Frans Francken the Younger (1581-1642). Flemish painter. Allegory of the Abdication of Emperor Charles V in Brussels, c.1630-1640. Rijksmuseum. Amsterdam. Holland. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frans-francken-the-younger-1581-1642-flemish-painter-allegory-of-the-abdication-of-emperor-charles-v-in-brussels-c1630-1640-rijksmuseum-amsterdam-holland-image220196961.html
RMPP6RD5–Frans Francken the Younger (1581-1642). Flemish painter. Allegory of the Abdication of Emperor Charles V in Brussels, c.1630-1640. Rijksmuseum. Amsterdam. Holland.
Two scenes with the Duchess. Coypel, Charles-Antoine (French, 1694-1752) (author of design) [painter] Tessier, Louis (French, ca.1719-1781) (author of design, alentour) [painter] Audran, Jean-Joseph (French, act. 1771-1794) (workshop, ) [weaver] Cozette, Pierre-François (French, b.1714-d.1801) (workshop) [weaver] 1788 Tapestry Dimensions: H 9'6' x W 21'2' Tapestry Materials/Techniques: wool & silk Culture: French Weaving Center: Paris Ownership History: Magasin des Gobelins (1789). Given to the prince of Hesse-Darmstadt by Napoleon I (1810). E. Cronier coll., Paris (ca.1900); sold at Galerie G Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-scenes-with-the-duchess-coypel-charles-antoine-french-1694-1752-author-of-design-painter-tessier-louis-french-ca1719-1781-author-of-design-alentour-painter-audran-jean-joseph-french-act-1771-1794-workshop-weaver-cozette-pierre-franois-french-b1714-d1801-workshop-weaver-1788-tapestry-dimensions-h-96-x-w-212-tapestry-materialstechniques-wool-silk-culture-french-weaving-center-paris-ownership-history-magasin-des-gobelins-1789-given-to-the-prince-of-hesse-darmstadt-by-napoleon-i-1810-e-cronier-coll-paris-ca1900-sold-at-galerie-g-image600269151.html
RM2WTGHBY–Two scenes with the Duchess. Coypel, Charles-Antoine (French, 1694-1752) (author of design) [painter] Tessier, Louis (French, ca.1719-1781) (author of design, alentour) [painter] Audran, Jean-Joseph (French, act. 1771-1794) (workshop, ) [weaver] Cozette, Pierre-François (French, b.1714-d.1801) (workshop) [weaver] 1788 Tapestry Dimensions: H 9'6' x W 21'2' Tapestry Materials/Techniques: wool & silk Culture: French Weaving Center: Paris Ownership History: Magasin des Gobelins (1789). Given to the prince of Hesse-Darmstadt by Napoleon I (1810). E. Cronier coll., Paris (ca.1900); sold at Galerie G
Strictly Embargoed until 00:01 BST on Sunday 24th. Windsor Castle, Berkshire 21 Sep-2023 A rare surviving painting by Artemisia Gentileschi, the greatest female artist of the 17th century, has been rediscovered in the Royal Collection after being misattributed at least two centuries ago. The rediscovered painting, Susanna and the Elders, forms a significant addition to Artemisia's extant body of work and sheds light on her time in London at the court of Charles I and Henrietta Maria.Credit: Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strictly-embargoed-until-0001-bst-on-sunday-24th-windsor-castle-berkshire-21-sep-2023-a-rare-surviving-painting-by-artemisia-gentileschi-the-greatest-female-artist-of-the-17th-century-has-been-rediscovered-in-the-royal-collection-after-being-misattributed-at-least-two-centuries-ago-the-rediscovered-painting-susanna-and-the-elders-forms-a-significant-addition-to-artemisias-extant-body-of-work-and-sheds-light-on-her-time-in-london-at-the-court-of-charles-i-and-henrietta-mariacredit-paul-quezada-neimanalamy-live-news-image566658299.html
RM2RWWECB–Strictly Embargoed until 00:01 BST on Sunday 24th. Windsor Castle, Berkshire 21 Sep-2023 A rare surviving painting by Artemisia Gentileschi, the greatest female artist of the 17th century, has been rediscovered in the Royal Collection after being misattributed at least two centuries ago. The rediscovered painting, Susanna and the Elders, forms a significant addition to Artemisia's extant body of work and sheds light on her time in London at the court of Charles I and Henrietta Maria.Credit: Paul Quezada-Neiman/Alamy Live News
The Conquest of Mexico. Anonymous author. Table, oil, nacre. It's part of six tables. Indians take Hernan Cortes prisoner, who is rescued by Cristobal de Olea along with other Spaniards and Tlaxcaltecas. Detail. 1676-1700. Mexican School. Viceroyalty of New Spain. Mexico. Museum of the Americas. Madrid, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-conquest-of-mexico-anonymous-author-table-oil-nacre-its-part-of-six-tables-indians-take-hernan-cortes-prisoner-who-is-rescued-by-cristobal-de-olea-along-with-other-spaniards-and-tlaxcaltecas-detail-1676-1700-mexican-school-viceroyalty-of-new-spain-mexico-museum-of-the-americas-madrid-spain-image355134579.html
RM2BHNNNR–The Conquest of Mexico. Anonymous author. Table, oil, nacre. It's part of six tables. Indians take Hernan Cortes prisoner, who is rescued by Cristobal de Olea along with other Spaniards and Tlaxcaltecas. Detail. 1676-1700. Mexican School. Viceroyalty of New Spain. Mexico. Museum of the Americas. Madrid, Spain.
George Villiers, 1st Duke of Buckingham (1592-1628), said to be 'the most handsomest-bodied man in all of England', a favourite of both King James I of England and VI of Scotland and of his son, King Charles I. Engraving created in the 1700s after a portrait painted by Cornelius Johnson (1593-1661). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-villiers-1st-duke-of-buckingham-1592-1628-said-to-be-the-most-handsomest-bodied-man-in-all-of-england-a-favourite-of-both-king-james-i-of-england-and-vi-of-scotland-and-of-his-son-king-charles-i-engraving-created-in-the-1700s-after-a-portrait-painted-by-cornelius-johnson-1593-1661-image349561373.html
RF2B8KW2N–George Villiers, 1st Duke of Buckingham (1592-1628), said to be 'the most handsomest-bodied man in all of England', a favourite of both King James I of England and VI of Scotland and of his son, King Charles I. Engraving created in the 1700s after a portrait painted by Cornelius Johnson (1593-1661).
09-15 June 2022 Estelle YVON Exhibition of a painter, Since the age of 10, I have suffered from a spinal disease that has not spared me. My art is my oxygen, my outlet, facing the canvas, the pain vanishes to give way to the most beautiful of wonders. It is truly in the most trying moments that my inspirations are the craziest, deepest and most vibrant. Credit Ilona Barna BIPHOTONEWS / Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/09-15-june-2022-estelle-yvon-exhibition-of-a-painter-since-the-age-of-10-i-have-suffered-from-a-spinal-disease-that-has-not-spared-me-my-art-is-my-oxygen-my-outlet-facing-the-canvas-the-pain-vanishes-to-give-way-to-the-most-beautiful-of-wonders-it-is-truly-in-the-most-trying-moments-that-my-inspirations-are-the-craziest-deepest-and-most-vibrant-credit-ilona-barna-biphotonews-alamy-live-news-image472131240.html
RM2JC3C60–09-15 June 2022 Estelle YVON Exhibition of a painter, Since the age of 10, I have suffered from a spinal disease that has not spared me. My art is my oxygen, my outlet, facing the canvas, the pain vanishes to give way to the most beautiful of wonders. It is truly in the most trying moments that my inspirations are the craziest, deepest and most vibrant. Credit Ilona Barna BIPHOTONEWS / Alamy Live News
Portrait of Henrietta Maria of France (1609-1669). Wife of Charles I of England. Bust, right. Part of the collection portretminiaturen. Manufacturer : painter John Hoskins Dating: 1620 - 1664 Physical features: miniature on cardboard materials: cardboard gold glass Dimensions: support: h 6,2 cm. B × 5.1 cm. external dimensions: h 7.7 cm. (Incl. List, and eye) × w 5,2 cm. (Incl. List) d × 0.8 cm. OnderwerpWie: Henrietta Maria of France (Queen of England, Scotland and Ireland) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-henrietta-maria-of-france-1609-1669-wife-of-charles-i-of-england-bust-right-part-of-the-collection-portretminiaturen-manufacturer-painter-john-hoskins-dating-1620-1664-physical-features-miniature-on-cardboard-materials-cardboard-gold-glass-dimensions-support-h-62-cm-b-51-cm-external-dimensions-h-77-cm-incl-list-and-eye-w-52-cm-incl-list-d-08-cm-onderwerpwie-henrietta-maria-of-france-queen-of-england-scotland-and-ireland-image348431848.html
RM2B6TCAG–Portrait of Henrietta Maria of France (1609-1669). Wife of Charles I of England. Bust, right. Part of the collection portretminiaturen. Manufacturer : painter John Hoskins Dating: 1620 - 1664 Physical features: miniature on cardboard materials: cardboard gold glass Dimensions: support: h 6,2 cm. B × 5.1 cm. external dimensions: h 7.7 cm. (Incl. List, and eye) × w 5,2 cm. (Incl. List) d × 0.8 cm. OnderwerpWie: Henrietta Maria of France (Queen of England, Scotland and Ireland)
Lami Eugene Louis - Charles I Receiving a Rose from a Young Girl Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lami-eugene-louis-charles-i-receiving-a-rose-from-a-young-girl-image213254428.html
RFPAXG5G–Lami Eugene Louis - Charles I Receiving a Rose from a Young Girl
George Villiers, 1st Duke of Buckingham (1592-1628), said to be 'the most handsomest-bodied man in all of England', a favourite of both King James I of England and VI of Scotland and of his son, King Charles I. Square detail of engraving created in the 1700s after a portrait painted by Cornelius Johnson (1593-1661). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-villiers-1st-duke-of-buckingham-1592-1628-said-to-be-the-most-handsomest-bodied-man-in-all-of-england-a-favourite-of-both-king-james-i-of-england-and-vi-of-scotland-and-of-his-son-king-charles-i-square-detail-of-engraving-created-in-the-1700s-after-a-portrait-painted-by-cornelius-johnson-1593-1661-image549417031.html
RF2PWT30R–George Villiers, 1st Duke of Buckingham (1592-1628), said to be 'the most handsomest-bodied man in all of England', a favourite of both King James I of England and VI of Scotland and of his son, King Charles I. Square detail of engraving created in the 1700s after a portrait painted by Cornelius Johnson (1593-1661).
Titian’s Early Masterpiece Rest on the Flight into Egypt Having been owned by Dukes, Archdukes and Holy Roman Emperors, it was looted by Napoleon and stolen in the late 20th century Offered by Lord Bath and the Longleat Trustees as part of their long-term investment strategy It will lead Christie’s Old Masters Part I sale in London on 2 July 2024 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/titians-early-masterpiece-rest-on-the-flight-into-egypt-having-been-owned-by-dukes-archdukes-and-holy-roman-emperors-it-was-looted-by-napoleon-and-stolen-in-the-late-20th-century-offered-by-lord-bath-and-the-longleat-trustees-as-part-of-their-long-term-investment-strategy-it-will-lead-christies-old-masters-part-i-sale-in-london-on-2-july-2024-image610256336.html
RM2XCRG54–Titian’s Early Masterpiece Rest on the Flight into Egypt Having been owned by Dukes, Archdukes and Holy Roman Emperors, it was looted by Napoleon and stolen in the late 20th century Offered by Lord Bath and the Longleat Trustees as part of their long-term investment strategy It will lead Christie’s Old Masters Part I sale in London on 2 July 2024
. Little Nell . circa 1867. Charles Green (1840–1898) Alternative names Charles I Green; c. green Description painter and illustrator Date of birth/death 1840 1898 Location of birth/death Hampton Authority control : Q5078398 VIAF: 78643349 ULAN: 500011555 LCCN: nr92025958 SUDOC: 104916265 RKD: 202425 WorldCat 253 Green, Charles - Little Nell (ca 1867) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/little-nell-circa-1867-charles-green-18401898-alternative-names-charles-i-green-c-green-description-painter-and-illustrator-date-of-birthdeath-1840-1898-location-of-birthdeath-hampton-authority-control-q5078398-viaf78643349-ulan500011555-lccnnr92025958-sudoc104916265-rkd202425-worldcat-253-green-charles-little-nell-ca-1867-image187728216.html
RMMWBN74–. Little Nell . circa 1867. Charles Green (1840–1898) Alternative names Charles I Green; c. green Description painter and illustrator Date of birth/death 1840 1898 Location of birth/death Hampton Authority control : Q5078398 VIAF: 78643349 ULAN: 500011555 LCCN: nr92025958 SUDOC: 104916265 RKD: 202425 WorldCat 253 Green, Charles - Little Nell (ca 1867)
Cancelled postage stamp printed by North Korea, that shows George I (1660-1727), Portraits of European Rulers, circa 1984. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cancelled-postage-stamp-printed-by-north-korea-that-shows-george-i-1660-1727-portraits-of-european-rulers-circa-1984-image614325531.html
RM2XKCXDF–Cancelled postage stamp printed by North Korea, that shows George I (1660-1727), Portraits of European Rulers, circa 1984.
Portrait of Mary, daughter of Charles I with her husband the Prince of Orange, 1641. Rijksmuseum, Amsterdam. Anthony van Dyck Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-mary-daughter-of-charles-i-with-her-husband-the-prince-of-orange-1641-rijksmuseum-amsterdam-anthony-van-dyck-image601329728.html
RF2WX8X5M–Portrait of Mary, daughter of Charles I with her husband the Prince of Orange, 1641. Rijksmuseum, Amsterdam. Anthony van Dyck
A descriptive catalogue of the pictures in the Fitzwilliam museum, comp largely from materials supplied by Sidney Colvin .. . Quinkhard.] catalogue of pictures 161 QUERFURT. AUGUST Querfurt. German School, 1696—1761. Bom at Wolfenbiittel in 1696, was a pupil of his father Tobias and of Rugendas, thebattle painter, Director of the Academy of Augsburg; became in 1752 a member of theAcademy of Vienna, where he had settled; died in 1761. He chiefly painted battles andhunting-pieces on a small scale, in which he imitated the style of Philips Wouwerman. I. 284. Portrait of Charles VII., Emperor of G Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-descriptive-catalogue-of-the-pictures-in-the-fitzwilliam-museum-comp-largely-from-materials-supplied-by-sidney-colvin-quinkhard-catalogue-of-pictures-161-querfurt-august-querfurt-german-school-16961761-bom-at-wolfenbiittel-in-1696-was-a-pupil-of-his-father-tobias-and-of-rugendas-thebattle-painter-director-of-the-academy-of-augsburg-became-in-1752-a-member-of-theacademy-of-vienna-where-he-had-settled-died-in-1761-he-chiefly-painted-battles-andhunting-pieces-on-a-small-scale-in-which-he-imitated-the-style-of-philips-wouwerman-i-284-portrait-of-charles-vii-emperor-of-g-image338249465.html
RM2AJ8GJ1–A descriptive catalogue of the pictures in the Fitzwilliam museum, comp largely from materials supplied by Sidney Colvin .. . Quinkhard.] catalogue of pictures 161 QUERFURT. AUGUST Querfurt. German School, 1696—1761. Bom at Wolfenbiittel in 1696, was a pupil of his father Tobias and of Rugendas, thebattle painter, Director of the Academy of Augsburg; became in 1752 a member of theAcademy of Vienna, where he had settled; died in 1761. He chiefly painted battles andhunting-pieces on a small scale, in which he imitated the style of Philips Wouwerman. I. 284. Portrait of Charles VII., Emperor of G
Study for a Portrait of a Lady. Artist: Anthony van Dyck (Flemish, Antwerp 1599-1641 London). Dimensions: 19 7/8 × 11 13/16 in. (50.5 × 30 cm). Date: early 17th century. The Flemish painter Anthony van Dyck, Rubens's most brilliant pupil, streaked across the history of British art like a shooting star. After working (1620-21) at the court of James I, van Dyck returned to London in 1632 at the invitation of Charles I. There, he portrayed the sophisticated and privileged members of the Caroline court in a suitably glamorous manner. His distinctive lace-and-satin costumes and dazzling brushwork Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-for-a-portrait-of-a-lady-artist-anthony-van-dyck-flemish-antwerp-1599-1641-london-dimensions-19-78-11-1316-in-505-30-cm-date-early-17th-century-the-flemish-painter-anthony-van-dyck-rubenss-most-brilliant-pupil-streaked-across-the-history-of-british-art-like-a-shooting-star-after-working-1620-21-at-the-court-of-james-i-van-dyck-returned-to-london-in-1632-at-the-invitation-of-charles-i-there-he-portrayed-the-sophisticated-and-privileged-members-of-the-caroline-court-in-a-suitably-glamorous-manner-his-distinctive-lace-and-satin-costumes-and-dazzling-brushwork-image212909476.html
RMPAAT5T–Study for a Portrait of a Lady. Artist: Anthony van Dyck (Flemish, Antwerp 1599-1641 London). Dimensions: 19 7/8 × 11 13/16 in. (50.5 × 30 cm). Date: early 17th century. The Flemish painter Anthony van Dyck, Rubens's most brilliant pupil, streaked across the history of British art like a shooting star. After working (1620-21) at the court of James I, van Dyck returned to London in 1632 at the invitation of Charles I. There, he portrayed the sophisticated and privileged members of the Caroline court in a suitably glamorous manner. His distinctive lace-and-satin costumes and dazzling brushwork
December. Master of the Months of Lucas (Netherlandish (before 1600), 1494-1533) (author of design, attr.) [painter] Kempener, Willem I (Netherlandish (before 1600) - Flanders, act.1534-1548) (workshop) [weaver] c. 1540 Tapestry Dimensions: H 10'3' x W 12'7' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Barberini coll. (purchased about 1625). Charles M. Ffoulke coll., 1889. Mrs. E. H.[Edward Henry] Harriman coll. French & Co. United States, Colorado, Denver, The Denver Art Museum. Inscriptions: City mark on lower guard, left Inscriptions: I Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/december-master-of-the-months-of-lucas-netherlandish-before-1600-1494-1533-author-of-design-attr-painter-kempener-willem-i-netherlandish-before-1600-flanders-act1534-1548-workshop-weaver-c-1540-tapestry-dimensions-h-103-x-w-127-tapestry-materialstechniques-unknown-culture-flemish-weaving-center-brussels-ownership-history-barberini-coll-purchased-about-1625-charles-m-ffoulke-coll-1889-mrs-e-h-edward-henry-harriman-coll-french-co-united-states-colorado-denver-the-denver-art-museum-inscriptions-city-mark-on-lower-guard-left-inscriptions-i-image600003702.html
RM2WT4ERJ–December. Master of the Months of Lucas (Netherlandish (before 1600), 1494-1533) (author of design, attr.) [painter] Kempener, Willem I (Netherlandish (before 1600) - Flanders, act.1534-1548) (workshop) [weaver] c. 1540 Tapestry Dimensions: H 10'3' x W 12'7' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Barberini coll. (purchased about 1625). Charles M. Ffoulke coll., 1889. Mrs. E. H.[Edward Henry] Harriman coll. French & Co. United States, Colorado, Denver, The Denver Art Museum. Inscriptions: City mark on lower guard, left Inscriptions: I
Strictly Embargoed until 00:01 BST on Sunday 24th. Windsor Castle, Berkshire 21 Sep-2023 A rare surviving painting by Artemisia Gentileschi, the greatest female artist of the 17th century, has been rediscovered in the Royal Collection after being misattributed at least two centuries ago. The rediscovered painting, Susanna and the Elders, forms a significant addition to Artemisia's extant body of work and sheds light on her time in London at the court of Charles I and Henrietta Maria. Credit: Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strictly-embargoed-until-0001-bst-on-sunday-24th-windsor-castle-berkshire-21-sep-2023-a-rare-surviving-painting-by-artemisia-gentileschi-the-greatest-female-artist-of-the-17th-century-has-been-rediscovered-in-the-royal-collection-after-being-misattributed-at-least-two-centuries-ago-the-rediscovered-painting-susanna-and-the-elders-forms-a-significant-addition-to-artemisias-extant-body-of-work-and-sheds-light-on-her-time-in-london-at-the-court-of-charles-i-and-henrietta-maria-credit-paul-quezada-neimanalamy-live-news-image566658351.html
RM2RWWEE7–Strictly Embargoed until 00:01 BST on Sunday 24th. Windsor Castle, Berkshire 21 Sep-2023 A rare surviving painting by Artemisia Gentileschi, the greatest female artist of the 17th century, has been rediscovered in the Royal Collection after being misattributed at least two centuries ago. The rediscovered painting, Susanna and the Elders, forms a significant addition to Artemisia's extant body of work and sheds light on her time in London at the court of Charles I and Henrietta Maria. Credit: Paul Quezada-Neiman/Alamy Live News
The Conquest of Mexico. Anonymous author. Table, oil, nacre. It's part of 6 tables. Scenes of the conquest. Detail. 1676-1700. Mexican School. Viceroyalty of New Spain. Mexico. Museum of the Americas. Madrid, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-conquest-of-mexico-anonymous-author-table-oil-nacre-its-part-of-6-tables-scenes-of-the-conquest-detail-1676-1700-mexican-school-viceroyalty-of-new-spain-mexico-museum-of-the-americas-madrid-spain-image355134648.html
RM2BHNNT8–The Conquest of Mexico. Anonymous author. Table, oil, nacre. It's part of 6 tables. Scenes of the conquest. Detail. 1676-1700. Mexican School. Viceroyalty of New Spain. Mexico. Museum of the Americas. Madrid, Spain.
09-15 June 2022 Estelle YVON Exhibition of a painter, Since the age of 10, I have suffered from a spinal disease that has not spared me. My art is my oxygen, my outlet, facing the canvas, the pain vanishes to give way to the most beautiful of wonders. It is truly in the most trying moments that my inspirations are the craziest, deepest and most vibrant. Credit Ilona Barna BIPHOTONEWS / Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/09-15-june-2022-estelle-yvon-exhibition-of-a-painter-since-the-age-of-10-i-have-suffered-from-a-spinal-disease-that-has-not-spared-me-my-art-is-my-oxygen-my-outlet-facing-the-canvas-the-pain-vanishes-to-give-way-to-the-most-beautiful-of-wonders-it-is-truly-in-the-most-trying-moments-that-my-inspirations-are-the-craziest-deepest-and-most-vibrant-credit-ilona-barna-biphotonews-alamy-live-news-image472131108.html
RM2JC3C18–09-15 June 2022 Estelle YVON Exhibition of a painter, Since the age of 10, I have suffered from a spinal disease that has not spared me. My art is my oxygen, my outlet, facing the canvas, the pain vanishes to give way to the most beautiful of wonders. It is truly in the most trying moments that my inspirations are the craziest, deepest and most vibrant. Credit Ilona Barna BIPHOTONEWS / Alamy Live News
Portrait of Henrietta Maria of France (1609-1669) . Wife of Charles I of England. Bust left. After an original by Anthony van Dyck. Part of the collection portretminiaturen. Manufacturer : painter John Hoskinsschilder Anthony van Dyck (copy to) Dated: 1632 Physical features: miniature on parchment material: parchment copper enamel glass Dimensions: support: d 17.8 cm. external dimensions: 22 cm h. (Incl. Table and eye) × W 20.3 cm. (Incl. Range) × d 0.7 cm. OnderwerpWie: Henrietta Maria of France (Queen of England, Scotland and Ireland) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-henrietta-maria-of-france-1609-1669-wife-of-charles-i-of-england-bust-left-after-an-original-by-anthony-van-dyck-part-of-the-collection-portretminiaturen-manufacturer-painter-john-hoskinsschilder-anthony-van-dyck-copy-to-dated-1632-physical-features-miniature-on-parchment-material-parchment-copper-enamel-glass-dimensions-support-d-178-cm-external-dimensions-22-cm-h-incl-table-and-eye-w-203-cm-incl-range-d-07-cm-onderwerpwie-henrietta-maria-of-france-queen-of-england-scotland-and-ireland-image348431854.html
RM2B6TCAP–Portrait of Henrietta Maria of France (1609-1669) . Wife of Charles I of England. Bust left. After an original by Anthony van Dyck. Part of the collection portretminiaturen. Manufacturer : painter John Hoskinsschilder Anthony van Dyck (copy to) Dated: 1632 Physical features: miniature on parchment material: parchment copper enamel glass Dimensions: support: d 17.8 cm. external dimensions: 22 cm h. (Incl. Table and eye) × W 20.3 cm. (Incl. Range) × d 0.7 cm. OnderwerpWie: Henrietta Maria of France (Queen of England, Scotland and Ireland)
Anton Van Dyck - Charles I 02 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anton-van-dyck-charles-i-02-image431017809.html
RF2G16FH5–Anton Van Dyck - Charles I 02
Titian’s Early Masterpiece Rest on the Flight into Egypt Having been owned by Dukes, Archdukes and Holy Roman Emperors, it was looted by Napoleon and stolen in the late 20th century Offered by Lord Bath and the Longleat Trustees as part of their long-term investment strategy It will lead Christie’s Old Masters Part I sale in London on 2 July 2024 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/titians-early-masterpiece-rest-on-the-flight-into-egypt-having-been-owned-by-dukes-archdukes-and-holy-roman-emperors-it-was-looted-by-napoleon-and-stolen-in-the-late-20th-century-offered-by-lord-bath-and-the-longleat-trustees-as-part-of-their-long-term-investment-strategy-it-will-lead-christies-old-masters-part-i-sale-in-london-on-2-july-2024-image610256123.html
RM2XCRFWF–Titian’s Early Masterpiece Rest on the Flight into Egypt Having been owned by Dukes, Archdukes and Holy Roman Emperors, it was looted by Napoleon and stolen in the late 20th century Offered by Lord Bath and the Longleat Trustees as part of their long-term investment strategy It will lead Christie’s Old Masters Part I sale in London on 2 July 2024
. Little Nell . circa 1867. Charles Green (1840–1898) Alternative names Charles I Green; c. green Description painter and illustrator Date of birth/death 1840 1898 Location of birth/death Hampton Authority control : Q5078398 VIAF: 78643349 ULAN: 500011555 LCCN: nr92025958 SUDOC: 104916265 RKD: 202425 WorldCat 219 Green, Charles - Little Nell (ca 1867) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/little-nell-circa-1867-charles-green-18401898-alternative-names-charles-i-green-c-green-description-painter-and-illustrator-date-of-birthdeath-1840-1898-location-of-birthdeath-hampton-authority-control-q5078398-viaf78643349-ulan500011555-lccnnr92025958-sudoc104916265-rkd202425-worldcat-219-green-charles-little-nell-ca-1867-image189053092.html
RMMYG344–. Little Nell . circa 1867. Charles Green (1840–1898) Alternative names Charles I Green; c. green Description painter and illustrator Date of birth/death 1840 1898 Location of birth/death Hampton Authority control : Q5078398 VIAF: 78643349 ULAN: 500011555 LCCN: nr92025958 SUDOC: 104916265 RKD: 202425 WorldCat 219 Green, Charles - Little Nell (ca 1867)
Cancelled postage stamp printed by North Korea, that shows George I (1660-1727), Portraits of European Rulers, circa 1984. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cancelled-postage-stamp-printed-by-north-korea-that-shows-george-i-1660-1727-portraits-of-european-rulers-circa-1984-image614325516.html
RM2XKCXD0–Cancelled postage stamp printed by North Korea, that shows George I (1660-1727), Portraits of European Rulers, circa 1984.
Charles I with M. de St Antoine, 1633 More details Charles I with M. de St Antoine, 1633 Anthony van Dyck Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-i-with-m-de-st-antoine-1633-more-details-charles-i-with-m-de-st-antoine-1633-anthony-van-dyck-image601329731.html
RF2WX8X5R–Charles I with M. de St Antoine, 1633 More details Charles I with M. de St Antoine, 1633 Anthony van Dyck
Genealogy of the Anthony family from 1495 to 1904 traced from William Anthony, Cologne, Germany, to London, England, John Anthony, a descendant, from England to America . as a superb contralto,and, when speaking, it was remarkably attractive, whichwas a great source of pride to her as long as she lived. Children— Of the children we have a very brief history from the pen ofMiss Anne Stuart, one of the daughters. There were born12 children, 4 are still living in 1876. My second brother,Charles, was a very fine landscape painter; he died at the ageof 26. My sister Jane, I think, inherits a great Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/genealogy-of-the-anthony-family-from-1495-to-1904-traced-from-william-anthony-cologne-germany-to-london-england-john-anthony-a-descendant-from-england-to-america-as-a-superb-contraltoand-when-speaking-it-was-remarkably-attractive-whichwas-a-great-source-of-pride-to-her-as-long-as-she-lived-children-of-the-children-we-have-a-very-brief-history-from-the-pen-ofmiss-anne-stuart-one-of-the-daughters-there-were-born12-children-4-are-still-living-in-1876-my-second-brothercharles-was-a-very-fine-landscape-painter-he-died-at-the-ageof-26-my-sister-jane-i-think-inherits-a-great-image340154362.html
RM2ANBAA2–Genealogy of the Anthony family from 1495 to 1904 traced from William Anthony, Cologne, Germany, to London, England, John Anthony, a descendant, from England to America . as a superb contralto,and, when speaking, it was remarkably attractive, whichwas a great source of pride to her as long as she lived. Children— Of the children we have a very brief history from the pen ofMiss Anne Stuart, one of the daughters. There were born12 children, 4 are still living in 1876. My second brother,Charles, was a very fine landscape painter; he died at the ageof 26. My sister Jane, I think, inherits a great
Portuguese Civil War (1828-1834). Naval Battle of Cape St. Vincent. Confrontation between the Liberal and Absolutist fleets on July 5, 1833. Painting by Antoine Léon Morel-Fatio, 1842. Maritime Museum. Lisbon, Portugal. Author: Antoine Léon Morel-Fatio (1810-1871). French painter. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portuguese-civil-war-1828-1834-naval-battle-of-cape-st-vincent-confrontation-between-the-liberal-and-absolutist-fleets-on-july-5-1833-painting-by-antoine-lon-morel-fatio-1842-maritime-museum-lisbon-portugal-author-antoine-lon-morel-fatio-1810-1871-french-painter-image545729108.html
RM2PKT318–Portuguese Civil War (1828-1834). Naval Battle of Cape St. Vincent. Confrontation between the Liberal and Absolutist fleets on July 5, 1833. Painting by Antoine Léon Morel-Fatio, 1842. Maritime Museum. Lisbon, Portugal. Author: Antoine Léon Morel-Fatio (1810-1871). French painter.
December. Master of the Months of Lucas (Netherlandish (before 1600), 1494-1533) (author of design, attr.) [painter] Kempener, Willem I (Netherlandish (before 1600) - Flanders, act.1534-1548) (workshop) [weaver] c. 1540 Tapestry Dimensions: H 10'3' x W 12'7' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Barberini coll. (purchased about 1625). Charles M. Ffoulke coll., 1889. Mrs. E. H.[Edward Henry] Harriman coll. French & Co. United States, Colorado, Denver, The Denver Art Museum. Inscriptions: City mark on lower guard, left Inscriptions: I Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/december-master-of-the-months-of-lucas-netherlandish-before-1600-1494-1533-author-of-design-attr-painter-kempener-willem-i-netherlandish-before-1600-flanders-act1534-1548-workshop-weaver-c-1540-tapestry-dimensions-h-103-x-w-127-tapestry-materialstechniques-unknown-culture-flemish-weaving-center-brussels-ownership-history-barberini-coll-purchased-about-1625-charles-m-ffoulke-coll-1889-mrs-e-h-edward-henry-harriman-coll-french-co-united-states-colorado-denver-the-denver-art-museum-inscriptions-city-mark-on-lower-guard-left-inscriptions-i-image600266616.html
RM2WTGE5C–December. Master of the Months of Lucas (Netherlandish (before 1600), 1494-1533) (author of design, attr.) [painter] Kempener, Willem I (Netherlandish (before 1600) - Flanders, act.1534-1548) (workshop) [weaver] c. 1540 Tapestry Dimensions: H 10'3' x W 12'7' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Barberini coll. (purchased about 1625). Charles M. Ffoulke coll., 1889. Mrs. E. H.[Edward Henry] Harriman coll. French & Co. United States, Colorado, Denver, The Denver Art Museum. Inscriptions: City mark on lower guard, left Inscriptions: I
Strictly Embargoed until 00:01 BST on Sunday 24th. Windsor Castle, Berkshire 21 Sep-2023 A rare surviving painting by Artemisia Gentileschi, the greatest female artist of the 17th century, has been rediscovered in the Royal Collection after being misattributed at least two centuries ago. The rediscovered painting, Susanna and the Elders, forms a significant addition to Artemisia's extant body of work and sheds light on her time in London at the court of Charles I and Henrietta Maria. Credit: Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strictly-embargoed-until-0001-bst-on-sunday-24th-windsor-castle-berkshire-21-sep-2023-a-rare-surviving-painting-by-artemisia-gentileschi-the-greatest-female-artist-of-the-17th-century-has-been-rediscovered-in-the-royal-collection-after-being-misattributed-at-least-two-centuries-ago-the-rediscovered-painting-susanna-and-the-elders-forms-a-significant-addition-to-artemisias-extant-body-of-work-and-sheds-light-on-her-time-in-london-at-the-court-of-charles-i-and-henrietta-maria-credit-paul-quezada-neimanalamy-live-news-image566658369.html
RM2RWWEEW–Strictly Embargoed until 00:01 BST on Sunday 24th. Windsor Castle, Berkshire 21 Sep-2023 A rare surviving painting by Artemisia Gentileschi, the greatest female artist of the 17th century, has been rediscovered in the Royal Collection after being misattributed at least two centuries ago. The rediscovered painting, Susanna and the Elders, forms a significant addition to Artemisia's extant body of work and sheds light on her time in London at the court of Charles I and Henrietta Maria. Credit: Paul Quezada-Neiman/Alamy Live News
The Conquest of Mexico. Anonymous author. Table, oil, nacre. It's part of six tables. Indians take Hernan Cortes prisoner, who is rescued by Cristobal de Olea along with other Spaniards and Tlaxcaltecas. Detail. 1676-1700. Mexican School. Viceroyalty of New Spain. Mexico. Museum of the Americas. Madrid, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-conquest-of-mexico-anonymous-author-table-oil-nacre-its-part-of-six-tables-indians-take-hernan-cortes-prisoner-who-is-rescued-by-cristobal-de-olea-along-with-other-spaniards-and-tlaxcaltecas-detail-1676-1700-mexican-school-viceroyalty-of-new-spain-mexico-museum-of-the-americas-madrid-spain-image355134658.html
RM2BHNNTJ–The Conquest of Mexico. Anonymous author. Table, oil, nacre. It's part of six tables. Indians take Hernan Cortes prisoner, who is rescued by Cristobal de Olea along with other Spaniards and Tlaxcaltecas. Detail. 1676-1700. Mexican School. Viceroyalty of New Spain. Mexico. Museum of the Americas. Madrid, Spain.
Portrait of the Duchess of Berry, Carolina Ferdinanda Louisa Sicily (the eldest daughter of Francis I. king of Naples), wife of Charles Ferdinand, Duke of Berry in the park Bagatelle in the Bois de Boulogne in Paris. Full Length, sitting on a garden bench with a vase. Right at her feet a hondje. Manufacturer : painter François Gérard Dating: 1820 - 1837 Physical characteristics: oil on canvas material: oil canvas Dimensions: support: h 194.5 cm. B × 142.5 cm. outside: d 6.8 cm. (Carrier including SK-L-4015.) Subject Where: Paris Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-the-duchess-of-berry-carolina-ferdinanda-louisa-sicily-the-eldest-daughter-of-francis-i-king-of-naples-wife-of-charles-ferdinand-duke-of-berry-in-the-park-bagatelle-in-the-bois-de-boulogne-in-paris-full-length-sitting-on-a-garden-bench-with-a-vase-right-at-her-feet-a-hondje-manufacturer-painter-franois-grard-dating-1820-1837-physical-characteristics-oil-on-canvas-material-oil-canvas-dimensions-support-h-1945-cm-b-1425-cm-outside-d-68-cm-carrier-including-sk-l-4015-subject-where-paris-image348246598.html
RM2B6G02E–Portrait of the Duchess of Berry, Carolina Ferdinanda Louisa Sicily (the eldest daughter of Francis I. king of Naples), wife of Charles Ferdinand, Duke of Berry in the park Bagatelle in the Bois de Boulogne in Paris. Full Length, sitting on a garden bench with a vase. Right at her feet a hondje. Manufacturer : painter François Gérard Dating: 1820 - 1837 Physical characteristics: oil on canvas material: oil canvas Dimensions: support: h 194.5 cm. B × 142.5 cm. outside: d 6.8 cm. (Carrier including SK-L-4015.) Subject Where: Paris
Anton Van Dyck - Charles I on Horseback Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anton-van-dyck-charles-i-on-horseback-image431017846.html
RF2G16FJE–Anton Van Dyck - Charles I on Horseback
Titian’s Early Masterpiece Rest on the Flight into Egypt Having been owned by Dukes, Archdukes and Holy Roman Emperors, it was looted by Napoleon and stolen in the late 20th century Offered by Lord Bath and the Longleat Trustees as part of their long-term investment strategy It will lead Christie’s Old Masters Part I sale in London on 2 July 2024 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/titians-early-masterpiece-rest-on-the-flight-into-egypt-having-been-owned-by-dukes-archdukes-and-holy-roman-emperors-it-was-looted-by-napoleon-and-stolen-in-the-late-20th-century-offered-by-lord-bath-and-the-longleat-trustees-as-part-of-their-long-term-investment-strategy-it-will-lead-christies-old-masters-part-i-sale-in-london-on-2-july-2024-image610256389.html
RM2XCRG71–Titian’s Early Masterpiece Rest on the Flight into Egypt Having been owned by Dukes, Archdukes and Holy Roman Emperors, it was looted by Napoleon and stolen in the late 20th century Offered by Lord Bath and the Longleat Trustees as part of their long-term investment strategy It will lead Christie’s Old Masters Part I sale in London on 2 July 2024
. Little Nell . circa 1867. Charles Green (1840–1898) Alternative names Charles I Green; c. green Description painter and illustrator Date of birth/death 1840 1898 Location of birth/death Hampton Authority control : Q5078398 VIAF: 78643349 ULAN: 500011555 LCCN: nr92025958 SUDOC: 104916265 RKD: 202425 WorldCat 254 Green, Charles - Little Nell (ca 1867) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/little-nell-circa-1867-charles-green-18401898-alternative-names-charles-i-green-c-green-description-painter-and-illustrator-date-of-birthdeath-1840-1898-location-of-birthdeath-hampton-authority-control-q5078398-viaf78643349-ulan500011555-lccnnr92025958-sudoc104916265-rkd202425-worldcat-254-green-charles-little-nell-ca-1867-image188302608.html
RMMX9WW4–. Little Nell . circa 1867. Charles Green (1840–1898) Alternative names Charles I Green; c. green Description painter and illustrator Date of birth/death 1840 1898 Location of birth/death Hampton Authority control : Q5078398 VIAF: 78643349 ULAN: 500011555 LCCN: nr92025958 SUDOC: 104916265 RKD: 202425 WorldCat 254 Green, Charles - Little Nell (ca 1867)
Eugène Louis Lami -- Charles I Receiving a Rose from a Girl while he is being taken as a prisoner to Carisbrooke Castle, where he would shortly be condemned to death and executed 1829, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eugne-louis-lami-charles-i-receiving-a-rose-from-a-girl-while-he-is-being-taken-as-a-prisoner-to-carisbrooke-castle-where-he-would-shortly-be-condemned-to-death-and-executed-1829-image566671852.html
RF2RWX3MC–Eugène Louis Lami -- Charles I Receiving a Rose from a Girl while he is being taken as a prisoner to Carisbrooke Castle, where he would shortly be condemned to death and executed 1829,
Fragonard, Moreau le jeune and French engravers, etchers, and illustrators of the later XVIII century . F 8 LVIII. CHARLES JOSEPH FLIPART. THE BOUDOIR. ORIGINALENGRAVING Painter, draughtsman, and line-engraver j b. 1721 j d. 1793?w. in Paris, Venice, and Madrid. .?//rnfn M UrnLi ni.i/u •r,! /r..^.;Jr LIX. JEAN BAPTISTE LE PRINCE. LE MARCHAND DE LUNETTES.ENGRAVED BY ISIDORE STANISLAS HELMANJ. B, Le Prince, painter, draughtsman, and etcher in aquatint;b. 1734 (at Mctz) ; d. 1781 ; w. in Paris, and Russia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragonard-moreau-le-jeune-and-french-engravers-etchers-and-illustrators-of-the-later-xviii-century-f-8-lviii-charles-joseph-flipart-the-boudoir-originalengraving-painter-draughtsman-and-line-engraver-j-b-1721-j-d-1793w-in-paris-venice-and-madrid-rnfn-m-urnli-niiu-r!-rjr-lix-jean-baptiste-le-prince-le-marchand-de-lunettesengraved-by-isidore-stanislas-helmanj-b-le-prince-painter-draughtsman-and-etcher-in-aquatintb-1734-at-mctz-d-1781-w-in-paris-and-russia-image338133497.html
RM2AJ38M9–Fragonard, Moreau le jeune and French engravers, etchers, and illustrators of the later XVIII century . F 8 LVIII. CHARLES JOSEPH FLIPART. THE BOUDOIR. ORIGINALENGRAVING Painter, draughtsman, and line-engraver j b. 1721 j d. 1793?w. in Paris, Venice, and Madrid. .?//rnfn M UrnLi ni.i/u •r,! /r..^.;Jr LIX. JEAN BAPTISTE LE PRINCE. LE MARCHAND DE LUNETTES.ENGRAVED BY ISIDORE STANISLAS HELMANJ. B, Le Prince, painter, draughtsman, and etcher in aquatint;b. 1734 (at Mctz) ; d. 1781 ; w. in Paris, and Russia
Portuguese Civil War (1828-1834). Naval Battle of Cape St. Vincent. Confrontation between the Liberal and Absolutist fleets on July 5, 1833. Painting by Antoine Léon Morel-Fatio, 1842. Detalle. Maritime Museum. Lisbon, Portugal. Author: Antoine Léon Morel-Fatio (1810-1871). French painter. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portuguese-civil-war-1828-1834-naval-battle-of-cape-st-vincent-confrontation-between-the-liberal-and-absolutist-fleets-on-july-5-1833-painting-by-antoine-lon-morel-fatio-1842-detalle-maritime-museum-lisbon-portugal-author-antoine-lon-morel-fatio-1810-1871-french-painter-image545729118.html
RM2PKT31J–Portuguese Civil War (1828-1834). Naval Battle of Cape St. Vincent. Confrontation between the Liberal and Absolutist fleets on July 5, 1833. Painting by Antoine Léon Morel-Fatio, 1842. Detalle. Maritime Museum. Lisbon, Portugal. Author: Antoine Léon Morel-Fatio (1810-1871). French painter.
April. Master of the Months of Lucas (Netherlandish (before 1600), 1494-1533) (author of design, attr.) [painter] Kempener, Willem I (Netherlandish (before 1600) - Flanders, 1535) (workshop) [weaver] c. 1540 Tapestry Dimensions: H 10'3' x W 11'10' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Barberini coll. (purchased about 1625). Charles M. Ffoulke coll., 1889. Mrs. E. H.[Edward Henry] Harriman coll. French & Co. United States, Missouri, Kansas City, Nelson-Atkins Museum of Art. Inscriptions: City mark on lower guard, left; weaver mark on Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/april-master-of-the-months-of-lucas-netherlandish-before-1600-1494-1533-author-of-design-attr-painter-kempener-willem-i-netherlandish-before-1600-flanders-1535-workshop-weaver-c-1540-tapestry-dimensions-h-103-x-w-1110-tapestry-materialstechniques-unknown-culture-flemish-weaving-center-brussels-ownership-history-barberini-coll-purchased-about-1625-charles-m-ffoulke-coll-1889-mrs-e-h-edward-henry-harriman-coll-french-co-united-states-missouri-kansas-city-nelson-atkins-museum-of-art-inscriptions-city-mark-on-lower-guard-left-weaver-mark-on-image600257658.html
RM2WTG2NE–April. Master of the Months of Lucas (Netherlandish (before 1600), 1494-1533) (author of design, attr.) [painter] Kempener, Willem I (Netherlandish (before 1600) - Flanders, 1535) (workshop) [weaver] c. 1540 Tapestry Dimensions: H 10'3' x W 11'10' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Barberini coll. (purchased about 1625). Charles M. Ffoulke coll., 1889. Mrs. E. H.[Edward Henry] Harriman coll. French & Co. United States, Missouri, Kansas City, Nelson-Atkins Museum of Art. Inscriptions: City mark on lower guard, left; weaver mark on
Strictly Embargoed until 00:01 BST on Sunday 24th. Windsor Castle, Berkshire 21 Sep-2023 A rare surviving painting by Artemisia Gentileschi, the greatest female artist of the 17th century, has been rediscovered in the Royal Collection after being misattributed at least two centuries ago. The rediscovered painting, Susanna and the Elders, forms a significant addition to Artemisia's extant body of work and sheds light on her time in London at the court of Charles I and Henrietta Maria. Credit: Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strictly-embargoed-until-0001-bst-on-sunday-24th-windsor-castle-berkshire-21-sep-2023-a-rare-surviving-painting-by-artemisia-gentileschi-the-greatest-female-artist-of-the-17th-century-has-been-rediscovered-in-the-royal-collection-after-being-misattributed-at-least-two-centuries-ago-the-rediscovered-painting-susanna-and-the-elders-forms-a-significant-addition-to-artemisias-extant-body-of-work-and-sheds-light-on-her-time-in-london-at-the-court-of-charles-i-and-henrietta-maria-credit-paul-quezada-neimanalamy-live-news-image566658391.html
RM2RWWEFK–Strictly Embargoed until 00:01 BST on Sunday 24th. Windsor Castle, Berkshire 21 Sep-2023 A rare surviving painting by Artemisia Gentileschi, the greatest female artist of the 17th century, has been rediscovered in the Royal Collection after being misattributed at least two centuries ago. The rediscovered painting, Susanna and the Elders, forms a significant addition to Artemisia's extant body of work and sheds light on her time in London at the court of Charles I and Henrietta Maria. Credit: Paul Quezada-Neiman/Alamy Live News
The Conquest of Mexico. Anonymous author. Table, oil, nacre. It's part of six tables. Indians take Hernan Cortes prisoner, who is rescued by Cristobal de Olea along with other Spaniards and Tlaxcaltecas. Detail. 1676-1700. Mexican School. Viceroyalty of New Spain. Mexico. Museum of the Americas. Madrid, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-conquest-of-mexico-anonymous-author-table-oil-nacre-its-part-of-six-tables-indians-take-hernan-cortes-prisoner-who-is-rescued-by-cristobal-de-olea-along-with-other-spaniards-and-tlaxcaltecas-detail-1676-1700-mexican-school-viceroyalty-of-new-spain-mexico-museum-of-the-americas-madrid-spain-image355134666.html
RM2BHNNTX–The Conquest of Mexico. Anonymous author. Table, oil, nacre. It's part of six tables. Indians take Hernan Cortes prisoner, who is rescued by Cristobal de Olea along with other Spaniards and Tlaxcaltecas. Detail. 1676-1700. Mexican School. Viceroyalty of New Spain. Mexico. Museum of the Americas. Madrid, Spain.
Portrait of Henrietta Maria of France (1609-1669). Wife of Charles I of England. Bust left. After an original by Anthony van Dyck. Part of the collection portretminiaturen. Manufacturer : painter John Hoskinsschilder Anthony van Dyck (copy to) Dated: 1630 - 1645 Physical features: miniature on cardboard materials: cardboard metal enamel glass Dimensions: support: h 6,2 cm. B × 5.3 cm. external dimensions: h 7.5 cm. (Incl. Table and eye) × W 5.6 cm. (Incl. List) d × 0.4 cm. OnderwerpWie: Henrietta Maria of France (Queen of England, Scotland and Ireland) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-henrietta-maria-of-france-1609-1669-wife-of-charles-i-of-england-bust-left-after-an-original-by-anthony-van-dyck-part-of-the-collection-portretminiaturen-manufacturer-painter-john-hoskinsschilder-anthony-van-dyck-copy-to-dated-1630-1645-physical-features-miniature-on-cardboard-materials-cardboard-metal-enamel-glass-dimensions-support-h-62-cm-b-53-cm-external-dimensions-h-75-cm-incl-table-and-eye-w-56-cm-incl-list-d-04-cm-onderwerpwie-henrietta-maria-of-france-queen-of-england-scotland-and-ireland-image348431864.html
RM2B6TCB4–Portrait of Henrietta Maria of France (1609-1669). Wife of Charles I of England. Bust left. After an original by Anthony van Dyck. Part of the collection portretminiaturen. Manufacturer : painter John Hoskinsschilder Anthony van Dyck (copy to) Dated: 1630 - 1645 Physical features: miniature on cardboard materials: cardboard metal enamel glass Dimensions: support: h 6,2 cm. B × 5.3 cm. external dimensions: h 7.5 cm. (Incl. Table and eye) × W 5.6 cm. (Incl. List) d × 0.4 cm. OnderwerpWie: Henrietta Maria of France (Queen of England, Scotland and Ireland)
Anton Van Dyck - Equestrian Portrait of Charles I Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anton-van-dyck-equestrian-portrait-of-charles-i-image431017893.html
RF2G16FM5–Anton Van Dyck - Equestrian Portrait of Charles I
Titian’s Early Masterpiece Rest on the Flight into Egypt Having been owned by Dukes, Archdukes and Holy Roman Emperors, it was looted by Napoleon and stolen in the late 20th century Offered by Lord Bath and the Longleat Trustees as part of their long-term investment strategy It will lead Christie’s Old Masters Part I sale in London on 2 July 2024 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/titians-early-masterpiece-rest-on-the-flight-into-egypt-having-been-owned-by-dukes-archdukes-and-holy-roman-emperors-it-was-looted-by-napoleon-and-stolen-in-the-late-20th-century-offered-by-lord-bath-and-the-longleat-trustees-as-part-of-their-long-term-investment-strategy-it-will-lead-christies-old-masters-part-i-sale-in-london-on-2-july-2024-image610256124.html
RM2XCRFWG–Titian’s Early Masterpiece Rest on the Flight into Egypt Having been owned by Dukes, Archdukes and Holy Roman Emperors, it was looted by Napoleon and stolen in the late 20th century Offered by Lord Bath and the Longleat Trustees as part of their long-term investment strategy It will lead Christie’s Old Masters Part I sale in London on 2 July 2024
N/A. English: Captain Cuttle and Florence Dombey, Charles Dickens' 'Dombey and Son' Charles Green (1840–1898) Alternative names Charles I Green; c. green Description painter and illustrator Date of birth/death 1840 1898 Location of birth/death Hampton Authority control : Q5078398 VIAF:78643349 ISNI:0000 0000 6635 2528 ULAN:500011555 LCCN:nr92025958 SUDOC:104916265 WorldCat 325 Charles Green12 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-captain-cuttle-and-florence-dombey-charles-dickens-dombey-and-son-charles-green-18401898-alternative-names-charles-i-green-c-green-description-painter-and-illustrator-date-of-birthdeath-1840-1898-location-of-birthdeath-hampton-authority-control-q5078398-viaf78643349-isni0000-0000-6635-2528-ulan500011555-lccnnr92025958-sudoc104916265-worldcat-325-charles-green12-image210139244.html
RMP5TJN0–N/A. English: Captain Cuttle and Florence Dombey, Charles Dickens' 'Dombey and Son' Charles Green (1840–1898) Alternative names Charles I Green; c. green Description painter and illustrator Date of birth/death 1840 1898 Location of birth/death Hampton Authority control : Q5078398 VIAF:78643349 ISNI:0000 0000 6635 2528 ULAN:500011555 LCCN:nr92025958 SUDOC:104916265 WorldCat 325 Charles Green12
2 ⁄ 9 More details Charles I is regarded by many members of the Church of England as a martyr because, it is said,[3] he was offered his life if he would abandon the historic episcopacy in the Church of England. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/2-9-more-details-charles-i-is-regarded-by-many-members-of-the-church-of-england-as-a-martyr-because-it-is-said-3-he-was-offered-his-life-if-he-would-abandon-the-historic-episcopacy-in-the-church-of-england-image628936655.html
RM2YF6F3B–2 ⁄ 9 More details Charles I is regarded by many members of the Church of England as a martyr because, it is said,[3] he was offered his life if he would abandon the historic episcopacy in the Church of England.
. Who's who in state politics. OBRIEN, MICHAEL F., 3 8th Suffolk,Dem., Boston. Born there Sept. 18, 1878;public schools. Painter B. E. Railway carshops. Timilty club. Common council 1907-08-09. House 10, committee on federalrelations. 11, public lighting. 246. OCONNELL, CHARLES R., 11th Essex,Dem., Peabcdy. Eorn there Sept. 16, 1871;public schools. Printer. K. C, I. T. U., M.O. O. Camels. Chairman Peabody investiga-tion committee. House 11, water supply, 247 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/whos-who-in-state-politics-obrien-michael-f-3-8th-suffolkdem-boston-born-there-sept-18-1878public-schools-painter-b-e-railway-carshops-timilty-club-common-council-1907-08-09-house-10-committee-on-federalrelations-11-public-lighting-246-oconnell-charles-r-11th-essexdem-peabcdy-eorn-there-sept-16-1871public-schools-printer-k-c-i-t-u-mo-o-camels-chairman-peabody-investiga-tion-committee-house-11-water-supply-247-image336896422.html
RM2AG2XR2–. Who's who in state politics. OBRIEN, MICHAEL F., 3 8th Suffolk,Dem., Boston. Born there Sept. 18, 1878;public schools. Painter B. E. Railway carshops. Timilty club. Common council 1907-08-09. House 10, committee on federalrelations. 11, public lighting. 246. OCONNELL, CHARLES R., 11th Essex,Dem., Peabcdy. Eorn there Sept. 16, 1871;public schools. Printer. K. C, I. T. U., M.O. O. Camels. Chairman Peabody investiga-tion committee. House 11, water supply, 247
Woman artist in front of an oil painting with palette and brushes. She wears an apron and protective sleeves over a low-cut yellow gown. Her hairdo is ornamented with an arrow and a comb. Coiffure ornée d'une Flèche et d'un Peigne renversé Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, An 11, 1802. Illustrations by Carle Vernet, Jean-Francois Bosio, Dominique Bosio and Philibert Louis Debucourt, engraved by Pierre-Charles Baquoy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-artist-in-front-of-an-oil-painting-with-palette-and-brushes-she-wears-an-apron-and-protective-sleeves-over-a-low-cut-yellow-gown-her-hairdo-is-ornamented-with-an-arrow-and-a-comb-coiffure-orne-dune-flche-et-dun-peigne-renvers-handcoloured-copperplate-engraving-from-pierre-de-la-mesangeres-journal-des-dames-et-des-modes-magazine-of-women-and-fashion-paris-an-11-1802-illustrations-by-carle-vernet-jean-francois-bosio-dominique-bosio-and-philibert-louis-debucourt-engraved-by-pierre-charles-baquoy-image571907277.html
RM2T6CHFW–Woman artist in front of an oil painting with palette and brushes. She wears an apron and protective sleeves over a low-cut yellow gown. Her hairdo is ornamented with an arrow and a comb. Coiffure ornée d'une Flèche et d'un Peigne renversé Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, An 11, 1802. Illustrations by Carle Vernet, Jean-Francois Bosio, Dominique Bosio and Philibert Louis Debucourt, engraved by Pierre-Charles Baquoy.
May. Master of the Months of Lucas (Netherlandish (before 1600), 1494-1533) (author of design, attr.) [painter] Kempener, Willem I (Netherlandish (before 1600) - Flanders, 1535) (workshop) [weaver] c. 1540 Tapestry Dimensions: H 10'3' x W 15'3' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Barberini coll. (purchased about 1625). Charles M. Ffoulke coll., 1889. Mrs. E. H.[Edward Henry] Harriman coll. French & Co. Inscriptions: City mark on lower guard, left; weaver mark on right guard, bottom Inscriptions: Inscription in upper border, center Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/may-master-of-the-months-of-lucas-netherlandish-before-1600-1494-1533-author-of-design-attr-painter-kempener-willem-i-netherlandish-before-1600-flanders-1535-workshop-weaver-c-1540-tapestry-dimensions-h-103-x-w-153-tapestry-materialstechniques-unknown-culture-flemish-weaving-center-brussels-ownership-history-barberini-coll-purchased-about-1625-charles-m-ffoulke-coll-1889-mrs-e-h-edward-henry-harriman-coll-french-co-inscriptions-city-mark-on-lower-guard-left-weaver-mark-on-right-guard-bottom-inscriptions-inscription-in-upper-border-center-image600269280.html
RM2WTGHGG–May. Master of the Months of Lucas (Netherlandish (before 1600), 1494-1533) (author of design, attr.) [painter] Kempener, Willem I (Netherlandish (before 1600) - Flanders, 1535) (workshop) [weaver] c. 1540 Tapestry Dimensions: H 10'3' x W 15'3' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Barberini coll. (purchased about 1625). Charles M. Ffoulke coll., 1889. Mrs. E. H.[Edward Henry] Harriman coll. French & Co. Inscriptions: City mark on lower guard, left; weaver mark on right guard, bottom Inscriptions: Inscription in upper border, center
Strictly Embargoed until 00:01 BST on Sunday 24th. Windsor Castle, Berkshire 21 Sep-2023 A rare surviving painting by Artemisia Gentileschi, the greatest female artist of the 17th century, has been rediscovered in the Royal Collection after being misattributed at least two centuries ago. The rediscovered painting, Susanna and the Elders, forms a significant addition to Artemisia's extant body of work and sheds light on her time in London at the court of Charles I and Henrietta Maria. Credit: Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strictly-embargoed-until-0001-bst-on-sunday-24th-windsor-castle-berkshire-21-sep-2023-a-rare-surviving-painting-by-artemisia-gentileschi-the-greatest-female-artist-of-the-17th-century-has-been-rediscovered-in-the-royal-collection-after-being-misattributed-at-least-two-centuries-ago-the-rediscovered-painting-susanna-and-the-elders-forms-a-significant-addition-to-artemisias-extant-body-of-work-and-sheds-light-on-her-time-in-london-at-the-court-of-charles-i-and-henrietta-maria-credit-paul-quezada-neimanalamy-live-news-image566658317.html
RM2RWWED1–Strictly Embargoed until 00:01 BST on Sunday 24th. Windsor Castle, Berkshire 21 Sep-2023 A rare surviving painting by Artemisia Gentileschi, the greatest female artist of the 17th century, has been rediscovered in the Royal Collection after being misattributed at least two centuries ago. The rediscovered painting, Susanna and the Elders, forms a significant addition to Artemisia's extant body of work and sheds light on her time in London at the court of Charles I and Henrietta Maria. Credit: Paul Quezada-Neiman/Alamy Live News
The Conquest of Mexico. Anonymous author. Table, oil, nacre. It is part of six tables. Scenes of the conquest. Fight between natives and Spaniards soldiers.1676-1700. Mexican School. Detail. Viceroyalty of New Spain. Mexico. Museum of the Americas. Madrid, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-conquest-of-mexico-anonymous-author-table-oil-nacre-it-is-part-of-six-tables-scenes-of-the-conquest-fight-between-natives-and-spaniards-soldiers1676-1700-mexican-school-detail-viceroyalty-of-new-spain-mexico-museum-of-the-americas-madrid-spain-image355085109.html
RM2BHKEK1–The Conquest of Mexico. Anonymous author. Table, oil, nacre. It is part of six tables. Scenes of the conquest. Fight between natives and Spaniards soldiers.1676-1700. Mexican School. Detail. Viceroyalty of New Spain. Mexico. Museum of the Americas. Madrid, Spain.
Anton Van Dyck - Princess Mary Daughter of Charles I Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anton-van-dyck-princess-mary-daughter-of-charles-i-image431019024.html
RF2G16H4G–Anton Van Dyck - Princess Mary Daughter of Charles I
Titian’s Early Masterpiece Rest on the Flight into Egypt Having been owned by Dukes, Archdukes and Holy Roman Emperors, it was looted by Napoleon and stolen in the late 20th century Offered by Lord Bath and the Longleat Trustees as part of their long-term investment strategy It will lead Christie’s Old Masters Part I sale in London on 2 July 2024 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/titians-early-masterpiece-rest-on-the-flight-into-egypt-having-been-owned-by-dukes-archdukes-and-holy-roman-emperors-it-was-looted-by-napoleon-and-stolen-in-the-late-20th-century-offered-by-lord-bath-and-the-longleat-trustees-as-part-of-their-long-term-investment-strategy-it-will-lead-christies-old-masters-part-i-sale-in-london-on-2-july-2024-image610256130.html
RM2XCRFWP–Titian’s Early Masterpiece Rest on the Flight into Egypt Having been owned by Dukes, Archdukes and Holy Roman Emperors, it was looted by Napoleon and stolen in the late 20th century Offered by Lord Bath and the Longleat Trustees as part of their long-term investment strategy It will lead Christie’s Old Masters Part I sale in London on 2 July 2024
Christmas Comes But Once A Year . English: Victorian depiction of early 19th-century Christmas celebration, with servant carrying pudding to dining table. Charles Green (1840–1898) Alternative names Charles I Green; c. green Description painter and illustrator Date of birth/death 1840 1898 Location of birth/death Hampton Authority control : Q5078398 VIAF:78643349 ISNI:0000 0000 6635 2528 ULAN:500011555 LCCN:nr92025958 SUDOC:104916265 WorldCat 325 Charles Green01 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christmas-comes-but-once-a-year-english-victorian-depiction-of-early-19th-century-christmas-celebration-with-servant-carrying-pudding-to-dining-table-charles-green-18401898-alternative-names-charles-i-green-c-green-description-painter-and-illustrator-date-of-birthdeath-1840-1898-location-of-birthdeath-hampton-authority-control-q5078398-viaf78643349-isni0000-0000-6635-2528-ulan500011555-lccnnr92025958-sudoc104916265-worldcat-325-charles-green01-image210139241.html
RMP5TJMW–Christmas Comes But Once A Year . English: Victorian depiction of early 19th-century Christmas celebration, with servant carrying pudding to dining table. Charles Green (1840–1898) Alternative names Charles I Green; c. green Description painter and illustrator Date of birth/death 1840 1898 Location of birth/death Hampton Authority control : Q5078398 VIAF:78643349 ISNI:0000 0000 6635 2528 ULAN:500011555 LCCN:nr92025958 SUDOC:104916265 WorldCat 325 Charles Green01
RUBENS, Pieter Pauwel (b. 1577, Siegen, d. 1640, Antwerpen) The Happiness of the Regency 1623-25 Oil on canvas, 394 x 295 cm Musée du Louvre, Paris The is one of the 21 paintings from the Life of Mary of Medicis, which was executed for the Palace of Luxembourg in Paris. The paintings were commissioned by Mary of Medicis in 1622 and the gallery containing the paintings was inaugurated on the occasion of the marriage of Henriette of France and Charles I of England in 1625. --- Keywords: -------------- Author: RUBENS, Pieter Pauwel Title: The Happiness of the Regency T Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rubens-pieter-pauwel-b-1577-siegen-d-1640-antwerpen-the-happiness-of-the-regency-1623-25-oil-on-canvas-394-x-295-cm-muse-du-louvre-paris-the-is-one-of-the-21-paintings-from-the-life-of-mary-of-medicis-which-was-executed-for-the-palace-of-luxembourg-in-paris-the-paintings-were-commissioned-by-mary-of-medicis-in-1622-and-the-gallery-containing-the-paintings-was-inaugurated-on-the-occasion-of-the-marriage-of-henriette-of-france-and-charles-i-of-england-in-1625-keywords-author-rubens-pieter-pauwel-title-the-happiness-of-the-regency-t-image623241593.html
RM2Y5Y309–RUBENS, Pieter Pauwel (b. 1577, Siegen, d. 1640, Antwerpen) The Happiness of the Regency 1623-25 Oil on canvas, 394 x 295 cm Musée du Louvre, Paris The is one of the 21 paintings from the Life of Mary of Medicis, which was executed for the Palace of Luxembourg in Paris. The paintings were commissioned by Mary of Medicis in 1622 and the gallery containing the paintings was inaugurated on the occasion of the marriage of Henriette of France and Charles I of England in 1625. --- Keywords: -------------- Author: RUBENS, Pieter Pauwel Title: The Happiness of the Regency T
. The Worshipful Company of Painters, otherwise Painter-Stainers : its hall, pictures, and plate. Past Masters Medal, as in useuntil 1908. cxj [May the Tainter-Stainers Company Flourish,Root and Branch, for ever. The Worshipful Company of Painters,otherwise Painter-Stainers.. 1913 Master:CHARLES GASQUET. Upper Warden :JOHN CHARLES NICHOLSON. Renter Warde7t ;ARTHUR BARNARD COWTAN. Treasurers to the Charities: *WILFRED NICHOLSON.*MAWER COWTAN COWTAN. Treasurer to the Corporate Funds =*WALTER HAYWARD PITMAN,J.P., Deputy. ^5sista72ts: *JOHN DiBBLEE CrACE, F.S.A. ^Rowland Plumbe, F.R.I.B.A., F.S.I. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-worshipful-company-of-painters-otherwise-painter-stainers-its-hall-pictures-and-plate-past-masters-medal-as-in-useuntil-1908-cxj-may-the-tainter-stainers-company-flourishroot-and-branch-for-ever-the-worshipful-company-of-paintersotherwise-painter-stainers-1913-mastercharles-gasquet-upper-warden-john-charles-nicholson-renter-warde7t-arthur-barnard-cowtan-treasurers-to-the-charities-wilfred-nicholsonmawer-cowtan-cowtan-treasurer-to-the-corporate-funds-=walter-hayward-pitmanjp-deputy-5sista72ts-john-dibblee-crace-fsa-rowland-plumbe-friba-fsi-image337141037.html
RM2AGE2R9–. The Worshipful Company of Painters, otherwise Painter-Stainers : its hall, pictures, and plate. Past Masters Medal, as in useuntil 1908. cxj [May the Tainter-Stainers Company Flourish,Root and Branch, for ever. The Worshipful Company of Painters,otherwise Painter-Stainers.. 1913 Master:CHARLES GASQUET. Upper Warden :JOHN CHARLES NICHOLSON. Renter Warde7t ;ARTHUR BARNARD COWTAN. Treasurers to the Charities: *WILFRED NICHOLSON.*MAWER COWTAN COWTAN. Treasurer to the Corporate Funds =*WALTER HAYWARD PITMAN,J.P., Deputy. ^5sista72ts: *JOHN DiBBLEE CrACE, F.S.A. ^Rowland Plumbe, F.R.I.B.A., F.S.I.
Portrait of Louis Napoleon, King of Holland. Louis Napoleon (1778-1846), King of Holland from 1806 to 1810, in the uniform of the life guards on foot, decorated with the Grand Cross of the Royal Order of the Union of Holland and the Officers Cross of the Legion of Honor. Dating: 1809. Measurements: h 223 cm × w 147 cm. Museum: Rijksmuseum, Amsterdam. Author: CHARLES HOWARD HODGES. Hodges, Charles Howard. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-louis-napoleon-king-of-holland-louis-napoleon-1778-1846-king-of-holland-from-1806-to-1810-in-the-uniform-of-the-life-guards-on-foot-decorated-with-the-grand-cross-of-the-royal-order-of-the-union-of-holland-and-the-officers-cross-of-the-legion-of-honor-dating-1809-measurements-h-223-cm-w-147-cm-museum-rijksmuseum-amsterdam-author-charles-howard-hodges-hodges-charles-howard-image232928165.html
RMREXP71–Portrait of Louis Napoleon, King of Holland. Louis Napoleon (1778-1846), King of Holland from 1806 to 1810, in the uniform of the life guards on foot, decorated with the Grand Cross of the Royal Order of the Union of Holland and the Officers Cross of the Legion of Honor. Dating: 1809. Measurements: h 223 cm × w 147 cm. Museum: Rijksmuseum, Amsterdam. Author: CHARLES HOWARD HODGES. Hodges, Charles Howard.
Defeat of French cavalry, imperial infantries capture enemy artilleries. Orley, Bernart van (Netherlandish (before 1600) - Flanders, ca.1492-1542) (designed after) [painter] Moy, Willem (Netherlandish (before 1600) - Flanders, act. ca.1525) (workshop) [weaver] c. 1530 Tapestry Dimensions: H 439 x W 867 cm Tapestry Materials/Techniques: wool & silk; metallic thread (gold) Culture: Flemish Ownership History: Charles V & his sister, Mary of Hungary coll. Italy, Campania, Napoli, Naples, Museo nazionale di Capodimonte, accno. I.G.M.N. 144484. Mass progression of soldiers on foot & horseback, many Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/defeat-of-french-cavalry-imperial-infantries-capture-enemy-artilleries-orley-bernart-van-netherlandish-before-1600-flanders-ca1492-1542-designed-after-painter-moy-willem-netherlandish-before-1600-flanders-act-ca1525-workshop-weaver-c-1530-tapestry-dimensions-h-439-x-w-867-cm-tapestry-materialstechniques-wool-silk-metallic-thread-gold-culture-flemish-ownership-history-charles-v-his-sister-mary-of-hungary-coll-italy-campania-napoli-naples-museo-nazionale-di-capodimonte-accno-igmn-144484-mass-progression-of-soldiers-on-foot-horseback-many-image600256030.html
RM2WTG0KA–Defeat of French cavalry, imperial infantries capture enemy artilleries. Orley, Bernart van (Netherlandish (before 1600) - Flanders, ca.1492-1542) (designed after) [painter] Moy, Willem (Netherlandish (before 1600) - Flanders, act. ca.1525) (workshop) [weaver] c. 1530 Tapestry Dimensions: H 439 x W 867 cm Tapestry Materials/Techniques: wool & silk; metallic thread (gold) Culture: Flemish Ownership History: Charles V & his sister, Mary of Hungary coll. Italy, Campania, Napoli, Naples, Museo nazionale di Capodimonte, accno. I.G.M.N. 144484. Mass progression of soldiers on foot & horseback, many
Sir Anthony Van Dyck - Charles I (1600-49) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-anthony-van-dyck-charles-i-1600-49-image414014010.html
RF2F1FY2J–Sir Anthony Van Dyck - Charles I (1600-49)
Paul Delaroche - Cromwell Before Coffin Charles I 1849 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paul-delaroche-cromwell-before-coffin-charles-i-1849-image415552497.html
RF2F421CH–Paul Delaroche - Cromwell Before Coffin Charles I 1849
Titian’s Early Masterpiece Rest on the Flight into Egypt Having been owned by Dukes, Archdukes and Holy Roman Emperors, it was looted by Napoleon and stolen in the late 20th century Offered by Lord Bath and the Longleat Trustees as part of their long-term investment strategy It will lead Christie’s Old Masters Part I sale in London on 2 July 2024 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/titians-early-masterpiece-rest-on-the-flight-into-egypt-having-been-owned-by-dukes-archdukes-and-holy-roman-emperors-it-was-looted-by-napoleon-and-stolen-in-the-late-20th-century-offered-by-lord-bath-and-the-longleat-trustees-as-part-of-their-long-term-investment-strategy-it-will-lead-christies-old-masters-part-i-sale-in-london-on-2-july-2024-image610256290.html
RM2XCRG3E–Titian’s Early Masterpiece Rest on the Flight into Egypt Having been owned by Dukes, Archdukes and Holy Roman Emperors, it was looted by Napoleon and stolen in the late 20th century Offered by Lord Bath and the Longleat Trustees as part of their long-term investment strategy It will lead Christie’s Old Masters Part I sale in London on 2 July 2024
. Victorian depiction of early 19th-century couple. The Courtship. 1878. Charles Green (1840–1898) Alternative names Charles I Green; c. green Description painter and illustrator Date of birth/death 1840 1898 Location of birth/death Hampton Authority control : Q5078398 VIAF:?78643349 ULAN:?500011555 LCCN:?nr92025958 SUDOC:?104916265 RKD:?202425 WorldCat Charles Green07 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/victorian-depiction-of-early-19th-century-couple-the-courtship-1878-charles-green-18401898-alternative-names-charles-i-green-c-green-description-painter-and-illustrator-date-of-birthdeath-1840-1898-location-of-birthdeath-hampton-authority-control-q5078398-viaf78643349-ulan500011555-lccnnr92025958-sudoc104916265-rkd202425-worldcat-charles-green07-image184946042.html
RMMMW0FP–. Victorian depiction of early 19th-century couple. The Courtship. 1878. Charles Green (1840–1898) Alternative names Charles I Green; c. green Description painter and illustrator Date of birth/death 1840 1898 Location of birth/death Hampton Authority control : Q5078398 VIAF:?78643349 ULAN:?500011555 LCCN:?nr92025958 SUDOC:?104916265 RKD:?202425 WorldCat Charles Green07
Anton Van Dyck - Charles I Three Positions 1636 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anton-van-dyck-charles-i-three-positions-1636-image431017839.html
RF2G16FJ7–Anton Van Dyck - Charles I Three Positions 1636
Yeames William Frederick - Dr Harvey and the Children of Charles I Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yeames-william-frederick-dr-harvey-and-the-children-of-charles-i-image180411670.html
RFMDECWX–Yeames William Frederick - Dr Harvey and the Children of Charles I
RUBENS, Pieter Pauwel (b. 1577, Siegen, d. 1640, Antwerpen) The Duke of Buckingham c. 1625 Oil on canvas, 63 x 48 cm Galleria Palatina (Palazzo Pitti), Florence George Villiers, the 1st Duke of Buckingham (1592-1628), was a royal favourite and statesman who virtually ruled England during the last years of King James I and the first years of the reign of Charles I. Buckingham was extremely unpopular, and the failure of his aggressive, erratic foreign policy increased the tensions that eventually exploded in the Civil War between the Royalists and the Parliamentarians. --- Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rubens-pieter-pauwel-b-1577-siegen-d-1640-antwerpen-the-duke-of-buckingham-c-1625-oil-on-canvas-63-x-48-cm-galleria-palatina-palazzo-pitti-florence-george-villiers-the-1st-duke-of-buckingham-1592-1628-was-a-royal-favourite-and-statesman-who-virtually-ruled-england-during-the-last-years-of-king-james-i-and-the-first-years-of-the-reign-of-charles-i-buckingham-was-extremely-unpopular-and-the-failure-of-his-aggressive-erratic-foreign-policy-increased-the-tensions-that-eventually-exploded-in-the-civil-war-between-the-royalists-and-the-parliamentarians-image623241583.html
RM2Y5Y2YY–RUBENS, Pieter Pauwel (b. 1577, Siegen, d. 1640, Antwerpen) The Duke of Buckingham c. 1625 Oil on canvas, 63 x 48 cm Galleria Palatina (Palazzo Pitti), Florence George Villiers, the 1st Duke of Buckingham (1592-1628), was a royal favourite and statesman who virtually ruled England during the last years of King James I and the first years of the reign of Charles I. Buckingham was extremely unpopular, and the failure of his aggressive, erratic foreign policy increased the tensions that eventually exploded in the Civil War between the Royalists and the Parliamentarians. ---
Miniatures, ancient and modern . MRS. UAI.TONBy Sir IVilliam Ross THE .NEW YORK PUBLIC LIBRARY u Tii£ :^£^ YORK PUBLIC LIgRARY ASTOK, I.ENOX AiU>TILOKUI KOUJfDATfiil*. PORTRAIT OF A I.AUYBy Lionel Heath CHARLES TURRELL 107 Charles Heath the engraver, was a pupil ofHenry Corbould the artist, and for a timeworked with Robert Thorburn. At one periodof his career he took up photography, butpresently gave it up and resumed miniaturework about 1872, and painted several portraitsof members of the Royal Family. In 1890 he was made miniature painter toQueen Victoria. Heaths work is broad andgood. I Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/miniatures-ancient-and-modern-mrs-uaitonby-sir-ivilliam-ross-the-new-york-public-library-u-tii-york-public-ligrary-astok-ienox-aiugttilokui-koujfdatfiil-portrait-of-a-iauyby-lionel-heath-charles-turrell-107-charles-heath-the-engraver-was-a-pupil-ofhenry-corbould-the-artist-and-for-a-timeworked-with-robert-thorburn-at-one-periodof-his-career-he-took-up-photography-butpresently-gave-it-up-and-resumed-miniaturework-about-1872-and-painted-several-portraitsof-members-of-the-royal-family-in-1890-he-was-made-miniature-painter-toqueen-victoria-heaths-work-is-broad-andgood-i-image338366136.html
RM2AJDWCT–Miniatures, ancient and modern . MRS. UAI.TONBy Sir IVilliam Ross THE .NEW YORK PUBLIC LIBRARY u Tii£ :^£^ YORK PUBLIC LIgRARY ASTOK, I.ENOX AiU>TILOKUI KOUJfDATfiil*. PORTRAIT OF A I.AUYBy Lionel Heath CHARLES TURRELL 107 Charles Heath the engraver, was a pupil ofHenry Corbould the artist, and for a timeworked with Robert Thorburn. At one periodof his career he took up photography, butpresently gave it up and resumed miniaturework about 1872, and painted several portraitsof members of the Royal Family. In 1890 he was made miniature painter toQueen Victoria. Heaths work is broad andgood. I
King Charles I, (1600-1649), 1631, By Daniel Mytens, National Portrait Gallery, London, UK. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-charles-i-1600-1649-1631-by-daniel-mytens-national-portrait-gallery-london-uk-image631110150.html
RM2YJNFC6–King Charles I, (1600-1649), 1631, By Daniel Mytens, National Portrait Gallery, London, UK.
Triumph of Louis XIV. Le Brun, Charles (French, 1619-1690) (cartoon creator) [painter] Meulen, Adam Frans van der (Flemish, 1632-1690) (cartoon creator) [painter] Martin, Jean-Baptiste I (French, 1659-1735) (cartoon creator) [painter] Béhagle, Philippe I (French, b.1641-d.1705) (workshop) [weaver] c. 1685-1711 Tapestry Dimensions: H 15'5' x W 18'5' Tapestry Materials/Techniques: wool, silk & metallic thread (gold & silver) Culture: French Weaving Center: Beauvais Ownership History: Commissioned by Louis XIV as a gift to Count Buhl. Lord Amherst of Hackney coll., Didlington Hall, Norfolk, Engla Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/triumph-of-louis-xiv-le-brun-charles-french-1619-1690-cartoon-creator-painter-meulen-adam-frans-van-der-flemish-1632-1690-cartoon-creator-painter-martin-jean-baptiste-i-french-1659-1735-cartoon-creator-painter-bhagle-philippe-i-french-b1641-d1705-workshop-weaver-c-1685-1711-tapestry-dimensions-h-155-x-w-185-tapestry-materialstechniques-wool-silk-metallic-thread-gold-silver-culture-french-weaving-center-beauvais-ownership-history-commissioned-by-louis-xiv-as-a-gift-to-count-buhl-lord-amherst-of-hackney-coll-didlington-hall-norfolk-engla-image600265267.html
RM2WTGCD7–Triumph of Louis XIV. Le Brun, Charles (French, 1619-1690) (cartoon creator) [painter] Meulen, Adam Frans van der (Flemish, 1632-1690) (cartoon creator) [painter] Martin, Jean-Baptiste I (French, 1659-1735) (cartoon creator) [painter] Béhagle, Philippe I (French, b.1641-d.1705) (workshop) [weaver] c. 1685-1711 Tapestry Dimensions: H 15'5' x W 18'5' Tapestry Materials/Techniques: wool, silk & metallic thread (gold & silver) Culture: French Weaving Center: Beauvais Ownership History: Commissioned by Louis XIV as a gift to Count Buhl. Lord Amherst of Hackney coll., Didlington Hall, Norfolk, Engla
Titian’s Early Masterpiece Rest on the Flight into Egypt Having been owned by Dukes, Archdukes and Holy Roman Emperors, it was looted by Napoleon and stolen in the late 20th century Offered by Lord Bath and the Longleat Trustees as part of their long-term investment strategy It will lead Christie’s Old Masters Part I sale in London on 2 July 2024 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/titians-early-masterpiece-rest-on-the-flight-into-egypt-having-been-owned-by-dukes-archdukes-and-holy-roman-emperors-it-was-looted-by-napoleon-and-stolen-in-the-late-20th-century-offered-by-lord-bath-and-the-longleat-trustees-as-part-of-their-long-term-investment-strategy-it-will-lead-christies-old-masters-part-i-sale-in-london-on-2-july-2024-image610256315.html
RM2XCRG4B–Titian’s Early Masterpiece Rest on the Flight into Egypt Having been owned by Dukes, Archdukes and Holy Roman Emperors, it was looted by Napoleon and stolen in the late 20th century Offered by Lord Bath and the Longleat Trustees as part of their long-term investment strategy It will lead Christie’s Old Masters Part I sale in London on 2 July 2024
. English: Anthony van Dyck, Charles I's court painter, created this portrait of Charles I, King of England, from Three Angles, commonly known as the 'Triple Portrait. The oil painting was made on canvas around 1636, and is an example of how Van Dyck tended to mask Charles I's small stature, portraying him in a more dignified manner. It was sent to Rome, where sculptor Gian Lorenzo Bernini, commissioned by Pope Urban VII, used it to made a marble bust of Charles. The bust may have originally been place in the hall of the Queen's House, and was later lost in the Whitehall Palace fire of 1698. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-anthony-van-dyck-charles-is-court-painter-created-this-portrait-of-charles-i-king-of-england-from-three-angles-commonly-known-as-the-triple-portrait-the-oil-painting-was-made-on-canvas-around-1636-and-is-an-example-of-how-van-dyck-tended-to-mask-charles-is-small-stature-portraying-him-in-a-more-dignified-manner-it-was-sent-to-rome-where-sculptor-gian-lorenzo-bernini-commissioned-by-pope-urban-vii-used-it-to-made-a-marble-bust-of-charles-the-bust-may-have-originally-been-place-in-the-hall-of-the-queens-house-and-was-later-lost-in-the-whitehall-palace-fire-of-1698-image184946624.html
RMMMW18G–. English: Anthony van Dyck, Charles I's court painter, created this portrait of Charles I, King of England, from Three Angles, commonly known as the 'Triple Portrait. The oil painting was made on canvas around 1636, and is an example of how Van Dyck tended to mask Charles I's small stature, portraying him in a more dignified manner. It was sent to Rome, where sculptor Gian Lorenzo Bernini, commissioned by Pope Urban VII, used it to made a marble bust of Charles. The bust may have originally been place in the hall of the Queen's House, and was later lost in the Whitehall Palace fire of 1698.
. English: Charles I of Spain. . 16th century. Titian (1490–1576) Alternative names Tiziano Vecelli; Tiziano Vecellio Description Italian painter, fresco painter and draughtsman Date of birth/death between 1485 and 1490 27 August 1576 Location of birth/death Pieve di Cadore Venice Work location Venice (1498), Ferrara, Mantua, Padua (1511), Milan (1540), Rome (1545–1546), Florence (1546), Augsburg (1548, 1550–1551), Constantinople (today Istanbul) (1555-1557) Authority control : Q47551 VIAF:?109266837 ISNI:?0000 0001 0787 9191 ULAN:?500031075 LCCN:?n79074519 NLA:?36049955 WorldC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-charles-i-of-spain-16th-century-titian-14901576-alternative-names-tiziano-vecelli-tiziano-vecellio-description-italian-painter-fresco-painter-and-draughtsman-date-of-birthdeath-between-1485-and-1490-27-august-1576-location-of-birthdeath-pieve-di-cadore-venice-work-location-venice-1498-ferrara-mantua-padua-1511-milan-1540-rome-15451546-florence-1546-augsburg-1548-15501551-constantinople-today-istanbul-1555-1557-authority-control-q47551-viaf109266837-isni0000-0001-0787-9191-ulan500031075-lccnn79074519-nla36049955-worldc-image184838511.html
RMMMM3BB–. English: Charles I of Spain. . 16th century. Titian (1490–1576) Alternative names Tiziano Vecelli; Tiziano Vecellio Description Italian painter, fresco painter and draughtsman Date of birth/death between 1485 and 1490 27 August 1576 Location of birth/death Pieve di Cadore Venice Work location Venice (1498), Ferrara, Mantua, Padua (1511), Milan (1540), Rome (1545–1546), Florence (1546), Augsburg (1548, 1550–1551), Constantinople (today Istanbul) (1555-1557) Authority control : Q47551 VIAF:?109266837 ISNI:?0000 0001 0787 9191 ULAN:?500031075 LCCN:?n79074519 NLA:?36049955 WorldC
Peter Paul Rubens - the Union of England and Scotland Charles I as the Prince of Wales Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/peter-paul-rubens-the-union-of-england-and-scotland-charles-i-as-the-prince-of-wales-image432871415.html
RF2G46YWB–Peter Paul Rubens - the Union of England and Scotland Charles I as the Prince of Wales
possibly after John Riley, oil on canvas, feigned oval . English: Sir John Maynard (1602-1690), was an English lawyer and politician, prominent under the reigns of Charles I, the Commonwealth, Charles II, James II and William III. Portrait given to NPG by Society of Judges and Serjeants-at-Law, 1877 . <1690 prob. definately before 1877. John Riley (1646–1691) Description English painter Date of birth/death 1646 1691 Location of birth/death London London Authority control : Q3809574 VIAF: 50021453 ISNI: 0000 0000 8129 1233 ULAN: 500008099 LCCN: nr95028171 WGA: RILEY, John WorldCat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/possibly-after-john-riley-oil-on-canvas-feigned-oval-english-sir-john-maynard-1602-1690-was-an-english-lawyer-and-politician-prominent-under-the-reigns-of-charles-i-the-commonwealth-charles-ii-james-ii-and-william-iii-portrait-given-to-npg-by-society-of-judges-and-serjeants-at-law-1877-1690-prob-definately-before-1877-john-riley-16461691-description-english-painter-date-of-birthdeath-1646-1691-location-of-birthdeath-london-london-authority-control-q3809574-viaf50021453-isni0000-0000-8129-1233-ulan500008099-lccnnr95028171-wgariley-john-worldcat-image185711360.html
RMMP3TMG–possibly after John Riley, oil on canvas, feigned oval . English: Sir John Maynard (1602-1690), was an English lawyer and politician, prominent under the reigns of Charles I, the Commonwealth, Charles II, James II and William III. Portrait given to NPG by Society of Judges and Serjeants-at-Law, 1877 . <1690 prob. definately before 1877. John Riley (1646–1691) Description English painter Date of birth/death 1646 1691 Location of birth/death London London Authority control : Q3809574 VIAF: 50021453 ISNI: 0000 0000 8129 1233 ULAN: 500008099 LCCN: nr95028171 WGA: RILEY, John WorldCat
Koloman Moser - Stamp Design Emperor Charles I not Accepted 1917 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/koloman-moser-stamp-design-emperor-charles-i-not-accepted-1917-image417030353.html
RF2F6DAD5–Koloman Moser - Stamp Design Emperor Charles I not Accepted 1917
. Henrietta Maria, detail of Charles I, Henrietta Maria and ?Prince Charles . 1632. Hendrik Gerritsz Pot (circa 1580–1657) Alternative names Hendrick Pot, Hendrick Gerritsz. Pot, Hendrik Pot, Oost-Indiën Pot, Monogrammist HP Description Dutch painter, draughtsman and miniaturist Date of birth/death between 1580 and 1581 before 15 October 1657 Location of birth/death Amsterdam Amsterdam Work period between circa 1603 and circa 1657 Work location Haarlem (circa 1603-1650), London (1631-1632), Amsterdam (1650-1657) Authority control : Q2257386 VIAF: 287888959 ULAN: 500023355 WGA: P Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henrietta-maria-detail-of-charles-i-henrietta-maria-andprince-charles-1632-hendrik-gerritsz-pot-circa-15801657-alternative-names-hendrick-pot-hendrick-gerritsz-pot-hendrik-pot-oost-indin-pot-monogrammist-hp-description-dutch-painter-draughtsman-and-miniaturist-date-of-birthdeath-between-1580-and-1581-before-15-october-1657-location-of-birthdeath-amsterdam-amsterdam-work-period-between-circa-1603-and-circa-1657-work-location-haarlem-circa-1603-1650-london-1631-1632-amsterdam-1650-1657-authority-control-q2257386-viaf287888959-ulan500023355-wgap-image185552307.html
RMMNTHT3–. Henrietta Maria, detail of Charles I, Henrietta Maria and ?Prince Charles . 1632. Hendrik Gerritsz Pot (circa 1580–1657) Alternative names Hendrick Pot, Hendrick Gerritsz. Pot, Hendrik Pot, Oost-Indiën Pot, Monogrammist HP Description Dutch painter, draughtsman and miniaturist Date of birth/death between 1580 and 1581 before 15 October 1657 Location of birth/death Amsterdam Amsterdam Work period between circa 1603 and circa 1657 Work location Haarlem (circa 1603-1650), London (1631-1632), Amsterdam (1650-1657) Authority control : Q2257386 VIAF: 287888959 ULAN: 500023355 WGA: P
Anton Van Dyck - Charles I King England Hunt C 1635 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anton-van-dyck-charles-i-king-england-hunt-c-1635-image431017803.html
RF2G16FGY–Anton Van Dyck - Charles I King England Hunt C 1635
. English: Charles I, Holy Roman Emperor. . 1512. Albrecht Dürer Alternative names Albrecht Dürer Description German painter, printmaker, mathematician, illuminator, copperplate engraver and drawer Date of birth/death 21 May 1471 / 21 May 1471 6 April 1528 / 6 April 1528 Location of birth/death Nuremberg Nuremberg Work location Nuremberg (1484–1490), Basel (1490–1494), Strasbourg (1490–1494), Colmar (1490–1494), Frankfurt (1490–1494), Mainz (1490–1494), Cologne (1490–1494), Nuremberg (21 May 1494–1528), Innsbruck (1494), Venice (1494–1495), 1505–1506), Bologna (1505–1506), Milan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-charles-i-holy-roman-emperor-1512-albrecht-drer-alternative-names-albrecht-drer-description-german-painter-printmaker-mathematician-illuminator-copperplate-engraver-and-drawer-date-of-birthdeath-21-may-1471-21-may-1471-6-april-1528-6-april-1528-location-of-birthdeath-nuremberg-nuremberg-work-location-nuremberg-14841490-basel-14901494-strasbourg-14901494-colmar-14901494-frankfurt-14901494-mainz-14901494-cologne-14901494-nuremberg-21-may-14941528-innsbruck-1494-venice-14941495-15051506-bologna-15051506-milan-image184851046.html
RMMMMKB2–. English: Charles I, Holy Roman Emperor. . 1512. Albrecht Dürer Alternative names Albrecht Dürer Description German painter, printmaker, mathematician, illuminator, copperplate engraver and drawer Date of birth/death 21 May 1471 / 21 May 1471 6 April 1528 / 6 April 1528 Location of birth/death Nuremberg Nuremberg Work location Nuremberg (1484–1490), Basel (1490–1494), Strasbourg (1490–1494), Colmar (1490–1494), Frankfurt (1490–1494), Mainz (1490–1494), Cologne (1490–1494), Nuremberg (21 May 1494–1528), Innsbruck (1494), Venice (1494–1495), 1505–1506), Bologna (1505–1506), Milan
Emperor on a Journey. Vernansal, Guy-Louis (French, 1648-1729) (author of design, attr.) [painter] Monnoyer, Jean-Baptiste (French, 1636-1699) (author of design) [painter] Belin, Jean-Baptiste I (French, 1653-1715) (author o design) [painter] c. 1700-1725 Tapestry Dimensions: H 11'8' x W 15'2' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Beauvais Ownership History: French & Co. purchased from Mrs. A. B. Spreckels, invoiced 2/16/1928; sold to Charles de Beistegui 8/31/1947. Landscape with Emperor seated in palanquin lined & backed with rich, embroidered textiles, toppe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/emperor-on-a-journey-vernansal-guy-louis-french-1648-1729-author-of-design-attr-painter-monnoyer-jean-baptiste-french-1636-1699-author-of-design-painter-belin-jean-baptiste-i-french-1653-1715-author-o-design-painter-c-1700-1725-tapestry-dimensions-h-118-x-w-152-tapestry-materialstechniques-unknown-culture-french-weaving-center-beauvais-ownership-history-french-co-purchased-from-mrs-a-b-spreckels-invoiced-2161928-sold-to-charles-de-beistegui-8311947-landscape-with-emperor-seated-in-palanquin-lined-backed-with-rich-embroidered-textiles-toppe-image600267001.html
RM2WTGEK5–Emperor on a Journey. Vernansal, Guy-Louis (French, 1648-1729) (author of design, attr.) [painter] Monnoyer, Jean-Baptiste (French, 1636-1699) (author of design) [painter] Belin, Jean-Baptiste I (French, 1653-1715) (author o design) [painter] c. 1700-1725 Tapestry Dimensions: H 11'8' x W 15'2' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Beauvais Ownership History: French & Co. purchased from Mrs. A. B. Spreckels, invoiced 2/16/1928; sold to Charles de Beistegui 8/31/1947. Landscape with Emperor seated in palanquin lined & backed with rich, embroidered textiles, toppe
. Cerimonial portrait of Charles I of England painted by Antoon van Dyck . Anthony van Dyck (1599–1641) Alternative names Anthony van Dyck, Anthonie van Dyck, Anton van Dijck, Antonis van Deik, Antoon van Dijk, Anthonis van Dyck, Antoine van Dyck Description Flemish painter, draughtsman and printmaker Date of birth/death 22 March 1599 9 December 1641 Location of birth/death Antwerp Blackfriars, London Work location Antwerp (1609–1610, 1615–1620), London (1620-March 1621), Zaventem (1621), Genoa (October 1621-February 1622), Rome (February 1622-July 1622), Florence (1622), Bologna ( Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cerimonial-portrait-of-charles-i-of-england-painted-by-antoon-van-dyck-anthony-van-dyck-15991641-alternative-names-anthony-van-dyck-anthonie-van-dyck-anton-van-dijck-antonis-van-deik-antoon-van-dijk-anthonis-van-dyck-antoine-van-dyck-description-flemish-painter-draughtsman-and-printmaker-date-of-birthdeath-22-march-1599-9-december-1641-location-of-birthdeath-antwerp-blackfriars-london-work-location-antwerp-16091610-16151620-london-1620-march-1621-zaventem-1621-genoa-october-1621-february-1622-rome-february-1622-july-1622-florence-1622-bologna-image185882409.html
RMMPBJWD–. Cerimonial portrait of Charles I of England painted by Antoon van Dyck . Anthony van Dyck (1599–1641) Alternative names Anthony van Dyck, Anthonie van Dyck, Anton van Dijck, Antonis van Deik, Antoon van Dijk, Anthonis van Dyck, Antoine van Dyck Description Flemish painter, draughtsman and printmaker Date of birth/death 22 March 1599 9 December 1641 Location of birth/death Antwerp Blackfriars, London Work location Antwerp (1609–1610, 1615–1620), London (1620-March 1621), Zaventem (1621), Genoa (October 1621-February 1622), Rome (February 1622-July 1622), Florence (1622), Bologna (
Equestrian Portrait of Charles I,. about 1638-1639, Anthony van Dyck (1599-1641), The National Gallery, London, UK. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/equestrian-portrait-of-charles-i-about-1638-1639-anthony-van-dyck-1599-1641-the-national-gallery-london-uk-image628946177.html
RM2YF6Y7D–Equestrian Portrait of Charles I,. about 1638-1639, Anthony van Dyck (1599-1641), The National Gallery, London, UK.
. English: Triple portrait of Charles I, King of England, Scotland and Ireland from three angles . Painted 1635-36. Anthony van Dyck (1599–1641) Alternative names Anthony van Dyck, Anthonie van Dyck, Anton van Dijck, Antonis van Deik, Antoon van Dijk, Anthonis van Dyck, Antoine van Dyck Description Flemish painter, draughtsman and printmaker Date of birth/death 22 March 1599 9 December 1641 Location of birth/death Antwerp Blackfriars, London Work location Antwerp (1609–1610, 1615–1620), London (1620-March 1621), Zaventem (1621), Genoa (October 1621-February 1622), Rome (February 16 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-triple-portrait-of-charles-i-king-of-england-scotland-and-ireland-from-three-angles-painted-1635-36-anthony-van-dyck-15991641-alternative-names-anthony-van-dyck-anthonie-van-dyck-anton-van-dijck-antonis-van-deik-antoon-van-dijk-anthonis-van-dyck-antoine-van-dyck-description-flemish-painter-draughtsman-and-printmaker-date-of-birthdeath-22-march-1599-9-december-1641-location-of-birthdeath-antwerp-blackfriars-london-work-location-antwerp-16091610-16151620-london-1620-march-1621-zaventem-1621-genoa-october-1621-february-1622-rome-february-16-image185737052.html
RMMP51E4–. English: Triple portrait of Charles I, King of England, Scotland and Ireland from three angles . Painted 1635-36. Anthony van Dyck (1599–1641) Alternative names Anthony van Dyck, Anthonie van Dyck, Anton van Dijck, Antonis van Deik, Antoon van Dijk, Anthonis van Dyck, Antoine van Dyck Description Flemish painter, draughtsman and printmaker Date of birth/death 22 March 1599 9 December 1641 Location of birth/death Antwerp Blackfriars, London Work location Antwerp (1609–1610, 1615–1620), London (1620-March 1621), Zaventem (1621), Genoa (October 1621-February 1622), Rome (February 16
Anton Van Dyck - Charles I England Henriett France C 1632 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anton-van-dyck-charles-i-england-henriett-france-c-1632-image431017800.html
RF2G16FGT–Anton Van Dyck - Charles I England Henriett France C 1632
King Charles I. King Charles I . Unknown date, but author died in 1641. Anthony van Dyck (1599–1641) Alternative names Anthony van Dyck, Anthonie van Dyck, Anton van Dijck, Antonis van Deik, Antoon van Dijk, Anthonis van Dyck, Antoine van Dyck Description Flemish painter, draughtsman and printmaker Date of birth/death 22 March 1599 9 December 1641 Location of birth/death Antwerp Blackfriars, London Work location Antwerp (1609–1610, 1615–1620), London (1620-March 1621), Zaventem (1621), Genoa (October 1621-February 1622), Rome (February 1622-July 1622), Florence (1622), Bologna (162 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-charles-i-king-charles-i-unknown-date-but-author-died-in-1641-anthony-van-dyck-15991641-alternative-names-anthony-van-dyck-anthonie-van-dyck-anton-van-dijck-antonis-van-deik-antoon-van-dijk-anthonis-van-dyck-antoine-van-dyck-description-flemish-painter-draughtsman-and-printmaker-date-of-birthdeath-22-march-1599-9-december-1641-location-of-birthdeath-antwerp-blackfriars-london-work-location-antwerp-16091610-16151620-london-1620-march-1621-zaventem-1621-genoa-october-1621-february-1622-rome-february-1622-july-1622-florence-1622-bologna-162-image185819884.html
RMMP8R4C–King Charles I. King Charles I . Unknown date, but author died in 1641. Anthony van Dyck (1599–1641) Alternative names Anthony van Dyck, Anthonie van Dyck, Anton van Dijck, Antonis van Deik, Antoon van Dijk, Anthonis van Dyck, Antoine van Dyck Description Flemish painter, draughtsman and printmaker Date of birth/death 22 March 1599 9 December 1641 Location of birth/death Antwerp Blackfriars, London Work location Antwerp (1609–1610, 1615–1620), London (1620-March 1621), Zaventem (1621), Genoa (October 1621-February 1622), Rome (February 1622-July 1622), Florence (1622), Bologna (162
Anton Van Dyck - Charles I and Henrietta Maria Holding a Laurel Wreath Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anton-van-dyck-charles-i-and-henrietta-maria-holding-a-laurel-wreath-image431017807.html
RF2G16FH3–Anton Van Dyck - Charles I and Henrietta Maria Holding a Laurel Wreath
RAFFAELLO Sanzio (b. 1483, Urbino, d. 1520, Roma) The Handing-over the Keys 1515 Tempera on paper, mounted on canvas, 345 x 535 cm Victoria and Albert Museum, London The largest task Raphael undertook in the course of 1515 was the preparation of the cartoons for the tapestries for the Sistine Chapel depicting the Stories of Saints Peter and Paul. The completed tapestries were acquired by Charles I, King of England, and are now in the Victoria and Albert Museum in London. --- Keywords: -------------- Author: RAFFAELLO Sanzio Title: The Handing-over the Keys Time-line: 1501-1550 School: Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/raffaello-sanzio-b-1483-urbino-d-1520-roma-the-handing-over-the-keys-1515-tempera-on-paper-mounted-on-canvas-345-x-535-cm-victoria-and-albert-museum-london-the-largest-task-raphael-undertook-in-the-course-of-1515-was-the-preparation-of-the-cartoons-for-the-tapestries-for-the-sistine-chapel-depicting-the-stories-of-saints-peter-and-paul-the-completed-tapestries-were-acquired-by-charles-i-king-of-england-and-are-now-in-the-victoria-and-albert-museum-in-london-keywords-author-raffaello-sanzio-title-the-handing-over-the-keys-time-line-1501-1550-school-image604798258.html
RM2X3XX9P–RAFFAELLO Sanzio (b. 1483, Urbino, d. 1520, Roma) The Handing-over the Keys 1515 Tempera on paper, mounted on canvas, 345 x 535 cm Victoria and Albert Museum, London The largest task Raphael undertook in the course of 1515 was the preparation of the cartoons for the tapestries for the Sistine Chapel depicting the Stories of Saints Peter and Paul. The completed tapestries were acquired by Charles I, King of England, and are now in the Victoria and Albert Museum in London. --- Keywords: -------------- Author: RAFFAELLO Sanzio Title: The Handing-over the Keys Time-line: 1501-1550 School:
Bonington - Charles V Visits Francis I After Battle Pavia C 1827 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bonington-charles-v-visits-francis-i-after-battle-pavia-c-1827-image415527162.html
RF2F40W3P–Bonington - Charles V Visits Francis I After Battle Pavia C 1827
Fragonard, Moreau le jeune and French engravers, etchers, and illustrators of the later XVIII century . XXXII. JEANBAPTISTEGREUZE. GIRL SEATED, WITH A BASKET.ETCHED BY FRANCO]SE BEAUVARLET (DESCHAMPS),AND FINISHED IN ENGRAVING BY JACQUES FIRMINBEAUVARLET Fran9oise Bcauvarlet (nee Deschamps) ; b. 1734? d. 1769; firstwife of J. F. Bcauvarlet. Besides engraving, she produced minia-ture crayon portraits. //i-... ,/.-. //.•...-.v./-<V//.-. .Om/ ?^J&l^^ XXXIII. JEAN BAPTISTE SIMEON CHARDIN. LECUREUSE.ENGRAVED BY CHARLES NICOLAS COCHIN, THEELDER J. B. S. Chardin, painter ; b. 1698 ; d, 1776 ; w. i Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragonard-moreau-le-jeune-and-french-engravers-etchers-and-illustrators-of-the-later-xviii-century-xxxii-jeanbaptistegreuze-girl-seated-with-a-basketetched-by-franco-se-beauvarlet-deschampsand-finished-in-engraving-by-jacques-firminbeauvarlet-fran9oise-bcauvarlet-nee-deschamps-b-1734-d-1769-firstwife-of-j-f-bcauvarlet-besides-engraving-she-produced-minia-ture-crayon-portraits-i-v-ltv-om-jl-xxxiii-jean-baptiste-simeon-chardin-lecureuseengraved-by-charles-nicolas-cochin-theelder-j-b-s-chardin-painter-b-1698-d-1776-w-i-image338142596.html
RM2AJ3M98–Fragonard, Moreau le jeune and French engravers, etchers, and illustrators of the later XVIII century . XXXII. JEANBAPTISTEGREUZE. GIRL SEATED, WITH A BASKET.ETCHED BY FRANCO]SE BEAUVARLET (DESCHAMPS),AND FINISHED IN ENGRAVING BY JACQUES FIRMINBEAUVARLET Fran9oise Bcauvarlet (nee Deschamps) ; b. 1734? d. 1769; firstwife of J. F. Bcauvarlet. Besides engraving, she produced minia-ture crayon portraits. //i-... ,/.-. //.•...-.v./-<V//.-. .Om/ ?^J&l^^ XXXIII. JEAN BAPTISTE SIMEON CHARDIN. LECUREUSE.ENGRAVED BY CHARLES NICOLAS COCHIN, THEELDER J. B. S. Chardin, painter ; b. 1698 ; d, 1776 ; w. i
Anton Van Dyck - Portrait of Charles I King of the Great Britain 1600 1649 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anton-van-dyck-portrait-of-charles-i-king-of-the-great-britain-1600-1649-image431018743.html
RF2G16GPF–Anton Van Dyck - Portrait of Charles I King of the Great Britain 1600 1649
Titian’s Early Masterpiece Rest on the Flight into Egypt Having been owned by Dukes, Archdukes and Holy Roman Emperors, it was looted by Napoleon and stolen in the late 20th century Offered by Lord Bath and the Longleat Trustees as part of their long-term investment strategy It will lead Christie’s Old Masters Part I sale in London on 2 July 2024 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/titians-early-masterpiece-rest-on-the-flight-into-egypt-having-been-owned-by-dukes-archdukes-and-holy-roman-emperors-it-was-looted-by-napoleon-and-stolen-in-the-late-20th-century-offered-by-lord-bath-and-the-longleat-trustees-as-part-of-their-long-term-investment-strategy-it-will-lead-christies-old-masters-part-i-sale-in-london-on-2-july-2024-image610256321.html
RM2XCRG4H–Titian’s Early Masterpiece Rest on the Flight into Egypt Having been owned by Dukes, Archdukes and Holy Roman Emperors, it was looted by Napoleon and stolen in the late 20th century Offered by Lord Bath and the Longleat Trustees as part of their long-term investment strategy It will lead Christie’s Old Masters Part I sale in London on 2 July 2024
Anton Van Dyck - Charles I and Henrietta Maria with Their Two Eldest Children Prince Charles and Princess Mary Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anton-van-dyck-charles-i-and-henrietta-maria-with-their-two-eldest-children-prince-charles-and-princess-mary-image431017815.html
RF2G16FHB–Anton Van Dyck - Charles I and Henrietta Maria with Their Two Eldest Children Prince Charles and Princess Mary
Anton Van Dyck - Equestrian Portrait Charles I King England with Seignior De St Antoine 1633 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anton-van-dyck-equestrian-portrait-charles-i-king-england-with-seignior-de-st-antoine-1633-image431017888.html
RF2G16FM0–Anton Van Dyck - Equestrian Portrait Charles I King England with Seignior De St Antoine 1633
Sir Anthony van Dyck - Princess Elizabeth, 1635 - 1650 and Princess Anne, 1637 - 1640. Daughters of Charles I Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-anthony-van-dyck-princess-elizabeth-1635-1650-and-princess-anne-1637-1640-daughters-of-charles-i-image414014007.html
RF2F1FY2F–Sir Anthony van Dyck - Princess Elizabeth, 1635 - 1650 and Princess Anne, 1637 - 1640. Daughters of Charles I
King Louis XIV and Mars (Ares). Le Brun, Charles (French, 1619-1690) (cartoon creator) [painter] Meulen, Adam Frans van der (Flemish, 1632-1690) (cartoon creator) [painter] Martin, Jean-Baptiste I (French, 1659-1735) (cartoon creator) [painter] Béhagle, Philippe I (French, b.1641-d.1705) (workshop) [weaver] c. 1685-1711 Tapestry Dimensions: H 15'11' x W 8'9' Tapestry Materials/Techniques: wool, silk & metallic thread (gold & silver) Culture: French Weaving Center: Beauvais Ownership History: Commissioned by Louis XIV as a gift to Count Buhl. Lord Amherst of Hackney, Didlington Hall coll., Norf Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-louis-xiv-and-mars-ares-le-brun-charles-french-1619-1690-cartoon-creator-painter-meulen-adam-frans-van-der-flemish-1632-1690-cartoon-creator-painter-martin-jean-baptiste-i-french-1659-1735-cartoon-creator-painter-bhagle-philippe-i-french-b1641-d1705-workshop-weaver-c-1685-1711-tapestry-dimensions-h-1511-x-w-89-tapestry-materialstechniques-wool-silk-metallic-thread-gold-silver-culture-french-weaving-center-beauvais-ownership-history-commissioned-by-louis-xiv-as-a-gift-to-count-buhl-lord-amherst-of-hackney-didlington-hall-coll-norf-image600256299.html
RM2WTG10Y–King Louis XIV and Mars (Ares). Le Brun, Charles (French, 1619-1690) (cartoon creator) [painter] Meulen, Adam Frans van der (Flemish, 1632-1690) (cartoon creator) [painter] Martin, Jean-Baptiste I (French, 1659-1735) (cartoon creator) [painter] Béhagle, Philippe I (French, b.1641-d.1705) (workshop) [weaver] c. 1685-1711 Tapestry Dimensions: H 15'11' x W 8'9' Tapestry Materials/Techniques: wool, silk & metallic thread (gold & silver) Culture: French Weaving Center: Beauvais Ownership History: Commissioned by Louis XIV as a gift to Count Buhl. Lord Amherst of Hackney, Didlington Hall coll., Norf
Portrait of the Children of Charles I, King of England (reigned 1625-1649). About 1632-1635?, D'après Antoon van DYCK, Anvers (Belgique), 1599 - Londres (Royaume-Unis), 1641, Musée du Louvre, Paris, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-the-children-of-charles-i-king-of-england-reigned-1625-1649-about-1632-1635-daprs-antoon-van-dyck-anvers-belgique-1599-londres-royaume-unis-1641-muse-du-louvre-paris-france-image623472351.html
RM2Y69H9K–Portrait of the Children of Charles I, King of England (reigned 1625-1649). About 1632-1635?, D'après Antoon van DYCK, Anvers (Belgique), 1599 - Londres (Royaume-Unis), 1641, Musée du Louvre, Paris, France.
. English: The attempted arrest of the 'Five members' by Charles I in 1642, painting in the Lord's Corridor, Houses of Parliament, by Charles West Cope . 20 February 2014, 12:58:04. Charles West Cope (1811–1890) Alternative names Charles Cope; Charles West II Cope; C.W. Cope; c.w. cope Description British genre painter, history painter and etcher Date of birth/death 28 July 1811 21 August 1890 Location of birth/death Leeds Bournemouth Authority control : Q2960442 VIAF:?58950143 ISNI:?0000 0000 6707 5091 ULAN:?500004618 LCCN:?nr93003003 NLA:?36009022 WorldCat Attempted Arrest of th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-attempted-arrest-of-the-five-members-by-charles-i-in-1642-painting-in-the-lords-corridor-houses-of-parliament-by-charles-west-cope-20-february-2014-125804-charles-west-cope-18111890-alternative-names-charles-cope-charles-west-ii-cope-cw-cope-cw-cope-description-british-genre-painter-history-painter-and-etcher-date-of-birthdeath-28-july-1811-21-august-1890-location-of-birthdeath-leeds-bournemouth-authority-control-q2960442-viaf58950143-isni0000-0000-6707-5091-ulan500004618-lccnnr93003003-nla36009022-worldcat-attempted-arrest-of-th-image184898478.html
RMMMPRW2–. English: The attempted arrest of the 'Five members' by Charles I in 1642, painting in the Lord's Corridor, Houses of Parliament, by Charles West Cope . 20 February 2014, 12:58:04. Charles West Cope (1811–1890) Alternative names Charles Cope; Charles West II Cope; C.W. Cope; c.w. cope Description British genre painter, history painter and etcher Date of birth/death 28 July 1811 21 August 1890 Location of birth/death Leeds Bournemouth Authority control : Q2960442 VIAF:?58950143 ISNI:?0000 0000 6707 5091 ULAN:?500004618 LCCN:?nr93003003 NLA:?36009022 WorldCat Attempted Arrest of th
Hendrik Pot -- Charles I, King of England 1632, 33х27 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hendrik-pot-charles-i-king-of-england-1632-3327-image558767235.html
RF2RD218K–Hendrik Pot -- Charles I, King of England 1632, 33х27
Fragonard, Moreau le jeune and French engravers, etchers, and illustrators of the later XVIII century . l,:::,r.-h J ,r/>,i..^u,^ ,r-„Ir W] JU o i, V. I ^ i s F V. w V. s LVII. ETIENNE FICQUET. portrait of la FONTAINE, AFTERRIGAUD Frontispiece to La Fontaine, Contes et Nouvdlcs en Vers. 1762£. Ficquet, line-engraver; b. 1719; d. 1794; w. in Paris. F 8 LVIII. CHARLES JOSEPH FLIPART. THE BOUDOIR. ORIGINALENGRAVING Painter, draughtsman, and line-engraver j b. 1721 j d. 1793?w. in Paris, Venice, and Madrid Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragonard-moreau-le-jeune-and-french-engravers-etchers-and-illustrators-of-the-later-xviii-century-lr-h-j-rgtiu-r-ir-w-ju-o-i-v-i-i-s-f-v-w-v-s-lvii-etienne-ficquet-portrait-of-la-fontaine-afterrigaud-frontispiece-to-la-fontaine-contes-et-nouvdlcs-en-vers-1762-ficquet-line-engraver-b-1719-d-1794-w-in-paris-f-8-lviii-charles-joseph-flipart-the-boudoir-originalengraving-painter-draughtsman-and-line-engraver-j-b-1721-j-d-1793w-in-paris-venice-and-madrid-image338133779.html
RM2AJ392B–Fragonard, Moreau le jeune and French engravers, etchers, and illustrators of the later XVIII century . l,:::,r.-h J ,r/>,i..^u,^ ,r-„Ir W] JU o i, V. I ^ i s F V. w V. s LVII. ETIENNE FICQUET. portrait of la FONTAINE, AFTERRIGAUD Frontispiece to La Fontaine, Contes et Nouvdlcs en Vers. 1762£. Ficquet, line-engraver; b. 1719; d. 1794; w. in Paris. F 8 LVIII. CHARLES JOSEPH FLIPART. THE BOUDOIR. ORIGINALENGRAVING Painter, draughtsman, and line-engraver j b. 1721 j d. 1793?w. in Paris, Venice, and Madrid
Titian’s Early Masterpiece Rest on the Flight into Egypt Having been owned by Dukes, Archdukes and Holy Roman Emperors, it was looted by Napoleon and stolen in the late 20th century Offered by Lord Bath and the Longleat Trustees as part of their long-term investment strategy It will lead Christie’s Old Masters Part I sale in London on 2 July 2024 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/titians-early-masterpiece-rest-on-the-flight-into-egypt-having-been-owned-by-dukes-archdukes-and-holy-roman-emperors-it-was-looted-by-napoleon-and-stolen-in-the-late-20th-century-offered-by-lord-bath-and-the-longleat-trustees-as-part-of-their-long-term-investment-strategy-it-will-lead-christies-old-masters-part-i-sale-in-london-on-2-july-2024-image610256400.html
RM2XCRG7C–Titian’s Early Masterpiece Rest on the Flight into Egypt Having been owned by Dukes, Archdukes and Holy Roman Emperors, it was looted by Napoleon and stolen in the late 20th century Offered by Lord Bath and the Longleat Trustees as part of their long-term investment strategy It will lead Christie’s Old Masters Part I sale in London on 2 July 2024
Crofts Ernest - King Charles I and Prince Rupert Before the Battle of Naseby Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crofts-ernest-king-charles-i-and-prince-rupert-before-the-battle-of-naseby-image220926837.html
RMPRC2C5–Crofts Ernest - King Charles I and Prince Rupert Before the Battle of Naseby
Animal tamers. Bérain, Jean (the Elder) (French, 1640-1711) (style of) [draughtsman] Monnoyer, Jean-Baptiste (French, 1636-1699) (author of design) [painter] Béhagle, Philippe I (French, b.1641-d.1705) (workshop) [weaver] c. 1688-1695 Tapestry Dimensions: H 9'10' x W 12'5' Tapestry Materials/Techniques: wool & silk Culture: French Weaving Center: Beauvais Ownership History: French & Co. purchased from Bacri frères 1/19/1917; possibly sold to Vigo & Charles Sternberg. Architectural screen framing 3 groups of figures; L scene: leopard attacks bull as another leopard watches; center scene: 2 show Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/animal-tamers-brain-jean-the-elder-french-1640-1711-style-of-draughtsman-monnoyer-jean-baptiste-french-1636-1699-author-of-design-painter-bhagle-philippe-i-french-b1641-d1705-workshop-weaver-c-1688-1695-tapestry-dimensions-h-910-x-w-125-tapestry-materialstechniques-wool-silk-culture-french-weaving-center-beauvais-ownership-history-french-co-purchased-from-bacri-frres-1191917-possibly-sold-to-vigo-charles-sternberg-architectural-screen-framing-3-groups-of-figures-l-scene-leopard-attacks-bull-as-another-leopard-watches-center-scene-2-show-image599981238.html
RM2WT3E5A–Animal tamers. Bérain, Jean (the Elder) (French, 1640-1711) (style of) [draughtsman] Monnoyer, Jean-Baptiste (French, 1636-1699) (author of desi