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Leadpoint Stock Photos and Images
Pinturicchio, (artist), Sienese, c. 1454 - 1513, Head of a Youth Looking Up, c. 1485, leadpoint and brown wash, heightened with white gouache on gray prepared paper; laid down, overall: 25.5 x 19.5 cm (10 1/16 x 7 11/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pinturicchio-artist-sienese-c-1454-1513-head-of-a-youth-looking-up-c-1485-leadpoint-and-brown-wash-heightened-with-white-gouache-on-gray-prepared-paper-laid-down-overall-255-x-195-cm-10-116-x-7-1116-in-image386207213.htmlRM2DC976N–Pinturicchio, (artist), Sienese, c. 1454 - 1513, Head of a Youth Looking Up, c. 1485, leadpoint and brown wash, heightened with white gouache on gray prepared paper; laid down, overall: 25.5 x 19.5 cm (10 1/16 x 7 11/16 in
Leadpoint, Stevens County, US, United States, Washington, N 48 54' 33'', S 117 35' 14'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leadpoint-stevens-county-us-united-states-washington-n-48-54-33-s-117-35-14-map-cartascapes-map-published-in-2024-explore-cartascapes-a-map-revealing-earths-diverse-landscapes-cultures-and-ecosystems-journey-through-time-and-space-discovering-the-interconnectedness-of-our-planets-past-present-and-future-image621436198.htmlRM2Y30T5X–Leadpoint, Stevens County, US, United States, Washington, N 48 54' 33'', S 117 35' 14'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future.
Art inspired by Design for a Chalice Surmounted by a Maltese Cross, 1580–1620, Red chalk and leadpoint, Drawings, Anonymous, Italian, Florentine, second half of the 16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-design-for-a-chalice-surmounted-by-a-maltese-cross-15801620-red-chalk-and-leadpoint-drawings-anonymous-italian-florentine-second-half-of-the-16th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462958143.htmlRF2HW5FRB–Art inspired by Design for a Chalice Surmounted by a Maltese Cross, 1580–1620, Red chalk and leadpoint, Drawings, Anonymous, Italian, Florentine, second half of the 16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Raphael (Raffaello Sanzio de Urbino) drawing, Study for the lower left section of the Disputa, pen and ink with leadpoint, 1508-1509 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/raphael-raffaello-sanzio-de-urbino-drawing-study-for-the-lower-left-section-of-the-disputa-pen-and-ink-with-leadpoint-1508-1509-image508669441.htmlRM2MFFW1N–Raphael (Raffaello Sanzio de Urbino) drawing, Study for the lower left section of the Disputa, pen and ink with leadpoint, 1508-1509
Hector of Troy, Alexander the Great and Julius Caesar. Dated: 1492. Medium: pen and black ink over traces of black chalk on on laid paper ruled in leadpoint. Museum: National Gallery of Art, Washington DC. Author: Primary Master of the Strassburg Chronicle. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hector-of-troy-alexander-the-great-and-julius-caesar-dated-1492-medium-pen-and-black-ink-over-traces-of-black-chalk-on-on-laid-paper-ruled-in-leadpoint-museum-national-gallery-of-art-washington-dc-author-primary-master-of-the-strassburg-chronicle-image225467030.htmlRMR2PWDX–Hector of Troy, Alexander the Great and Julius Caesar. Dated: 1492. Medium: pen and black ink over traces of black chalk on on laid paper ruled in leadpoint. Museum: National Gallery of Art, Washington DC. Author: Primary Master of the Strassburg Chronicle.
Raphael (Raffaello Sanzio de Urbino), Sketch for an enthroned Virgin and Child with Saint Nicholas of Tolentino, drawing in pen and ink with leadpoint, 1502-1504 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/raphael-raffaello-sanzio-de-urbino-sketch-for-an-enthroned-virgin-and-child-with-saint-nicholas-of-tolentino-drawing-in-pen-and-ink-with-leadpoint-1502-1504-image504267802.htmlRM2M8BAMA–Raphael (Raffaello Sanzio de Urbino), Sketch for an enthroned Virgin and Child with Saint Nicholas of Tolentino, drawing in pen and ink with leadpoint, 1502-1504
English: Flagellation . BELLINI, Jacopo Flagellation Leadpoint on parchment, 426 x 286 mm Musée du Louvre, Paris . circa 1450. 686 Jacopo bellini, album del louvre, scena Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-flagellation-bellini-jacopo-flagellation-leadpoint-on-parchment-426-x-286-mm-muse-du-louvre-paris-circa-1450-686-jacopo-bellini-album-del-louvre-scena-image185793557.htmlRMMP7HG5–English: Flagellation . BELLINI, Jacopo Flagellation Leadpoint on parchment, 426 x 286 mm Musée du Louvre, Paris . circa 1450. 686 Jacopo bellini, album del louvre, scena
R-20100108-0019.jpgRaphael, Eight Apostles, c 1514 Raphael (Marchigian, 1483 - 1520), Eight Apostles, c. 1514, red chalk over stylus underdrawing and traces of leadpoint on laid paper, cut in two pieces and rejoined; laid down, Woodner Collection 1993.51.2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/r-20100108-0019jpgraphael-eight-apostles-c-1514-raphael-marchigian-1483-1520-eight-apostles-c-1514-red-chalk-over-stylus-underdrawing-and-traces-of-leadpoint-on-laid-paper-cut-in-two-pieces-and-rejoined-laid-down-woodner-collection-1993512-image336046871.htmlRM2AEM75Y–R-20100108-0019.jpgRaphael, Eight Apostles, c 1514 Raphael (Marchigian, 1483 - 1520), Eight Apostles, c. 1514, red chalk over stylus underdrawing and traces of leadpoint on laid paper, cut in two pieces and rejoined; laid down, Woodner Collection 1993.51.2
Design for a Carriage. 1650–1700 Anonymous, Italian, 17th or 18th century Italian. Design for a Carriage.. Anonymous, Italian, 17th or 18th century. 1650–1700. Black chalk or leadpoint. Drawings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-carriage-16501700-anonymous-italian-17th-or-18th-century-italian-design-for-a-carriage-anonymous-italian-17th-or-18th-century-16501700-black-chalk-or-leadpoint-drawings-image458295652.htmlRM2HHH4NT–Design for a Carriage. 1650–1700 Anonymous, Italian, 17th or 18th century Italian. Design for a Carriage.. Anonymous, Italian, 17th or 18th century. 1650–1700. Black chalk or leadpoint. Drawings
Drawing, Design for the Facade of a Villa; Attributed to Johann Fischer von Erlach (1650 – 1723); Attributions: Mattia de Rossi (1637–1695), Domenico Martinelli (1650 – 1718); Italy; graphite (leadpoint) ; 25.2 x 38 cm (9 15/16 x 14 15/16 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-design-for-the-facade-of-a-villa-attributed-to-johann-fischer-von-erlach-1650-1723-attributions-mattia-de-rossi-16371695-domenico-martinelli-1650-1718-italy-graphite-leadpoint-252-x-38-cm-9-1516-x-14-1516-in-mat-356-x-457-cm-14-x-18-in-image546110163.htmlRM2PMDD2B–Drawing, Design for the Facade of a Villa; Attributed to Johann Fischer von Erlach (1650 – 1723); Attributions: Mattia de Rossi (1637–1695), Domenico Martinelli (1650 – 1718); Italy; graphite (leadpoint) ; 25.2 x 38 cm (9 15/16 x 14 15/16 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.)
Wall Design 18th century Workshop of Leonardo Marini Italian. Wall Design. Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730–after 1797). 18th century. Leadpoint or graphite with ruled and compass construction. Drawings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wall-design-18th-century-workshop-of-leonardo-marini-italian-wall-design-workshop-of-leonardo-marini-italian-piedmontese-documented-ca-1730after-1797-18th-century-leadpoint-or-graphite-with-ruled-and-compass-construction-drawings-image458081828.htmlRM2HH7C18–Wall Design 18th century Workshop of Leonardo Marini Italian. Wall Design. Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730–after 1797). 18th century. Leadpoint or graphite with ruled and compass construction. Drawings
Hector of Troy, Alexander the Great and Julius Caesar, 1492 The Nine Worthies pen and black ink on laid paper ruled in leadpoint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hector-of-troy-alexander-the-great-and-julius-caesar-1492-the-nine-worthies-pen-and-black-ink-on-laid-paper-ruled-in-leadpoint-image536509230.htmlRF2P4T2YX–Hector of Troy, Alexander the Great and Julius Caesar, 1492 The Nine Worthies pen and black ink on laid paper ruled in leadpoint
Crouching Figure of Atlas 1481–1536 Baldassare Tommaso Peruzzi Italian. Crouching Figure of Atlas. Baldassare Tommaso Peruzzi (Italian, Ancaiano 1481–1536 Rome). 1481–1536. Pen and brown ink, over leadpoint or black chalk. Drawings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crouching-figure-of-atlas-14811536-baldassare-tommaso-peruzzi-italian-crouching-figure-of-atlas-baldassare-tommaso-peruzzi-italian-ancaiano-14811536-rome-14811536-pen-and-brown-ink-over-leadpoint-or-black-chalk-drawings-image458170861.htmlRM2HHBDH1–Crouching Figure of Atlas 1481–1536 Baldassare Tommaso Peruzzi Italian. Crouching Figure of Atlas. Baldassare Tommaso Peruzzi (Italian, Ancaiano 1481–1536 Rome). 1481–1536. Pen and brown ink, over leadpoint or black chalk. Drawings
A Putto Seated on a Frame MET 2008.334.2 382676 Artist: Girolamo Mazzola Bedoli, Italian, Viadana ca. 1505?ca. 1570 Parma, A Putto Seated on a Frame, ca. 1538?40, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of leadpoint or black chalk., sheet: 4 3/4 x 2 9/16 in. (12 x 6.5 cm). The Metropolitan Museum of Art, New York. Gift of Philippe and Edith de Montebello, 2008 (2008.334.2) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-a-putto-seated-on-a-frame-met-20083342-382676-artist-girolamo-mazzola-167908447.htmlRMKN4TX7–A Putto Seated on a Frame MET 2008.334.2 382676 Artist: Girolamo Mazzola Bedoli, Italian, Viadana ca. 1505?ca. 1570 Parma, A Putto Seated on a Frame, ca. 1538?40, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of leadpoint or black chalk., sheet: 4 3/4 x 2 9/16 in. (12 x 6.5 cm). The Metropolitan Museum of Art, New York. Gift of Philippe and Edith de Montebello, 2008 (2008.334.2)
The Crucifixion with the Virgin and Saints and the Hungerstein Family, c. 1492. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-crucifixion-with-the-virgin-and-saints-and-the-hungerstein-family-c-1492-image534389247.htmlRM2P1BEX7–The Crucifixion with the Virgin and Saints and the Hungerstein Family, c. 1492.
A Putto Seated on a Frame MET DP159673 382676 Artist: Girolamo Mazzola Bedoli, Italian, Viadana ca. 1505?ca. 1570 Parma, A Putto Seated on a Frame, ca. 1538?40, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of leadpoint or black chalk., sheet: 4 3/4 x 2 9/16 in. (12 x 6.5 cm). The Metropolitan Museum of Art, New York. Gift of Philippe and Edith de Montebello, 2008 (2008.334.2) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-a-putto-seated-on-a-frame-met-dp159673-382676-artist-girolamo-mazzola-168495642.htmlRMKP3HWE–A Putto Seated on a Frame MET DP159673 382676 Artist: Girolamo Mazzola Bedoli, Italian, Viadana ca. 1505?ca. 1570 Parma, A Putto Seated on a Frame, ca. 1538?40, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of leadpoint or black chalk., sheet: 4 3/4 x 2 9/16 in. (12 x 6.5 cm). The Metropolitan Museum of Art, New York. Gift of Philippe and Edith de Montebello, 2008 (2008.334.2)
Canaletto, drawing, Capriccio with a Roman Triumphal Arch, 1720-1730 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/canaletto-drawing-capriccio-with-a-roman-triumphal-arch-1720-1730-image345249525.htmlRM2B1KD85–Canaletto, drawing, Capriccio with a Roman Triumphal Arch, 1720-1730
'Madonna and Child with the Infant St. John and an Angel', c1475 (1945). Artist: Leonardo da Vinci. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-and-child-with-the-infant-st-john-and-an-angel-c1475-1945-artist-leonardo-da-vinci-image262793712.htmlRMW7F81M–'Madonna and Child with the Infant St. John and an Angel', c1475 (1945). Artist: Leonardo da Vinci.
Sketch for a Glass Painting with St George and the Dragon by Albrecht Durer, mixed media, 1496-1498 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sketch-for-a-glass-painting-with-st-george-and-the-dragon-by-albrecht-durer-mixed-media-1496-1498-image508670225.htmlRM2MFFX1N–Sketch for a Glass Painting with St George and the Dragon by Albrecht Durer, mixed media, 1496-1498
Girolamo dai Libri, (artist), Lombard, 1474 - 1555, God the Father with His Right Hand Raised in Blessing, leadpoint(?), pen and brown ink and wash, heightened with white on cream-colored prepared(?) paper laid down on wood panel, overall (lunette): 7 x 8.1 cm (2 3/4 x 3 3/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/girolamo-dai-libri-artist-lombard-1474-1555-god-the-father-with-his-right-hand-raised-in-blessing-leadpoint-pen-and-brown-ink-and-wash-heightened-with-white-on-cream-colored-prepared-paper-laid-down-on-wood-panel-overall-lunette-7-x-81-cm-2-34-x-3-316-in-image386200605.htmlRM2DC8XPN–Girolamo dai Libri, (artist), Lombard, 1474 - 1555, God the Father with His Right Hand Raised in Blessing, leadpoint(?), pen and brown ink and wash, heightened with white on cream-colored prepared(?) paper laid down on wood panel, overall (lunette): 7 x 8.1 cm (2 3/4 x 3 3/16 in
Leadpoint, Washington, map 1952, 1:24000, United States of America by Timeless Maps, data U.S. Geological Survey Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leadpoint-washington-map-1952-124000-united-states-of-america-by-timeless-maps-data-us-geological-survey-image414289906.htmlRM2F20F02–Leadpoint, Washington, map 1952, 1:24000, United States of America by Timeless Maps, data U.S. Geological Survey
Design for the Facade of a Villa, Graphite (leadpoint), Villa carefully rendered in appearance has three sections; a central convex section with three storeys, and two planar side wings with two storeys. Decorative elements include pilasters, arches, and triangular window pediments. Statues stand on pedestals alternating with grilles on, the roof line., Rome, Italy, Italy, 1670–80, architecture, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-the-facade-of-a-villa-graphite-leadpoint-villa-carefully-rendered-in-appearance-has-three-sections-a-central-convex-section-with-three-storeys-and-two-planar-side-wings-with-two-storeys-decorative-elements-include-pilasters-arches-and-triangular-window-pediments-statues-stand-on-pedestals-alternating-with-grilles-on-the-roof-line-rome-italy-italy-167080-architecture-drawing-image391269938.htmlRM2DMFTPA–Design for the Facade of a Villa, Graphite (leadpoint), Villa carefully rendered in appearance has three sections; a central convex section with three storeys, and two planar side wings with two storeys. Decorative elements include pilasters, arches, and triangular window pediments. Statues stand on pedestals alternating with grilles on, the roof line., Rome, Italy, Italy, 1670–80, architecture, Drawing
Art inspired by Cartouche between two cherubs on pedestals, ca. 1700, Pen and leadpoint, sheet: 7 1/4 x 5 1/2 in. (18.4 x 14 cm), Anonymous, Italian, 17th or 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-cartouche-between-two-cherubs-on-pedestals-ca-1700-pen-and-leadpoint-sheet-7-14-x-5-12-in-184-x-14-cm-anonymous-italian-17th-or-18th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462958275.htmlRF2HW5G03–Art inspired by Cartouche between two cherubs on pedestals, ca. 1700, Pen and leadpoint, sheet: 7 1/4 x 5 1/2 in. (18.4 x 14 cm), Anonymous, Italian, 17th or 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Domenico Campagnola, (artist), Venetian, before 1500 - 1564, Landscape with a Boy Fishing, c. 1516, pen and brown ink over leadpoint on laid eighteenth-century (Mariette) mount, overall: 16.3 × 24.7 cm (6 7/16 × 9 3/4 in.), support: 18.8 x 27.1 cm (7 3/8 x 10 11/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/domenico-campagnola-artist-venetian-before-1500-1564-landscape-with-a-boy-fishing-c-1516-pen-and-brown-ink-over-leadpoint-on-laid-eighteenth-century-mariette-mount-overall-163-247-cm-6-716-9-34-in-support-188-x-271-cm-7-38-x-10-1116-in-image386220682.htmlRM2DC9TBP–Domenico Campagnola, (artist), Venetian, before 1500 - 1564, Landscape with a Boy Fishing, c. 1516, pen and brown ink over leadpoint on laid eighteenth-century (Mariette) mount, overall: 16.3 × 24.7 cm (6 7/16 × 9 3/4 in.), support: 18.8 x 27.1 cm (7 3/8 x 10 11/16 in
Art inspired by Design for Half of Frame with Helm, Putti, Mask, 17th century, Pen over leadpoint, sheet: 10 3/8 x 6 5/8 in. (26.4 x 16.8 cm), Drawings, Anonymous, Italian, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-design-for-half-of-frame-with-helm-putti-mask-17th-century-pen-over-leadpoint-sheet-10-38-x-6-58-in-264-x-168-cm-drawings-anonymous-italian-17th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462958173.htmlRF2HW5FTD–Art inspired by Design for Half of Frame with Helm, Putti, Mask, 17th century, Pen over leadpoint, sheet: 10 3/8 x 6 5/8 in. (26.4 x 16.8 cm), Drawings, Anonymous, Italian, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Hermit Saints Paul and Anthony Receiving Bread from a Dove. Dated: 1530s. Dimensions: overall: 39.2 × 25.9 cm (15 7/16 × 10 3/16 in.). Medium: pen and brown ink over traces of leadpoint. Museum: National Gallery of Art, Washington DC. Author: Domenico Campagnola. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-hermit-saints-paul-and-anthony-receiving-bread-from-a-dove-dated-1530s-dimensions-overall-392-259-cm-15-716-10-316-in-medium-pen-and-brown-ink-over-traces-of-leadpoint-museum-national-gallery-of-art-washington-dc-author-domenico-campagnola-image218947193.htmlRMPM5WAH–The Hermit Saints Paul and Anthony Receiving Bread from a Dove. Dated: 1530s. Dimensions: overall: 39.2 × 25.9 cm (15 7/16 × 10 3/16 in.). Medium: pen and brown ink over traces of leadpoint. Museum: National Gallery of Art, Washington DC. Author: Domenico Campagnola.
Art inspired by Four Travelers Sharing a Meal?, mid-16th century, Pen and brown ink over traces of leadpoint, 7 15/16 x 7 1/2 in. (20.2 x 19 cm), Drawings, Anonymous, Italian, mid-16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-four-travelers-sharing-a-meal-mid-16th-century-pen-and-brown-ink-over-traces-of-leadpoint-7-1516-x-7-12-in-202-x-19-cm-drawings-anonymous-italian-mid-16th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462965071.htmlRF2HW5TJR–Art inspired by Four Travelers Sharing a Meal?, mid-16th century, Pen and brown ink over traces of leadpoint, 7 15/16 x 7 1/2 in. (20.2 x 19 cm), Drawings, Anonymous, Italian, mid-16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. BELLINI, Jacopo Leadpoint on parchment, 426 x 286 mm Musée du Louvre, Paris . circa 1450. see filename or category 264 Jacopo bellini, album del louvre, banchetto di erode Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bellini-jacopo-leadpoint-on-parchment-426-x-286-mm-muse-du-louvre-paris-circa-1450-see-filename-or-category-264-jacopo-bellini-album-del-louvre-banchetto-di-erode-image189072751.htmlRMMYH067–. BELLINI, Jacopo Leadpoint on parchment, 426 x 286 mm Musée du Louvre, Paris . circa 1450. see filename or category 264 Jacopo bellini, album del louvre, banchetto di erode
Art inspired by Design for a Covered Urn with Handles, ca. 1770–90, Pen and brown ink over leadpoint, 15 1/16 x 9 13/16 in. (38.3 x 25 cm), Drawings, Anonymous, French, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-design-for-a-covered-urn-with-handles-ca-177090-pen-and-brown-ink-over-leadpoint-15-116-x-9-1316-in-383-x-25-cm-drawings-anonymous-french-18th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462957816.htmlRF2HW5FBM–Art inspired by Design for a Covered Urn with Handles, ca. 1770–90, Pen and brown ink over leadpoint, 15 1/16 x 9 13/16 in. (38.3 x 25 cm), Drawings, Anonymous, French, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Two Studies of Horses and Riders and Smaller Studies of Horses', c1480 (1945). Artist: Leonardo da Vinci. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-studies-of-horses-and-riders-and-smaller-studies-of-horses-c1480-1945-artist-leonardo-da-vinci-image262793952.htmlRMW7F8A8–Two Studies of Horses and Riders and Smaller Studies of Horses', c1480 (1945). Artist: Leonardo da Vinci.
Art inspired by Design for an Urn, ca. 1770–90, Pen and black and gray ink, brush and gray wash over leadpoint, 11 5/16 x 16 1/8 in. (28.7 x 41 cm), Drawings, Anonymous, French, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-design-for-an-urn-ca-177090-pen-and-black-and-gray-ink-brush-and-gray-wash-over-leadpoint-11-516-x-16-18-in-287-x-41-cm-drawings-anonymous-french-18th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462957820.htmlRF2HW5FBT–Art inspired by Design for an Urn, ca. 1770–90, Pen and black and gray ink, brush and gray wash over leadpoint, 11 5/16 x 16 1/8 in. (28.7 x 41 cm), Drawings, Anonymous, French, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Designs for Chinoiserie Furniture: Three Tables and a Prie-Dieu ca. 1800 Anonymous, Italian, 18th or early 19th century Italian. Designs for Chinoiserie Furniture: Three Tables and a Prie-Dieu. Anonymous, Italian, 18th or early 19th century. ca. 1800. Leadpoint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/designs-for-chinoiserie-furniture-three-tables-and-a-prie-dieu-ca-1800-anonymous-italian-18th-or-early-19th-century-italian-designs-for-chinoiserie-furniture-three-tables-and-a-prie-dieu-anonymous-italian-18th-or-early-19th-century-ca-1800-leadpoint-image458554177.htmlRM2HJ0XEW–Designs for Chinoiserie Furniture: Three Tables and a Prie-Dieu ca. 1800 Anonymous, Italian, 18th or early 19th century Italian. Designs for Chinoiserie Furniture: Three Tables and a Prie-Dieu. Anonymous, Italian, 18th or early 19th century. ca. 1800. Leadpoint
Art inspired by Design for a Carriage., 1650–1700, Black chalk or leadpoint, 13 1/4 x 29 1/2 in. (33.7 x 75 cm), on two glued sheets of paper., Drawings, Anonymous, Italian, 17th or 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-design-for-a-carriage-16501700-black-chalk-or-leadpoint-13-14-x-29-12-in-337-x-75-cm-on-two-glued-sheets-of-paper-drawings-anonymous-italian-17th-or-18th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462969166.htmlRF2HW61W2–Art inspired by Design for a Carriage., 1650–1700, Black chalk or leadpoint, 13 1/4 x 29 1/2 in. (33.7 x 75 cm), on two glued sheets of paper., Drawings, Anonymous, Italian, 17th or 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Vision of Saint Anthony of Padua n.d. Vicente Salvador Gómez Spanish. The Vision of Saint Anthony of Padua. Vicente Salvador Gómez (Spanish, Valencia 1637–ca. 1700 Valencia (?)). n.d.. Pen and brown ink over traces of leadpoint (?). Drawings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-vision-of-saint-anthony-of-padua-nd-vicente-salvador-gmez-spanish-the-vision-of-saint-anthony-of-padua-vicente-salvador-gmez-spanish-valencia-1637ca-1700-valencia-nd-pen-and-brown-ink-over-traces-of-leadpoint-drawings-image458027972.htmlRM2HH4Y9T–The Vision of Saint Anthony of Padua n.d. Vicente Salvador Gómez Spanish. The Vision of Saint Anthony of Padua. Vicente Salvador Gómez (Spanish, Valencia 1637–ca. 1700 Valencia (?)). n.d.. Pen and brown ink over traces of leadpoint (?). Drawings
Art inspired by Designs for Chinoiserie Furniture: Three Tables and a Prie-Dieu, ca. 1800, Leadpoint, sheet: 9 7/8 x 7 5/8 in. (25.1 x 19.4 cm), Anonymous, Italian, 18th or early 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-designs-for-chinoiserie-furniture-three-tables-and-a-prie-dieu-ca-1800-leadpoint-sheet-9-78-x-7-58-in-251-x-194-cm-anonymous-italian-18th-or-early-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462958253.htmlRF2HW5FY9–Art inspired by Designs for Chinoiserie Furniture: Three Tables and a Prie-Dieu, ca. 1800, Leadpoint, sheet: 9 7/8 x 7 5/8 in. (25.1 x 19.4 cm), Anonymous, Italian, 18th or early 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Various Sketches for Cartouches, with Satyr Heads, Putti, etc. 1700–1780 Anonymous, Italian, Piedmontese, 18th century Italian. Various Sketches for Cartouches, with Satyr Heads, Putti, etc.. Anonymous, Italian, Piedmontese, 18th century. 1700–1780. Pen and brown ink, over leadpoint. Drawings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/various-sketches-for-cartouches-with-satyr-heads-putti-etc-17001780-anonymous-italian-piedmontese-18th-century-italian-various-sketches-for-cartouches-with-satyr-heads-putti-etc-anonymous-italian-piedmontese-18th-century-17001780-pen-and-brown-ink-over-leadpoint-drawings-image458136338.htmlRM2HH9WG2–Various Sketches for Cartouches, with Satyr Heads, Putti, etc. 1700–1780 Anonymous, Italian, Piedmontese, 18th century Italian. Various Sketches for Cartouches, with Satyr Heads, Putti, etc.. Anonymous, Italian, Piedmontese, 18th century. 1700–1780. Pen and brown ink, over leadpoint. Drawings
Art inspired by Ornamental Design for Niche, 18th century, Leadpoint or graphite, 10 11/16 x 15 7/16 in. (27.1 x 39.2 cm), Drawings, Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730–after 1797, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-ornamental-design-for-niche-18th-century-leadpoint-or-graphite-10-1116-x-15-716-in-271-x-392-cm-drawings-workshop-of-leonardo-marini-italian-piedmontese-documented-ca-1730after-1797-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462967102.htmlRF2HW5Y7A–Art inspired by Ornamental Design for Niche, 18th century, Leadpoint or graphite, 10 11/16 x 15 7/16 in. (27.1 x 39.2 cm), Drawings, Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730–after 1797, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Landscape with Jacob Sleeping 1560–1609 Annibale Carracci Italian. Landscape with Jacob Sleeping. Annibale Carracci (Italian, Bologna 1560–1609 Rome). 1560–1609. Pen and two tones of brown ink, brush and gray-brown wash, over traces of leadpoint or black chalk. Drawings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-jacob-sleeping-15601609-annibale-carracci-italian-landscape-with-jacob-sleeping-annibale-carracci-italian-bologna-15601609-rome-15601609-pen-and-two-tones-of-brown-ink-brush-and-gray-brown-wash-over-traces-of-leadpoint-or-black-chalk-drawings-image458009008.htmlRM2HH434G–Landscape with Jacob Sleeping 1560–1609 Annibale Carracci Italian. Landscape with Jacob Sleeping. Annibale Carracci (Italian, Bologna 1560–1609 Rome). 1560–1609. Pen and two tones of brown ink, brush and gray-brown wash, over traces of leadpoint or black chalk. Drawings
Art inspired by Ornamental Design with Eagles and Mythological Figures, 16th century, Pen and brown ink, brush and brown wash, over leadpoint, 11-7/16 x 7-5/16 in. (29.1 x 18.6 cm), Anonymous, Italian or Spanish, 16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-ornamental-design-with-eagles-and-mythological-figures-16th-century-pen-and-brown-ink-brush-and-brown-wash-over-leadpoint-11-716-x-7-516-in-291-x-186-cm-anonymous-italian-or-spanish-16th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462956265.htmlRF2HW5DC9–Art inspired by Ornamental Design with Eagles and Mythological Figures, 16th century, Pen and brown ink, brush and brown wash, over leadpoint, 11-7/16 x 7-5/16 in. (29.1 x 18.6 cm), Anonymous, Italian or Spanish, 16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Putto Seated on a Frame MET DP807865 382676 Artist: Girolamo Mazzola Bedoli, Italian, Viadana ca. 1505?ca. 1570 Parma, A Putto Seated on a Frame, ca. 1538?40, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of leadpoint or black chalk., sheet: 4 3/4 x 2 9/16 in. (12 x 6.5 cm). The Metropolitan Museum of Art, New York. Gift of Philippe and Edith de Montebello, 2008 (2008.334.2) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-a-putto-seated-on-a-frame-met-dp807865-382676-artist-girolamo-mazzola-168495638.htmlRMKP3HWA–A Putto Seated on a Frame MET DP807865 382676 Artist: Girolamo Mazzola Bedoli, Italian, Viadana ca. 1505?ca. 1570 Parma, A Putto Seated on a Frame, ca. 1538?40, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of leadpoint or black chalk., sheet: 4 3/4 x 2 9/16 in. (12 x 6.5 cm). The Metropolitan Museum of Art, New York. Gift of Philippe and Edith de Montebello, 2008 (2008.334.2)
Leadpoint, Washington, map 1952, 1:24000, United States of America by Timeless Maps, data U.S. Geological Survey Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leadpoint-washington-map-1952-124000-united-states-of-america-by-timeless-maps-data-us-geological-survey-image414289908.htmlRM2F20F04–Leadpoint, Washington, map 1952, 1:24000, United States of America by Timeless Maps, data U.S. Geological Survey
'Madonna and Child with the Infant St. John and an Angel', c1475 (1945). Artist: Leonardo da Vinci. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-madonna-and-child-with-the-infant-st-john-and-an-angel-c1475-1945-135316773.htmlRMHT45WW–'Madonna and Child with the Infant St. John and an Angel', c1475 (1945). Artist: Leonardo da Vinci.
Raphael, (artist), Marchigian, 1483 - 1520, Eight Apostles, c. 1514, red chalk over stylus underdrawing and traces of leadpoint on laid paper, cut in two pieces and rejoined; laid down, sheet: 8.1 x 23.2 cm (3 3/16 x 9 1/8 in.), support: 9.4 x 24.8 cm (3 11/16 x 9 3/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/raphael-artist-marchigian-1483-1520-eight-apostles-c-1514-red-chalk-over-stylus-underdrawing-and-traces-of-leadpoint-on-laid-paper-cut-in-two-pieces-and-rejoined-laid-down-sheet-81-x-232-cm-3-316-x-9-18-in-support-94-x-248-cm-3-1116-x-9-34-in-image386364889.htmlRM2DCGCA1–Raphael, (artist), Marchigian, 1483 - 1520, Eight Apostles, c. 1514, red chalk over stylus underdrawing and traces of leadpoint on laid paper, cut in two pieces and rejoined; laid down, sheet: 8.1 x 23.2 cm (3 3/16 x 9 1/8 in.), support: 9.4 x 24.8 cm (3 11/16 x 9 3/4 in
Two Studies of Horses and Riders and Smaller Studies of Horses', c1480 (1945). Artist: Leonardo da Vinci. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-two-studies-of-horses-and-riders-and-smaller-studies-of-horses-c1480-135317076.htmlRMHT468M–Two Studies of Horses and Riders and Smaller Studies of Horses', c1480 (1945). Artist: Leonardo da Vinci.
![A Marble Horse on the Quirinal Hill [recto]. Dated: c. 1513. Dimensions: overall: 21.9 x 27.4 cm (8 5/8 x 10 13/16 in.). Medium: red chalk and pen and brown ink, with stylus underdrawing and traces of leadpoint on laid paper. Museum: National Gallery of Art, Washington DC. Author: RAPHAEL. Stock Photo](https://c8.alamy.com/comp/R36XW8/a-marble-horse-on-the-quirinal-hill-recto-dated-c-1513-dimensions-overall-219-x-274-cm-8-58-x-10-1316-in-medium-red-chalk-and-pen-and-brown-ink-with-stylus-underdrawing-and-traces-of-leadpoint-on-laid-paper-museum-national-gallery-of-art-washington-dc-author-raphael-R36XW8.jpg "A Marble Horse on the Quirinal Hill [recto]. Dated: c. 1513. Dimensions: overall: 21.9 x 27.4 cm (8 5/8 x 10 13/16 in.). Medium: red chalk and pen and brown ink, with stylus underdrawing and traces of leadpoint on laid paper. Museum: National Gallery of Art, Washington DC. Author: RAPHAEL. Stock Photo")
A Marble Horse on the Quirinal Hill [recto]. Dated: c. 1513. Dimensions: overall: 21.9 x 27.4 cm (8 5/8 x 10 13/16 in.). Medium: red chalk and pen and brown ink, with stylus underdrawing and traces of leadpoint on laid paper. Museum: National Gallery of Art, Washington DC. Author: RAPHAEL. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-marble-horse-on-the-quirinal-hill-recto-dated-c-1513-dimensions-overall-219-x-274-cm-8-58-x-10-1316-in-medium-red-chalk-and-pen-and-brown-ink-with-stylus-underdrawing-and-traces-of-leadpoint-on-laid-paper-museum-national-gallery-of-art-washington-dc-author-raphael-image225731556.htmlRMR36XW8–A Marble Horse on the Quirinal Hill [recto]. Dated: c. 1513. Dimensions: overall: 21.9 x 27.4 cm (8 5/8 x 10 13/16 in.). Medium: red chalk and pen and brown ink, with stylus underdrawing and traces of leadpoint on laid paper. Museum: National Gallery of Art, Washington DC. Author: RAPHAEL.
Raphael (Italian, 1483 - 1520), Eight Apostles, c. 1514, red chalk over stylus underdrawing and traces of leadpoint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-raphael-italian-1483-1520-eight-apostles-c-1514-red-chalk-over-stylus-123363552.htmlRMH4KKD4–Raphael (Italian, 1483 - 1520), Eight Apostles, c. 1514, red chalk over stylus underdrawing and traces of leadpoint
. BELLINI, Jacopo Leadpoint on parchment, 426 x 286 mm Musée du Louvre, Paris . circa 1450. see filename or category 264 Jacopo bellini, album del louvre, epigrafi e monete Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bellini-jacopo-leadpoint-on-parchment-426-x-286-mm-muse-du-louvre-paris-circa-1450-see-filename-or-category-264-jacopo-bellini-album-del-louvre-epigrafi-e-monete-image189066411.htmlRMMYGM3R–. BELLINI, Jacopo Leadpoint on parchment, 426 x 286 mm Musée du Louvre, Paris . circa 1450. see filename or category 264 Jacopo bellini, album del louvre, epigrafi e monete
Nativity 1445 by Jacopo Bellini Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nativity-1445-by-jacopo-bellini-image557231192.htmlRM2RAG220–Nativity 1445 by Jacopo Bellini
USGS Topo Map Washington State WA Leadpoint 20110428 TM Restoration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/usgs-topo-map-washington-state-wa-leadpoint-20110428-tm-restoration-image266388069.htmlRMWDB0KH–USGS Topo Map Washington State WA Leadpoint 20110428 TM Restoration
Landscape with a Boy Fishing, c. 1516. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-a-boy-fishing-c-1516-image506214964.htmlRM2MBG29T–Landscape with a Boy Fishing, c. 1516.
USGS Topo Map Washington State WA Leadpoint 241963 1952 24000 Restoration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/usgs-topo-map-washington-state-wa-leadpoint-241963-1952-24000-restoration-image266389113.htmlRMWDB20W–USGS Topo Map Washington State WA Leadpoint 241963 1952 24000 Restoration
Saint with Angel and Putto n.d. After Guercino (Giovanni Francesco Barbieri) Italian. Saint with Angel and Putto. After Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna). n.d.. Pen and brown ink, brush and dark brown ink, over leadpoint.. Drawings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-with-angel-and-putto-nd-after-guercino-giovanni-francesco-barbieri-italian-saint-with-angel-and-putto-after-guercino-giovanni-francesco-barbieri-italian-cento-15911666-bologna-nd-pen-and-brown-ink-brush-and-dark-brown-ink-over-leadpoint-drawings-image458099078.htmlRM2HH861A–Saint with Angel and Putto n.d. After Guercino (Giovanni Francesco Barbieri) Italian. Saint with Angel and Putto. After Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna). n.d.. Pen and brown ink, brush and dark brown ink, over leadpoint.. Drawings
Art inspired by Design for a Triumphal Arch, 1500–1700, Pen and brown ink, brush and brown wash, over traces of leadpoint (?), 13-3/16 x 9-9/16 in. (33.5 x 24.3 cm), Anonymous, Italian, 16th to 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-design-for-a-triumphal-arch-15001700-pen-and-brown-ink-brush-and-brown-wash-over-traces-of-leadpoint-13-316-x-9-916-in-335-x-243-cm-anonymous-italian-16th-to-17th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462956272.htmlRF2HW5DCG–Art inspired by Design for a Triumphal Arch, 1500–1700, Pen and brown ink, brush and brown wash, over traces of leadpoint (?), 13-3/16 x 9-9/16 in. (33.5 x 24.3 cm), Anonymous, Italian, 16th to 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Design for a Fountain with River Gods and Nymphs 1511–74 Giorgio Vasari Italian. Design for a Fountain with River Gods and Nymphs. Giorgio Vasari (Italian, Arezzo 1511–1574 Florence). 1511–74. Pen and brown ink, brush and brown wash, over traces of leadpoint. Drawings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-fountain-with-river-gods-and-nymphs-151174-giorgio-vasari-italian-design-for-a-fountain-with-river-gods-and-nymphs-giorgio-vasari-italian-arezzo-15111574-florence-151174-pen-and-brown-ink-brush-and-brown-wash-over-traces-of-leadpoint-drawings-image457808326.htmlRM2HGPY5A–Design for a Fountain with River Gods and Nymphs 1511–74 Giorgio Vasari Italian. Design for a Fountain with River Gods and Nymphs. Giorgio Vasari (Italian, Arezzo 1511–1574 Florence). 1511–74. Pen and brown ink, brush and brown wash, over traces of leadpoint. Drawings
Art inspired by Architectural Design Presenting Two Alternate Solutions (in two fragments), 17th century, Pen and brown ink, brush and brown wash over leadpoint., 10 11/16 x 3 9/16 in. (27.2 x 9 cm), Drawings, Anonymous, Italian, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-architectural-design-presenting-two-alternate-solutions-in-two-fragments-17th-century-pen-and-brown-ink-brush-and-brown-wash-over-leadpoint-10-1116-x-3-916-in-272-x-9-cm-drawings-anonymous-italian-17th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462966208.htmlRF2HW5X3C–Art inspired by Architectural Design Presenting Two Alternate Solutions (in two fragments), 17th century, Pen and brown ink, brush and brown wash over leadpoint., 10 11/16 x 3 9/16 in. (27.2 x 9 cm), Drawings, Anonymous, Italian, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Two Designs for Ewers 1600–1800 After Polidoro da Caravaggio Italian. Two Designs for Ewers. After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499–ca. 1543 Messina). 1600–1800. Pen and black ink, brush and grayish-brown wash, over traces of leadpoint or graphite Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-designs-for-ewers-16001800-after-polidoro-da-caravaggio-italian-two-designs-for-ewers-after-polidoro-da-caravaggio-italian-caravaggio-ca-1499ca-1543-messina-16001800-pen-and-black-ink-brush-and-grayish-brown-wash-over-traces-of-leadpoint-or-graphite-image458122884.htmlRM2HH98BG–Two Designs for Ewers 1600–1800 After Polidoro da Caravaggio Italian. Two Designs for Ewers. After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499–ca. 1543 Messina). 1600–1800. Pen and black ink, brush and grayish-brown wash, over traces of leadpoint or graphite
A Putto Seated on a Frame MET DP807865 382676 Artist: Girolamo Mazzola Bedoli, Italian, Viadana ca. 1505?ca. 1570 Parma, A Putto Seated on a Frame, ca. 1538?40, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of leadpoint or black chalk., sheet: 4 3/4 x 2 9/16 in. (12 x 6.5 cm). The Metropolitan Museum of Art, New York. Gift of Philippe and Edith de Montebello, 2008 (2008.334.2) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-a-putto-seated-on-a-frame-met-dp807865-382676-artist-girolamo-mazzola-168351899.htmlRMKNW2FR–A Putto Seated on a Frame MET DP807865 382676 Artist: Girolamo Mazzola Bedoli, Italian, Viadana ca. 1505?ca. 1570 Parma, A Putto Seated on a Frame, ca. 1538?40, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of leadpoint or black chalk., sheet: 4 3/4 x 2 9/16 in. (12 x 6.5 cm). The Metropolitan Museum of Art, New York. Gift of Philippe and Edith de Montebello, 2008 (2008.334.2)
Leadpoint, Washington, map 1992, 1:24000, United States of America by Timeless Maps, data U.S. Geological Survey Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leadpoint-washington-map-1992-124000-united-states-of-america-by-timeless-maps-data-us-geological-survey-image407025626.htmlRM2EJ5H9E–Leadpoint, Washington, map 1992, 1:24000, United States of America by Timeless Maps, data U.S. Geological Survey
![Portrait of a Woman [recto]. Dated: c. 1508. Dimensions: overall (Oval): 14.4 x 10.3 cm (5 11/16 x 4 1/16 in.). Medium: silverpoint with brush and black and brown ink over charcoal and leadpoint, heightened with white on white prepared paper. Museum: National Gallery of Art, Washington DC. Author: HANS HOLBEIN THE ELDER. Stock Photo](https://c8.alamy.com/comp/R33K4B/portrait-of-a-woman-recto-dated-c-1508-dimensions-overall-oval-144-x-103-cm-5-1116-x-4-116-in-medium-silverpoint-with-brush-and-black-and-brown-ink-over-charcoal-and-leadpoint-heightened-with-white-on-white-prepared-paper-museum-national-gallery-of-art-washington-dc-author-hans-holbein-the-elder-R33K4B.jpg "Portrait of a Woman [recto]. Dated: c. 1508. Dimensions: overall (Oval): 14.4 x 10.3 cm (5 11/16 x 4 1/16 in.). Medium: silverpoint with brush and black and brown ink over charcoal and leadpoint, heightened with white on white prepared paper. Museum: National Gallery of Art, Washington DC. Author: HANS HOLBEIN THE ELDER. Stock Photo")
Portrait of a Woman [recto]. Dated: c. 1508. Dimensions: overall (Oval): 14.4 x 10.3 cm (5 11/16 x 4 1/16 in.). Medium: silverpoint with brush and black and brown ink over charcoal and leadpoint, heightened with white on white prepared paper. Museum: National Gallery of Art, Washington DC. Author: HANS HOLBEIN THE ELDER. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-woman-recto-dated-c-1508-dimensions-overall-oval-144-x-103-cm-5-1116-x-4-116-in-medium-silverpoint-with-brush-and-black-and-brown-ink-over-charcoal-and-leadpoint-heightened-with-white-on-white-prepared-paper-museum-national-gallery-of-art-washington-dc-author-hans-holbein-the-elder-image225659627.htmlRMR33K4B–Portrait of a Woman [recto]. Dated: c. 1508. Dimensions: overall (Oval): 14.4 x 10.3 cm (5 11/16 x 4 1/16 in.). Medium: silverpoint with brush and black and brown ink over charcoal and leadpoint, heightened with white on white prepared paper. Museum: National Gallery of Art, Washington DC. Author: HANS HOLBEIN THE ELDER.
Raphael (Italian, 1483 - 1520), Eight Apostles, c. 1514, red chalk over stylus underdrawing and traces of leadpoint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-raphael-italian-1483-1520-eight-apostles-c-1514-red-chalk-over-stylus-77435103.htmlRMEDYD7B–Raphael (Italian, 1483 - 1520), Eight Apostles, c. 1514, red chalk over stylus underdrawing and traces of leadpoint
. BELLINI, Jacopo Leadpoint on parchment, 426 x 286 mm Musée du Louvre, Paris . circa 1450. see filename or category 264 Jacopo bellini, album del louvre, predica del battista Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bellini-jacopo-leadpoint-on-parchment-426-x-286-mm-muse-du-louvre-paris-circa-1450-see-filename-or-category-264-jacopo-bellini-album-del-louvre-predica-del-battista-image189066416.htmlRMMYGM40–. BELLINI, Jacopo Leadpoint on parchment, 426 x 286 mm Musée du Louvre, Paris . circa 1450. see filename or category 264 Jacopo bellini, album del louvre, predica del battista
Two Dead Ducks, 1685–1755, Brush with gray, green, blue, black, and orange wash over leadpoint. Traces of framing outlines in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-two-dead-ducks-16851755-brush-with-gray-green-blue-black-and-orange-162482842.htmlRMKC9MEJ–Two Dead Ducks, 1685–1755, Brush with gray, green, blue, black, and orange wash over leadpoint. Traces of framing outlines in
Flagellation 1450 by Jacopo Bellini Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flagellation-1450-by-jacopo-bellini-image557231149.htmlRM2RAG20D–Flagellation 1450 by Jacopo Bellini
The Nativity, 1665–70, Pen and brown ink, brush and brown wash, over traces of leadpoint or soft black chalk, 10-3/4 x 9 in. (27 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-nativity-166570-pen-and-brown-ink-brush-and-brown-wash-over-traces-162453479.htmlRMKC8B1Y–The Nativity, 1665–70, Pen and brown ink, brush and brown wash, over traces of leadpoint or soft black chalk, 10-3/4 x 9 in. (27
USGS Topo Map Washington State WA Leadpoint 241964 1952 24000 Restoration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/usgs-topo-map-washington-state-wa-leadpoint-241964-1952-24000-restoration-image266389453.htmlRMWDB2D1–USGS Topo Map Washington State WA Leadpoint 241964 1952 24000 Restoration
Freydal, The Book of Jousts and Tournament of Emperor Maximilian I: Combats on Horseback (Jousts)(Volume II): Plate 102, c. 1515. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/freydal-the-book-of-jousts-and-tournament-of-emperor-maximilian-i-combats-on-horseback-joustsvolume-ii-plate-102-c-1515-image433086418.htmlRM2G4GP42–Freydal, The Book of Jousts and Tournament of Emperor Maximilian I: Combats on Horseback (Jousts)(Volume II): Plate 102, c. 1515.
Art inspired by Ornamental Design of Winged Female Figures and Dragons, 17th century, Pen and brown ink, over leadpoint or black chalk., 1 15/16 x 3 1/8 in. (4.9 x 7.9 cm), Drawings, Anonymous, Italian, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-ornamental-design-of-winged-female-figures-and-dragons-17th-century-pen-and-brown-ink-over-leadpoint-or-black-chalk-1-1516-x-3-18-in-49-x-79-cm-drawings-anonymous-italian-17th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462965701.htmlRF2HW5WD9–Art inspired by Ornamental Design of Winged Female Figures and Dragons, 17th century, Pen and brown ink, over leadpoint or black chalk., 1 15/16 x 3 1/8 in. (4.9 x 7.9 cm), Drawings, Anonymous, Italian, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Design of fireworks: two views of a rocket 1650–1750 Anonymous, Italian, 17th century. Design of fireworks: two views of a rocket. Anonymous, Italian, 17th century. 1650–1750. Pen and brown ink, brush and gray wash, over leadpoint or graphite, ruling and some compass construction. Drawings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-of-fireworks-two-views-of-a-rocket-16501750-anonymous-italian-17th-century-design-of-fireworks-two-views-of-a-rocket-anonymous-italian-17th-century-16501750-pen-and-brown-ink-brush-and-gray-wash-over-leadpoint-or-graphite-ruling-and-some-compass-construction-drawings-image458004323.htmlRM2HH3W57–Design of fireworks: two views of a rocket 1650–1750 Anonymous, Italian, 17th century. Design of fireworks: two views of a rocket. Anonymous, Italian, 17th century. 1650–1750. Pen and brown ink, brush and gray wash, over leadpoint or graphite, ruling and some compass construction. Drawings
A Putto Seated on a Frame MET DP159673 382676 Artist: Girolamo Mazzola Bedoli, Italian, Viadana ca. 1505?ca. 1570 Parma, A Putto Seated on a Frame, ca. 1538?40, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of leadpoint or black chalk., sheet: 4 3/4 x 2 9/16 in. (12 x 6.5 cm). The Metropolitan Museum of Art, New York. Gift of Philippe and Edith de Montebello, 2008 (2008.334.2) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-a-putto-seated-on-a-frame-met-dp159673-382676-artist-girolamo-mazzola-168351903.htmlRMKNW2FY–A Putto Seated on a Frame MET DP159673 382676 Artist: Girolamo Mazzola Bedoli, Italian, Viadana ca. 1505?ca. 1570 Parma, A Putto Seated on a Frame, ca. 1538?40, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of leadpoint or black chalk., sheet: 4 3/4 x 2 9/16 in. (12 x 6.5 cm). The Metropolitan Museum of Art, New York. Gift of Philippe and Edith de Montebello, 2008 (2008.334.2)
Design for Left Side of an Altarpiece Frame 1700–1780 Anonymous, Italian, Piedmontese, 18th century Italian. Design for Left Side of an Altarpiece Frame. Anonymous, Italian, Piedmontese, 18th century. 1700–1780. Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled and compass construction. Drawings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-left-side-of-an-altarpiece-frame-17001780-anonymous-italian-piedmontese-18th-century-italian-design-for-left-side-of-an-altarpiece-frame-anonymous-italian-piedmontese-18th-century-17001780-pen-and-brown-ink-brush-and-gray-wash-over-leadpoint-or-graphite-with-ruled-and-compass-construction-drawings-image458544636.htmlRM2HJ0EA4–Design for Left Side of an Altarpiece Frame 1700–1780 Anonymous, Italian, Piedmontese, 18th century Italian. Design for Left Side of an Altarpiece Frame. Anonymous, Italian, Piedmontese, 18th century. 1700–1780. Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled and compass construction. Drawings
The Crucifixion with the Virgin and Saints and the Hungerstein Family. Dated: c. 1492. Dimensions: page size: 38.7 x 26.1 cm (15 1/4 x 10 1/4 in.). Medium: pen and ink over traces of chalk and leadpoint on laid paper in bound volume. Museum: National Gallery of Art, Washington DC. Author: Primary Master of the Strassburg Chronicle. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-crucifixion-with-the-virgin-and-saints-and-the-hungerstein-family-dated-c-1492-dimensions-page-size-387-x-261-cm-15-14-x-10-14-in-medium-pen-and-ink-over-traces-of-chalk-and-leadpoint-on-laid-paper-in-bound-volume-museum-national-gallery-of-art-washington-dc-author-primary-master-of-the-strassburg-chronicle-image225471392.htmlRMR2R31M–The Crucifixion with the Virgin and Saints and the Hungerstein Family. Dated: c. 1492. Dimensions: page size: 38.7 x 26.1 cm (15 1/4 x 10 1/4 in.). Medium: pen and ink over traces of chalk and leadpoint on laid paper in bound volume. Museum: National Gallery of Art, Washington DC. Author: Primary Master of the Strassburg Chronicle.
Design of fireworks: the rocket in its propelling capsule 1650–1750 Anonymous, Italian, 17th century. Design of fireworks: the rocket in its propelling capsule. Anonymous, Italian, 17th century. 1650–1750. Pen and brown ink, brush and gray wash, over leadpoint or graphite, ruling and extensive compass construction. Drawings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-of-fireworks-the-rocket-in-its-propelling-capsule-16501750-anonymous-italian-17th-century-design-of-fireworks-the-rocket-in-its-propelling-capsule-anonymous-italian-17th-century-16501750-pen-and-brown-ink-brush-and-gray-wash-over-leadpoint-or-graphite-ruling-and-extensive-compass-construction-drawings-image457913353.htmlRM2HGYN49–Design of fireworks: the rocket in its propelling capsule 1650–1750 Anonymous, Italian, 17th century. Design of fireworks: the rocket in its propelling capsule. Anonymous, Italian, 17th century. 1650–1750. Pen and brown ink, brush and gray wash, over leadpoint or graphite, ruling and extensive compass construction. Drawings
. BELLINI, Jacopo Leadpoint on parchment, 426 x 286 mm Musée du Louvre, Paris . circa 1450. see filename or category 305 Jacopo bellini, album del louvre, carro di bacco Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bellini-jacopo-leadpoint-on-parchment-426-x-286-mm-muse-du-louvre-paris-circa-1450-see-filename-or-category-305-jacopo-bellini-album-del-louvre-carro-di-bacco-image188330905.htmlRMMXB5YN–. BELLINI, Jacopo Leadpoint on parchment, 426 x 286 mm Musée du Louvre, Paris . circa 1450. see filename or category 305 Jacopo bellini, album del louvre, carro di bacco
A View of a Village with Figures 1624 Remigio Cantagallina Italian. A View of a Village with Figures. Remigio Cantagallina (Italian, Borgo Sansepolcro ca. 1582–1656 Florence). 1624. Pen and brown ink, over traces of black chalk or leadpoint; framing lines in pen and brown ink. Drawings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-view-of-a-village-with-figures-1624-remigio-cantagallina-italian-a-view-of-a-village-with-figures-remigio-cantagallina-italian-borgo-sansepolcro-ca-15821656-florence-1624-pen-and-brown-ink-over-traces-of-black-chalk-or-leadpoint-framing-lines-in-pen-and-brown-ink-drawings-image458616467.htmlRM2HJ3NYF–A View of a Village with Figures 1624 Remigio Cantagallina Italian. A View of a Village with Figures. Remigio Cantagallina (Italian, Borgo Sansepolcro ca. 1582–1656 Florence). 1624. Pen and brown ink, over traces of black chalk or leadpoint; framing lines in pen and brown ink. Drawings
Leadpoint, Washington, map 1952, 1:24000, United States of America by Timeless Maps, data U.S. Geological Survey Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leadpoint-washington-map-1952-124000-united-states-of-america-by-timeless-maps-data-us-geological-survey-image414289905.htmlRM2F20F01–Leadpoint, Washington, map 1952, 1:24000, United States of America by Timeless Maps, data U.S. Geological Survey
Design for a Ceiling, 1774–78, Graphite or leadpoint; some pen and brown ink, 19-5/8 x 13-9/16 in. (49.9 x 34.5 cm), Drawings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-design-for-a-ceiling-177478-graphite-or-leadpoint-some-pen-and-brown-162454877.htmlRMKC8CRW–Design for a Ceiling, 1774–78, Graphite or leadpoint; some pen and brown ink, 19-5/8 x 13-9/16 in. (49.9 x 34.5 cm), Drawings
Annunciation 1560–1600 Marchigian artist near Filippo Bellini Italian. Annunciation. Marchigian artist near Filippo Bellini (Italian, Urbino 1550/55–1604 Macerata). 1560–1600. Pen and brown ink, brush and brown wash, over leadpoint or black chalk, on paper washed light brown; squared for transfer. Drawings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annunciation-15601600-marchigian-artist-near-filippo-bellini-italian-annunciation-marchigian-artist-near-filippo-bellini-italian-urbino-1550551604-macerata-15601600-pen-and-brown-ink-brush-and-brown-wash-over-leadpoint-or-black-chalk-on-paper-washed-light-brown-squared-for-transfer-drawings-image458078588.htmlRM2HH77WG–Annunciation 1560–1600 Marchigian artist near Filippo Bellini Italian. Annunciation. Marchigian artist near Filippo Bellini (Italian, Urbino 1550/55–1604 Macerata). 1560–1600. Pen and brown ink, brush and brown wash, over leadpoint or black chalk, on paper washed light brown; squared for transfer. Drawings
Dormition of the Virgin 1450 by Jacopo Bellini Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dormition-of-the-virgin-1450-by-jacopo-bellini-image557231156.htmlRM2RAG20M–Dormition of the Virgin 1450 by Jacopo Bellini
USGS Topo Map Washington State WA Leadpoint 241965 1992 24000 Restoration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/usgs-topo-map-washington-state-wa-leadpoint-241965-1992-24000-restoration-image266390210.htmlRMWDB3C2–USGS Topo Map Washington State WA Leadpoint 241965 1992 24000 Restoration
Freydal, The Book of Jousts and Tournament of Emperor Maximilian I: Combats on Horseback (Jousts)(Volume II): Plate 113, c. 1515. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/freydal-the-book-of-jousts-and-tournament-of-emperor-maximilian-i-combats-on-horseback-joustsvolume-ii-plate-113-c-1515-image433086273.htmlRM2G4GNXW–Freydal, The Book of Jousts and Tournament of Emperor Maximilian I: Combats on Horseback (Jousts)(Volume II): Plate 113, c. 1515.
Art inspired by Ornamental Border with a Putto, Scroll, Mask, and Floral Garland., 17th century, Pen and brown ink, over leadpoint or black chalk, 11 5/8 x 3 7/16 in. (29.6 x 8.7 cm), Drawings, Anonymous, Italian, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-ornamental-border-with-a-putto-scroll-mask-and-floral-garland-17th-century-pen-and-brown-ink-over-leadpoint-or-black-chalk-11-58-x-3-716-in-296-x-87-cm-drawings-anonymous-italian-17th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462965719.htmlRF2HW5WDY–Art inspired by Ornamental Border with a Putto, Scroll, Mask, and Floral Garland., 17th century, Pen and brown ink, over leadpoint or black chalk, 11 5/8 x 3 7/16 in. (29.6 x 8.7 cm), Drawings, Anonymous, Italian, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Design for a Ceiling, 1774–78, Graphite or leadpoint; some pen and brown ink, 19-5/8 x 13-9/16 in. (49.9 x 34.5 cm), Drawings, Leonardo Marini (Italian, Piedmontese documented ca. 1730–after 1797, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-design-for-a-ceiling-177478-graphite-or-leadpoint-some-pen-and-brown-ink-19-58-x-13-916-in-499-x-345-cm-drawings-leonardo-marini-italian-piedmontese-documented-ca-1730after-1797-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462802302.htmlRF2HTXD1J–Art inspired by Design for a Ceiling, 1774–78, Graphite or leadpoint; some pen and brown ink, 19-5/8 x 13-9/16 in. (49.9 x 34.5 cm), Drawings, Leonardo Marini (Italian, Piedmontese documented ca. 1730–after 1797, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
God the Father with His Right Hand Raised in Blessing. Dimensions: overall (lunette): 7 x 8.1 cm (2 3/4 x 3 3/16 in.). Medium: leadpoint(?), pen and brown ink and wash, heightened with white on cream-colored prepared(?) paper laid down on wood panel. Museum: National Gallery of Art, Washington DC. Author: Girolamo dai Libri. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/god-the-father-with-his-right-hand-raised-in-blessing-dimensions-overall-lunette-7-x-81-cm-2-34-x-3-316-in-medium-leadpoint-pen-and-brown-ink-and-wash-heightened-with-white-on-cream-colored-prepared-paper-laid-down-on-wood-panel-museum-national-gallery-of-art-washington-dc-author-girolamo-dai-libri-image225773994.htmlRMR38W0X–God the Father with His Right Hand Raised in Blessing. Dimensions: overall (lunette): 7 x 8.1 cm (2 3/4 x 3 3/16 in.). Medium: leadpoint(?), pen and brown ink and wash, heightened with white on cream-colored prepared(?) paper laid down on wood panel. Museum: National Gallery of Art, Washington DC. Author: Girolamo dai Libri.
. BELLINI, Jacopo Leadpoint on parchment, 426 x 286 mm Musée du Louvre, Paris . circa 1450. see filename or category 304 Jacopo bellini, album del louvre, epigrafi e monete Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bellini-jacopo-leadpoint-on-parchment-426-x-286-mm-muse-du-louvre-paris-circa-1450-see-filename-or-category-304-jacopo-bellini-album-del-louvre-epigrafi-e-monete-image187787213.htmlRMMWECE5–. BELLINI, Jacopo Leadpoint on parchment, 426 x 286 mm Musée du Louvre, Paris . circa 1450. see filename or category 304 Jacopo bellini, album del louvre, epigrafi e monete
Building, 1536–1614, Pen and brown ink, brush and brown wash, over leadpoint, 9-5/8 x 11-1/4 in. (24.5 x 28.6 cm); maximum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-building-15361614-pen-and-brown-ink-brush-and-brown-wash-over-leadpoint-162455288.htmlRMKC8DAG–Building, 1536–1614, Pen and brown ink, brush and brown wash, over leadpoint, 9-5/8 x 11-1/4 in. (24.5 x 28.6 cm); maximum
Design for a Ceiling With an Elaborate Cove 1700–1780 Anonymous, Italian, Piedmontese, 18th century Italian. Design for a Ceiling With an Elaborate Cove. Anonymous, Italian, Piedmontese, 18th century. 1700–1780. Pen and gray and brown ink, brush and gray wash over black chalk underdrawing, with ruled and compass construction in leadpoint. Scales at bottom.. Drawings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-ceiling-with-an-elaborate-cove-17001780-anonymous-italian-piedmontese-18th-century-italian-design-for-a-ceiling-with-an-elaborate-cove-anonymous-italian-piedmontese-18th-century-17001780-pen-and-gray-and-brown-ink-brush-and-gray-wash-over-black-chalk-underdrawing-with-ruled-and-compass-construction-in-leadpoint-scales-at-bottom-drawings-image458044978.htmlRM2HH5N16–Design for a Ceiling With an Elaborate Cove 1700–1780 Anonymous, Italian, Piedmontese, 18th century Italian. Design for a Ceiling With an Elaborate Cove. Anonymous, Italian, Piedmontese, 18th century. 1700–1780. Pen and gray and brown ink, brush and gray wash over black chalk underdrawing, with ruled and compass construction in leadpoint. Scales at bottom.. Drawings
Album del Louvre, epigrafi e monete 1450 by Jacopo Bellini Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/album-del-louvre-epigrafi-e-monete-1450-by-jacopo-bellini-image557231162.htmlRM2RAG20X–Album del Louvre, epigrafi e monete 1450 by Jacopo Bellini
USGS Topo Map Washington State WA Leadpoint 241962 1952 24000 Restoration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/usgs-topo-map-washington-state-wa-leadpoint-241962-1952-24000-restoration-image266388759.htmlRMWDB1G7–USGS Topo Map Washington State WA Leadpoint 241962 1952 24000 Restoration
Freydal, The Book of Jousts and Tournament of Emperor Maximilian I: Combats on Foot (Jousts)(Volume III): Plate 144, c. 1515. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/freydal-the-book-of-jousts-and-tournament-of-emperor-maximilian-i-combats-on-foot-joustsvolume-iii-plate-144-c-1515-image433086260.htmlRM2G4GNXC–Freydal, The Book of Jousts and Tournament of Emperor Maximilian I: Combats on Foot (Jousts)(Volume III): Plate 144, c. 1515.
USGS Topo Map Washington State WA Leadpoint 20110428 TM Inverted Restoration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/usgs-topo-map-washington-state-wa-leadpoint-20110428-tm-inverted-restoration-image266388073.htmlRMWDB0KN–USGS Topo Map Washington State WA Leadpoint 20110428 TM Inverted Restoration
USGS Topo Map Washington State WA Leadpoint 241962 1952 24000 Inverted Restoration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/usgs-topo-map-washington-state-wa-leadpoint-241962-1952-24000-inverted-restoration-image266388413.htmlRMWDB13W–USGS Topo Map Washington State WA Leadpoint 241962 1952 24000 Inverted Restoration
Art inspired by The Vision of Saint Anthony of Padua, n.d., Pen and brown ink over traces of leadpoint (?), sheet: 7 x 5 1/16 in. (17.8 x 12.8 cm), Drawings, Vicente Salvador Gómez (Spanish, Valencia 1637–ca. 1700 Valencia, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-vision-of-saint-anthony-of-padua-nd-pen-and-brown-ink-over-traces-of-leadpoint-sheet-7-x-5-116-in-178-x-128-cm-drawings-vicente-salvador-gmez-spanish-valencia-1637ca-1700-valencia-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462962186.htmlRF2HW5MYP–Art inspired by The Vision of Saint Anthony of Padua, n.d., Pen and brown ink over traces of leadpoint (?), sheet: 7 x 5 1/16 in. (17.8 x 12.8 cm), Drawings, Vicente Salvador Gómez (Spanish, Valencia 1637–ca. 1700 Valencia, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Maximilian, Duke of Austria, on Horseback. Dated: 1492. Dimensions: overall: 38.7 x 26.1 cm (15 1/4 x 10 1/4 in.). Medium: pen and black ink over traces of black chalk on laid paper ruled in leadpoint. Museum: National Gallery of Art, Washington DC. Author: Primary Master of the Strassburg Chronicle. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maximilian-duke-of-austria-on-horseback-dated-1492-dimensions-overall-387-x-261-cm-15-14-x-10-14-in-medium-pen-and-black-ink-over-traces-of-black-chalk-on-laid-paper-ruled-in-leadpoint-museum-national-gallery-of-art-washington-dc-author-primary-master-of-the-strassburg-chronicle-image225767007.htmlRMR38G3B–Maximilian, Duke of Austria, on Horseback. Dated: 1492. Dimensions: overall: 38.7 x 26.1 cm (15 1/4 x 10 1/4 in.). Medium: pen and black ink over traces of black chalk on laid paper ruled in leadpoint. Museum: National Gallery of Art, Washington DC. Author: Primary Master of the Strassburg Chronicle.
. BELLINI, Jacopo Leadpoint on parchment, 426 x 286 mm Musée du Louvre, Paris . circa 1450. see filename or category 305 Jacopo bellini, album del louvre, epigrafi e statue Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bellini-jacopo-leadpoint-on-parchment-426-x-286-mm-muse-du-louvre-paris-circa-1450-see-filename-or-category-305-jacopo-bellini-album-del-louvre-epigrafi-e-statue-image188330908.htmlRMMXB5YT–. BELLINI, Jacopo Leadpoint on parchment, 426 x 286 mm Musée du Louvre, Paris . circa 1450. see filename or category 305 Jacopo bellini, album del louvre, epigrafi e statue
Two Saints in Adoration., n.d., Pen and brown ink, brush and brown wash over traces of leadpoint, 6 1/2 x 12 5/8 in. (16.5 x 32 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-two-saints-in-adoration-nd-pen-and-brown-ink-brush-and-brown-wash-162490423.htmlRMKCA25B–Two Saints in Adoration., n.d., Pen and brown ink, brush and brown wash over traces of leadpoint, 6 1/2 x 12 5/8 in. (16.5 x 32
Two Designs for Floral Panels of Ornament 1680–1780 Anonymous, Italian, Piedmontese, 18th century Italian. Two Designs for Floral Panels of Ornament. Anonymous, Italian, Piedmontese, 18th century. 1680–1780. Pen and brown ink, brush and gray wash, over traces of leadpoint or graphite, with ruled construction. Framing outlines in pen and brown ink. Drawings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-designs-for-floral-panels-of-ornament-16801780-anonymous-italian-piedmontese-18th-century-italian-two-designs-for-floral-panels-of-ornament-anonymous-italian-piedmontese-18th-century-16801780-pen-and-brown-ink-brush-and-gray-wash-over-traces-of-leadpoint-or-graphite-with-ruled-construction-framing-outlines-in-pen-and-brown-ink-drawings-image458013467.htmlRM2HH48RR–Two Designs for Floral Panels of Ornament 1680–1780 Anonymous, Italian, Piedmontese, 18th century Italian. Two Designs for Floral Panels of Ornament. Anonymous, Italian, Piedmontese, 18th century. 1680–1780. Pen and brown ink, brush and gray wash, over traces of leadpoint or graphite, with ruled construction. Framing outlines in pen and brown ink. Drawings
Leonardo da Vinci, (artist), Florentine, 1452 - 1519, Sheet of Studies, probably 1470/1480, pen and brown ink over leadpoint with blind stylus on laid paper, overall: 16.4 x 13.9 cm (6 7/16 x 5 1/2 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leonardo-da-vinci-artist-florentine-1452-1519-sheet-of-studies-probably-14701480-pen-and-brown-ink-over-leadpoint-with-blind-stylus-on-laid-paper-overall-164-x-139-cm-6-716-x-5-12-in-image386311385.htmlRM2DCE035–Leonardo da Vinci, (artist), Florentine, 1452 - 1519, Sheet of Studies, probably 1470/1480, pen and brown ink over leadpoint with blind stylus on laid paper, overall: 16.4 x 13.9 cm (6 7/16 x 5 1/2 in
Epigrafi e Statue 1450 by Jacopo Bellini Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/epigrafi-e-statue-1450-by-jacopo-bellini-image557231147.htmlRM2RAG20B–Epigrafi e Statue 1450 by Jacopo Bellini
Freydal, The Book of Jousts and Tournament of Emperor Maximilian I: Combats on Horseback (Jousts)(Volume II): Fürst von Raymundt, Plate 104, c. 1515. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/freydal-the-book-of-jousts-and-tournament-of-emperor-maximilian-i-combats-on-horseback-joustsvolume-ii-fxfcrst-von-raymundt-plate-104-c-1515-image433086420.htmlRM2G4GP44–Freydal, The Book of Jousts and Tournament of Emperor Maximilian I: Combats on Horseback (Jousts)(Volume II): Fürst von Raymundt, Plate 104, c. 1515.
USGS Topo Map Washington State WA Leadpoint 241963 1952 24000 Inverted Restoration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/usgs-topo-map-washington-state-wa-leadpoint-241963-1952-24000-inverted-restoration-image266388763.htmlRMWDB1GB–USGS Topo Map Washington State WA Leadpoint 241963 1952 24000 Inverted Restoration
