'Eve of Saint Mark' by John Keats. 1816. Poem starts: 'Upon a Sabbath-day it fell; Twice holy was the Sabbath-bell That call'd Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-eve-of-saint-mark-by-john-keats-1816-poem-starts-upon-a-sabbath-day-83349862.html
RMERGWGP–'Eve of Saint Mark' by John Keats. 1816. Poem starts: 'Upon a Sabbath-day it fell; Twice holy was the Sabbath-bell That call'd
Illustration of John Keats' poem 'Endymion', 1818. In Greek mythology, Endymion was a handsome shepherd, son of Aethlius, beloved of Selene, goddess of the Moon. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-illustration-of-john-keats-poem-endymion-1818-in-greek-mythology-endymion-57364588.html
RMD99538–Illustration of John Keats' poem 'Endymion', 1818. In Greek mythology, Endymion was a handsome shepherd, son of Aethlius, beloved of Selene, goddess of the Moon.
Illustration of John Keats' poem 'Endymion', 1818. In Greek mythology, Endymion was a handsome shepherd, son of Aethlius, beloved of Selene, goddess of the Moon. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-illustration-of-john-keats-poem-endymion-1818-in-greek-mythology-endymion-135676853.html
RMHTMH5W–Illustration of John Keats' poem 'Endymion', 1818. In Greek mythology, Endymion was a handsome shepherd, son of Aethlius, beloved of Selene, goddess of the Moon.
'Last Sonnet' by John Keats. Poem starts: 'Bright star would I were steadfast as thou art'. Handwritten manuscript. JK: Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-last-sonnet-by-john-keats-poem-starts-bright-star-would-i-were-steadfast-83349866.html
RMERGWGX–'Last Sonnet' by John Keats. Poem starts: 'Bright star would I were steadfast as thou art'. Handwritten manuscript. JK:
'The flight of Madeline and Porphyro during the drunkenness attending the revelry (The Eve of St. Agnes)' by William Holman Hunt (1827-1910), oil on panel, c. 1847-57. Holman Hunt was a leading figure in the 19th century Pre-Raphaelite Movement. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-flight-of-madeline-and-porphyro-during-the-drunkenness-attending-the-revelry-the-eve-of-st-agnes-by-william-holman-hunt-1827-1910-oil-on-panel-c-1847-57-holman-hunt-was-a-leading-figure-in-the-19th-century-pre-raphaelite-movement-image541088873.html
RM2PC8MAH–'The flight of Madeline and Porphyro during the drunkenness attending the revelry (The Eve of St. Agnes)' by William Holman Hunt (1827-1910), oil on panel, c. 1847-57. Holman Hunt was a leading figure in the 19th century Pre-Raphaelite Movement.
Sofie Davis, Interpretation Officer at Keats House, inspects Ode to a Nightingale, one of John Keats' most popular and acclaimed poems as it goes on display at Keats House in London, 200 years after it was written there. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sofie-davis-interpretation-officer-at-keats-house-inspects-ode-to-a-nightingale-one-of-john-keats-most-popular-and-acclaimed-poems-as-it-goes-on-display-at-keats-house-in-london-200-years-after-it-was-written-there-image245249567.html
RMT70293–Sofie Davis, Interpretation Officer at Keats House, inspects Ode to a Nightingale, one of John Keats' most popular and acclaimed poems as it goes on display at Keats House in London, 200 years after it was written there.
1901 Tis the witching time of night poem, by John Keats line illustration by Chance Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1901-tis-the-witching-time-of-night-poem-by-john-keats-line-illustration-by-chance-image596485156.html
RF2WJC6W8–1901 Tis the witching time of night poem, by John Keats line illustration by Chance
While her robes flaunted with daffodils. Illustration to the poem Lamia by John Keats. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-while-her-robes-flaunted-with-daffodils-illustration-to-the-poem-lamia-80966429.html
RMEKM9E5–While her robes flaunted with daffodils. Illustration to the poem Lamia by John Keats.
'When I have fears that I may cease to be', poem by John Keats on a placard on a Central Line London Underground train, 'Poems on the Underground' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/when-i-have-fears-that-i-may-cease-to-be-poem-by-john-keats-on-a-placard-on-a-central-line-london-underground-train-poems-on-the-underground-image414536305.html
RM2F2BN81–'When I have fears that I may cease to be', poem by John Keats on a placard on a Central Line London Underground train, 'Poems on the Underground'
Isabella and the pot of Basil Chapter headpiece, design by English artist and illustrator Eleanor Fortescue-Brickdale in 1898 volume 13 of The Studio Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/isabella-and-the-pot-of-basil-chapter-headpiece-design-by-english-artist-and-illustrator-eleanor-fortescue-brickdale-in-1898-volume-13-of-the-studio-image402288269.html
RF2EADPP5–Isabella and the pot of Basil Chapter headpiece, design by English artist and illustrator Eleanor Fortescue-Brickdale in 1898 volume 13 of The Studio
Illustration for a Sonnet to 'Ailsa Craig' by John Keats. Ailsa Craig is an island in the outer Firth of Clyde, 16 kilometres (10 miles) west of mainland Scotland. Colloquially known as 'Paddy's milestone',it was a haven for Catholics during the Scottish Reformation in the 16th century. John Keats (1795–1821) was an English Romantic poet, one of the main figures of the second generation of Romantic poets, along with Lord Byron and Percy Bysshe Shelley, before his death from tuberculosis at the age of 25. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-illustration-for-a-sonnet-to-ailsa-craig-by-john-keats-ailsa-craig-87105171.html
RMF1KYEY–Illustration for a Sonnet to 'Ailsa Craig' by John Keats. Ailsa Craig is an island in the outer Firth of Clyde, 16 kilometres (10 miles) west of mainland Scotland. Colloquially known as 'Paddy's milestone',it was a haven for Catholics during the Scottish Reformation in the 16th century. John Keats (1795–1821) was an English Romantic poet, one of the main figures of the second generation of Romantic poets, along with Lord Byron and Percy Bysshe Shelley, before his death from tuberculosis at the age of 25.
'Doublure in Levant Morocco, with Inlay and Tooling', c.1880, (1914). Artist: Robert Riviere. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doublure-in-levant-morocco-with-inlay-and-tooling-c1880-1914-artist-robert-riviere-image186131774.html
RMMPR0YA–'Doublure in Levant Morocco, with Inlay and Tooling', c.1880, (1914). Artist: Robert Riviere.
John William Waterhouse - Lamia - 1905 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-william-waterhouse-lamia-1905-image462821516.html
RF2HTY9FT–John William Waterhouse - Lamia - 1905
Open title pages of John Keats 'Sonnets' studio setup. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/open-title-pages-of-john-keats-sonnets-studio-setup-image624579345.html
RM2Y84195–Open title pages of John Keats 'Sonnets' studio setup.
Autumn themed scene featuring 'to autumn' poem by John Keats Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-autumn-themed-scene-featuring-to-autumn-poem-by-john-keats-39996871.html
RFC920BK–Autumn themed scene featuring 'to autumn' poem by John Keats
closeup of vintage book of poetry open on ode to Autumn by John Keats, with feather and autumn leaves Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-closeup-of-vintage-book-of-poetry-open-on-ode-to-autumn-by-john-keats-86414985.html
RMF0GF5D–closeup of vintage book of poetry open on ode to Autumn by John Keats, with feather and autumn leaves
Wall plaque indicating where John Keats started to write 'The Eve Of St.Agnes.' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wall-plaque-indicating-where-john-keats-started-to-write-the-eve-of-44068222.html
RMCFKDD2–Wall plaque indicating where John Keats started to write 'The Eve Of St.Agnes.'
stone relief memorial plaque for english poet john keats at the protestant cemetery Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stone-relief-memorial-plaque-for-english-poet-john-keats-at-the-protestant-image157804871.html
RMK4MHM7–stone relief memorial plaque for english poet john keats at the protestant cemetery
Two windows in the twelfth century Vicar's Hall and Crypt, said to have inspired Keats to write his poem The Eve of St Agnes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-two-windows-in-the-twelfth-century-vicars-hall-and-crypt-said-to-have-47727508.html
RMCNJ4WT–Two windows in the twelfth century Vicar's Hall and Crypt, said to have inspired Keats to write his poem The Eve of St Agnes.
Charlotte Cushman (1816-1876), in costume as Meg Merrilies, a gypsy character from a poem by John Keats. Ca. 1860. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-charlotte-cushman-1816-1876-in-costume-as-meg-merrilies-a-gypsy-character-50022679.html
RMCWAMC7–Charlotte Cushman (1816-1876), in costume as Meg Merrilies, a gypsy character from a poem by John Keats. Ca. 1860.
La Belle Dame Sans Merci. Illustration of a poem by John Keats . 1899. 782 La Belle Dame Sans Merci Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/la-belle-dame-sans-merci-illustration-of-a-poem-by-john-keats-1899-782-la-belle-dame-sans-merci-image185822695.html
RMMP8XMR–La Belle Dame Sans Merci. Illustration of a poem by John Keats . 1899. 782 La Belle Dame Sans Merci
Title-page for the first edition of, 'Adonais: An Elegy on the Death of John Keats, Author of Endymion, Hyperion, etc.' by Percy Shelley, 1821. English romantic poet, 4 August 1792 – 8 July 1822 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-title-page-for-the-first-edition-of-adonais-an-elegy-on-the-death-83361778.html
RMERHCPA–Title-page for the first edition of, 'Adonais: An Elegy on the Death of John Keats, Author of Endymion, Hyperion, etc.' by Percy Shelley, 1821. English romantic poet, 4 August 1792 – 8 July 1822
John Keats, English poet, and his Ode to a Nightingale, 1819 (1958). Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-keats-english-poet-and-his-ode-to-a-nightingale-1819-1958-artist-unknown-image262764692.html
RMW7DY18–John Keats, English poet, and his Ode to a Nightingale, 1819 (1958). Artist: Unknown
Keat 's House (Wentworth Place) - rear view. House in Hampstead, North London, belonging to John Keats, English Romantic poet: Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-keat-s-house-wentworth-place-rear-view-house-in-hampstead-north-london-83358316.html
RMERH8AM–Keat 's House (Wentworth Place) - rear view. House in Hampstead, North London, belonging to John Keats, English Romantic poet:
Charlotte Cushman (1816-1876), in costume as Meg Merrilies, a gypsy character from a poem by John Keats. Ca. 1860. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-charlotte-cushman-1816-1876-in-costume-as-meg-merrilies-a-gypsy-character-32383538.html
RMBTK5EX–Charlotte Cushman (1816-1876), in costume as Meg Merrilies, a gypsy character from a poem by John Keats. Ca. 1860.
Keats' Last Sonnet, 1887. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/keats-last-sonnet-1887-image457049859.html
RM2HFGBN7–Keats' Last Sonnet, 1887.
And so she pines, and so she died forlorn, imploring for her Basil to the last. Illustration to the poem Isabella, or The Pot of Basil by John Keats. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-and-so-she-pines-and-so-she-died-forlorn-imploring-for-her-basil-to-80966444.html
RMEKM9EM–And so she pines, and so she died forlorn, imploring for her Basil to the last. Illustration to the poem Isabella, or The Pot of Basil by John Keats.
Isabella - Head of Isabella and her brother with Caricature ' Study of old Woman at table and sleeping Dog, 1848-49. Artist: John Everett Millais.. The subject illustrates Keats' poem 'Isabella' or 'The Pot of Basil', derived from a story by Boccaccio.. One of five studies in Birmingham's collection for the painting 'Lorenzo and Isabella' in the Walker Art Gallery, Liverpool, exhibited at the Royal Academy, London in 1849.. Goldman notes: 'It has been suggested that the central sketch caricatures Rossetti's drawing of 'A Parable of Love' - also in the Birmingham collection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/isabella-head-of-isabella-and-her-brother-with-caricature-study-of-old-woman-at-table-and-sleeping-dog-1848-49-artist-john-everett-millais-the-subject-illustrates-keats-poem-isabella-or-the-pot-of-basil-derived-from-a-story-by-boccaccio-one-of-five-studies-in-birminghams-collection-for-the-painting-lorenzo-and-isabella-in-the-walker-art-gallery-liverpool-exhibited-at-the-royal-academy-london-in-1849-goldman-notes-it-has-been-suggested-that-the-central-sketch-caricatures-rossettis-drawing-of-a-parable-of-love-also-in-the-birmingham-collection-image551002606.html
RM2R0C9CE–Isabella - Head of Isabella and her brother with Caricature ' Study of old Woman at table and sleeping Dog, 1848-49. Artist: John Everett Millais.. The subject illustrates Keats' poem 'Isabella' or 'The Pot of Basil', derived from a story by Boccaccio.. One of five studies in Birmingham's collection for the painting 'Lorenzo and Isabella' in the Walker Art Gallery, Liverpool, exhibited at the Royal Academy, London in 1849.. Goldman notes: 'It has been suggested that the central sketch caricatures Rossetti's drawing of 'A Parable of Love' - also in the Birmingham collection.
Arthur Hughes, The Eve of St Agnes, painting in oil on canvas, 1856 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arthur-hughes-the-eve-of-st-agnes-painting-in-oil-on-canvas-1856-image594096835.html
RM2WEFCG3–Arthur Hughes, The Eve of St Agnes, painting in oil on canvas, 1856
Madeline after Prayer (from John Keats, The Eve of St. Agnes, stanza XIX, lines 4-5) July 1, 1871 After Daniel Maclise Irish An accomplished painter of history and drama, Maclise came close to the Pre-Raphaelites late in his career, when he painted Madeline after Prayer (1868; Guildhall Art Gallery, London), inspired by John Keats’s The Eve of St. Agnes. Madeline is preparing for bed, hoping to dream of a future husband. Blanchard’s etching contrasts the maiden’s moonlit beauty with the deeply shadowed room. The poem tells us that she is watched by a hidden suitor: Porphyro grew faint: She kne Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madeline-after-prayer-from-john-keats-the-eve-of-st-agnes-stanza-xix-lines-4-5-july-1-1871-after-daniel-maclise-irish-an-accomplished-painter-of-history-and-drama-maclise-came-close-to-the-pre-raphaelites-late-in-his-career-when-he-painted-madeline-after-prayer-1868-guildhall-art-gallery-london-inspired-by-john-keatss-the-eve-of-st-agnes-madeline-is-preparing-for-bed-hoping-to-dream-of-a-future-husband-blanchards-etching-contrasts-the-maidens-moonlit-beauty-with-the-deeply-shadowed-room-the-poem-tells-us-that-she-is-watched-by-a-hidden-suitor-porphyro-grew-faint-she-kne-image458492367.html
RM2HHX3KB–Madeline after Prayer (from John Keats, The Eve of St. Agnes, stanza XIX, lines 4-5) July 1, 1871 After Daniel Maclise Irish An accomplished painter of history and drama, Maclise came close to the Pre-Raphaelites late in his career, when he painted Madeline after Prayer (1868; Guildhall Art Gallery, London), inspired by John Keats’s The Eve of St. Agnes. Madeline is preparing for bed, hoping to dream of a future husband. Blanchard’s etching contrasts the maiden’s moonlit beauty with the deeply shadowed room. The poem tells us that she is watched by a hidden suitor: Porphyro grew faint: She kne
Walter Crane painting, La belle Dame Sans Merci, oil on canvas, 1865 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/walter-crane-painting-la-belle-dame-sans-merci-oil-on-canvas-1865-image476093970.html
RM2JJFXM2–Walter Crane painting, La belle Dame Sans Merci, oil on canvas, 1865
La Belle Dame sans Merci, fantasy line illustration of dying knight underwater scene by Cecil. Leonard Burns from 1896 The Studio an Illustrated Magaz Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/la-belle-dame-sans-merci-fantasy-line-illustration-of-dying-knight-underwater-scene-by-cecil-leonard-burns-from-1896-the-studio-an-illustrated-magaz-image385793542.html
RF2DBJBGP–La Belle Dame sans Merci, fantasy line illustration of dying knight underwater scene by Cecil. Leonard Burns from 1896 The Studio an Illustrated Magaz
Lorenzo and Isabella. Date/Period: 1848 - 1849. Painting. Oil on canvas. Height: 1,030 mm (40.55 in); Width: 1,428 mm (56.22 in). Author: JOHN EVERETT MILLAIS. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lorenzo-and-isabella-dateperiod-1848-1849-painting-oil-on-canvas-height-1030-mm-4055-in-width-1428-mm-5622-in-author-john-everett-millais-image221750889.html
RMPTNHEH–Lorenzo and Isabella. Date/Period: 1848 - 1849. Painting. Oil on canvas. Height: 1,030 mm (40.55 in); Width: 1,428 mm (56.22 in). Author: JOHN EVERETT MILLAIS.
closeup of vintage book of poetry open on ode to Autumn by John Keats, with feather and autumn leaves Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-closeup-of-vintage-book-of-poetry-open-on-ode-to-autumn-by-john-keats-86144850.html
RMF046HP–closeup of vintage book of poetry open on ode to Autumn by John Keats, with feather and autumn leaves
book open to poem To Autumn by J. Keats, with mug of coffee, leaves and berries Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-book-open-to-poem-to-autumn-by-j-keats-with-mug-of-coffee-leaves-and-86415520.html
RMF0GFTG–book open to poem To Autumn by J. Keats, with mug of coffee, leaves and berries
book open to poem To Autumn by J. Keats, with mug of coffee, leaves and berries Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-book-open-to-poem-to-autumn-by-j-keats-with-mug-of-coffee-leaves-and-86165217.html
RMF054H5–book open to poem To Autumn by J. Keats, with mug of coffee, leaves and berries
Nightingale (Luscinia Megarhynchos) Warbler of Woodland Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nightingale-luscinia-megarhynchos-warbler-of-woodland-image5675872.html
RMA0ACP1–Nightingale (Luscinia Megarhynchos) Warbler of Woodland
plaque dedicated to John Keats at the protestant cemetery near piramide, rome Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-plaque-dedicated-to-john-keats-at-the-protestant-cemetery-near-piramide-37957305.html
RMC5N2X1–plaque dedicated to John Keats at the protestant cemetery near piramide, rome
Keats Grove Hampstead London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-keats-grove-hampstead-london-10288527.html
RMA1M78G–Keats Grove Hampstead London
Adonaïs by Percy Bysshe Shelley - illustration (of lines: 'Grief made the young Spring wild, and she threw down/ Her kindling Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-adonas-by-percy-bysshe-shelley-illustration-of-lines-grief-made-the-83356862.html
RMERH6EP–Adonaïs by Percy Bysshe Shelley - illustration (of lines: 'Grief made the young Spring wild, and she threw down/ Her kindling
American art and American art collections; essays on artistic subjects . CHAS. METTMS, FAC-SIM. STUDY. Head of Diana. PHOTO-ETCHING FROM PAINTING William St. John Harper. This painting was made to illustrate the beautiful poem of Endymion, by John Keats. To alllovers of the poem this charming interpretation of the Goddess of the Chase will be particularlygratifying. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/american-art-and-american-art-collections-essays-on-artistic-subjects-chas-mettms-fac-sim-study-head-of-diana-photo-etching-from-painting-william-st-john-harper-this-painting-was-made-to-illustrate-the-beautiful-poem-of-endymion-by-john-keats-to-alllovers-of-the-poem-this-charming-interpretation-of-the-goddess-of-the-chase-will-be-particularlygratifying-image338915247.html
RM2AKAWRY–American art and American art collections; essays on artistic subjects . CHAS. METTMS, FAC-SIM. STUDY. Head of Diana. PHOTO-ETCHING FROM PAINTING William St. John Harper. This painting was made to illustrate the beautiful poem of Endymion, by John Keats. To alllovers of the poem this charming interpretation of the Goddess of the Chase will be particularlygratifying.
Adonaïs by Percy Bysshe Shelley - illustration (of lines: 'Grief made the young Spring wild, and she threw down/ Her kindling Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-adonas-by-percy-bysshe-shelley-illustration-of-lines-grief-made-the-83357291.html
RMERH723–Adonaïs by Percy Bysshe Shelley - illustration (of lines: 'Grief made the young Spring wild, and she threw down/ Her kindling
Image taken from page 8 of 'John Keats Leben und Werke. [With a translation of his poetical works.]' Image taken from page 8 of 'John Keats Leben und Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-8-of-john-keats-leben-und-werke-with-a-translation-130185213.html
RMHFPCFW–Image taken from page 8 of 'John Keats Leben und Werke. [With a translation of his poetical works.]' Image taken from page 8 of 'John Keats Leben und
Alloway.Ayrshire, Scotland, Post box decorated and painted for Valentines Day 2019 In honour of Valentine’s Day, post boxes across the country were given a makeover, using the words of some of history’s great romance writers.Selected passages from the work of poets John Keats, Robert Burns and Anna Seward, as well as novelist Thomas Hardy, have been added to four post boxes in the locations associated with the writers, where they will remained for a month.This Post box in Alloway, Ayrshire had verses from the Scotland's National Bard, Robert Burns situated opposite Alloway Auld Kirk Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allowayayrshire-scotland-post-box-decorated-and-painted-for-valentines-day-2019-in-honour-of-valentines-day-post-boxes-across-the-country-were-given-a-makeover-using-the-words-of-some-of-historys-great-romance-writersselected-passages-from-the-work-of-poets-john-keats-robert-burns-and-anna-seward-as-well-as-novelist-thomas-hardy-have-been-added-to-four-post-boxes-in-the-locations-associated-with-the-writers-where-they-will-remained-for-a-monththis-post-box-in-alloway-ayrshire-had-verses-from-the-scotlands-national-bard-robert-burns-situated-opposite-alloway-auld-kirk-image377478849.html
RF2CX3J3D–Alloway.Ayrshire, Scotland, Post box decorated and painted for Valentines Day 2019 In honour of Valentine’s Day, post boxes across the country were given a makeover, using the words of some of history’s great romance writers.Selected passages from the work of poets John Keats, Robert Burns and Anna Seward, as well as novelist Thomas Hardy, have been added to four post boxes in the locations associated with the writers, where they will remained for a month.This Post box in Alloway, Ayrshire had verses from the Scotland's National Bard, Robert Burns situated opposite Alloway Auld Kirk
Sonnet: "When I have fears that I may cease to be", 1887. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sonnet-quotwhen-i-have-fears-that-i-may-cease-to-bequot-1887-image457049894.html
RM2HFGBPE–Sonnet: "When I have fears that I may cease to be", 1887.
Untired she read the legend page, of Holy Mark, from youth to age. Illustration to the unfinished poem by John Keats, The Eve of St. Mark. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-untired-she-read-the-legend-page-of-holy-mark-from-youth-to-age-illustration-80966457.html
RMEKM9F5–Untired she read the legend page, of Holy Mark, from youth to age. Illustration to the unfinished poem by John Keats, The Eve of St. Mark.
Keats House in Keats Grove Hampstead London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-keats-house-in-keats-grove-hampstead-london-10288539.html
RMA1M79G–Keats House in Keats Grove Hampstead London
American art and American art collections; essays on artistic subjects . Head of Diana. PHOTO-ETCHING FROM PAINTING William St. John Harper. This painting was made to illustrate the beautiful poem of Endymion, by John Keats. To alllovers of the poem this charming interpretation of the Goddess of the Chase will be particularlygratifying.. Fair Ines. Drawn by Harper. W. ST. JOHN HARPER. Chapter Third. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/american-art-and-american-art-collections-essays-on-artistic-subjects-head-of-diana-photo-etching-from-painting-william-st-john-harper-this-painting-was-made-to-illustrate-the-beautiful-poem-of-endymion-by-john-keats-to-alllovers-of-the-poem-this-charming-interpretation-of-the-goddess-of-the-chase-will-be-particularlygratifying-fair-ines-drawn-by-harper-w-st-john-harper-chapter-third-image338914690.html
RM2AKAW42–American art and American art collections; essays on artistic subjects . Head of Diana. PHOTO-ETCHING FROM PAINTING William St. John Harper. This painting was made to illustrate the beautiful poem of Endymion, by John Keats. To alllovers of the poem this charming interpretation of the Goddess of the Chase will be particularlygratifying.. Fair Ines. Drawn by Harper. W. ST. JOHN HARPER. Chapter Third.
Alloway.Ayrshire, Scotland, Post box decorated and painted for Valentines Day 2019 In honour of Valentine’s Day, post boxes across the country were given a makeover, using the words of some of history’s great romance writers.Selected passages from the work of poets John Keats, Robert Burns and Anna Seward, as well as novelist Thomas Hardy, have been added to four post boxes in the locations associated with the writers, where they will remained for a month.This Post box in Alloway, Ayrshire had verses from the Scotland's National Bard, Robert Burns situated opposite Alloway Auld Kirk Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allowayayrshire-scotland-post-box-decorated-and-painted-for-valentines-day-2019-in-honour-of-valentines-day-post-boxes-across-the-country-were-given-a-makeover-using-the-words-of-some-of-historys-great-romance-writersselected-passages-from-the-work-of-poets-john-keats-robert-burns-and-anna-seward-as-well-as-novelist-thomas-hardy-have-been-added-to-four-post-boxes-in-the-locations-associated-with-the-writers-where-they-will-remained-for-a-monththis-post-box-in-alloway-ayrshire-had-verses-from-the-scotlands-national-bard-robert-burns-situated-opposite-alloway-auld-kirk-image377478523.html
RF2CX3HKR–Alloway.Ayrshire, Scotland, Post box decorated and painted for Valentines Day 2019 In honour of Valentine’s Day, post boxes across the country were given a makeover, using the words of some of history’s great romance writers.Selected passages from the work of poets John Keats, Robert Burns and Anna Seward, as well as novelist Thomas Hardy, have been added to four post boxes in the locations associated with the writers, where they will remained for a month.This Post box in Alloway, Ayrshire had verses from the Scotland's National Bard, Robert Burns situated opposite Alloway Auld Kirk
The Guarded Nymph Near-Smiling on the Green, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-guarded-nymph-near-smiling-on-the-green-1885-image457049722.html
RM2HFGBGA–The Guarded Nymph Near-Smiling on the Green, 1885.
On a half-reap'd furrow sound asleep. Drows'd with the fume of poppies, while thy hook spares the next swath and all its twined flowers. Illustration to the poem To Autumn, by John Keats. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-on-a-half-reapd-furrow-sound-asleep-drowsd-with-the-fume-of-poppies-80966466.html
RMEKM9FE–On a half-reap'd furrow sound asleep. Drows'd with the fume of poppies, while thy hook spares the next swath and all its twined flowers. Illustration to the poem To Autumn, by John Keats.
Keats House in Keats Grove Hampstead London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-keats-house-in-keats-grove-hampstead-london-10288536.html
RMA1M78W–Keats House in Keats Grove Hampstead London
. John Keats; a literary biography ... authorized theirpublication. The chief poem of the Devonshire cycle isIsabella. Nothing else shows so strikinglythe detachment of the author from his immediateenvironment. It was written during that springof continual rain; the hills are very beautiful,when you get sight of em — the primroses areout but then you are in. Nevertheless, thepoem has all the dry warm bright languor ofItalian skies. Here Keats has again submittedhis senses to the luxurious. The joy of the loversis as the flush of June. They meet at twilight ina bower of hyacinth and musk. The p Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-keats-a-literary-biography-authorized-theirpublication-the-chief-poem-of-the-devonshire-cycle-isisabella-nothing-else-shows-so-strikinglythe-detachment-of-the-author-from-his-immediateenvironment-it-was-written-during-that-springof-continual-rain-the-hills-are-very-beautifulwhen-you-get-sight-of-em-the-primroses-areout-but-then-you-are-in-nevertheless-thepoem-has-all-the-dry-warm-bright-languor-ofitalian-skies-here-keats-has-again-submittedhis-senses-to-the-luxurious-the-joy-of-the-loversis-as-the-flush-of-june-they-meet-at-twilight-ina-bower-of-hyacinth-and-musk-the-p-image370322212.html
RM2CEDHN8–. John Keats; a literary biography ... authorized theirpublication. The chief poem of the Devonshire cycle isIsabella. Nothing else shows so strikinglythe detachment of the author from his immediateenvironment. It was written during that springof continual rain; the hills are very beautiful,when you get sight of em — the primroses areout but then you are in. Nevertheless, thepoem has all the dry warm bright languor ofItalian skies. Here Keats has again submittedhis senses to the luxurious. The joy of the loversis as the flush of June. They meet at twilight ina bower of hyacinth and musk. The p
Alloway.Ayrshire, Scotland, Post box decorated and painted for Valentines Day 2019 In honour of Valentine’s Day, post boxes across the country were given a makeover, using the words of some of history’s great romance writers.Selected passages from the work of poets John Keats, Robert Burns and Anna Seward, as well as novelist Thomas Hardy, have been added to four post boxes in the locations associated with the writers, where they will remained for a month.This Post box in Alloway, Ayrshire had verses from the Scotland's National Bard, Robert Burns situated opposite Alloway Auld Kirk Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allowayayrshire-scotland-post-box-decorated-and-painted-for-valentines-day-2019-in-honour-of-valentines-day-post-boxes-across-the-country-were-given-a-makeover-using-the-words-of-some-of-historys-great-romance-writersselected-passages-from-the-work-of-poets-john-keats-robert-burns-and-anna-seward-as-well-as-novelist-thomas-hardy-have-been-added-to-four-post-boxes-in-the-locations-associated-with-the-writers-where-they-will-remained-for-a-monththis-post-box-in-alloway-ayrshire-had-verses-from-the-scotlands-national-bard-robert-burns-situated-opposite-alloway-auld-kirk-image377478616.html
RF2CX3HR4–Alloway.Ayrshire, Scotland, Post box decorated and painted for Valentines Day 2019 In honour of Valentine’s Day, post boxes across the country were given a makeover, using the words of some of history’s great romance writers.Selected passages from the work of poets John Keats, Robert Burns and Anna Seward, as well as novelist Thomas Hardy, have been added to four post boxes in the locations associated with the writers, where they will remained for a month.This Post box in Alloway, Ayrshire had verses from the Scotland's National Bard, Robert Burns situated opposite Alloway Auld Kirk
Title (for Lamia), 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-for-lamia-1885-image457049771.html
RM2HFGBJ3–Title (for Lamia), 1885.
Keats House in Keats Grove Hampstead London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-keats-house-in-keats-grove-hampstead-london-10288532.html
RMA1M78N–Keats House in Keats Grove Hampstead London
Alloway.Ayrshire, Scotland, Post box decorated and painted for Valentines Day 2019 In honour of Valentine’s Day, post boxes across the country were given a makeover, using the words of some of history’s great romance writers.Selected passages from the work of poets John Keats, Robert Burns and Anna Seward, as well as novelist Thomas Hardy, have been added to four post boxes in the locations associated with the writers, where they will remained for a month.This Post box in Alloway, Ayrshire had verses from the Scotland's National Bard, Robert Burns situated opposite Alloway Auld Kirk Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allowayayrshire-scotland-post-box-decorated-and-painted-for-valentines-day-2019-in-honour-of-valentines-day-post-boxes-across-the-country-were-given-a-makeover-using-the-words-of-some-of-historys-great-romance-writersselected-passages-from-the-work-of-poets-john-keats-robert-burns-and-anna-seward-as-well-as-novelist-thomas-hardy-have-been-added-to-four-post-boxes-in-the-locations-associated-with-the-writers-where-they-will-remained-for-a-monththis-post-box-in-alloway-ayrshire-had-verses-from-the-scotlands-national-bard-robert-burns-situated-opposite-alloway-auld-kirk-image377478722.html
RF2CX3HXX–Alloway.Ayrshire, Scotland, Post box decorated and painted for Valentines Day 2019 In honour of Valentine’s Day, post boxes across the country were given a makeover, using the words of some of history’s great romance writers.Selected passages from the work of poets John Keats, Robert Burns and Anna Seward, as well as novelist Thomas Hardy, have been added to four post boxes in the locations associated with the writers, where they will remained for a month.This Post box in Alloway, Ayrshire had verses from the Scotland's National Bard, Robert Burns situated opposite Alloway Auld Kirk
She Nothing Said, But Pale and Meek, Arose and Knelt Before Him, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/she-nothing-said-but-pale-and-meek-arose-and-knelt-before-him-1885-image457049706.html
RM2HFGBFP–She Nothing Said, But Pale and Meek, Arose and Knelt Before Him, 1885.
Alloway.Ayrshire, Scotland, Post box decorated and painted for Valentines Day 2019 In honour of Valentine’s Day, post boxes across the country were given a makeover, using the words of some of history’s great romance writers.Selected passages from the work of poets John Keats, Robert Burns and Anna Seward, as well as novelist Thomas Hardy, have been added to four post boxes in the locations associated with the writers, where they will remained for a month.This Post box in Alloway, Ayrshire had verses from the Scotland's National Bard, Robert Burns situated opposite Alloway Auld Kirk Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allowayayrshire-scotland-post-box-decorated-and-painted-for-valentines-day-2019-in-honour-of-valentines-day-post-boxes-across-the-country-were-given-a-makeover-using-the-words-of-some-of-historys-great-romance-writersselected-passages-from-the-work-of-poets-john-keats-robert-burns-and-anna-seward-as-well-as-novelist-thomas-hardy-have-been-added-to-four-post-boxes-in-the-locations-associated-with-the-writers-where-they-will-remained-for-a-monththis-post-box-in-alloway-ayrshire-had-verses-from-the-scotlands-national-bard-robert-burns-situated-opposite-alloway-auld-kirk-image377478431.html
RF2CX3HGF–Alloway.Ayrshire, Scotland, Post box decorated and painted for Valentines Day 2019 In honour of Valentine’s Day, post boxes across the country were given a makeover, using the words of some of history’s great romance writers.Selected passages from the work of poets John Keats, Robert Burns and Anna Seward, as well as novelist Thomas Hardy, have been added to four post boxes in the locations associated with the writers, where they will remained for a month.This Post box in Alloway, Ayrshire had verses from the Scotland's National Bard, Robert Burns situated opposite Alloway Auld Kirk
What Wreath for Lamia? What for Lycius? What for the Sage, 1885/88. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/what-wreath-for-lamia-what-for-lycius-what-for-the-sage-188588-image457049678.html
RM2HFGBEP–What Wreath for Lamia? What for Lycius? What for the Sage, 1885/88.
Alloway.Ayrshire, Scotland, Post box decorated and painted for Valentines Day 2019 In honour of Valentine’s Day, post boxes across the country were given a makeover, using the words of some of history’s great romance writers.Selected passages from the work of poets John Keats, Robert Burns and Anna Seward, as well as novelist Thomas Hardy, have been added to four post boxes in the locations associated with the writers, where they will remained for a month.This Post box in Alloway, Ayrshire had verses from the Scotland's National Bard, Robert Burns situated opposite Alloway Auld Kirk Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allowayayrshire-scotland-post-box-decorated-and-painted-for-valentines-day-2019-in-honour-of-valentines-day-post-boxes-across-the-country-were-given-a-makeover-using-the-words-of-some-of-historys-great-romance-writersselected-passages-from-the-work-of-poets-john-keats-robert-burns-and-anna-seward-as-well-as-novelist-thomas-hardy-have-been-added-to-four-post-boxes-in-the-locations-associated-with-the-writers-where-they-will-remained-for-a-monththis-post-box-in-alloway-ayrshire-had-verses-from-the-scotlands-national-bard-robert-burns-situated-opposite-alloway-auld-kirk-image377478806.html
RF2CX3J1X–Alloway.Ayrshire, Scotland, Post box decorated and painted for Valentines Day 2019 In honour of Valentine’s Day, post boxes across the country were given a makeover, using the words of some of history’s great romance writers.Selected passages from the work of poets John Keats, Robert Burns and Anna Seward, as well as novelist Thomas Hardy, have been added to four post boxes in the locations associated with the writers, where they will remained for a month.This Post box in Alloway, Ayrshire had verses from the Scotland's National Bard, Robert Burns situated opposite Alloway Auld Kirk
He Met Within the Murmurous Vestibule, His Young Disciple, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/he-met-within-the-murmurous-vestibule-his-young-disciple-1885-image457049705.html
RM2HFGBFN–He Met Within the Murmurous Vestibule, His Young Disciple, 1885.
Alloway.Ayrshire, Scotland, Post box decorated and painted for Valentines Day 2019 In honour of Valentine’s Day, post boxes across the country were given a makeover, using the words of some of history’s great romance writers.Selected passages from the work of poets John Keats, Robert Burns and Anna Seward, as well as novelist Thomas Hardy, have been added to four post boxes in the locations associated with the writers, where they will remained for a month.This Post box in Alloway, Ayrshire had verses from the Scotland's National Bard, Robert Burns situated opposite Alloway Auld Kirk Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allowayayrshire-scotland-post-box-decorated-and-painted-for-valentines-day-2019-in-honour-of-valentines-day-post-boxes-across-the-country-were-given-a-makeover-using-the-words-of-some-of-historys-great-romance-writersselected-passages-from-the-work-of-poets-john-keats-robert-burns-and-anna-seward-as-well-as-novelist-thomas-hardy-have-been-added-to-four-post-boxes-in-the-locations-associated-with-the-writers-where-they-will-remained-for-a-monththis-post-box-in-alloway-ayrshire-had-verses-from-the-scotlands-national-bard-robert-burns-situated-opposite-alloway-auld-kirk-image377478761.html
RF2CX3J09–Alloway.Ayrshire, Scotland, Post box decorated and painted for Valentines Day 2019 In honour of Valentine’s Day, post boxes across the country were given a makeover, using the words of some of history’s great romance writers.Selected passages from the work of poets John Keats, Robert Burns and Anna Seward, as well as novelist Thomas Hardy, have been added to four post boxes in the locations associated with the writers, where they will remained for a month.This Post box in Alloway, Ayrshire had verses from the Scotland's National Bard, Robert Burns situated opposite Alloway Auld Kirk
And in its Marriage Robe the Heavy Body Wound, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/and-in-its-marriage-robe-the-heavy-body-wound-1885-image457049690.html
RM2HFGBF6–And in its Marriage Robe the Heavy Body Wound, 1885.
Shut from the Busy World of More Incredulous, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shut-from-the-busy-world-of-more-incredulous-1885-image457049691.html
RM2HFGBF7–Shut from the Busy World of More Incredulous, 1885.
And Shut the Chamber Up, Close, Hush'd and Still, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/and-shut-the-chamber-up-close-hushd-and-still-1885-image457049715.html
RM2HFGBG3–And Shut the Chamber Up, Close, Hush'd and Still, 1885.
Swooned Murmuring of Love, and Pale with Pain, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/swooned-murmuring-of-love-and-pale-with-pain-1885-image457049682.html
RM2HFGBEX–Swooned Murmuring of Love, and Pale with Pain, 1885.
The Sophist's Eye, Like a Sharp Spear, Went Through Her Utterly, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-sophists-eye-like-a-sharp-spear-went-through-her-utterly-1885-image457049734.html
RM2HFGBGP–The Sophist's Eye, Like a Sharp Spear, Went Through Her Utterly, 1885.
And Lycius' Arms Were Empty of Delight, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/and-lycius-arms-were-empty-of-delight-1885-image457049698.html
RM2HFGBFE–And Lycius' Arms Were Empty of Delight, 1885.
By a Clear Pool, Wherein She Passioned to See Herself, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/by-a-clear-pool-wherein-she-passioned-to-see-herself-1885-image457049725.html
RM2HFGBGD–By a Clear Pool, Wherein She Passioned to See Herself, 1885.
Pale Grew Her Immortality, For Woe of All These Lovers, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pale-grew-her-immortality-for-woe-of-all-these-lovers-1885-image457049700.html
RM2HFGBFG–Pale Grew Her Immortality, For Woe of All These Lovers, 1885.
Lycius, Look Back, and Be Some Pity Shown, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lycius-look-back-and-be-some-pity-shown-1885-image457049857.html
RM2HFGBN5–Lycius, Look Back, and Be Some Pity Shown, 1885.
They All Moved to the Feast, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/they-all-moved-to-the-feast-1885-image457049766.html
RM2HFGBHX–They All Moved to the Feast, 1885.
It Was the Custom Then to Bring Away the Bride From Home, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/it-was-the-custom-then-to-bring-away-the-bride-from-home-1885-image457049730.html
RM2HFGBGJ–It Was the Custom Then to Bring Away the Bride From Home, 1885.
They Were Enthroned, in the Eventide, Upon a Couch - Head-Piece, Part II, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/they-were-enthroned-in-the-eventide-upon-a-couch-head-piece-part-ii-1885-image457049716.html
RM2HFGBG4–They Were Enthroned, in the Eventide, Upon a Couch - Head-Piece, Part II, 1885.
The Wide-Spreaded Night Above Her Towers, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-wide-spreaded-night-above-her-towers-1885-image457049670.html
RM2HFGBEE–The Wide-Spreaded Night Above Her Towers, 1885.
As One Came Near with Curl'd Gray Beard, Sharp Eyes, and Smooth Bald Crown, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/as-one-came-near-with-curld-gray-beard-sharp-eyes-and-smooth-bald-crown-1885-image457049733.html
RM2HFGBGN–As One Came Near with Curl'd Gray Beard, Sharp Eyes, and Smooth Bald Crown, 1885.
A Nymph, To Whom All Hoofed Satyrs Knelt Head-peice, Part 1, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-nymph-to-whom-all-hoofed-satyrs-knelt-head-peice-part-1-1885-image457049752.html
RM2HFGBHC–A Nymph, To Whom All Hoofed Satyrs Knelt Head-peice, Part 1, 1885.
Checking His Love Trance, a Cup He Took Full Brimm'd, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/checking-his-love-trance-a-cup-he-took-full-brimmd-1885-image457049735.html
RM2HFGBGR–Checking His Love Trance, a Cup He Took Full Brimm'd, 1885.
Deafening the Swallows' Twitter, Came a Thrill of Trumpets, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deafening-the-swallows-twitter-came-a-thrill-of-trumpets-1885-image457049729.html
RM2HFGBGH–Deafening the Swallows' Twitter, Came a Thrill of Trumpets, 1885.
Foremost in the Envious Race, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/foremost-in-the-envious-race-1885-image457049848.html
RM2HFGBMT–Foremost in the Envious Race, 1885.
They had Arrived Before a Pillared Porch, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/they-had-arrived-before-a-pillared-porch-1885-image457049742.html
RM2HFGBH2–They had Arrived Before a Pillared Porch, 1885.
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