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New Creative Relevant Search filters Languorous Stock Photos and Images  (805) Narrow your search: Vectors | Black & white | Cut Outs Page 1 of 9 Birds also known as Canaries by Albert Joseph Moore, 1841 – 1893, an English painter, known for his depictions of languorous female figures set against the luxury and decadence of the classical world. Bird, Figurative, Female, Yellow Birds also known as Canaries by Albert Joseph Moore, 1841 – 1893, an English painter, known for his depictions of languorous female figures set against the luxury and decadence of the classical world. Bird, Figurative, Female, Yellowhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/birds-also-known-as-canaries-by-albert-joseph-moore-1841-1893-an-english-painter-known-for-his-depictions-of-languorous-female-figures-set-against-the-luxury-and-decadence-of-the-classical-world-bird-figurative-female-yellow-image387022085.html Lounging Beauty Wearing Polka Dot Dress Lounging Beauty Wearing Polka Dot Dresshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lounging-beauty-wearing-polka-dot-dress-26681346.html Wild at Heart Year : 1990 USA Isabella Rossellini Director: David Lynch Golden Palm Cannes 1990 Wild at Heart Year : 1990 USA Isabella Rossellini Director: David Lynch Golden Palm Cannes 1990https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-wild-at-heart-year-1990-usa-isabella-rossellini-director-david-lynch-37920748.html Young woman sitting beside a fountain daydreaming, historical engraving, 1883 Young woman sitting beside a fountain daydreaming, historical engraving, 1883https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-young-woman-sitting-beside-a-fountain-daydreaming-historical-engraving-47913135.html Ernst Rudolf - Languorous Oriental Lady with a Rose - Austrian School - 19th Century Ernst Rudolf - Languorous Oriental Lady with a Rose - Austrian School - 19th Centuryhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ernst-rudolf-languorous-oriental-lady-with-a-rose-austrian-school-19th-century-image380278509.html Cabaret Year: 1972 USA Liza Minnelli Director : Bob Fosse Cabaret Year: 1972 USA Liza Minnelli Director : Bob Fossehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-cabaret-year-1972-usa-liza-minnelli-director-bob-fosse-22031208.html Ernst Rudolf - Languorous Oriental Lady with a Rose - Norwegian School - 19th Century Ernst Rudolf - Languorous Oriental Lady with a Rose - Norwegian School - 19th Centuryhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ernst-rudolf-languorous-oriental-lady-with-a-rose-norwegian-school-19th-century-image376577496.html grazing sheep grazing sheephttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grazing-sheep-image276899448.html Opera cloak, ca. 1882, French, silk, fur, feathers, metal, The flowers of Art Nouveau are attenuated and languorous. The tulip Opera cloak, ca. 1882, French, silk, fur, feathers, metal, The flowers of Art Nouveau are attenuated and languorous. The tuliphttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-opera-cloak-ca-1882-french-silk-fur-feathers-metal-the-flowers-of-162386297.html Man in a Fur-Lined Coat. Artist: Painting by Riza-yi `Abbasi (Persian, ca. 1565-1635). Dimensions: H. 5 3/8 in. (13.6 cm) W. 2 1/2 in. (6.4 cm). Date: ca. 1600. The style and subject of this work are emblematic of the master painter Riza, who is best known for his paintings of languorous youths. The curving body of the young man, his delicately painted curls, and the garden setting are all typical of Riza's work in the early seventeenth century. His style and subjects reflect the taste of Shah 'Abbas' court at Isfahan, which was renowned for its luxurious palaces and gardens, and attracted v Man in a Fur-Lined Coat. Artist: Painting by Riza-yi `Abbasi (Persian, ca. 1565-1635). Dimensions: H. 5 3/8 in. (13.6 cm) W. 2 1/2 in. (6.4 cm). Date: ca. 1600. The style and subject of this work are emblematic of the master painter Riza, who is best known for his paintings of languorous youths. The curving body of the young man, his delicately painted curls, and the garden setting are all typical of Riza's work in the early seventeenth century. His style and subjects reflect the taste of Shah 'Abbas' court at Isfahan, which was renowned for its luxurious palaces and gardens, and attracted vhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/man-in-a-fur-lined-coat-artist-painting-by-riza-yi-`abbasi-persian-ca-1565-1635-dimensions-h-5-38-in-136-cm-w-2-12-in-64-cm-date-ca-1600-the-style-and-subject-of-this-work-are-emblematic-of-the-master-painter-riza-who-is-best-known-for-his-paintings-of-languorous-youths-the-curving-body-of-the-young-man-his-delicately-painted-curls-and-the-garden-setting-are-all-typical-of-rizas-work-in-the-early-seventeenth-century-his-style-and-subjects-reflect-the-taste-of-shah-abbas-court-at-isfahan-which-was-renowned-for-its-luxurious-palaces-and-gardens-and-attracted-v-image213132486.html grazing sheep grazing sheephttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grazing-sheep-image278141065.html Artist, style of: Riza Abbasi, Iranian, ca. 1565–1635, Reclining Courtier, early 17th century, Opaque watercolor and gold on paper, image: 6 3/16 × 4 1/8 in. (15.7 × 10.5 cm), A leading painter in Isfahan in the early seventeenth century, Riza Abbasi specialized in producing single sheets showing languorous youths or amorous couples, which were meant for inclusion in albums assembled by collectors., Iranian/Persian, Islamic, Safavid dynasty (1502–1722), Paintings Artist, style of: Riza Abbasi, Iranian, ca. 1565–1635, Reclining Courtier, early 17th century, Opaque watercolor and gold on paper, image: 6 3/16 × 4 1/8 in. (15.7 × 10.5 cm), A leading painter in Isfahan in the early seventeenth century, Riza Abbasi specialized in producing single sheets showing languorous youths or amorous couples, which were meant for inclusion in albums assembled by collectors., Iranian/Persian, Islamic, Safavid dynasty (1502–1722), Paintingshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-style-of-riza-abbasi-iranian-ca-15651635-recliningcourtier-early-17thcentury-opaque-watercolor-and-gold-on-paper-image-6-316-4-18-in-157-105-cm-a-leading-painter-in-isfahan-in-the-early-seventeenth-century-riza-abbasi-specialized-in-producing-single-sheets-showing-languorous-youths-or-amorous-couples-which-were-meant-for-inclusion-in-albums-assembled-bycollectors-iranianpersianislamic-safavid-dynasty15021722-paintings-image392991281.html Study of a Bird. Artist: Painting by Riza-yi `Abbasi (Persian, ca. 1565-1635). Dimensions: H. 4.25 in. x W. 7.25 in. (10.8 cm high 18.4 cm wide). Date: dated A.H. 1043/A.D. 1634. Paintings of birds are less common in the works of Riza-yi 'Abbasi than languorous youths and amorous lovers. Here, with naturalistic precision, he has used fine brushstrokes to render the nightingale's feathers in minute detail. The bird appears true-to-life and animated, although it is not proportional in relation to the trees in the background. An inscription on the left in black nasta'liq script contains the date Study of a Bird. Artist: Painting by Riza-yi `Abbasi (Persian, ca. 1565-1635). Dimensions: H. 4.25 in. x W. 7.25 in. (10.8 cm high 18.4 cm wide). Date: dated A.H. 1043/A.D. 1634. Paintings of birds are less common in the works of Riza-yi 'Abbasi than languorous youths and amorous lovers. Here, with naturalistic precision, he has used fine brushstrokes to render the nightingale's feathers in minute detail. The bird appears true-to-life and animated, although it is not proportional in relation to the trees in the background. An inscription on the left in black nasta'liq script contains the datehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-of-a-bird-artist-painting-by-riza-yi-`abbasi-persian-ca-1565-1635-dimensions-h-425-in-x-w-725-in-108-cm-high-184-cm-wide-date-dated-ah-1043ad-1634-paintings-of-birds-are-less-common-in-the-works-of-riza-yi-abbasi-than-languorous-youths-and-amorous-lovers-here-with-naturalistic-precision-he-has-used-fine-brushstrokes-to-render-the-nightingales-feathers-in-minute-detail-the-bird-appears-true-to-life-and-animated-although-it-is-not-proportional-in-relation-to-the-trees-in-the-background-an-inscription-on-the-left-in-black-nastaliq-script-contains-the-date-image212905987.html grazing sheep grazing sheephttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grazing-sheep-image4079544.html Our Souls, in Languorous Gestures, plate nine from Love - 1898, published 1899 - Maurice Denis (French, 1870-1943) published by Ambroise Vollard Our Souls, in Languorous Gestures, plate nine from Love - 1898, published 1899 - Maurice Denis (French, 1870-1943) published by Ambroise Vollardhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/our-souls-in-languorous-gestures-plate-nine-from-love-1898-published-1899-maurice-denis-french-1870-1943-published-by-ambroise-vollard-image235988309.html Ernst Rudolf - Languorous Oriental Lady with a Rose Ernst Rudolf - Languorous Oriental Lady with a Rosehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ernst-rudolf-languorous-oriental-lady-with-a-rose-image219838126.html grazing sheep grazing sheephttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grazing-sheep-image4079546.html Our Souls, in Languorous Gestures, plate nine from Love - 1898, published 1899 - Maurice Denis (French, 1870-1943) published by Ambroise Vollard Our Souls, in Languorous Gestures, plate nine from Love - 1898, published 1899 - Maurice Denis (French, 1870-1943) published by Ambroise Vollardhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/our-souls-in-languorous-gestures-plate-nine-from-love-1898-published-1899-maurice-denis-french-1870-1943-published-by-ambroise-vollard-image236014211.html Maurice Denis. Our Souls, in Languorous Gestures, plate nine from Love. 1898–1899. France. Lithograph in pale pink, slate gray, red-brown, and yellow on light ivory wove paper Maurice Denis. Our Souls, in Languorous Gestures, plate nine from Love. 1898–1899. France. Lithograph in pale pink, slate gray, red-brown, and yellow on light ivory wove paperhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maurice-denis-our-souls-in-languorous-gestures-plate-nine-from-love-18981899-france-lithograph-in-pale-pink-slate-gray-red-brown-and-yellow-on-light-ivory-wove-paper-image337930540.html . Art in France. PRINCESS LUCIE.S BONAPARTE. (The Louvre, Paris.) ART IN FRANCE. FlC. 668.—GROS.THE PLAGUE-STRICKKN AT JAFFA. (The Louvre, Paris.) (Photo. Neurdein.) rlous work (1767-1824).we are conscious of theconstraint of a languageobliged to express senti-ments for which it wasnot made. To suggesttenderness or melancholy,he envelops his Endym-ion or his Atala instrange lights. In hisDeluge and his Battle ofCairo, he interminglesgreat bodies in violentattitudes, to show theabandonment of passion. But the rigidity of the design gives akind of stony fixity to the tumult, and the languorous s . Art in France. PRINCESS LUCIE.S BONAPARTE. (The Louvre, Paris.) ART IN FRANCE. FlC. 668.—GROS.THE PLAGUE-STRICKKN AT JAFFA. (The Louvre, Paris.) (Photo. Neurdein.) rlous work (1767-1824).we are conscious of theconstraint of a languageobliged to express senti-ments for which it wasnot made. To suggesttenderness or melancholy,he envelops his Endym-ion or his Atala instrange lights. In hisDeluge and his Battle ofCairo, he interminglesgreat bodies in violentattitudes, to show theabandonment of passion. But the rigidity of the design gives akind of stony fixity to the tumult, and the languorous shttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-in-france-princess-lucies-bonaparte-the-louvre-paris-art-in-france-flc-668grosthe-plague-strickkn-at-jaffa-the-louvre-paris-photo-neurdein-rlous-work-1767-1824we-are-conscious-of-theconstraint-of-a-languageobliged-to-express-senti-ments-for-which-it-wasnot-made-to-suggesttenderness-or-melancholyhe-envelops-his-endym-ion-or-his-atala-instrange-lights-in-hisdeluge-and-his-battle-ofcairo-he-interminglesgreat-bodies-in-violentattitudes-to-show-theabandonment-of-passion-but-the-rigidity-of-the-design-gives-akind-of-stony-fixity-to-the-tumult-and-the-languorous-s-image370472594.html Languorous woman sleeping on table in office with a cup in her hand Languorous woman sleeping on table in office with a cup in her handhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-languorous-woman-sleeping-on-table-in-office-with-a-cup-in-her-hand-124667403.html Sandro Botticelli. Virgin and Child with an Angel. 1475–1485. Italy. Tempera on panel Sandro Botticelli was one of the most renowned painters of late-15th-century Florence. Here the tender embrace of mother and child and the Virgin’s wistful expression are typical of his lyrical manner. Another version of this composition in the Norton Simon Museum, Pasadena, still shows the influence of the sculpture of Andrea Verrocchio and is probably an early work, made before 1470. The sinuous contours and softly modeled flesh of the Art Institute’s picture represent Botticelli’s languorous mature style. Sandro Botticelli. Virgin and Child with an Angel. 1475–1485. Italy. Tempera on panel Sandro Botticelli was one of the most renowned painters of late-15th-century Florence. Here the tender embrace of mother and child and the Virgin’s wistful expression are typical of his lyrical manner. Another version of this composition in the Norton Simon Museum, Pasadena, still shows the influence of the sculpture of Andrea Verrocchio and is probably an early work, made before 1470. The sinuous contours and softly modeled flesh of the Art Institute’s picture represent Botticelli’s languorous mature style.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sandro-botticelli-virgin-and-child-with-an-angel-14751485-italy-tempera-on-panel-sandro-botticelli-was-one-of-the-most-renowned-painters-of-late-15th-century-florence-here-the-tender-embrace-of-mother-and-child-and-the-virgins-wistful-expression-are-typical-of-his-lyrical-manner-another-version-of-this-composition-in-the-norton-simon-museum-pasadena-still-shows-the-influence-of-the-sculpture-of-andrea-verrocchio-and-is-probably-an-early-work-made-before-1470-the-sinuous-contours-and-softly-modeled-flesh-of-the-art-institutes-picture-represent-botticellis-languorous-mature-style-image337994238.html . Happy holidays . theygalloped without so much as a look into the littlewood where monsieur himself reclined luxuriouslyat the foot of a big oak tree. When they had passed, Monsieur le Marquisdrew a breath of relief. Now indeed he felt quitesafe and master of himself for one day of freedomand delight. Thoughts of unperformed duties anddiscourtesy to the good people of Lexington ceasedto trouble his soul. The vivifying morning airwas becoming languorous under the noonday sun,and as a beatific dreaminess descended uponMonsieur le Marquis, patriotic duties and civicfestivities assumed the shape . Happy holidays . theygalloped without so much as a look into the littlewood where monsieur himself reclined luxuriouslyat the foot of a big oak tree. When they had passed, Monsieur le Marquisdrew a breath of relief. Now indeed he felt quitesafe and master of himself for one day of freedomand delight. Thoughts of unperformed duties anddiscourtesy to the good people of Lexington ceasedto trouble his soul. The vivifying morning airwas becoming languorous under the noonday sun,and as a beatific dreaminess descended uponMonsieur le Marquis, patriotic duties and civicfestivities assumed the shapehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/happy-holidays-theygalloped-without-so-much-as-a-look-into-the-littlewood-where-monsieur-himself-reclined-luxuriouslyat-the-foot-of-a-big-oak-tree-when-they-had-passed-monsieur-le-marquisdrew-a-breath-of-relief-now-indeed-he-felt-quitesafe-and-master-of-himself-for-one-day-of-freedomand-delight-thoughts-of-unperformed-duties-anddiscourtesy-to-the-good-people-of-lexington-ceasedto-trouble-his-soul-the-vivifying-morning-airwas-becoming-languorous-under-the-noonday-sunand-as-a-beatific-dreaminess-descended-uponmonsieur-le-marquis-patriotic-duties-and-civicfestivities-assumed-the-shape-image374788323.html Languorous woman sleeping on table in office with a cup in her hand Languorous woman sleeping on table in office with a cup in her handhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/languorous-woman-sleeping-on-table-in-office-with-a-cup-in-her-hand-image274330852.html Pierre Milan. The Nymph of Fontainebleau. 1554. France. Engraving on cream laid paper The Nymph of Fontainebleau appeared in several guises at King Francis I’s charming getaway outside of Paris. This Mannerist engraving by Pierre Milan refers to a bronze relief sculpture by the Italian Renaissance artist Benvenuto Cellini. Francis commissioned this sculpture of the mythological woodland creature to go over the main entryway to the château. While differently composed than the relief, the print retains the detail of the spilling water vase, the nymph’s languorous posture, and the plenitude of an Pierre Milan. The Nymph of Fontainebleau. 1554. France. Engraving on cream laid paper The Nymph of Fontainebleau appeared in several guises at King Francis I’s charming getaway outside of Paris. This Mannerist engraving by Pierre Milan refers to a bronze relief sculpture by the Italian Renaissance artist Benvenuto Cellini. Francis commissioned this sculpture of the mythological woodland creature to go over the main entryway to the château. While differently composed than the relief, the print retains the detail of the spilling water vase, the nymph’s languorous posture, and the plenitude of anhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pierre-milan-the-nymph-of-fontainebleau-1554-france-engraving-on-cream-laid-paper-the-nymph-of-fontainebleau-appeared-in-several-guises-at-king-francis-is-charming-getaway-outside-of-paris-this-mannerist-engraving-by-pierre-milan-refers-to-a-bronze-relief-sculpture-by-the-italian-renaissance-artist-benvenuto-cellini-francis-commissioned-this-sculpture-of-the-mythological-woodland-creature-to-go-over-the-main-entryway-to-the-chteau-while-differently-composed-than-the-relief-the-print-retains-the-detail-of-the-spilling-water-vase-the-nymphs-languorous-posture-and-the-plenitude-of-an-image337933291.html . Three Vassar girls in the Tyrol. I rented the Appartemento Signorile in her palazzo. I should think a countess would be above such a thing, saidDorothy. She was, my dear, very much above me, — three whole stories, forshe crowded herself into the garret and let all the other rooms. Herson lives on the rental of the palazzo and on some other triflingsources of revenue which bring him an income sufficient to keep himin kid gloves and cigarettes, and to allow him that lily-like disoccupa-tion which Howells speaks of as the characteristic of an Italiangentleman. The days were warm and languorous, . Three Vassar girls in the Tyrol. I rented the Appartemento Signorile in her palazzo. I should think a countess would be above such a thing, saidDorothy. She was, my dear, very much above me, — three whole stories, forshe crowded herself into the garret and let all the other rooms. Herson lives on the rental of the palazzo and on some other triflingsources of revenue which bring him an income sufficient to keep himin kid gloves and cigarettes, and to allow him that lily-like disoccupa-tion which Howells speaks of as the characteristic of an Italiangentleman. The days were warm and languorous,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-vassar-girls-in-the-tyrol-i-rented-the-appartemento-signorile-in-her-palazzo-i-should-think-a-countess-would-be-above-such-a-thing-saiddorothy-she-was-my-dear-very-much-above-me-three-whole-stories-forshe-crowded-herself-into-the-garret-and-let-all-the-other-rooms-herson-lives-on-the-rental-of-the-palazzo-and-on-some-other-triflingsources-of-revenue-which-bring-him-an-income-sufficient-to-keep-himin-kid-gloves-and-cigarettes-and-to-allow-him-that-lily-like-disoccupa-tion-which-howells-speaks-of-as-the-characteristic-of-an-italiangentleman-the-days-were-warm-and-languorous-image370741583.html Sydney, Australia - Oct 23, 2018. Albert Paley: Languorous Repose. Sculpture by the Sea along the Bondi to Coogee coastal walk is the world largest fr Sydney, Australia - Oct 23, 2018. Albert Paley: Languorous Repose. Sculpture by the Sea along the Bondi to Coogee coastal walk is the world largest frhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sydney-australia-oct-23-2018-albert-paley-languorous-repose-sculpture-by-the-sea-along-the-bondi-to-coogee-coastal-walk-is-the-world-largest-fr-image243768190.html Languorous woman sleeping on table in office Languorous woman sleeping on table in officehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-languorous-woman-sleeping-on-table-in-office-35709970.html Marlborough house and its occupants, present and past . ct models inEngland, there can be little doubt that itsgreatest adornment was its originator and ownerherself. Although the Duchess was close upon fifty in1709, she was still a magnificent and fresh-lookingwoman. There was something queenly about hertall stateliness, akin to her disposition ; for as thehistoric Hume remarks, she might at one time havebeen regarded as de facto the sovereign of England.In the rich fullness of her lips, her pretty mouth,languorous eyes, and nose slightly retroussd, therewas discernible an indication of laten Marlborough house and its occupants, present and past . ct models inEngland, there can be little doubt that itsgreatest adornment was its originator and ownerherself. Although the Duchess was close upon fifty in1709, she was still a magnificent and fresh-lookingwoman. There was something queenly about hertall stateliness, akin to her disposition ; for as thehistoric Hume remarks, she might at one time havebeen regarded as de facto the sovereign of England.In the rich fullness of her lips, her pretty mouth,languorous eyes, and nose slightly retroussd, therewas discernible an indication of latenhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marlborough-house-and-its-occupants-present-and-past-ct-models-inengland-there-can-be-little-doubt-that-itsgreatest-adornment-was-its-originator-and-ownerherself-although-the-duchess-was-close-upon-fifty-in1709-she-was-still-a-magnificent-and-fresh-lookingwoman-there-was-something-queenly-about-hertall-stateliness-akin-to-her-disposition-for-as-thehistoric-hume-remarks-she-might-at-one-time-havebeen-regarded-as-de-facto-the-sovereign-of-englandin-the-rich-fullness-of-her-lips-her-pretty-mouthlanguorous-eyes-and-nose-slightly-retroussd-therewas-discernible-an-indication-of-laten-image338399421.html Sydney, Australia - Oct 23, 2018. Albert Paley: Languorous Repose. Sculpture by the Sea along the Bondi to Coogee coastal walk is the world largest fr Sydney, Australia - Oct 23, 2018. Albert Paley: Languorous Repose. Sculpture by the Sea along the Bondi to Coogee coastal walk is the world largest frhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sydney-australia-oct-23-2018-albert-paley-languorous-repose-sculpture-by-the-sea-along-the-bondi-to-coogee-coastal-walk-is-the-world-largest-fr-image243768217.html Pulp Fiction Pulp Fictionhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pulp-fiction-48348025.html . Book of the Royal blue . Till. AIXEGHENIES.. THE PASSING OF THE CHESAPEAKE & OHIO CANAL. WASHINGTON TOST. OBSERVING the languorous inactivityof the old canal which enters George-town from Cumberland, few of thepresent generation realize, when they strollalong the towpath, throw the tackle intoits placid waters or skim over its surfacein flat-bottomed pleasure craft, the partthe Chesapeake & Ohio waterway was be-lieved to be destined to play in Americaninternal commerce. There are those livingtoday who recall the halcyon days when thecanal was a busy thread of water parallel-ing the Potomac f . Book of the Royal blue . Till. AIXEGHENIES.. THE PASSING OF THE CHESAPEAKE & OHIO CANAL. WASHINGTON TOST. OBSERVING the languorous inactivityof the old canal which enters George-town from Cumberland, few of thepresent generation realize, when they strollalong the towpath, throw the tackle intoits placid waters or skim over its surfacein flat-bottomed pleasure craft, the partthe Chesapeake & Ohio waterway was be-lieved to be destined to play in Americaninternal commerce. 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Perhaps it isthe combination of well-kept lawn such as one mayfind at any first-class course in the North, palmtrees, and scrubby palmetto bushes, and the atmos-phere of languorous Florida. Then again thecourse, itself, has been most ingeniously laid out,and presents many pleasing and puzzling problemsof play. It is not so very hilly that any one wouldbecome fatigued from Winter journeys in the South; pen and camera impressions of men, manners, women, and things all the way from the blue Gulf and New Orleans through fashionable Florida palms to the pines of Virginia . hard question to answer. Perhaps it isthe combination of well-kept lawn such as one mayfind at any first-class course in the North, palmtrees, and scrubby palmetto bushes, and the atmos-phere of languorous Florida. Then again thecourse, itself, has been most ingeniously laid out,and presents many pleasing and puzzling problemsof play. 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A largetriumphal statue—of a cat overcoming a dog.And look at this dining-room, its exquisite ap-pointments, its daintiness: faucets for hot andcold milk in the pantry, and a gold bowl ofcream. -26- This Simian World Some one is entering. Hush! If I could butdescribe her! Languorous, slender and pas-sionate. Sleepy eyes that see everything. An in-dolent purposeful step. An unimaginable grace.If you were her lover, my boy, you would learnhow fierce love can be, how capricious and sud-den, how hostile, how ecstatic, how violent! Thin This simian world . room.But wait: what is this in the corner? A largetriumphal statue—of a cat overcoming a dog.And look at this dining-room, its exquisite ap-pointments, its daintiness: faucets for hot andcold milk in the pantry, and a gold bowl ofcream. -26- This Simian World Some one is entering. Hush! If I could butdescribe her! Languorous, slender and pas-sionate. Sleepy eyes that see everything. An in-dolent purposeful step. 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Palm Beach, as almost everyone knows, issituated on the southern extreme of the Flori-da east coast, and is a narrow island about fifteenmiles long and about two miles broad at itsbroadest point. It is separated from the mainlandon which is situate Winter journeys in the South; pen and camera impressions of men, manners, women, and things all the way from the blue Gulf and New Orleans through fashionable Florida palms to the pines of Virginia . re reflected in the water; balmy,soft, Southern airs came through the windows of thetrain; there was a languorous, velvety feeling aboutthe atmosphere. Palm Beach, as almost everyone knows, issituated on the southern extreme of the Flori-da east coast, and is a narrow island about fifteenmiles long and about two miles broad at itsbroadest point. It is separated from the mainlandon which is situatehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/winter-journeys-in-the-south-pen-and-camera-impressions-of-men-manners-women-and-things-all-the-way-from-the-blue-gulf-and-new-orleans-through-fashionable-florida-palms-to-the-pines-of-virginia-re-reflected-in-the-water-balmysoft-southern-airs-came-through-the-windows-of-thetrain-there-was-a-languorous-velvety-feeling-aboutthe-atmosphere-palm-beach-as-almost-everyone-knows-issituated-on-the-southern-extreme-of-the-flori-da-east-coast-and-is-a-narrow-island-about-fifteenmiles-long-and-about-two-miles-broad-at-itsbroadest-point-it-is-separated-from-the-mainlandon-which-is-situate-image342984478.html Children in a classroom in primary school, girl daydreaming or looking unsure, thoughtful, sad or frustrated, equal oppurtunity Children in a classroom in primary school, girl daydreaming or looking unsure, thoughtful, sad or frustrated, equal oppurtunityhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-children-in-a-classroom-in-primary-school-girl-daydreaming-or-looking-24522630.html Look from Key Summit Fjordland NP to the Humboldt Mountains, Mount Aspiring NP, Westcoast South Island, New Zealand Look from Key Summit Fjordland NP to the Humboldt Mountains, Mount Aspiring NP, Westcoast South Island, New Zealandhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-look-from-key-summit-fjordland-np-to-the-humboldt-mountains-mount-17300217.html The standard operas, their plots and their music; . Thackeray in his well-knownverse: Charlotte, having seen his body Borne before her on a shutter.Like a well-conducted person Went on cutting bread and butter. Notwithstanding the morbid character of the text and thetiresome nature of Werthers surging passion with its sui-cidal ending, Massenets score is characterized by refinement,beauty, and tenderness instead of the languorous and sensu-ous touches one might naturally expect in his treatment ofsuch a tempting subject. Like Gounod he is fond of senti-mental scenes and is somewhat feminine in The standard operas, their plots and their music; . Thackeray in his well-knownverse: Charlotte, having seen his body Borne before her on a shutter.Like a well-conducted person Went on cutting bread and butter. Notwithstanding the morbid character of the text and thetiresome nature of Werthers surging passion with its sui-cidal ending, Massenets score is characterized by refinement,beauty, and tenderness instead of the languorous and sensu-ous touches one might naturally expect in his treatment ofsuch a tempting subject. 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The yellow book : an illustrated quarterly. anquets joyous hour, Mid scent, and song, and whirling dance,You bought mens worship with a glance ; Like shaded fire, its languorous power.Ah, cruel eyes ! Hyperion, when his Sun arose, No brighter glories could disclose. Or, at the Goddess awful shrine, With shrouded head and trembling knees,The shuddering music of your pleas Strove vainly for the ears divine.Pleas, who shall say, For childrens smiles ; for lovers kiss ; For all that makes a womans bliss ? The radiant waters rise and meet,And gather on the tideless shore ;But Ccelias footsteps so . The yellow book : an illustrated quarterly. anquets joyous hour, Mid scent, and song, and whirling dance,You bought mens worship with a glance ; Like shaded fire, its languorous power.Ah, cruel eyes ! Hyperion, when his Sun arose, No brighter glories could disclose. 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The Suburbanite; a monthly magazine for those who are and those who ought to in interested in suburban homes . Union County TurnpikeCranford THE SEPTEMBER FOREST Here in tlie languorous silence, where sunwith shade interlaces,Let my soul steep :And from tlie well-springs of beauty, whi<time neither mars nor effaces,Let me drink deep ! Far from the riotous throbbing of busy hu-manity bustling.Here is a balm :Only a marvellous bird-song, or music of gladleaves low rustling.Breaks the sweet caltn. Kdtharine G. Terry, in Lippincotts Magazineht Oh! to be friends with the lichens, the lowcreepi . The Suburbanite; a monthly magazine for those who are and those who ought to in interested in suburban homes . Union County TurnpikeCranford THE SEPTEMBER FOREST Here in tlie languorous silence, where sunwith shade interlaces,Let my soul steep :And from tlie well-springs of beauty, whi<time neither mars nor effaces,Let me drink deep ! 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Book of the Royal blue . IN THE Ml. u; I OK I III. M.I.I GHENI1 S.. THE PASSING OF THE CHESAPEAKE & OHIO CANAL. WASHINGTON POST. OBSERVING the languorous inactivityof the old canal which enters George-town from Cumberland, few of thepresent generation realize, when they strollalong the towpath, throw the tackle intoits placid waters or skim over its surfacein flat-bottomed pleasure craft, the partthe Chesapeake & Ohio waterway was be-lieved to be destined to play in Americaninternal commerce. There are those livingtoday who recall the halcyon days when thecanal was a busy thread of water par . Book of the Royal blue . IN THE Ml. u; I OK I III. M.I.I GHENI1 S.. THE PASSING OF THE CHESAPEAKE & OHIO CANAL. WASHINGTON POST. OBSERVING the languorous inactivityof the old canal which enters George-town from Cumberland, few of thepresent generation realize, when they strollalong the towpath, throw the tackle intoits placid waters or skim over its surfacein flat-bottomed pleasure craft, the partthe Chesapeake & Ohio waterway was be-lieved to be destined to play in Americaninternal commerce. 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The Granite monthly, a New Hampshire magazine, devoted to literature, history, and state progress. ing river, Close by the shore, where birch and maple vied With their cool shade the suns high course to hide, No thought came near, the languorous peace to mar, Of faultless toils, that seam and scar The soul, till from lifes drear endeavor It glad would turn ; but each loss brings Still greater need upon its hopeless wings. Alone for one short hour upon the waveless stream. While life lived only as a nameless dream ;— With reckless joy still yet my pulses quiver, As through weary days, with ca . 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While life lived only as a nameless dream ;— With reckless joy still yet my pulses quiver, As through weary days, with cahttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-granite-monthly-a-new-hampshire-magazine-devoted-to-literature-history-and-state-progress-ing-river-close-by-the-shore-where-birch-and-maple-vied-with-their-cool-shade-the-suns-high-course-to-hide-no-thought-came-near-the-languorous-peace-to-mar-of-faultless-toils-that-seam-and-scar-the-soul-till-from-lifes-drear-endeavor-it-glad-would-turn-but-each-loss-brings-still-greater-need-upon-its-hopeless-wings-alone-for-one-short-hour-upon-the-waveless-stream-while-life-lived-only-as-a-nameless-dream-with-reckless-joy-still-yet-my-pulses-quiver-as-through-weary-days-with-ca-image370757514.html morning fog mist morgennebel pond weiher bamberg upper franconia oberfranken bavaria bayern germany deutschland europe europa morning fog mist morgennebel pond weiher bamberg upper franconia oberfranken bavaria bayern germany deutschland europe europahttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-morning-fog-mist-morgennebel-pond-weiher-bamberg-upper-franconia-oberfranken-17299802.html Girl walking through a flower meadow Girl walking through a flower meadowhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/girl-walking-through-a-flower-meadow-image61956056.html The yellow book, an illustrated quarterly Volume 9 . Sunshine By Olive Custance OH, Sunshine Spirit, I have seenYour gold wings spread aslant the green ;Have watched their splendours trail alongThe woodland ways where wild flowers throng,And seen your slim feet slip between ; Looked on your limbs so shimmerous white,Flushed in a lucent mist of light;Seen your child face peer wildly fairThrough parted strands of shining hair,And wist not if I saw aright ! Inlgardens where tired feet can wadeThrough flowers set thick in slumbrous shade-Across wide languorous lawns sun-swept,Your fleeting fairy f The yellow book, an illustrated quarterly Volume 9 . 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But I couldnt smile forever; Then what wisdoms in my plan?Alas, perhaps there never Lived a very happy man. 24 POEMS AND CONCEITS IN VERSE. INDIAN SUMMER. The aging year in its revolving courseDoth seem to linger fondly in the hazeOf languorous Indian summers witching spell.The forests glow in red and gold and brown,While hill and valley drape themselves in blue.The golden paw-paw hangs a-ripening,And in the grass the yellow walnuts gleam.Sweet chestnuts hide beneath the r 'A poetical entertainer,' The old schoolhouse and other poems and conceits in verse . my plummet The lofty heights Id won. But I couldnt smile forever; Then what wisdoms in my plan?Alas, perhaps there never Lived a very happy man. 24 POEMS AND CONCEITS IN VERSE. INDIAN SUMMER. The aging year in its revolving courseDoth seem to linger fondly in the hazeOf languorous Indian summers witching spell.The forests glow in red and gold and brown,While hill and valley drape themselves in blue.The golden paw-paw hangs a-ripening,And in the grass the yellow walnuts gleam.Sweet chestnuts hide beneath the rhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-poetical-entertainer-the-old-schoolhouse-and-other-poems-and-conceits-in-verse-my-plummet-the-lofty-heights-id-won-but-i-couldnt-smile-forever-then-what-wisdoms-in-my-planalas-perhaps-there-never-lived-a-very-happy-man-24-poems-and-conceits-in-verse-indian-summer-the-aging-year-in-its-revolving-coursedoth-seem-to-linger-fondly-in-the-hazeof-languorous-indian-summers-witching-spellthe-forests-glow-in-red-and-gold-and-brownwhile-hill-and-valley-drape-themselves-in-bluethe-golden-paw-paw-hangs-a-ripeningand-in-the-grass-the-yellow-walnuts-gleamsweet-chestnuts-hide-beneath-the-r-image338265956.html Lake Abisko with Lapporten Mountain reflection, Abisko NP, Norrbotten, Lapland, sweden, september Lake Abisko with Lapporten Mountain reflection, Abisko NP, Norrbotten, Lapland, sweden, septemberhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lake-abisko-with-lapporten-mountain-reflection-abisko-np-norrbotten-17300256.html Two sisters hugging each other Two sisters hugging each otherhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-sisters-hugging-each-other-image61952932.html Colonial Echo, 1903 . 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Key Summit with reflection from Mount christina, fjordland NP, World Heritage south west new zealand, westcoast, south islandhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-key-summit-with-reflection-from-mount-christina-fjordland-np-world-17300199.html Portrait of a young woman, light and shadow Portrait of a young woman, light and shadowhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-young-woman-light-and-shadow-image64716294.html 19th century, a young woman sitting dreamily on a swing, around 1880, 19th century, a young woman sitting dreamily on a swing, around 1880,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-19th-century-a-young-woman-sitting-dreamily-on-a-swing-around-1880-52656021.html Look from Key Summit to Mount Christina, Fiordland Nationalpark, West New Zealand, South Island, february Look from Key Summit to Mount Christina, Fiordland Nationalpark, West New Zealand, South 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