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RMW55EFY–Dress with half-long sleeves and train, from cotton lace with fillings from needle lace, from white cotton lace with fillings from needle lace. The sleeves are trimmed with a strip of machined Valenciennes and with medallions from also machined lace. Design: large flowers and leaves and C-volutes, in the medallions roses. Lining of white (art?) Silk (modern)., Foliage, tendrils, branches, ornament, flowers, anonymous, Belgium (possibly), c. 1900 - c. 1910, geheel, Valenciennes lace, l 149.0 cm × l 194.0 cm
RMP7DKT1–Woman of Valencia, Spain, 19th century. She wears her hair tied up, gothic lace sleeves, and falbala flounces on her skirt. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
RM2A836H4–Woman of Valencia, Spain, 19th century. She wears her hair tied up, gothic lace sleeves, and falbala flounces on her skirt. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
RMK07TG9–Pretty parisian Berthe Vincourt (maybe an actress), wearing a 'S-bend' dress with a thin 'V'- shaped waist, lace sleeves and her hair is in the 'door-knocker' style. Date: 1904
RF2G44Y5W–The bride in dress with lace sleeves folded her hands with a wedding ring on her finger, close-up
RMH7AJ17–Crinoline ballgown with lace sleeves, historical replica paper dress by Isabelle de Borchgrave
RMMMPH9P–. English: RUSSIAN SCHOOL, CIRCA 1730 Empress Anna Ioannovna (1693-1740), in blue dress with yellow floral-embroidered bodice, red bows on her tiered lace sleeves, wearing the blue moiré sash of the Imperial Russian Order of St. Andrew, a miniature gold and pearl crown on her long dark hair. Anna Ioannovna portrait miniature 2
RM2BF4H64–Paper Doll Costume in White with Red Roses. White dress lined with red roses at the neckline and roses on the upper portion of her dress. White lace sleeves, and many small layers of white ruffle also adorn the dress. Both back and front of dress depicted.
RMJDECK9–Victorian Cabinet card photograph (cropping at base) of an attractive lady wearing a beautiful summer dress with lace sleeves, proudly holding her son who is dressed in breeches and frilly shirt collar and velvet jacket - a fashion inspired by the Little Lord Fauntleroy novel by Frances Hodgson Burnett.published in 1885–1886. Circa 1890's
RF2HK4MMY–Inspired by Danish Woman in Costume, Oil on canvas, 36 13/16 x 29 1/4 in., 93.5 x 74.3 cm, bodice, bonnet, bracelet, brooch, choker, companion animal, dog, elite, fan, jewelry, lace, lace collar, lace sleeves, paintng, pendant, pet, portrait, ring, spaniel, traditional dress, upper class, wealthy, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RM2K03YGM–Paris Fashions for September, 1854. 'Robe de taffetas rose, with three flounces embroidered on tulle rose. The embroidery is a point de chainette; the rounded pinkings are embroidered the same. The basques are also ornamented with pinkings, between each of which is placed a knot of ribbon. The front of the corsage is likewise set off with two or three bows of the same, which join a plaited ribbon passing along the edge. The Sleeves have likewise three flounces pinked, and worked like those of the skirt, as have also the lace sleeves, fichu, and cap...Country Bonnet en paille d'ltalie, with a s
RMG56CCT–New York, NY, USA. 19th June, 2016. A BLACK LACE AND PINK SILK LINEN EVENING GOWN With sheer black lace sleeves, neck and waist overlaying a pink bodice and tulle-lined full skirt, with labels Oscar de la Renta and Grace Costumes New York inside for Collection of Joan Rivers Press Preview, Christie's Auction House, New York, NY June 19, 2016. Credit: Steven Ferdman/Everett Collection/Alamy Live News
RMCEXX1M–Cynthia Rowley New York Ready to Wear Autumn Winter Brown lace dress rows of frills and long lace sleeves and brown ankle boots
RF2K26DCH–Clothes for children. A beautiful pink baby girl dress with white lace collar and long sleeves isolated on a white background. Clipping path. Kids autumn and spring fashion.
RMKJHF24–An etching from a portrait of a woman identified as Mrs James M White, she is wearing a black dress with lace sewn on to the sleeves, she has a small necklace with a polished black stone attached to it and a larger necklace consisting of a chain, she also has a small brooch pin on her neck, 1870. From the New York Public Library.
![Dioné-dessin de Bakst réalisé par Paquin. Costumes Parisiens no.73. Woman wearing a yellow patterned dess with cutout lace sleeves, a one shouldered mustard embroidered cape and short yellow gloves. . Journal des dames et des modes. [With coloured plates.]. Paris, 1913. Colour plate / illustration. Pochoir. Fashion. Source: P.P.5242.dc, volume II, pl.73, after p.272. Language: French. Author: Bakst, Leon. Stock Photo](https://c8.alamy.com/comp/R4XED0/dion-dessin-de-bakst-ralis-par-paquin-costumes-parisiens-no73-woman-wearing-a-yellow-patterned-dess-with-cutout-lace-sleeves-a-one-shouldered-mustard-embroidered-cape-and-short-yellow-gloves-journal-des-dames-et-des-modes-with-coloured-plates-paris-1913-colour-plate-illustration-pochoir-fashion-source-pp5242dc-volume-ii-pl73-after-p272-language-french-author-bakst-leon-R4XED0.jpg "Dioné-dessin de Bakst réalisé par Paquin. Costumes Parisiens no.73. Woman wearing a yellow patterned dess with cutout lace sleeves, a one shouldered mustard embroidered cape and short yellow gloves. . Journal des dames et des modes. [With coloured plates.]. Paris, 1913. Colour plate / illustration. Pochoir. Fashion. Source: P.P.5242.dc, volume II, pl.73, after p.272. Language: French. Author: Bakst, Leon. Stock Photo")
RMR4XED0–Dioné-dessin de Bakst réalisé par Paquin. Costumes Parisiens no.73. Woman wearing a yellow patterned dess with cutout lace sleeves, a one shouldered mustard embroidered cape and short yellow gloves. . Journal des dames et des modes. [With coloured plates.]. Paris, 1913. Colour plate / illustration. Pochoir. Fashion. Source: P.P.5242.dc, volume II, pl.73, after p.272. Language: French. Author: Bakst, Leon.
RMW558E1–Strip of application lace with sleeves and different flowers, Strip of natural colored lace application: needle lace appliqué on machine tulle. Spreading pattern with large pulps on a fine hexagonal mesh. The faintly scalloped lower edge comes from leafy branches with flowers in various types and sizes. Motifs with embossed contours of widely used wire bundles. Ornamental stitches in the flowers. The upper side is finished with a separately cloned strap., anonymous, Brussels, c. 1850 - c. 1870, linen (material), h 244 cm × w 8.2 cm
![Madame Carrelle, 1856/57. [Woman wearing embroidered dress with fitted bodice and lace sleeves]. Salted paper print. Stock Photo](https://c8.alamy.com/comp/2GPP6T9/madame-carrelle-185657-woman-wearing-embroidered-dress-with-fitted-bodice-and-lace-sleeves-salted-paper-print-2GPP6T9.jpg "Madame Carrelle, 1856/57. [Woman wearing embroidered dress with fitted bodice and lace sleeves]. Salted paper print. Stock Photo")
RM2GPP6T9–Madame Carrelle, 1856/57. [Woman wearing embroidered dress with fitted bodice and lace sleeves]. Salted paper print.
RMP7CH42–Woman of Valencia, Spain, 19th century. She wears a veil hanging from her chignon hair, a tight corset, lace sleeves, decorated petticoats, see-through apron, and carries a basket. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
RM2A836H6–Woman of Valencia, Spain, 19th century. She wears a veil hanging from her chignon hair, a tight corset, lace sleeves, decorated petticoats, see-through apron, and carries a basket. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
RM2M3JWWF–Women wearing vivid colour and graceful line dresses of ladies fashion in the early twentieth century. On left: an evening dress in green and blue brocade veiled with a tunic of blue mousseline de soie. Centre: an evening gown with sleeves of deep sapphire blue and a white lace tunic fastened in front with an antique clasp. On right: a gown of white charmeuse crossed in front, veiled with a rose coloured ninon tunic.
RF2G3YTC2–Beautiful bride in a white dress with sleeves and lace, with a yellow autumn bouquet on background of the arch for ceremony, at
RMH7AHX2–Yellow day dress with chiffon shawl and lace sleeves, historical replica paper dress by Isabelle de Borchgrave
RMMMK5TD–. English: RUSSIAN SCHOOL, CIRCA 1730 Empress Anna Ioannovna (1693-1740), in blue dress with yellow floral-embroidered bodice, red bows on her tiered lace sleeves, wearing the blue moiré sash of the Imperial Russian Order of St. Andrew, a miniature gold and pearl crown on her long dark hair. . circa 1730. Anonymous Russian painter (1670s-1917) Public domain image (according to PD-RusEmpire) Anna Ioannovna portrait miniature 2
RME141CD–Mar. 31, 2012 - Lace For Daytime Charm. New York: A sure figure flatter is this Tailored jacket dress of Brocord Lace in a large four Petal effect with Nubby dots spread throughout the design. The dress is plain, with short sleeves, buttoning at the neck with large ball button in contrasting color to match the patent leather belt - it has a straight loss jacket with ample pockets and long plain sleeves. It is one of the stylish washable.
RF2HKK3A6–Art inspired by Danish Woman in Costume, Oil on canvas, 36 13/16 x 29 1/4 in., 93.5 x 74.3 cm, bodice, bonnet, bracelet, brooch, choker, companion animal, dog, elite, fan, jewelry, lace, lace collar, lace sleeves, paintng, pendant, pet, portrait, ring, spaniel, traditional dress, upper, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMDA3MTH–Beautiful young woman with long golden-brown hair smiles at ground in woods, dressed in red medieval gown with lace sleeves
RF2HPMHPW–Vector woman summer dress with lace sleeves fashion CAD, dress with shoulder straps technical drawing, template, flat, sketch. Jersey or woven fabric
RMCFC2X0–Christian Lacroix Paris Ready to Wear Spring Summer Model wearing a white satin knee length dress short lace sleeves, corseted
RF2K267CP–Clothes for children. A beautiful pink baby girl dress with white lace collar and long sleeves isolated on a white background. Clipping path. Kids autumn and spring fashion.
RMDG6PMH–A close-up of a young bride´s hands as she holds her wedding bouquet. Her lace sleeves are visible and she wears a ring with a
RFPPRH9N–A one year old, baby girl sitting on the floor with a flower. She is wearing a white, tulle dress wtih lace sleeves.
RMCYP6DW–A lace-up shirt in so-called 'Blurred Edge' camouflage pattern,reversible from spring- to fall colours,lower sleeves and pocket flaps of a different pattern. Heavily worn,with numerous repairs and damages. The fly front contemporarily removed and modified,the shirt inexpertly reconstructed,historic,historical,1930s,20th century,Waffen-SS,armed division of the SS,armed service,armed services,NS,National Socialism,Nazism,Third Reich,German Reich,Germany,military,militaria,utensil,piece of equipment,utensils,object,objects,stills,clippin,Additional-Rights-Clearences-Not Available
RMW558DP–Strip of needle lace with sleeves around flower sprays with oval leaves, Strip of natural colored needle lace: Alençon lace. Scatter motif on a fine hexagonal mesh ground, with two different flower branches along the center line, with many oval leaves. The flower sprays are surrounded with a clear pattern of pulps and twigs with three leaves. The pattern at the bottom of the strip consists of a succession of ovals, a five-leaf flower and intersecting arches that end with heart-shaped leaves. Flower twigs spring from the ovals filled with decorative grounds. The bottom is finished
RMKHHNN3–Framed, oval daguerreotype of a woman sitting, wearing a black dress with long sleeves and white lace trim along the collar and bottom of the sleeves, 1854. From the New York Public Library.
RMP6H7MY–Empress Maria Theresa, Queen of Hungary and Bohemia, 1747. She wears a crimson cape lined with ermine over a green dress with lace sleeves. Handcoloured lithograph from Thomas Hailes Lacy's 'Female Costumes Historical, National and Dramatic in 200 Plates,' London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.
RMJHWCJP–Marie Adelaide de Savoie, Duchess of Burgundy, 1683-1712. She wears a tall lace Fontanges headdress with ribbons, striped mantua with train, lace sleeves, and petticoat with gold bands. After a miniature on vellum in the editor's collection. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Galerie Francaise de Femmes Celebres, Paris, 1827.
RM2M3JWPP–A selection of dresses designed for the winter of 1861. From left, 'The manteau marchesa' made from cloth and velvet, trimmed with a silk border. The bonnet is of green silk, with rich lace surmounted by roses and feathers. 'The manteau hongrois', made from velvet pile cloth and a satin cording bordering the sleeves. Worn with a bonnet of white taffeta pique with feathers on one side covered by velvet ribbons. The evening dress is a grey silk robe with a flounce of three colours. The bonnet is a green trimmed with a large feather and a roll of black lace.
RF2G3YR50–Beautiful bride in a white dress with sleeves and lace, with a yellow autumn bouquet on background of the arch for ceremony, at
RMMN0221–. The image is of a young woman seated in a chair. Her chestnut hair is curled, gathered in a cluster at the back of her neck; tendrils fall on both shoulders. At her neck is a pearl necklace. She wears a dress that appears to be black, with a broad lace collar gathered at the front of the bodice by an ornament. The white lace sleeves of her undergarment show beneath the dress, and are gathered below the elbow. A dark scarf hangs over her left arm and is gathered behind her right hand, which also holds a small book. The upper part of her full skirt is visible, as is the wooden open back of th
RF2K267CK–Clothes for children. A beautiful pink baby girl dress with white lace collar and long sleeves isolated on a white background. Clipping path. Kids autumn and spring fashion.
RM2KF2AC2–1960s PORTRAIT OF BRIDE WEARING WEDDING DRESS LACE BODICE AND SLEEVES VEIL HOLDING BOUQUET OF WHITE ROSES - kb2572 HAR001 HARS LADIES MARRIAGE PERSONS CARING VEIL CEREMONY BRIDAL DREAMS HAPPINESS BRIDES CUSTOM AND TRADITION NUPTIAL NUPTIALS OCCASION MARRYING PRIDE BODICE CONCEPTUAL LACY RITE OF PASSAGE SLEEVES STYLISH WED PERSONAL ATTACHMENT AFFECTION EMOTION MARRY MATRIMONY YOUNG ADULT WOMAN CAUCASIAN ETHNICITY HAR001 OLD FASHIONED
RM2A2J6RH–Victorian cabinet card of beautiful young lady, wearing a high necked lace blouse with full sleeves, studio of F. W. Wood from Elliott and Fry, West London, U.K. circa 1898 1899
RMCYP6EE–A lace-up shirt in so-called 'Blurred Edge' camouflage pattern,reversible from spring- to fall colours,lower sleeves and pocket flaps of a different pattern. Heavily worn,with numerous repairs and damages. The fly front contemporarily removed and modified,the shirt inexpertly reconstructed,historic,historical,1930s,20th century,Waffen-SS,armed division of the SS,armed service,armed services,NS,National Socialism,Nazism,Third Reich,German Reich,Germany,military,militaria,utensil,piece of equipment,utensils,object,objects,stills,clippin,Additional-Rights-Clearences-Not Available
RMW54Y3F–Strip of needle lace with sleeves and star shaped flowers, Natural-colored needle lace strip: Alençon lace. Scatter motif with three rows of always a star-shaped flower interspersed with a mushroom, on a fine hexagonal mesh. The pattern on the underside of the strip consists of arches with a lancet leaf below, filled with a decorative soil. The lancet leaves are connected to each other with a star-shaped flower. A cluster-shaped flower protrudes between the arches. The underside is finished with a curved edge by a concatenation of four circular cordons with a wheel icon in it. Always a curl
RMCEP1D0–Lace and chiffon sleeve peach dress with ruffled neck, white tights, and handbag with headband
RMP6H9A7–Lady of rank, 1770. She wears a tiny hat with feather, wig, choker with cross, purple dress lined with fur, lace sleeves, sash, and embroidered petticoat. Handcoloured lithograph from Thomas Hailes Lacy's 'Female Costumes Historical, National and Dramatic in 200 Plates,' London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.
RMJHWCJE–Marie Anne Cuppi, Mlle. La Camargo, famous ballet dancer, 1710-1770. She wears a small cap, ruff collar, dress with laced bodice, lace sleeves tied with ribbons, apron and calf-length skirt and high-heel shoes. After a portrait in oils in the editor's collection. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Galerie Francaise de Femmes Celebres, Paris, 1827.
RMG3BD13–Woman: dark sprigged dress, lace yoke, epaulettes, collar. Baby: broderie Anglaise frock with scalloped hem. Girl & boy: yoked frocks with gigot sleeves & lace collar. Date: 1890s
RF2G3YTRH–Beautiful bride in a white dress with sleeves and lace, with a yellow autumn bouquet of dried flowers and peony roses, on the La
RMMP388A–. English: Portrait of Gisbert Cuper (1644-1716), in a purple robe, standing with his right arm resting on a pillow with a gold medal of the States General, an allegorical figure of the 'stedenmaagd' of Deventer holding the fasces and sculptures of Minerva and Harpocrates beyond Portrait of Aleida van Suchtelen (1648-1689), standing in a red and yellow dress, with pearls and white lace sleeves, picking a flower, sculptures of the allegorical figures of Caritas and Abundantia beyond . 17th century. Jan de Baen (1633–1702) Alternative names Jan de Baan Description Dutch painter, draugh
RF2HKA5CE–Inspired by Journal des Luxus und der Moden 1786, Band I, T. 27, Woman to the left, in an English gown with wide muslin sleeves. Over the bodice, according to the latest fashion, a corselet with five steel buckles is worn. It is a large corselet after the Parisian example of black taffeta. Fichu of, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RF2EDG7R0–Victorian blouse technical fashion illustration with bishop ruffles long sleeves, stand collar, oversized, lace. Flat apparel top template front, grey color. Women, men unisex CAD mockup
RFGBHXDN–Blonde model, delicate features, purple flower crown, winged eyeliner, huge eyelashes, red lace dress, contemplative on bridge
![A young woman wears a dress with puffed sleeves influenced by the fashion style of Empress Eugénie de Montijo. (undated photograph) [automated translation] Stock Photo](https://c8.alamy.com/comp/2H0J15H/a-young-woman-wears-a-dress-with-puffed-sleeves-influenced-by-the-fashion-style-of-empress-eugnie-de-montijo-undated-photograph-automated-translation-2H0J15H.jpg "A young woman wears a dress with puffed sleeves influenced by the fashion style of Empress Eugénie de Montijo. (undated photograph) [automated translation] Stock Photo")
RM2H0J15H–A young woman wears a dress with puffed sleeves influenced by the fashion style of Empress Eugénie de Montijo. (undated photograph) [automated translation]
RM2A51YXM–Portrait of Tieleman Roosterman, 1634. An extremely wealthy linen and silk merchant in Haarlem, Tieleman Roosterman was 36 years old when Frans Hals painted his portrait. Unlike many Dutch painters of the period, Hals favored strong, visible brushstrokes that convey the vitality of his sitters. Roosterman strikes a confident pose, his costume sober but luxurious: his sleeves are decorated with braid and buttons, and ribbon rosettes encircle the waist of his doublet. The rich black of his suit is offset by the broad linen collar and lace-edged cuffs—fashionable details befitting a succes
RMJF90C1–Bridal fashion, 1864. Bride wearing a full skirted wedding dress over a crinoline, with lace trim, tight fitting bodice with loose sleeves. Three women wear evening gowns with low necklines, short sleeves and full skirts. Illustration by Heloise Leloir and Louis Berloir
RM2ETA82B–1940s YOUNG WOMAN BRIDE IN WEDDING GOWN LONG SLEEVES NECKLINE LACE TRAIN TIARA AND VEIL FULL LENGTH POSE STANDING IN PROFILE - b4601 HAR001 HARS STUDIO SHOT HEALTHINESS COPY SPACE FULL-LENGTH LADIES PERSONS SATIN VEIL SERENITY TIARA SPIRITUALITY CONFIDENCE B&W BRIDAL DREAMS HAPPINESS WELLNESS BRIDES AND EXCITEMENT PRIDE IN UPSCALE CONCEPTUAL AFFLUENT SLEEVES STYLISH POSE WELL-TO-DO YOUNG ADULT WOMAN BLACK AND WHITE CAUCASIAN ETHNICITY HAR001 NECKLINE OLD FASHIONED
RM2HJ37YX–Original Victorian Carted de Visite (CDV) of pretty young maid, wearing a lace cap and apron, puffed sleeves, studio Geo (George) E. Organ, 215 The Grove, Hammersmith, London, U.K. circa.1898
RMB54TYP–The National Fabric Fair Fashion Parade at The Festival Hall: Jill Howard wears a wedding dress in witchcraft lace of silk and rayon. It has a tight bodice and sleeves and balooning skirt of lace over a polonaise faille. The designer is Victor Stiebel. October 1953 D5963-003
RM2DMC4R7–Paper Doll Costume in White with Red Roses, Lithograph, brush and watercolor on cream heavy wove paper, White dress lined with red roses at the neckline and roses on the upper portion of her dress. White lace sleeves, and many small layers of white ruffle also adorn the dress. Both back and front of dress depicted., USA, 1876–80, toys & games, Paper doll costume, Paper doll costume
RMCF3EWT–Erdem London Ready to Wear Spring Summer A black lace mini dress cropped sleeves white flower detail and a ruffle around the
RMP9H8T5–Marie Adelaide de Savoie, Duchess of Burgundy, 1683-1712. She wears a tall lace Fontanges headdress with ribbons, striped mantua with train, lace sleeves, and petticoat with gold bands. After a miniature on vellum in the editor's collection. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Galerie Francaise de Femmes Celebres, Paris, 1827.
RMJHWCM0–Maria Theresa of Spain, Queen of France, wife of King Louis XIV of France, 1638-1683. She wears her hair in ringlets, a pearl choker, a dress in blue velvet decorated with fleurs de lys and lined with ermine, lace sleeves, quilted bodice decorated with pearls. After a miniature in the editor's collection. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Galerie Francaise de Femmes Celebres, Paris, 1827.
RMG3BF8C–Costumes with tablier skirts & sleeves that are full on the upper arm. One has a bolero style jacket bodice, the other lace flounces. Hats: tricorn hat with rosette, large flat hat. Date: 1905
RF2G3YPE6–Beautiful bride in a white dress with sleeves and lace, with a yellow autumn bouquet of dried flowers and peony roses, on the La
RMMAJ0JP–Mounted photograph of standing young woman, slightly plump, wearing wedding dress with tight below-the-elbow-length sleeves with lace ruffle; bodice of tight plain fabric with lace jabot and heavy soutache embroidery up the middle; straight belled skirt with vertical pintucking between the panels which are decorated with clusters of bobbles; and a bustle and train that appear to be a lace-lined duvet. Woman's hair is swept up into tight curls fitting close to her head, and she is posed with her body facing right but with her head turned to the left. Title: Mrs. Daniel Reese Wolfe in her weddin
RF2HKX281–Art inspired by Journal des Luxus und der Moden 1786, Band I, T. 27, Woman to the left, in an English gown with wide muslin sleeves. Over the bodice, according to the latest fashion, a corselet with five steel buckles is worn. It is a large corselet after the Parisian example of black, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2EAXFC6–Victorian blouse technical fashion illustration with bishop ruffles long sleeves, stand collar, oversized, lace. Flat apparel top template front, white color. Women, men unisex CAD mockup
RFGBHXBT–Blonde model, delicate features, purple flower crown, winged eyeliner, huge eyelashes, red lace dress, contemplative on bridge
RME12N9G–Feb. 24, 2012 - Novel Wedding Dress by Jacques Esterel: A wedding dress in tune with 1967 a satin-cotton tunic dress, mini length in front out into a train at the back which is lace lined. The sleeves are of organdy with a lace patter and so one the tightfitting pants. The veil is held by a headpiece of stiffened ribbons. White soft leather shoes with square toecaps.
RM2BW96RT–Unusual wedding gown for Brompton Oratory bride . The bride had a wedding gown embodying some unusual features when Miss Mary Robertson was married to Mr William Bagshawe at the Brompton Oratory , London . The gown was cut on Renaissance lines , with pleated angel sleeves forming side trains . A veil of tinted pink net flowed from the wimple like headdress of waxed leaves , and was appliqued to a veil of old family lace which formed a train eighteen feet long . The bride and groom leaving the Oratory after the wedding . 9 July 1932
RMJF9099–Fashion page from September 1850 edition of The New Monthly Belle Assemblee. Hand coloured fashion plate. Shows women modellling autumnr bonnets, Dresses or jackets have wide pagoda sleeves with false undersleeves (often made of lace, muslin, or cambric) - a common feature throughout the decade . (1850s). One model holds a parasol.
RM2BCXPX1–Childs dress. Research in ProgressChild's dress of white cotton. Front of bodice, sleeves and skirt of alternate bands of eyelet embroidery, gathered muslin, and handmade Valenciennes lace. Deep flounce of eyelet embroidery at bottom of skirt. Childs dress
RM2H24F11–Victorian cabinet card of wealthy prosperous middle class, mature religious Christian woman, looking serious, stern, probably Catholic, wearing an elaborate dress with leg of mutton sleeves, lace cap, crucifix on display showing she is devout, an umbrella by her side, holding a newspaper to show she is educated, from the studio of Debenham & Co., Victorian Lodge, Western-Super-Mare, Somerset, England, U.K. dated June 1894
RMT4DWYK–A service tunic for an SS-Oberscharführer of 'Sturmbann Nürnberg'. Early 'Dispositional Troops' model, made from earth-brown cloth with hand-embroidered collar patches with 'N' for Nuremberg and brown/silver trim. The collars with continuous Unterführer lace, looped black shoulder boards, early sleeve eagle, both sleeves with superimposed stitched NCO laces (so-called 'Kolbenringe') and the left sleeve with the typical 'Sturmbann Nürnberg' sleeveband without lettering. Inside: tag 'SS Vom Reichsführer SS befohlene Ausführung RZM', two further tags no longer readable and wor, Editorial-Use-Only
RMR723TK–David van der Plaes (Amsterdam 1647 - Amsterdam 1704), Portrait of Margaretha Raephorst (1625-1690), portrait painting footage linen oil painting, Standing rectangular portrait of woman representing Margaretha van Raephorst wife of Cornelis Tromp (10546) Standing three quarters facing left. Hairstyle à la Hurluberlu pearls boat shaped décolleté trimmed with lace lace sleeves. On the left is 'negroid' child who gives her box in which number of portrait miniatures of which she holds one (depicting lady) in the right hand. Drapery column and balustrade in background. Top left coat of arms with ar
RM2BCG6WA–'Photographer: Reuben R. Sallows (1855 - 1937) Description: Studio portrait of young girl standing in front of wrought iron railing; wearing short light coloured dress with lace trimmed bib, mutton sleeves, high collar; blond hair; light lace hat trimmed with light feathers and small flowers; dark tights, shoes and spats; garden backdrop; dried leaves in foreground; writing in pencil on back identifies subject as Eleanore Coombs Miller, about 4 years old. Aunt Lottie made her hat. Object ID : 0391-rrs-ogohc-ph View additional photographs by Sallows that are held in other collections at the Re
RMP9H6KF–Marie Anne Cuppi, Mlle. La Camargo, famous ballet dancer, 1710-1770. She wears a small cap, ruff collar, dress with laced bodice, lace sleeves tied with ribbons, apron and calf-length skirt and high-heel shoes. After a portrait in oils in the editor's collection. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Galerie Francaise de Femmes Celebres, Paris, 1827.
RM2F90WTM–Solms-Braunfels, Amalie Countess to almost hip piece, half left; with pearl-occupied hair bolt, pearl ears and necklace; In décolleted galak dress with lace trim on the expansion chest and cutout with central gem, chest and shoulders covered by double row pearl necklace, thumb and forefinger of the right with two-rows. Pearl bracelet; Leakage of waist and long-distance bulb sleeves, in the background right wall edge, left side tire; in oval frame in rectangular extension with four plastically shaded corner pieces; below the depiction three-line Frz. Legend; Both on both sides of painters and e
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