvignette (Isny) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/titelvignette-zu-guilelmus-parisiensis-super-septem-sacramentis-anton-caillot-paris-1492-1492-anton-caillot-1151-super-septem-sacramentis-paris-1492-titelvignette-isny-image185595454.htmlRMMNXGW2–. Titelvignette zu Guilelmus Parisiensis: Super septem sacramentis, Anton Caillot, Paris 1492 . 1492. Anton Caillot 1151 Super septem sacramentis Paris 1492 Titelvignette (Isny)
![AGRI PARISIENSIS Author Vivier, François de 64.5. Place of publication: Noribergæ Publisher: IOH. BAPT. HOMANNO, Date of publication: [between 1680 and 1724] Item type: 1 map Medium: hand-coloured copperplate engraving Dimensions: 53.5 x 46.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FB9F/agri-parisiensis-author-vivier-francois-de-645-place-of-publication-noriberg-publisher-ioh-bapt-homanno-date-of-publication-between-1680-and-1724-item-type-1-map-medium-hand-coloured-copperplate-engraving-dimensions-535-x-465-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FB9F.jpg "AGRI PARISIENSIS Author Vivier, François de 64.5. Place of publication: Noribergæ Publisher: IOH. BAPT. HOMANNO, Date of publication: [between 1680 and 1724] Item type: 1 map Medium: hand-coloured copperplate engraving Dimensions: 53.5 x 46.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
AGRI PARISIENSIS Author Vivier, FrancÃßois de 64.5. Place of publication: Noriberg√¶ Publisher: IOH. BAPT. HOMANNO, Date of publication: [between 1680 and 1724] Item type: 1 map Medium: hand-coloured copperplate engraving Dimensions: 53.5 x 46.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/agri-parisiensis-author-vivier-francois-de-645-place-of-publication-noriberg-publisher-ioh-bapt-homanno-date-of-publication-between-1680-and-1724-item-type-1-map-medium-hand-coloured-copperplate-engraving-dimensions-535-x-465-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401708539.htmlRM2E9FB9F–AGRI PARISIENSIS Author Vivier, FrancÃßois de 64.5. Place of publication: Noriberg√¶ Publisher: IOH. BAPT. HOMANNO, Date of publication: [between 1680 and 1724] Item type: 1 map Medium: hand-coloured copperplate engraving Dimensions: 53.5 x 46.5 cm Former owner: George III, King of Great Britain, 1738-1820
LOUIS ruling XV.ANTONIUS de Jussieu, trained physician PARISIENSIS 'Imperante Ludovico XV.Antonius de Jussieu, Doctor Medicus Parisiensis'. Typographie, 1731. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-ruling-xvantonius-de-jussieu-trained-physician-parisiensis-imperante-ludovico-xvantonius-de-jussieu-doctor-medicus-parisiensis-typographie-1731-paris-muse-carnavalet-image350079561.htmlRM2B9FE1D–LOUIS ruling XV.ANTONIUS de Jussieu, trained physician PARISIENSIS 'Imperante Ludovico XV.Antonius de Jussieu, Doctor Medicus Parisiensis'. Typographie, 1731. Paris, musée Carnavalet.
Matrona Parisiensis 1643 by Wenceslaus Hollar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/matrona-parisiensis-1643-by-wenceslaus-hollar-image561532481.htmlRM2RHG0BD–Matrona Parisiensis 1643 by Wenceslaus Hollar
Thomas Blanchet Parisiensis, I. Iacob Thurneyser Basiliensis, Richart Collin Luxemb. Benniamin Block Lubec. Ioh. Rud. Wertmüller Tigurinus, Melchior Bartel Saxo., Portrait of Thomas Blanchet, Johann Jakob Thurneysen d., Ä, Richard Collin, Benjamin von Block, Hans Rudolf Werdmüller, Melchior Barthel, Signed: Richard Collin sculp, Fig. 37, OO, after p. 424, Collin, Richard (sc.), 1774, Joachim von Sandrart:Teutsche Academie der Bau- Bildhauer- und Maler-Kunst: worinn die Regeln und Lehrsätze dieser Künste gegeben, nicht weniger zu mehrerer Erläuterung die besten Exempel der alten und neuen Künst Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thomas-blanchet-parisiensis-i-iacob-thurneyser-basiliensis-richart-collin-luxemb-benniamin-block-lubec-ioh-rud-wertmller-tigurinus-melchior-bartel-saxo-portrait-of-thomas-blanchet-johann-jakob-thurneysen-d-richard-collin-benjamin-von-block-hans-rudolf-werdmller-melchior-barthel-signed-richard-collin-sculp-fig-37-oo-after-p-424-collin-richard-sc-1774-joachim-von-sandrartteutsche-academie-der-bau-bildhauer-und-maler-kunst-worinn-die-regeln-und-lehrstze-dieser-knste-gegeben-nicht-weniger-zu-mehrerer-erluterung-die-besten-exempel-der-alten-und-neuen-knst-image349833840.htmlRF2B948HM–Thomas Blanchet Parisiensis, I. Iacob Thurneyser Basiliensis, Richart Collin Luxemb. Benniamin Block Lubec. Ioh. Rud. Wertmüller Tigurinus, Melchior Bartel Saxo., Portrait of Thomas Blanchet, Johann Jakob Thurneysen d., Ä, Richard Collin, Benjamin von Block, Hans Rudolf Werdmüller, Melchior Barthel, Signed: Richard Collin sculp, Fig. 37, OO, after p. 424, Collin, Richard (sc.), 1774, Joachim von Sandrart:Teutsche Academie der Bau- Bildhauer- und Maler-Kunst: worinn die Regeln und Lehrsätze dieser Künste gegeben, nicht weniger zu mehrerer Erläuterung die besten Exempel der alten und neuen Künst
Opificis Parisiensis Vxor, 1643. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/opificis-parisiensis-vxor-1643-image418809593.htmlRM2F9ABWD–Opificis Parisiensis Vxor, 1643.
Matthew Paris, Pilgrimage Map, 13th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/matthew-paris-pilgrimage-map-13th-century-image245866913.htmlRMT805N5–Matthew Paris, Pilgrimage Map, 13th Century
medicine, diseases, dropsy, Jesus blessing a dropsical, woodcut by Urs Graf the Elder (circa 1485 - 1528), out of: Johannes Herolt, 'Postilla Guillermi super Epistolas et Euangelia', print: Michael Furter, Basel, 1515, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-medicine-diseases-dropsy-jesus-blessing-a-dropsical-woodcut-by-urs-95421995.htmlRMFF6RMB–medicine, diseases, dropsy, Jesus blessing a dropsical, woodcut by Urs Graf the Elder (circa 1485 - 1528), out of: Johannes Herolt, 'Postilla Guillermi super Epistolas et Euangelia', print: Michael Furter, Basel, 1515, Additional-Rights-Clearences-Not Available
Censvra Sacrae Facvultatis Theologiae Parisiensis lata in seditiosum libellum qui inscribitur G.G.RTheologi ad Lvdovieva XIII . JV- 1. :m%*« ra Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/censvra-sacrae-facvultatis-theologiae-parisiensis-lata-in-seditiosum-libellum-qui-inscribitur-ggrtheologi-ad-lvdovieva-xiii-jv-1-m-ra-image339106275.htmlRM2AKKHEB–Censvra Sacrae Facvultatis Theologiae Parisiensis lata in seditiosum libellum qui inscribitur G.G.RTheologi ad Lvdovieva XIII . JV- 1. :m%*« ra
Minorites Church, Vienna, Austria Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-minorites-church-vienna-austria-93024127.htmlRMFB9H67–Minorites Church, Vienna, Austria
Exterior view of the Institut Catholique de Paris (ICP), a Catholic university and a private higher education institution of general interest Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/exterior-view-of-the-institut-catholique-de-paris-icp-a-catholic-university-and-a-private-higher-education-institution-of-general-interest-image618467752.htmlRF2XX5HX0–Exterior view of the Institut Catholique de Paris (ICP), a Catholic university and a private higher education institution of general interest
Austria Vienna Wien Minoritenkirsche sculptures in portal detail entrance Church Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-austria-vienna-wien-minoritenkirsche-sculptures-in-portal-detail-entrance-17965867.htmlRFB16BJ3–Austria Vienna Wien Minoritenkirsche sculptures in portal detail entrance Church
Cleric reading 'In Ecclesia parisiensis' Breviary for Paris, folio 66 Early 14th century manuscript Parchment Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cleric-reading-in-ecclesia-parisiensis-breviary-for-paris-folio-66-113154340.htmlRMGG2HEC–Cleric reading 'In Ecclesia parisiensis' Breviary for Paris, folio 66 Early 14th century manuscript Parchment
Wenceslaus Hollar, (artist), Bohemian, 1607 - 1677, Mercatoris Parisiensis Vxor, Theatrum mulierum and Aula Veneris, (series), 1643, etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wenceslaus-hollar-artist-bohemian-1607-1677-mercatoris-parisiensis-vxor-theatrum-mulierum-and-aula-veneris-series-1643-etching-image386235941.htmlRM2DCAFTN–Wenceslaus Hollar, (artist), Bohemian, 1607 - 1677, Mercatoris Parisiensis Vxor, Theatrum mulierum and Aula Veneris, (series), 1643, etching
Potentilla supina. Handcoloured botanical drawn and engraved by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P. F. Didot. Pierre Bulliard (1752-1793) was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/potentilla-supina-handcoloured-botanical-drawn-and-engraved-by-pierre-bulliard-from-his-own-flora-parisiensis-1776-paris-p-f-didot-pierre-bulliard-1752-1793-was-a-famous-french-botanist-who-pioneered-the-three-colour-plate-printing-technique-his-introduction-to-the-flowers-of-paris-included-640-plants-image209906161.htmlRMP5E1CH–Potentilla supina. Handcoloured botanical drawn and engraved by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P. F. Didot. Pierre Bulliard (1752-1793) was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants.
Celery, Apium graveolens. Handcoloured engraving by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P.F. Didot. Pierre Bulliard (1752-1793 was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/celery-apium-graveolens-handcoloured-engraving-by-pierre-bulliard-from-his-own-flora-parisiensis-1776-paris-pf-didot-pierre-bulliard-1752-1793-was-a-famous-french-botanist-who-pioneered-the-three-colour-plate-printing-technique-his-introduction-to-the-flowers-of-paris-included-640-plants-image331780820.htmlRM2A7NWR0–Celery, Apium graveolens. Handcoloured engraving by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P.F. Didot. Pierre Bulliard (1752-1793 was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants.
Faemina Nobilis Parisiensis Gentille femme de Paris, map of Paris by Claes Jansz. Visscher Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-faemina-nobilis-parisiensis-gentille-femme-de-paris-map-of-paris-by-142920332.htmlRMJ8EG9G–Faemina Nobilis Parisiensis Gentille femme de Paris, map of Paris by Claes Jansz. Visscher
Wenceslas Hollar - Matrona Parisiensis (State 1) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wenceslas-hollar-matrona-parisiensis-state-1-135698013.htmlRMHTNG5H–Wenceslas Hollar - Matrona Parisiensis (State 1)
Civis Parisiensis Bourgeois de Paris, map of Paris by Claes Jansz. Visscher. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/civis-parisiensis-bourgeois-de-paris-map-of-paris-by-claes-jansz-visscher-image260376756.htmlRMW3H55T–Civis Parisiensis Bourgeois de Paris, map of Paris by Claes Jansz. Visscher.
![Inv.nr: V.3.189 Helvetius, De l´Esprit, Paris 1758. 1 "Determinatio sacræ facultatis Parisiensis super libro cui titulus, de l'esprit - Skoklosters slott - 86179 Stock Photo](https://c8.alamy.com/comp/PA27T9/invnr-v3189-helvetius-de-lesprit-paris-1758-1-quotdeterminatio-sacr-facultatis-parisiensis-super-libro-cui-titulus-de-lesprit-skoklosters-slott-86179-PA27T9.jpg "Inv.nr: V.3.189 Helvetius, De l´Esprit, Paris 1758. 1 "Determinatio sacræ facultatis Parisiensis super libro cui titulus, de l'esprit - Skoklosters slott - 86179 Stock Photo")
Inv.nr: V.3.189 Helvetius, De l´Esprit, Paris 1758. 1 "Determinatio sacræ facultatis Parisiensis super libro cui titulus, de l'esprit - Skoklosters slott - 86179 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/invnr-v3189-helvetius-de-lesprit-paris-1758-1-quotdeterminatio-sacr-facultatis-parisiensis-super-libro-cui-titulus-de-lesprit-skoklosters-slott-86179-image212721049.htmlRMPA27T9–Inv.nr: V.3.189 Helvetius, De l´Esprit, Paris 1758. 1 "Determinatio sacræ facultatis Parisiensis super libro cui titulus, de l'esprit - Skoklosters slott - 86179
![AGER PARISIENSIS Vulgo L'ISLE DE FRANCE. Author La GuillotieÃÄre, FrancÃßois de 63.57. Place of publication: [Amsterdam] Publisher: Apud Guiljelmum Blaeu, Date of publication: [about 1662] Item type: 1 map Medium: copperplate engraving Dimensions: 36.1 x 48.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FAPH/ager-parisiensis-vulgo-lisle-de-france-author-la-guillotiere-francois-de-6357-place-of-publication-amsterdam-publisher-apud-guiljelmum-blaeu-date-of-publication-about-1662-item-type-1-map-medium-copperplate-engraving-dimensions-361-x-485-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FAPH.jpg "AGER PARISIENSIS Vulgo L'ISLE DE FRANCE. Author La GuillotieÃÄre, FrancÃßois de 63.57. Place of publication: [Amsterdam] Publisher: Apud Guiljelmum Blaeu, Date of publication: [about 1662] Item type: 1 map Medium: copperplate engraving Dimensions: 36.1 x 48.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
AGER PARISIENSIS Vulgo L'ISLE DE FRANCE. Author La GuillotieÃÄre, FrancÃßois de 63.57. Place of publication: [Amsterdam] Publisher: Apud Guiljelmum Blaeu, Date of publication: [about 1662] Item type: 1 map Medium: copperplate engraving Dimensions: 36.1 x 48.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ager-parisiensis-vulgo-lisle-de-france-author-la-guillotiere-francois-de-6357-place-of-publication-amsterdam-publisher-apud-guiljelmum-blaeu-date-of-publication-about-1662-item-type-1-map-medium-copperplate-engraving-dimensions-361-x-485-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401708121.htmlRM2E9FAPH–AGER PARISIENSIS Vulgo L'ISLE DE FRANCE. Author La GuillotieÃÄre, FrancÃßois de 63.57. Place of publication: [Amsterdam] Publisher: Apud Guiljelmum Blaeu, Date of publication: [about 1662] Item type: 1 map Medium: copperplate engraving Dimensions: 36.1 x 48.5 cm Former owner: George III, King of Great Britain, 1738-1820
Wenceslaus Hollar, Matrona Parisiensis, 1643, Matrona Parisiensis; 1643 date Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wenceslaus-hollar-matrona-parisiensis-1643-matrona-parisiensis-1643-date-image336088221.htmlRM2AEP3XN–Wenceslaus Hollar, Matrona Parisiensis, 1643, Matrona Parisiensis; 1643 date
Mercatoris Parisiensis Vxor 1643 by Wenceslaus Hollar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mercatoris-parisiensis-vxor-1643-by-wenceslaus-hollar-image561532482.htmlRM2RHG0BE–Mercatoris Parisiensis Vxor 1643 by Wenceslaus Hollar
Portrait of Philippe Despont, Pieter van Schuppen, 1694. Reimagined by Gibon. Classic art with a modern twist reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-philippe-despont-pieter-van-schuppen-1694-reimagined-by-gibon-classic-art-with-a-modern-twist-reimagined-image230473862.htmlRFRAXYNA–Portrait of Philippe Despont, Pieter van Schuppen, 1694. Reimagined by Gibon. Classic art with a modern twist reimagined
Mercatoris Parisiensis Vxor, 1643. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mercatoris-parisiensis-vxor-1643-image418808942.htmlRM2F9AB26–Mercatoris Parisiensis Vxor, 1643.
Josephi Pitton Tournefort Aquisextiensis, doctoris medici Parisiensis ..Institutiones rei herbariae . Lugdu»} juxta ExewpUf P A R I S I I S,TYPOGRAPIA REGI A. M. D C C X I X.josephipittontou01tour Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/josephi-pitton-tournefort-aquisextiensis-doctoris-medici-parisiensis-institutiones-rei-herbariae-lugdu-juxta-exewpuf-p-a-r-i-s-i-i-stypograpia-regi-a-m-d-c-c-x-i-xjosephipittontou01tour-image339373848.htmlRM2AM3PPG–Josephi Pitton Tournefort Aquisextiensis, doctoris medici Parisiensis ..Institutiones rei herbariae . Lugdu»} juxta ExewpUf P A R I S I I S,TYPOGRAPIA REGI A. M. D C C X I X.josephipittontou01tour
Entrance to the Institut Catholique de Paris (ICP), a Catholic university and a private higher education institution of general interest Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/entrance-to-the-institut-catholique-de-paris-icp-a-catholic-university-and-a-private-higher-education-institution-of-general-interest-image618467751.htmlRF2XX5HWY–Entrance to the Institut Catholique de Paris (ICP), a Catholic university and a private higher education institution of general interest
Austria Vienna Wien Minoritenkirsche sculptures in portal detail entrance Church Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-austria-vienna-wien-minoritenkirsche-sculptures-in-portal-detail-entrance-17958272.htmlRFB161XT–Austria Vienna Wien Minoritenkirsche sculptures in portal detail entrance Church
Wenceslaus Hollar, (artist), Bohemian, 1607 - 1677, Opificis Parisiensis Vxor, Theatrum mulierum and Aula Veneris, (series), 1643, etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wenceslaus-hollar-artist-bohemian-1607-1677-opificis-parisiensis-vxor-theatrum-mulierum-and-aula-veneris-series-1643-etching-image386243872.htmlRM2DCAX00–Wenceslaus Hollar, (artist), Bohemian, 1607 - 1677, Opificis Parisiensis Vxor, Theatrum mulierum and Aula Veneris, (series), 1643, etching
Ivy, Hedera helix. Handcoloured botanical drawn and engraved by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P.F. Didot. Pierre Bulliard (1752-1793) was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ivy-hedera-helix-handcoloured-botanical-drawn-and-engraved-by-pierre-bulliard-from-his-own-flora-parisiensis-1776-paris-pf-didot-pierre-bulliard-1752-1793-was-a-famous-french-botanist-who-pioneered-the-three-colour-plate-printing-technique-his-introduction-to-the-flowers-of-paris-included-640-plants-image209893009.htmlRMP5DCJW–Ivy, Hedera helix. Handcoloured botanical drawn and engraved by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P.F. Didot. Pierre Bulliard (1752-1793) was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants.
Potentilla supina. Handcoloured botanical drawn and engraved by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P. F. Didot. Pierre Bulliard (1752-1793) was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/potentilla-supina-handcoloured-botanical-drawn-and-engraved-by-pierre-bulliard-from-his-own-flora-parisiensis-1776-paris-p-f-didot-pierre-bulliard-1752-1793-was-a-famous-french-botanist-who-pioneered-the-three-colour-plate-printing-technique-his-introduction-to-the-flowers-of-paris-included-640-plants-image331782122.htmlRM2A7NYDE–Potentilla supina. Handcoloured botanical drawn and engraved by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P. F. Didot. Pierre Bulliard (1752-1793) was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants.
Faemina Plebeia Parisiensis Femme bourgeoise de Paris, map of Paris by Claes Jansz. Visscher Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-faemina-plebeia-parisiensis-femme-bourgeoise-de-paris-map-of-paris-142920333.htmlRMJ8EG9H–Faemina Plebeia Parisiensis Femme bourgeoise de Paris, map of Paris by Claes Jansz. Visscher
Wenceslas Hollar - Mercatoris Parisiensis Vxor (State 4) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wenceslas-hollar-mercatoris-parisiensis-vxor-state-4-135702317.htmlRMHTNNK9–Wenceslas Hollar - Mercatoris Parisiensis Vxor (State 4)
Faemina Nobilis Parisiensis Gentille femme de Paris, map of Paris by Claes Jansz. Visscher. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/faemina-nobilis-parisiensis-gentille-femme-de-paris-map-of-paris-by-claes-jansz-visscher-image328924842.htmlRM2A33PYP–Faemina Nobilis Parisiensis Gentille femme de Paris, map of Paris by Claes Jansz. Visscher.
![Inv.nr: V.3.189 Helvetius, De l´Esprit, Paris 1758. 1 "Determinatio sacræ facultatis Parisiensis super libro cui titulus, de l'esprit - Skoklosters slott - 86179 Stock Photo](https://c8.alamy.com/comp/P5MEBF/invnr-v3189-helvetius-de-lesprit-paris-1758-1-quotdeterminatio-sacr-facultatis-parisiensis-super-libro-cui-titulus-de-lesprit-skoklosters-slott-86179-P5MEBF.jpg "Inv.nr: V.3.189 Helvetius, De l´Esprit, Paris 1758. 1 "Determinatio sacræ facultatis Parisiensis super libro cui titulus, de l'esprit - Skoklosters slott - 86179 Stock Photo")
Inv.nr: V.3.189 Helvetius, De l´Esprit, Paris 1758. 1 "Determinatio sacræ facultatis Parisiensis super libro cui titulus, de l'esprit - Skoklosters slott - 86179 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/invnr-v3189-helvetius-de-lesprit-paris-1758-1-quotdeterminatio-sacr-facultatis-parisiensis-super-libro-cui-titulus-de-lesprit-skoklosters-slott-86179-image210048035.htmlRMP5MEBF–Inv.nr: V.3.189 Helvetius, De l´Esprit, Paris 1758. 1 "Determinatio sacræ facultatis Parisiensis super libro cui titulus, de l'esprit - Skoklosters slott - 86179
![Prospectus Pontis St. Michaelis, vers Eccles. Cathedr. B.V.M. Parisiensis = VueÃà de la Pont St. Michel vers l'Eglise NoÃÇtre Dame, a Paris = Veduta del Ponte St. Micaele, verso del Duomo a Parigi = Gesicht der St. M Visual Material information: Title: Prospectus Pontis St. Michaelis, vers Eccles. Cathedr. B.V.M. Parisiensis = VueÃà de la Pont St. Michel vers l'Eglise NoÃÇtre Dame, a Paris = Veduta del Ponte St. Micaele, verso del Duomo a Parigi = Gesicht der St. Michels Bruk, gegen U.L. Frauen Kirche, zu Paris. 65.12. Place of publication: [Augsburg] Publis Stock Photo](https://c8.alamy.com/comp/2E9FBBR/prospectus-pontis-st-michaelis-vers-eccles-cathedr-bvm-parisiensis-=-vue-de-la-pont-st-michel-vers-leglise-notre-dame-a-paris-=-veduta-del-ponte-st-micaele-verso-del-duomo-a-parigi-=-gesicht-der-st-m-visual-material-information-title-prospectus-pontis-st-michaelis-vers-eccles-cathedr-bvm-parisiensis-=-vue-de-la-pont-st-michel-vers-leglise-notre-dame-a-paris-=-veduta-del-ponte-st-micaele-verso-del-duomo-a-parigi-=-gesicht-der-st-michels-bruk-gegen-ul-frauen-kirche-zu-paris-6512-place-of-publication-augsburg-publis-2E9FBBR.jpg "Prospectus Pontis St. Michaelis, vers Eccles. Cathedr. B.V.M. Parisiensis = VueÃà de la Pont St. Michel vers l'Eglise NoÃÇtre Dame, a Paris = Veduta del Ponte St. Micaele, verso del Duomo a Parigi = Gesicht der St. M Visual Material information: Title: Prospectus Pontis St. Michaelis, vers Eccles. Cathedr. B.V.M. Parisiensis = VueÃà de la Pont St. Michel vers l'Eglise NoÃÇtre Dame, a Paris = Veduta del Ponte St. Micaele, verso del Duomo a Parigi = Gesicht der St. Michels Bruk, gegen U.L. Frauen Kirche, zu Paris. 65.12. Place of publication: [Augsburg] Publis Stock Photo")
Prospectus Pontis St. Michaelis, vers Eccles. Cathedr. B.V.M. Parisiensis = VueÃà de la Pont St. Michel vers l'Eglise NoÃÇtre Dame, a Paris = Veduta del Ponte St. Micaele, verso del Duomo a Parigi = Gesicht der St. M Visual Material information: Title: Prospectus Pontis St. Michaelis, vers Eccles. Cathedr. B.V.M. Parisiensis = VueÃà de la Pont St. Michel vers l'Eglise NoÃÇtre Dame, a Paris = Veduta del Ponte St. Micaele, verso del Duomo a Parigi = Gesicht der St. Michels Bruk, gegen U.L. Frauen Kirche, zu Paris. 65.12. Place of publication: [Augsburg] Publis Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/prospectus-pontis-st-michaelis-vers-eccles-cathedr-bvm-parisiensis-=-vue-de-la-pont-st-michel-vers-leglise-notre-dame-a-paris-=-veduta-del-ponte-st-micaele-verso-del-duomo-a-parigi-=-gesicht-der-st-m-visual-material-information-title-prospectus-pontis-st-michaelis-vers-eccles-cathedr-bvm-parisiensis-=-vue-de-la-pont-st-michel-vers-leglise-notre-dame-a-paris-=-veduta-del-ponte-st-micaele-verso-del-duomo-a-parigi-=-gesicht-der-st-michels-bruk-gegen-ul-frauen-kirche-zu-paris-6512-place-of-publication-augsburg-publis-image401708603.htmlRM2E9FBBR–Prospectus Pontis St. Michaelis, vers Eccles. Cathedr. B.V.M. Parisiensis = VueÃà de la Pont St. Michel vers l'Eglise NoÃÇtre Dame, a Paris = Veduta del Ponte St. Micaele, verso del Duomo a Parigi = Gesicht der St. M Visual Material information: Title: Prospectus Pontis St. Michaelis, vers Eccles. Cathedr. B.V.M. Parisiensis = VueÃà de la Pont St. Michel vers l'Eglise NoÃÇtre Dame, a Paris = Veduta del Ponte St. Micaele, verso del Duomo a Parigi = Gesicht der St. Michels Bruk, gegen U.L. Frauen Kirche, zu Paris. 65.12. Place of publication: [Augsburg] Publis
Wenceslaus Hollar, Mercatoris Parisiensis Vxor, 1643, Mercatoris Parisiensis Vxor; 1643 date Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wenceslaus-hollar-mercatoris-parisiensis-vxor-1643-mercatoris-parisiensis-vxor-1643-date-image336088202.htmlRM2AEP3X2–Wenceslaus Hollar, Mercatoris Parisiensis Vxor, 1643, Mercatoris Parisiensis Vxor; 1643 date
Opificis Parisiensis Vxor 1643 by Wenceslaus Hollar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/opificis-parisiensis-vxor-1643-by-wenceslaus-hollar-image561532483.htmlRM2RHG0BF–Opificis Parisiensis Vxor 1643 by Wenceslaus Hollar
Die Säugetiere des schweizerischen Eocaens : critischer Catalog der Materialien . Figur CCLXIT. Adapis parisiensis B)., var. — LinkeMandibel mit Ms — C von aussen. Montauban 5. 1/i. —H. Hackenförmiger Fortsatz des Unterkiefenvinkels. T, Mi,Me Ansalzflächen von Temporaiis, Masseter internus, Masseterexternus.. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/die-sugetiere-des-schweizerischen-eocaens-critischer-catalog-der-materialien-figur-cclxit-adapis-parisiensis-b-var-linkemandibel-mit-ms-c-von-aussen-montauban-5-1i-h-hackenfrmiger-fortsatz-des-unterkiefenvinkels-t-mime-ansalzflchen-von-temporaiis-masseter-internus-masseterexternus-image340311212.htmlRM2ANJEBT–Die Säugetiere des schweizerischen Eocaens : critischer Catalog der Materialien . Figur CCLXIT. Adapis parisiensis B)., var. — LinkeMandibel mit Ms — C von aussen. Montauban 5. 1/i. —H. Hackenförmiger Fortsatz des Unterkiefenvinkels. T, Mi,Me Ansalzflächen von Temporaiis, Masseter internus, Masseterexternus..
Sign carved at the entrance to the Institut Catholique de Paris (ICP), a Catholic university and a private higher education institution Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sign-carved-at-the-entrance-to-the-institut-catholique-de-paris-icp-a-catholic-university-and-a-private-higher-education-institution-image618467745.htmlRF2XX5HWN–Sign carved at the entrance to the Institut Catholique de Paris (ICP), a Catholic university and a private higher education institution
Thomas Blanchet Parisiensis, I. Iacob Thurneyser Basiliensis, Richart Collin Luxemb. Benniamin Block Lubec. Ioh. Rud. Wertmüller Tigurinus, Melchior Bartel Saxo., Portrait of Thomas Blanchet, Johann Jakob Thurneysen d., Ä, Richard Collin, Benjamin von Block, Hans Rudolf Werdmüller, Melchior Barthel, Signed: Richard Collin sculp, Fig. 37, OO, after p. 424, Collin, Richard (sc.), 1774, Joachim von Sandrart:Teutsche Academie der Bau- Bildhauer- und Maler-Kunst: worinn die Regeln und Lehrsätze dieser Künste gegeben, nicht weniger zu mehrerer Erläuterung die besten Exempel der alten und neuen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thomas-blanchet-parisiensis-i-iacob-thurneyser-basiliensis-richart-collin-luxemb-benniamin-block-lubec-ioh-rud-wertmller-tigurinus-melchior-bartel-saxo-portrait-of-thomas-blanchet-johann-jakob-thurneysen-d-richard-collin-benjamin-von-block-hans-rudolf-werdmller-melchior-barthel-signed-richard-collin-sculp-fig-37-oo-after-p-424-collin-richard-sc-1774-joachim-von-sandrartteutsche-academie-der-bau-bildhauer-und-maler-kunst-worinn-die-regeln-und-lehrstze-dieser-knste-gegeben-nicht-weniger-zu-mehrerer-erluterung-die-besten-exempel-der-alten-und-neuen-image328766170.htmlRM2A2TGGX–Thomas Blanchet Parisiensis, I. Iacob Thurneyser Basiliensis, Richart Collin Luxemb. Benniamin Block Lubec. Ioh. Rud. Wertmüller Tigurinus, Melchior Bartel Saxo., Portrait of Thomas Blanchet, Johann Jakob Thurneysen d., Ä, Richard Collin, Benjamin von Block, Hans Rudolf Werdmüller, Melchior Barthel, Signed: Richard Collin sculp, Fig. 37, OO, after p. 424, Collin, Richard (sc.), 1774, Joachim von Sandrart:Teutsche Academie der Bau- Bildhauer- und Maler-Kunst: worinn die Regeln und Lehrsätze dieser Künste gegeben, nicht weniger zu mehrerer Erläuterung die besten Exempel der alten und neuen
Bullhead, Tribulus terrestris. Handcoloured botanical drawn and engraved by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P. F. Didot. Pierre Bulliard (1752-1793) was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bullhead-tribulus-terrestris-handcoloured-botanical-drawn-and-engraved-by-pierre-bulliard-from-his-own-flora-parisiensis-1776-paris-p-f-didot-pierre-bulliard-1752-1793-was-a-famous-french-botanist-who-pioneered-the-three-colour-plate-printing-technique-his-introduction-to-the-flowers-of-paris-included-640-plants-image209908603.htmlRMP5E4FR–Bullhead, Tribulus terrestris. Handcoloured botanical drawn and engraved by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P. F. Didot. Pierre Bulliard (1752-1793) was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants.
Chickweed, Stellaria media. Handcoloured botanical drawn and engraved by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P. F. Didot. Pierre Bulliard (1752-1793) was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chickweed-stellaria-media-handcoloured-botanical-drawn-and-engraved-by-pierre-bulliard-from-his-own-flora-parisiensis-1776-paris-p-f-didot-pierre-bulliard-1752-1793-was-a-famous-french-botanist-who-pioneered-the-three-colour-plate-printing-technique-his-introduction-to-the-flowers-of-paris-included-640-plants-image331781523.htmlRM2A7NXM3–Chickweed, Stellaria media. Handcoloured botanical drawn and engraved by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P. F. Didot. Pierre Bulliard (1752-1793) was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants.
Begin. fol. 1 recto Officium inhumationis c ofratrum defunctor u magne c ofratrie burgensis Parisiensis. Upper cover (c23a20) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-begin-fol-1-recto-officium-inhumationis-c-ofratrum-defunctor-u-magne-170069996.htmlRMKTKA0C–Begin. fol. 1 recto Officium inhumationis c ofratrum defunctor u magne c ofratrie burgensis Parisiensis. Upper cover (c23a20)
Wenceslas Hollar - Mercatoris Parisiensis Vxor (State 3) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wenceslas-hollar-mercatoris-parisiensis-vxor-state-3-135702875.htmlRMHTNPB7–Wenceslas Hollar - Mercatoris Parisiensis Vxor (State 3)
Faemina Plebeia Parisiensis Femme bourgeoise de Paris, map of Paris by Claes Jansz. Visscher. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/faemina-plebeia-parisiensis-femme-bourgeoise-de-paris-map-of-paris-by-claes-jansz-visscher-image328924861.htmlRM2A33R0D–Faemina Plebeia Parisiensis Femme bourgeoise de Paris, map of Paris by Claes Jansz. Visscher.
![. Français : Musæ ad supremum Senatum... Numéro 27. by Antoine Vicaire (1710-1795), ([Paris] Ex typographiâ Thiboust, Regis, nec-non Academiæ Parisiensis typographi, in plateâ Cameracens. . 1749. Nicolas Caron (Caron inv.) Caron Fleuron Muses Stock Photo](https://c8.alamy.com/comp/MMTWCM/franais-mus-ad-supremum-senatum-numro-27-by-antoine-vicaire-1710-1795-paris-ex-typographi-thiboust-regis-nec-non-academi-parisiensis-typographi-in-plate-cameracens-1749-nicolas-caron-caron-inv-caron-fleuron-muses-MMTWCM.jpg ". Français : Musæ ad supremum Senatum... Numéro 27. by Antoine Vicaire (1710-1795), ([Paris] Ex typographiâ Thiboust, Regis, nec-non Academiæ Parisiensis typographi, in plateâ Cameracens. . 1749. Nicolas Caron (Caron inv.) Caron Fleuron Muses Stock Photo")
. Français : Musæ ad supremum Senatum... Numéro 27. by Antoine Vicaire (1710-1795), ([Paris] Ex typographiâ Thiboust, Regis, nec-non Academiæ Parisiensis typographi, in plateâ Cameracens. . 1749. Nicolas Caron (Caron inv.) Caron Fleuron Muses Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-mus-ad-supremum-senatum-numro-27-by-antoine-vicaire-1710-1795-paris-ex-typographi-thiboust-regis-nec-non-academi-parisiensis-typographi-in-plate-cameracens-1749-nicolas-caron-caron-inv-caron-fleuron-muses-image184943604.htmlRMMMTWCM–. Français : Musæ ad supremum Senatum... Numéro 27. by Antoine Vicaire (1710-1795), ([Paris] Ex typographiâ Thiboust, Regis, nec-non Academiæ Parisiensis typographi, in plateâ Cameracens. . 1749. Nicolas Caron (Caron inv.) Caron Fleuron Muses
AGER PARISIENSIS VULGO L'ISLE DE FRANCE; Schenck, Pieter (1660-1711), Valck, Gerard (1651 cars 1652-1726); 1711 (1711-00-00-1711-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ager-parisiensis-vulgo-lisle-de-france-schenck-pieter-1660-1711-valck-gerard-1651-cars-1652-1726-1711-1711-00-00-1711-00-00-image598980647.htmlRM2WPDWWY–AGER PARISIENSIS VULGO L'ISLE DE FRANCE; Schenck, Pieter (1660-1711), Valck, Gerard (1651 cars 1652-1726); 1711 (1711-00-00-1711-00-00);
Wenceslaus Hollar, Opificis Parisiensis Vxor, 1643, Opificis Parisiensis Vxor; 1643 date Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wenceslaus-hollar-opificis-parisiensis-vxor-1643-opificis-parisiensis-vxor-1643-date-image336088599.htmlRM2AEP4C7–Wenceslaus Hollar, Opificis Parisiensis Vxor, 1643, Opificis Parisiensis Vxor; 1643 date
Ager Parisiensis, Vulgo L'Isle De France 1659 by Joan Blaeu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ager-parisiensis-vulgo-lisle-de-france-1659-by-joan-blaeu-image557264073.htmlRM2RAHG09–Ager Parisiensis, Vulgo L'Isle De France 1659 by Joan Blaeu
Josephi Pitton Tournefort Aquisextiensis, doctoris medici Parisiensis ..Institutiones rei herbariae . L U D O VI C O M A G N O. I quid uttlitatis ex hocqualicumque lahommmeorum monument o po-terit aliquando -proficipci, id totum immortalihm tuis, R e xM A XIM E j, erga Litteratos heneficïis Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/josephi-pitton-tournefort-aquisextiensis-doctoris-medici-parisiensis-institutiones-rei-herbariae-l-u-d-o-vi-c-o-m-a-g-n-o-i-quid-uttlitatis-ex-hocqualicumque-lahommmeorum-monument-o-po-terit-aliquando-proficipci-id-totum-immortalihm-tuis-r-e-xm-a-xim-e-j-erga-litteratos-heneficis-image339373557.htmlRM2AM3PC5–Josephi Pitton Tournefort Aquisextiensis, doctoris medici Parisiensis ..Institutiones rei herbariae . L U D O VI C O M A G N O. I quid uttlitatis ex hocqualicumque lahommmeorum monument o po-terit aliquando -proficipci, id totum immortalihm tuis, R e xM A XIM E j, erga Litteratos heneficïis
BVLIELMVS BVDAEVS, OF PARISIENSIS, Roman and Greek, who signs the weight of books, no one is more complete or better than Budæus, who unties the knots and monuments of the Jurisprudence, no one before Cecrops shows the most numerous. EZ Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bvlielmvs-bvdaevs-of-parisiensis-roman-and-greek-who-signs-the-weight-of-books-no-one-is-more-complete-or-better-than-budus-who-unties-the-knots-and-monuments-of-the-jurisprudence-no-one-before-cecrops-shows-the-most-numerous-ez-image573208660.htmlRM2T8FWDT–BVLIELMVS BVDAEVS, OF PARISIENSIS, Roman and Greek, who signs the weight of books, no one is more complete or better than Budæus, who unties the knots and monuments of the Jurisprudence, no one before Cecrops shows the most numerous. EZ
Soapwort, Saponaria officinalis. Handcoloured botanical drawn and engraved by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P. F. Didot. Pierre Bulliard (1752-1793) was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/soapwort-saponaria-officinalis-handcoloured-botanical-drawn-and-engraved-by-pierre-bulliard-from-his-own-flora-parisiensis-1776-paris-p-f-didot-pierre-bulliard-1752-1793-was-a-famous-french-botanist-who-pioneered-the-three-colour-plate-printing-technique-his-introduction-to-the-flowers-of-paris-included-640-plants-image209891922.htmlRMP5DB82–Soapwort, Saponaria officinalis. Handcoloured botanical drawn and engraved by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P. F. Didot. Pierre Bulliard (1752-1793) was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants.
Corn salad, Valeriana locusta. Handcoloured engraving by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P.F. Didot. Pierre Bulliard (1752-1793 was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/corn-salad-valeriana-locusta-handcoloured-engraving-by-pierre-bulliard-from-his-own-flora-parisiensis-1776-paris-pf-didot-pierre-bulliard-1752-1793-was-a-famous-french-botanist-who-pioneered-the-three-colour-plate-printing-technique-his-introduction-to-the-flowers-of-paris-included-640-plants-image331780330.htmlRM2A7NW5E–Corn salad, Valeriana locusta. Handcoloured engraving by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P.F. Didot. Pierre Bulliard (1752-1793 was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants.
Begin. fol. 1 recto Tractatus pulcherrimus de consolacione theologie eximij in sacra pagina professoris iohannis gerson cancellarij parisiensis incipit feliciter. Upper cover (IA3213) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-begin-fol-1-recto-tractatus-pulcherrimus-de-consolacione-theologie-170069908.htmlRMKTK9W8–Begin. fol. 1 recto Tractatus pulcherrimus de consolacione theologie eximij in sacra pagina professoris iohannis gerson cancellarij parisiensis incipit feliciter. Upper cover (IA3213)
Flora Parisiensis Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-flora-parisiensis-98331440.htmlRMFKYAN4–Flora Parisiensis
Galliae christianae Provincia ecclesiastica Parisiensis. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/galliae-christianae-provincia-ecclesiastica-parisiensis-image345102350.htmlRM2B1CNFX–Galliae christianae Provincia ecclesiastica Parisiensis.
N/A. English: 'Faemina Plebeia Parisiensis Femme bourgeoise de Paris' on the map of Paris by Claes Jansz. Visscher. 1618. Claes Janszoon Visscher II (1587–1652) Alternative names Claes Jansz. Visscher (II), Claes Janszoon Visscher, Joannes Piscator, Nicolas Jansz. Visscher (II), Nicolas Joannis Visscher (II) Description Dutch publisher, printmaker and draughtsman Date of birth/death 1587 19 June 1652 Location of birth/death Amsterdam Amsterdam Work period between circa 1601 and circa 1652 Work location Amsterdam Authority control : Q1094674 VIAF:19860086 ISNI:0000 0001 1844 7044 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-faemina-plebeia-parisiensis-femme-bourgeoise-de-paris-on-the-map-of-paris-by-claes-jansz-visscher-1618-claes-janszoon-visscher-ii-15871652-alternative-names-claes-jansz-visscher-ii-claes-janszoon-visscher-joannes-piscator-nicolas-jansz-visscher-ii-nicolas-joannis-visscher-ii-description-dutch-publisher-printmaker-and-draughtsman-date-of-birthdeath-1587-19-june-1652-location-of-birthdeath-amsterdam-amsterdam-work-period-between-circa-1601-and-circa-1652-work-location-amsterdam-authority-control-q1094674-viaf19860086-isni0000-0001-1844-7044-image210210202.htmlRMP5YW76–N/A. English: 'Faemina Plebeia Parisiensis Femme bourgeoise de Paris' on the map of Paris by Claes Jansz. Visscher. 1618. Claes Janszoon Visscher II (1587–1652) Alternative names Claes Jansz. Visscher (II), Claes Janszoon Visscher, Joannes Piscator, Nicolas Jansz. Visscher (II), Nicolas Joannis Visscher (II) Description Dutch publisher, printmaker and draughtsman Date of birth/death 1587 19 June 1652 Location of birth/death Amsterdam Amsterdam Work period between circa 1601 and circa 1652 Work location Amsterdam Authority control : Q1094674 VIAF:19860086 ISNI:0000 0001 1844 7044
Postilla super Epistolas et Evangelia; bound with Passio domini Nostri Jesu Christo 1521 Guillermus Parisiensis Italian. Postilla super Epistolas et Evangelia; bound with Passio domini Nostri Jesu Christo. 1521. Woodcuts (woodcut on vellum binding). Wolff (Basel). Books Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/postilla-super-epistolas-et-evangelia-bound-with-passio-domini-nostri-jesu-christo-1521-guillermus-parisiensis-italian-postilla-super-epistolas-et-evangelia-bound-with-passio-domini-nostri-jesu-christo-1521-woodcuts-woodcut-on-vellum-binding-wolff-basel-books-image458513796.htmlRM2HHY30M–Postilla super Epistolas et Evangelia; bound with Passio domini Nostri Jesu Christo 1521 Guillermus Parisiensis Italian. Postilla super Epistolas et Evangelia; bound with Passio domini Nostri Jesu Christo. 1521. Woodcuts (woodcut on vellum binding). Wolff (Basel). Books
Jean de Gerson Jo gerson cancellarius parisiensis (titel op object) Liber Chronicarum (serietitel) A calyx with a reading man. The text identifies him as Jean Gerson. The print is part of a album. Manufacturer : printmaker Michel Wolgemut (studio) printmaker: Wilhelm Pleydenwurff (workshop) Place manufacture: Nuremberg Date: 1493 Physical features: woodcut pasted on album leaf; text printing; verso with woodcut material: paper Technique: letterpress / woodcut / paste dimensions: print: h 81 mm × W 55 mmToelichtingDe woodcut is used frequently as a book illustration in the Liber Chronicarum (or Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-de-gerson-jo-gerson-cancellarius-parisiensis-titel-op-object-liber-chronicarum-serietitel-a-calyx-with-a-reading-man-the-text-identifies-him-as-jean-gerson-the-print-is-part-of-a-album-manufacturer-printmaker-michel-wolgemut-studio-printmaker-wilhelm-pleydenwurff-workshop-place-manufacture-nuremberg-date-1493-physical-features-woodcut-pasted-on-album-leaf-text-printing-verso-with-woodcut-material-paper-technique-letterpress-woodcut-paste-dimensions-print-h-81-mm-w-55-mmtoelichtingde-woodcut-is-used-frequently-as-a-book-illustration-in-the-liber-chronicarum-or-image348461496.htmlRM2B6WP5C–Jean de Gerson Jo gerson cancellarius parisiensis (titel op object) Liber Chronicarum (serietitel) A calyx with a reading man. The text identifies him as Jean Gerson. The print is part of a album. Manufacturer : printmaker Michel Wolgemut (studio) printmaker: Wilhelm Pleydenwurff (workshop) Place manufacture: Nuremberg Date: 1493 Physical features: woodcut pasted on album leaf; text printing; verso with woodcut material: paper Technique: letterpress / woodcut / paste dimensions: print: h 81 mm × W 55 mmToelichtingDe woodcut is used frequently as a book illustration in the Liber Chronicarum (or
Josephi Pitton Tournefort Aquisextiensis, doctoris medici Parisiensis ..Institutiones rei herbariae . feqiiens.Smilax Oriencalis/armentis aculeatis,excclias aiborcs icaudentibus/oliis nonIpinolîs. Pitg. 655. Rîtlnoidls fpeclehis addeiîdttfe^juefites.Rjcinoldcs ex qua paratur Touinefol Galloriim , folio oblongo dc villolo.K.icinoides ex qua paratur Tournefol Gallorum, folio oblongo, ferrato ,noiivillofo. Pag. ôj6. EchhophomfpeciehusaddefidiCfeqHentes,Echinopliora Orientalîs, moncana rpinofa.Echinophora Orientalis, procerior, fruélii foliato. Pag ôjé. NîjfolU fpeciebus addenda feque/is,NilTolia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/josephi-pitton-tournefort-aquisextiensis-doctoris-medici-parisiensis-institutiones-rei-herbariae-feqiienssmilax-oriencalisarmentis-aculeatisexcclias-aiborcs-icaudentibusoliis-nonipinols-pitg-655-rtlnoidls-fpeclehis-addeidttfejuefitesrjcinoldcs-ex-qua-paratur-touinefol-galloriim-folio-oblongo-dc-villolokicinoides-ex-qua-paratur-tournefol-gallorum-folio-oblongo-ferrato-noiivillofo-pag-j6-echhophomfpeciehusaddefidicfeqhentesechinopliora-orientals-moncana-rpinofaechinophora-orientalis-procerior-frulii-foliato-pag-j-njfolu-fpeciebus-addenda-fequeisniltolia-image339372529.htmlRM2AM3N3D–Josephi Pitton Tournefort Aquisextiensis, doctoris medici Parisiensis ..Institutiones rei herbariae . feqiiens.Smilax Oriencalis/armentis aculeatis,excclias aiborcs icaudentibus/oliis nonIpinolîs. Pitg. 655. Rîtlnoidls fpeclehis addeiîdttfe^juefites.Rjcinoldcs ex qua paratur Touinefol Galloriim , folio oblongo dc villolo.K.icinoides ex qua paratur Tournefol Gallorum, folio oblongo, ferrato ,noiivillofo. Pag. ôj6. EchhophomfpeciehusaddefidiCfeqHentes,Echinopliora Orientalîs, moncana rpinofa.Echinophora Orientalis, procerior, fruélii foliato. Pag ôjé. NîjfolU fpeciebus addenda feque/is,NilTolia
possibly name of artist gone, bottom, right. HENRICVS BLACVODÆVS HENRICI FILIVS PARISIENSIS DOCTOR MEDICVS AND PROFESSOR REGIVS. Native Scotsman. Born in Paris. Died in Rouen on 17. 7.bre, 1634 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/possibly-name-of-artist-gone-bottom-right-henricvs-blacvodvs-henrici-filivs-parisiensis-doctor-medicvs-and-professor-regivs-native-scotsman-born-in-paris-died-in-rouen-on-17-7bre-1634-image573199173.htmlRM2T8FDB1–possibly name of artist gone, bottom, right. HENRICVS BLACVODÆVS HENRICI FILIVS PARISIENSIS DOCTOR MEDICVS AND PROFESSOR REGIVS. Native Scotsman. Born in Paris. Died in Rouen on 17. 7.bre, 1634
Vervain, Verbena officinalis. Handcoloured botanical drawn and engraved by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P.F. Didot. Pierre Bulliard (1752-1793 was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vervain-verbena-officinalis-handcoloured-botanical-drawn-and-engraved-by-pierre-bulliard-from-his-own-flora-parisiensis-1776-paris-pf-didot-pierre-bulliard-1752-1793-was-a-famous-french-botanist-who-pioneered-the-three-colour-plate-printing-technique-his-introduction-to-the-flowers-of-paris-included-640-plants-image209892619.htmlRMP5DC4Y–Vervain, Verbena officinalis. Handcoloured botanical drawn and engraved by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P.F. Didot. Pierre Bulliard (1752-1793 was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants.
Ivy, Hedera helix. Handcoloured botanical drawn and engraved by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P.F. Didot. Pierre Bulliard (1752-1793) was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ivy-hedera-helix-handcoloured-botanical-drawn-and-engraved-by-pierre-bulliard-from-his-own-flora-parisiensis-1776-paris-pf-didot-pierre-bulliard-1752-1793-was-a-famous-french-botanist-who-pioneered-the-three-colour-plate-printing-technique-his-introduction-to-the-flowers-of-paris-included-640-plants-image331780713.htmlRM2A7NWK5–Ivy, Hedera helix. Handcoloured botanical drawn and engraved by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P.F. Didot. Pierre Bulliard (1752-1793) was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants.
Flora Parisiensis (6056014736) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flora-parisiensis-6056014736-image159116826.htmlRMK6TB3P–Flora Parisiensis (6056014736)
Flora Parisiensis (Plate 62) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-flora-parisiensis-plate-62-98331739.htmlRMFKYB3R–Flora Parisiensis (Plate 62)
Hermannus Boerhaave Medicina, Botanices, Chemia & Collegij Practici, in Acad. Lugd. Bat. Professor Ordinarius. Regia Societatis Londinesis nec non Academia Scientiarum Parisiensis Socius Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hermannus-boerhaave-medicina-botanices-chemia-collegij-practici-in-acad-lugd-bat-professor-ordinarius-regia-societatis-londinesis-nec-non-academia-scientiarum-parisiensis-socius-image354394672.htmlRM2BGG20G–Hermannus Boerhaave Medicina, Botanices, Chemia & Collegij Practici, in Acad. Lugd. Bat. Professor Ordinarius. Regia Societatis Londinesis nec non Academia Scientiarum Parisiensis Socius
N/A. English: 'Civis Parisiensis Bourgeois de Paris' on the map of Paris by Claes Jansz. Visscher. 1618. Claes Janszoon Visscher II (1587–1652) Alternative names Claes Jansz. Visscher (II), Claes Janszoon Visscher, Joannes Piscator, Nicolas Jansz. Visscher (II), Nicolas Joannis Visscher (II) Description Dutch publisher, printmaker and draughtsman Date of birth/death 1587 19 June 1652 Location of birth/death Amsterdam Amsterdam Work period between circa 1601 and circa 1652 Work location Amsterdam Authority control : Q1094674 VIAF:19860086 ISNI:0000 0001 1844 7044 ULAN:500015243 LC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-civis-parisiensis-bourgeois-de-paris-on-the-map-of-paris-by-claes-jansz-visscher-1618-claes-janszoon-visscher-ii-15871652-alternative-names-claes-jansz-visscher-ii-claes-janszoon-visscher-joannes-piscator-nicolas-jansz-visscher-ii-nicolas-joannis-visscher-ii-description-dutch-publisher-printmaker-and-draughtsman-date-of-birthdeath-1587-19-june-1652-location-of-birthdeath-amsterdam-amsterdam-work-period-between-circa-1601-and-circa-1652-work-location-amsterdam-authority-control-q1094674-viaf19860086-isni0000-0001-1844-7044-ulan500015243-lc-image210165843.htmlRMP5WTJY–N/A. English: 'Civis Parisiensis Bourgeois de Paris' on the map of Paris by Claes Jansz. Visscher. 1618. Claes Janszoon Visscher II (1587–1652) Alternative names Claes Jansz. Visscher (II), Claes Janszoon Visscher, Joannes Piscator, Nicolas Jansz. Visscher (II), Nicolas Joannis Visscher (II) Description Dutch publisher, printmaker and draughtsman Date of birth/death 1587 19 June 1652 Location of birth/death Amsterdam Amsterdam Work period between circa 1601 and circa 1652 Work location Amsterdam Authority control : Q1094674 VIAF:19860086 ISNI:0000 0001 1844 7044 ULAN:500015243 LC
Portrait of Philippe Despont, Pieter van Schuppen, After Jacob van Schuppen, 1694 print Portrait of the theologian Philippe Despont at the age of 73. He wears a keppeltje and reads sitting at the table in a book concerning the church fathers. A second book is on the table. Under the portrait a cartouche with a pelican that feeds his young with his own blood. On either side of it the name of the theologian and his title: Presbyter Parisiensis. et in Sacra Theologia Romana Doctor. Paris paper engraving / etching reading the Bible or other religious books Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-philippe-despont-pieter-van-schuppen-after-jacob-van-schuppen-1694-print-portrait-of-the-theologian-philippe-despont-at-the-age-of-73-he-wears-a-keppeltje-and-reads-sitting-at-the-table-in-a-book-concerning-the-church-fathers-a-second-book-is-on-the-table-under-the-portrait-a-cartouche-with-a-pelican-that-feeds-his-young-with-his-own-blood-on-either-side-of-it-the-name-of-the-theologian-and-his-title-presbyter-parisiensis-et-in-sacra-theologia-romana-doctor-paris-paper-engraving-etching-reading-the-bible-or-other-religious-books-image593276205.htmlRM2WD61RW–Portrait of Philippe Despont, Pieter van Schuppen, After Jacob van Schuppen, 1694 print Portrait of the theologian Philippe Despont at the age of 73. He wears a keppeltje and reads sitting at the table in a book concerning the church fathers. A second book is on the table. Under the portrait a cartouche with a pelican that feeds his young with his own blood. On either side of it the name of the theologian and his title: Presbyter Parisiensis. et in Sacra Theologia Romana Doctor. Paris paper engraving / etching reading the Bible or other religious books
Embleem lier Saul werpt zijn speer naar David Ornamental cartouche with over two putti medallions maintain air links lyre playing nymphs, right portraits of religious dissidents (John Wycliffe, Jan Hus, Jerome of Prague and Master Parisiensis). In the middle of the cartouche a medallion with Saul throwing a spear at David, trying him with lyre music on vrolijken. Manufacturer : printmaker Jan Goeree (listed property) designed by Jan Goeree (listed building) publisher: Gerard onder de Linden Publisher: John Braam Place manufacture: printmaker: Amsterdam Publisher: Amsterdam Publisher: Dordrecht Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/embleem-lier-saul-werpt-zijn-speer-naar-david-ornamental-cartouche-with-over-two-putti-medallions-maintain-air-links-lyre-playing-nymphs-right-portraits-of-religious-dissidents-john-wycliffe-jan-hus-jerome-of-prague-and-master-parisiensis-in-the-middle-of-the-cartouche-a-medallion-with-saul-throwing-a-spear-at-david-trying-him-with-lyre-music-on-vrolijken-manufacturer-printmaker-jan-goeree-listed-property-designed-by-jan-goeree-listed-building-publisher-gerard-onder-de-linden-publisher-john-braam-place-manufacture-printmaker-amsterdam-publisher-amsterdam-publisher-dordrecht-image348332878.htmlRM2B6KX3X–Embleem lier Saul werpt zijn speer naar David Ornamental cartouche with over two putti medallions maintain air links lyre playing nymphs, right portraits of religious dissidents (John Wycliffe, Jan Hus, Jerome of Prague and Master Parisiensis). In the middle of the cartouche a medallion with Saul throwing a spear at David, trying him with lyre music on vrolijken. Manufacturer : printmaker Jan Goeree (listed property) designed by Jan Goeree (listed building) publisher: Gerard onder de Linden Publisher: John Braam Place manufacture: printmaker: Amsterdam Publisher: Amsterdam Publisher: Dordrecht
Die Säugetiere des schweizerischen Eocaens : critischer Catalog der Materialien . , zugleichein Stück des maxillaren Orbitalrandes darstellt. Erst die obtuse, kaum als cristaposterior zu bezeichnende, hintere Umgrenzung des Foramens liegt auf lacrymalemGebiet. In der vordem innern Orbitalwand besitzt das Lacrymale nach MajorsErmittlungen eine nicht unbeträchtliche Ausdehnung. An den mir zur Verfügungstehenden Schädeln des Adapis parisiensis lässt sich nicht die ganze Umgrenzungdes Knochens feststellen; wir werden dieselbe unten, bei Adapis magnus, kennenlernen. Auch über die Frage, ob bei Adap Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/die-sugetiere-des-schweizerischen-eocaens-critischer-catalog-der-materialien-zugleichein-stck-des-maxillaren-orbitalrandes-darstellt-erst-die-obtuse-kaum-als-cristaposterior-zu-bezeichnende-hintere-umgrenzung-des-foramens-liegt-auf-lacrymalemgebiet-in-der-vordem-innern-orbitalwand-besitzt-das-lacrymale-nach-majorsermittlungen-eine-nicht-unbetrchtliche-ausdehnung-an-den-mir-zur-verfgungstehenden-schdeln-des-adapis-parisiensis-lsst-sich-nicht-die-ganze-umgrenzungdes-knochens-feststellen-wir-werden-dieselbe-unten-bei-adapis-magnus-kennenlernen-auch-ber-die-frage-ob-bei-adap-image342645742.htmlRM2AWCT3X–Die Säugetiere des schweizerischen Eocaens : critischer Catalog der Materialien . , zugleichein Stück des maxillaren Orbitalrandes darstellt. Erst die obtuse, kaum als cristaposterior zu bezeichnende, hintere Umgrenzung des Foramens liegt auf lacrymalemGebiet. In der vordem innern Orbitalwand besitzt das Lacrymale nach MajorsErmittlungen eine nicht unbeträchtliche Ausdehnung. An den mir zur Verfügungstehenden Schädeln des Adapis parisiensis lässt sich nicht die ganze Umgrenzungdes Knochens feststellen; wir werden dieselbe unten, bei Adapis magnus, kennenlernen. Auch über die Frage, ob bei Adap
JOANNES STANDONHT. Sacroe facultatis Parisiensis Doctor et Socius Sorbonieur, universitatis non seuiel Rector Collegii Montis Acuti Primarius et Restaurator Natus Mechliniae die 16a Augusti an 1443 obiit Parisiis die 5a febr. an 1504. J.C.Robin, pinx. J.B. Guiard, scupl Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joannes-standonht-sacroe-facultatis-parisiensis-doctor-et-socius-sorbonieur-universitatis-non-seuiel-rector-collegii-montis-acuti-primarius-et-restaurator-natus-mechliniae-die-16a-augusti-an-1443-obiit-parisiis-die-5a-febr-an-1504-jcrobin-pinx-jb-guiard-scupl-image573178014.htmlRM2T8EEBA–JOANNES STANDONHT. Sacroe facultatis Parisiensis Doctor et Socius Sorbonieur, universitatis non seuiel Rector Collegii Montis Acuti Primarius et Restaurator Natus Mechliniae die 16a Augusti an 1443 obiit Parisiis die 5a febr. an 1504. J.C.Robin, pinx. J.B. Guiard, scupl
Figwort, Scrophularia verna. Handcoloured botanical drawn and engraved by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P. F. Didot. Pierre Bulliard (1752-1793) was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figwort-scrophularia-verna-handcoloured-botanical-drawn-and-engraved-by-pierre-bulliard-from-his-own-flora-parisiensis-1776-paris-p-f-didot-pierre-bulliard-1752-1793-was-a-famous-french-botanist-who-pioneered-the-three-colour-plate-printing-technique-his-introduction-to-the-flowers-of-paris-included-640-plants-image209893159.htmlRMP5DCT7–Figwort, Scrophularia verna. Handcoloured botanical drawn and engraved by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P. F. Didot. Pierre Bulliard (1752-1793) was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants.
Orpin, Sedum telephium. Handcoloured botanical drawn and engraved by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P. F. Didot. Pierre Bulliard (1752-1793) was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/orpin-sedum-telephium-handcoloured-botanical-drawn-and-engraved-by-pierre-bulliard-from-his-own-flora-parisiensis-1776-paris-p-f-didot-pierre-bulliard-1752-1793-was-a-famous-french-botanist-who-pioneered-the-three-colour-plate-printing-technique-his-introduction-to-the-flowers-of-paris-included-640-plants-image331781535.htmlRM2A7NXMF–Orpin, Sedum telephium. Handcoloured botanical drawn and engraved by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P. F. Didot. Pierre Bulliard (1752-1793) was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants.
Flora Parisiensis (Plate 14) (6056017856) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flora-parisiensis-plate-14-6056017856-image159117021.htmlRMK6TBAN–Flora Parisiensis (Plate 14) (6056017856)
Flora Parisiensis (Plate 100) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-flora-parisiensis-plate-100-98331446.htmlRMFKYANA–Flora Parisiensis (Plate 100)
Michel de La Rochemaillet, L'Isle de France. Parisiensis Agri Descrip, 1632 - David Rumsey. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/michel-de-la-rochemaillet-lisle-de-france-parisiensis-agri-descrip-1632-david-rumsey-image399269019.htmlRM2E5G7KR–Michel de La Rochemaillet, L'Isle de France. Parisiensis Agri Descrip, 1632 - David Rumsey.
N/A. English: 'Faemina Nobilis Parisiensis Gentille femme de Paris' on the map of Paris by Claes Jansz. Visscher. 1618. Claes Janszoon Visscher II (1587–1652) Alternative names Claes Jansz. Visscher (II), Claes Janszoon Visscher, Joannes Piscator, Nicolas Jansz. Visscher (II), Nicolas Joannis Visscher (II) Description Dutch publisher, printmaker and draughtsman Date of birth/death 1587 19 June 1652 Location of birth/death Amsterdam Amsterdam Work period between circa 1601 and circa 1652 Work location Amsterdam Authority control : Q1094674 VIAF:19860086 ISNI:0000 0001 1844 7044 UL Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-faemina-nobilis-parisiensis-gentille-femme-de-paris-on-the-map-of-paris-by-claes-jansz-visscher-1618-claes-janszoon-visscher-ii-15871652-alternative-names-claes-jansz-visscher-ii-claes-janszoon-visscher-joannes-piscator-nicolas-jansz-visscher-ii-nicolas-joannis-visscher-ii-description-dutch-publisher-printmaker-and-draughtsman-date-of-birthdeath-1587-19-june-1652-location-of-birthdeath-amsterdam-amsterdam-work-period-between-circa-1601-and-circa-1652-work-location-amsterdam-authority-control-q1094674-viaf19860086-isni0000-0001-1844-7044-ul-image210210201.htmlRMP5YW75–N/A. English: 'Faemina Nobilis Parisiensis Gentille femme de Paris' on the map of Paris by Claes Jansz. Visscher. 1618. Claes Janszoon Visscher II (1587–1652) Alternative names Claes Jansz. Visscher (II), Claes Janszoon Visscher, Joannes Piscator, Nicolas Jansz. Visscher (II), Nicolas Joannis Visscher (II) Description Dutch publisher, printmaker and draughtsman Date of birth/death 1587 19 June 1652 Location of birth/death Amsterdam Amsterdam Work period between circa 1601 and circa 1652 Work location Amsterdam Authority control : Q1094674 VIAF:19860086 ISNI:0000 0001 1844 7044 UL
Portrait of Philippe Despont, Pieter van Schuppen, After Jacob van Schuppen, 1694 print Portrait of the theologian Philippe Despont at the age of 73. He wears a keppeltje and reads sitting at the table in a book concerning the church fathers. A second book is on the table. Under the portrait a cartouche with a pelican that feeds his young with his own blood. In addition, the name of the theologian and its titles. His title of rector of the hospital has now been added to the titles of the earlier States (Presbyter Parisiensis et in Sacra Theologia Romana Doctor): Nosocomij Insanabilium rector. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-philippe-despont-pieter-van-schuppen-after-jacob-van-schuppen-1694-print-portrait-of-the-theologian-philippe-despont-at-the-age-of-73-he-wears-a-keppeltje-and-reads-sitting-at-the-table-in-a-book-concerning-the-church-fathers-a-second-book-is-on-the-table-under-the-portrait-a-cartouche-with-a-pelican-that-feeds-his-young-with-his-own-blood-in-addition-the-name-of-the-theologian-and-its-titles-his-title-of-rector-of-the-hospital-has-now-been-added-to-the-titles-of-the-earlier-states-presbyter-parisiensis-et-in-sacra-theologia-romana-doctor-nosocomij-insanabilium-rector-image593282434.htmlRM2WD69PA–Portrait of Philippe Despont, Pieter van Schuppen, After Jacob van Schuppen, 1694 print Portrait of the theologian Philippe Despont at the age of 73. He wears a keppeltje and reads sitting at the table in a book concerning the church fathers. A second book is on the table. Under the portrait a cartouche with a pelican that feeds his young with his own blood. In addition, the name of the theologian and its titles. His title of rector of the hospital has now been added to the titles of the earlier States (Presbyter Parisiensis et in Sacra Theologia Romana Doctor): Nosocomij Insanabilium rector.
Burger Woman of Paris FAEMINA PLEBAIA Parisiensis Bourgeois Femme de Paris (title object) Een burgervrouw uit Parijs, gekleed volgens de mode van ca. 1618. Manufacturer : prentmaker: Claes Jansz. Visscher (II)naar ontwerp van: Matthäus Merian (I)uitgever: Claes Jansz. Visscher (II)Plaats manufacture: Amsterdam Dating: 1618 Physical kenmerken: ets Material: papier Techniek: etsen Dimensions: blad: h 130 mm × b 47 mmToelichtingDeze prent is afkomstig uit de rand van de prent 'Gezicht op Parijs vanuit vogelperspectief', die in 1618 werd uitgegeven door Claes Jansz. Visscher, Hollstein nr. 137. Su Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/burger-woman-of-paris-faemina-plebaia-parisiensis-bourgeois-femme-de-paris-title-object-een-burgervrouw-uit-parijs-gekleed-volgens-de-mode-van-ca-1618-manufacturer-prentmaker-claes-jansz-visscher-iinaar-ontwerp-van-matthus-merian-iuitgever-claes-jansz-visscher-iiplaats-manufacture-amsterdam-dating-1618-physical-kenmerken-ets-material-papier-techniek-etsen-dimensions-blad-h-130-mm-b-47-mmtoelichtingdeze-prent-is-afkomstig-uit-de-rand-van-de-prent-gezicht-op-parijs-vanuit-vogelperspectief-die-in-1618-werd-uitgegeven-door-claes-jansz-visscher-hollstein-nr-137-su-image348238331.htmlRM2B6FHF7–Burger Woman of Paris FAEMINA PLEBAIA Parisiensis Bourgeois Femme de Paris (title object) Een burgervrouw uit Parijs, gekleed volgens de mode van ca. 1618. Manufacturer : prentmaker: Claes Jansz. Visscher (II)naar ontwerp van: Matthäus Merian (I)uitgever: Claes Jansz. Visscher (II)Plaats manufacture: Amsterdam Dating: 1618 Physical kenmerken: ets Material: papier Techniek: etsen Dimensions: blad: h 130 mm × b 47 mmToelichtingDeze prent is afkomstig uit de rand van de prent 'Gezicht op Parijs vanuit vogelperspectief', die in 1618 werd uitgegeven door Claes Jansz. Visscher, Hollstein nr. 137. Su
Die Säugetiere des schweizerischen Eocaens : critischer Catalog der Materialien . als bei Adapis parisiensis. Mit der abweichenden Gestalt des Gesichtsschädels stehen wiederum ziem-lich auffällige Abweichungen in der Form seiner Componenten zusammen. Die Intermaxilla hat einen transversaler orientierten Alveolarteil als beiA. parisiensis. Ihr aufsteigender Ast ist sagittal weniger gedehnt, aber zwischenNasale und Maxillare in einen längern Fortsatz ausgezogen. Die Nasalien stossen, anstatt sich flach nebeneinander zu legen, untereinem nahezu rechten Winkel zusammen, wodurch das Nasendach höher Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/die-sugetiere-des-schweizerischen-eocaens-critischer-catalog-der-materialien-als-bei-adapis-parisiensis-mit-der-abweichenden-gestalt-des-gesichtsschdels-stehen-wiederum-ziem-lich-auffllige-abweichungen-in-der-form-seiner-componenten-zusammen-die-intermaxilla-hat-einen-transversaler-orientierten-alveolarteil-als-beia-parisiensis-ihr-aufsteigender-ast-ist-sagittal-weniger-gedehnt-aber-zwischennasale-und-maxillare-in-einen-lngern-fortsatz-ausgezogen-die-nasalien-stossen-anstatt-sich-flach-nebeneinander-zu-legen-untereinem-nahezu-rechten-winkel-zusammen-wodurch-das-nasendach-hher-image340306683.htmlRM2ANJ8J3–Die Säugetiere des schweizerischen Eocaens : critischer Catalog der Materialien . als bei Adapis parisiensis. Mit der abweichenden Gestalt des Gesichtsschädels stehen wiederum ziem-lich auffällige Abweichungen in der Form seiner Componenten zusammen. Die Intermaxilla hat einen transversaler orientierten Alveolarteil als beiA. parisiensis. Ihr aufsteigender Ast ist sagittal weniger gedehnt, aber zwischenNasale und Maxillare in einen längern Fortsatz ausgezogen. Die Nasalien stossen, anstatt sich flach nebeneinander zu legen, untereinem nahezu rechten Winkel zusammen, wodurch das Nasendach höher
Portrait of Hardouin de Beaumont de Péréfixe, Harduinus de Perefixe de Beaumont Archiepiscop Parisiensis (title on object), print maker: Robert Nanteuil, after own design by: Robert Nanteuil, publisher: Robert Nanteuil, France, 1665, paper, engraving, height 502 mm × width 425 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-hardouin-de-beaumont-de-prfixe-harduinus-de-perefixe-de-beaumont-archiepiscop-parisiensis-title-on-object-print-maker-robert-nanteuil-after-own-design-by-robert-nanteuil-publisher-robert-nanteuil-france-1665-paper-engraving-height-502-mm-width-425-mm-print-image599538259.htmlRM2WRB94K–Portrait of Hardouin de Beaumont de Péréfixe, Harduinus de Perefixe de Beaumont Archiepiscop Parisiensis (title on object), print maker: Robert Nanteuil, after own design by: Robert Nanteuil, publisher: Robert Nanteuil, France, 1665, paper, engraving, height 502 mm × width 425 mm, print
Waterwort, Elatine alsinastrum. Handcoloured botanical drawn and engraved by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P. F. Didot. Pierre Bulliard (1752-1793) was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/waterwort-elatine-alsinastrum-handcoloured-botanical-drawn-and-engraved-by-pierre-bulliard-from-his-own-flora-parisiensis-1776-paris-p-f-didot-pierre-bulliard-1752-1793-was-a-famous-french-botanist-who-pioneered-the-three-colour-plate-printing-technique-his-introduction-to-the-flowers-of-paris-included-640-plants-image209892514.htmlRMP5DC16–Waterwort, Elatine alsinastrum. Handcoloured botanical drawn and engraved by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P. F. Didot. Pierre Bulliard (1752-1793) was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants.
Bullhead, Tribulus terrestris. Handcoloured botanical drawn and engraved by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P. F. Didot. Pierre Bulliard (1752-1793) was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bullhead-tribulus-terrestris-handcoloured-botanical-drawn-and-engraved-by-pierre-bulliard-from-his-own-flora-parisiensis-1776-paris-p-f-didot-pierre-bulliard-1752-1793-was-a-famous-french-botanist-who-pioneered-the-three-colour-plate-printing-technique-his-introduction-to-the-flowers-of-paris-included-640-plants-image331781459.htmlRM2A7NXHR–Bullhead, Tribulus terrestris. Handcoloured botanical drawn and engraved by Pierre Bulliard from his own 'Flora Parisiensis,' 1776, Paris, P. F. Didot. Pierre Bulliard (1752-1793) was a famous French botanist who pioneered the three-colour-plate printing technique. His introduction to the flowers of Paris included 640 plants.
Flora Parisiensis (Plate 29) (6055473799) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flora-parisiensis-plate-29-6055473799-image159117310.htmlRMK6TBN2–Flora Parisiensis (Plate 29) (6055473799)
Flora Parisiensis (Plate 35) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-flora-parisiensis-plate-35-98331686.htmlRMFKYB1X–Flora Parisiensis (Plate 35)
Nobilis Parisiensis gentilhomme Parisien, map of Paris by Claes Jansz. Visscher. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nobilis-parisiensis-gentilhomme-parisien-map-of-paris-by-claes-jansz-visscher-image402936417.htmlRM2EBF9E9–Nobilis Parisiensis gentilhomme Parisien, map of Paris by Claes Jansz. Visscher.
i)C. — ^ i Liiil;o Miiiulibcl iiiil M, — P, uiul Die Zahnreihe Eh. 59C ist schon ziemlich usiert, der isolierte Molar Eh. 758 noch ganz frisch. Den Dimensionen nach stellen sich die Fundstücke an die untere Variationsgrenze der Adapis parisiensis- Gruppe; von Identität mit Adapis Rütimeyeri kann also nicht die Rede sein. Die vier belegten Backenzähne sind relativ breiter als die von Adapis parisiensis; insbesondere gilt diess von P, und von Mo, dessen Längenbreitenindex deutlich Stock Photo")
. Figur CC'CLXVI. Adapis priscus n. spec. Alveolen vim P^— P,. — Egerliiiigen Eh. .")i)C. — ^ i Liiil;o Miiiulibcl iiiil M, — P, uiul Die Zahnreihe Eh. 59C ist schon ziemlich usiert, der isolierte Molar Eh. 758 noch ganz frisch. Den Dimensionen nach stellen sich die Fundstücke an die untere Variationsgrenze der Adapis parisiensis- Gruppe; von Identität mit Adapis Rütimeyeri kann also nicht die Rede sein. Die vier belegten Backenzähne sind relativ breiter als die von Adapis parisiensis; insbesondere gilt diess von P, und von Mo, dessen Längenbreitenindex deutlich Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figur-ccclxvi-adapis-priscus-n-spec-alveolen-vim-p-p-egerliiiigen-eh-quotic-i-liiilo-miiiulibcl-iiiil-m-p-uiul-die-zahnreihe-eh-59c-ist-schon-ziemlich-usiert-der-isolierte-molar-eh-758-noch-ganz-frisch-den-dimensionen-nach-stellen-sich-die-fundstcke-an-die-untere-variationsgrenze-der-adapis-parisiensis-gruppe-von-identitt-mit-adapis-rtimeyeri-kann-also-nicht-die-rede-sein-die-vier-belegten-backenzhne-sind-relativ-breiter-als-die-von-adapis-parisiensis-insbesondere-gilt-diess-von-p-und-von-mo-dessen-lngenbreitenindex-deutlich-image179958615.htmlRMMCNR1B–. Figur CC'CLXVI. Adapis priscus n. spec. Alveolen vim P^— P,. — Egerliiiigen Eh. .")i)C. — ^ i Liiil;o Miiiulibcl iiiil M, — P, uiul Die Zahnreihe Eh. 59C ist schon ziemlich usiert, der isolierte Molar Eh. 758 noch ganz frisch. Den Dimensionen nach stellen sich die Fundstücke an die untere Variationsgrenze der Adapis parisiensis- Gruppe; von Identität mit Adapis Rütimeyeri kann also nicht die Rede sein. Die vier belegten Backenzähne sind relativ breiter als die von Adapis parisiensis; insbesondere gilt diess von P, und von Mo, dessen Längenbreitenindex deutlich
Emblem: Lier, Jan Goeree, 1722 print Ornamental cartouche with above two putti that keep medallions in the air with left -wing nymphs, on the right portraits of religious dissidents (John Wycliffe, Jan Hus, Hiëronymus of Prague and Magister Parisiensis). In the middle of the Cartouche a medallion with Saul who throws a spear to David, who tries to cheer him up with Liert music. print maker: Amsterdampublisher: Amsterdampublisher: Dordrecht paper engraving Saul casts his spear at David when the latter is playing his harp before the king (1 Samuel 18:11). cupids: 'amores', 'amoretti', 'putti'. n Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/emblem-lier-jan-goeree-1722-print-ornamental-cartouche-with-above-two-putti-that-keep-medallions-in-the-air-with-left-wing-nymphs-on-the-right-portraits-of-religious-dissidents-john-wycliffe-jan-hus-hironymus-of-prague-and-magister-parisiensis-in-the-middle-of-the-cartouche-a-medallion-with-saul-who-throws-a-spear-to-david-who-tries-to-cheer-him-up-with-liert-music-print-maker-amsterdampublisher-amsterdampublisher-dordrecht-paper-engraving-saul-casts-his-spear-at-david-when-the-latter-is-playing-his-harp-before-the-king-1-samuel-1811-cupids-amores-amoretti-putti-n-image594873882.htmlRM2WFPRKP–Emblem: Lier, Jan Goeree, 1722 print Ornamental cartouche with above two putti that keep medallions in the air with left -wing nymphs, on the right portraits of religious dissidents (John Wycliffe, Jan Hus, Hiëronymus of Prague and Magister Parisiensis). In the middle of the Cartouche a medallion with Saul who throws a spear to David, who tries to cheer him up with Liert music. print maker: Amsterdampublisher: Amsterdampublisher: Dordrecht paper engraving Saul casts his spear at David when the latter is playing his harp before the king (1 Samuel 18:11). cupids: 'amores', 'amoretti', 'putti'. n
Citizen of Paris CIVIS Parisiensis Bourgeois de Paris (title object) Een burger van Parijs, gekleed volgens de mode van ca. 1618. Hij draagt een halflange mantel en kniebroek. Op zijn hoofd een hoge hoed. Manufacturer : prentmaker: Claes Jansz. Visscher (II)naar ontwerp van: Matthäus Merian (I)uitgever: Claes Jansz. Visscher (II)Plaats manufacture: Amsterdam Dating: 1618 Physical kenmerken: ets Material: papier Techniek: etsen Dimensions: blad: h 130 mm × b 46 mmToelichtingDeze prent is afkomstig uit de rand van de prent 'Gezicht op Parijs vanuit vogelperspectief', die in 1618 werd uitgegeven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/citizen-of-paris-civis-parisiensis-bourgeois-de-paris-title-object-een-burger-van-parijs-gekleed-volgens-de-mode-van-ca-1618-hij-draagt-een-halflange-mantel-en-kniebroek-op-zijn-hoofd-een-hoge-hoed-manufacturer-prentmaker-claes-jansz-visscher-iinaar-ontwerp-van-matthus-merian-iuitgever-claes-jansz-visscher-iiplaats-manufacture-amsterdam-dating-1618-physical-kenmerken-ets-material-papier-techniek-etsen-dimensions-blad-h-130-mm-b-46-mmtoelichtingdeze-prent-is-afkomstig-uit-de-rand-van-de-prent-gezicht-op-parijs-vanuit-vogelperspectief-die-in-1618-werd-uitgegeven-image348238335.htmlRM2B6FHFB–Citizen of Paris CIVIS Parisiensis Bourgeois de Paris (title object) Een burger van Parijs, gekleed volgens de mode van ca. 1618. Hij draagt een halflange mantel en kniebroek. Op zijn hoofd een hoge hoed. Manufacturer : prentmaker: Claes Jansz. Visscher (II)naar ontwerp van: Matthäus Merian (I)uitgever: Claes Jansz. Visscher (II)Plaats manufacture: Amsterdam Dating: 1618 Physical kenmerken: ets Material: papier Techniek: etsen Dimensions: blad: h 130 mm × b 46 mmToelichtingDeze prent is afkomstig uit de rand van de prent 'Gezicht op Parijs vanuit vogelperspectief', die in 1618 werd uitgegeven
Censvra Sacrae Facvultatis Theologiae Parisiensis lata in seditiosum libellum qui inscribitur G.G.RTheologi ad Lvdovieva XIII . nitantem: ac proinde Regibus Se Poteftatibus faxuli,exhibenda? à fideli- btis fidei, obfequio, honori, atqueadeo charitati Chriftianae impie repugnan- tem:quin &SacrasScripturas à fenfu per Spiritum San&um intente» , malitiofe detorquentem, multaque contra veram aefanam Ecclefia? Do&rinam , conti- nentem , penitus execrandum Se dete- ftandum. Quapropter eadem Facilitas orat Se obteftatur Reuerendiffimos An- tiftites ac faxulares Magiftratus sequiffï- 8 mos huius Rcgni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/censvra-sacrae-facvultatis-theologiae-parisiensis-lata-in-seditiosum-libellum-qui-inscribitur-ggrtheologi-ad-lvdovieva-xiii-nitantem-ac-proinde-regibus-se-poteftatibus-faxuliexhibenda-fideli-btis-fidei-obfequio-honori-atqueadeo-charitati-chriftianae-impie-repugnan-temquin-sacrasscripturas-fenfu-per-spiritum-sanum-intente-malitiofe-detorquentem-multaque-contra-veram-aefanam-ecclefia-dorinam-conti-nentem-penitus-execrandum-se-dete-ftandum-quapropter-eadem-facilitas-orat-se-obteftatur-reuerendiffimos-an-tiftites-ac-faxulares-magiftratus-sequiff-8-mos-huius-rcgni-image339109024.htmlRM2AKKN0G–Censvra Sacrae Facvultatis Theologiae Parisiensis lata in seditiosum libellum qui inscribitur G.G.RTheologi ad Lvdovieva XIII . nitantem: ac proinde Regibus Se Poteftatibus faxuli,exhibenda? à fideli- btis fidei, obfequio, honori, atqueadeo charitati Chriftianae impie repugnan- tem:quin &SacrasScripturas à fenfu per Spiritum San&um intente» , malitiofe detorquentem, multaque contra veram aefanam Ecclefia? Do&rinam , conti- nentem , penitus execrandum Se dete- ftandum. Quapropter eadem Facilitas orat Se obteftatur Reuerendiffimos An- tiftites ac faxulares Magiftratus sequiffï- 8 mos huius Rcgni
Nobleman from Paris, NOBILIS PARISIENSIS, Gentilhomme Parisien (title on object), A nobleman from Paris, elegantly dressed according to the fashion of ca. 1618. He wears a top hat with plumes on his head., print maker: Claes Jansz. Visscher (II), after design by: Matthäus Merian (I), Amsterdam, 1618, paper, etching, height, 131 mm × width, 46 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nobleman-from-paris-nobilis-parisiensis-gentilhomme-parisien-title-on-object-a-nobleman-from-paris-elegantly-dressed-according-to-the-fashion-of-ca-1618-he-wears-a-top-hat-with-plumes-on-his-head-print-maker-claes-jansz-visscher-ii-after-design-by-matthus-merian-i-amsterdam-1618-paper-etching-height-131-mm-width-46-mm-image606617766.htmlRM2X6WR46–Nobleman from Paris, NOBILIS PARISIENSIS, Gentilhomme Parisien (title on object), A nobleman from Paris, elegantly dressed according to the fashion of ca. 1618. He wears a top hat with plumes on his head., print maker: Claes Jansz. Visscher (II), after design by: Matthäus Merian (I), Amsterdam, 1618, paper, etching, height, 131 mm × width, 46 mm
