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JOHN FLAXMAN (1755-1826) English sculptor Stock Photo

RMGD5G84–JOHN FLAXMAN (1755-1826) English sculptor

. English: Pandora Attired by John Flaxman . John Flaxman (1755–1826) Alternative names John Flaxman II; John Flaxman (II); Flaxman; Flaxman junior Description British painter, poet, sculptor and illustrator Date of birth/death 6 July 1755 7 December 1826 Location of birth/death York London Work location Florence (1787) Authority control : Q366066 VIAF: 17260670 ISNI: 0000 0001 2095 6665 ULAN: 500115449 LCCN: n50004058 NLA: 35088387 WorldCat 732 John Flaxman - Pandora Attired Stock Photo

RMMP8F1M–. English: Pandora Attired by John Flaxman . John Flaxman (1755–1826) Alternative names John Flaxman II; John Flaxman (II); Flaxman; Flaxman junior Description British painter, poet, sculptor and illustrator Date of birth/death 6 July 1755 7 December 1826 Location of birth/death York London Work location Florence (1787) Authority control : Q366066 VIAF: 17260670 ISNI: 0000 0001 2095 6665 ULAN: 500115449 LCCN: n50004058 NLA: 35088387 WorldCat 732 John Flaxman - Pandora Attired

John Flaxman Esquire portrait ca. 1827 Stock Photo

RM2DE6APM–John Flaxman Esquire portrait ca. 1827

RMDC3A3B–Benjamin Franklin profile on a Wedgewood medallion by John Flaxman. Color lithograph reproduction

RMD8A91P–JOHN FLAXMAN - 2

Portrait of John Flaxman, c1800. Artist: Richard Woodman Stock Photo

RMDDNBGE–Portrait of John Flaxman, c1800. Artist: Richard Woodman

The Embassy to Achilles, c1792. By John Flaxman (1755-1826). An illustration from the Iliad. The Iliad is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Stock Photo

RM2JC8J53–The Embassy to Achilles, c1792. By John Flaxman (1755-1826). An illustration from the Iliad. The Iliad is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer.

John Flaxman, 1755 -1826, a British sculptor and draughtsman Stock Photo

RMGA67DG–John Flaxman, 1755 -1826, a British sculptor and draughtsman

RMD2T5HD–JOHN FLAXMAN

John Flaxman. Monument to Lord Mansfield 1795-1801. Westminster Abbey Stock Photo

RMWHACM8–John Flaxman. Monument to Lord Mansfield 1795-1801. Westminster Abbey

JOHN FLAXMAN 01 January 1800 Stock Photo

RMHNBP97–JOHN FLAXMAN 01 January 1800

Engraving of the head of the Colossus of Rhodes, from the book 'Lectures on sculpture, as delivered before the president and members of the Royal Academy' by John Flaxman, 1865. Courtesy Internet Archive. () Stock Photo

RMT716N2–Engraving of the head of the Colossus of Rhodes, from the book 'Lectures on sculpture, as delivered before the president and members of the Royal Academy' by John Flaxman, 1865. Courtesy Internet Archive. ()

Bas relief on William Collins's Collins Monument by John Flaxman reading writer literature poet poetry book books desk sitting Stock Photo

RMC8MAAF–Bas relief on William Collins's Collins Monument by John Flaxman reading writer literature poet poetry book books desk sitting

London, England, UK. Statue of John Flaxman (sculptor) by A. Bertram Pegram, on the Cromwell Road facade of the Victoria and Albert Museum, Kensington Stock Photo

RM2G63BPR–London, England, UK. Statue of John Flaxman (sculptor) by A. Bertram Pegram, on the Cromwell Road facade of the Victoria and Albert Museum, Kensington

John Flaxman, British designer, draughtsman and sculptor, (1833).Artist: R Woodman Stock Photo

RMA4JBAM–John Flaxman, British designer, draughtsman and sculptor, (1833).Artist: R Woodman

Inspired by Sculpture, representing John Flaxman, c. 1861 - in or before 1866, albumen print, height 152 mm × width 98 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKDMMK–Inspired by Sculpture, representing John Flaxman, c. 1861 - in or before 1866, albumen print, height 152 mm × width 98 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Leading Hand John Flaxman, from Lutterworth in Leicestershire, smiles after receiving The Lady Swaythling Trophy from the Shipwrecked Fishermen and Mariners' Royal Benevolent Society at a ceremony at Fishmongers' Hall in London. Mr Flaxman received the award for an outstanding feat of seamanship after helping in the rescue of 20 members of the crew of Mv Bella 1 amid gale force winds 60 miles off the coast of Somalia in June 2002. Mr Flaxman also received the Queen's Gallantry Medal in April 2003 for the rescue. Stock Photo

RMG6HDAF–Leading Hand John Flaxman, from Lutterworth in Leicestershire, smiles after receiving The Lady Swaythling Trophy from the Shipwrecked Fishermen and Mariners' Royal Benevolent Society at a ceremony at Fishmongers' Hall in London. Mr Flaxman received the award for an outstanding feat of seamanship after helping in the rescue of 20 members of the crew of Mv Bella 1 amid gale force winds 60 miles off the coast of Somalia in June 2002. Mr Flaxman also received the Queen's Gallantry Medal in April 2003 for the rescue.

Flaxman is especially known for his line drawings of scenes from the Greek bard Homer's epic poems Iliad and Odyssey. Stock Photo

RFCNFC9C–Flaxman is especially known for his line drawings of scenes from the Greek bard Homer's epic poems Iliad and Odyssey.

The Jones Memorial, in the antechapel of the College, was sculpted by the eminent neoclassical Victorian sculptor, John Flaxman. This memorial is ded Stock Photo

RM2GMX72M–The Jones Memorial, in the antechapel of the College, was sculpted by the eminent neoclassical Victorian sculptor, John Flaxman. This memorial is ded

Statue of John Flaxman on Royal Academy Of Arts Building Stock Photo

RFB56H6J–Statue of John Flaxman on Royal Academy Of Arts Building

. English: The Judgment of Paris by John Flaxman . 1804. John Flaxman (1755–1826) Alternative names John Flaxman II; John Flaxman (II); Flaxman; Flaxman junior Description British painter, poet, sculptor and illustrator Date of birth/death 6 July 1755 7 December 1826 Location of birth/death York London Work location Florence (1787) Authority control : Q366066 VIAF: 17260670 ISNI: 0000 0001 2095 6665 ULAN: 500115449 LCCN: n50004058 NLA: 35088387 WorldCat 732 John Flaxman - The Judgment of Paris, from the Iliad Stock Photo

RMMP8F1P–. English: The Judgment of Paris by John Flaxman . 1804. John Flaxman (1755–1826) Alternative names John Flaxman II; John Flaxman (II); Flaxman; Flaxman junior Description British painter, poet, sculptor and illustrator Date of birth/death 6 July 1755 7 December 1826 Location of birth/death York London Work location Florence (1787) Authority control : Q366066 VIAF: 17260670 ISNI: 0000 0001 2095 6665 ULAN: 500115449 LCCN: n50004058 NLA: 35088387 WorldCat 732 John Flaxman - The Judgment of Paris, from the Iliad

Memorial to Horatio, Viscount Nelson, by John Flaxman, 1808-18, inside St. Paul's Cathedral, London EC4, England Stock Photo

RMCPFWMX–Memorial to Horatio, Viscount Nelson, by John Flaxman, 1808-18, inside St. Paul's Cathedral, London EC4, England

Author: George Henry Harlow. Portrait of John Flaxman, R.A. - probably George Henry Harlow (English, 1787-1819) possibly Sir Thomas Lawrence Stock Photo

RM2F6W526–Author: George Henry Harlow. Portrait of John Flaxman, R.A. - probably George Henry Harlow (English, 1787-1819) possibly Sir Thomas Lawrence

Bust of Vice-Admiral Horatio Nelson (1758-1805) by John Flaxman. Stock Photo

RM2M99CM5–Bust of Vice-Admiral Horatio Nelson (1758-1805) by John Flaxman.

Two priestesses in ancient Greece make offerings to the dead in the form of a libation poured upon a flame on an altar. After a work by English artist John Flaxman. Stock Photo

RM2C92YXJ–Two priestesses in ancient Greece make offerings to the dead in the form of a libation poured upon a flame on an altar. After a work by English artist John Flaxman.

Diomedes Casting his Spear Against Ares, c1792. By John Flaxman (1755-1826). Diomedes is one of the main characters in the Iliad. An illustration from the Iliad. The Iliad is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Stock Photo

RM2JA7DRX–Diomedes Casting his Spear Against Ares, c1792. By John Flaxman (1755-1826). Diomedes is one of the main characters in the Iliad. An illustration from the Iliad. The Iliad is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer.

RMGA67DA–John Flaxman, 1755 -1826, a British sculptor and draughtsman

Achilles and the Shade of Patroclus, John Flaxman, 1793 Stock Photo

RMKC9H09–Achilles and the Shade of Patroclus, John Flaxman, 1793

John Flaxman. Monument to Harriet Susan. Viscountess Fitzharris c 1815. Hampshire Christchurch Priory Stock Photo

RMWHACJ5–John Flaxman. Monument to Harriet Susan. Viscountess Fitzharris c 1815. Hampshire Christchurch Priory

Medicina - Theologia - Lex. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: James Heath after John Flaxman. Stock Photo

RMPKWWE7–Medicina - Theologia - Lex. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: James Heath after John Flaxman.

RMRJWW2D–John Flaxman Esquire portrait ca. 1827

john flaxman Artist designer Wedgwood teacher potter scholar cameo portrait head shoulder tableaux Stock Photo

RMA3T4H9–john flaxman Artist designer Wedgwood teacher potter scholar cameo portrait head shoulder tableaux

RM2G63BPM–London, England, UK. Statue of John Flaxman (sculptor) by A. Bertram Pegram, on the Cromwell Road facade of the Victoria and Albert Museum, Kensington

A letter from John Flaxman, 24 December 1819 (1904). Artist: John Flaxman. Stock Photo

RMW7EY8W–A letter from John Flaxman, 24 December 1819 (1904). Artist: John Flaxman.

Inspired by Drawing for Pope's Illiad, John Flaxman, British, 1755-1826, Ink on paper, 6 3/4 x 14 in., 17.1 x 35.6 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK59DY–Inspired by Drawing for Pope's Illiad, John Flaxman, British, 1755-1826, Ink on paper, 6 3/4 x 14 in., 17.1 x 35.6 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

RMHT1C6A–A letter from John Flaxman, 24 December 1819 (1904). Artist: John Flaxman.

This scene is one of several designs that the English sculptor and draughtsman John Flaxman (1755–1826) did to illustrate passages from the Greek epic poet Homer's Iliad and Odyssey, a commission he had been given by Georgiana Hare-Naylor while he was living in Rome. It represents Hector’s body dragged at the chariot of Achilles. It was done 1793. Stock Photo

RF2E3G73H–This scene is one of several designs that the English sculptor and draughtsman John Flaxman (1755–1826) did to illustrate passages from the Greek epic poet Homer's Iliad and Odyssey, a commission he had been given by Georgiana Hare-Naylor while he was living in Rome. It represents Hector’s body dragged at the chariot of Achilles. It was done 1793.

RM2GMX72K–The Jones Memorial, in the antechapel of the College, was sculpted by the eminent neoclassical Victorian sculptor, John Flaxman. This memorial is ded

Self-portrait of John Flaxman in terracotta. Engraving by Walter L. Colls from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. Stock Photo

RMKHR7K1–Self-portrait of John Flaxman in terracotta. Engraving by Walter L. Colls from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

. Engraving: Un punto vidi che raggiava from Divina Commedia by Dante - illustration designed by John Flaxman, engraved by Tommaso Piroli. 1793. John Flaxman (1755–1826) Alternative names John Flaxman II; John Flaxman (II); Flaxman; Flaxman junior Description British painter, poet, sculptor and illustrator Date of birth/death 6 July 1755 7 December 1826 Location of birth/death York London Work location Florence (1787) Authority control : Q366066 VIAF: 17260670 ISNI: 0000 0001 2095 6665 ULAN: 500115449 LCCN: n50004058 NLA: 35088387 WorldCat 1213 Un punto vidi che raggiava Stock Photo

RMMNY1EJ–. Engraving: Un punto vidi che raggiava from Divina Commedia by Dante - illustration designed by John Flaxman, engraved by Tommaso Piroli. 1793. John Flaxman (1755–1826) Alternative names John Flaxman II; John Flaxman (II); Flaxman; Flaxman junior Description British painter, poet, sculptor and illustrator Date of birth/death 6 July 1755 7 December 1826 Location of birth/death York London Work location Florence (1787) Authority control : Q366066 VIAF: 17260670 ISNI: 0000 0001 2095 6665 ULAN: 500115449 LCCN: n50004058 NLA: 35088387 WorldCat 1213 Un punto vidi che raggiava

Chelsa-Vase, silberne Vase nach einem Modell von John Flaxman, 1807, England / Chelsa vase, silver vase after a model by John Flaxman, 1807, England, Historisch, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt / historical, digital improved reproduction of an original from the 19th century Stock Photo

RF2K0ME1W–Chelsa-Vase, silberne Vase nach einem Modell von John Flaxman, 1807, England / Chelsa vase, silver vase after a model by John Flaxman, 1807, England, Historisch, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt / historical, digital improved reproduction of an original from the 19th century

Eos the Morn, engraving by John Flaxman.(1755 –1826) Stock Photo

RM2JCENXD–Eos the Morn, engraving by John Flaxman.(1755 –1826)

RMD8A91B–John Flaxman 1

Ulysses at the table of Circe by John Flaxman, halftone photomechanical print, late 18th/early 19th century Stock Photo

RM2CD4WRF–Ulysses at the table of Circe by John Flaxman, halftone photomechanical print, late 18th/early 19th century

The Meeting of Hector and Andromache, c1792. By John Flaxman (1755-1826). In Greek mythology, Andromache was the wife of Hector, daughter of Eetion, and sister to Podes. An illustration from the Iliad. The Iliad is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Stock Photo

RM2JA7DT8–The Meeting of Hector and Andromache, c1792. By John Flaxman (1755-1826). In Greek mythology, Andromache was the wife of Hector, daughter of Eetion, and sister to Podes. An illustration from the Iliad. The Iliad is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer.

Old engraved portrait of John Flaxman (1755 – 1826), British sculptor and draughtsman. By unidentified author, published on Magasin Pittoresque, Paris Stock Photo

RFJR06W1–Old engraved portrait of John Flaxman (1755 – 1826), British sculptor and draughtsman. By unidentified author, published on Magasin Pittoresque, Paris

John Flaxman, British (1755-1826), Lion, graphite Stock Photo

RMEDYJ9T–John Flaxman, British (1755-1826), Lion, graphite

RMJ3RBHF–John Flaxman 1793 004

Monument to Nicolai Wanostrocht. Dated: 1822. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Augustine Aglio after John Flaxman. Stock Photo

RMPM961R–Monument to Nicolai Wanostrocht. Dated: 1822. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Augustine Aglio after John Flaxman.

John Flaxman (1755-1826) on engraving from the 1800s.English sculptor and draughtsman. Stock Photo

RFBJCBJG–John Flaxman (1755-1826) on engraving from the 1800s.English sculptor and draughtsman.

William Blake by John Flaxman c1804 Stock Photo

RMHR7XJT–William Blake by John Flaxman c1804

Author: Thomas Stothard. Canterbury Pilgrims - c. 1807 - Attributed to Thomas Stothard (English, 1755-1834) or possibly John Flaxman, II (English, Stock Photo

RM2BJM2JT–Author: Thomas Stothard. Canterbury Pilgrims - c. 1807 - Attributed to Thomas Stothard (English, 1755-1834) or possibly John Flaxman, II (English,

RM2CMTYB2–John Flaxman - Inferno

Art inspired by Drawings and Prints, Drawing, St. John the Evangelist, Artist, John Flaxman, British, York 1755–1826 London, Flaxman, John, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9M4N–Art inspired by Drawings and Prints, Drawing, St. John the Evangelist, Artist, John Flaxman, British, York 1755–1826 London, Flaxman, John, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Bath Abbey, Flaxman monument to John Sibthorp, Stock Photo

RMBY12J5–Bath Abbey, Flaxman monument to John Sibthorp,

RF2E3G73J–This scene is one of several designs that the English sculptor and draughtsman John Flaxman (1755–1826) did to illustrate passages from the Greek epic poet Homer's Iliad and Odyssey, a commission he had been given by Georgiana Hare-Naylor while he was living in Rome. It represents Hector’s body dragged at the chariot of Achilles. It was done 1793.

England, London, Greenwich, National Maritime Museum, Marble Bust of Nelson by John Flaxman dated 1806 Stock Photo

RMGARGAN–England, London, Greenwich, National Maritime Museum, Marble Bust of Nelson by John Flaxman dated 1806

RMKHPFK2–Self-portrait of John Flaxman in terracotta. Engraving by Walter L. Colls from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

. Briseis taken to Achilles. Illustration by John Flaxman for Pope's translation of The Iliad, 1805. Unknown date. Unknown 732 John Flaxman - Briseis taken Iliad Stock Photo

RMMP8F1F–. Briseis taken to Achilles. Illustration by John Flaxman for Pope's translation of The Iliad, 1805. Unknown date. Unknown 732 John Flaxman - Briseis taken Iliad

RF2K0ME1K–Chelsa-Vase, silberne Vase nach einem Modell von John Flaxman, 1807, England / Chelsa vase, silver vase after a model by John Flaxman, 1807, England, Historisch, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt / historical, digital improved reproduction of an original from the 19th century

Statue of Burns, by Flaxman, 1844. After a sculpture of Scottish poet Robert Burns, by John Flaxman. From "Illustrated London News", 1844, Vol I. Stock Photo

RM2DCBWH7–Statue of Burns, by Flaxman, 1844. After a sculpture of Scottish poet Robert Burns, by John Flaxman. From "Illustrated London News", 1844, Vol I.

Flaxman, John, 6.7.1755 - 7.12.1826, English draughtsman, sculptor, portrait, side view, after relief by David, 19th century, Stock Photo

RMB5M51A–Flaxman, John, 6.7.1755 - 7.12.1826, English draughtsman, sculptor, portrait, side view, after relief by David, 19th century,

Portrait of John Flaxman, 1755 -1826, a British sculptor and draughtsman, Stock Photo

RMDJ7MPW–Portrait of John Flaxman, 1755 -1826, a British sculptor and draughtsman,

The Judgment of Paris, c1792. By John Flaxman (1755-1826). The Judgement of Paris is a story from Greek mythology. It was one of the events that led up to the Trojan War and in later versions of the story to the foundation of Rome. An illustration from the Iliad. The Iliad is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Stock Photo

RM2JA7DRJ–The Judgment of Paris, c1792. By John Flaxman (1755-1826). The Judgement of Paris is a story from Greek mythology. It was one of the events that led up to the Trojan War and in later versions of the story to the foundation of Rome. An illustration from the Iliad. The Iliad is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer.

John Flaxman Esqre. R.A. / painted by I. Jackson Esqr. R.A. ; engraved by C. Turner, mezzotinto engraver in ordinary to His Majesty. Stock Photo

RMWKH23H–John Flaxman Esqre. R.A. / painted by I. Jackson Esqr. R.A. ; engraved by C. Turner, mezzotinto engraver in ordinary to His Majesty.

RMH4KRXF–John Flaxman, British (1755-1826), Lion, graphite

John Flaxman Que votre regne vienne Stock Photo

RMJ8DT38–John Flaxman Que votre regne vienne

Tydaeus. Dated: published 1838. Medium: lithograph [proof before letters]. Museum: National Gallery of Art, Washington DC. Author: after John Flaxman. Stock Photo

RMPM62AG–Tydaeus. Dated: published 1838. Medium: lithograph [proof before letters]. Museum: National Gallery of Art, Washington DC. Author: after John Flaxman.

St Michael overcoming Satan, by John Flaxman. England, 19th century Stock Photo

RMBKK82B–St Michael overcoming Satan, by John Flaxman. England, 19th century

Inf. 06 John Flaxman, E caddi come corpo morto cade (Paolo e Francesca), 1802 Stock Photo

RMHM3TR7–Inf. 06 John Flaxman, E caddi come corpo morto cade (Paolo e Francesca), 1802

RM2BJM3A9–Author: Thomas Stothard. Canterbury Pilgrims - c. 1807 - Attributed to Thomas Stothard (English, 1755-1834) or possibly John Flaxman, II (English,

RM2CMNJR8–John Flaxman 1793 004.

Inspired by Death of Heactor from Pope's Illiad, John Flaxman, British, 1755-1826, Ink on paper, sheet: 8 3/4 x 11 in., 22.2 x 27.9 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK59E6–Inspired by Death of Heactor from Pope's Illiad, John Flaxman, British, 1755-1826, Ink on paper, sheet: 8 3/4 x 11 in., 22.2 x 27.9 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Saint Paul's Cathedral, London. Tomb of Admiral Lord Nelson (Horatio), designed by John Flaxman. In the crypt. Stock Photo

RMD5599P–Saint Paul's Cathedral, London. Tomb of Admiral Lord Nelson (Horatio), designed by John Flaxman. In the crypt.

RF2E3G74Y–This scene is one of several designs that the English sculptor and draughtsman John Flaxman (1755–1826) did to illustrate passages from the Greek epic poet Homer's Iliad and Odyssey, a commission he had been given by Georgiana Hare-Naylor while he was living in Rome. It represents Funeral of Hector. It was done 1793.

Statue of Sir John Moore in George Square, Glasgow, Scotland Stock Photo

RM2C089TM–Statue of Sir John Moore in George Square, Glasgow, Scotland

Vase with classical reliefs by John Flaxman. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. Stock Photo

RMKHR7PX–Vase with classical reliefs by John Flaxman. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

. Deutsch: Kupferstich von John Flaxman 1793 zur Ilias . 1793. John Flaxman 779 Kupferstich von John Flaxman 1793 zur Ilias Stock Photo

RMMP8MJG–. Deutsch: Kupferstich von John Flaxman 1793 zur Ilias . 1793. John Flaxman 779 Kupferstich von John Flaxman 1793 zur Ilias

RF2K1B5BG–Chelsa-Vase, silberne Vase nach einem Modell von John Flaxman, 1807, England / Chelsa vase, silver vase after a model by John Flaxman, 1807, England, Historisch, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt / historical, digital improved reproduction of an original from the 19th century

Antique illustration depicting Odysseus follows Nausicaa's Wagon, drawing by John Flaxman. He was born on July 6, 1755 in York, England and died on De Stock Photo

RF2D7XD7G–Antique illustration depicting Odysseus follows Nausicaa's Wagon, drawing by John Flaxman. He was born on July 6, 1755 in York, England and died on De

Thetis, Greek legendary figure, asking Hephaestus for new weapons for Achilles, after ancient Greek painting, drawing by John Flaxman, 19th century, Stock Photo

RMG5X3B0–Thetis, Greek legendary figure, asking Hephaestus for new weapons for Achilles, after ancient Greek painting, drawing by John Flaxman, 19th century,

Untitled [Hercules], by John Flaxman. Gift of Archdeacon F.H.D. Smythe, 1957. Stock Photo

RM2JRNAD2–Untitled [Hercules], by John Flaxman. Gift of Archdeacon F.H.D. Smythe, 1957.

Hector Chiding Paris, c1792. By John Flaxman (1755-1826). In the tenth year of the Trojan War, observing Paris avoiding combat with Menelaus, Hector scolds him with having brought trouble on his whole country and now refusing to fight. An illustration from the Iliad. The Iliad is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Stock Photo

RM2JA7DT2–Hector Chiding Paris, c1792. By John Flaxman (1755-1826). In the tenth year of the Trojan War, observing Paris avoiding combat with Menelaus, Hector scolds him with having brought trouble on his whole country and now refusing to fight. An illustration from the Iliad. The Iliad is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer.

John Flaxman, Hercules Hercules Stock Photo

RM2AEGBD6–John Flaxman, Hercules Hercules

RMEDYER0–John Flaxman (British, 1755 - 1826), Lion, graphite

Hercules in the Garden of the Hesperides, view 2, designed by John Flaxman, Wedgwood, c. 1785, jasperware Krannert Art Museum, UIUC DSC06240 Stock Photo

RMJ8G10N–Hercules in the Garden of the Hesperides, view 2, designed by John Flaxman, Wedgwood, c. 1785, jasperware Krannert Art Museum, UIUC DSC06240

Antonio Canova. Dated: 19th century. Medium: lithograph on papier colle. Museum: National Gallery of Art, Washington DC. Author: after John Flaxman. Stock Photo

RMPKN9RH–Antonio Canova. Dated: 19th century. Medium: lithograph on papier colle. Museum: National Gallery of Art, Washington DC. Author: after John Flaxman.

'When baleful Iris, sent by Jove's command, the torch of discord blazing in her hand'. Iris, the goddess of the rainbow. Outline engraving by Thomas Piroli after John Flaxman. The Iliad of Homer, engraved by T. Piroli from the compositions of J. F... London, 1795. Source: 75.g.19.(1), plate 16. Language: English. Stock Photo

RMR5EWCX–'When baleful Iris, sent by Jove's command, the torch of discord blazing in her hand'. Iris, the goddess of the rainbow. Outline engraving by Thomas Piroli after John Flaxman. The Iliad of Homer, engraved by T. Piroli from the compositions of J. F... London, 1795. Source: 75.g.19.(1), plate 16. Language: English.

John Flaxman - Pandora Gifted Stock Photo

RMHM3E7R–John Flaxman - Pandora Gifted

John Flaxman. Vulcan and Thetis - John Flaxman, II English, 1755-1826. Pen and ink on paper. 1775 - 1826. England. Stock Photo

RM2G13172–John Flaxman. Vulcan and Thetis - John Flaxman, II English, 1755-1826. Pen and ink on paper. 1775 - 1826. England.

John Flaxman - The Creation of the Heavens Stock Photo

RM2CMTYC8–John Flaxman - The Creation of the Heavens

Inspired by Prometheus Bound, John Flaxman, British, 1755-1826, Pencil and pen drawing on wove paper, Sheet: 11 x 12 1/4 in., 27.9 x 31.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK59F6–Inspired by Prometheus Bound, John Flaxman, British, 1755-1826, Pencil and pen drawing on wove paper, Sheet: 11 x 12 1/4 in., 27.9 x 31.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

John Flaxman British Sculptor & Draughtsman (1755-1826) 01 January 1800 **WARNING** This Photograph is for editorial use only and is the copyright of The Film Company and/or the Photographer assigned by the Film or Production Company and can only be reproduced by publications in conjunction with the promotion of the above Film. A Mandatory Credit To The Film Company is required. The Photographer should also be credited when known. No commercial use can be granted without written authority from the Film Company. Stock Photo

RM2K88EW0–John Flaxman British Sculptor & Draughtsman (1755-1826) 01 January 1800 **WARNING** This Photograph is for editorial use only and is the copyright of The Film Company and/or the Photographer assigned by the Film or Production Company and can only be reproduced by publications in conjunction with the promotion of the above Film. A Mandatory Credit To The Film Company is required. The Photographer should also be credited when known. No commercial use can be granted without written authority from the Film Company.

RF2E3G6YG–This scene is one of several designs that the English sculptor and draughtsman John Flaxman (1755–1826) did to illustrate passages from the Greek epic poet Homer's Iliad and Odyssey, a commission he had been given by Georgiana Hare-Naylor while he was living in Rome. It represents the Council of the gods. It was done 1793.

John Flaxman sculpture statue on the exterior of the Natural History Museum in London England UK who was a leading sculptor artist and draughtsman of Stock Photo

RF2K7W7M4–John Flaxman sculpture statue on the exterior of the Natural History Museum in London England UK who was a leading sculptor artist and draughtsman of

RMKHPFMY–Vase with classical reliefs by John Flaxman. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

. English: Polydamus attempting to stop Hector attacking the Greeks, from the The Iliad . 19 January 2008, 11:46:14. John Flaxman 1012 Polydamus Stock Photo

RMMPAK5H–. English: Polydamus attempting to stop Hector attacking the Greeks, from the The Iliad . 19 January 2008, 11:46:14. John Flaxman 1012 Polydamus

RF2K1B5BX–Chelsa-Vase, silberne Vase nach einem Modell von John Flaxman, 1807, England / Chelsa vase, silver vase after a model by John Flaxman, 1807, England, Historisch, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt / historical, digital improved reproduction of an original from the 19th century

Portrait of John Flaxman, R.A., n.d. Stock Photo

RM2KFKA18–Portrait of John Flaxman, R.A., n.d.

literature, Greek mythology, Odyssey, Phemios singing in front of the suitors of Penelope, drawing by John Flaxman (1755 - 1826), circa 1810, Additional-Rights-Clearences-Not Available Stock Photo

RMDDRRM6–literature, Greek mythology, Odyssey, Phemios singing in front of the suitors of Penelope, drawing by John Flaxman (1755 - 1826), circa 1810, Additional-Rights-Clearences-Not Available

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