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Lorenzetti pietro Stock Photos and Images
Pietro Lorenzetti - Flagellation of Christ (detail) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pietro-lorenzetti-flagellation-of-christ-detail-image396842947.htmlRM2E1HN6B–Pietro Lorenzetti - Flagellation of Christ (detail)
Detail view Head Of A Franciscan, 1319-47 Pietro Lorenzetti, Watercolour, Plasterwork, Religion, Christian, Fresco, Plaster Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detail-view-head-of-a-franciscan-1319-47-pietro-lorenzetti-watercolour-plasterwork-religion-christian-fresco-plaster-image387018764.htmlRM2DDJ6AM–Detail view Head Of A Franciscan, 1319-47 Pietro Lorenzetti, Watercolour, Plasterwork, Religion, Christian, Fresco, Plaster
The Crucifixion 2002 by Pietro Lorenzetti Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-crucifixion-2002-by-pietro-lorenzetti-image591077000.htmlRM2W9HTMT–The Crucifixion 2002 by Pietro Lorenzetti
Pietro Lorenzetti, (artist), Sienese, active 1306 - 1345, Madonna and Child, with the Blessing Christ, probably 1340, tempera on panel transferred to canvas, painted surface: 98 × 49.2 cm (38 9/16 × 19 3/8 in.), overall: 99.5 × 52.3 cm (39 3/16 × 20 9/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pietro-lorenzetti-artist-sienese-active-1306-1345-madonna-and-child-with-the-blessing-christ-probably-1340-tempera-on-panel-transferred-to-canvas-painted-surface-98-492-cm-38-916-19-38-in-overall-995-523-cm-39-316-20-916-in-image386347815.htmlRM2DCFJG7–Pietro Lorenzetti, (artist), Sienese, active 1306 - 1345, Madonna and Child, with the Blessing Christ, probably 1340, tempera on panel transferred to canvas, painted surface: 98 × 49.2 cm (38 9/16 × 19 3/8 in.), overall: 99.5 × 52.3 cm (39 3/16 × 20 9/16 in
Lorenzetti, Pietro. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lorenzetti-pietro-image418476427.htmlRM2F8R6XK–Lorenzetti, Pietro.
the southern transept, frescoed by Pietro Lorenzetti, Assisi, Lower Basilica, Umbria, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-southern-transept-frescoed-by-pietro-lorenzetti-assisi-lower-basilica-umbria-italy-image557227997.htmlRM2RAFWYW–the southern transept, frescoed by Pietro Lorenzetti, Assisi, Lower Basilica, Umbria, Italy
The Nativity of Mary, 1342, Painter Pietro Lorenzetti, Museo dell' Opera Metropolitana, Siena, Tuscany, Italy, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-nativity-of-mary-1342-painter-pietro-lorenzetti-museo-dell-opera-metropolitana-siena-tuscany-italy-europe-image433772922.htmlRM2G5M1P2–The Nativity of Mary, 1342, Painter Pietro Lorenzetti, Museo dell' Opera Metropolitana, Siena, Tuscany, Italy, Europe
Christ before Pilate, ca 1335. Found in the Collection of Musei Vaticani in Viale Vaticano, Rome. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-before-pilate-ca-1335-found-in-the-collection-of-musei-vaticani-in-viale-vaticano-rome-image337005865.htmlRM2AG7XBN–Christ before Pilate, ca 1335. Found in the Collection of Musei Vaticani in Viale Vaticano, Rome.
![Pietro Lorenzetti, Saint Mary Magdalene, with an Angel (left panel), probably 1340 Saint Mary Magdalene, with an Angel [left panel]; probably 1340 Stock Photo](https://c8.alamy.com/comp/2AEM3WB/pietro-lorenzetti-saint-mary-magdalene-with-an-angel-left-panel-probably-1340-saint-mary-magdalene-with-an-angel-left-panel-probably-1340-2AEM3WB.jpg "Pietro Lorenzetti, Saint Mary Magdalene, with an Angel (left panel), probably 1340 Saint Mary Magdalene, with an Angel [left panel]; probably 1340 Stock Photo")
Pietro Lorenzetti, Saint Mary Magdalene, with an Angel (left panel), probably 1340 Saint Mary Magdalene, with an Angel [left panel]; probably 1340 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pietro-lorenzetti-saint-mary-magdalene-with-an-angel-left-panel-probably-1340-saint-mary-magdalene-with-an-angel-left-panel-probably-1340-image336044279.htmlRM2AEM3WB–Pietro Lorenzetti, Saint Mary Magdalene, with an Angel (left panel), probably 1340 Saint Mary Magdalene, with an Angel [left panel]; probably 1340
Deposition from the Cross, Basilica of San Francesco d'Assisi Pietro Lorenzetti - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deposition-from-the-cross-basilica-of-san-francesco-dassisi-pietro-lorenzetti-image605558363.htmlRM2X55FTB–Deposition from the Cross, Basilica of San Francesco d'Assisi Pietro Lorenzetti -
Virgin with Child with Saints, by Pietro Lorenzetti, Chiesa di Santa Maria della Pieve, Arezzo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/virgin-with-child-with-saints-by-pietro-lorenzetti-chiesa-di-santa-maria-della-pieve-arezzo-image551766648.htmlRM2R1K3YM–Virgin with Child with Saints, by Pietro Lorenzetti, Chiesa di Santa Maria della Pieve, Arezzo
Arezzo Polyptych, 1320. Arezzo, Santa Maria della Pieve. Pietro Lorenzetti Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arezzo-polyptych-1320-arezzo-santa-maria-della-pieve-pietro-lorenzetti-image605556972.htmlRM2X55E2M–Arezzo Polyptych, 1320. Arezzo, Santa Maria della Pieve. Pietro Lorenzetti
Pietro Lorenzetti (Italian, active c. 1306 - probably 1348), Madonna and Child with Saint Mary Magdalene and Saint reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pietro-lorenzetti-italian-active-c-1306-probably-1348-madonna-and-child-with-saint-mary-magdalene-and-saint-reimagined-image230037165.htmlRFRA72N1–Pietro Lorenzetti (Italian, active c. 1306 - probably 1348), Madonna and Child with Saint Mary Magdalene and Saint reimagined
Pietro lorenzetti, madonna col bambino, 1310-15 ca. (castiglione d'orcia, Virgin and child Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pietro-lorenzetti-madonna-col-bambino-1310-15-ca-castiglione-dorcia-virgin-and-child-image605556913.htmlRM2X55E0H–Pietro lorenzetti, madonna col bambino, 1310-15 ca. (castiglione d'orcia, Virgin and child
. LORENZETTI, Pietro Crucifix Panel, 380 x 274 cm Museo Diocesano, Cortona . circa 1320. Pietro Lorenzetti (1280–1348) Alternative names Pietro Laurati Description Italian painter Date of birth/death circa 1280 circa 1348 Location of birth/death Siena Siena Work period circa 1306–circa 1345 Work location Siena Authority control : Q309635 VIAF: 172313064 ISNI: 0000 0001 2247 7537 ULAN: 500030946 LCCN: n86142480 WGA: LORENZETTI, Pietro WorldCat 996 Pietro lorenzetti, crocifisso Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lorenzetti-pietro-crucifix-panel-380-x-274-cm-museo-diocesano-cortona-circa-1320-pietro-lorenzetti-12801348-alternative-names-pietro-laurati-description-italian-painter-date-of-birthdeath-circa-1280-circa-1348-location-of-birthdeath-siena-siena-work-period-circa-1306circa-1345-work-location-siena-authority-control-q309635-viaf172313064-isni0000-0001-2247-7537-ulan500030946-lccnn86142480-wgalorenzetti-pietro-worldcat-996-pietro-lorenzetti-crocifisso-image185546342.htmlRMMNTA72–. LORENZETTI, Pietro Crucifix Panel, 380 x 274 cm Museo Diocesano, Cortona . circa 1320. Pietro Lorenzetti (1280–1348) Alternative names Pietro Laurati Description Italian painter Date of birth/death circa 1280 circa 1348 Location of birth/death Siena Siena Work period circa 1306–circa 1345 Work location Siena Authority control : Q309635 VIAF: 172313064 ISNI: 0000 0001 2247 7537 ULAN: 500030946 LCCN: n86142480 WGA: LORENZETTI, Pietro WorldCat 996 Pietro lorenzetti, crocifisso
MINIATURE OF HUMILITY - SICK WOMAN - 14th CENTURY. Author: LORENZETTI, PIETRO. Location: STAATLICHE MUSEUM. BERLIN. GERMANY. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/miniature-of-humility-sick-woman-14th-century-author-lorenzetti-pietro-location-staatliche-museum-berlin-germany-image220150564.htmlRMPP4M84–MINIATURE OF HUMILITY - SICK WOMAN - 14th CENTURY. Author: LORENZETTI, PIETRO. Location: STAATLICHE MUSEUM. BERLIN. GERMANY.
. This file has no description, and may be lacking other information. Please provide a meaningful description of this file. . 1320s. Pietro Lorenzetti (1280–1348) Alternative names Pietro Laurati Description Italian painter Date of birth/death circa 1280 circa 1348 Location of birth/death Siena Siena Work period circa 1306–circa 1345 Work location Siena Authority control : Q309635 VIAF: 172313064 ISNI: 0000 0001 2247 7537 ULAN: 500030946 LCCN: n86142480 WGA: LORENZETTI, Pietro WorldCat 996 Pietro lorenzetti, sant'antonio abate Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-file-has-no-description-and-may-be-lacking-other-information-please-provide-a-meaningful-description-of-this-file-1320s-pietro-lorenzetti-12801348-alternative-names-pietro-laurati-description-italian-painter-date-of-birthdeath-circa-1280-circa-1348-location-of-birthdeath-siena-siena-work-period-circa-1306circa-1345-work-location-siena-authority-control-q309635-viaf172313064-isni0000-0001-2247-7537-ulan500030946-lccnn86142480-wgalorenzetti-pietro-worldcat-996-pietro-lorenzetti-santantonio-abate-image185769871.htmlRMMP6FA7–. This file has no description, and may be lacking other information. Please provide a meaningful description of this file. . 1320s. Pietro Lorenzetti (1280–1348) Alternative names Pietro Laurati Description Italian painter Date of birth/death circa 1280 circa 1348 Location of birth/death Siena Siena Work period circa 1306–circa 1345 Work location Siena Authority control : Q309635 VIAF: 172313064 ISNI: 0000 0001 2247 7537 ULAN: 500030946 LCCN: n86142480 WGA: LORENZETTI, Pietro WorldCat 996 Pietro lorenzetti, sant'antonio abate
Central Altarpiece with Majesty by Pietro Lorenzetti, Carmine Polyptych, Maestà,1329 - Christian Art, Italy, Italian. Central Altarpiece with Majesty Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/central-altarpiece-with-majesty-by-pietro-lorenzetti-carmine-polyptych-maest1329-christian-art-italy-italian-central-altarpiece-with-majesty-image499921866.htmlRM2M19BCA–Central Altarpiece with Majesty by Pietro Lorenzetti, Carmine Polyptych, Maestà,1329 - Christian Art, Italy, Italian. Central Altarpiece with Majesty
. Nativity-of-the-virgin-pietro lorenzetti siena museo dell'Opera del duomo.jpg . 1342. Pietro Lorenzetti (1280–1348) Alternative names Pietro Laurati Description Italian painter Date of birth/death circa 1280 circa 1348 Location of birth/death Siena Siena Work period circa 1306–circa 1345 Work location Siena Authority control : Q309635 VIAF: 172313064 ISNI: 0000 0001 2247 7537 ULAN: 500030946 LCCN: n86142480 WGA: LORENZETTI, Pietro WorldCat 919 Nativity-of-the-virgin-pietro lorenzetti siena museo dell'Opera del duomo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nativity-of-the-virgin-pietro-lorenzetti-siena-museo-dellopera-del-duomojpg-1342-pietro-lorenzetti-12801348-alternative-names-pietro-laurati-description-italian-painter-date-of-birthdeath-circa-1280-circa-1348-location-of-birthdeath-siena-siena-work-period-circa-1306circa-1345-work-location-siena-authority-control-q309635-viaf172313064-isni0000-0001-2247-7537-ulan500030946-lccnn86142480-wgalorenzetti-pietro-worldcat-919-nativity-of-the-virgin-pietro-lorenzetti-siena-museo-dellopera-del-duomo-image185868777.htmlRMMPB1EH–. Nativity-of-the-virgin-pietro lorenzetti siena museo dell'Opera del duomo.jpg . 1342. Pietro Lorenzetti (1280–1348) Alternative names Pietro Laurati Description Italian painter Date of birth/death circa 1280 circa 1348 Location of birth/death Siena Siena Work period circa 1306–circa 1345 Work location Siena Authority control : Q309635 VIAF: 172313064 ISNI: 0000 0001 2247 7537 ULAN: 500030946 LCCN: n86142480 WGA: LORENZETTI, Pietro WorldCat 919 Nativity-of-the-virgin-pietro lorenzetti siena museo dell'Opera del duomo
Nativity of the Virgin by the Italian late medieval painter Pietro Lorenzetti,1335–1342, the Museo dell'Opera del Duomo of Siena, Italy. 14th Century, Fine Art Museum, Italy, Italian, Nativity, refers to the, birth of Jesus, the central figure of the religion of Christianity, Celebrate the Nativity ,during, Christmas, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nativity-of-the-virgin-by-the-italian-late-medieval-painter-pietro-lorenzetti13351342-the-museo-dellopera-del-duomo-of-siena-italy-14th-century-fine-art-museum-italy-italian-nativity-refers-to-the-birth-of-jesus-the-central-figure-of-the-religion-of-christianity-celebrate-the-nativity-during-christmas-image517414011.htmlRM2N1P6RR–Nativity of the Virgin by the Italian late medieval painter Pietro Lorenzetti,1335–1342, the Museo dell'Opera del Duomo of Siena, Italy. 14th Century, Fine Art Museum, Italy, Italian, Nativity, refers to the, birth of Jesus, the central figure of the religion of Christianity, Celebrate the Nativity ,during, Christmas,
Pietro lorenzetti, santi del museo horne 1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pietro-lorenzetti-santi-del-museo-horne-1-140410505.htmlRMJ4C70W–Pietro lorenzetti, santi del museo horne 1
Pietro lorenzetti, sant'agnese Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pietro-lorenzetti-santagnese-134712626.htmlRMHR4K96–Pietro lorenzetti, sant'agnese
Pietro Lorenzetti, (artist), Sienese, active 1306 - 1345, Saint Catherine of Alexandria, with an Angel, probably 1340, tempera on panel transferred to canvas, painted surface: 88.1 × 41.5 cm (34 11/16 × 16 5/16 in.), overall: 92 × 44.1 cm (36 1/4 × 17 3/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pietro-lorenzetti-artist-sienese-active-1306-1345-saint-catherine-of-alexandria-with-an-angel-probably-1340-tempera-on-panel-transferred-to-canvas-painted-surface-881-415-cm-34-1116-16-516-in-overall-92-441-cm-36-14-17-38-in-image386349249.htmlRM2DCFMBD–Pietro Lorenzetti, (artist), Sienese, active 1306 - 1345, Saint Catherine of Alexandria, with an Angel, probably 1340, tempera on panel transferred to canvas, painted surface: 88.1 × 41.5 cm (34 11/16 × 16 5/16 in.), overall: 92 × 44.1 cm (36 1/4 × 17 3/8 in
Lorenzetti, Pietro. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lorenzetti-pietro-image418672427.htmlRM2F944XK–Lorenzetti, Pietro.
Pietro lorenzetti, resurrezione, basilica inferiore di assisi 1310 1329 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pietro-lorenzetti-resurrezione-basilica-inferiore-di-assisi-1310-1329-140395033.htmlRMJ4BF89–Pietro lorenzetti, resurrezione, basilica inferiore di assisi 1310 1329
Pietro lorenzetti, guarigione di una monaca, berlino, dalla pala della beata umiltà. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pietro-lorenzetti-guarigione-di-una-monaca-berlino-dalla-pala-della-beata-umilt-image396842949.htmlRM2E1HN6D–Pietro lorenzetti, guarigione di una monaca, berlino, dalla pala della beata umiltà.
Polyptych 1320 by Pietro Lorenzetti Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/polyptych-1320-by-pietro-lorenzetti-image557615062.htmlRM2RB5FKJ–Polyptych 1320 by Pietro Lorenzetti
![Pietro Lorenzetti, Madonna and Child with the Blessing Christ, and Saints Mary Magdalene and Catherine of Alexandria with Angels (entire triptych), probably 1340 Madonna and Child with the Blessing Christ, and Saints Mary Magdalene and Catherine of Alexandria with Angels [entire triptych]; probably 1340 Stock Photo](https://c8.alamy.com/comp/2AEM3W8/pietro-lorenzetti-madonna-and-child-with-the-blessing-christ-and-saints-mary-magdalene-and-catherine-of-alexandria-with-angels-entire-triptych-probably-1340-madonna-and-child-with-the-blessing-christ-and-saints-mary-magdalene-and-catherine-of-alexandria-with-angels-entire-triptych-probably-1340-2AEM3W8.jpg "Pietro Lorenzetti, Madonna and Child with the Blessing Christ, and Saints Mary Magdalene and Catherine of Alexandria with Angels (entire triptych), probably 1340 Madonna and Child with the Blessing Christ, and Saints Mary Magdalene and Catherine of Alexandria with Angels [entire triptych]; probably 1340 Stock Photo")
Pietro Lorenzetti, Madonna and Child with the Blessing Christ, and Saints Mary Magdalene and Catherine of Alexandria with Angels (entire triptych), probably 1340 Madonna and Child with the Blessing Christ, and Saints Mary Magdalene and Catherine of Alexandria with Angels [entire triptych]; probably 1340 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pietro-lorenzetti-madonna-and-child-with-the-blessing-christ-and-saints-mary-magdalene-and-catherine-of-alexandria-with-angels-entire-triptych-probably-1340-madonna-and-child-with-the-blessing-christ-and-saints-mary-magdalene-and-catherine-of-alexandria-with-angels-entire-triptych-probably-1340-image336044276.htmlRM2AEM3W8–Pietro Lorenzetti, Madonna and Child with the Blessing Christ, and Saints Mary Magdalene and Catherine of Alexandria with Angels (entire triptych), probably 1340 Madonna and Child with the Blessing Christ, and Saints Mary Magdalene and Catherine of Alexandria with Angels [entire triptych]; probably 1340
The southern transept, frescoed by Pietro Lorenzetti , The capture of Christ, detail, Assisi, Lower Basilica, Umbria, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-southern-transept-frescoed-by-pietro-lorenzetti-the-capture-of-christ-detail-assisi-lower-basilica-umbria-italy-image557228033.htmlRM2RAFX15–The southern transept, frescoed by Pietro Lorenzetti , The capture of Christ, detail, Assisi, Lower Basilica, Umbria, Italy
Virgin and child. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/virgin-and-child-image186162214.htmlRMMPTBPE–Virgin and child.
Madonna with Saints Francis and John the Evangelist (Madonna dei Tramonti), Basilica of San Francesco d'Assisi Pietro Lorenzetti Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-with-saints-francis-and-john-the-evangelist-madonna-dei-tramonti-basilica-of-san-francesco-dassisi-pietro-lorenzetti-image605556912.htmlRM2X55E0G–Madonna with Saints Francis and John the Evangelist (Madonna dei Tramonti), Basilica of San Francesco d'Assisi Pietro Lorenzetti
Head Of A Franciscan, 1319-47. Pietro Lorenzetti Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/head-of-a-franciscan-1319-47-pietro-lorenzetti-image551025475.htmlRM2R0DAH7–Head Of A Franciscan, 1319-47. Pietro Lorenzetti
14th century Madonna dei Tramonti by Pietro Lorenzetti on canvas. Basilica of Saint Francis of Assisi Pietro Lorenzetti Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/14th-century-madonna-dei-tramonti-by-pietro-lorenzetti-on-canvas-basilica-of-saint-francis-of-assisi-pietro-lorenzetti-image604066104.htmlRM2X2NGDC–14th century Madonna dei Tramonti by Pietro Lorenzetti on canvas. Basilica of Saint Francis of Assisi Pietro Lorenzetti
Pietro Lorenzetti (Italian, active c. 1306 - probably 1348), Madonna and Child with Saint Mary Magdalene and Saint reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pietro-lorenzetti-italian-active-c-1306-probably-1348-madonna-and-child-with-saint-mary-magdalene-and-saint-reimagined-image230425067.htmlRFRATNEK–Pietro Lorenzetti (Italian, active c. 1306 - probably 1348), Madonna and Child with Saint Mary Magdalene and Saint reimagined
LLORANDO ANTE CRISTO MUERTO - SIGLO XIV. Author: LORENZETTI, PIETRO. Location: Pinacoteca. SIENA. ITALIA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/llorando-ante-cristo-muerto-siglo-xiv-author-lorenzetti-pietro-location-pinacoteca-siena-italia-image220149887.htmlRMPP4KBY–LLORANDO ANTE CRISTO MUERTO - SIGLO XIV. Author: LORENZETTI, PIETRO. Location: Pinacoteca. SIENA. ITALIA.
Milan, Pietro Lorenzetti walking with his wife in the center Professor Pietro Lorenzetti, renowned plastic surgeon who has several studies throughout Italy, often frequents Barbara D'Urso's living room on Sunday Live on channel 5 when ALBERICO LEMME, discussed the character who always argues for his method of slimming with his diets (several characters from the world of entertainment have entrusted to him, primarily Silvio Berlusconi and Briatore). He is surprised to walk through the streets of the quadrilateral while curious among the showrooms of the boutiques, along with his wife and a frie Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-milan-pietro-lorenzetti-walking-with-his-wife-in-the-center-professor-162185497.htmlRMKBT575–Milan, Pietro Lorenzetti walking with his wife in the center Professor Pietro Lorenzetti, renowned plastic surgeon who has several studies throughout Italy, often frequents Barbara D'Urso's living room on Sunday Live on channel 5 when ALBERICO LEMME, discussed the character who always argues for his method of slimming with his diets (several characters from the world of entertainment have entrusted to him, primarily Silvio Berlusconi and Briatore). He is surprised to walk through the streets of the quadrilateral while curious among the showrooms of the boutiques, along with his wife and a frie
The southern transept, fresco by Pietro Lorenzetti, In the photo: The Crucifixion, detail,Assisi, Lower Basilica, Umbria, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-southern-transept-fresco-by-pietro-lorenzetti-in-the-photo-the-crucifixion-detailassisi-lower-basilica-umbria-italy-image557228048.htmlRM2RAFX1M–The southern transept, fresco by Pietro Lorenzetti, In the photo: The Crucifixion, detail,Assisi, Lower Basilica, Umbria, Italy
. LORENZETTI, Pietro Crucifix Panel, 380 x 274 cm Museo Diocesano, Cortona . circa 1320. Pietro Lorenzetti (1280–1348) Alternative names Pietro Laurati Description Italian painter Date of birth/death circa 1280 circa 1348 Location of birth/death Siena Siena Work period circa 1306–circa 1345 Work location Siena Authority control : Q309635 VIAF: 172313064 ISNI: 0000 0001 2247 7537 ULAN: 500030946 LCCN: n86142480 WGA: LORENZETTI, Pietro WorldCat 996 Pietro lorenzetti, crocifisso, dettaglio 03 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lorenzetti-pietro-crucifix-panel-380-x-274-cm-museo-diocesano-cortona-circa-1320-pietro-lorenzetti-12801348-alternative-names-pietro-laurati-description-italian-painter-date-of-birthdeath-circa-1280-circa-1348-location-of-birthdeath-siena-siena-work-period-circa-1306circa-1345-work-location-siena-authority-control-q309635-viaf172313064-isni0000-0001-2247-7537-ulan500030946-lccnn86142480-wgalorenzetti-pietro-worldcat-996-pietro-lorenzetti-crocifisso-dettaglio-03-image185546337.htmlRMMNTA6W–. LORENZETTI, Pietro Crucifix Panel, 380 x 274 cm Museo Diocesano, Cortona . circa 1320. Pietro Lorenzetti (1280–1348) Alternative names Pietro Laurati Description Italian painter Date of birth/death circa 1280 circa 1348 Location of birth/death Siena Siena Work period circa 1306–circa 1345 Work location Siena Authority control : Q309635 VIAF: 172313064 ISNI: 0000 0001 2247 7537 ULAN: 500030946 LCCN: n86142480 WGA: LORENZETTI, Pietro WorldCat 996 Pietro lorenzetti, crocifisso, dettaglio 03
Nativity of the Virgin by the Italian late medieval painter Pietro Lorenzetti,1335–1342, the Museo dell'Opera del Duomo of Siena, Italy. 14th Century, Fine Art Museum, Italy, Italian, Nativity, refers to the, birth of Jesus, the central figure of the religion of Christianity, Celebrate the Nativity ,during, Christmas, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nativity-of-the-virgin-by-the-italian-late-medieval-painter-pietro-lorenzetti13351342-the-museo-dellopera-del-duomo-of-siena-italy-14th-century-fine-art-museum-italy-italian-nativity-refers-to-the-birth-of-jesus-the-central-figure-of-the-religion-of-christianity-celebrate-the-nativity-during-christmas-image517413887.htmlRM2N1P6KB–Nativity of the Virgin by the Italian late medieval painter Pietro Lorenzetti,1335–1342, the Museo dell'Opera del Duomo of Siena, Italy. 14th Century, Fine Art Museum, Italy, Italian, Nativity, refers to the, birth of Jesus, the central figure of the religion of Christianity, Celebrate the Nativity ,during, Christmas,
Polittico - tempera su tavola - Pietro Lorenzetti - 1320 - Arezzo, Italia,chiesa di S. Maria della Pieve Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/polittico-tempera-su-tavola-pietro-lorenzetti-1320-arezzo-italiachiesa-di-s-maria-della-pieve-image469659431.htmlRF2J82RB3–Polittico - tempera su tavola - Pietro Lorenzetti - 1320 - Arezzo, Italia,chiesa di S. Maria della Pieve
St. Cecilia. Section of a polyptych from the Church of Santa Cecilia in Crevole near Murlo di Siena. Polyptych by Pietro Lorenzetti with Saint Bartholomew, Saint Cecilia and Saint Juan Bautista. Christian Art, Italy, Italian. ( middle panel ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-cecilia-section-of-a-polyptych-from-the-church-of-santa-cecilia-in-crevole-near-murlo-di-siena-polyptych-by-pietro-lorenzetti-with-saint-bartholomew-saint-cecilia-and-saint-juan-bautista-christian-art-italy-italian-middle-panel-image499822496.htmlRM2M14TKC–St. Cecilia. Section of a polyptych from the Church of Santa Cecilia in Crevole near Murlo di Siena. Polyptych by Pietro Lorenzetti with Saint Bartholomew, Saint Cecilia and Saint Juan Bautista. Christian Art, Italy, Italian. ( middle panel )
Pietro Lorenzetti, (artist), Sienese, active 1306 - 1345, Saint Mary Magdalene, with an Angel, probably 1340, tempera on panel transferred to canvas, painted surface: 89.2 × 41 cm (35 1/8 × 16 1/8 in.), overall: 92.1 × 44.1 cm (36 1/4 × 17 3/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pietro-lorenzetti-artist-sienese-active-1306-1345-saint-mary-magdalene-with-an-angel-probably-1340-tempera-on-panel-transferred-to-canvas-painted-surface-892-41-cm-35-18-16-18-in-overall-921-441-cm-36-14-17-38-in-image386349262.htmlRM2DCFMBX–Pietro Lorenzetti, (artist), Sienese, active 1306 - 1345, Saint Mary Magdalene, with an Angel, probably 1340, tempera on panel transferred to canvas, painted surface: 89.2 × 41 cm (35 1/8 × 16 1/8 in.), overall: 92.1 × 44.1 cm (36 1/4 × 17 3/8 in
Pietro Lorenzetti-The Crucifixion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pietro-lorenzetti-the-crucifixion-134660447.htmlRMHR28NK–Pietro Lorenzetti-The Crucifixion
Pietro Lorenzetti, Saint Catherine of Alexandria, Pietro Lorenzetti (Italian, active Siena 1320–44), shortly after 1342, Tempera on wood, gold ground, Overall 26 x 16 1/4 in. (66 x 41.3 cm); painted surface 24 1/2 x 16 1/4 in. (62.2 x 41.3 cm), Paintings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pietro-lorenzetti-saint-catherine-of-alexandria-pietro-lorenzetti-italian-active-siena-132044-shortly-after-1342-tempera-on-wood-gold-ground-overall-26-x-16-14-in-66-x-413-cm-painted-surface-24-12-x-16-14-in-622-x-413-cm-paintings-image344669154.htmlRM2B0N10J–Pietro Lorenzetti, Saint Catherine of Alexandria, Pietro Lorenzetti (Italian, active Siena 1320–44), shortly after 1342, Tempera on wood, gold ground, Overall 26 x 16 1/4 in. (66 x 41.3 cm); painted surface 24 1/2 x 16 1/4 in. (62.2 x 41.3 cm), Paintings
Pietro Lorenzetti, Christ Between Saints Peter and Paul, c.1320, Ferens Art Gallery Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pietro-lorenzetti-christ-between-saints-peter-and-paul-c1320-ferens-143336027.htmlRMJ95EFR–Pietro Lorenzetti, Christ Between Saints Peter and Paul, c.1320, Ferens Art Gallery
Photo reproduction of the fresco The Hermits in the Desert after Pietro Lorenzetti in the Camposanto in Pisa, Italy, Camposanto. Gli anacoreti nella Tebaide. (Pietro Lorenzetti) (title on object), Pisa (series title on object), Fratelli Alinari, publisher: Fratelli Alinari, after painting by: Pietro Lorenzetti, Pisa, publisher: Florence, 1857 - 1900, cardboard, albumen print, height 189 mm × width 256 mm, height 261 mm × width 354 mm, photograph Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photo-reproduction-of-the-fresco-the-hermits-in-the-desert-after-pietro-lorenzetti-in-the-camposanto-in-pisa-italy-camposanto-gli-anacoreti-nella-tebaide-pietro-lorenzetti-title-on-object-pisa-series-title-on-object-fratelli-alinari-publisher-fratelli-alinari-after-painting-by-pietro-lorenzetti-pisa-publisher-florence-1857-1900-cardboard-albumen-print-height-189-mm-width-256-mm-height-261-mm-width-354-mm-photograph-image599440513.htmlRM2WR6TDN–Photo reproduction of the fresco The Hermits in the Desert after Pietro Lorenzetti in the Camposanto in Pisa, Italy, Camposanto. Gli anacoreti nella Tebaide. (Pietro Lorenzetti) (title on object), Pisa (series title on object), Fratelli Alinari, publisher: Fratelli Alinari, after painting by: Pietro Lorenzetti, Pisa, publisher: Florence, 1857 - 1900, cardboard, albumen print, height 189 mm × width 256 mm, height 261 mm × width 354 mm, photograph
Pietro lorenzetti, sant'antonio abate Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pietro-lorenzetti-santantonio-abate-134664804.htmlRMHR2E98–Pietro lorenzetti, sant'antonio abate
Photo reproduction of the fresco The Hermits in the Desert after Pietro Lorenzetti in the Camposanto in Pisa, Italy, Camposanto. Gli anacoreti nella Tebaide. (Pietro Lorenzetti) (title on object), Pisa (series title on object), photograph, Fratelli Alinari, publisher: Fratelli Alinari, after painting by: Pietro Lorenzetti, (mentioned on object), Pisa, publisher: Florence, 1857 - 1900, cardboard, albumen print, height, 189 mm × width, 256 mm, height, 261 mm × width, 354 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photo-reproduction-of-the-fresco-the-hermits-in-the-desert-after-pietro-lorenzetti-in-the-camposanto-in-pisa-italy-camposanto-gli-anacoreti-nella-tebaide-pietro-lorenzetti-title-on-object-pisa-series-title-on-object-photograph-fratelli-alinari-publisher-fratelli-alinari-after-painting-by-pietro-lorenzetti-mentioned-on-object-pisa-publisher-florence-1857-1900-cardboard-albumen-print-height-189-mm-width-256-mm-height-261-mm-width-354-mm-image606635791.htmlRM2X6XJ3Y–Photo reproduction of the fresco The Hermits in the Desert after Pietro Lorenzetti in the Camposanto in Pisa, Italy, Camposanto. Gli anacoreti nella Tebaide. (Pietro Lorenzetti) (title on object), Pisa (series title on object), photograph, Fratelli Alinari, publisher: Fratelli Alinari, after painting by: Pietro Lorenzetti, (mentioned on object), Pisa, publisher: Florence, 1857 - 1900, cardboard, albumen print, height, 189 mm × width, 256 mm, height, 261 mm × width, 354 mm
Pietro lorenzetti, cristo risorto Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pietro-lorenzetti-cristo-risorto-134707907.htmlRMHR4D8K–Pietro lorenzetti, cristo risorto
The Crucifixion, 1340s, Tempera and gold leaf on wood, Overall 16 1/2 x 12 1/2 in. (41.9 x 31.8 cm); painted surface 14 1/8 x 10 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-crucifixion-1340s-tempera-and-gold-leaf-on-wood-overall-16-12-162449138.htmlRMKC85EX–The Crucifixion, 1340s, Tempera and gold leaf on wood, Overall 16 1/2 x 12 1/2 in. (41.9 x 31.8 cm); painted surface 14 1/8 x 10
Pietro Lorenzetti - Crucifixion - WGA13513 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pietro-lorenzetti-crucifixion-wga13513-134707551.htmlRMHR4CRY–Pietro Lorenzetti - Crucifixion - WGA13513
Siena, Italy Fresco of Santa Maria al Carmine, Religion, Habitat, Architecture, Art, Church, Christianity, Interior view, Altar, Painting, Religious architecture, Italy, Siena, Sta Maria del Carmine: a newly discovered fresco by Pietro Lorenzetti, Sienne, 22/09/1913 - 22/09/1913, Léon, Auguste, photographer, 1913 - Balkans, Italy - Léon Busy and Auguste Léon - (September - 23 October), Autochrome, photo, Glass, Autochrome, photo, Positive, Vertical, Size 9 x 12 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/siena-italy-fresco-of-santa-maria-al-carmine-religion-habitat-architecture-art-church-christianity-interior-view-altar-painting-religious-architecture-italy-siena-sta-maria-del-carmine-a-newly-discovered-fresco-by-pietro-lorenzetti-sienne-22091913-22091913-lon-auguste-photographer-1913-balkans-italy-lon-busy-and-auguste-lon-september-23-october-autochrome-photo-glass-autochrome-photo-positive-vertical-size-9-x-12-cm-image576138097.htmlRM2TD9A0H–Siena, Italy Fresco of Santa Maria al Carmine, Religion, Habitat, Architecture, Art, Church, Christianity, Interior view, Altar, Painting, Religious architecture, Italy, Siena, Sta Maria del Carmine: a newly discovered fresco by Pietro Lorenzetti, Sienne, 22/09/1913 - 22/09/1913, Léon, Auguste, photographer, 1913 - Balkans, Italy - Léon Busy and Auguste Léon - (September - 23 October), Autochrome, photo, Glass, Autochrome, photo, Positive, Vertical, Size 9 x 12 cm
Pietro lorenzetti, santa cecilia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pietro-lorenzetti-santa-cecilia-134707480.htmlRMHR4CNC–Pietro lorenzetti, santa cecilia
Saint Thomas and Saint James the Less (Predella panel). Museum: Pinacoteca Nazionale, Siena. Author: LORENZETTI, PIETRO. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-thomas-and-saint-james-the-less-predella-panel-museum-pinacoteca-nazionale-siena-author-lorenzetti-pietro-image231668317.htmlRMRCWB8D–Saint Thomas and Saint James the Less (Predella panel). Museum: Pinacoteca Nazionale, Siena. Author: LORENZETTI, PIETRO.
Pietro Lorenzetti - Polyptych - WGA13536 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pietro-lorenzetti-polyptych-wga13536-134711006.htmlRMHR4H7A–Pietro Lorenzetti - Polyptych - WGA13536
Pietro lorenzetti, eliseo. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pietro-lorenzetti-eliseo-image413138253.htmlRM2F0421H–Pietro lorenzetti, eliseo.
. LORENZETTI, Pietro Crucifix Panel, 380 x 274 cm Museo Diocesano, Cortona . circa 1320. Pietro Lorenzetti (1280–1348) Alternative names Pietro Laurati Description Italian painter Date of birth/death circa 1280 circa 1348 Location of birth/death Siena Siena Work period circa 1306–circa 1345 Work location Siena Authority control : Q309635 VIAF: 172313064 ISNI: 0000 0001 2247 7537 ULAN: 500030946 LCCN: n86142480 WGA: LORENZETTI, Pietro WorldCat 996 Pietro lorenzetti, crocifisso, dettaglio 02 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lorenzetti-pietro-crucifix-panel-380-x-274-cm-museo-diocesano-cortona-circa-1320-pietro-lorenzetti-12801348-alternative-names-pietro-laurati-description-italian-painter-date-of-birthdeath-circa-1280-circa-1348-location-of-birthdeath-siena-siena-work-period-circa-1306circa-1345-work-location-siena-authority-control-q309635-viaf172313064-isni0000-0001-2247-7537-ulan500030946-lccnn86142480-wgalorenzetti-pietro-worldcat-996-pietro-lorenzetti-crocifisso-dettaglio-02-image185546339.htmlRMMNTA6Y–. LORENZETTI, Pietro Crucifix Panel, 380 x 274 cm Museo Diocesano, Cortona . circa 1320. Pietro Lorenzetti (1280–1348) Alternative names Pietro Laurati Description Italian painter Date of birth/death circa 1280 circa 1348 Location of birth/death Siena Siena Work period circa 1306–circa 1345 Work location Siena Authority control : Q309635 VIAF: 172313064 ISNI: 0000 0001 2247 7537 ULAN: 500030946 LCCN: n86142480 WGA: LORENZETTI, Pietro WorldCat 996 Pietro lorenzetti, crocifisso, dettaglio 02
Crucifix 1320 by Pietro Lorenzetti Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crucifix-1320-by-pietro-lorenzetti-image557615063.htmlRM2RB5FKK–Crucifix 1320 by Pietro Lorenzetti
Detail view. Head Of A Franciscan, 1319-47. Pietro Lorenzetti Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detail-view-head-of-a-franciscan-1319-47-pietro-lorenzetti-image551024538.htmlRM2R0D9BP–Detail view. Head Of A Franciscan, 1319-47. Pietro Lorenzetti
The Crucifixion, 1340s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-crucifixion-1340s-image336841758.htmlRM2AG0D2P–The Crucifixion, 1340s.
Giovanni Battista Cecchi (Engraver) Pietro Lorenzetti. etching 1770-1815 , 1770/1815 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giovanni-battista-cecchi-engraver-pietro-lorenzetti-etching-1770-1815-17701815-image573033276.htmlRM2T87WP4–Giovanni Battista Cecchi (Engraver) Pietro Lorenzetti. etching 1770-1815 , 1770/1815
Pietro Lorenzetti (Italian, active c. 1306 - probably 1348), Madonna and Child with Saint Mary Magdalene and Saint reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pietro-lorenzetti-italian-active-c-1306-probably-1348-madonna-and-child-with-saint-mary-magdalene-and-saint-reimagined-image230425068.htmlRFRATNEM–Pietro Lorenzetti (Italian, active c. 1306 - probably 1348), Madonna and Child with Saint Mary Magdalene and Saint reimagined
The Apostles Saint Andrew and Saint James the Lesser, with a Prophet. Artist: Pietro Lorenzetti, Italian, Siena, active ca. 1306–1348 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-apostles-saint-andrew-and-saint-james-the-lesser-with-aprophet-artist-pietro-lorenzetti-italian-siena-active-ca-13061348-image463088682.htmlRM2HWBE9E–The Apostles Saint Andrew and Saint James the Lesser, with a Prophet. Artist: Pietro Lorenzetti, Italian, Siena, active ca. 1306–1348
Pietro lorenzetti, madonna col bambino, san nicola di bari, elia e angeli, chiesa del carmine, siena, 1329, 171x161cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pietro-lorenzetti-madonna-col-bambino-san-nicola-di-bari-elia-e-angeli-140394721.htmlRMJ4BEW5–Pietro lorenzetti, madonna col bambino, san nicola di bari, elia e angeli, chiesa del carmine, siena, 1329, 171x161cm
Photo production of the fresco de hermits in the desert to Pietro Lorenzetti in the Camposanto in Pisa, Italy, Fratelli Alinari, after Pietro Lorenzetti, 1857 - 1900 photograph Pisapublisher: Florence cardboard. paper albumen print picture, painting Campaign Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photo-production-of-the-fresco-de-hermits-in-the-desert-to-pietro-lorenzetti-in-the-camposanto-in-pisa-italy-fratelli-alinari-after-pietro-lorenzetti-1857-1900-photograph-pisapublisher-florence-cardboard-paper-albumen-print-picture-painting-campaign-image590903718.htmlRM2W99YM6–Photo production of the fresco de hermits in the desert to Pietro Lorenzetti in the Camposanto in Pisa, Italy, Fratelli Alinari, after Pietro Lorenzetti, 1857 - 1900 photograph Pisapublisher: Florence cardboard. paper albumen print picture, painting Campaign
Milan, Pietro Lorenzetti walking with his wife in the center Professor Pietro Lorenzetti, renowned plastic surgeon who has several studies throughout Italy, often frequents Barbara D'Urso's living room on Sunday Live on channel 5 when ALBERICO LEMME, discussed the character who always argues for his method of slimming with his diets (several characters from the world of entertainment have entrusted to him, primarily Silvio Berlusconi and Briatore). He is surprised to walk through the streets of the quadrilateral while curious among the showrooms of the boutiques, along with his wife and a frie Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-milan-pietro-lorenzetti-walking-with-his-wife-in-the-center-professor-162185477.htmlRMKBT56D–Milan, Pietro Lorenzetti walking with his wife in the center Professor Pietro Lorenzetti, renowned plastic surgeon who has several studies throughout Italy, often frequents Barbara D'Urso's living room on Sunday Live on channel 5 when ALBERICO LEMME, discussed the character who always argues for his method of slimming with his diets (several characters from the world of entertainment have entrusted to him, primarily Silvio Berlusconi and Briatore). He is surprised to walk through the streets of the quadrilateral while curious among the showrooms of the boutiques, along with his wife and a frie
The Crucifixion 1340s Pietro Lorenzetti Italian One of the great innovators of European painting, Pietro Lorenzetti imbued this familiar biblical subject with a new sense of pathos and dramatic intensity. Details such as the piercing of Christ's side with a spear, the breaking of the legs of the thieves, and the Virgin swooning into the arms of her companions ensure an emotional response from the viewer. A century later, Van Eyck, in his painting in The Met, added to these pictorial strategies the extraordinary naturalism of a landscape setting replacing the gold ground of Italian painting and Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-crucifixion-1340s-pietro-lorenzetti-italian-one-of-the-great-innovators-of-european-painting-pietro-lorenzetti-imbued-this-familiar-biblical-subject-with-a-new-sense-of-pathos-and-dramatic-intensity-details-such-as-the-piercing-of-christs-side-with-a-spear-the-breaking-of-the-legs-of-the-thieves-and-the-virgin-swooning-into-the-arms-of-her-companions-ensure-an-emotional-response-from-the-viewer-a-century-later-van-eyck-in-his-painting-in-the-met-added-to-these-pictorial-strategies-the-extraordinary-naturalism-of-a-landscape-setting-replacing-the-gold-ground-of-italian-painting-and-image458162453.htmlRM2HHB2TN–The Crucifixion 1340s Pietro Lorenzetti Italian One of the great innovators of European painting, Pietro Lorenzetti imbued this familiar biblical subject with a new sense of pathos and dramatic intensity. Details such as the piercing of Christ's side with a spear, the breaking of the legs of the thieves, and the Virgin swooning into the arms of her companions ensure an emotional response from the viewer. A century later, Van Eyck, in his painting in The Met, added to these pictorial strategies the extraordinary naturalism of a landscape setting replacing the gold ground of Italian painting and
Madonna col Bambino - tempera su tavola - Pietro Lorenzetti - XIV secolo - Buonconvento (Si) ,Italia, Museo Civico d’Arte Sacra Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-col-bambino-tempera-su-tavola-pietro-lorenzetti-xiv-secolo-buonconvento-si-italia-museo-civico-darte-sacra-image469993877.htmlRF2J8J1YH–Madonna col Bambino - tempera su tavola - Pietro Lorenzetti - XIV secolo - Buonconvento (Si) ,Italia, Museo Civico d’Arte Sacra
Madonna and Child about 1450 Sano di Pietro (Ansano di Pietro di Mencio) Italian With their faces gently pressed together, the interaction between the Virgin and Christ Child evokes a tender intimacy. This motif appears in numerous works by Sano di Pietro and his workshop (for example, in another painting in the Lehman Collection, 1975.1.39). The particular manner of concealing the Christ Child’s right cheek behind the Virgin’s face was probably inspired by a celebrated Madonna painted by the Sienese master Ambrogio Lorenzetti (Pinacoteca Nazionale, Siena). Sano was a popular and highly prolif Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-and-child-about-1450-sano-di-pietro-ansano-di-pietro-di-mencio-italian-with-their-faces-gently-pressed-together-the-interaction-between-the-virgin-and-christ-child-evokes-a-tender-intimacy-this-motif-appears-in-numerous-works-by-sano-di-pietro-and-his-workshop-for-example-in-another-painting-in-the-lehman-collection-1975139-the-particular-manner-of-concealing-the-christ-childs-right-cheek-behind-the-virgins-face-was-probably-inspired-by-a-celebrated-madonna-painted-by-the-sienese-master-ambrogio-lorenzetti-pinacoteca-nazionale-siena-sano-was-a-popular-and-highly-prolif-image458542447.htmlRM2HJ0BFY–Madonna and Child about 1450 Sano di Pietro (Ansano di Pietro di Mencio) Italian With their faces gently pressed together, the interaction between the Virgin and Christ Child evokes a tender intimacy. This motif appears in numerous works by Sano di Pietro and his workshop (for example, in another painting in the Lehman Collection, 1975.1.39). The particular manner of concealing the Christ Child’s right cheek behind the Virgin’s face was probably inspired by a celebrated Madonna painted by the Sienese master Ambrogio Lorenzetti (Pinacoteca Nazionale, Siena). Sano was a popular and highly prolif
San Donato , particolare del polittico - tempera su tavola - Pietro Lorenzetti - 1320 - Arezzo, Italia, chiesa di S. Maria della Pieve Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/san-donato-particolare-del-polittico-tempera-su-tavola-pietro-lorenzetti-1320-arezzo-italia-chiesa-di-s-maria-della-pieve-image469659500.htmlRF2J82RDG–San Donato , particolare del polittico - tempera su tavola - Pietro Lorenzetti - 1320 - Arezzo, Italia, chiesa di S. Maria della Pieve
Europe, Italy, Tuscany, Italian Gothic Basilica di San Francesco (Basilica of San Francesco) in Historic Center of Arezzo. Polyptych by Pietro Lorenze Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/europe-italy-tuscany-italian-gothic-basilica-di-san-francesco-basilica-of-san-francesco-in-historic-center-of-arezzo-polyptych-by-pietro-lorenze-image405222988.htmlRM2EF7E1G–Europe, Italy, Tuscany, Italian Gothic Basilica di San Francesco (Basilica of San Francesco) in Historic Center of Arezzo. Polyptych by Pietro Lorenze
San Pietro - tempera su tavola - Ambrogio Lorenzetti - prima metà del XIV secolo - Montalcino (Si),Italia, Museo Diocesano d’Arte Sacra Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/san-pietro-tempera-su-tavola-ambrogio-lorenzetti-prima-met-del-xiv-secolo-montalcino-siitalia-museo-diocesano-darte-sacra-image469666811.htmlRF2J834PK–San Pietro - tempera su tavola - Ambrogio Lorenzetti - prima metà del XIV secolo - Montalcino (Si),Italia, Museo Diocesano d’Arte Sacra
The Entry of Christ into Jerusalem (Fresco of the Basilica of San Francesco d'Assisi). Museum: Basilika San Francesco, Assisi. Author: LORENZETTI, PIETRO. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-entry-of-christ-into-jerusalem-fresco-of-the-basilica-of-san-francesco-dassisi-museum-basilika-san-francesco-assisi-author-lorenzetti-pietro-image231674647.htmlRMRCWKAF–The Entry of Christ into Jerusalem (Fresco of the Basilica of San Francesco d'Assisi). Museum: Basilika San Francesco, Assisi. Author: LORENZETTI, PIETRO.
Pietro Lorenzetti - Resurrection - WGA13521 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pietro-lorenzetti-resurrection-wga13521-134710981.htmlRMHR4H6D–Pietro Lorenzetti - Resurrection - WGA13521
Pietro lorenzetti, sant'agnese. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pietro-lorenzetti-santagnese-image413138256.htmlRM2F0421M–Pietro lorenzetti, sant'agnese.
. English: Painted after 1342 with tempera on wood with gold ground . 22 May 2011. Pietro Lorenzetti (1280–1348) Alternative names Pietro Laurati Description Italian painter Date of birth/death circa 1280 circa 1348 Location of birth/death Siena Siena Work period circa 1306–circa 1345 Work location Siena Authority control : Q309635 VIAF: 172313064 ISNI: 0000 0001 2247 7537 ULAN: 500030946 LCCN: n86142480 WGA: LORENZETTI, Pietro WorldCat 996 Pietro Lorenzetti-Saint Catherine of Alexandria Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-painted-after-1342-with-tempera-on-wood-with-gold-ground-22-may-2011-pietro-lorenzetti-12801348-alternative-names-pietro-laurati-description-italian-painter-date-of-birthdeath-circa-1280-circa-1348-location-of-birthdeath-siena-siena-work-period-circa-1306circa-1345-work-location-siena-authority-control-q309635-viaf172313064-isni0000-0001-2247-7537-ulan500030946-lccnn86142480-wgalorenzetti-pietro-worldcat-996-pietro-lorenzetti-saint-catherine-of-alexandria-image185546369.htmlRMMNTA81–. English: Painted after 1342 with tempera on wood with gold ground . 22 May 2011. Pietro Lorenzetti (1280–1348) Alternative names Pietro Laurati Description Italian painter Date of birth/death circa 1280 circa 1348 Location of birth/death Siena Siena Work period circa 1306–circa 1345 Work location Siena Authority control : Q309635 VIAF: 172313064 ISNI: 0000 0001 2247 7537 ULAN: 500030946 LCCN: n86142480 WGA: LORENZETTI, Pietro WorldCat 996 Pietro Lorenzetti-Saint Catherine of Alexandria
Madonna with Chid by Pietro Lorenzetti Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-with-chid-by-pietro-lorenzetti-image557615048.htmlRM2RB5FK4–Madonna with Chid by Pietro Lorenzetti
S. Giovanni Evangelista , particolare del polittico - tempera su tavola - Pietro Lorenzetti - 1320 - Arezzo, Italia,chiesa di S. Maria della Pieve Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/s-giovanni-evangelista-particolare-del-polittico-tempera-su-tavola-pietro-lorenzetti-1320-arezzo-italiachiesa-di-s-maria-della-pieve-image469659466.htmlRF2J82RCA–S. Giovanni Evangelista , particolare del polittico - tempera su tavola - Pietro Lorenzetti - 1320 - Arezzo, Italia,chiesa di S. Maria della Pieve
Head Of A Franciscan, 1319-47. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/head-of-a-franciscan-1319-47-image415180371.htmlRM2F3D2PB–Head Of A Franciscan, 1319-47.
Perugia Italy April 24 2022: The abbey complex of San Pietro has three monumental cloisters. The first, with a sober architectural layout Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/perugia-italy-april-24-2022-the-abbey-complex-of-san-pietro-has-three-monumental-cloisters-the-first-with-a-sober-architectural-layout-image469264196.htmlRF2J7CR7G–Perugia Italy April 24 2022: The abbey complex of San Pietro has three monumental cloisters. The first, with a sober architectural layout
Pietro Lorenzetti (Italian, active c. 1306 - probably 1348), Madonna and Child with Saint Mary Magdalene and Saint reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pietro-lorenzetti-italian-active-c-1306-probably-1348-madonna-and-child-with-saint-mary-magdalene-and-saint-reimagined-image230037167.htmlRFRA72N3–Pietro Lorenzetti (Italian, active c. 1306 - probably 1348), Madonna and Child with Saint Mary Magdalene and Saint reimagined
![A history of painting in Italy : Umbria, Florence and Siena from the second to the sixteenth century . II.] PIETRO LORENZETTI 93 In the days when this altarpiece was produced, Pietro was atrue follower of Duccio; he represents the Child pulling at thered cloth which partly covers Him, the sky as a firmament ofgold, the draperies streaked in light with gold, the slippersOriental in shape and embroidery—all of which is characteristicof Duccio.^ The most important as well as the oldest authentic creation ofPietro Lorenzetti is the great altarpiece which was ordered by GuidoTarlati, Bishop of Arez Stock Photo](https://c8.alamy.com/comp/2AM72FN/a-history-of-painting-in-italy-umbria-florence-and-siena-from-the-second-to-the-sixteenth-century-ii-pietro-lorenzetti-93-in-the-days-when-this-altarpiece-was-produced-pietro-was-atrue-follower-of-duccio-he-represents-the-child-pulling-at-thered-cloth-which-partly-covers-him-the-sky-as-a-firmament-ofgold-the-draperies-streaked-in-light-with-gold-the-slippersoriental-in-shape-and-embroideryall-of-which-is-characteristicof-duccio-the-most-important-as-well-as-the-oldest-authentic-creation-ofpietro-lorenzetti-is-the-great-altarpiece-which-was-ordered-by-guidotarlati-bishop-of-arez-2AM72FN.jpg "A history of painting in Italy : Umbria, Florence and Siena from the second to the sixteenth century . II.] PIETRO LORENZETTI 93 In the days when this altarpiece was produced, Pietro was atrue follower of Duccio; he represents the Child pulling at thered cloth which partly covers Him, the sky as a firmament ofgold, the draperies streaked in light with gold, the slippersOriental in shape and embroidery—all of which is characteristicof Duccio.^ The most important as well as the oldest authentic creation ofPietro Lorenzetti is the great altarpiece which was ordered by GuidoTarlati, Bishop of Arez Stock Photo")
A history of painting in Italy : Umbria, Florence and Siena from the second to the sixteenth century . II.] PIETRO LORENZETTI 93 In the days when this altarpiece was produced, Pietro was atrue follower of Duccio; he represents the Child pulling at thered cloth which partly covers Him, the sky as a firmament ofgold, the draperies streaked in light with gold, the slippersOriental in shape and embroidery—all of which is characteristicof Duccio.^ The most important as well as the oldest authentic creation ofPietro Lorenzetti is the great altarpiece which was ordered by GuidoTarlati, Bishop of Arez Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-history-of-painting-in-italy-umbria-florence-and-siena-from-the-second-to-the-sixteenth-century-ii-pietro-lorenzetti-93-in-the-days-when-this-altarpiece-was-produced-pietro-was-atrue-follower-of-duccio-he-represents-the-child-pulling-at-thered-cloth-which-partly-covers-him-the-sky-as-a-firmament-ofgold-the-draperies-streaked-in-light-with-gold-the-slippersoriental-in-shape-and-embroideryall-of-which-is-characteristicof-duccio-the-most-important-as-well-as-the-oldest-authentic-creation-ofpietro-lorenzetti-is-the-great-altarpiece-which-was-ordered-by-guidotarlati-bishop-of-arez-image339445785.htmlRM2AM72FN–A history of painting in Italy : Umbria, Florence and Siena from the second to the sixteenth century . II.] PIETRO LORENZETTI 93 In the days when this altarpiece was produced, Pietro was atrue follower of Duccio; he represents the Child pulling at thered cloth which partly covers Him, the sky as a firmament ofgold, the draperies streaked in light with gold, the slippersOriental in shape and embroidery—all of which is characteristicof Duccio.^ The most important as well as the oldest authentic creation ofPietro Lorenzetti is the great altarpiece which was ordered by GuidoTarlati, Bishop of Arez
Pietro Lorenzetti - Virgin and Child with Saints and Angels - Walters 37731 - Detail A Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-pietro-lorenzetti-virgin-and-child-with-saints-and-angels-walters-165981125.htmlRMKJ12H9–Pietro Lorenzetti - Virgin and Child with Saints and Angels - Walters 37731 - Detail A
The Crucifixion, ca. 1420–23, Tempera on wood, gold ground, 25 1/8 x 19 in. (63.8 x 48.3 cm), Paintings, Fra Angelico (Guido di Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-crucifixion-ca-142023-tempera-on-wood-gold-ground-25-18-x-19-in-162537162.htmlRMKCC5PJ–The Crucifixion, ca. 1420–23, Tempera on wood, gold ground, 25 1/8 x 19 in. (63.8 x 48.3 cm), Paintings, Fra Angelico (Guido di
Milan, Pietro Lorenzetti walking with his wife in the center Professor Pietro Lorenzetti, renowned plastic surgeon who has several studies throughout Italy, often frequents Barbara D'Urso's living room on Sunday Live on channel 5 when ALBERICO LEMME, discussed the character who always argues for his method of slimming with his diets (several characters from the world of entertainment have entrusted to him, primarily Silvio Berlusconi and Briatore). He is surprised to walk through the streets of the quadrilateral while curious among the showrooms of the boutiques, along with his wife and a frie Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-milan-pietro-lorenzetti-walking-with-his-wife-in-the-center-professor-162185486.htmlRMKBT56P–Milan, Pietro Lorenzetti walking with his wife in the center Professor Pietro Lorenzetti, renowned plastic surgeon who has several studies throughout Italy, often frequents Barbara D'Urso's living room on Sunday Live on channel 5 when ALBERICO LEMME, discussed the character who always argues for his method of slimming with his diets (several characters from the world of entertainment have entrusted to him, primarily Silvio Berlusconi and Briatore). He is surprised to walk through the streets of the quadrilateral while curious among the showrooms of the boutiques, along with his wife and a frie
Italy, Tuscany, Cortona, Museo Diocesano, crucifix, medium close-up, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-italy-tuscany-cortona-museo-diocesano-crucifix-medium-close-up-146443279.htmlRMJE71W3–Italy, Tuscany, Cortona, Museo Diocesano, crucifix, medium close-up,
Siena, Italy Fresco of Santa Maria Al Carmine , 1913 - Balkans, Italy - Jean Brunhes and Auguste Léon - (September - October 23) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/siena-italy-fresco-of-santa-maria-al-carmine-1913-balkans-italy-jean-brunhes-and-auguste-lon-september-october-23-image515264359.htmlRM2MX88XF–Siena, Italy Fresco of Santa Maria Al Carmine , 1913 - Balkans, Italy - Jean Brunhes and Auguste Léon - (September - October 23)
OLYMPUS DIGITAL CAMERA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/olympus-digital-camera-image566644569.htmlRM2RWTTX1–OLYMPUS DIGITAL CAMERA
Piazza Superiore di San Francesco Basilica Assisi Umbria Italy Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piazza-superiore-di-san-francesco-basilica-assisi-umbria-italy-europe-image1635739.htmlRMASF59C–Piazza Superiore di San Francesco Basilica Assisi Umbria Italy Europe
Italy Tuscany Arezzo church Santa Maria della Pieve altar Marien-Polyptych visitor construction historically architecture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-italy-tuscany-arezzo-church-santa-maria-della-pieve-altar-marien-polyptych-23127980.htmlRMB9HFY8–Italy Tuscany Arezzo church Santa Maria della Pieve altar Marien-Polyptych visitor construction historically architecture
Madonna with Chid. Tempera on Panel. Height: 71 mm (2.79 in); Width: 47 mm (1.85 in). Author: LORENZETTI, PIETRO. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-with-chid-tempera-on-panel-height-71-mm-279-in-width-47-mm-185-in-author-lorenzetti-pietro-image219730982.htmlRMPNDH32–Madonna with Chid. Tempera on Panel. Height: 71 mm (2.79 in); Width: 47 mm (1.85 in). Author: LORENZETTI, PIETRO.
Pietro Lorenzetti - Crucifix - WGA13531 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pietro-lorenzetti-crucifix-wga13531-134661775.htmlRMHR2AD3–Pietro Lorenzetti - Crucifix - WGA13531
Pietro lorenzetti, crocifisso. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pietro-lorenzetti-crocifisso-image413138204.htmlRM2F041YT–Pietro lorenzetti, crocifisso.
. Pietro Lorenzetti, Annunciation di Polittico di Santa Maria della Pieve ad Arezzo. . 1320. Pietro Lorenzetti (1280–1348) Alternative names Pietro Laurati Description Italian painter Date of birth/death circa 1280 circa 1348 Location of birth/death Siena Siena Work period circa 1306–circa 1345 Work location Siena Authority control : Q309635 VIAF: 172313064 ISNI: 0000 0001 2247 7537 ULAN: 500030946 LCCN: n86142480 WGA: LORENZETTI, Pietro WorldCat 996 Pietro Lorenzetti Pieve di santa Maria Arezzo Annunciation Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pietro-lorenzetti-annunciation-di-polittico-di-santa-maria-della-pieve-ad-arezzo-1320-pietro-lorenzetti-12801348-alternative-names-pietro-laurati-description-italian-painter-date-of-birthdeath-circa-1280-circa-1348-location-of-birthdeath-siena-siena-work-period-circa-1306circa-1345-work-location-siena-authority-control-q309635-viaf172313064-isni0000-0001-2247-7537-ulan500030946-lccnn86142480-wgalorenzetti-pietro-worldcat-996-pietro-lorenzetti-pieve-di-santa-maria-arezzo-annunciation-image185546336.htmlRMMNTA6T–. Pietro Lorenzetti, Annunciation di Polittico di Santa Maria della Pieve ad Arezzo. . 1320. Pietro Lorenzetti (1280–1348) Alternative names Pietro Laurati Description Italian painter Date of birth/death circa 1280 circa 1348 Location of birth/death Siena Siena Work period circa 1306–circa 1345 Work location Siena Authority control : Q309635 VIAF: 172313064 ISNI: 0000 0001 2247 7537 ULAN: 500030946 LCCN: n86142480 WGA: LORENZETTI, Pietro WorldCat 996 Pietro Lorenzetti Pieve di santa Maria Arezzo Annunciation
Crucifixion 1337 by Pietro Lorenzetti Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crucifixion-1337-by-pietro-lorenzetti-image557615068.htmlRM2RB5FKT–Crucifixion 1337 by Pietro Lorenzetti
Madonna col Bambino, particolare del polittico - tempera su tavola - Pietro Lorenzetti - 1320 - Arezzo, Italia,chiesa di S. Maria della Pieve Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-col-bambino-particolare-del-polittico-tempera-su-tavola-pietro-lorenzetti-1320-arezzo-italiachiesa-di-s-maria-della-pieve-image469659462.htmlRF2J82RC6–Madonna col Bambino, particolare del polittico - tempera su tavola - Pietro Lorenzetti - 1320 - Arezzo, Italia,chiesa di S. Maria della Pieve
![Saint Mary Magdalene, with an Angel [left panel], probably 1340. Stock Photo](https://c8.alamy.com/comp/2F3CTCB/saint-mary-magdalene-with-an-angel-left-panel-probably-1340-2F3CTCB.jpg "Saint Mary Magdalene, with an Angel [left panel], probably 1340. Stock Photo")
Saint Mary Magdalene, with an Angel [left panel], probably 1340. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-mary-magdalene-with-an-angel-left-panel-probably-1340-image415175387.htmlRM2F3CTCB–Saint Mary Magdalene, with an Angel [left panel], probably 1340.
Perugia Italy April 24 2022: The abbey complex of San Pietro has three monumental cloisters. The first, with a sober architectural layout Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/perugia-italy-april-24-2022-the-abbey-complex-of-san-pietro-has-three-monumental-cloisters-the-first-with-a-sober-architectural-layout-image469264203.htmlRF2J7CR7R–Perugia Italy April 24 2022: The abbey complex of San Pietro has three monumental cloisters. The first, with a sober architectural layout
Pietro Lorenzetti, Italian (active c. 1306-probably 1348), Madonna and Child with Saint Mary Magdalene and Saint reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pietro-lorenzetti-italian-active-c-1306-probably-1348-madonna-and-child-with-saint-mary-magdalene-and-saint-reimagined-image230432316.htmlRFRAW2NG–Pietro Lorenzetti, Italian (active c. 1306-probably 1348), Madonna and Child with Saint Mary Magdalene and Saint reimagined
History of art . PiETRO LoRENZETTi, The dcscent from the Cross, fresco.{Lower Church, Assisi.) tortures—we witness a veritable furor of remorse. . .Siena obstinately allowed herself to sink deeper anddeeper into a sickly resolve to die without a struggle. Of all the Italian cities she had always been themost violent, the one that had known the greatestsuffering in civil war and had been most frequentlydevastated by the military conflicts of the north andsouth, between which she was caught. She retainedthe hardness of the age of iron in Italy. Her artists 424 MEDIAEVAL ART saw Giotto, but touch Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-art-pietro-lorenzetti-the-dcscent-from-the-cross-frescolower-church-assisi-tortureswe-witness-a-veritable-furor-of-remorse-siena-obstinately-allowed-herself-to-sink-deeper-anddeeper-into-a-sickly-resolve-to-die-without-a-struggle-of-all-the-italian-cities-she-had-always-been-themost-violent-the-one-that-had-known-the-greatestsuffering-in-civil-war-and-had-been-most-frequentlydevastated-by-the-military-conflicts-of-the-north-andsouth-between-which-she-was-caught-she-retainedthe-hardness-of-the-age-of-iron-in-italy-her-artists-424-mediaeval-art-saw-giotto-but-touch-image338269274.htmlRM2AJ9DWE–History of art . PiETRO LoRENZETTi, The dcscent from the Cross, fresco.{Lower Church, Assisi.) tortures—we witness a veritable furor of remorse. . .Siena obstinately allowed herself to sink deeper anddeeper into a sickly resolve to die without a struggle. Of all the Italian cities she had always been themost violent, the one that had known the greatestsuffering in civil war and had been most frequentlydevastated by the military conflicts of the north andsouth, between which she was caught. She retainedthe hardness of the age of iron in Italy. Her artists 424 MEDIAEVAL ART saw Giotto, but touch
