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Mid 16th century Stock Photos and Images

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military, infantry, arquebusier, mid 16th century, after copper engraving by F. Brunn, 1559, Stock Photo
RMBHNA7D–military, infantry, arquebusier, mid 16th century, after copper engraving by F. Brunn, 1559,
A map of Britain, mid 16th century. Stock Photo
RMG3C28R–A map of Britain, mid 16th century.
The Judgement of Paris, mid 16th century, German School, Oil on panel. In the Greek myth, Paris, in armour, is asked to judge a beauty contest. With the help of Mercury (bearded sage), he awards a golden orb to Venus, goddess of love. Stock Photo
RMF7PF1D–The Judgement of Paris, mid 16th century, German School, Oil on panel. In the Greek myth, Paris, in armour, is asked to judge a beauty contest. With the help of Mercury (bearded sage), he awards a golden orb to Venus, goddess of love.
GRIMOIRE The Girdle of Solomon, from 'The Art of Cyprian', mid 16th century manuscript on 'angelology' Stock Photo
RMMC85NF–GRIMOIRE The Girdle of Solomon, from 'The Art of Cyprian', mid 16th century manuscript on 'angelology'
Reproduction of a page in the Mendoza Codex. The codex is thought to date from the mid 16th century. It recounts aspects of Aztec history. Stock Photo
RM2AD242W–Reproduction of a page in the Mendoza Codex. The codex is thought to date from the mid 16th century. It recounts aspects of Aztec history.
Henry VIII Dressed to Kill exhibition. The world's oldest surviving football, known as a bladder ball, English, probably mid 16th century. Stock Photo
RMGBHAAX–Henry VIII Dressed to Kill exhibition. The world's oldest surviving football, known as a bladder ball, English, probably mid 16th century.
Hackbut and Petronel, mid 16th Century Tudor firearms Stock Photo
RMKH54N7–Hackbut and Petronel, mid 16th Century Tudor firearms
Cope, Italian, Florence, mid-16th century, Italian, Florence, Silk Stock Photo
RM2B0H3J0–Cope, Italian, Florence, mid-16th century, Italian, Florence, Silk
Merchant ship, mid-16th century. Stock Photo
RMWH9TN5–Merchant ship, mid-16th century.
The Entombment. First half - mid 16th Century. Pskov. Russian Museum. Stock Photo
RME8JWE7–The Entombment. First half - mid 16th Century. Pskov. Russian Museum.
Woman playing psaltery. Mid-16th century German engraving. Tuner and spare string at side. Stock Photo
RMKF2R64–Woman playing psaltery. Mid-16th century German engraving. Tuner and spare string at side.
Art inspired by Trophy, mid-16th century, Engraving, Prints, Master FG (Italian, active mid-16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTXW4D–Art inspired by Trophy, mid-16th century, Engraving, Prints, Master FG (Italian, active mid-16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
GERMAN SOLDIERS in parade uniforms in the mid-16th century Stock Photo
RMCYADPW–GERMAN SOLDIERS in parade uniforms in the mid-16th century
Building complex created in the mid-16th Century by joining two gabled houses built in the 14th-15th century, Badenstrasse Stock Photo
RMDGT3XP–Building complex created in the mid-16th Century by joining two gabled houses built in the 14th-15th century, Badenstrasse
Henry II of France and Anne du Bourg, 10 June 1559 (19th/early 20th century). Artist: Jean-Paul Laurens Stock Photo
RMW7CWDW–Henry II of France and Anne du Bourg, 10 June 1559 (19th/early 20th century). Artist: Jean-Paul Laurens
Iran: A man with an apparently recalcitrant Saluki hunting dog on a leash. Miniature painting on cloth by Sheyk Muhammad, mid-16th century. Stock Photo
RM2B014AC–Iran: A man with an apparently recalcitrant Saluki hunting dog on a leash. Miniature painting on cloth by Sheyk Muhammad, mid-16th century.
The Judgement of Paris, mid 16th century, German School, Oil on panel. In the Greek myth, Paris, in armour, is asked to judge a beauty contest. With the help of Mercury (bearded sage), he awards a golden orb to Venus, goddess of love. Stock Photo
RM2A5YYBT–The Judgement of Paris, mid 16th century, German School, Oil on panel. In the Greek myth, Paris, in armour, is asked to judge a beauty contest. With the help of Mercury (bearded sage), he awards a golden orb to Venus, goddess of love.
Superb sword hilt from the mid-16th century. Guard and pommel in black iron decorated with gold and silver figures, grip with mesh of gold wire in a feather pattern. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. Stock Photo
RM2A82PJF–Superb sword hilt from the mid-16th century. Guard and pommel in black iron decorated with gold and silver figures, grip with mesh of gold wire in a feather pattern. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Vertumnus and Pomona. Tapestry belonging to the the set 'History of Vertumnus and Pomona', based on cartoons attributed to the Flemish artist Pieter Coecke van Aelst (1502-1550). Flanders, mid-16th century. Wool, silk and gold thread. Calouste Gulbenkian Museum. Lisbon, Portugal. Stock Photo
RM2J6XKXW–Vertumnus and Pomona. Tapestry belonging to the the set 'History of Vertumnus and Pomona', based on cartoons attributed to the Flemish artist Pieter Coecke van Aelst (1502-1550). Flanders, mid-16th century. Wool, silk and gold thread. Calouste Gulbenkian Museum. Lisbon, Portugal.
theatre / theater, comedy and comedians, Italy, scene from farce, mid 16th century, copper engraving, ARTIST'S COPYRIGHT HAS NOT TO BE CLEARED Stock Photo
RM2G3M0TW–theatre / theater, comedy and comedians, Italy, scene from farce, mid 16th century, copper engraving, ARTIST'S COPYRIGHT HAS NOT TO BE CLEARED
. Portrait of Pietro Aretino . mid-16th century. Anonymous, French 483 Pietro Aretino-french Stock Photo
RMMW0DG5–. Portrait of Pietro Aretino . mid-16th century. Anonymous, French 483 Pietro Aretino-french
The Codex Magliabechiano, pictorial Aztec codex, mid-16th century. representative of a set of codices known collectively as the Magliabechiano Group. The Codex Magliabechiano is primarily a religious document. Its 92 pages are almost a glossary of cosmological and religious elements. It is named after Antonio Magliabechi, a 17th-century Italian manuscript collector Stock Photo
RM2JYY13F–The Codex Magliabechiano, pictorial Aztec codex, mid-16th century. representative of a set of codices known collectively as the Magliabechiano Group. The Codex Magliabechiano is primarily a religious document. Its 92 pages are almost a glossary of cosmological and religious elements. It is named after Antonio Magliabechi, a 17th-century Italian manuscript collector
GRIMOIRE The Ring of Solomon, from 'The Art of Cyprian', a mid 16th century manuscript, on 'angelology' and demons Stock Photo
RMMC85P9–GRIMOIRE The Ring of Solomon, from 'The Art of Cyprian', a mid 16th century manuscript, on 'angelology' and demons
English costumes from the mid 16th century Stock Photo
RMB48ATK–English costumes from the mid 16th century
Women spinning, weaving and sewing, mid-16th century. Stock Photo
RM2B7PJB1–Women spinning, weaving and sewing, mid-16th century.
The Triumphant Entry of the Catholic Bishops under the auspices of Queen Mary 1st, into London in the mid 16th Century. Mary rode triumphantly into London on 3 August 1553, on a wave of popular support. She was accompanied by her half-sister Elizabeth and a procession of over 800 nobles and gentlemen. Stock Photo
RMF1M096–The Triumphant Entry of the Catholic Bishops under the auspices of Queen Mary 1st, into London in the mid 16th Century. Mary rode triumphantly into London on 3 August 1553, on a wave of popular support. She was accompanied by her half-sister Elizabeth and a procession of over 800 nobles and gentlemen.
Panel, wood, carved, mid-16th century, Decorative Arts, Panel Stock Photo
RM2DN09X8–Panel, wood, carved, mid-16th century, Decorative Arts, Panel
Judges in their robes. mid 16th century Stock Photo
RMWHA9KC–Judges in their robes. mid 16th century
The Fall of Man by Michiel Coxcie, mid 16th century. Stock Photo
RMH4JD5D–The Fall of Man by Michiel Coxcie, mid 16th century.
Woman playing cornetto. Mid-16th century. German engraving. Stock Photo
RMKF2R66–Woman playing cornetto. Mid-16th century. German engraving.
Art inspired by Bracket, mid-16th century, Southern French, Alabaster, Height: 6 in. (15.2 cm), Natural Substances, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTW769–Art inspired by Bracket, mid-16th century, Southern French, Alabaster, Height: 6 in. (15.2 cm), Natural Substances, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
LUNA the Moon goddess in a mid-16th century woodcut Stock Photo
RMWJH4G1–LUNA the Moon goddess in a mid-16th century woodcut
'Portrait of Madame du Vigean'. France, circa 1546. Museum: State Hermitage, St. Petersburg. Author: Anonymous Artist, mid-16th century. Stock Photo
RMT0826Y–'Portrait of Madame du Vigean'. France, circa 1546. Museum: State Hermitage, St. Petersburg. Author: Anonymous Artist, mid-16th century.
Appearance of Christ to the Virgin, 1531. Artist: Garcia Fernandes Stock Photo
RMW7CTXY–Appearance of Christ to the Virgin, 1531. Artist: Garcia Fernandes
Nigeria: Ivory pendant mask of a queen mother, Benin Kingdom, mid-16th century. The Benin Empire (1440–1897) was a pre-colonial African state in what is now modern Nigeria. It is not to be confused with the modern-day country called Benin (and formerly called Dahomey). Stock Photo
RM2B010X1–Nigeria: Ivory pendant mask of a queen mother, Benin Kingdom, mid-16th century. The Benin Empire (1440–1897) was a pre-colonial African state in what is now modern Nigeria. It is not to be confused with the modern-day country called Benin (and formerly called Dahomey).
19th century vintage photograph Russia - Nizhny Novgorod Fair (old name — Makaryev Fair) (Russian: ÐижегородÑÐºÐ°Ñ Ñрмарка) was a fair in Nizhny Novgorod held annually every July near Makaryev Monastery on the left bank of the Volga River from the mid-16th century to 1816. Following a massive fire in 1816, it was moved to Nizhny Novgorod, but for some decades thereafter it still was commonly referred to as Makaryev Fair. It attracted many foreign merchants from India, Iran, and Central Asia. Stock Photo
RMMA7R5H–19th century vintage photograph Russia - Nizhny Novgorod Fair (old name — Makaryev Fair) (Russian: ÐижегородÑÐºÐ°Ñ Ñрмарка) was a fair in Nizhny Novgorod held annually every July near Makaryev Monastery on the left bank of the Volga River from the mid-16th century to 1816. Following a massive fire in 1816, it was moved to Nizhny Novgorod, but for some decades thereafter it still was commonly referred to as Makaryev Fair. It attracted many foreign merchants from India, Iran, and Central Asia.
German saddle from the mid 16th century. Front view of the richly decorated saddle and stirrups. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. Stock Photo
RM2A82PGP–German saddle from the mid 16th century. Front view of the richly decorated saddle and stirrups. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Spain, Extremadura, Badajoz province, Azuaga. Church of Our Lady of Consolation (Iglesia de Nuestra Señora de la Consolación). Built between the late 15th and mid-16th century in the Elizabethan Gothic style. Stock Photo
RM2G6M3YT–Spain, Extremadura, Badajoz province, Azuaga. Church of Our Lady of Consolation (Iglesia de Nuestra Señora de la Consolación). Built between the late 15th and mid-16th century in the Elizabethan Gothic style.
A South German mace, mid-16th century Head with seven flanges, the strongly curved flanges with reinforced quadrangular points. Hollow-forged shaft with chiselled rhombic and spiral decoration. Movable iron lanyard loop. Later pommel with eyelet and removable dagger blade (heavily pitted). Length 63 cm. Provenance: Hohenzollern Collection in Sigmaringen, the grip with remnants of the old collection number in red lacquer. historic, historical, Additional-Rights-Clearance-Info-Not-Available Stock Photo
RMT9361B–A South German mace, mid-16th century Head with seven flanges, the strongly curved flanges with reinforced quadrangular points. Hollow-forged shaft with chiselled rhombic and spiral decoration. Movable iron lanyard loop. Later pommel with eyelet and removable dagger blade (heavily pitted). Length 63 cm. Provenance: Hohenzollern Collection in Sigmaringen, the grip with remnants of the old collection number in red lacquer. historic, historical, Additional-Rights-Clearance-Info-Not-Available
. Portrait of Pietro Aretino . mid-16th century. Anonymous, French 422 Pietro Aretino-french Stock Photo
RMMYP8WP–. Portrait of Pietro Aretino . mid-16th century. Anonymous, French 422 Pietro Aretino-french
Map showing the Habsburg Empire at the time of Charles V Mid 16th Century Stock Photo
RMD995RP–Map showing the Habsburg Empire at the time of Charles V Mid 16th Century
Suit of Japanese armour. Antlers from deer are mounted on the helmet. Mid 16th century Stock Photo
RMHTMJ54–Suit of Japanese armour. Antlers from deer are mounted on the helmet. Mid 16th century
The Murder of Shane O'Neill,1567. Shane O'Neill, c. 1530 –1567. Irish king of the O'Neill dynasty of Ulster in the mid 16th century. Stock Photo
RMA91930–The Murder of Shane O'Neill,1567. Shane O'Neill, c. 1530 –1567. Irish king of the O'Neill dynasty of Ulster in the mid 16th century.
Two Gods on a Cloud, mid-16th century. Stock Photo
RM2B7PJA1–Two Gods on a Cloud, mid-16th century.
Circumcision mid 16th Century by Giorgio VASARI Arezzo, 1511 – Florence, 1574, Italian, Italy, Stock Photo
RM2E2C0E3–Circumcision mid 16th Century by Giorgio VASARI Arezzo, 1511 – Florence, 1574, Italian, Italy,
Pair of Sleeves of Mail, mid–16th century, German, Germany, Steel Stock Photo
RM2A2KADA–Pair of Sleeves of Mail, mid–16th century, German, Germany, Steel
Fragment - Mid–16th century - Italy - Origin: Italy, Date: 1525–1575, Medium: cisele voided satin velvet. Stock Photo
RMRKNR3A–Fragment - Mid–16th century - Italy - Origin: Italy, Date: 1525–1575, Medium: cisele voided satin velvet.
Vlad the Impaler. Portrait of Vlad III, known as Vlad the Impaler or Vlad Dracula (c.1428/31-1476/77), who was ruler of Wallachia three times. Painting, oil on canvas, mid 16th century. Stock Photo
RM2CT7BET–Vlad the Impaler. Portrait of Vlad III, known as Vlad the Impaler or Vlad Dracula (c.1428/31-1476/77), who was ruler of Wallachia three times. Painting, oil on canvas, mid 16th century.
Woman playing cornetto. Mid-16th century. German engraving. Stock Photo
RMK2YBYF–Woman playing cornetto. Mid-16th century. German engraving.
Art inspired by Firedog, model mid-16th century (possibly cast 19th century), French (?), Cast iron, H. 68 cm., Metalwork, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW8WYC–Art inspired by Firedog, model mid-16th century (possibly cast 19th century), French (?), Cast iron, H. 68 cm., Metalwork, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Baths of Diocletian-Etienne Du Pérac mid 16th century. Stock Photo
RMPJTT3Y–Baths of Diocletian-Etienne Du Pérac mid 16th century.
'Portrait of the Duke de Montpensier'. France, circa 1546. Dimensions: 28x19 cm. Museum: State Hermitage, St. Petersburg. Author: Anonymous Artist, mid-16th century. Stock Photo
RMT0897C–'Portrait of the Duke de Montpensier'. France, circa 1546. Dimensions: 28x19 cm. Museum: State Hermitage, St. Petersburg. Author: Anonymous Artist, mid-16th century.
Figure of St Ines, 1535-1540. Artist: Jean de Rouen Stock Photo
RMW7CTXF–Figure of St Ines, 1535-1540. Artist: Jean de Rouen
Nigeria: Ivory pendant mask of a queen mother, Benin Kingdom, mid-16th century. The Benin Empire (1440–1897) was a pre-colonial African state in what is now modern Nigeria. It is not to be confused with the modern-day country called Benin (and formerly called Dahomey). Stock Photo
RM2B010X0–Nigeria: Ivory pendant mask of a queen mother, Benin Kingdom, mid-16th century. The Benin Empire (1440–1897) was a pre-colonial African state in what is now modern Nigeria. It is not to be confused with the modern-day country called Benin (and formerly called Dahomey).
Samson Slaying the Philistine by Giovanni Bologna. Florence, Italy, mid 16th century. Stock Photo
RMAD0M3A–Samson Slaying the Philistine by Giovanni Bologna. Florence, Italy, mid 16th century.
German saddle from the mid 16th century. Rear view and side view of the richly decorated saddle and stirrup. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. Stock Photo
RM2A82PGT–German saddle from the mid 16th century. Rear view and side view of the richly decorated saddle and stirrup. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Battle of Clavijo (844). According to tradition, the king of Asturias Ramiro I, helping by the Apostle Saint James mounted on a white horse, defeated a Muslim army led by the Emir of Cordoba Abd-al-Rahman in Clavijo. Saint James in the Battle of Clavijo. Mid 16th century. Painting attributed to Juan de Borgoña de Toro (1494-1536). Museum of Pilgrimage and Santiago. Santiago de Compostela, Galicia, Spain. Stock Photo
RM2BXMXNN–Battle of Clavijo (844). According to tradition, the king of Asturias Ramiro I, helping by the Apostle Saint James mounted on a white horse, defeated a Muslim army led by the Emir of Cordoba Abd-al-Rahman in Clavijo. Saint James in the Battle of Clavijo. Mid 16th century. Painting attributed to Juan de Borgoña de Toro (1494-1536). Museum of Pilgrimage and Santiago. Santiago de Compostela, Galicia, Spain.
A South German mace, mid-16th century Head with seven flanges, the strongly curved flanges with reinforced quadrangular points. Hollow-forged shaft with chiselled rhombic and spiral decoration. Movable iron lanyard loop. Later pommel with eyelet and removable dagger blade (heavily pitted). Length 63 cm. Provenance: Hohenzollern Collection in Sigmaringen, the grip with remnants of the old collection number in red lacquer. historic, historical, Additional-Rights-Clearance-Info-Not-Available Stock Photo
RMT93616–A South German mace, mid-16th century Head with seven flanges, the strongly curved flanges with reinforced quadrangular points. Hollow-forged shaft with chiselled rhombic and spiral decoration. Movable iron lanyard loop. Later pommel with eyelet and removable dagger blade (heavily pitted). Length 63 cm. Provenance: Hohenzollern Collection in Sigmaringen, the grip with remnants of the old collection number in red lacquer. historic, historical, Additional-Rights-Clearance-Info-Not-Available
. Portrait of Pietro Aretino . mid-16th century. Anonymous, French 484 Pietro Aretino-french Stock Photo
RMMWNBB9–. Portrait of Pietro Aretino . mid-16th century. Anonymous, French 484 Pietro Aretino-french
Hercules and Diomede', c mid 16th century (?) by Vincenzo di Raffaello de Rossi. From the Room of the 500, Palazzo Vecchio, Florence, Italy. Stock Photo
RM2CWBFEH–Hercules and Diomede', c mid 16th century (?) by Vincenzo di Raffaello de Rossi. From the Room of the 500, Palazzo Vecchio, Florence, Italy.
19th century vintage photograph Russia - Nizhny Novgorod Fair (old name — Makaryev Fair) (Russian: Нижегородская ярмарка) was a fair in Nizhny Novgorod held annually every July near Makaryev Monastery on the left bank of the Volga River from the mid-16th century to 1816. Following a massive fire in 1816, it was moved to Nizhny Novgorod, but for some decades thereafter it still was commonly referred to as Makaryev Fair. It attracted many foreign merchants from India, Iran, and Central Asia. Stock Photo
RM2K64B2X–19th century vintage photograph Russia - Nizhny Novgorod Fair (old name — Makaryev Fair) (Russian: Нижегородская ярмарка) was a fair in Nizhny Novgorod held annually every July near Makaryev Monastery on the left bank of the Volga River from the mid-16th century to 1816. Following a massive fire in 1816, it was moved to Nizhny Novgorod, but for some decades thereafter it still was commonly referred to as Makaryev Fair. It attracted many foreign merchants from India, Iran, and Central Asia.
Battista Franco Veneziano aka Giovanni Battista Franco, il Semolei or Battista Franco, before 1510 – 1561. Italian Mannerist painter and printmaker in etching active in Rome, Urbino, and Venice in the mid 16th century. From Le Vite de' più eccellenti pittori, scultori, e architettori or Lives of the Most Excellent Painters, Sculptors, and Architects by Vasari, published 1829. Stock Photo
RMJ4AJH9–Battista Franco Veneziano aka Giovanni Battista Franco, il Semolei or Battista Franco, before 1510 – 1561. Italian Mannerist painter and printmaker in etching active in Rome, Urbino, and Venice in the mid 16th century. From Le Vite de' più eccellenti pittori, scultori, e architettori or Lives of the Most Excellent Painters, Sculptors, and Architects by Vasari, published 1829.
Trophy, mid-16th century. Stock Photo
RM2B7PJCG–Trophy, mid-16th century.
Circumcision mid 16th Century by Giorgio VASARI Arezzo, 1511 – Florence, 1574, Italian, Italy, Stock Photo
RM2E2C0E5–Circumcision mid 16th Century by Giorgio VASARI Arezzo, 1511 – Florence, 1574, Italian, Italy,
Necklace of Stone and Shell Beads, 1st–mid-16th century Stock Photo
RMKCDFF8–Necklace of Stone and Shell Beads, 1st–mid-16th century
Author: Talavera de la Reina Potteries. Charger - 17th century - Talavera de la Reina Potteries Spanish, founded mid-16th century. Tin-glazed Stock Photo
RM2BJM2MD–Author: Talavera de la Reina Potteries. Charger - 17th century - Talavera de la Reina Potteries Spanish, founded mid-16th century. Tin-glazed
Swingfield Preceptory (or St John's Commandery, Swingfield) was a priory about 5 miles north of Folkestone, Kent on the south coast of England. It was taken over by the Knights Hospitaller in 1180 after sisters of the same order were moved to Buckland Priory. It was suppressed during the Dissolution of the Monasteries in the mid 16th Century. Stock Photo
RMM29DX6–Swingfield Preceptory (or St John's Commandery, Swingfield) was a priory about 5 miles north of Folkestone, Kent on the south coast of England. It was taken over by the Knights Hospitaller in 1180 after sisters of the same order were moved to Buckland Priory. It was suppressed during the Dissolution of the Monasteries in the mid 16th Century.
Violino-(Renaissance) violin being played by musician This instrument first used in mid 16th century -note unfretted fingerboard. From Bonanni's 'Gabinetto Armonico' 1723 illustrated by Arnold van Westerhout. Illustration 67 Stock Photo
RMKD3TAA–Violino-(Renaissance) violin being played by musician This instrument first used in mid 16th century -note unfretted fingerboard. From Bonanni's 'Gabinetto Armonico' 1723 illustrated by Arnold van Westerhout. Illustration 67
Art inspired by Drawings and Prints, Print, Initial letter C with dolphin and crown, mid-16th century, 1532, 1554, Woodcut, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HWABF2–Art inspired by Drawings and Prints, Print, Initial letter C with dolphin and crown, mid-16th century, 1532, 1554, Woodcut, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Meleager, Florence, mid 16th century, marble Bode Museum DSC02549 Stock Photo
RMJ8EWRG–Meleager, Florence, mid 16th century, marble Bode Museum DSC02549
'Portrait of Anne Manrique'. France, circa 1546. Dimensions: 28x18,5 cm. Museum: State Hermitage, St. Petersburg. Author: Anonymous Artist, mid-16th century. Stock Photo
RMT09FA7–'Portrait of Anne Manrique'. France, circa 1546. Dimensions: 28x18,5 cm. Museum: State Hermitage, St. Petersburg. Author: Anonymous Artist, mid-16th century.
'Portrait of Mrs Pemberton', c1535. Artist: Hans Holbein the Younger Stock Photo
RMW7CTC4–'Portrait of Mrs Pemberton', c1535. Artist: Hans Holbein the Younger
Turkey: A panel of six glazed fritware tiles, c. 1540. Fritware tiles featuring hyacinths, tulips, and cherry branches, probably from Iznik, mid 16th century. Stock Photo
RM2B014RE–Turkey: A panel of six glazed fritware tiles, c. 1540. Fritware tiles featuring hyacinths, tulips, and cherry branches, probably from Iznik, mid 16th century.
Colchester Abbey Church. After an illustrationg from the mid 16th century, from the Cott. Nero D. manuscript. Stock Photo
RMERGMN5–Colchester Abbey Church. After an illustrationg from the mid 16th century, from the Cott. Nero D. manuscript.
German male court dress of the mid 16th century, and two halberd heads. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. Stock Photo
RM2A82PH7–German male court dress of the mid 16th century, and two halberd heads. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Unknown, Iran, mid-16th Century - The Rothschild Small Silk Medallion Carpet - Google Art Project Stock Photo
RMHR8TG4–Unknown, Iran, mid-16th Century - The Rothschild Small Silk Medallion Carpet - Google Art Project
A South German mace, mid-16th century Head with seven flanges, the strongly curved flanges with reinforced quadrangular points. Hollow-forged shaft with chiselled rhombic and spiral decoration. Movable iron lanyard loop. Later pommel with eyelet and removable dagger blade (heavily pitted). Length 63 cm. Provenance: Hohenzollern Collection in Sigmaringen, the grip with remnants of the old collection number in red lacquer. historic, historical, Additional-Rights-Clearance-Info-Not-Available Stock Photo
RMT93618–A South German mace, mid-16th century Head with seven flanges, the strongly curved flanges with reinforced quadrangular points. Hollow-forged shaft with chiselled rhombic and spiral decoration. Movable iron lanyard loop. Later pommel with eyelet and removable dagger blade (heavily pitted). Length 63 cm. Provenance: Hohenzollern Collection in Sigmaringen, the grip with remnants of the old collection number in red lacquer. historic, historical, Additional-Rights-Clearance-Info-Not-Available
Christus bei Maria und Martha mid 16th century. 688 Jacopo Tintoretto 008-2 Stock Photo
RMMP6P77–Christus bei Maria und Martha mid 16th century. 688 Jacopo Tintoretto 008-2
Suit of Japanese armour. Antlers from deer are mounted on the helmet. Mid 16th century Stock Photo
RMD964ER–Suit of Japanese armour. Antlers from deer are mounted on the helmet. Mid 16th century
Drawing, Studies of five ears, noses and a mouth, mid- 16th century Stock Photo
RMWAT2AK–Drawing, Studies of five ears, noses and a mouth, mid- 16th century
A patient has his leg amputated. After an illustration by Hans von Gersdorff dating from the mid 16th century. Later colorization. Von Gersdorf, aka Schyl-Hans, was himself an accomplished surgeon in Strasbourg. Stock Photo
RM2M1K9DJ–A patient has his leg amputated. After an illustration by Hans von Gersdorff dating from the mid 16th century. Later colorization. Von Gersdorf, aka Schyl-Hans, was himself an accomplished surgeon in Strasbourg.
A Sacrifice, mid-16th century. Stock Photo
RM2J89XRF–A Sacrifice, mid-16th century.
Pokal in Gestalt einer Eule Schweiz mitte - Cup in the shape of an owl Switzerland mid 16th Century Kunstgewerbemuseum, Berlin, German, Germany. ( Relief with lovers watched by a fool Stock Photo
RMH81MAP–Pokal in Gestalt einer Eule Schweiz mitte - Cup in the shape of an owl Switzerland mid 16th Century Kunstgewerbemuseum, Berlin, German, Germany. ( Relief with lovers watched by a fool
Hammered Silver Tube Ornament, 8th–mid-16th century Stock Photo
RMKCDFD4–Hammered Silver Tube Ornament, 8th–mid-16th century
Author: Talavera de la Reina Potteries. Tazza - 17th century - Talavera de la Reina Potteries Spanish, founded mid-16th century. Tin-glazed Stock Photo
RM2F6W19E–Author: Talavera de la Reina Potteries. Tazza - 17th century - Talavera de la Reina Potteries Spanish, founded mid-16th century. Tin-glazed
A 19th Century view of Chatham Dockyard, a Royal Navy Dockyard established in the mid-16th century and ,located on the River Medway in Kent, England. It came into existence at the time when, following the Reformation, relations with the Catholic countries of Europe had worsened, leading to a requirement for additional defences and over 400 years it provided over 500 ships to the Royal Navy. Stock Photo
RMF218XW–A 19th Century view of Chatham Dockyard, a Royal Navy Dockyard established in the mid-16th century and ,located on the River Medway in Kent, England. It came into existence at the time when, following the Reformation, relations with the Catholic countries of Europe had worsened, leading to a requirement for additional defences and over 400 years it provided over 500 ships to the Royal Navy.
Woman playing psaltery. Mid-16th century German engraving. Tuner and spare string at side. Stock Photo
RMK2YBYC–Woman playing psaltery. Mid-16th century German engraving. Tuner and spare string at side.
Art inspired by Drawings and Prints, Print, Initial letter H with dolphin and crown, mid-16th century, 1532, 1554, Woodcut, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HWABEJ–Art inspired by Drawings and Prints, Print, Initial letter H with dolphin and crown, mid-16th century, 1532, 1554, Woodcut, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Ottoman Dynasty, Kneeling Angel, by Shah Quli, mid 16th century Stock Photo
RMJ467B3–Ottoman Dynasty, Kneeling Angel, by Shah Quli, mid 16th century
'Portrait of the King of Navarre'. France, circa 1546. Dimensions: 29x20,3 cm. Museum: State Hermitage, St. Petersburg. Author: Anonymous Artist, mid-16th century. Stock Photo
RMT0890Y–'Portrait of the King of Navarre'. France, circa 1546. Dimensions: 29x20,3 cm. Museum: State Hermitage, St. Petersburg. Author: Anonymous Artist, mid-16th century.
Glaive, mid-16th century, (1843).Artist: Henry Shaw Stock Photo
RMW7CEBX–Glaive, mid-16th century, (1843).Artist: Henry Shaw
Vertumnus and Pomona. Detail from the tapestry belonging to the the set 'History of Vertumnus and Pomona', based on cartoons attributed to the Flemish artist Pieter Coecke van Aelst (1502-1550). Flanders, mid-16th century. Wool, silk and gold thread. Calouste Gulbenkian Museum. Lisbon, Portugal. Stock Photo
RM2J6XM37–Vertumnus and Pomona. Detail from the tapestry belonging to the the set 'History of Vertumnus and Pomona', based on cartoons attributed to the Flemish artist Pieter Coecke van Aelst (1502-1550). Flanders, mid-16th century. Wool, silk and gold thread. Calouste Gulbenkian Museum. Lisbon, Portugal.
Colchester Abbey Church. After an illustrationg from the mid 16th century, from the Cott. Nero D. manuscript. Stock Photo
RMERGN55–Colchester Abbey Church. After an illustrationg from the mid 16th century, from the Cott. Nero D. manuscript.
German cup made out of a nautilus shell decorated with gilded silver nautical ornaments, mid 16th century. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by Heinrich Keller. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. Stock Photo
RM2A82PH1–German cup made out of a nautilus shell decorated with gilded silver nautical ornaments, mid 16th century. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by Heinrich Keller. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Master of the Dinteville Family - Moses and Aaron before Pharaoh-An Allegory of the Dinteville Family', oil on wood, mid 16th century Stock Photo
RMHN22K6–Master of the Dinteville Family - Moses and Aaron before Pharaoh-An Allegory of the Dinteville Family', oil on wood, mid 16th century
A German pike, mid-16th century Slender, heavily ridged blade with an S mark stamped on both sides. Conical socket with a helical groove and two inlaid corded brass bands. Two long side straps with four rivets on remnants of the original shaft. Length 173 cm. historic, historical, 16th century, pole weapon, weapons, arms, weapon, arm, fighting device, military, militaria, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, metal, Additional-Rights-Clearance-Info-Not-Available Stock Photo
RMT3C02E–A German pike, mid-16th century Slender, heavily ridged blade with an S mark stamped on both sides. Conical socket with a helical groove and two inlaid corded brass bands. Two long side straps with four rivets on remnants of the original shaft. Length 173 cm. historic, historical, 16th century, pole weapon, weapons, arms, weapon, arm, fighting device, military, militaria, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, metal, Additional-Rights-Clearance-Info-Not-Available
Young Prince mid-16th century. 1120 Signed by Muhammad Haravi - Young Prince - Google Art Project Stock Photo
RMMNXA0F–Young Prince mid-16th century. 1120 Signed by Muhammad Haravi - Young Prince - Google Art Project
Christus Led Away by the Soldiers by Luca Cambiasi (1527 - 1585). Italian painter and draftsman. Dated mid 16th Century Stock Photo
RMDYEDE8–Christus Led Away by the Soldiers by Luca Cambiasi (1527 - 1585). Italian painter and draftsman. Dated mid 16th Century
Drawing, Erythean Sibyl from the Ceiling of the Sistine Chapel, after Michelangelo, mid- 16th century Stock Photo
RMWAREE4–Drawing, Erythean Sibyl from the Ceiling of the Sistine Chapel, after Michelangelo, mid- 16th century
12 million project which has returned the six apartments in the castle's Renaissance palace to how they may have looked in the mid-16th century. Stock Photo
RMG4D5D2–12 million project which has returned the six apartments in the castle's Renaissance palace to how they may have looked in the mid-16th century.
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