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RF2HW6D5F–Art inspired by Interior of a Church (Liber Studiorum, part XIV, plate 70), January 1, 1819, Etching and mezzotint; first state of five (Finberg), plate: 7 x 10 11/16 in. (17.8 x 27.1 cm), Prints, Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2F6TKNX–Author: Joseph Mallord William Turner. The Frontspiece to Liber Studiorum - published May 23, 1812 - Joseph Mallord William Turner (English,
RMPNEP3P–Mer de Glace - Valley of Chamonix - Savoy, from the Liber Studiorum. Date/Period: 1812. Print. Mezzotint and etching in sepia-color ink. Height: 216 mm (8.50 in); Width: 293 mm (11.53 in). Author: J. M. W. Turner. TURNER, JOSEPH MALLORD WILLIAM.
RM2CN11H2–Joseph Mallord William Turner - Mer de Glace - Valley of Chamonix - Savoy, from the Liber Studiorum
RMTX3NA2–Frontispiece; England, 1812 Series: Liber Studiorum, Part X Prints; etchings Etching and drypoint 8 5/16 x 11 1/2 in. (21.11 x 29.21 cm) Gift of Mr. and Mrs. Martin Medak (AC1992.113.1) Prints and Drawings; 1812date QS:P571,+1812-00-00T00:00:00Z/9;
RM2BCYR8C–Dunstanburgh Castle from Liber Studiorum part III. Research in ProgressFirst of three states. Dunstanburgh Castle from Liber Studiorum part III
RM2B8G9T4–'Frontispiece; English: England, 1812 Series: Liber Studiorum, Part X Prints; etchings Etching, drypoint, and mezzotint 8 3/8 x 11 9/16 in. (21.27 x 29.37 cm) Gift of Mr. and Mrs. Martin Medak (AC1992.113.2) Prints and Drawings; 1812date QS:P571,+1812-00-00T00:00:00Z/9; '
RF2HTFX3Y–Joseph Mallord William Turner - Mer de Glace - Valley of Chamonix - Savoy, from the Liber Studiorum
RM2ANFAME–Indiana university, 1820-1904; historical sketch, development of the course of instruction, bibliography . DEPARTMENT OF FIXE ARTS - A Part of the Lecture and Drawing Room artists of repute. The collection contains wood and metal engravings, andetchings by Albert Diirer, Marc Antonio Raimondi, Hollar, Richard Earlom,Prout, Harding and John Lewis, Hogarth, and many others. In additionto these, all of them original works of first-rate quality, there are a numberof the peerless landscapes from Turners Liber Studiorum; these representthe rare etchings for this work, and several states of the compl
RF2HW6CXR–Art inspired by The Frontispiece to Liber Studiorum, May 1812, Etching and mezzotint; first state of five (Finberg), plate: 7 7/16 x 10 1/2 in. (18.9 x 26.7 cm), Prints, Designed, etched and engraved by Joseph Mallord William Turner (British, London 1775–1851 London), Turner created, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2F6TKKH–Author: Joseph Mallord William Turner. The Woman and Tambourine, plate 3 from Liber Studiorum - published 1807 - Joseph Mallord William Turner
RMRXJYXB–The Woman and Tambourine, plate 3 from Liber Studiorum. Joseph Mallord William Turner (English, 1775-1851); Engraved by Charles Turner (English, 1773-1857). Date: 1807. Dimensions: 183 × 266 mm (image); 208 × 290 mm (plate); 267 × 283 mm (sheet). Etching and engraving in brown on ivory laid paper. Origin: England. Museum: The Chicago Art Institute.
RMHTHK3F–Little Devil's Bridge over the Russ, above Altdorft, Swiss-d, from Liber Studiorum, part IV
RM2E0YNA7–Little Devil's Bridge over the Russ, above Altdorft, Swiss-d, from Liber Studiorum, part IV.
RMTX3N8P–Frontispiece; England, 1812 Series: Liber Studiorum, Part X Prints; etchings Etching, drypoint, and mezzotint 8 3/8 x 11 9/16 in. (21.27 x 29.37 cm) Gift of Mr. and Mrs. Martin Medak (AC1992.113.2) Prints and Drawings; 1812date QS:P571,+1812-00-00T00:00:00Z/9;
![Morpeth Northumberland from the Liber Studiorum. Morpeth North[umberland] depicts a town street crossing a stone bridge. In the distance is a ruined square tower on a hill. In the right foreground, workmen plaster the end wall of a house. Stock Photo](https://c8.alamy.com/comp/2BF618H/morpeth-northumberland-from-the-liber-studiorum-morpeth-north-umberland-depicts-a-town-street-crossing-a-stone-bridge-in-the-distance-is-a-ruined-square-tower-on-a-hill-in-the-right-foreground-workmen-plaster-the-end-wall-of-a-house-2BF618H.jpg "Morpeth Northumberland from the Liber Studiorum. Morpeth North[umberland] depicts a town street crossing a stone bridge. In the distance is a ruined square tower on a hill. In the right foreground, workmen plaster the end wall of a house. Stock Photo")
RM2BF618H–Morpeth Northumberland from the Liber Studiorum. Morpeth North[umberland] depicts a town street crossing a stone bridge. In the distance is a ruined square tower on a hill. In the right foreground, workmen plaster the end wall of a house.
RM2B8G9R0–'Frontispiece; English: England, 1812 Series: Liber Studiorum, Part X Prints; etchings Etching and drypoint 8 5/16 x 11 1/2 in. (21.11 x 29.21 cm) Gift of Mr. and Mrs. Martin Medak (AC1992.113.1) Prints and Drawings; 1812date QS:P571,+1812-00-00T00:00:00Z/9; '
![The works of John Ruskin . ortion is covered by the mount.- See note below,p. 142, where an engraving of the example is given (Plate XXXVI.).] 6 [This example was No. 35 in the Catalogue of Examples, which reads:— Isis. The etching (by Turners own hand on the copper) for the Libersubject.For a list of examples from the Liber Studiorum, see Index.] 7 [Otherwise known as The Stork and Aqueduct, which example, however,was afterwards removed; the frame now contains the etching of Mill near theChartreuse.] 8 [This is the etching (given in Plate C, Vol. XX. p. 156) for the unpublishedplate (intended Stock Photo](https://c8.alamy.com/comp/2AKP1P3/the-works-of-john-ruskin-ortion-is-covered-by-the-mount-see-note-belowp-142-where-an-engraving-of-the-example-is-given-plate-xxxvi-6-this-example-was-no-35-in-the-catalogue-of-examples-which-reads-isis-the-etching-by-turners-own-hand-on-the-copper-for-the-libersubjectfor-a-list-of-examples-from-the-liber-studiorum-see-index-7-otherwise-known-as-the-stork-and-aqueduct-which-example-howeverwas-afterwards-removed-the-frame-now-contains-the-etching-of-mill-near-thechartreuse-8-this-is-the-etching-given-in-plate-c-vol-xx-p-156-for-the-unpublishedplate-intended-2AKP1P3.jpg "The works of John Ruskin . ortion is covered by the mount.- See note below,p. 142, where an engraving of the example is given (Plate XXXVI.).] 6 [This example was No. 35 in the Catalogue of Examples, which reads:— Isis. The etching (by Turners own hand on the copper) for the Libersubject.For a list of examples from the Liber Studiorum, see Index.] 7 [Otherwise known as The Stork and Aqueduct, which example, however,was afterwards removed; the frame now contains the etching of Mill near theChartreuse.] 8 [This is the etching (given in Plate C, Vol. XX. p. 156) for the unpublishedplate (intended Stock Photo")
RM2AKP1P3–The works of John Ruskin . ortion is covered by the mount.- See note below,p. 142, where an engraving of the example is given (Plate XXXVI.).] 6 [This example was No. 35 in the Catalogue of Examples, which reads:— Isis. The etching (by Turners own hand on the copper) for the Libersubject.For a list of examples from the Liber Studiorum, see Index.] 7 [Otherwise known as The Stork and Aqueduct, which example, however,was afterwards removed; the frame now contains the etching of Mill near theChartreuse.] 8 [This is the etching (given in Plate C, Vol. XX. p. 156) for the unpublishedplate (intended
RF2HW6D1C–Art inspired by Crypt of Kirkstall Abbey (Liber Studiorum, part VIII, plate 39), February 11, 1812, Etching, aquatint and mezzotint; second state of four, plate: 7 x 10 7/16 in. (17.8 x 26.5 cm), Prints, Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2F6TX51–Joseph Mallord William Turner. The Woman and Tambourine, plate 3 from Liber Studiorum-published 1807-Joseph Mallord William Turner (English,
RMRXJ1MM–Bridge and Cows, plate 2 from Liber Studiorum. Joseph Mallord William Turner (English, 1775-1851); Engraved by Charles Turner (English, 1773-1857). Date: 1807. Dimensions: 182 × 263 mm (image); 208 × 288 mm (plate); 287 × 383 mm (sheet). Etching and engraving in brown on ivory laid paper. Origin: England. Museum: The Chicago Art Institute.
RMHYF7WM–Joseph Mallord William Turner Mer de Glace Valley of Chamonix Savoy, from the Liber Studiorum Google Art Project
RMTXD8JY–The Fifth Plague of Egypt; England, 1808 Series: Liber Studiorum, Part III Prints; etchings Mezzotint and etching Plate: 8 1/8 x 11 3/8 in. (20.64 x 28.89 cm) Gift of Rabbi William M. Kramer (M.91.322.31) Prints and Drawings; 1808date QS:P571,+1808-00-00T00:00:00Z/9;
RM2AHT307–Joseph Mallord William Turner. The Frontspiece to Liber Studiorum. 1812. England. Etching and engraving in brown on ivory laid paper
RM2B94WTX–'The Fifth Plague of Egypt; England, 1808 Series: Liber Studiorum, Part III Prints; etchings Mezzotint and etching Plate: 8 1/8 x 11 3/8 in. (20.64 x 28.89 cm) Gift of Rabbi William M. Kramer (M.91.322.31) Prints and Drawings; 1808date QS:P571,+1808-00-00T00:00:00Z/9; '
RM2AKN70Y–The engraved work of JMWTurner, R.A. . mded, despite the inevitable reaction against Ruskins indis-criminating idolatry. Long ago Mr. Rawlinson earned our gratitude withhis masterly catalogue of the Liber Studiorum, recently revised. Nowhe has begun a catalogue, equally exhaustive, of the immense mass ofengravings after Tm-ners pictm-es and drawings. . Mr. Rawhnsonscatalogue is all that could be desired. He prefixes to it an excellentessay on Turners relations with the printsellers and engx-avers, whichnot only adds a good deal to what is known of Turners business methodsbut also explains the
RF2HW6D5W–Art inspired by Little Devil's Bridge over the Russ, above Altdorft, Switzerland (Liber Studiorum, part IV, plate 19), March 29, 1809, Etching and mezzotint; third state of three, plate: 7 x 10 1/4 in. (17.8 x 26 cm), Prints, Designed and etched by Joseph Mallord William Turner (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2F6TX93–Joseph Mallord William Turner. The Source of the Arveron, plate 60 from Liber Studiorum-published January 1, 1816-Joseph Mallord William Turner
RMRXMDBT–Procris and Cephalus, plate 41 from Liber Studiorum. Joseph Mallord William Turner (English, 1775-1851); Engraved by G. Clint (1770-1854). Date: 1812. Dimensions: 186 × 265 mm (image); 216 × 292 mm (plate); 296 × 443 mm (sheet). Etching and engraving in brown on off-white wove paper. Origin: England. Museum: The Chicago Art Institute.
RMTXDB0K–The Source of the Averon; England, 1816 Series: Liber Studiorum, Part XII Prints; etchings Etching and mezzotint Plate: 8 1/2 x 11 9/16 in. (21.59 x 29.37 cm) Gift of Gail and Stuart Buchalter in memory of Ethel Buchalter (M.91.131.1) Prints and Drawings; 1816date QS:P571,+1816-00-00T00:00:00Z/9;
RM2AHWGX3–Joseph Mallord William Turner. Morpeth, plate 21 from Liber Studiorum. 1809. England. Etching and engraving on ivory paper
RM2B950H7–'The Source of the Averon; England, 1816 Series: Liber Studiorum, Part XII Prints; etchings Etching and mezzotint Plate: 8 1/2 x 11 9/16 in. (21.59 x 29.37 cm) Gift of Gail and Stuart Buchalter in memory of Ethel Buchalter (M.91.131.1) Prints and Drawings; 1816date QS:P571,+1816-00-00T00:00:00Z/9; '
RM2H11K5B–Liber Studiorum: Watermill. Joseph Mallord William Turner (British, 1775-1851). Etching and mezzotint;
![The works of John Ruskin . mouni. The scene now known to all of us, but at that time un-frequented and scarcely ever penetrated into its recesses.Turner sketched it with extreme rapidity and far less thanhis usual accuracy, addressing himself only to show thereason of the name in the mass of ice arising like a crestedbreaker on the left. The aiguille drawing is illustratedat length in Modern Painters.* [1878.] 171. Pcestum.6 A collection of the Liber Studiorum would be incom-plete without showing the way in which Turner practised 1 [For Ruskins sojourn at Bonneville in 1863, and for his intend Stock Photo](https://c8.alamy.com/comp/2AKNPYH/the-works-of-john-ruskin-mouni-the-scene-now-known-to-all-of-us-but-at-that-time-un-frequented-and-scarcely-ever-penetrated-into-its-recessesturner-sketched-it-with-extreme-rapidity-and-far-less-thanhis-usual-accuracy-addressing-himself-only-to-show-thereason-of-the-name-in-the-mass-of-ice-arising-like-a-crestedbreaker-on-the-left-the-aiguille-drawing-is-illustratedat-length-in-modern-painters-1878-171-pcestum6-a-collection-of-the-liber-studiorum-would-be-incom-plete-without-showing-the-way-in-which-turner-practised-1-for-ruskins-sojourn-at-bonneville-in-1863-and-for-his-intend-2AKNPYH.jpg "The works of John Ruskin . mouni. The scene now known to all of us, but at that time un-frequented and scarcely ever penetrated into its recesses.Turner sketched it with extreme rapidity and far less thanhis usual accuracy, addressing himself only to show thereason of the name in the mass of ice arising like a crestedbreaker on the left. The aiguille drawing is illustratedat length in Modern Painters.* [1878.] 171. Pcestum.6 A collection of the Liber Studiorum would be incom-plete without showing the way in which Turner practised 1 [For Ruskins sojourn at Bonneville in 1863, and for his intend Stock Photo")
RM2AKNPYH–The works of John Ruskin . mouni. The scene now known to all of us, but at that time un-frequented and scarcely ever penetrated into its recesses.Turner sketched it with extreme rapidity and far less thanhis usual accuracy, addressing himself only to show thereason of the name in the mass of ice arising like a crestedbreaker on the left. The aiguille drawing is illustratedat length in Modern Painters.* [1878.] 171. Pcestum.6 A collection of the Liber Studiorum would be incom-plete without showing the way in which Turner practised 1 [For Ruskins sojourn at Bonneville in 1863, and for his intend
RF2HW6D44–Art inspired by The Source of the Arvaron in the Valley of Chamouni, Savoy (Liber Studiorum, part XII, plate 60), January 1, 1816, Etching and mezzotint; first state of three, plate: 7 3/4 x 10 5/8 in. (19.7 x 27 cm), Prints, Designed and engraved by Joseph Mallord William Turner (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2F6TM1T–Author: Joseph Mallord William Turner. The Source of the Arveron, plate 60 from Liber Studiorum - published January 1, 1816 - Joseph Mallord William
RMRXK9R6–The Mildmay Sea-Piece, plate 40 from Liber Studiorum. Joseph Mallord William Turner (English, 1775-1851); engraved by W. Annis and I.C. Easling. Date: 1812. Dimensions: 181 × 263 mm (image); 210.5 × 292 mm (plate); 293.5 × 443 mm (sheet). Etching and engraving in brown on ivory wove paper. Origin: England. Museum: The Chicago Art Institute.
RMTXD7RE–The Bridge in Middle Distance; England, 1808 Series: Liber Studiorum, Part III Edition: First edition Prints; etchings Etching, aquatint, and mezzotint in brown ink Sheet: 11 3/4 x 17 1/8 in. (29.85 x 43.5 cm); plate: 8 1/8 x 11 3/8 in. (20.64 x 28.89 cm) Gift of Mr. and Mrs. Gerald Oliven (M.79.3.2) Prints and Drawings; 1808date QS:P571,+1808-00-00T00:00:00Z/9;
RM2AHT32N–Joseph Mallord William Turner. Morpeth, plate 21 from Liber Studiorum. 1809. England. Etching and engraving on ivory laid paper
RM2B94W8K–'The Bridge in Middle Distance; English: England, 1808 Series: Liber Studiorum, Part III Edition: First edition Prints; etchings Etching, aquatint, and mezzotint in brown ink Sheet: 11 3/4 x 17 1/8 in. (29.85 x 43.5 cm); plate: 8 1/8 x 11 3/8 in. (20.64 x 28.89 cm) Gift of Mr. and Mrs. Gerald Oliven (M.79.3.2) Prints and Drawings; 1808date QS:P571,+1808-00-00T00:00:00Z/9; '
RM2AJDKKP–Academy notes . rers to the Royal Family, 3S & 30, OLD BOIVO STI^EET, London, W. Exhibition Medals 1851 and 1862 ; Dublin, 1865. Hors Concouis, Paris, 1878.Superior BRUSSELS, VELVET, SAXONY, and aU other CARPETS, /;/ the Ke^uest Designs. THE AUTOTYPE COMPANY. Now ready, price Four Guineas, the First Volume of AUTOTYPE FACSIMILES OF THE LIBER STUDIORUM OFJ. M. W. TURNER, R.A. With Preface and Commentaries on each Plate by the Rev. Stopford Brooke, M.A. The publication will be completed in Three Volumes, each containing Twenty-four Illustrations ;but single Plates, with the Commentary appertaini
RF2HW6D4G–Art inspired by Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53), May 12, 1814, Etching and mezzotint; first state of seven (Finberg), plate: 7 x 10 1/4 in. (17.8 x 26 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2F6W1C4–Author: Joseph Mallord William Turner. Aesacus and Hesperie, plate 66 from Liber Studiorum - published January 1, 1819 - Joseph Mallord William
RMRXJXG1–The Woman and Tambourine, plate 3 from Liber Studiorum. Joseph Mallord William Turner (English, 1775-1851); Engraved by Charles Turner (English, 1773-1857). Date: 1807. Dimensions: 183 × 266 mm (image); 207.5 × 290 mm (plate); 279.5 × 383.5 mm (primary support); 306 × 445 mm (secondary support). Etching and engraving in brown on ivory wove paper, laid down on ivory laid paper. Origin: England. Museum: The Chicago Art Institute.
RM2AHT35Y–Joseph Mallord William Turner. Solitute, plate 53 from Liber Studiorum. 1814. England. Etching and engraving on ivory laid paper
RM2H11K29–Liber Studiorum: Jason. Joseph Mallord William Turner (British, 1775-1851). Etching and mezzotint;
RM2AFPW0T–. The life of J. M. W. Turner, R.A.; founded on letters and papers furnished by his friends and fellow academicians. nd of this touching story, and it was engraved with somealterations in the c Liber Studiorum. f The Sandpit, with two cows on a bank and two men by afire, to parallel the quietness, is of I know not what date; norcan I affix a certain date to the unexhibited Squally Weather/representing a vessel stranded near a jetty, and boats in theforeground. Mr. White, of Brownlow Street, possesses a picture ex-hibited by Turner in 1801, when he was working hard, with allthe ardour and sensi
RF2HW6D6K–Art inspired by From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811, Etching and mezzotint; fourth state of four (Finberg), plate: 7 3/16 x 10 1/2 in. (18.3 x 26.7 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2F6TMYP–Author: Joseph Mallord William Turner. Bonneville, plate 64 from Liber Studiorum - published January 1, 1816 - Joseph Mallord William Turner
RMPATA5K–Crypt of Kirkstall Abbey (Liber Studiorum, part VIII, plate 39). Artist and publisher: Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: plate: 8 1/4 x 11 1/2 in. (21 x 29.1 cm). Date: February 11, 1812. Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. This is one of the few instances where he also developed the layers of tone, using aqua
RMRBYBT4–382968 Artist and publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Aesacus and Hesperie, Vide Ovid Metamorphosis, Book XI (Liber Studiorum, part XIII, plate 66), January 1, 1819, Etching and mezzotint; third state of six (Finberg), plate: 7 1/16 x 10 3/16 in. (17.9 x 25.9 cm) sheet: 8 5/16 x 11 1/2 in. (21.1 x 29.2 cm).
RM2AHRF36–Joseph Mallord William Turner. Crowhurst, plate 76 from Liber Studiorum. 1795–1851. England. Etching on ivory wove paper
RM2H11K13–Liber Studiorum: Vessels Unloading. Joseph Mallord William Turner (British, 1775-1851). Etching and mezzotint;
RM2AKNB90–The engraved work of JMWTurner, R.A. . THE ENGRAVED WORK OF J. M. W. TURNER, R.A. BY W. G. RAWLINSON AUTHOR OF turners LIBER STUDIORUM, A DESCRIPTIONAND A CATALOGUE VOL. I LINE ENGRA VINGS ON COPPER, 1794—1839 MACMILLAN AND CO., LIMITEDST. MARTINS STREET, LONDON1908 CHISWICK PRESS: CHARLES WHITTINGHAM AND CO.TOOKS COURT, CHANCERY LANE, LONDON. JHHGEITVCEmtK CONTENTS. PAGE PoETKAiT OF J. M. W. Turner, E.A., at the age of 18 To face Title. Preface vii Intr(Oduction . ix Explanatory Notes Ixxv Complete List op Engravings after Turner . IxxxvCatalogue Inde:x 175
RF2HW6D7M–Art inspired by Ben Arthur, Scotland (Liber Studiorum, part XIV, plate 69), January 1, 1819, Etching and mezzotint; third state of three (Finberg), plate: 7 1/4 x 10 9/16 in. (18.4 x 26.8 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2F6TTTJ–Joseph Mallord William Turner. The Frontispiece to Liber Studiorum-Published May 23, 1812-Joseph Mallord William Turner (English, 1775-1851) border
RMPB0KRK–Water Cress Gatherers ( (Liber Studiorum, part XIII). Artist: Designed and etched by Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: plate: 8 9/16 x 11 3/8 in. (21.7 x 28.9 cm). Date: 1819. Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Here we see his preliminary work on a plate that Thomas Lupton later completed in mezzotint. The ru
RM2AHTHXP–Joseph Mallord William Turner. Solitude, plate 53 from Liber Studiorum. 1814. England. Etching and engraving on cream wove paper
RM2H11K4G–Liber Studiorum: Morpeth North. Joseph Mallord William Turner (British, 1775-1851). Etching and mezzotint;
RM2AKNAK4–The engraved work of JMWTurner, R.A. . THE ENGRAVED WORK OF J. M. W. TURNER, R.A. BY W. G. RAWLINSON AUTHOR OF turners LIBER STUDIORUM, A DESCRIPTIONAND A CATALOGUE VOL. I LINE ENGRA VINGS ON COPPER, 1794—1839 MACMILLAN AND CO., LIMITEDST. MARTINS STREET, LONDON1908 CHISWICK PRESS: CHARLES WHITTINGHAM AND CO.TOOKS COURT, CHANCERY LANE, LONDON. JHHGEITVCEmtK CONTENTS. PAGE PoETKAiT OF J. M. W. Turner, E.A., at the age of 18 To face Title. Preface vii Intr(Oduction . ix Explanatory Notes Ixxv Complete List op Engravings after Turner . IxxxvCatalogue Inde:x 175. PREFACE I HAVE endeavoured in this
RF2HW6D37–Art inspired by Calm (Liber Studiorum, part IX, plate 44), April 23, 1812, Etching, aquatint and mezzotint; third state of seven (Finberg), plate: 7 x 10 9/16 in. (17.8 x 26.8 cm), Prints, Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of Studies), a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Search Results for Liber studiorum Stock Photos and Images (1,668)
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