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RM2DC976N–Pinturicchio, (artist), Sienese, c. 1454 - 1513, Head of a Youth Looking Up, c. 1485, leadpoint and brown wash, heightened with white gouache on gray prepared paper; laid down, overall: 25.5 x 19.5 cm (10 1/16 x 7 11/16 in
RF2HW5FRB–Art inspired by Design for a Chalice Surmounted by a Maltese Cross, 1580–1620, Red chalk and leadpoint, Drawings, Anonymous, Italian, Florentine, second half of the 16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2MFFW1N–Raphael (Raffaello Sanzio de Urbino) drawing, Study for the lower left section of the Disputa, pen and ink with leadpoint, 1508-1509
RMR2PWDX–Hector of Troy, Alexander the Great and Julius Caesar. Dated: 1492. Medium: pen and black ink over traces of black chalk on on laid paper ruled in leadpoint. Museum: National Gallery of Art, Washington DC. Author: Primary Master of the Strassburg Chronicle.
RM2M8BAMA–Raphael (Raffaello Sanzio de Urbino), Sketch for an enthroned Virgin and Child with Saint Nicholas of Tolentino, drawing in pen and ink with leadpoint, 1502-1504
RMMP7HG5–English: Flagellation . BELLINI, Jacopo Flagellation Leadpoint on parchment, 426 x 286 mm Musée du Louvre, Paris . circa 1450. 686 Jacopo bellini, album del louvre, scena
RMKNPA59–Design for Half of Frame with Helm, Putti, Mask. Artist: Anonymous, Italian, 17th century; Date: 17th century; Medium: Pen over leadpoint;
RM2AEM75Y–R-20100108-0019.jpgRaphael, Eight Apostles, c 1514 Raphael (Marchigian, 1483 - 1520), Eight Apostles, c. 1514, red chalk over stylus underdrawing and traces of leadpoint on laid paper, cut in two pieces and rejoined; laid down, Woodner Collection 1993.51.2
RM2GMY5NJ–Cartouche between two cherubs on pedestals. Artist: Anonymous, Italian, 17th or 18th century; Date: ca. 1700; Medium: Pen and leadpoint; Dimensions:
RM2HHH4NT–Design for a Carriage. 1650–1700 Anonymous, Italian, 17th or 18th century Italian. Design for a Carriage.. Anonymous, Italian, 17th or 18th century. 1650–1700. Black chalk or leadpoint. Drawings
RMKNRKKE–Wall Design. Artist: Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730-after 1797); Date: 18th century; Medium: Leadpoint or
RM2HH7C18–Wall Design 18th century Workshop of Leonardo Marini Italian. Wall Design. Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730–after 1797). 18th century. Leadpoint or graphite with ruled and compass construction. Drawings
RM2PMDD2B–Drawing, Design for the Facade of a Villa; Attributed to Johann Fischer von Erlach (1650 – 1723); Attributions: Mattia de Rossi (1637–1695), Domenico Martinelli (1650 – 1718); Italy; graphite (leadpoint) ; 25.2 x 38 cm (9 15/16 x 14 15/16 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.)
RM2HHBDH1–Crouching Figure of Atlas 1481–1536 Baldassare Tommaso Peruzzi Italian. Crouching Figure of Atlas. Baldassare Tommaso Peruzzi (Italian, Ancaiano 1481–1536 Rome). 1481–1536. Pen and brown ink, over leadpoint or black chalk. Drawings
RF2P4T2YX–Hector of Troy, Alexander the Great and Julius Caesar, 1492 The Nine Worthies pen and black ink on laid paper ruled in leadpoint
RMKN4TX7–A Putto Seated on a Frame MET 2008.334.2 382676 Artist: Girolamo Mazzola Bedoli, Italian, Viadana ca. 1505?ca. 1570 Parma, A Putto Seated on a Frame, ca. 1538?40, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of leadpoint or black chalk., sheet: 4 3/4 x 2 9/16 in. (12 x 6.5 cm). The Metropolitan Museum of Art, New York. Gift of Philippe and Edith de Montebello, 2008 (2008.334.2)
RM2F20F02–Leadpoint, Washington, map 1952, 1:24000, United States of America by Timeless Maps, data U.S. Geological Survey
RMKP3HWE–A Putto Seated on a Frame MET DP159673 382676 Artist: Girolamo Mazzola Bedoli, Italian, Viadana ca. 1505?ca. 1570 Parma, A Putto Seated on a Frame, ca. 1538?40, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of leadpoint or black chalk., sheet: 4 3/4 x 2 9/16 in. (12 x 6.5 cm). The Metropolitan Museum of Art, New York. Gift of Philippe and Edith de Montebello, 2008 (2008.334.2)
RM2DC8XPN–Girolamo dai Libri, (artist), Lombard, 1474 - 1555, God the Father with His Right Hand Raised in Blessing, leadpoint(?), pen and brown ink and wash, heightened with white on cream-colored prepared(?) paper laid down on wood panel, overall (lunette): 7 x 8.1 cm (2 3/4 x 3 3/16 in
RF2HW5G03–Art inspired by Cartouche between two cherubs on pedestals, ca. 1700, Pen and leadpoint, sheet: 7 1/4 x 5 1/2 in. (18.4 x 14 cm), Anonymous, Italian, 17th or 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2DMFTPA–Design for the Facade of a Villa, Graphite (leadpoint), Villa carefully rendered in appearance has three sections; a central convex section with three storeys, and two planar side wings with two storeys. Decorative elements include pilasters, arches, and triangular window pediments. Statues stand on pedestals alternating with grilles on, the roof line., Rome, Italy, Italy, 1670–80, architecture, Drawing
RF2HW5FTD–Art inspired by Design for Half of Frame with Helm, Putti, Mask, 17th century, Pen over leadpoint, sheet: 10 3/8 x 6 5/8 in. (26.4 x 16.8 cm), Drawings, Anonymous, Italian, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2DC9TBP–Domenico Campagnola, (artist), Venetian, before 1500 - 1564, Landscape with a Boy Fishing, c. 1516, pen and brown ink over leadpoint on laid eighteenth-century (Mariette) mount, overall: 16.3 × 24.7 cm (6 7/16 × 9 3/4 in.), support: 18.8 x 27.1 cm (7 3/8 x 10 11/16 in
RF2HW5TJR–Art inspired by Four Travelers Sharing a Meal?, mid-16th century, Pen and brown ink over traces of leadpoint, 7 15/16 x 7 1/2 in. (20.2 x 19 cm), Drawings, Anonymous, Italian, mid-16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPM5WAH–The Hermit Saints Paul and Anthony Receiving Bread from a Dove. Dated: 1530s. Dimensions: overall: 39.2 × 25.9 cm (15 7/16 × 10 3/16 in.). Medium: pen and brown ink over traces of leadpoint. Museum: National Gallery of Art, Washington DC. Author: Domenico Campagnola.
RF2HW5FBM–Art inspired by Design for a Covered Urn with Handles, ca. 1770–90, Pen and brown ink over leadpoint, 15 1/16 x 9 13/16 in. (38.3 x 25 cm), Drawings, Anonymous, French, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMYH067–. BELLINI, Jacopo Leadpoint on parchment, 426 x 286 mm Musée du Louvre, Paris . circa 1450. see filename or category 264 Jacopo bellini, album del louvre, banchetto di erode
RF2HW5FBT–Art inspired by Design for an Urn, ca. 1770–90, Pen and black and gray ink, brush and gray wash over leadpoint, 11 5/16 x 16 1/8 in. (28.7 x 41 cm), Drawings, Anonymous, French, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKNRKN9–Design for Ceiling. Artist: Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730-after 1797); Date: 18th century; Medium: Leadpoint
RF2HW61W2–Art inspired by Design for a Carriage., 1650–1700, Black chalk or leadpoint, 13 1/4 x 29 1/2 in. (33.7 x 75 cm), on two glued sheets of paper., Drawings, Anonymous, Italian, 17th or 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW5FY9–Art inspired by Designs for Chinoiserie Furniture: Three Tables and a Prie-Dieu, ca. 1800, Leadpoint, sheet: 9 7/8 x 7 5/8 in. (25.1 x 19.4 cm), Anonymous, Italian, 18th or early 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2HJ0XEW–Designs for Chinoiserie Furniture: Three Tables and a Prie-Dieu ca. 1800 Anonymous, Italian, 18th or early 19th century Italian. Designs for Chinoiserie Furniture: Three Tables and a Prie-Dieu. Anonymous, Italian, 18th or early 19th century. ca. 1800. Leadpoint
RF2HW5Y7A–Art inspired by Ornamental Design for Niche, 18th century, Leadpoint or graphite, 10 11/16 x 15 7/16 in. (27.1 x 39.2 cm), Drawings, Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730–after 1797, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2HH4Y9T–The Vision of Saint Anthony of Padua n.d. Vicente Salvador Gómez Spanish. The Vision of Saint Anthony of Padua. Vicente Salvador Gómez (Spanish, Valencia 1637–ca. 1700 Valencia (?)). n.d.. Pen and brown ink over traces of leadpoint (?). Drawings
RF2HW5DC9–Art inspired by Ornamental Design with Eagles and Mythological Figures, 16th century, Pen and brown ink, brush and brown wash, over leadpoint, 11-7/16 x 7-5/16 in. (29.1 x 18.6 cm), Anonymous, Italian or Spanish, 16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2HH9WG2–Various Sketches for Cartouches, with Satyr Heads, Putti, etc. 1700–1780 Anonymous, Italian, Piedmontese, 18th century Italian. Various Sketches for Cartouches, with Satyr Heads, Putti, etc.. Anonymous, Italian, Piedmontese, 18th century. 1700–1780. Pen and brown ink, over leadpoint. Drawings
RMKP3HWA–A Putto Seated on a Frame MET DP807865 382676 Artist: Girolamo Mazzola Bedoli, Italian, Viadana ca. 1505?ca. 1570 Parma, A Putto Seated on a Frame, ca. 1538?40, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of leadpoint or black chalk., sheet: 4 3/4 x 2 9/16 in. (12 x 6.5 cm). The Metropolitan Museum of Art, New York. Gift of Philippe and Edith de Montebello, 2008 (2008.334.2)
RM2HH434G–Landscape with Jacob Sleeping 1560–1609 Annibale Carracci Italian. Landscape with Jacob Sleeping. Annibale Carracci (Italian, Bologna 1560–1609 Rome). 1560–1609. Pen and two tones of brown ink, brush and gray-brown wash, over traces of leadpoint or black chalk. Drawings
RM2F20F04–Leadpoint, Washington, map 1952, 1:24000, United States of America by Timeless Maps, data U.S. Geological Survey
RM2MFFX1N–Sketch for a Glass Painting with St George and the Dragon by Albrecht Durer, mixed media, 1496-1498
RM2DCGCA1–Raphael, (artist), Marchigian, 1483 - 1520, Eight Apostles, c. 1514, red chalk over stylus underdrawing and traces of leadpoint on laid paper, cut in two pieces and rejoined; laid down, sheet: 8.1 x 23.2 cm (3 3/16 x 9 1/8 in.), support: 9.4 x 24.8 cm (3 11/16 x 9 3/4 in
RMW7F81M–'Madonna and Child with the Infant St. John and an Angel', c1475 (1945). Artist: Leonardo da Vinci.
![A Marble Horse on the Quirinal Hill [recto]. Dated: c. 1513. Dimensions: overall: 21.9 x 27.4 cm (8 5/8 x 10 13/16 in.). Medium: red chalk and pen and brown ink, with stylus underdrawing and traces of leadpoint on laid paper. Museum: National Gallery of Art, Washington DC. Author: RAPHAEL. Stock Photo](https://c8.alamy.com/comp/R36XW8/a-marble-horse-on-the-quirinal-hill-recto-dated-c-1513-dimensions-overall-219-x-274-cm-8-58-x-10-1316-in-medium-red-chalk-and-pen-and-brown-ink-with-stylus-underdrawing-and-traces-of-leadpoint-on-laid-paper-museum-national-gallery-of-art-washington-dc-author-raphael-R36XW8.jpg "A Marble Horse on the Quirinal Hill [recto]. Dated: c. 1513. Dimensions: overall: 21.9 x 27.4 cm (8 5/8 x 10 13/16 in.). Medium: red chalk and pen and brown ink, with stylus underdrawing and traces of leadpoint on laid paper. Museum: National Gallery of Art, Washington DC. Author: RAPHAEL. Stock Photo")
RMR36XW8–A Marble Horse on the Quirinal Hill [recto]. Dated: c. 1513. Dimensions: overall: 21.9 x 27.4 cm (8 5/8 x 10 13/16 in.). Medium: red chalk and pen and brown ink, with stylus underdrawing and traces of leadpoint on laid paper. Museum: National Gallery of Art, Washington DC. Author: RAPHAEL.
RMH4KKD4–Raphael (Italian, 1483 - 1520), Eight Apostles, c. 1514, red chalk over stylus underdrawing and traces of leadpoint
RMMYGM3R–. BELLINI, Jacopo Leadpoint on parchment, 426 x 286 mm Musée du Louvre, Paris . circa 1450. see filename or category 264 Jacopo bellini, album del louvre, epigrafi e monete
RMW7F8A8–Two Studies of Horses and Riders and Smaller Studies of Horses', c1480 (1945). Artist: Leonardo da Vinci.
RMKNRKKM–Ceiling Design. Artist: Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730-after 1797); Date: 18th century; Medium: Leadpoint or
RMHT45WW–'Madonna and Child with the Infant St. John and an Angel', c1475 (1945). Artist: Leonardo da Vinci.
RMHT468M–Two Studies of Horses and Riders and Smaller Studies of Horses', c1480 (1945). Artist: Leonardo da Vinci.
RF2HW5DCG–Art inspired by Design for a Triumphal Arch, 1500–1700, Pen and brown ink, brush and brown wash, over traces of leadpoint (?), 13-3/16 x 9-9/16 in. (33.5 x 24.3 cm), Anonymous, Italian, 16th to 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW5X3C–Art inspired by Architectural Design Presenting Two Alternate Solutions (in two fragments), 17th century, Pen and brown ink, brush and brown wash over leadpoint., 10 11/16 x 3 9/16 in. (27.2 x 9 cm), Drawings, Anonymous, Italian, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2HH861A–Saint with Angel and Putto n.d. After Guercino (Giovanni Francesco Barbieri) Italian. Saint with Angel and Putto. After Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna). n.d.. Pen and brown ink, brush and dark brown ink, over leadpoint.. Drawings
RMKNW2FR–A Putto Seated on a Frame MET DP807865 382676 Artist: Girolamo Mazzola Bedoli, Italian, Viadana ca. 1505?ca. 1570 Parma, A Putto Seated on a Frame, ca. 1538?40, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of leadpoint or black chalk., sheet: 4 3/4 x 2 9/16 in. (12 x 6.5 cm). The Metropolitan Museum of Art, New York. Gift of Philippe and Edith de Montebello, 2008 (2008.334.2)
RM2HGPY5A–Design for a Fountain with River Gods and Nymphs 1511–74 Giorgio Vasari Italian. Design for a Fountain with River Gods and Nymphs. Giorgio Vasari (Italian, Arezzo 1511–1574 Florence). 1511–74. Pen and brown ink, brush and brown wash, over traces of leadpoint. Drawings
RM2EJ5H9E–Leadpoint, Washington, map 1992, 1:24000, United States of America by Timeless Maps, data U.S. Geological Survey
RM2HH98BG–Two Designs for Ewers 1600–1800 After Polidoro da Caravaggio Italian. Two Designs for Ewers. After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499–ca. 1543 Messina). 1600–1800. Pen and black ink, brush and grayish-brown wash, over traces of leadpoint or graphite
![Portrait of a Woman [recto]. Dated: c. 1508. Dimensions: overall (Oval): 14.4 x 10.3 cm (5 11/16 x 4 1/16 in.). Medium: silverpoint with brush and black and brown ink over charcoal and leadpoint, heightened with white on white prepared paper. Museum: National Gallery of Art, Washington DC. Author: HANS HOLBEIN THE ELDER. Stock Photo](https://c8.alamy.com/comp/R33K4B/portrait-of-a-woman-recto-dated-c-1508-dimensions-overall-oval-144-x-103-cm-5-1116-x-4-116-in-medium-silverpoint-with-brush-and-black-and-brown-ink-over-charcoal-and-leadpoint-heightened-with-white-on-white-prepared-paper-museum-national-gallery-of-art-washington-dc-author-hans-holbein-the-elder-R33K4B.jpg "Portrait of a Woman [recto]. Dated: c. 1508. Dimensions: overall (Oval): 14.4 x 10.3 cm (5 11/16 x 4 1/16 in.). Medium: silverpoint with brush and black and brown ink over charcoal and leadpoint, heightened with white on white prepared paper. Museum: National Gallery of Art, Washington DC. Author: HANS HOLBEIN THE ELDER. Stock Photo")
RMR33K4B–Portrait of a Woman [recto]. Dated: c. 1508. Dimensions: overall (Oval): 14.4 x 10.3 cm (5 11/16 x 4 1/16 in.). Medium: silverpoint with brush and black and brown ink over charcoal and leadpoint, heightened with white on white prepared paper. Museum: National Gallery of Art, Washington DC. Author: HANS HOLBEIN THE ELDER.
RMEDYD7B–Raphael (Italian, 1483 - 1520), Eight Apostles, c. 1514, red chalk over stylus underdrawing and traces of leadpoint
RMMYGM40–. BELLINI, Jacopo Leadpoint on parchment, 426 x 286 mm Musée du Louvre, Paris . circa 1450. see filename or category 264 Jacopo bellini, album del louvre, predica del battista
RMKC9MEJ–Two Dead Ducks, 1685–1755, Brush with gray, green, blue, black, and orange wash over leadpoint. Traces of framing outlines in
RMKNRKKF–Design for Ceiling. Artist: Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730-after 1797); Date: 18th century; Medium: Leadpoint
RMKC8B1Y–The Nativity, 1665–70, Pen and brown ink, brush and brown wash, over traces of leadpoint or soft black chalk, 10-3/4 x 9 in. (27
RM2G4GP42–Freydal, The Book of Jousts and Tournament of Emperor Maximilian I: Combats on Horseback (Jousts)(Volume II): Plate 102, c. 1515.
RF2HW5WD9–Art inspired by Ornamental Design of Winged Female Figures and Dragons, 17th century, Pen and brown ink, over leadpoint or black chalk., 1 15/16 x 3 1/8 in. (4.9 x 7.9 cm), Drawings, Anonymous, Italian, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKNW2FY–A Putto Seated on a Frame MET DP159673 382676 Artist: Girolamo Mazzola Bedoli, Italian, Viadana ca. 1505?ca. 1570 Parma, A Putto Seated on a Frame, ca. 1538?40, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of leadpoint or black chalk., sheet: 4 3/4 x 2 9/16 in. (12 x 6.5 cm). The Metropolitan Museum of Art, New York. Gift of Philippe and Edith de Montebello, 2008 (2008.334.2)
RM2F20F01–Leadpoint, Washington, map 1952, 1:24000, United States of America by Timeless Maps, data U.S. Geological Survey
RM2HH3W57–Design of fireworks: two views of a rocket 1650–1750 Anonymous, Italian, 17th century. Design of fireworks: two views of a rocket. Anonymous, Italian, 17th century. 1650–1750. Pen and brown ink, brush and gray wash, over leadpoint or graphite, ruling and some compass construction. Drawings
RMR2R31M–The Crucifixion with the Virgin and Saints and the Hungerstein Family. Dated: c. 1492. Dimensions: page size: 38.7 x 26.1 cm (15 1/4 x 10 1/4 in.). Medium: pen and ink over traces of chalk and leadpoint on laid paper in bound volume. Museum: National Gallery of Art, Washington DC. Author: Primary Master of the Strassburg Chronicle.
RM2HJ0EA4–Design for Left Side of an Altarpiece Frame 1700–1780 Anonymous, Italian, Piedmontese, 18th century Italian. Design for Left Side of an Altarpiece Frame. Anonymous, Italian, Piedmontese, 18th century. 1700–1780. Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled and compass construction. Drawings
RMMXB5YN–. BELLINI, Jacopo Leadpoint on parchment, 426 x 286 mm Musée du Louvre, Paris . circa 1450. see filename or category 305 Jacopo bellini, album del louvre, carro di bacco
RM2HGYN49–Design of fireworks: the rocket in its propelling capsule 1650–1750 Anonymous, Italian, 17th century. Design of fireworks: the rocket in its propelling capsule. Anonymous, Italian, 17th century. 1650–1750. Pen and brown ink, brush and gray wash, over leadpoint or graphite, ruling and extensive compass construction. Drawings
RMKNRKP1–Design for Ceiling. Artist: Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730-after 1797); Date: 18th century; Medium: Leadpoint
RMKC8CRW–Design for a Ceiling, 1774–78, Graphite or leadpoint; some pen and brown ink, 19-5/8 x 13-9/16 in. (49.9 x 34.5 cm), Drawings
RM2GMWXYT–Design for a Covered Urn with Handles. Artist: Anonymous, French, 18th century; Date: ca. 1770-90; Medium: Pen and brown ink over leadpoint;
RM2HJ3NYF–A View of a Village with Figures 1624 Remigio Cantagallina Italian. A View of a Village with Figures. Remigio Cantagallina (Italian, Borgo Sansepolcro ca. 1582–1656 Florence). 1624. Pen and brown ink, over traces of black chalk or leadpoint; framing lines in pen and brown ink. Drawings
RMKNRKN4–Design for Ceiling. Artist: Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730-after 1797); Date: 18th century; Medium: Leadpoint
RM2HH77WG–Annunciation 1560–1600 Marchigian artist near Filippo Bellini Italian. Annunciation. Marchigian artist near Filippo Bellini (Italian, Urbino 1550/55–1604 Macerata). 1560–1600. Pen and brown ink, brush and brown wash, over leadpoint or black chalk, on paper washed light brown; squared for transfer. Drawings
RM2G4GNXW–Freydal, The Book of Jousts and Tournament of Emperor Maximilian I: Combats on Horseback (Jousts)(Volume II): Plate 113, c. 1515.
RF2HW5WDY–Art inspired by Ornamental Border with a Putto, Scroll, Mask, and Floral Garland., 17th century, Pen and brown ink, over leadpoint or black chalk, 11 5/8 x 3 7/16 in. (29.6 x 8.7 cm), Drawings, Anonymous, Italian, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXD1J–Art inspired by Design for a Ceiling, 1774–78, Graphite or leadpoint; some pen and brown ink, 19-5/8 x 13-9/16 in. (49.9 x 34.5 cm), Drawings, Leonardo Marini (Italian, Piedmontese documented ca. 1730–after 1797, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMR38W0X–God the Father with His Right Hand Raised in Blessing. Dimensions: overall (lunette): 7 x 8.1 cm (2 3/4 x 3 3/16 in.). Medium: leadpoint(?), pen and brown ink and wash, heightened with white on cream-colored prepared(?) paper laid down on wood panel. Museum: National Gallery of Art, Washington DC. Author: Girolamo dai Libri.
RMMWECE5–. BELLINI, Jacopo Leadpoint on parchment, 426 x 286 mm Musée du Louvre, Paris . circa 1450. see filename or category 304 Jacopo bellini, album del louvre, epigrafi e monete
RMKC8DAG–Building, 1536–1614, Pen and brown ink, brush and brown wash, over leadpoint, 9-5/8 x 11-1/4 in. (24.5 x 28.6 cm); maximum
RMKNRKNJ–Ceiling Design. Artist: Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730-after 1797); Date: 18th century; Medium: Leadpoint or
RM2HH5N16–Design for a Ceiling With an Elaborate Cove 1700–1780 Anonymous, Italian, Piedmontese, 18th century Italian. Design for a Ceiling With an Elaborate Cove. Anonymous, Italian, Piedmontese, 18th century. 1700–1780. Pen and gray and brown ink, brush and gray wash over black chalk underdrawing, with ruled and compass construction in leadpoint. Scales at bottom.. Drawings
RM2G4GNXC–Freydal, The Book of Jousts and Tournament of Emperor Maximilian I: Combats on Foot (Jousts)(Volume III): Plate 144, c. 1515.
RF2HW5MYP–Art inspired by The Vision of Saint Anthony of Padua, n.d., Pen and brown ink over traces of leadpoint (?), sheet: 7 x 5 1/16 in. (17.8 x 12.8 cm), Drawings, Vicente Salvador Gómez (Spanish, Valencia 1637–ca. 1700 Valencia, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Search Results for Leadpoint Stock Photos and Images (965)
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