Adam and Eve, 1517, oil on paper, (probably later) mounted on spruce wood, Watermark: ox-head with dew, 30 x 35.5 cm, monogrammed and dated at the top center: 1517 HH, Hans Holbein d. J., Augsburg um 1497/98–1543 London
Adam and Eve, 1517, oil on paper, (probably later) mounted on spruce wood, Watermark: ox-head with dew, 30 x 35.5 cm, monogrammed and dated at the top center: 1517 HH, Hans Holbein d. J., Augsburg um 1497/98–1543 London https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/adam-and-eve-1517-oil-on-paper-probably-later-mounted-on-spruce-wood-watermark-ox-head-with-dew-30-x-355-cm-monogrammed-and-dated-at-the-top-center-1517-hh-hans-holbein-d-j-augsburg-um-1497981543-london-image328706875.html
(House builders, Cairo). Date/Period: Ca. 1897. Painting,oil on canvas, later mounted on paperboard. Height: 242 mm (9.52 in); Width: 133 mm (5.23 in). Author: Arthur Streeton.
(House builders, Cairo). Date/Period: Ca. 1897. Painting,oil on canvas, later mounted on paperboard. Height: 242 mm (9.52 in); Width: 133 mm (5.23 in). Author: Arthur Streeton. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/house-builders-cairo-dateperiod-ca-1897-paintingoil-on-canvas-later-mounted-on-paperboard-height-242-mm-952-in-width-133-mm-523-in-author-arthur-streeton-image219108617.html
CT8953.tif Muhammad Ali Beg . Azərbaycanca: I Şah Abbas tərəfindən Babur dövlətinə göndərilmiş nümayəndə Məhəmməd Əli bəy (1631-1632) English: Muhammad ‘Ali Beg was the ambassador sent to the Mughal court by Shah Abbas of Iran, arriving in time for the New Year festival in March 1631. He remained there until October 1632, during which time his portrait was painted by the royal artist, Hashim. The painting is inscribed in Persian ‘likeness of Muhammad Ali Beg, ambassador, the work of Hashim’, possibly by the Mughal emperor Shah Jahan. It was later mounted on a page with margins decorated wit
CT8953.tif Muhammad Ali Beg . Azərbaycanca: I Şah Abbas tərəfindən Babur dövlətinə göndərilmiş nümayəndə Məhəmməd Əli bəy (1631-1632) English: Muhammad ‘Ali Beg was the ambassador sent to the Mughal court by Shah Abbas of Iran, arriving in time for the New Year festival in March 1631. He remained there until October 1632, during which time his portrait was painted by the royal artist, Hashim. The painting is inscribed in Persian ‘likeness of Muhammad Ali Beg, ambassador, the work of Hashim’, possibly by the Mughal emperor Shah Jahan. It was later mounted on a page with margins decorated wit https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/ct8953tif-muhammad-ali-beg-azrbaycanca-i-ah-abbas-trfindn-babur-dvltin-gndrilmi-nmaynd-mhmmd-li-by-1631-1632-english-muhammad-ali-beg-was-the-ambassador-sent-to-the-mughal-court-by-shah-abbas-of-iran-arriving-in-time-for-the-new-year-festival-in-march-1631-he-remained-there-until-october-1632-during-which-time-his-portrait-was-painted-by-the-royal-artist-hashim-the-painting-is-inscribed-in-persian-likeness-of-muhammad-ali-beg-ambassador-the-work-of-hashim-possibly-by-the-mughal-emperor-shah-jahan-it-was-later-mounted-on-a-page-with-margins-decorated-wit-image185703019.html
A man receiving attention during the shooting incident in Londonderry, Northern Ireland, which became known as Bloody Sunday. Lying on the ground is a man receiving attention, while the youth in a sports jacket (extreme left, at top) is said to be Michael McDaid, 17, who was later killed. *25/01/97: Several hundred demonstrators began a march through north London to mark the 25th anniversary of Bloody Sunday. * Mounted police escorted the protesters as they paraded alongside pipe bands and flag waving activists from Highbury Fields to Archway. Sinn Fein's chief negotiator Martin McGuinness w
A man receiving attention during the shooting incident in Londonderry, Northern Ireland, which became known as Bloody Sunday. Lying on the ground is a man receiving attention, while the youth in a sports jacket (extreme left, at top) is said to be Michael McDaid, 17, who was later killed. *25/01/97: Several hundred demonstrators began a march through north London to mark the 25th anniversary of Bloody Sunday. * Mounted police escorted the protesters as they paraded alongside pipe bands and flag waving activists from Highbury Fields to Archway. Sinn Fein's chief negotiator Martin McGuinness w https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-man-receiving-attention-during-the-shooting-incident-in-londonderry-northern-ireland-which-became-known-as-bloody-sunday-lying-on-the-ground-is-a-man-receiving-attention-while-the-youth-in-a-sports-jacket-extreme-left-at-top-is-said-to-be-michael-mcdaid-17-who-was-later-killed-250197-several-hundred-demonstrators-began-a-march-through-north-london-to-mark-the-25th-anniversary-of-bloody-sunday-mounted-police-escorted-the-protesters-as-they-paraded-alongside-pipe-bands-and-flag-waving-activists-from-highbury-fields-to-archway-sinn-feins-chief-negotiator-martin-mcguinness-w-image371333654.html
Art inspired by Half Armor, ca. 1510–20 and later, Augsburg, German, Augsburg, Steel, as mounted, H. 37 in. (94 cm), Armor for Man-1/2 Armor, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Half Armor, ca. 1510–20 and later, Augsburg, German, Augsburg, Steel, as mounted, H. 37 in. (94 cm), Armor for Man-1/2 Armor, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-half-armor-ca-151020-and-later-augsburg-german-augsburg-steel-as-mounted-h-37-in-94-cm-armor-for-man-12-armor-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462899747.html
A curator holds a pocket watch that belonged to Lord Nelson in front of a portrait of the admiral at Sotheby's in London June 24, 2005. The watch, which dates from 1787 and was later mounted in a carriage clock case, was worn by Nelson when he died during the Battle of Trafalgar in 1805, and is expected to have a price tag of 350,000 pounds ($640,000) at auction in October. REUTERS/Mike Finn-Kelcey MFK/KI
A curator holds a pocket watch that belonged to Lord Nelson in front of a portrait of the admiral at Sotheby's in London June 24, 2005. The watch, which dates from 1787 and was later mounted in a carriage clock case, was worn by Nelson when he died during the Battle of Trafalgar in 1805, and is expected to have a price tag of 350,000 pounds ($640,000) at auction in October. REUTERS/Mike Finn-Kelcey MFK/KI https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-curator-holds-a-pocket-watch-that-belonged-to-lord-nelson-in-front-of-a-portrait-of-the-admiral-at-sothebys-in-london-june-24-2005-the-watch-which-dates-from-1787-and-was-later-mounted-in-a-carriage-clock-case-was-worn-by-nelson-when-he-died-during-the-battle-of-trafalgar-in-1805-and-is-expected-to-have-a-price-tag-of-350000-pounds-640000-at-auction-in-october-reutersmike-finn-kelcey-mfkki-image381114933.html
An Indian pata, Tanjore, 17th century Long, double-edged blade, mounted at the riveted root with chiselled flowers. Slightly openwork iron hand and wrist guard with lower cannon ornamentally engraved with scrolling animals. The interior forearm bar and grip are later additions. Length 132 cm. Early and well preserved pata. historic, historical, 17th century, Additional-Rights-Clearance-Info-Not-Available
An Indian pata, Tanjore, 17th century Long, double-edged blade, mounted at the riveted root with chiselled flowers. Slightly openwork iron hand and wrist guard with lower cannon ornamentally engraved with scrolling animals. The interior forearm bar and grip are later additions. Length 132 cm. Early and well preserved pata. historic, historical, 17th century, Additional-Rights-Clearance-Info-Not-Available https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/an-indian-pata-tanjore-17th-century-long-double-edged-blade-mounted-at-the-riveted-root-with-chiselled-flowers-slightly-openwork-iron-hand-and-wrist-guard-with-lower-cannon-ornamentally-engraved-with-scrolling-animals-the-interior-forearm-bar-and-grip-are-later-additions-length-132-cm-early-and-well-preserved-pata-historic-historical-17th-century-additional-rights-clearance-info-not-available-image246988102.html
Bacchus ca. 1680–1700 After François Girardon This bust and its mate (31.100.194)—one crowned with vines, the other with roses—may signify two of the seasons. Their substantial Baroque classicism typifies sculpture made for Louis XIV about 1675.. Bacchus. After François Girardon (French, Troyes 1628–1715 Paris). French, probably Paris. ca. 1680–1700. Bronze, later mounted on black marble socle. Sculpture-Bronze
Bacchus ca. 1680–1700 After François Girardon This bust and its mate (31.100.194)—one crowned with vines, the other with roses—may signify two of the seasons. Their substantial Baroque classicism typifies sculpture made for Louis XIV about 1675.. Bacchus. After François Girardon (French, Troyes 1628–1715 Paris). French, probably Paris. ca. 1680–1700. Bronze, later mounted on black marble socle. Sculpture-Bronze https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/bacchus-ca-16801700-after-franois-girardon-this-bust-and-its-mate-31100194one-crowned-with-vines-the-other-with-rosesmay-signify-two-of-the-seasons-their-substantial-baroque-classicism-typifies-sculpture-made-for-louis-xiv-about-1675-bacchus-after-franois-girardon-french-troyes-16281715-paris-french-probably-paris-ca-16801700-bronze-later-mounted-on-black-marble-socle-sculpture-bronze-image458567323.html
An Indian pata, Tanjore, 17th century Long, double-edged blade, mounted at the riveted root with chiselled flowers. Slightly openwork iron hand and wrist guard with lower cannon ornamentally engraved with scrolling animals. The interior forearm bar and grip are later additions. Length 132 cm. Early and well preserved pata. historic, historical, 17th century, Additional-Rights-Clearance-Info-Not-Available
An Indian pata, Tanjore, 17th century Long, double-edged blade, mounted at the riveted root with chiselled flowers. Slightly openwork iron hand and wrist guard with lower cannon ornamentally engraved with scrolling animals. The interior forearm bar and grip are later additions. Length 132 cm. Early and well preserved pata. historic, historical, 17th century, Additional-Rights-Clearance-Info-Not-Available https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/an-indian-pata-tanjore-17th-century-long-double-edged-blade-mounted-at-the-riveted-root-with-chiselled-flowers-slightly-openwork-iron-hand-and-wrist-guard-with-lower-cannon-ornamentally-engraved-with-scrolling-animals-the-interior-forearm-bar-and-grip-are-later-additions-length-132-cm-early-and-well-preserved-pata-historic-historical-17th-century-additional-rights-clearance-info-not-available-image246988100.html
Tahitian Women Bathing 1892 Paul Gauguin French Dreaming of a paradise where he could “listen to the silence of beautiful tropical nights,” Gauguin set off for Tahiti in June 1891. While at first Tahitian Women Bathing resembles the artist’s Polynesian paintings, it was not painted in oil on canvas, but rather in oil on paper, and was begun as a sheet of working drawings. The large sheet was later mounted on canvas, retouched, and varnished, presumably to ready the work for sale. The unusual evolution of this picture from a sheet of working drawings provides insight into the artist’s methodolo
Tahitian Women Bathing 1892 Paul Gauguin French Dreaming of a paradise where he could “listen to the silence of beautiful tropical nights,” Gauguin set off for Tahiti in June 1891. While at first Tahitian Women Bathing resembles the artist’s Polynesian paintings, it was not painted in oil on canvas, but rather in oil on paper, and was begun as a sheet of working drawings. The large sheet was later mounted on canvas, retouched, and varnished, presumably to ready the work for sale. The unusual evolution of this picture from a sheet of working drawings provides insight into the artist’s methodolo https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/tahitian-women-bathing-1892-paul-gauguin-french-dreaming-of-a-paradise-where-he-could-listen-to-the-silence-of-beautiful-tropical-nights-gauguin-set-off-for-tahiti-in-june-1891-while-at-first-tahitian-women-bathing-resembles-the-artists-polynesian-paintings-it-was-not-painted-in-oil-on-canvas-but-rather-in-oil-on-paper-and-was-begun-as-a-sheet-of-working-drawings-the-large-sheet-was-later-mounted-on-canvas-retouched-and-varnished-presumably-to-ready-the-work-for-sale-the-unusual-evolution-of-this-picture-from-a-sheet-of-working-drawings-provides-insight-into-the-artists-methodolo-image458065879.html
A gold-mounted Indian agate stone medallion, 19th/20th century The medallion slightly domed on the front and displaying an etched, Islamic inscription. The bezel adorned with finely enamelled floral decoration and with appending, beaded (later) carrying cord. 43 mm in diameter. historic, historical, 19th century, jewellery, jewelry, noble, precious, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, Additional-Rights-Clearance-Info-Not-Available
A gold-mounted Indian agate stone medallion, 19th/20th century The medallion slightly domed on the front and displaying an etched, Islamic inscription. The bezel adorned with finely enamelled floral decoration and with appending, beaded (later) carrying cord. 43 mm in diameter. historic, historical, 19th century, jewellery, jewelry, noble, precious, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, Additional-Rights-Clearance-Info-Not-Available https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-gold-mounted-indian-agate-stone-medallion-19th20th-century-the-medallion-slightly-domed-on-the-front-and-displaying-an-etched-islamic-inscription-the-bezel-adorned-with-finely-enamelled-floral-decoration-and-with-appending-beaded-later-carrying-cord-43-mm-in-diameter-historic-historical-19th-century-jewellery-jewelry-noble-precious-object-objects-stills-clipping-clippings-cut-out-cut-out-cut-outs-additional-rights-clearance-info-not-available-image243052362.html
To be seen later at the Royal Tournament . Members of F ( Spinx ) Battery of the Royal Horse Artillery , resplendent in full dress uniform as they rehearse their musical ride for the Royal Tournament at Wormwood Scrubs . 19 April 1934 . 30s, 30's, 1930s, 1930's, thirties, nineteen thirties
To be seen later at the Royal Tournament . Members of F ( Spinx ) Battery of the Royal Horse Artillery , resplendent in full dress uniform as they rehearse their musical ride for the Royal Tournament at Wormwood Scrubs . 19 April 1934 . 30s, 30's, 1930s, 1930's, thirties, nineteen thirties https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/to-be-seen-later-at-the-royal-tournament-members-of-f-spinx-battery-of-the-royal-horse-artillery-resplendent-in-full-dress-uniform-as-they-rehearse-their-musical-ride-for-the-royal-tournament-at-wormwood-scrubs-19-april-1934-30s-30s-1930s-1930s-thirties-nineteen-thirties-image359646902.html
Mexican mounted police ride their horses in a parade to celebrate the 251st birthday of the Mexican Independence hero Ignacio Allende January 21, 2020 in San Miguel de Allende, Guanajuato, Mexico. Allende, from a wealthy family in San Miguel played a major role in the independency war against Spain in 1810 and later honored by his home city by adding his name.
Mexican mounted police ride their horses in a parade to celebrate the 251st birthday of the Mexican Independence hero Ignacio Allende January 21, 2020 in San Miguel de Allende, Guanajuato, Mexico. Allende, from a wealthy family in San Miguel played a major role in the independency war against Spain in 1810 and later honored by his home city by adding his name. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mexican-mounted-police-ride-their-horses-in-a-parade-to-celebrate-the-251st-birthday-of-the-mexican-independence-hero-ignacio-allende-january-21-2020-in-san-miguel-de-allende-guanajuato-mexico-allende-from-a-wealthy-family-in-san-miguel-played-a-major-role-in-the-independency-war-against-spain-in-1810-and-later-honored-by-his-home-city-by-adding-his-name-image366281479.html
A posse hunting murderer Leo Rogers - Canadian Mounties with (Standing) Chief Robt Morley & Sgt John Urquhart (later killed by Rogers) . --- On May 16, 1923, Leo Rogers, a 21 year old career criminal escaped from the Nipissing District Court, North Bay. A posse included plainclothes policeman Fred Lefebvre, Goaler Joe Bourke, Constable Robb and Sgt. McGovern pursued him. When located a night-time gun battle commenced & Sgt. William McGovern was injured . At dawn the battle continued and Fred LeFebvre was fatally injured.Sgt. John Urquhart was also killed. Eventually Rogers was shot dead
A posse hunting murderer Leo Rogers - Canadian Mounties with (Standing) Chief Robt Morley & Sgt John Urquhart (later killed by Rogers) . --- On May 16, 1923, Leo Rogers, a 21 year old career criminal escaped from the Nipissing District Court, North Bay. A posse included plainclothes policeman Fred Lefebvre, Goaler Joe Bourke, Constable Robb and Sgt. McGovern pursued him. When located a night-time gun battle commenced & Sgt. William McGovern was injured . At dawn the battle continued and Fred LeFebvre was fatally injured.Sgt. John Urquhart was also killed. Eventually Rogers was shot dead https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-posse-hunting-murderer-leo-rogers-canadian-mounties-with-standing-chief-robt-morley-sgt-john-urquhart-later-killed-by-rogers-on-may-16-1923-leo-rogers-a-21-year-old-career-criminal-escaped-from-the-nipissing-district-court-north-bay-a-posse-included-plainclothes-policeman-fred-lefebvre-goaler-joe-bourke-constable-robb-and-sgt-mcgovern-pursued-him-when-located-a-night-time-gun-battle-commenced-sgt-william-mcgovern-was-injured-at-dawn-the-battle-continued-and-fred-lefebvre-was-fatally-injuredsgt-john-urquhart-was-also-killed-eventually-rogers-was-shot-dead-image383040524.html
A portrait of a First World War New Zealand soldier of the 5th Mounted Rifles (Otago Hussars), part of the Otago Mounted Rifles Regiment c. 1915. The soldiers name was Jack. The regiment served in the Gallipoli campaign. The photograph was taken in Eygpt, where the regiment was stationed both before and after the campaign, before later serving on the Western Front. He is wearing a bayonet on his left side.
A portrait of a First World War New Zealand soldier of the 5th Mounted Rifles (Otago Hussars), part of the Otago Mounted Rifles Regiment c. 1915. The soldiers name was Jack. The regiment served in the Gallipoli campaign. The photograph was taken in Eygpt, where the regiment was stationed both before and after the campaign, before later serving on the Western Front. He is wearing a bayonet on his left side. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-portrait-of-a-first-world-war-new-zealand-soldier-of-the-5th-mounted-rifles-otago-hussars-part-of-the-otago-mounted-rifles-regiment-c-1915-the-soldiers-name-was-jack-the-regiment-served-in-the-gallipoli-campaign-the-photograph-was-taken-in-eygpt-where-the-regiment-was-stationed-both-before-and-after-the-campaign-before-later-serving-on-the-western-front-he-is-wearing-a-bayonet-on-his-left-side-image444458474.html
Mounted Police Officers and officers on foot attempt to control a crowd gathered in Trafalgar Square, London, to protest against the Poll Tax being levied by the Conservative government. The protest later developed into a riot in London's West End.
Mounted Police Officers and officers on foot attempt to control a crowd gathered in Trafalgar Square, London, to protest against the Poll Tax being levied by the Conservative government. The protest later developed into a riot in London's West End. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-mounted-police-officers-and-officers-on-foot-attempt-to-control-a-106443779.html
History by Polybius. Volume II. French edition translated from Greek by Dom Vincent Thuillier. Comments of Military Science enriched with critical and historical notes by M. De Folard. Paris, chez Pierre Gandouin, Julien-Michel Gandouin, Pierre-Francois Giffart and Nicolas-Pierre Armand, 1727. Printing by Jean-Baptiste Lamesle. Roman era. Engraving depicting a mobile siege tower, mounted on wooden logs and battering ram for break open the masonry walls of the fortifications. Engraving. Later colouration.
History by Polybius. Volume II. French edition translated from Greek by Dom Vincent Thuillier. Comments of Military Science enriched with critical and historical notes by M. De Folard. Paris, chez Pierre Gandouin, Julien-Michel Gandouin, Pierre-Francois Giffart and Nicolas-Pierre Armand, 1727. Printing by Jean-Baptiste Lamesle. Roman era. Engraving depicting a mobile siege tower, mounted on wooden logs and battering ram for break open the masonry walls of the fortifications. Engraving. Later colouration. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/history-by-polybius-volume-ii-french-edition-translated-from-greek-by-dom-vincent-thuillier-comments-of-military-science-enriched-with-critical-and-historical-notes-by-m-de-folard-paris-chez-pierre-gandouin-julien-michel-gandouin-pierre-francois-giffart-and-nicolas-pierre-armand-1727-printing-by-jean-baptiste-lamesle-roman-era-engraving-depicting-a-mobile-siege-tower-mounted-on-wooden-logs-and-battering-ram-for-break-open-the-masonry-walls-of-the-fortifications-engraving-later-colouration-image257820483.html
The Tatra 87 (T87) was a car built by Czechoslovak manufacturer Tatra. It was powered by a rear-mounted 2.9-litre air-cooled 90-degree overhead cam V8
The Tatra 87 (T87) was a car built by Czechoslovak manufacturer Tatra. It was powered by a rear-mounted 2.9-litre air-cooled 90-degree overhead cam V8 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-tatra-87-t87-was-a-car-built-by-czechoslovak-manufacturer-tatra-it-was-powered-by-a-rear-mounted-29-litre-air-cooled-90-degree-overhead-cam-v8-image382090499.html
1st Royal Dragoons : a trooper of the first rank in review order - originally mounted infantry, they later became cavalry Date: 1894
1st Royal Dragoons : a trooper of the first rank in review order - originally mounted infantry, they later became cavalry Date: 1894 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-1st-royal-dragoons-a-trooper-of-the-first-rank-in-review-order-originally-105253357.html
After François Girardon, Erato, French, probably Paris, After François Girardon (French, Troyes 1628–1715 Paris), ca. 1680–1700, French, probably Paris, Bronze, later mounted on black marble socle, Overall, with socle (weight confirmed): 17 3/8 in., 57lb. (44.1 cm, 25.855kg); Without socle (weight confirmed): 40.5lb. (18.35kg), Sculpture-Bronze
After François Girardon, Erato, French, probably Paris, After François Girardon (French, Troyes 1628–1715 Paris), ca. 1680–1700, French, probably Paris, Bronze, later mounted on black marble socle, Overall, with socle (weight confirmed): 17 3/8 in., 57lb. (44.1 cm, 25.855kg); Without socle (weight confirmed): 40.5lb. (18.35kg), Sculpture-Bronze https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/after-franois-girardon-erato-french-probably-paris-after-franois-girardon-french-troyes-16281715-paris-ca-16801700-french-probably-paris-bronze-later-mounted-on-black-marble-socle-overall-with-socle-weight-confirmed-17-38-in-57lb-441-cm-25855kg-without-socle-weight-confirmed-405lb-1835kg-sculpture-bronze-image344644057.html
Eqyptian drink vendor. Date/Period: 1897. Painting,oil on canvas, later mounted on paperboard. Height: 332 mm (13.07 in); Width: 183 mm (7.20 in). Author: Arthur Streeton.
Eqyptian drink vendor. Date/Period: 1897. Painting,oil on canvas, later mounted on paperboard. Height: 332 mm (13.07 in); Width: 183 mm (7.20 in). Author: Arthur Streeton. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/eqyptian-drink-vendor-dateperiod-1897-paintingoil-on-canvas-later-mounted-on-paperboard-height-332-mm-1307-in-width-183-mm-720-in-author-arthur-streeton-image219108737.html
Palace of Justice, Damascus - Occupation, after Damascus was captured from the Turks when Desert Mounted Corps and Prince Feisal's (later King of Iraq) Sherifial Hejaz Army encircled the city, after a cavalry pursuit northwards along the two main roads to
Palace of Justice, Damascus - Occupation, after Damascus was captured from the Turks when Desert Mounted Corps and Prince Feisal's (later King of Iraq) Sherifial Hejaz Army encircled the city, after a cavalry pursuit northwards along the two main roads to https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-palace-of-justice-damascus-occupation-after-damascus-was-captured-105375823.html
Mar. 31, 2012 - A Unique Fire-Float: A unique fire-float will be on call to deal with any fires in Swansea Harbour, South Wales, later this year. It is being built in Wales for the BP Tanker Company, by whom it was designed. The main features of this novel craft are two pontoons each 60-feet long and 14-feet wide and spaced 8-feet apart. These pontoons are joined together at deck level and also at their base by elliptical tubes to form a ''catamaran''. The pontoons are surmounted by four tubular supports which form a tower on which two platforms and a control cabin are mounted
Mar. 31, 2012 - A Unique Fire-Float: A unique fire-float will be on call to deal with any fires in Swansea Harbour, South Wales, later this year. It is being built in Wales for the BP Tanker Company, by whom it was designed. The main features of this novel craft are two pontoons each 60-feet long and 14-feet wide and spaced 8-feet apart. These pontoons are joined together at deck level and also at their base by elliptical tubes to form a ''catamaran''. The pontoons are surmounted by four tubular supports which form a tower on which two platforms and a control cabin are mounted https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mar-31-2012-a-unique-fire-float-a-unique-fire-float-will-be-on-call-image69545202.html
Art inspired by Calligraphy, Qing dynasty (1644–1911), 18th century or later, China, Folding fan mounted as an album leaf; ink on paper, 6 1/4 x 20 7/32 in. (15.9 x 51.4 cm), Calligraphy, Unidentified Artist, After Zha Shibiao (Chinese, 1615–1698, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Calligraphy, Qing dynasty (1644–1911), 18th century or later, China, Folding fan mounted as an album leaf; ink on paper, 6 1/4 x 20 7/32 in. (15.9 x 51.4 cm), Calligraphy, Unidentified Artist, After Zha Shibiao (Chinese, 1615–1698, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-calligraphy-qing-dynasty-16441911-18th-century-or-later-china-folding-fan-mounted-as-an-album-leaf-ink-on-paper-6-14-x-20-732-in-159-x-514-cm-calligraphy-unidentified-artist-after-zha-shibiao-chinese-16151698-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462903406.html
A curator holds a pocket watch that belonged to Lord Nelson in front of a portrait of the admiral at Sotheby's in London June 24, 2005. The watch, which dates from 1787 and was later mounted in a carriage clock case, was worn by Nelson when he died during the Battle of Trafalgar in 1805, and is expected to have a price tag of 350,000 pounds ($640,000) at auction in October. REUTERS/Mike Finn-Kelcey MFK/KI
A curator holds a pocket watch that belonged to Lord Nelson in front of a portrait of the admiral at Sotheby's in London June 24, 2005. The watch, which dates from 1787 and was later mounted in a carriage clock case, was worn by Nelson when he died during the Battle of Trafalgar in 1805, and is expected to have a price tag of 350,000 pounds ($640,000) at auction in October. REUTERS/Mike Finn-Kelcey MFK/KI https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-curator-holds-a-pocket-watch-that-belonged-to-lord-nelson-in-front-of-a-portrait-of-the-admiral-at-sothebys-in-london-june-24-2005-the-watch-which-dates-from-1787-and-was-later-mounted-in-a-carriage-clock-case-was-worn-by-nelson-when-he-died-during-the-battle-of-trafalgar-in-1805-and-is-expected-to-have-a-price-tag-of-350000-pounds-640000-at-auction-in-october-reutersmike-finn-kelcey-mfkki-image381114931.html
Art inspired by Landscape, Ming dynasty (1368–1644) or later, China, Folding fan mounted as an album leaf; ink and color on gold-flecked paper, 7 1/8 x 20 1/2 in. (18.1 x 52.1 cm), Paintings, Unidentified Artist, After Wen Zhengming (Chinese, 1470–1559, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Landscape, Ming dynasty (1368–1644) or later, China, Folding fan mounted as an album leaf; ink and color on gold-flecked paper, 7 1/8 x 20 1/2 in. (18.1 x 52.1 cm), Paintings, Unidentified Artist, After Wen Zhengming (Chinese, 1470–1559, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-landscape-ming-dynasty-13681644-or-later-china-folding-fan-mounted-as-an-album-leaf-ink-and-color-on-gold-flecked-paper-7-18-x-20-12-in-181-x-521-cm-paintings-unidentified-artist-after-wen-zhengming-chinese-14701559-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462903394.html
A bee house mounted on a dry stone wall at Tintagel Old Post Office, Tintagel, Cornwall. Originally built in the period between 1350 and 1400, this medieval building later became the letter-receiving office for the area from 1870 to 1878.
A bee house mounted on a dry stone wall at Tintagel Old Post Office, Tintagel, Cornwall. Originally built in the period between 1350 and 1400, this medieval building later became the letter-receiving office for the area from 1870 to 1878. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-a-bee-house-mounted-on-a-dry-stone-wall-at-tintagel-old-post-office-92368532.html
. Gen. Franklin Pierce, later 14th President of the United States . 1852. FrankP-mounted
. Gen. Franklin Pierce, later 14th President of the United States . 1852. FrankP-mounted https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/gen-franklin-pierce-later-14th-president-of-the-united-states-1852-frankp-mounted-image184948457.html
A Framo Piccolo is exhibited at the IAA in Berlin in 1934. It was advertised as a 'Volkswagen' (People's Car) at the price of 1,225 RM. The positioning of the engine in the rear did not require a radiator grille to be mounted in the front of the Piccolo, however on the later versions a dummy was attached to give the car a more conventional appearance.
A Framo Piccolo is exhibited at the IAA in Berlin in 1934. It was advertised as a 'Volkswagen' (People's Car) at the price of 1,225 RM. The positioning of the engine in the rear did not require a radiator grille to be mounted in the front of the Piccolo, however on the later versions a dummy was attached to give the car a more conventional appearance. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-framo-piccolo-is-exhibited-at-the-iaa-in-berlin-in-1934-it-was-advertised-as-a-volkswagen-peoples-car-at-the-price-of-1225-rm-the-positioning-of-the-engine-in-the-rear-did-not-require-a-radiator-grille-to-be-mounted-in-the-front-of-the-piccolo-however-on-the-later-versions-a-dummy-was-attached-to-give-the-car-a-more-conventional-appearance-image247149150.html
A gold-mounted Indian agate stone medallion, 19th/20th century The medallion slightly domed on the front and displaying an etched, Islamic inscription. The bezel adorned with finely enamelled floral decoration and with appending, beaded (later) carrying cord. 43 mm in diameter. historic, historical, 19th century, jewellery, jewelry, noble, precious, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, Additional-Rights-Clearance-Info-Not-Available
A gold-mounted Indian agate stone medallion, 19th/20th century The medallion slightly domed on the front and displaying an etched, Islamic inscription. The bezel adorned with finely enamelled floral decoration and with appending, beaded (later) carrying cord. 43 mm in diameter. historic, historical, 19th century, jewellery, jewelry, noble, precious, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, Additional-Rights-Clearance-Info-Not-Available https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-gold-mounted-indian-agate-stone-medallion-19th20th-century-the-medallion-slightly-domed-on-the-front-and-displaying-an-etched-islamic-inscription-the-bezel-adorned-with-finely-enamelled-floral-decoration-and-with-appending-beaded-later-carrying-cord-43-mm-in-diameter-historic-historical-19th-century-jewellery-jewelry-noble-precious-object-objects-stills-clipping-clippings-cut-out-cut-out-cut-outs-additional-rights-clearance-info-not-available-image243052363.html
To be seen later at the Royal Tournament . Members of F ( Spinx ) Battery of the Royal Horse Artillery , resplendent in full dress uniform as they rehearse their musical ride for the Royal Tournament at Wormwood Scrubs . 19 April 1934 . 30s, 30's, 1930s, 1930's, thirties, nineteen thirties
To be seen later at the Royal Tournament . Members of F ( Spinx ) Battery of the Royal Horse Artillery , resplendent in full dress uniform as they rehearse their musical ride for the Royal Tournament at Wormwood Scrubs . 19 April 1934 . 30s, 30's, 1930s, 1930's, thirties, nineteen thirties https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/to-be-seen-later-at-the-royal-tournament-members-of-f-spinx-battery-of-the-royal-horse-artillery-resplendent-in-full-dress-uniform-as-they-rehearse-their-musical-ride-for-the-royal-tournament-at-wormwood-scrubs-19-april-1934-30s-30s-1930s-1930s-thirties-nineteen-thirties-image359646905.html
An Italian stonebow, mid-17th century. Slender iron bow, probably a later replacement. Finely braided hemp string with wooden spacers and bullet pocket. Characteristically curved walnut tiller with mounted iron pillar foresight and backsight. Single-axle mechanism with iron trigger guard, the finial with knobbed décor. Length 92 cm, historic, historical, 17th century, Ottoman Empire, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, jewellery, jewelry, Additional-Rights-Clearance-Info-Not-Available
An Italian stonebow, mid-17th century. Slender iron bow, probably a later replacement. Finely braided hemp string with wooden spacers and bullet pocket. Characteristically curved walnut tiller with mounted iron pillar foresight and backsight. Single-axle mechanism with iron trigger guard, the finial with knobbed décor. Length 92 cm, historic, historical, 17th century, Ottoman Empire, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, jewellery, jewelry, Additional-Rights-Clearance-Info-Not-Available https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/an-italian-stonebow-mid-17th-century-slender-iron-bow-probably-a-later-replacement-finely-braided-hemp-string-with-wooden-spacers-and-bullet-pocket-characteristically-curved-walnut-tiller-with-mounted-iron-pillar-foresight-and-backsight-single-axle-mechanism-with-iron-trigger-guard-the-finial-with-knobbed-dcor-length-92-cm-historic-historical-17th-century-ottoman-empire-object-objects-stills-clipping-clippings-cut-out-cut-out-cut-outs-jewellery-jewelry-additional-rights-clearance-info-not-available-image243631002.html
Mexican mounted police ride their horses in a parade to celebrate the 251st birthday of the Mexican Independence hero Ignacio Allende January 21, 2020 in San Miguel de Allende, Guanajuato, Mexico. Allende, from a wealthy family in San Miguel played a major role in the independency war against Spain in 1810 and later honored by his home city by adding his name.
Mexican mounted police ride their horses in a parade to celebrate the 251st birthday of the Mexican Independence hero Ignacio Allende January 21, 2020 in San Miguel de Allende, Guanajuato, Mexico. Allende, from a wealthy family in San Miguel played a major role in the independency war against Spain in 1810 and later honored by his home city by adding his name. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mexican-mounted-police-ride-their-horses-in-a-parade-to-celebrate-the-251st-birthday-of-the-mexican-independence-hero-ignacio-allende-january-21-2020-in-san-miguel-de-allende-guanajuato-mexico-allende-from-a-wealthy-family-in-san-miguel-played-a-major-role-in-the-independency-war-against-spain-in-1810-and-later-honored-by-his-home-city-by-adding-his-name-image366281565.html
A pair of silver-mounted flintlock pistols, Cassaignard, Nantes, circa 1780. Round brass barrels, sectioned by balusters, smooth bore in 14 mm calibre with cannon muzzles and floral engraving on the chambers. Lightly engraved flintlocks, each signed 'Cassaignard à Nantes' on the brass lockplates. Carved walnut stocks with stamped silver furniture bearing floral ornamentation in relief. Later wooden ramrods with brass tips. Length of each 33 cm. Cassaignard, Nantes ca. 1774 - 1812. Master Purveyor and Arquebusier to the King. historic, historical,, Additional-Rights-Clearance-Info-Not-Available
A pair of silver-mounted flintlock pistols, Cassaignard, Nantes, circa 1780. Round brass barrels, sectioned by balusters, smooth bore in 14 mm calibre with cannon muzzles and floral engraving on the chambers. Lightly engraved flintlocks, each signed 'Cassaignard à Nantes' on the brass lockplates. Carved walnut stocks with stamped silver furniture bearing floral ornamentation in relief. Later wooden ramrods with brass tips. Length of each 33 cm. Cassaignard, Nantes ca. 1774 - 1812. Master Purveyor and Arquebusier to the King. historic, historical,, Additional-Rights-Clearance-Info-Not-Available https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-pair-of-silver-mounted-flintlock-pistols-cassaignard-nantes-circa-1780-round-brass-barrels-sectioned-by-balusters-smooth-bore-in-14-mm-calibre-with-cannon-muzzles-and-floral-engraving-on-the-chambers-lightly-engraved-flintlocks-each-signed-cassaignard-nantes-on-the-brass-lockplates-carved-walnut-stocks-with-stamped-silver-furniture-bearing-floral-ornamentation-in-relief-later-wooden-ramrods-with-brass-tips-length-of-each-33-cm-cassaignard-nantes-ca-1774-1812-master-purveyor-and-arquebusier-to-the-king-historic-historical-additional-rights-clearance-info-not-available-image243043689.html
This photo shows one of the oldest forerunners of film history, the Guckkastenmaenner (the peep-show men), they were later replaced by the laterna magica. This photo, after a contemporary drawing by the painter Ferdinand Georg Waldmueller, shows the Guckkastenmann in a farm barn with his picture box mounted on a wooden carrying rack. The viewers are offered pictures in the box and matching stories. The peep show men were mainly in Vienna and appeared on large, busy places.
This photo shows one of the oldest forerunners of film history, the Guckkastenmaenner (the peep-show men), they were later replaced by the laterna magica. This photo, after a contemporary drawing by the painter Ferdinand Georg Waldmueller, shows the Guckkastenmann in a farm barn with his picture box mounted on a wooden carrying rack. The viewers are offered pictures in the box and matching stories. The peep show men were mainly in Vienna and appeared on large, busy places. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/this-photo-shows-one-of-the-oldest-forerunners-of-film-history-the-guckkastenmaenner-the-peep-show-men-they-were-later-replaced-by-the-laterna-magica-this-photo-after-a-contemporary-drawing-by-the-painter-ferdinand-georg-waldmueller-shows-the-guckkastenmann-in-a-farm-barn-with-his-picture-box-mounted-on-a-wooden-carrying-rack-the-viewers-are-offered-pictures-in-the-box-and-matching-stories-the-peep-show-men-were-mainly-in-vienna-and-appeared-on-large-busy-places-image247171679.html
History by Polybius. Volume II. French edition translated from Greek by Dom Vincent Thuillier. Comments of Military Science enriched with critical and historical notes by M. De Folard. Paris, chez Pierre Gandouin, Julien-Michel Gandouin, Pierre-Francois Giffart and Nicolas-Pierre Armand, 1727. Printing by Jean-Baptiste Lamesle. Gallic Wars. Military conflict between Julio Cesar and the Gallic tribes, 58-51 BC. Siege of Namur, 54 BC. Engraving depicting a mobile siege tower, mounted on wooden logs and pushed by soldiers with the help of cranks. Engraving. Later colouration.
History by Polybius. Volume II. French edition translated from Greek by Dom Vincent Thuillier. Comments of Military Science enriched with critical and historical notes by M. De Folard. Paris, chez Pierre Gandouin, Julien-Michel Gandouin, Pierre-Francois Giffart and Nicolas-Pierre Armand, 1727. Printing by Jean-Baptiste Lamesle. Gallic Wars. Military conflict between Julio Cesar and the Gallic tribes, 58-51 BC. Siege of Namur, 54 BC. Engraving depicting a mobile siege tower, mounted on wooden logs and pushed by soldiers with the help of cranks. Engraving. Later colouration. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/history-by-polybius-volume-ii-french-edition-translated-from-greek-by-dom-vincent-thuillier-comments-of-military-science-enriched-with-critical-and-historical-notes-by-m-de-folard-paris-chez-pierre-gandouin-julien-michel-gandouin-pierre-francois-giffart-and-nicolas-pierre-armand-1727-printing-by-jean-baptiste-lamesle-gallic-wars-military-conflict-between-julio-cesar-and-the-gallic-tribes-58-51-bc-siege-of-namur-54-bc-engraving-depicting-a-mobile-siege-tower-mounted-on-wooden-logs-and-pushed-by-soldiers-with-the-help-of-cranks-engraving-later-colouration-image256079967.html
The United Launch Alliance Delta IV Heavy rocket with NASA’s Orion spacecraft mounted atop is seen early on Friday, Dec. 5, 2014, at Cape Canaveral Air Force Station's Space Launch Complex 37, Florida. Orion is scheduled to launch and make its first flight test later in the morning. The spacecraft will orbit Earth twice, reaching an altitude of approximately 3,600 miles above Earth before landing in the Pacific Ocean. No one will be aboard Orion for this flight test, but the spacecraft is designed to allow us to journey to destinations never before visited by humans, including an asteroid and
The United Launch Alliance Delta IV Heavy rocket with NASA’s Orion spacecraft mounted atop is seen early on Friday, Dec. 5, 2014, at Cape Canaveral Air Force Station's Space Launch Complex 37, Florida. Orion is scheduled to launch and make its first flight test later in the morning. The spacecraft will orbit Earth twice, reaching an altitude of approximately 3,600 miles above Earth before landing in the Pacific Ocean. No one will be aboard Orion for this flight test, but the spacecraft is designed to allow us to journey to destinations never before visited by humans, including an asteroid and https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-the-united-launch-alliance-delta-iv-heavy-rocket-with-nasas-orion-169410615.html
Detroit, Michigan - 3 September 2016 - Religious groups including many African-American pastors organized a protest against Republican presidential candidate Donald Trump. Trump was appearing at Great Faith Ministries International church. Mounted police waded into the crowd, but later backed off. One protester was reported injured.
Detroit, Michigan - 3 September 2016 - Religious groups including many African-American pastors organized a protest against Republican presidential candidate Donald Trump. Trump was appearing at Great Faith Ministries International church. Mounted police waded into the crowd, but later backed off. One protester was reported injured. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-detroit-michigan-3-september-2016-religious-groups-including-many-116984264.html
After François Girardon, Bacchus, French, probably Paris, After François Girardon (French, Troyes 1628–1715 Paris), ca. 1680–1700, French, probably Paris, Bronze, later mounted on black marble socle, Overall, with socle (weight confirmed): 17 3/4 in., 70lb. (45.1 cm, 31.7518kg); Without socle (weight confirmed): 53.1lb. (24.1kg), Sculpture-Bronze
After François Girardon, Bacchus, French, probably Paris, After François Girardon (French, Troyes 1628–1715 Paris), ca. 1680–1700, French, probably Paris, Bronze, later mounted on black marble socle, Overall, with socle (weight confirmed): 17 3/4 in., 70lb. (45.1 cm, 31.7518kg); Without socle (weight confirmed): 53.1lb. (24.1kg), Sculpture-Bronze https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/after-franois-girardon-bacchus-french-probably-paris-after-franois-girardon-french-troyes-16281715-paris-ca-16801700-french-probably-paris-bronze-later-mounted-on-black-marble-socle-overall-with-socle-weight-confirmed-17-34-in-70lb-451-cm-317518kg-without-socle-weight-confirmed-531lb-241kg-sculpture-bronze-image344644054.html
Wedded. Date/Period: 1882. Painting. Oil on canvas [later mounted on hardboard]. Height: 1,454 mm (57.24 in); Width: 813 mm (32 in). Author: LEIGHTON, FREDERIC. FREDERIC LORD LEIGHTON. Leighton, Frederic, 1st Baron Leighton.
Wedded. Date/Period: 1882. Painting. Oil on canvas [later mounted on hardboard]. Height: 1,454 mm (57.24 in); Width: 813 mm (32 in). Author: LEIGHTON, FREDERIC. FREDERIC LORD LEIGHTON. Leighton, Frederic, 1st Baron Leighton. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/wedded-dateperiod-1882-painting-oil-on-canvas-later-mounted-on-hardboard-height-1454-mm-5724-in-width-813-mm-32-in-author-leighton-frederic-frederic-lord-leighton-leighton-frederic-1st-baron-leighton-image219728493.html
Bombardier Derek Shipley of the Royal Artillery Motorcycle Display Team seen here travelling thorough the tunnel of flames during a practice session before the start of the teams summer season of displays. Mirror cameraman Ron Burton went along for the ride and snapped his remarkable picture from the pillion using a fronted mounted camera. Later, he said: ' I ducked my head, closed my eyes and pressed the button ... one trip was enough for me I ' 8th May 1973
Bombardier Derek Shipley of the Royal Artillery Motorcycle Display Team seen here travelling thorough the tunnel of flames during a practice session before the start of the teams summer season of displays. Mirror cameraman Ron Burton went along for the ride and snapped his remarkable picture from the pillion using a fronted mounted camera. Later, he said: ' I ducked my head, closed my eyes and pressed the button ... one trip was enough for me I ' 8th May 1973 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/bombardier-derek-shipley-of-the-royal-artillery-motorcycle-display-team-seen-here-travelling-thorough-the-tunnel-of-flames-during-a-practice-session-before-the-start-of-the-teams-summer-season-of-displays-mirror-cameraman-ron-burton-went-along-for-the-ride-and-snapped-his-remarkable-picture-from-the-pillion-using-a-fronted-mounted-camera-later-he-said-i-ducked-my-head-closed-my-eyes-and-pressed-the-button-one-trip-was-enough-for-me-i-8th-may-1973-image463245773.html
Cross country horseback riders Ned Kennedy and Cecil Carey from Tacoma, Washington, are greeted when they arrive at the White House by Officer Davis (mounted on horse) and Captain Rasberry (standing). They will later be greeted by President Truman.
Cross country horseback riders Ned Kennedy and Cecil Carey from Tacoma, Washington, are greeted when they arrive at the White House by Officer Davis (mounted on horse) and Captain Rasberry (standing). They will later be greeted by President Truman. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/cross-country-horseback-riders-ned-kennedy-and-cecil-carey-from-tacoma-washington-are-greeted-when-they-arrive-at-the-white-house-by-officer-davis-mounted-on-horse-and-captain-rasberry-standing-they-will-later-be-greeted-by-president-truman-image261662066.html
Polo at Smith's Lawn , Windsor . Prince Charles played a practice polo match , and was later joined in play by Prince Philip , who had previously played for Priar Park against the Household Brigade . Prince Charles changing ponies at the end of a chukka , with Prince Philip already mounted . 24 April 1965
Polo at Smith's Lawn , Windsor . Prince Charles played a practice polo match , and was later joined in play by Prince Philip , who had previously played for Priar Park against the Household Brigade . Prince Charles changing ponies at the end of a chukka , with Prince Philip already mounted . 24 April 1965 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/polo-at-smiths-lawn-windsor-prince-charles-played-a-practice-polo-match-and-was-later-joined-in-play-by-prince-philip-who-had-previously-played-for-priar-park-against-the-household-brigade-prince-charles-changing-ponies-at-the-end-of-a-chukka-with-prince-philip-already-mounted-24-april-1965-image437722338.html
Apr. 04, 1953 - Volunteers train horses for use by V.i.P's during the coronation game in Hyde park. a camp has been set up in Hyde park for the training of horses for the use of V.I.P.s during the coronation ceremonies. The horses, none of which have as yet been on the roads are being trained by volunteers of the royal army veterinary corpus and of the royal air force. A number of horse are being sent from the royal Canadian mounted police later fro similar training. The horses are being accustomed to with the coronation festivities
Apr. 04, 1953 - Volunteers train horses for use by V.i.P's during the coronation game in Hyde park. a camp has been set up in Hyde park for the training of horses for the use of V.I.P.s during the coronation ceremonies. The horses, none of which have as yet been on the roads are being trained by volunteers of the royal army veterinary corpus and of the royal air force. A number of horse are being sent from the royal Canadian mounted police later fro similar training. The horses are being accustomed to with the coronation festivities https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/apr-04-1953-volunteers-train-horses-for-use-by-vips-during-the-coronation-image69282595.html
Art inspired by Painting, Qing dynasty (1644–1911), 18th century or later, China, Folding fan mounted as an album leaf; ink on paper, 6 7/8 x 20 1/2 in. (17.5 x 52.1 cm), Paintings, Unidentified Artist, After Yun Shouping (Chinese, 1633–1690, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Painting, Qing dynasty (1644–1911), 18th century or later, China, Folding fan mounted as an album leaf; ink on paper, 6 7/8 x 20 1/2 in. (17.5 x 52.1 cm), Paintings, Unidentified Artist, After Yun Shouping (Chinese, 1633–1690, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-painting-qing-dynasty-16441911-18th-century-or-later-china-folding-fan-mounted-as-an-album-leaf-ink-on-paper-6-78-x-20-12-in-175-x-521-cm-paintings-unidentified-artist-after-yun-shouping-chinese-16331690-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462911757.html
(13 Jan. 1997) --- Astronaut Michael A. Baker, mission commander, uses a 35mm camera to photograph a target of opportunity on Earth from the Space Shuttle Atlantis' aft flight deck. Baker and five crew mates will dock with Russia's Mir Space Station around the middle of the week. This image was recorded with an Electronic Still Camera (ESC) and was later downlinked to flight controllers in Houston, Texas. A second ESC, devoted to an educational, geographic project called Kidsat, is mounted in the viewing port above Baker's head.
(13 Jan. 1997) --- Astronaut Michael A. Baker, mission commander, uses a 35mm camera to photograph a target of opportunity on Earth from the Space Shuttle Atlantis' aft flight deck. Baker and five crew mates will dock with Russia's Mir Space Station around the middle of the week. This image was recorded with an Electronic Still Camera (ESC) and was later downlinked to flight controllers in Houston, Texas. A second ESC, devoted to an educational, geographic project called Kidsat, is mounted in the viewing port above Baker's head. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/13-jan-1997-astronaut-michael-a-baker-mission-commander-uses-a-35mm-camera-to-photograph-a-target-of-opportunity-on-earth-from-the-space-shuttle-atlantis-aft-flight-deck-baker-and-five-crew-mates-will-dock-with-russias-mir-space-station-around-the-middle-of-the-week-this-image-was-recorded-with-an-electronic-still-camera-esc-and-was-later-downlinked-to-flight-controllers-in-houston-texas-a-second-esc-devoted-to-an-educational-geographic-project-called-kidsat-is-mounted-in-the-viewing-port-above-bakers-head-image365576993.html
Art inspired by Secretary (sécretaire à abattant), ca. 1815–20 with later additions, Austrian, Walnut, parcel-ebonized and mounted with gilt bronze; leather, glass, brass, 105 x 37 x 21 in. (266.7 x 94 x 53.3 cm), Woodwork-Furniture, The unidentified coat of arms of this Biedermeier, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Secretary (sécretaire à abattant), ca. 1815–20 with later additions, Austrian, Walnut, parcel-ebonized and mounted with gilt bronze; leather, glass, brass, 105 x 37 x 21 in. (266.7 x 94 x 53.3 cm), Woodwork-Furniture, The unidentified coat of arms of this Biedermeier, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-secretary-scretaire-abattant-ca-181520-with-later-additions-austrian-walnut-parcel-ebonized-and-mounted-with-gilt-bronze-leather-glass-brass-105-x-37-x-21-in-2667-x-94-x-533-cm-woodwork-furniture-the-unidentified-coat-of-arms-of-this-biedermeier-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462922420.html
. English: Sun Breaking through Clouds above the Roman Campagna by Johann Jakob Frey, 1844 or later. Oil on paper mounted on canvas, 290 x 440 mm. . after 1844 318 Johann Jakob Frey, Sun Breaking through Clouds above the Roman Campagna
. English: Sun Breaking through Clouds above the Roman Campagna by Johann Jakob Frey, 1844 or later. Oil on paper mounted on canvas, 290 x 440 mm. . after 1844 318 Johann Jakob Frey, Sun Breaking through Clouds above the Roman Campagna https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-sun-breaking-through-clouds-above-the-roman-campagna-by-johann-jakob-frey-1844-or-later-oil-on-paper-mounted-on-canvas-290-x-440-mm-after-1844-318-johann-jakob-frey-sun-breaking-through-clouds-above-the-roman-campagna-image187819387.html
Art inspired by Armor, ca. 1520 and later, Nuremberg, German, Nuremberg, Steel, leather, H. as mounted 5 ft. 9 in. (175.26 cm); Wt. 57 lb. 10 oz. (26.15 kg), Armor for Man, At the turn of the sixteenth century, German armorers abandoned the slender lines of the late Gothic style and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Armor, ca. 1520 and later, Nuremberg, German, Nuremberg, Steel, leather, H. as mounted 5 ft. 9 in. (175.26 cm); Wt. 57 lb. 10 oz. (26.15 kg), Armor for Man, At the turn of the sixteenth century, German armorers abandoned the slender lines of the late Gothic style and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-armor-ca-1520-and-later-nuremberg-german-nuremberg-steel-leather-h-as-mounted-5-ft-9-in-17526-cm-wt-57-lb-10-oz-2615-kg-armor-for-man-at-the-turn-of-the-sixteenth-century-german-armorers-abandoned-the-slender-lines-of-the-late-gothic-style-and-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462756530.html
Elevation of an Altar with Alternative Suggestions. Horizontal rectangle consisting of two separate pieces of paper. The left side of the central part was missing; it was later added when the drawing was mounted. Three steps lead up to the altar, which is flanked by pilasters.
Elevation of an Altar with Alternative Suggestions. Horizontal rectangle consisting of two separate pieces of paper. The left side of the central part was missing; it was later added when the drawing was mounted. Three steps lead up to the altar, which is flanked by pilasters. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/elevation-of-an-altar-with-alternative-suggestions-horizontal-rectangle-consisting-of-two-separate-pieces-of-paper-the-left-side-of-the-central-part-was-missing-it-was-later-added-when-the-drawing-was-mounted-three-steps-lead-up-to-the-altar-which-is-flanked-by-pilasters-image353514951.html
Art inspired by Minah Bird on a Loquat Branch, Song dynasty (960–1279) or later, China, Fan mounted as an album leaf; Ink and color on silk, 12.25 x 12.25 in. (31.1 x 31.1 cm), Paintings, Unidentified Artist, Formerly attributed to Wu Bing (Chinese, active 1190–1194, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Minah Bird on a Loquat Branch, Song dynasty (960–1279) or later, China, Fan mounted as an album leaf; Ink and color on silk, 12.25 x 12.25 in. (31.1 x 31.1 cm), Paintings, Unidentified Artist, Formerly attributed to Wu Bing (Chinese, active 1190–1194, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-minah-bird-on-a-loquat-branch-song-dynasty-9601279-or-later-china-fan-mounted-as-an-album-leaf-ink-and-color-on-silk-1225-x-1225-in-311-x-311-cm-paintings-unidentified-artist-formerly-attributed-to-wu-bing-chinese-active-11901194-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462911840.html
Mexican mounted police ride their horses in a parade to celebrate the 251st birthday of the Mexican Independence hero Ignacio Allende January 21, 2020 in San Miguel de Allende, Guanajuato, Mexico. Allende, from a wealthy family in San Miguel played a major role in the independency war against Spain in 1810 and later honored by his home city by adding his name.
Mexican mounted police ride their horses in a parade to celebrate the 251st birthday of the Mexican Independence hero Ignacio Allende January 21, 2020 in San Miguel de Allende, Guanajuato, Mexico. Allende, from a wealthy family in San Miguel played a major role in the independency war against Spain in 1810 and later honored by his home city by adding his name. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mexican-mounted-police-ride-their-horses-in-a-parade-to-celebrate-the-251st-birthday-of-the-mexican-independence-hero-ignacio-allende-january-21-2020-in-san-miguel-de-allende-guanajuato-mexico-allende-from-a-wealthy-family-in-san-miguel-played-a-major-role-in-the-independency-war-against-spain-in-1810-and-later-honored-by-his-home-city-by-adding-his-name-image366281484.html
Art inspired by Calligraphy, Qing dynasty (1644–1911), 18th century or later, spurious date of 1492, China, Folding fan mounted as an album leaf; ink on gold paper, 6 7/8 x 19 15/32 in. (17.5 x 49.5 cm), Calligraphy, Unidentified Artist, After Wu Kuan (Chinese, 1435–1504, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Calligraphy, Qing dynasty (1644–1911), 18th century or later, spurious date of 1492, China, Folding fan mounted as an album leaf; ink on gold paper, 6 7/8 x 19 15/32 in. (17.5 x 49.5 cm), Calligraphy, Unidentified Artist, After Wu Kuan (Chinese, 1435–1504, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-calligraphy-qing-dynasty-16441911-18th-century-or-later-spurious-date-of-1492-china-folding-fan-mounted-as-an-album-leaf-ink-on-gold-paper-6-78-x-19-1532-in-175-x-495-cm-calligraphy-unidentified-artist-after-wu-kuan-chinese-14351504-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462903407.html
A pair of silver-mounted flintlock pistols, Cassaignard, Nantes, circa 1780. Round brass barrels, sectioned by balusters, smooth bore in 14 mm calibre with cannon muzzles and floral engraving on the chambers. Lightly engraved flintlocks, each signed 'Cassaignard à Nantes' on the brass lockplates. Carved walnut stocks with stamped silver furniture bearing floral ornamentation in relief. Later wooden ramrods with brass tips. Length of each 33 cm. Cassaignard, Nantes ca. 1774 - 1812. Master Purveyor and Arquebusier to the King. historic, historical,, Additional-Rights-Clearance-Info-Not-Available
A pair of silver-mounted flintlock pistols, Cassaignard, Nantes, circa 1780. Round brass barrels, sectioned by balusters, smooth bore in 14 mm calibre with cannon muzzles and floral engraving on the chambers. Lightly engraved flintlocks, each signed 'Cassaignard à Nantes' on the brass lockplates. Carved walnut stocks with stamped silver furniture bearing floral ornamentation in relief. Later wooden ramrods with brass tips. Length of each 33 cm. Cassaignard, Nantes ca. 1774 - 1812. Master Purveyor and Arquebusier to the King. historic, historical,, Additional-Rights-Clearance-Info-Not-Available https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-pair-of-silver-mounted-flintlock-pistols-cassaignard-nantes-circa-1780-round-brass-barrels-sectioned-by-balusters-smooth-bore-in-14-mm-calibre-with-cannon-muzzles-and-floral-engraving-on-the-chambers-lightly-engraved-flintlocks-each-signed-cassaignard-nantes-on-the-brass-lockplates-carved-walnut-stocks-with-stamped-silver-furniture-bearing-floral-ornamentation-in-relief-later-wooden-ramrods-with-brass-tips-length-of-each-33-cm-cassaignard-nantes-ca-1774-1812-master-purveyor-and-arquebusier-to-the-king-historic-historical-additional-rights-clearance-info-not-available-image243043687.html
Art inspired by Pavilion by Lake Shore, Qing dynasty (1644–1911), 17th century or later, China, Folding fan mounted as an album leaf; ink on gold paper, 6 7/8 x 19 1/2 in. (17.5 x 49.5 cm), Paintings, Unidentified Artist, After Wen Jia (Chinese, 1501–1583, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Pavilion by Lake Shore, Qing dynasty (1644–1911), 17th century or later, China, Folding fan mounted as an album leaf; ink on gold paper, 6 7/8 x 19 1/2 in. (17.5 x 49.5 cm), Paintings, Unidentified Artist, After Wen Jia (Chinese, 1501–1583, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-pavilion-by-lake-shore-qing-dynasty-16441911-17th-century-or-later-china-folding-fan-mounted-as-an-album-leaf-ink-on-gold-paper-6-78-x-19-12-in-175-x-495-cm-paintings-unidentified-artist-after-wen-jia-chinese-15011583-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462910926.html
History by Polybius. Volume II. French edition translated from Greek by Dom Vincent Thuillier. Comments of Military Science enriched with critical and historical notes by M. De Folard. Paris, chez Pierre Gandouin, Julien-Michel Gandouin, Pierre-Francois Giffart and Nicolas-Pierre Armand, 1727. Printing by Jean-Baptiste Lamesle. Gallic Wars. Military conflict between Julio Cesar and the Gallic tribes, 58-51 BC. Siege of Namur, 54 BC. Engraving depicting a mobile siege tower, mounted on wooden logs and pushed by soldiers with the help of cranks. Engraving. Detail. Later colouration.
History by Polybius. Volume II. French edition translated from Greek by Dom Vincent Thuillier. Comments of Military Science enriched with critical and historical notes by M. De Folard. Paris, chez Pierre Gandouin, Julien-Michel Gandouin, Pierre-Francois Giffart and Nicolas-Pierre Armand, 1727. Printing by Jean-Baptiste Lamesle. Gallic Wars. Military conflict between Julio Cesar and the Gallic tribes, 58-51 BC. Siege of Namur, 54 BC. Engraving depicting a mobile siege tower, mounted on wooden logs and pushed by soldiers with the help of cranks. Engraving. Detail. Later colouration. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/history-by-polybius-volume-ii-french-edition-translated-from-greek-by-dom-vincent-thuillier-comments-of-military-science-enriched-with-critical-and-historical-notes-by-m-de-folard-paris-chez-pierre-gandouin-julien-michel-gandouin-pierre-francois-giffart-and-nicolas-pierre-armand-1727-printing-by-jean-baptiste-lamesle-gallic-wars-military-conflict-between-julio-cesar-and-the-gallic-tribes-58-51-bc-siege-of-namur-54-bc-engraving-depicting-a-mobile-siege-tower-mounted-on-wooden-logs-and-pushed-by-soldiers-with-the-help-of-cranks-engraving-detail-later-colouration-image256079976.html
Art inspired by Landscape, Ming (1368–1644) or Qing (1644–1911) dynasty, 16th century or later, China, Folding fan mounted as an album leaf; ink on gold paper, 6 7/8 x 20 3/4 in. (17.5 x 52.7 cm), Paintings, Unidentified Artist, After Shen Zhou (Chinese, 1427–1509, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Landscape, Ming (1368–1644) or Qing (1644–1911) dynasty, 16th century or later, China, Folding fan mounted as an album leaf; ink on gold paper, 6 7/8 x 20 3/4 in. (17.5 x 52.7 cm), Paintings, Unidentified Artist, After Shen Zhou (Chinese, 1427–1509, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-landscape-ming-13681644-or-qing-16441911-dynasty-16th-century-or-later-china-folding-fan-mounted-as-an-album-leaf-ink-on-gold-paper-6-78-x-20-34-in-175-x-527-cm-paintings-unidentified-artist-after-shen-zhou-chinese-14271509-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462911764.html
Beaker, Beker with a representation of a kneeling pope, an emperor and a farmer, Silver beaker, flaring upwards, the foot surrounded by a convex profile, a circular band and a serrated blade edge. The cup has engraved representations. Along the top edge, between two horizontal strips, a border of flowers, tendrils and birds and three low-hanging motifs of volutes, bandwork and grotesques. The lower part of one of these has been ground away for the later mounted Van Sonsbeeck weapon, being a sectioned weapon with a sun above and a three-hammer hammer. Below a globe with a cross. God the Father
Beaker, Beker with a representation of a kneeling pope, an emperor and a farmer, Silver beaker, flaring upwards, the foot surrounded by a convex profile, a circular band and a serrated blade edge. The cup has engraved representations. Along the top edge, between two horizontal strips, a border of flowers, tendrils and birds and three low-hanging motifs of volutes, bandwork and grotesques. The lower part of one of these has been ground away for the later mounted Van Sonsbeeck weapon, being a sectioned weapon with a sun above and a three-hammer hammer. Below a globe with a cross. God the Father https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/beaker-beker-with-a-representation-of-a-kneeling-pope-an-emperor-and-a-farmer-silver-beaker-flaring-upwards-the-foot-surrounded-by-a-convex-profile-a-circular-band-and-a-serrated-blade-edge-the-cup-has-engraved-representations-along-the-top-edge-between-two-horizontal-strips-a-border-of-flowers-tendrils-and-birds-and-three-low-hanging-motifs-of-volutes-bandwork-and-grotesques-the-lower-part-of-one-of-these-has-been-ground-away-for-the-later-mounted-van-sonsbeeck-weapon-being-a-sectioned-weapon-with-a-sun-above-and-a-three-hammer-hammer-below-a-globe-with-a-cross-god-the-father-image261335914.html
Art inspired by Landscape, Qing dynasty (1644–1911), 18th century or later, spurious date of 1648, China, Folding fan mounted as an album leaf; ink on gold paper, 6 1/2 x 20 1/2 in. (16.5 x 52.1 cm), Paintings, Unidentified Artist, After Wang Shimin (Chinese, 1592–1680, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Landscape, Qing dynasty (1644–1911), 18th century or later, spurious date of 1648, China, Folding fan mounted as an album leaf; ink on gold paper, 6 1/2 x 20 1/2 in. (16.5 x 52.1 cm), Paintings, Unidentified Artist, After Wang Shimin (Chinese, 1592–1680, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-landscape-qing-dynasty-16441911-18th-century-or-later-spurious-date-of-1648-china-folding-fan-mounted-as-an-album-leaf-ink-on-gold-paper-6-12-x-20-12-in-165-x-521-cm-paintings-unidentified-artist-after-wang-shimin-chinese-15921680-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462903408.html
Half Armor. Armorer: Helmet and reinforcing pieces attributed to Kolman Helmschmid (German, Augsburg 1471-1532). Culture: German, Augsburg. Dimensions: as mounted, H. 37 in. (94 cm). Date: ca. 1510-20 and later. Museum: Metropolitan Museum of Art, New York, USA.
Half Armor. Armorer: Helmet and reinforcing pieces attributed to Kolman Helmschmid (German, Augsburg 1471-1532). Culture: German, Augsburg. Dimensions: as mounted, H. 37 in. (94 cm). Date: ca. 1510-20 and later. Museum: Metropolitan Museum of Art, New York, USA. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/half-armor-armorer-helmet-and-reinforcing-pieces-attributed-to-kolman-helmschmid-german-augsburg-1471-1532-culture-german-augsburg-dimensions-as-mounted-h-37-in-94-cm-date-ca-1510-20-and-later-museum-metropolitan-museum-of-art-new-york-usa-image213372111.html
Steam machine, horizontal, locomobile, mounted on wheel train. Built by the engineer and mechanic J. Hermann-Lachapelle. Engraving. La Ilustracion Española y Americana, 1876. Later colouration.
Steam machine, horizontal, locomobile, mounted on wheel train. Built by the engineer and mechanic J. Hermann-Lachapelle. Engraving. La Ilustracion Española y Americana, 1876. Later colouration. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/steam-machine-horizontal-locomobile-mounted-on-wheel-train-built-by-the-engineer-and-mechanic-j-hermann-lachapelle-engraving-la-ilustracion-espaola-y-americana-1876-later-colouration-image267630739.html
Detroit, Michigan - 3 September 2016 - Religious groups including many African-American pastors organized a protest against Republican presidential candidate Donald Trump. Trump was appearing at Great Faith Ministries International church. Mounted police waded into the crowd, but later backed off. One protester was reported injured. Credit: Jim West/Alamy Live News
Detroit, Michigan - 3 September 2016 - Religious groups including many African-American pastors organized a protest against Republican presidential candidate Donald Trump. Trump was appearing at Great Faith Ministries International church. Mounted police waded into the crowd, but later backed off. One protester was reported injured. Credit: Jim West/Alamy Live News https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-detroit-michigan-3-september-2016-religious-groups-including-many-116984268.html
History by Polybius. Volume II. French edition translated from Greek by Dom Vincent Thuillier. Comments of Military Science enriched with critical and historical notes by M. De Folard. Paris, chez Pierre Gandouin, Julien-Michel Gandouin, Pierre-Francois Giffart and Nicolas-Pierre Armand, 1727. Printing by Jean-Baptiste Lamesle. Siege weapon. Battering ram mounted on a chariot. Wooden structure and lamb head of bronze. Engraving. Later colouration.
History by Polybius. Volume II. French edition translated from Greek by Dom Vincent Thuillier. Comments of Military Science enriched with critical and historical notes by M. De Folard. Paris, chez Pierre Gandouin, Julien-Michel Gandouin, Pierre-Francois Giffart and Nicolas-Pierre Armand, 1727. Printing by Jean-Baptiste Lamesle. Siege weapon. Battering ram mounted on a chariot. Wooden structure and lamb head of bronze. Engraving. Later colouration. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/history-by-polybius-volume-ii-french-edition-translated-from-greek-by-dom-vincent-thuillier-comments-of-military-science-enriched-with-critical-and-historical-notes-by-m-de-folard-paris-chez-pierre-gandouin-julien-michel-gandouin-pierre-francois-giffart-and-nicolas-pierre-armand-1727-printing-by-jean-baptiste-lamesle-siege-weapon-battering-ram-mounted-on-a-chariot-wooden-structure-and-lamb-head-of-bronze-engraving-later-colouration-image257819999.html
Bombardier Derek Shipley of the Royal Artillery Motorcycle Display Team seen here travelling thorough the tunnel of flames during a practice session before the start of the teams summer season of displays. Mirror cameraman Ron Burton went along for the ride and snapped his remarkable picture from the pillion using a fronted mounted camera. Later, he said: ' I ducked my head, closed my eyes and pressed the button ... one trip was enough for me I ' 8th May 1973
Bombardier Derek Shipley of the Royal Artillery Motorcycle Display Team seen here travelling thorough the tunnel of flames during a practice session before the start of the teams summer season of displays. Mirror cameraman Ron Burton went along for the ride and snapped his remarkable picture from the pillion using a fronted mounted camera. Later, he said: ' I ducked my head, closed my eyes and pressed the button ... one trip was enough for me I ' 8th May 1973 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/bombardier-derek-shipley-of-the-royal-artillery-motorcycle-display-team-seen-here-travelling-thorough-the-tunnel-of-flames-during-a-practice-session-before-the-start-of-the-teams-summer-season-of-displays-mirror-cameraman-ron-burton-went-along-for-the-ride-and-snapped-his-remarkable-picture-from-the-pillion-using-a-fronted-mounted-camera-later-he-said-i-ducked-my-head-closed-my-eyes-and-pressed-the-button-one-trip-was-enough-for-me-i-8th-may-1973-image463248632.html
Mounted Model of a Great Auk. See Annual Report of the Board of Regents, including USNM, 1892, Plate XXXVII.Specimen collected by C.E. Gotz, Isle of Eldey, Iceland, North Atlantic Ocean, June 1834. USNM Cat. No. 57338.As first prepared. This specimen was later remodeled by taxidermist Nelson R. MNH-5118
Mounted Model of a Great Auk. See Annual Report of the Board of Regents, including USNM, 1892, Plate XXXVII.Specimen collected by C.E. Gotz, Isle of Eldey, Iceland, North Atlantic Ocean, June 1834. USNM Cat. No. 57338.As first prepared. This specimen was later remodeled by taxidermist Nelson R. MNH-5118 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mounted-model-of-a-great-auk-see-annual-report-of-the-board-of-regents-including-usnm-1892-plate-xxxviispecimen-collected-by-ce-gotz-isle-of-eldey-iceland-north-atlantic-ocean-june-1834-usnm-cat-no-57338as-first-prepared-this-specimen-was-later-remodeled-by-taxidermist-nelson-r-mnh-5118-image352160339.html
'English: Size of an original photograph:(59×95mm) Mounted (65×105mm) Sumi script：“Makoto Kondo．Mr. lwai” Appearing at the bottom of the mount is printed “POKOMY & REUTER.”On the reverse side of the mount are printed“Pokomy & Reuter / Wien / (The remainder has been omitted.)” Sumi docket of an original photograph:“The photography was of America on a voyage to Europe in 1873(Meiji 6), A Mr. lwai was a juku janitor in those days. He later died of an illness and was, at that time，the manager of the accounting division of Sasebo Naval Station. Hankichi Iwai was the Director General and Navy Pay O
'English: Size of an original photograph:(59×95mm) Mounted (65×105mm) Sumi script：“Makoto Kondo．Mr. lwai” Appearing at the bottom of the mount is printed “POKOMY & REUTER.”On the reverse side of the mount are printed“Pokomy & Reuter / Wien / (The remainder has been omitted.)” Sumi docket of an original photograph:“The photography was of America on a voyage to Europe in 1873(Meiji 6), A Mr. lwai was a juku janitor in those days. He later died of an illness and was, at that time，the manager of the accounting division of Sasebo Naval Station. Hankichi Iwai was the Director General and Navy Pay O https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-size-of-an-original-photograph5995mm-mounted-65105mm-sumi-scriptmakoto-kondomr-lwai-appearing-at-the-bottom-of-the-mount-is-printed-pokomy-reuteron-the-reverse-side-of-the-mount-are-printedpokomy-reuter-wien-the-remainder-has-been-omitted-sumi-docket-of-an-original-photographthe-photography-was-of-america-on-a-voyage-to-europe-in-1873meiji-6-a-mr-lwai-was-a-juku-janitor-in-those-days-he-later-died-of-an-illness-and-was-at-that-timethe-manager-of-the-accounting-division-of-sasebo-naval-station-hankichi-iwai-was-the-director-general-and-navy-pay-o-image351730796.html
. English: Sun Breaking through Clouds above the Roman Campagna by Johann Jakob Frey, 1844 or later. Oil on paper mounted on canvas, 290 x 440 mm. . after 1844 277 Johann Jakob Frey, Sun Breaking through Clouds above the Roman Campagna
. English: Sun Breaking through Clouds above the Roman Campagna by Johann Jakob Frey, 1844 or later. Oil on paper mounted on canvas, 290 x 440 mm. . after 1844 277 Johann Jakob Frey, Sun Breaking through Clouds above the Roman Campagna https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-sun-breaking-through-clouds-above-the-roman-campagna-by-johann-jakob-frey-1844-or-later-oil-on-paper-mounted-on-canvas-290-x-440-mm-after-1844-277-johann-jakob-frey-sun-breaking-through-clouds-above-the-roman-campagna-image189075876.html
Mounted Model of Great Auk. See Annual Report of the Board of Regents, including USNM, 1892, Plate XXXVII.USNM Cat. No. 57338.Specimen collected by C.E. Gotz, Isle of Eldey, Iceland, North Atlantic Ocean, June 1834.As first prepared. This specimen was later remodeled by taxidermist Nelson R. MNH-5038
Mounted Model of Great Auk. See Annual Report of the Board of Regents, including USNM, 1892, Plate XXXVII.USNM Cat. No. 57338.Specimen collected by C.E. Gotz, Isle of Eldey, Iceland, North Atlantic Ocean, June 1834.As first prepared. This specimen was later remodeled by taxidermist Nelson R. MNH-5038 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mounted-model-of-great-auk-see-annual-report-of-the-board-of-regents-including-usnm-1892-plate-xxxviiusnm-cat-no-57338specimen-collected-by-ce-gotz-isle-of-eldey-iceland-north-atlantic-ocean-june-1834as-first-prepared-this-specimen-was-later-remodeled-by-taxidermist-nelson-r-mnh-5038-image352159687.html
'English: Wellington County House of Industry and Refuge ca. 1890; 1 January 1890; https://wcma.pastperfectonline.com/archive/775D4FEC-67ED-4629-83D8-323111998794 Wellington County Museum and Archives: Wellington County Home for the Aged, photographs, ca. 1880-1945. ph 1211: Exterior of Wellington County House of Industry and Refuge (later Wellington County Museum and Archives), ca. 1890. It shows wooden staircase and board walk leading to front entrance, front lawn, shrubbery, wooden fence, elderly man and young girl standing in doorway, mounted on brown paper stock (negatives and copy pri
'English: Wellington County House of Industry and Refuge ca. 1890; 1 January 1890; https://wcma.pastperfectonline.com/archive/775D4FEC-67ED-4629-83D8-323111998794 Wellington County Museum and Archives: Wellington County Home for the Aged, photographs, ca. 1880-1945. ph 1211: Exterior of Wellington County House of Industry and Refuge (later Wellington County Museum and Archives), ca. 1890. It shows wooden staircase and board walk leading to front entrance, front lawn, shrubbery, wooden fence, elderly man and young girl standing in doorway, mounted on brown paper stock (negatives and copy pri https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-wellington-county-house-of-industry-and-refuge-ca-1890-1-january-1890-httpswcmapastperfectonlinecomarchive775d4fec-67ed-4629-83d8-323111998794-wellington-county-museum-and-archives-wellington-county-home-for-the-aged-photographs-ca-1880-1945-ph-1211-exterior-of-wellington-county-house-of-industry-and-refuge-later-wellington-county-museum-and-archives-ca-1890-it-shows-wooden-staircase-and-board-walk-leading-to-front-entrance-front-lawn-shrubbery-wooden-fence-elderly-man-and-young-girl-standing-in-doorway-mounted-on-brown-paper-stock-negatives-and-copy-pri-image351866321.html
Hotspur at The Battle of Otterburn, 1388
Hotspur at The Battle of Otterburn, 1388 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-hotspur-at-the-battle-of-otterburn-1388-160486705.html
Mexican mounted police ride their horses in a parade to celebrate the 251st birthday of the Mexican Independence hero Ignacio Allende January 21, 2020 in San Miguel de Allende, Guanajuato, Mexico. Allende, from a wealthy family in San Miguel played a major role in the independency war against Spain in 1810 and later honored by his home city by adding his name.
Mexican mounted police ride their horses in a parade to celebrate the 251st birthday of the Mexican Independence hero Ignacio Allende January 21, 2020 in San Miguel de Allende, Guanajuato, Mexico. Allende, from a wealthy family in San Miguel played a major role in the independency war against Spain in 1810 and later honored by his home city by adding his name. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mexican-mounted-police-ride-their-horses-in-a-parade-to-celebrate-the-251st-birthday-of-the-mexican-independence-hero-ignacio-allende-january-21-2020-in-san-miguel-de-allende-guanajuato-mexico-allende-from-a-wealthy-family-in-san-miguel-played-a-major-role-in-the-independency-war-against-spain-in-1810-and-later-honored-by-his-home-city-by-adding-his-name-image366281558.html
Secretary (sécretaire à abattant). Date: ca. 1815-20 with later additions; Culture: Austrian; Medium: Walnut, parcel-ebonized and mounted with gilt
Secretary (sécretaire à abattant). Date: ca. 1815-20 with later additions; Culture: Austrian; Medium: Walnut, parcel-ebonized and mounted with gilt https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-secretary-scretaire-abattant-date-ca-1815-20-with-later-additions-168204072.html
A pair of silver-mounted flintlock pistols, Cassaignard, Nantes, circa 1780. Round brass barrels, sectioned by balusters, smooth bore in 14 mm calibre with cannon muzzles and floral engraving on the chambers. Lightly engraved flintlocks, each signed 'Cassaignard à Nantes' on the brass lockplates. Carved walnut stocks with stamped silver furniture bearing floral ornamentation in relief. Later wooden ramrods with brass tips. Length of each 33 cm. Cassaignard, Nantes ca. 1774 - 1812. Master Purveyor and Arquebusier to the King. historic, historical,, Additional-Rights-Clearance-Info-Not-Available
A pair of silver-mounted flintlock pistols, Cassaignard, Nantes, circa 1780. Round brass barrels, sectioned by balusters, smooth bore in 14 mm calibre with cannon muzzles and floral engraving on the chambers. Lightly engraved flintlocks, each signed 'Cassaignard à Nantes' on the brass lockplates. Carved walnut stocks with stamped silver furniture bearing floral ornamentation in relief. Later wooden ramrods with brass tips. Length of each 33 cm. Cassaignard, Nantes ca. 1774 - 1812. Master Purveyor and Arquebusier to the King. historic, historical,, Additional-Rights-Clearance-Info-Not-Available https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-pair-of-silver-mounted-flintlock-pistols-cassaignard-nantes-circa-1780-round-brass-barrels-sectioned-by-balusters-smooth-bore-in-14-mm-calibre-with-cannon-muzzles-and-floral-engraving-on-the-chambers-lightly-engraved-flintlocks-each-signed-cassaignard-nantes-on-the-brass-lockplates-carved-walnut-stocks-with-stamped-silver-furniture-bearing-floral-ornamentation-in-relief-later-wooden-ramrods-with-brass-tips-length-of-each-33-cm-cassaignard-nantes-ca-1774-1812-master-purveyor-and-arquebusier-to-the-king-historic-historical-additional-rights-clearance-info-not-available-image243043686.html
Armor. Date: ca. 1520 and later; Geography: Nuremberg; Culture: German, Nuremberg; Medium: Steel, leather; Dimensions: H. as mounted 5 ft. 9 in.
Armor. Date: ca. 1520 and later; Geography: Nuremberg; Culture: German, Nuremberg; Medium: Steel, leather; Dimensions: H. as mounted 5 ft. 9 in. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-armor-date-ca-1520-and-later-geography-nuremberg-culture-german-nuremberg-168137384.html
A Turkish silver-mounted sabre for navy officers, circa 1900. Double fullers on both sides, one half of the single-edged blade blued and decorated with gilt maritime symbols. Openwork silver knuckle-bow hilt with folding guard plate at back. The hilt with tughra and silver mark at bottom and an anchor in relief above a crescent moon. Leather grip of later date with silver wire winding. Shagreen leather-covered wooden scabbard, copper wire-stitched, with florally chased and stamped silver mounts, the front side of the locket bearing an anchor. Len, Additional-Rights-Clearance-Info-Not-Available
A Turkish silver-mounted sabre for navy officers, circa 1900. Double fullers on both sides, one half of the single-edged blade blued and decorated with gilt maritime symbols. Openwork silver knuckle-bow hilt with folding guard plate at back. The hilt with tughra and silver mark at bottom and an anchor in relief above a crescent moon. Leather grip of later date with silver wire winding. Shagreen leather-covered wooden scabbard, copper wire-stitched, with florally chased and stamped silver mounts, the front side of the locket bearing an anchor. Len, Additional-Rights-Clearance-Info-Not-Available https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-turkish-silver-mounted-sabre-for-navy-officers-circa-1900-double-fullers-on-both-sides-one-half-of-the-single-edged-blade-blued-and-decorated-with-gilt-maritime-symbols-openwork-silver-knuckle-bow-hilt-with-folding-guard-plate-at-back-the-hilt-with-tughra-and-silver-mark-at-bottom-and-an-anchor-in-relief-above-a-crescent-moon-leather-grip-of-later-date-with-silver-wire-winding-shagreen-leather-covered-wooden-scabbard-copper-wire-stitched-with-florally-chased-and-stamped-silver-mounts-the-front-side-of-the-locket-bearing-an-anchor-len-additional-rights-clearance-info-not-available-image244008422.html
Ravine at Sorrento. Artist: Édouard Bertin (French, Paris 1797-1871 Paris); Date: 1821 or later; Medium: Oil on paper mounted on board; Dimensions:
Ravine at Sorrento. Artist: Édouard Bertin (French, Paris 1797-1871 Paris); Date: 1821 or later; Medium: Oil on paper mounted on board; Dimensions: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-ravine-at-sorrento-artist-douard-bertin-french-paris-1797-1871-paris-168369376.html
François Boucher, French, 1703-1770, Tapestry Panels Mounted in a Later Screen, c. 1760, Wool and silk (in modern frame of gilded wood), 70 1/2 x 90 in
François Boucher, French, 1703-1770, Tapestry Panels Mounted in a Later Screen, c. 1760, Wool and silk (in modern frame of gilded wood), 70 1/2 x 90 in https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/franois-boucher-french-1703-1770-tapestry-panels-mounted-in-a-later-screen-c-1760-wool-and-silk-in-modern-frame-of-gilded-wood-70-12-x-90-in-image328733282.html
Art inspired by Gathering Water Chestnuts, Qing dynasty (1644–1911), 18th century or later, spurious date of 1706, China, Folding fan mounted as an album leaf; ink and color on paper, 6 3/4 x 20 in. (17.1 x 50.8 cm), Paintings, Unidentified Artist, After Wang Hui (Chinese, 1632–1717, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Gathering Water Chestnuts, Qing dynasty (1644–1911), 18th century or later, spurious date of 1706, China, Folding fan mounted as an album leaf; ink and color on paper, 6 3/4 x 20 in. (17.1 x 50.8 cm), Paintings, Unidentified Artist, After Wang Hui (Chinese, 1632–1717, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-gathering-water-chestnuts-qing-dynasty-16441911-18th-century-or-later-spurious-date-of-1706-china-folding-fan-mounted-as-an-album-leaf-ink-and-color-on-paper-6-34-x-20-in-171-x-508-cm-paintings-unidentified-artist-after-wang-hui-chinese-16321717-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462903392.html
Armor. Culture: German, Nuremberg. Dimensions: Weight, 57 lb. 10 oz. (26.15 kg), H. as mounted, 5 ft. 9 in. (175.26 cm). Date: ca. 1520 and later. At the turn of the sixteenth century, German armorers abandoned the slender lines of the late Gothic style and adopted the fuller, more rounded forms favored in Italy. In the new style, the shallow parallel channels that covered almost the entire armor were not only decorative but actually strengthened the metal. This is often referred to as 'Maximilian style' because it was introduced during the time of Emperor Maximilian I (1459-1519). Fluted arm
Armor. Culture: German, Nuremberg. Dimensions: Weight, 57 lb. 10 oz. (26.15 kg), H. as mounted, 5 ft. 9 in. (175.26 cm). Date: ca. 1520 and later. At the turn of the sixteenth century, German armorers abandoned the slender lines of the late Gothic style and adopted the fuller, more rounded forms favored in Italy. In the new style, the shallow parallel channels that covered almost the entire armor were not only decorative but actually strengthened the metal. This is often referred to as 'Maximilian style' because it was introduced during the time of Emperor Maximilian I (1459-1519). Fluted arm https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/armor-culture-german-nuremberg-dimensions-weight-57-lb-10-oz-2615-kg-h-as-mounted-5-ft-9-in-17526-cm-date-ca-1520-and-later-at-the-turn-of-the-sixteenth-century-german-armorers-abandoned-the-slender-lines-of-the-late-gothic-style-and-adopted-the-fuller-more-rounded-forms-favored-in-italy-in-the-new-style-the-shallow-parallel-channels-that-covered-almost-the-entire-armor-were-not-only-decorative-but-actually-strengthened-the-metal-this-is-often-referred-to-as-maximilian-style-because-it-was-introduced-during-the-time-of-emperor-maximilian-i-1459-1519-fluted-arm-image213154178.html
Art inspired by Ravine at Sorrento, 1821 or later, Oil on paper mounted on board, 16 1/8 x 11 5/8 in. (41 x 29.5 cm), Drawings, Édouard Bertin (French, Paris 1797–1871 Paris), Plein-air oil sketches by Bertin are scarce. This example may have been painted on his first trip to southern, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Ravine at Sorrento, 1821 or later, Oil on paper mounted on board, 16 1/8 x 11 5/8 in. (41 x 29.5 cm), Drawings, Édouard Bertin (French, Paris 1797–1871 Paris), Plein-air oil sketches by Bertin are scarce. This example may have been painted on his first trip to southern, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-ravine-at-sorrento-1821-or-later-oil-on-paper-mounted-on-board-16-18-x-11-58-in-41-x-295-cm-drawings-douard-bertin-french-paris-17971871-paris-plein-air-oil-sketches-by-bertin-are-scarce-this-example-may-have-been-painted-on-his-first-trip-to-southern-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462814172.html
A mounted policeman leads a group of migrants near Dobova, Slovenia October 20, 2015. Slovenia's parliament is expected to approve changes to its laws later on Tuesday to enable the army to help police guard the border, as thousands of migrants flooded into the country from Croatia after Hungary sealed off its border. REUTERS/Srdjan Zivulovic TPX IMAGES OF THE DAY
A mounted policeman leads a group of migrants near Dobova, Slovenia October 20, 2015. Slovenia's parliament is expected to approve changes to its laws later on Tuesday to enable the army to help police guard the border, as thousands of migrants flooded into the country from Croatia after Hungary sealed off its border. REUTERS/Srdjan Zivulovic TPX IMAGES OF THE DAY https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-mounted-policeman-leads-a-group-of-migrants-near-dobova-slovenia-october-20-2015-slovenias-parliament-is-expected-to-approve-changes-to-its-laws-later-on-tuesday-to-enable-the-army-to-help-police-guard-the-border-as-thousands-of-migrants-flooded-into-the-country-from-croatia-after-hungary-sealed-off-its-border-reuterssrdjan-zivulovic-tpx-images-of-the-day-image375701588.html
Art inspired by Three poems from the “Later Collection of Japanese Poems” (Gosen wakashū), known as the “Karasumaru Fragment” (Karasumaru-gire), Heian period (794–1185), early 12th century, Japan, Page from book, mounted as hanging scroll; ink on paper, Image: 8 1/8 in. × 5 in. (20.6, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Three poems from the “Later Collection of Japanese Poems” (Gosen wakashū), known as the “Karasumaru Fragment” (Karasumaru-gire), Heian period (794–1185), early 12th century, Japan, Page from book, mounted as hanging scroll; ink on paper, Image: 8 1/8 in. × 5 in. (20.6, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-three-poems-from-the-later-collection-of-japanese-poems-gosen-wakash-known-as-the-karasumaru-fragment-karasumaru-gire-heian-period-7941185-early-12th-century-japan-page-from-book-mounted-as-hanging-scroll-ink-on-paper-image-8-18-in-5-in-206-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463043802.html
Bombardier Derek Shipley of the Royal Artillery Motorcycle Display Team seen here travelling thorough the tunnel of flames during a practice session before the start of the teams summer season of displays. Mirror cameraman Ron Burton went along for the ride and snapped his remarkable picture from the pillion using a fronted mounted camera. Later, he said: ' I ducked my head, closed my eyes and pressed the button ... one trip was enough for me I ' 8th May 1973
Bombardier Derek Shipley of the Royal Artillery Motorcycle Display Team seen here travelling thorough the tunnel of flames during a practice session before the start of the teams summer season of displays. Mirror cameraman Ron Burton went along for the ride and snapped his remarkable picture from the pillion using a fronted mounted camera. Later, he said: ' I ducked my head, closed my eyes and pressed the button ... one trip was enough for me I ' 8th May 1973 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/bombardier-derek-shipley-of-the-royal-artillery-motorcycle-display-team-seen-here-travelling-thorough-the-tunnel-of-flames-during-a-practice-session-before-the-start-of-the-teams-summer-season-of-displays-mirror-cameraman-ron-burton-went-along-for-the-ride-and-snapped-his-remarkable-picture-from-the-pillion-using-a-fronted-mounted-camera-later-he-said-i-ducked-my-head-closed-my-eyes-and-pressed-the-button-one-trip-was-enough-for-me-i-8th-may-1973-image463261213.html
Art inspired by Landscape in the Style of Huang Gongwang, Ming dynasty (1368–1644), 17th century or later, spurious date of 1633, China, Folding fan mounted as an album leaf; ink and color on gold paper, 6 5/8 x 20 1/2 in. (16.8 x 52.1 cm), Paintings, Unidentified Artist, After Lan, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Landscape in the Style of Huang Gongwang, Ming dynasty (1368–1644), 17th century or later, spurious date of 1633, China, Folding fan mounted as an album leaf; ink and color on gold paper, 6 5/8 x 20 1/2 in. (16.8 x 52.1 cm), Paintings, Unidentified Artist, After Lan, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-landscape-in-the-style-of-huang-gongwang-ming-dynasty-13681644-17th-century-or-later-spurious-date-of-1633-china-folding-fan-mounted-as-an-album-leaf-ink-and-color-on-gold-paper-6-58-x-20-12-in-168-x-521-cm-paintings-unidentified-artist-after-lan-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462911089.html
An old cigarette card (c. 1929) with a portrait of Lord Kelvin and an illustration of his patent standard compass (mariner's compass). A ship's magnetic compass was mounted in gimbals to keep it level. Iron nails (and later iron cladding on ships) caused deviations to compass readings. Lord Kelvin patented his compass in the 1880s. It incorporated two compensating spheres. ('Kelvin's balls' or 'navigator's balls'). Belfast born William Thomson, Baron Kelvin (1824–1907) was a mathematical physicist and engineer.
An old cigarette card (c. 1929) with a portrait of Lord Kelvin and an illustration of his patent standard compass (mariner's compass). A ship's magnetic compass was mounted in gimbals to keep it level. Iron nails (and later iron cladding on ships) caused deviations to compass readings. Lord Kelvin patented his compass in the 1880s. It incorporated two compensating spheres. ('Kelvin's balls' or 'navigator's balls'). Belfast born William Thomson, Baron Kelvin (1824–1907) was a mathematical physicist and engineer. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/an-old-cigarette-card-c-1929-with-a-portrait-of-lord-kelvin-and-an-illustration-of-his-patent-standard-compass-mariners-compass-a-ships-magnetic-compass-was-mounted-in-gimbals-to-keep-it-level-iron-nails-and-later-iron-cladding-on-ships-caused-deviations-to-compass-readings-lord-kelvin-patented-his-compass-in-the-1880s-it-incorporated-two-compensating-spheres-kelvins-balls-or-navigators-balls-belfast-born-william-thomson-baron-kelvin-18241907-was-a-mathematical-physicist-and-engineer-image366154274.html
Art inspired by Landscape in the Style of Yan Wengui, Qing dynasty (1644–1911), 18th century or later, spurious date of 1707, China, Folding fan mounted as an album leaf; ink and color on paper, 6 1/2 x 19 1/4 in. (16.5 x 48.9 cm), Paintings, Unidentified Artist, After Wang Hui (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Landscape in the Style of Yan Wengui, Qing dynasty (1644–1911), 18th century or later, spurious date of 1707, China, Folding fan mounted as an album leaf; ink and color on paper, 6 1/2 x 19 1/4 in. (16.5 x 48.9 cm), Paintings, Unidentified Artist, After Wang Hui (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-landscape-in-the-style-of-yan-wengui-qing-dynasty-16441911-18th-century-or-later-spurious-date-of-1707-china-folding-fan-mounted-as-an-album-leaf-ink-and-color-on-paper-6-12-x-19-14-in-165-x-489-cm-paintings-unidentified-artist-after-wang-hui-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462903435.html
. English: Sun Breaking through Clouds above the Roman Campagna by Johann Jakob Frey, 1844 or later. Oil on paper mounted on canvas, 290 x 440 mm. . after 1844 319 Johann Jakob Frey, Sun Breaking through Clouds above the Roman Campagna
. English: Sun Breaking through Clouds above the Roman Campagna by Johann Jakob Frey, 1844 or later. Oil on paper mounted on canvas, 290 x 440 mm. . after 1844 319 Johann Jakob Frey, Sun Breaking through Clouds above the Roman Campagna https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-sun-breaking-through-clouds-above-the-roman-campagna-by-johann-jakob-frey-1844-or-later-oil-on-paper-mounted-on-canvas-290-x-440-mm-after-1844-319-johann-jakob-frey-sun-breaking-through-clouds-above-the-roman-campagna-image188323426.html
A Highland Express Boeing 747 at Prestwick Airport, Glasgow, Scotland, UK in 1987. The airline was formed by Randolph Fields. The Highland Express fleet consisted of just one aircraft, which was Boeing 747-100. The transatlantic service began in 1987 and consisted of flights from Stansted or Birmingham to Newark, New York via Prestwick. Highland Express was the first scheduled low-cost carrier from Prestwick, Stansted and Birmingham. However, passenger numbers did not materialise. Debts mounted and Highland Express ceased operations later that year – a vintage 1980s photograph.
A Highland Express Boeing 747 at Prestwick Airport, Glasgow, Scotland, UK in 1987. The airline was formed by Randolph Fields. The Highland Express fleet consisted of just one aircraft, which was Boeing 747-100. The transatlantic service began in 1987 and consisted of flights from Stansted or Birmingham to Newark, New York via Prestwick. Highland Express was the first scheduled low-cost carrier from Prestwick, Stansted and Birmingham. However, passenger numbers did not materialise. Debts mounted and Highland Express ceased operations later that year – a vintage 1980s photograph. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-highland-express-boeing-747-at-prestwick-airport-glasgow-scotland-uk-in-1987-the-airline-was-formed-by-randolph-fields-the-highland-express-fleet-consisted-of-just-one-aircraft-which-was-boeing-747-100-the-transatlantic-service-began-in-1987-and-consisted-of-flights-from-stansted-or-birmingham-to-newark-new-york-via-prestwick-highland-express-was-the-first-scheduled-low-cost-carrier-from-prestwick-stansted-and-birmingham-however-passenger-numbers-did-not-materialise-debts-mounted-and-highland-express-ceased-operations-later-that-year-a-vintage-1980s-photograph-image448839895.html
A Lockheed F-104 Starfighter supersonic jet plane is mounted on the side of the SKETCH Foundation Gallery of Air and Space Exhibits building at the California Science Center in Los Angeles, California, USA. The U.S. Air Force procured about 300 Starfighters following the F-104's initial flight in 1954. It was the first aircraft to fly at twice the speed of sound and set a world speed record of 1,404 mph in 1959. That was followed a year later by a world altitude record of 103,395 feet. The 1984 building that supports the plane is first major public work by acclaimed architect Frank Gehry.
A Lockheed F-104 Starfighter supersonic jet plane is mounted on the side of the SKETCH Foundation Gallery of Air and Space Exhibits building at the California Science Center in Los Angeles, California, USA. The U.S. Air Force procured about 300 Starfighters following the F-104's initial flight in 1954. It was the first aircraft to fly at twice the speed of sound and set a world speed record of 1,404 mph in 1959. That was followed a year later by a world altitude record of 103,395 feet. The 1984 building that supports the plane is first major public work by acclaimed architect Frank Gehry. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-a-lockheed-f-104-starfighter-supersonic-jet-plane-is-mounted-on-the-82215121.html
Mexican mounted police ride their horses in a parade to celebrate the 251st birthday of the Mexican Independence hero Ignacio Allende as a clean up crew follows behind January 21, 2020 in San Miguel de Allende, Guanajuato, Mexico. Allende, from a wealthy family in San Miguel played a major role in the independency war against Spain in 1810 and later honored by his home city by adding his name.
Mexican mounted police ride their horses in a parade to celebrate the 251st birthday of the Mexican Independence hero Ignacio Allende as a clean up crew follows behind January 21, 2020 in San Miguel de Allende, Guanajuato, Mexico. Allende, from a wealthy family in San Miguel played a major role in the independency war against Spain in 1810 and later honored by his home city by adding his name. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mexican-mounted-police-ride-their-horses-in-a-parade-to-celebrate-the-251st-birthday-of-the-mexican-independence-hero-ignacio-allende-as-a-clean-up-crew-follows-behind-january-21-2020-in-san-miguel-de-allende-guanajuato-mexico-allende-from-a-wealthy-family-in-san-miguel-played-a-major-role-in-the-independency-war-against-spain-in-1810-and-later-honored-by-his-home-city-by-adding-his-name-image366281719.html
An old engraving of Moncrieff’s disappearing or invisible gun c. 1870. It is from a Victorian book of the 1890s on discoveries and inventions during the 1800s. A disappearing gun, a gun mounted on a disappearing carriage, is an piece of artillery hidden from view when not firing. British Army Captain (later Colonel Sir) Alexander Moncrieff (1929–1906) improved on existing designs for a gun carriage capable of rising over a parapet before being reloaded from behind cover. His key innovation was a practical counterweight system that raised the gun as well as controlled the recoil.
An old engraving of Moncrieff’s disappearing or invisible gun c. 1870. It is from a Victorian book of the 1890s on discoveries and inventions during the 1800s. A disappearing gun, a gun mounted on a disappearing carriage, is an piece of artillery hidden from view when not firing. British Army Captain (later Colonel Sir) Alexander Moncrieff (1929–1906) improved on existing designs for a gun carriage capable of rising over a parapet before being reloaded from behind cover. His key innovation was a practical counterweight system that raised the gun as well as controlled the recoil. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/an-old-engraving-of-moncrieffs-disappearing-or-invisible-gun-c-1870-it-is-from-a-victorian-book-of-the-1890s-on-discoveries-and-inventions-during-the-1800s-a-disappearing-gun-a-gun-mounted-on-a-disappearing-carriage-is-an-piece-of-artillery-hidden-from-view-when-not-firing-british-army-captain-later-colonel-sir-alexander-moncrieff-19291906-improved-on-existing-designs-for-a-gun-carriage-capable-of-rising-over-a-parapet-before-being-reloaded-from-behind-cover-his-key-innovation-was-a-practical-counterweight-system-that-raised-the-gun-as-well-as-controlled-the-recoil-image454552101.html
Engine Nashville of the Lincoln funeral train. Photo shows a Cleveland, Columbus & Cincinnati Railroad engine, with a portrait of Abraham Lincoln mounted on the front. The engine was one of several used to carry Lincoln's body from Washington, DC, to
Engine Nashville of the Lincoln funeral train. Photo shows a Cleveland, Columbus & Cincinnati Railroad engine, with a portrait of Abraham Lincoln mounted on the front. The engine was one of several used to carry Lincoln's body from Washington, DC, to https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-engine-nashville-of-the-lincoln-funeral-train-photo-shows-a-cleveland-83179251.html
The Duke of Wellington by Matthew Cotes Wyatt (1777-1862) was originally built for Hyde Park, London and was later relocated to Aldershot
The Duke of Wellington by Matthew Cotes Wyatt (1777-1862) was originally built for Hyde Park, London and was later relocated to Aldershot https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-the-duke-of-wellington-by-matthew-cotes-wyatt-1777-1862-was-originally-103783789.html
A Turkish silver-mounted sabre for navy officers, circa 1900. Double fullers on both sides, one half of the single-edged blade blued and decorated with gilt maritime symbols. Openwork silver knuckle-bow hilt with folding guard plate at back. The hilt with tughra and silver mark at bottom and an anchor in relief above a crescent moon. Leather grip of later date with silver wire winding. Shagreen leather-covered wooden scabbard, copper wire-stitched, with florally chased and stamped silver mounts, the front side of the locket bearing an anchor. Len, Additional-Rights-Clearance-Info-Not-Available
A Turkish silver-mounted sabre for navy officers, circa 1900. Double fullers on both sides, one half of the single-edged blade blued and decorated with gilt maritime symbols. Openwork silver knuckle-bow hilt with folding guard plate at back. The hilt with tughra and silver mark at bottom and an anchor in relief above a crescent moon. Leather grip of later date with silver wire winding. Shagreen leather-covered wooden scabbard, copper wire-stitched, with florally chased and stamped silver mounts, the front side of the locket bearing an anchor. Len, Additional-Rights-Clearance-Info-Not-Available https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-turkish-silver-mounted-sabre-for-navy-officers-circa-1900-double-fullers-on-both-sides-one-half-of-the-single-edged-blade-blued-and-decorated-with-gilt-maritime-symbols-openwork-silver-knuckle-bow-hilt-with-folding-guard-plate-at-back-the-hilt-with-tughra-and-silver-mark-at-bottom-and-an-anchor-in-relief-above-a-crescent-moon-leather-grip-of-later-date-with-silver-wire-winding-shagreen-leather-covered-wooden-scabbard-copper-wire-stitched-with-florally-chased-and-stamped-silver-mounts-the-front-side-of-the-locket-bearing-an-anchor-len-additional-rights-clearance-info-not-available-image244008423.html
Fabersta Bruks AB. Some of the smaller sintering furnaces in one of the production lines in new Seco. Three lines are started two fits in the large factory hall and are mounted later the same year.
Fabersta Bruks AB. Some of the smaller sintering furnaces in one of the production lines in new Seco. Three lines are started two fits in the large factory hall and are mounted later the same year. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/fabersta-bruks-ab-some-of-the-smaller-sintering-furnaces-in-one-of-the-production-lines-in-new-seco-three-lines-are-started-two-fits-in-the-large-factory-hall-and-are-mounted-later-the-same-year-image417506543.html
Helmet and reinforcing pieces attributed to Kolman Helmschmid, Half Armor, German, Augsburg, ca. 1510–20 and later, Augsburg, German, Augsburg, Steel, as mounted, H. 37 in. (94 cm), Armor for Man-1/2 Armor
Helmet and reinforcing pieces attributed to Kolman Helmschmid, Half Armor, German, Augsburg, ca. 1510–20 and later, Augsburg, German, Augsburg, Steel, as mounted, H. 37 in. (94 cm), Armor for Man-1/2 Armor https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/helmet-and-reinforcing-pieces-attributed-to-kolman-helmschmid-half-armor-german-augsburg-ca-151020-and-later-augsburg-german-augsburg-steel-as-mounted-h-37-in-94-cm-armor-for-man-12-armor-image344664823.html
Mounted police patrol the Mall in London early today (Saturday) where the funeral procession of Diana, Princess of Wales will pass on its way to Westminster Abbey later this morning. Photo by David Giles/PA
Mounted police patrol the Mall in London early today (Saturday) where the funeral procession of Diana, Princess of Wales will pass on its way to Westminster Abbey later this morning. Photo by David Giles/PA https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mounted-police-patrol-the-mall-in-london-early-today-saturday-where-the-funeral-procession-of-diana-princess-of-wales-will-pass-on-its-way-to-westminster-abbey-later-this-morning-photo-by-david-gilespa-image380453507.html
Fragments from a Book of the Dead. Dimensions: mounted in 4 frames, each 28.2 x 38 cm (11 1/8 x 14 15/16 in.). Dynasty: Dynasty 18, possibly later. Reign: Amenhotep III?. Date: ca. 1390-1353 B.C.?. Fragments of a papyrus mounted in four frames, with additional fragments in two dishes, discovered in Tomb MMA 831 (TT 297). This tomb belonged to an 18th Dynasty official named Amenemotep (also called Djehutynefer) and thus the papyrus may date to this era, specifically to the reign of Amenhotep III; however, a Ramesside date for the papyrus has also been suggested. The text is in vertical columns
Fragments from a Book of the Dead. Dimensions: mounted in 4 frames, each 28.2 x 38 cm (11 1/8 x 14 15/16 in.). Dynasty: Dynasty 18, possibly later. Reign: Amenhotep III?. Date: ca. 1390-1353 B.C.?. Fragments of a papyrus mounted in four frames, with additional fragments in two dishes, discovered in Tomb MMA 831 (TT 297). This tomb belonged to an 18th Dynasty official named Amenemotep (also called Djehutynefer) and thus the papyrus may date to this era, specifically to the reign of Amenhotep III; however, a Ramesside date for the papyrus has also been suggested. The text is in vertical columns https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/fragments-from-a-book-of-the-dead-dimensions-mounted-in-4-frames-each-282-x-38-cm-11-18-x-14-1516-in-dynasty-dynasty-18-possibly-later-reign-amenhotep-iii-date-ca-1390-1353-bc-fragments-of-a-papyrus-mounted-in-four-frames-with-additional-fragments-in-two-dishes-discovered-in-tomb-mma-831-tt-297-this-tomb-belonged-to-an-18th-dynasty-official-named-amenemotep-also-called-djehutynefer-and-thus-the-papyrus-may-date-to-this-era-specifically-to-the-reign-of-amenhotep-iii-however-a-ramesside-date-for-the-papyrus-has-also-been-suggested-the-text-is-in-vertical-columns-image213197755.html
Francesco Salviati. Cavalry Skirmish (recto); Kneeling Ecorché (verso). 1530–1539. Italy. Pen and brown ink with brush and gray wash, over black chalk, with later additions of brown wash in lower right, on ivory laid paper, edge mounted to cream laid paper, hinged on ivory wove card
Francesco Salviati. Cavalry Skirmish (recto); Kneeling Ecorché (verso). 1530–1539. Italy. Pen and brown ink with brush and gray wash, over black chalk, with later additions of brown wash in lower right, on ivory laid paper, edge mounted to cream laid paper, hinged on ivory wove card https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/francesco-salviati-cavalry-skirmish-recto-kneeling-ecorch-verso-15301539-italy-pen-and-brown-ink-with-brush-and-gray-wash-over-black-chalk-with-later-additions-of-brown-wash-in-lower-right-on-ivory-laid-paper-edge-mounted-to-cream-laid-paper-hinged-on-ivory-wove-card-image337926957.html
A mounted policeman leads a group of migrants near Dobova, Slovenia October 20, 2015. Slovenia's parliament is expected to approve changes to its laws later on Tuesday to enable the army to help police guard the border, as thousands of migrants flooded into the country from Croatia after Hungary sealed off its border. REUTERS/Srdjan Zivulovic TPX IMAGES OF THE DAY
A mounted policeman leads a group of migrants near Dobova, Slovenia October 20, 2015. Slovenia's parliament is expected to approve changes to its laws later on Tuesday to enable the army to help police guard the border, as thousands of migrants flooded into the country from Croatia after Hungary sealed off its border. REUTERS/Srdjan Zivulovic TPX IMAGES OF THE DAY https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-mounted-policeman-leads-a-group-of-migrants-near-dobova-slovenia-october-20-2015-slovenias-parliament-is-expected-to-approve-changes-to-its-laws-later-on-tuesday-to-enable-the-army-to-help-police-guard-the-border-as-thousands-of-migrants-flooded-into-the-country-from-croatia-after-hungary-sealed-off-its-border-reuterssrdjan-zivulovic-tpx-images-of-the-day-image375258736.html
![Wedded. Date/Period: 1882. Painting. Oil on canvas [later mounted on hardboard]. Height: 1,454 mm (57.24 in); Width: 813 mm (32 in). Author: LEIGHTON, FREDERIC. FREDERIC LORD LEIGHTON. Leighton, Frederic, 1st Baron Leighton. - Stock Image](https://c8.alamy.com/comp/PNDDX5/wedded-dateperiod-1882-painting-oil-on-canvas-later-mounted-on-hardboard-height-1454-mm-5724-in-width-813-mm-32-in-author-leighton-frederic-frederic-lord-leighton-leighton-frederic-1st-baron-leighton-PNDDX5.jpg)
