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The philosophy of biology . when we look at thegraph we see that the rate of variation is greatest wherethe slope of the curve is steepest. The latter is steepestnear the point a, less steep near the point b, and stillless steep near the point c. Now any small part ofthe curve is indistinguishable from a straight line. Letus drawastraightlineeCi, which appears tocoincide with a smallpart of the curve neara, and similarstraightlines^i,andggi, whichalso appear to coin-cide with small partsof the curve near band c. Then thesteepness of the curvewill be proportionalto the angles whichthese straigh Stock Photo
RM2AN1AX3–The philosophy of biology . when we look at thegraph we see that the rate of variation is greatest wherethe slope of the curve is steepest. The latter is steepestnear the point a, less steep near the point b, and stillless steep near the point c. Now any small part ofthe curve is indistinguishable from a straight line. Letus drawastraightlineeCi, which appears tocoincide with a smallpart of the curve neara, and similarstraightlines^i,andggi, whichalso appear to coin-cide with small partsof the curve near band c. Then thesteepness of the curvewill be proportionalto the angles whichthese straigh
The thousand and one nights (Volume 1): commonly called, in England, the Arabian nights' entertainments . ked a little way, and destiny cast them amongthe gardens, and they came to a place which they found swept andsprinkled, with long mastabahs, and pots suspended filled with water,and over it was a covering of trellis-work of canes extending along thewhole length of a lane, at the upper end of which was the gate of agarden; but this was shut. And Noor-ed-Deen said to the damsel,By Allah, this is a pleasant place!—and she replied, O my master, letus sit down a while upon one of these mastabah Stock Photo
RM2AJF4PN–The thousand and one nights (Volume 1): commonly called, in England, the Arabian nights' entertainments . ked a little way, and destiny cast them amongthe gardens, and they came to a place which they found swept andsprinkled, with long mastabahs, and pots suspended filled with water,and over it was a covering of trellis-work of canes extending along thewhole length of a lane, at the upper end of which was the gate of agarden; but this was shut. And Noor-ed-Deen said to the damsel,By Allah, this is a pleasant place!—and she replied, O my master, letus sit down a while upon one of these mastabah
. Platform echoes: or, Living truths for head and heart . , ami therefore all have aninterest in the matter. Perhaps it will be quite as well to beas practical as possible, and to speak of the responsibilitiesof society. Win. is responsible for all this terrible evil andsuffering ?. MICROSCOPIC SIGHT. g59 Many say, The drunkard is responsible; upon him pourout the vials of your wrath. Speak as you choose about thedrunkard,-speak of him, if you will, as a beast, as an out-cast,-but that is not my forte. Let us for a moment con-sider the influences that are brought to bear upon men ; letus consi Stock Photo
RM2CDYH1B–. Platform echoes: or, Living truths for head and heart . , ami therefore all have aninterest in the matter. Perhaps it will be quite as well to beas practical as possible, and to speak of the responsibilitiesof society. Win. is responsible for all this terrible evil andsuffering ?. MICROSCOPIC SIGHT. g59 Many say, The drunkard is responsible; upon him pourout the vials of your wrath. Speak as you choose about thedrunkard,-speak of him, if you will, as a beast, as an out-cast,-but that is not my forte. Let us for a moment con-sider the influences that are brought to bear upon men ; letus consi
. Perspective for art students . he right we drawa shadow to V.S.i. We find our shadow crosses the bottomline of the wall; we suspect it was intended to do so.We therefore have to run the shadow up the wall fromthe point where it strikes the base of it. Before we attempt to get the shadow on the wall, letus find the V.L. of the wall, for the wall is a planereceiving shade, and V.S. of shadow on it occurs on itsV.L. We find sufficient is given of the wall to enable usto find its V.P. on the left. Through the V.P. we draw avertical V.L., which is the V.L. of the plane of the wall.When we proceed Stock Photo
RM2CDB26X–. Perspective for art students . he right we drawa shadow to V.S.i. We find our shadow crosses the bottomline of the wall; we suspect it was intended to do so.We therefore have to run the shadow up the wall fromthe point where it strikes the base of it. Before we attempt to get the shadow on the wall, letus find the V.L. of the wall, for the wall is a planereceiving shade, and V.S. of shadow on it occurs on itsV.L. We find sufficient is given of the wall to enable usto find its V.P. on the left. Through the V.P. we draw avertical V.L., which is the V.L. of the plane of the wall.When we proceed
. In fableland . .^^-^ 4«V ^. That will be fine, said Lobo. Letus go at once. So Bruno and Lobo ran down theroad together. They had not gone far when Lobo 100 said, Wait a minute, Bruno. Whatis that mark on the side of your neck? That isnt anything, said Bruno.The chain rubbed the hair off a littlebit. What chain? asked Lobo. The one they fasten me with, saidBruno. Do they fasten you with a chain?asked Lobo. Why, yes, said Bruno, all dogsare fastened with chains, sometimes. Would they fasten me, too? askedLobo. Yes, said Bruno, I think theywould, once in a while. 101 I wont be fastened with a Stock Photo
RM2CDDYYT–. In fableland . .^^-^ 4«V ^. That will be fine, said Lobo. Letus go at once. So Bruno and Lobo ran down theroad together. They had not gone far when Lobo 100 said, Wait a minute, Bruno. Whatis that mark on the side of your neck? That isnt anything, said Bruno.The chain rubbed the hair off a littlebit. What chain? asked Lobo. The one they fasten me with, saidBruno. Do they fasten you with a chain?asked Lobo. Why, yes, said Bruno, all dogsare fastened with chains, sometimes. Would they fasten me, too? askedLobo. Yes, said Bruno, I think theywould, once in a while. 101 I wont be fastened with a
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