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Jean mielot Stock Photos and Images
Burgundian scribe (Portrait of Jean Miélot, secretary, author and translator of Philip the Good, Duke of Burgundy). Museum: BIBLIOTHEQUE NATIONALE DE FRANCE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/burgundian-scribe-portrait-of-jean-milot-secretary-author-and-translator-of-philip-the-good-duke-of-burgundy-museum-bibliotheque-nationale-de-france-image212812921.htmlRMPA6D1D–Burgundian scribe (Portrait of Jean Miélot, secretary, author and translator of Philip the Good, Duke of Burgundy). Museum: BIBLIOTHEQUE NATIONALE DE FRANCE.
Tavernier Jean Mielot Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tavernier-jean-mielot-134781468.htmlRMHR7R3T–Tavernier Jean Mielot
711 Jean Miélot, Brussels Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/711-jean-milot-brussels-image185809123.htmlRMMP89C3–711 Jean Miélot, Brussels
Miniature from The Miracles of Our Lady; Lieven van Lathem, Flemish, about 1430 - 1493, active 1454 - 1493, Jean Miélot, French Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-miniature-from-the-miracles-of-our-lady-lieven-van-lathem-flemish-77446764.htmlRMEE003T–Miniature from The Miracles of Our Lady; Lieven van Lathem, Flemish, about 1430 - 1493, active 1454 - 1493, Jean Miélot, French
Jean Mielot, Medieval French Scribe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-mielot-medieval-french-scribe-image352803876.htmlRM2BDYGXC–Jean Mielot, Medieval French Scribe
The King of France leaving for the Crusades, c1336, (1455). The departure of the king (probably Philip VI) and his host for the Holy Land. Illustration from the Advis, a translation by Jean Mielot of a Latin text, the Directorium ad passagium faciendum, in the collection of the Bibliotheque Nationale, Paris. The artist is unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-king-of-france-leaving-for-the-crusades-c1336-1455-the-departure-of-the-king-probably-philip-vi-and-his-host-for-the-holy-land-illustration-from-the-advis-a-translation-by-jean-mielot-of-a-latin-text-the-directorium-ad-passagium-faciendum-in-the-collection-of-the-bibliotheque-nationale-paris-the-artist-is-unknown-image377035607.htmlRM2CWBCNB–The King of France leaving for the Crusades, c1336, (1455). The departure of the king (probably Philip VI) and his host for the Holy Land. Illustration from the Advis, a translation by Jean Mielot of a Latin text, the Directorium ad passagium faciendum, in the collection of the Bibliotheque Nationale, Paris. The artist is unknown.
Author Gautier de Coinci writing his Miracles de Nostre-Dame. Or scribe Jean Mielot copying the work for Duke Philip the Good. In a study with desk, manuscripts, lectern, leather-bound books, etc. Grisaille from the Miracles de Notre-Dame. France, XVe siecle. Lithograph drawn and lithographed by Ferdinand Sere and Auguste Racinet from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/author-gautier-de-coinci-writing-his-miracles-de-nostre-dame-or-scribe-jean-mielot-copying-the-work-for-duke-philip-the-good-in-a-study-with-desk-manuscripts-lectern-leather-bound-books-etc-grisaille-from-the-miracles-de-notre-dame-france-xve-siecle-lithograph-drawn-and-lithographed-by-ferdinand-sere-and-auguste-racinet-from-charles-louandres-les-arts-somptuaires-the-sumptuary-arts-hangard-mauge-paris-1858-image487618380.htmlRM2K98X64–Author Gautier de Coinci writing his Miracles de Nostre-Dame. Or scribe Jean Mielot copying the work for Duke Philip the Good. In a study with desk, manuscripts, lectern, leather-bound books, etc. Grisaille from the Miracles de Notre-Dame. France, XVe siecle. Lithograph drawn and lithographed by Ferdinand Sere and Auguste Racinet from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
Burgundian scribe (Portrait of Jean Miélot, secretary, author and translator of Philip the Good, Duk Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/burgundian-scribe-portrait-of-jean-milot-secretary-author-and-translator-of-philip-the-good-duk-image186185974.htmlRMMPWE32–Burgundian scribe (Portrait of Jean Miélot, secretary, author and translator of Philip the Good, Duk
Jean Mielot offering his manuscript to Philip III, Duke of Burgundy, 1457. The duke in chaperon and mantle in a palace with throne and coat of arms. Frontispiece in grisaille taken from Mielot's Le moindre des secretaires d'icelluy seigneur, MS Supplement Francais 540.2. Flandres, XVe siecle. Chromolithograph by Ferdinand Sere and Auguste Racinet from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-mielot-offering-his-manuscript-to-philip-iii-duke-of-burgundy-1457-the-duke-in-chaperon-and-mantle-in-a-palace-with-throne-and-coat-of-arms-frontispiece-in-grisaille-taken-from-mielots-le-moindre-des-secretaires-dicelluy-seigneur-ms-supplement-francais-5402-flandres-xve-siecle-chromolithograph-by-ferdinand-sere-and-auguste-racinet-from-charles-louandres-les-arts-somptuaires-the-sumptuary-arts-hangard-mauge-paris-1858-image487618749.htmlRM2K98XK9–Jean Mielot offering his manuscript to Philip III, Duke of Burgundy, 1457. The duke in chaperon and mantle in a palace with throne and coat of arms. Frontispiece in grisaille taken from Mielot's Le moindre des secretaires d'icelluy seigneur, MS Supplement Francais 540.2. Flandres, XVe siecle. Chromolithograph by Ferdinand Sere and Auguste Racinet from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
Jean Miélot, Brussels. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-milot-brussels-image369362165.htmlRM2CCWW5W–Jean Miélot, Brussels.
Tavernier Jean Mielot recadrage Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-tavernier-jean-mielot-recadrage-161212894.htmlRMKA7TKA–Tavernier Jean Mielot recadrage
Miracle of the Adulterous Woman's Repentance; Lieven van Lathem, Flemish, about 1430 - 1493, Jean Miélot, French, died 1472 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/miracle-of-the-adulterous-womans-repentance-lieven-van-lathem-flemish-about-1430-1493-jean-milot-french-died-1472-image220679788.htmlRMPR0R90–Miracle of the Adulterous Woman's Repentance; Lieven van Lathem, Flemish, about 1430 - 1493, Jean Miélot, French, died 1472
Jean Miélot Presentation Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jean-milot-presentation-147568790.htmlRMJG29DX–Jean Miélot Presentation
Manuscript, Life and miracles of Notre Dame in French prose, by Jean Miélot Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-manuscript-life-and-miracles-of-notre-dame-in-french-prose-by-jean-49908752.htmlRMCW5F3C–Manuscript, Life and miracles of Notre Dame in French prose, by Jean Miélot
An army on the march. 'Il fault ung compagne aueques pluseurs gens darmes de pie et de chiual alans guerroier par pais.' . 'Romuleon': French translation by Jean Mielot. A. D. 1480. Source: Royal 19 E. V, f.125. Language: French. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-army-on-the-march-il-fault-ung-compagne-aueques-pluseurs-gens-darmes-de-pie-et-de-chiual-alans-guerroier-par-pais-romuleon-french-translation-by-jean-mielot-a-d-1480-source-royal-19-e-v-f125-language-french-image227173734.htmlRMR5GJBJ–An army on the march. 'Il fault ung compagne aueques pluseurs gens darmes de pie et de chiual alans guerroier par pais.' . 'Romuleon': French translation by Jean Mielot. A. D. 1480. Source: Royal 19 E. V, f.125. Language: French.
Jean MiÌ©lot, Medieval French Scribe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jean-milot-medieval-french-scribe-135096225.htmlRMHRP4H5–Jean MiÌ©lot, Medieval French Scribe
Miracle of the Adulterous Woman's Repentance, Lieven van Lathem (Flemish, about 1430 - 1493), Jean Miélot (French, died 1472), Ghent, Belgium, about 1460, Tempera colors and gold paint on parchment, Leaf: 13.2 x 17.8 cm (5 3,16 x 7 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/miracle-of-the-adulterous-womans-repentance-lieven-van-lathem-flemish-about-1430-1493-jean-milot-french-died-1472-ghent-belgium-about-1460-tempera-colors-and-gold-paint-on-parchment-leaf-132-x-178-cm-5-316-x-7-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350073699.htmlRF2B9F6G3–Miracle of the Adulterous Woman's Repentance, Lieven van Lathem (Flemish, about 1430 - 1493), Jean Miélot (French, died 1472), Ghent, Belgium, about 1460, Tempera colors and gold paint on parchment, Leaf: 13.2 x 17.8 cm (5 3,16 x 7 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Revue de l'art chrétien . nsinuans suorum ardoiem desideriorum : I. Cf. Spéculum humanae salvationis, édition critique, traduc-tion de Jean Miélot, recherches sur les sources et sur linfluenceiconographique, -2 vol. in-fol., dont un de planches, par MM.I.UTZ et Perurizet, en cours de publication à Mulhouse chezMeininger. fl^éUngeg. 395 95 Magnus dolor est matri absentia filii, Sed major dolor est sponsae absentia sponsi :Mariae autem dolor videtur fuisse maximus,Propter absentiam Christi, qui erat sibi sponsus et [fîlius. Le chapitre suivant, qui est consacré à lAs-somption, revient sur la mêm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/revue-de-lart-chrtien-nsinuans-suorum-ardoiem-desideriorum-i-cf-spculum-humanae-salvationis-dition-critique-traduc-tion-de-jean-milot-recherches-sur-les-sources-et-sur-linfluenceiconographique-2-vol-in-fol-dont-un-de-planches-par-mmiutz-et-perurizet-en-cours-de-publication-mulhouse-chezmeininger-flungeg-395-95-magnus-dolor-est-matri-absentia-filii-sed-major-dolor-est-sponsae-absentia-sponsi-mariae-autem-dolor-videtur-fuisse-maximuspropter-absentiam-christi-qui-erat-sibi-sponsus-et-flius-le-chapitre-suivant-qui-est-consacr-las-somption-revient-sur-la-mm-image340172846.htmlRM2ANC5X6–Revue de l'art chrétien . nsinuans suorum ardoiem desideriorum : I. Cf. Spéculum humanae salvationis, édition critique, traduc-tion de Jean Miélot, recherches sur les sources et sur linfluenceiconographique, -2 vol. in-fol., dont un de planches, par MM.I.UTZ et Perurizet, en cours de publication à Mulhouse chezMeininger. fl^éUngeg. 395 95 Magnus dolor est matri absentia filii, Sed major dolor est sponsae absentia sponsi :Mariae autem dolor videtur fuisse maximus,Propter absentiam Christi, qui erat sibi sponsus et [fîlius. Le chapitre suivant, qui est consacré à lAs-somption, revient sur la mêm
Author Gautier de Coinci writing his Miracles de Nostre-Dame. Or scribe Jean Mielot copying the work for Duke Philip the Good. In a study with desk, manuscripts, lectern, leather-bound books, etc. Grisaille from the Miracles de Notre-Dame. France, XVe siecle. Lithograph drawn and lithographed by Ferdinand Sere and Auguste Racinet from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/author-gautier-de-coinci-writing-his-miracles-de-nostre-dame-or-scribe-jean-mielot-copying-the-work-for-duke-philip-the-good-in-a-study-with-desk-manuscripts-lectern-leather-bound-books-etc-grisaille-from-the-miracles-de-notre-dame-france-xve-siecle-lithograph-drawn-and-lithographed-by-ferdinand-sere-and-auguste-racinet-from-charles-louandres-les-arts-somptuaires-the-sumptuary-arts-hangard-mauge-paris-1858-image571850303.htmlRM2T6A0W3–Author Gautier de Coinci writing his Miracles de Nostre-Dame. Or scribe Jean Mielot copying the work for Duke Philip the Good. In a study with desk, manuscripts, lectern, leather-bound books, etc. Grisaille from the Miracles de Notre-Dame. France, XVe siecle. Lithograph drawn and lithographed by Ferdinand Sere and Auguste Racinet from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
Jean Miélot Presentation Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jean-milot-presentation-137919229.htmlRMJ0ANAN–Jean Miélot Presentation
N/A. English: The first page of Jean Mielot's translation of Le Miroir de la Salvation humaine, written for Philip the Good in 1448-49. The seated figure represents Vincent of Beauvais, who was believed to be the original author of the text. circa 1450.. Attributed to a follower of Jean Le Tavernier. 430 Death-charter-speculum-mielot-1450 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-the-first-page-of-jean-mielots-translation-of-le-miroir-de-la-salvation-humaine-written-for-philip-the-good-in-1448-49-the-seated-figure-represents-vincent-of-beauvais-who-was-believed-to-be-the-original-author-of-the-text-circa-1450-attributed-to-a-follower-of-jean-le-tavernier-430-death-charter-speculum-mielot-1450-image209852274.htmlRMP5BGM2–N/A. English: The first page of Jean Mielot's translation of Le Miroir de la Salvation humaine, written for Philip the Good in 1448-49. The seated figure represents Vincent of Beauvais, who was believed to be the original author of the text. circa 1450.. Attributed to a follower of Jean Le Tavernier. 430 Death-charter-speculum-mielot-1450
Miniature from The Miracles of Our Lady, about 1460. Additional Info:This miniature originally appeared in a manuscript expressly created for Philip the Good, the duke of Burgundy that consists of a compilation of accounts of the miracles of the Virgin Mary. The witty scene illustrates a noblewoman's endeavor to deal with her husband's Christian mistress. In the chapel at right, the wife of the adulterous knight prays for the Virgin Mary to avenge her by punishing the mistress. However, Mary refuses the request on account of the adulteress's deep devotion to her. Subsequently when wife and mi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/miniature-from-the-miracles-of-our-lady-about-1460-additional-infothis-miniature-originally-appeared-in-a-manuscript-expressly-created-for-philip-the-good-the-duke-of-burgundy-that-consists-of-a-compilation-of-accounts-of-the-miracles-of-the-virgin-mary-the-witty-scene-illustrates-a-noblewomans-endeavor-to-deal-with-her-husbands-christian-mistress-in-the-chapel-at-right-the-wife-of-the-adulterous-knight-prays-for-the-virgin-mary-to-avenge-her-by-punishing-the-mistress-however-mary-refuses-the-request-on-account-of-the-adulteresss-deep-devotion-to-her-subsequently-when-wife-and-mi-image631215643.htmlRM2YJX9YR–Miniature from The Miracles of Our Lady, about 1460. Additional Info:This miniature originally appeared in a manuscript expressly created for Philip the Good, the duke of Burgundy that consists of a compilation of accounts of the miracles of the Virgin Mary. The witty scene illustrates a noblewoman's endeavor to deal with her husband's Christian mistress. In the chapel at right, the wife of the adulterous knight prays for the Virgin Mary to avenge her by punishing the mistress. However, Mary refuses the request on account of the adulteress's deep devotion to her. Subsequently when wife and mi
![Scenes from the life of Saint Catherine of Alexandria, 4th century virgin and martyr. Depicted in Flemish costume of the 15th century. La Vie de Sainte Catherine de Sienne [sic]. Grisailles taken from Jean Mielot's Le moindre des secretaires d'icelluy seigneur, MS Supplement Francais No. 540.2. Flandres, XVe siecle. Chromolithograph by Ferdinand Sere and Auguste Racine from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photo](https://c8.alamy.com/comp/2K98XKD/scenes-from-the-life-of-saint-catherine-of-alexandria-4th-century-virgin-and-martyr-depicted-in-flemish-costume-of-the-15th-century-la-vie-de-sainte-catherine-de-sienne-sic-grisailles-taken-from-jean-mielots-le-moindre-des-secretaires-dicelluy-seigneur-ms-supplement-francais-no-5402-flandres-xve-siecle-chromolithograph-by-ferdinand-sere-and-auguste-racine-from-charles-louandres-les-arts-somptuaires-the-sumptuary-arts-hangard-mauge-paris-1858-2K98XKD.jpg "Scenes from the life of Saint Catherine of Alexandria, 4th century virgin and martyr. Depicted in Flemish costume of the 15th century. La Vie de Sainte Catherine de Sienne [sic]. Grisailles taken from Jean Mielot's Le moindre des secretaires d'icelluy seigneur, MS Supplement Francais No. 540.2. Flandres, XVe siecle. Chromolithograph by Ferdinand Sere and Auguste Racine from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photo")
Scenes from the life of Saint Catherine of Alexandria, 4th century virgin and martyr. Depicted in Flemish costume of the 15th century. La Vie de Sainte Catherine de Sienne [sic]. Grisailles taken from Jean Mielot's Le moindre des secretaires d'icelluy seigneur, MS Supplement Francais No. 540.2. Flandres, XVe siecle. Chromolithograph by Ferdinand Sere and Auguste Racine from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scenes-from-the-life-of-saint-catherine-of-alexandria-4th-century-virgin-and-martyr-depicted-in-flemish-costume-of-the-15th-century-la-vie-de-sainte-catherine-de-sienne-sic-grisailles-taken-from-jean-mielots-le-moindre-des-secretaires-dicelluy-seigneur-ms-supplement-francais-no-5402-flandres-xve-siecle-chromolithograph-by-ferdinand-sere-and-auguste-racine-from-charles-louandres-les-arts-somptuaires-the-sumptuary-arts-hangard-mauge-paris-1858-image487618753.htmlRM2K98XKD–Scenes from the life of Saint Catherine of Alexandria, 4th century virgin and martyr. Depicted in Flemish costume of the 15th century. La Vie de Sainte Catherine de Sienne [sic]. Grisailles taken from Jean Mielot's Le moindre des secretaires d'icelluy seigneur, MS Supplement Francais No. 540.2. Flandres, XVe siecle. Chromolithograph by Ferdinand Sere and Auguste Racine from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
Jean Miélot Presentation. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-milot-presentation-image369362173.htmlRM2CCWW65–Jean Miélot Presentation.
Ladies of rank of the 15th and 16th centuries and their headdresses satirized. Queen on throne with ladies in waiting, from the Romance of Jean de Saintre, Cotton Nero D IX f.2, kneeling women from Jean Mielot's Benvenuto da Imola, Romuleon, Royal MS 19 E V, and satirical image of sow on stilts with harp wearing a hennin from Jean Froissart's Chronicles, Harley MS 4379. Handcoloured engraving by Joseph Strutt from his Complete View of the Dress and Habits of the People of England, Henry Bohn, London, 1842. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ladies-of-rank-of-the-15th-and-16th-centuries-and-their-headdresses-satirized-queen-on-throne-with-ladies-in-waiting-from-the-romance-of-jean-de-saintre-cotton-nero-d-ix-f2-kneeling-women-from-jean-mielots-benvenuto-da-imola-romuleon-royal-ms-19-e-v-and-satirical-image-of-sow-on-stilts-with-harp-wearing-a-hennin-from-jean-froissarts-chronicles-harley-ms-4379-handcoloured-engraving-by-joseph-strutt-from-his-complete-view-of-the-dress-and-habits-of-the-people-of-england-henry-bohn-london-1842-image397416477.htmlRM2E2FTNH–Ladies of rank of the 15th and 16th centuries and their headdresses satirized. Queen on throne with ladies in waiting, from the Romance of Jean de Saintre, Cotton Nero D IX f.2, kneeling women from Jean Mielot's Benvenuto da Imola, Romuleon, Royal MS 19 E V, and satirical image of sow on stilts with harp wearing a hennin from Jean Froissart's Chronicles, Harley MS 4379. Handcoloured engraving by Joseph Strutt from his Complete View of the Dress and Habits of the People of England, Henry Bohn, London, 1842.
Miracle of the Adulterous Woman's Repentance, Lieven van Lathem (Flemish, about 1430 - 1493), Jean Miélot (French reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/miracle-of-the-adulterous-womans-repentance-lieven-van-lathem-flemish-about-1430-1493-jean-milot-french-reimagined-image230260533.htmlRFRAH7JD–Miracle of the Adulterous Woman's Repentance, Lieven van Lathem (Flemish, about 1430 - 1493), Jean Miélot (French reimagined
Flandre . pe le Bon par Jean Mielot. chanoine du chapitre de Lille.Louvrage souvre par une superbe miniature, lAnnonciation de laVierge (fig. 106). Le duc. agenouillé sur son prie-Dieu, assiste ala scène. Lattitude et le mouvement sont particulièrement réussis :la couleur relevée de traits et dagréments dor demeure néanmoinsun peu opaque. Lannée suivante, en 1462. David Aubert deHesdin offrit au duc un manuscrit intitulé : la Composition derEcriture, qui appartient aujourdhui a la Bibliothèque Royale deBruxelles (9017). Il ne contient que quelques miniatures teintéesde bleu gris et relevées do Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flandre-pe-le-bon-par-jean-mielot-chanoine-du-chapitre-de-lillelouvrage-souvre-par-une-superbe-miniature-lannonciation-de-lavierge-fig-106-le-duc-agenouill-sur-son-prie-dieu-assiste-ala-scne-lattitude-et-le-mouvement-sont-particulirement-russis-la-couleur-releve-de-traits-et-dagrments-dor-demeure-nanmoinsun-peu-opaque-lanne-suivante-en-1462-david-aubert-dehesdin-offrit-au-duc-un-manuscrit-intitul-la-composition-derecriture-qui-appartient-aujourdhui-a-la-bibliothque-royale-debruxelles-9017-il-ne-contient-que-quelques-miniatures-teintesde-bleu-gris-et-releves-do-image340140538.htmlRM2ANAMMA–Flandre . pe le Bon par Jean Mielot. chanoine du chapitre de Lille.Louvrage souvre par une superbe miniature, lAnnonciation de laVierge (fig. 106). Le duc. agenouillé sur son prie-Dieu, assiste ala scène. Lattitude et le mouvement sont particulièrement réussis :la couleur relevée de traits et dagréments dor demeure néanmoinsun peu opaque. Lannée suivante, en 1462. David Aubert deHesdin offrit au duc un manuscrit intitulé : la Composition derEcriture, qui appartient aujourdhui a la Bibliothèque Royale deBruxelles (9017). Il ne contient que quelques miniatures teintéesde bleu gris et relevées do
Jean Mielot offering his manuscript to Philip III, Duke of Burgundy, 1457. The duke in chaperon and mantle in a palace with throne and coat of arms. Frontispiece in grisaille taken from Mielot's Le moindre des secretaires d'icelluy seigneur, MS Supplement Francais 540.2. Flandres, XVe siecle. Chromolithograph by Ferdinand Sere and Auguste Racinet from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-mielot-offering-his-manuscript-to-philip-iii-duke-of-burgundy-1457-the-duke-in-chaperon-and-mantle-in-a-palace-with-throne-and-coat-of-arms-frontispiece-in-grisaille-taken-from-mielots-le-moindre-des-secretaires-dicelluy-seigneur-ms-supplement-francais-5402-flandres-xve-siecle-chromolithograph-by-ferdinand-sere-and-auguste-racinet-from-charles-louandres-les-arts-somptuaires-the-sumptuary-arts-hangard-mauge-paris-1858-image571837182.htmlRM2T69C4E–Jean Mielot offering his manuscript to Philip III, Duke of Burgundy, 1457. The duke in chaperon and mantle in a palace with throne and coat of arms. Frontispiece in grisaille taken from Mielot's Le moindre des secretaires d'icelluy seigneur, MS Supplement Francais 540.2. Flandres, XVe siecle. Chromolithograph by Ferdinand Sere and Auguste Racinet from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
. Deutsch: Der Schreiber Jean Mielot in der Schreibstube (Sekretär des Herzogs). between 1450 and 1460. Jean Le Tavernier (–1462) Alternative names Jan de Tavernier Description Flemish painter and miniaturist Date of birth/death 1462 Location of birth/death Oudenaarde Oudenaarde Work period 1454-1462 Work location Oudenaarde; Lille Authority control : Q734843 VIAF: 7438689 ISNI: 0000 0000 0069 1260 LCCN: nr97035577 WGA: LE TAVERNIER, Jean GND: 122231848 WorldCat 1163 Tavernier Jean Mielot Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-der-schreiber-jean-mielot-in-der-schreibstube-sekretr-des-herzogs-between-1450-and-1460-jean-le-tavernier-1462-alternative-names-jan-de-tavernier-description-flemish-painter-and-miniaturist-date-of-birthdeath-1462-location-of-birthdeath-oudenaarde-oudenaarde-work-period-1454-1462-work-location-oudenaarde-lille-authority-control-q734843-viaf7438689-isni0000-0000-0069-1260-lccnnr97035577-wgale-tavernier-jean-gnd122231848-worldcat-1163-tavernier-jean-mielot-image185597584.htmlRMMNXKH4–. Deutsch: Der Schreiber Jean Mielot in der Schreibstube (Sekretär des Herzogs). between 1450 and 1460. Jean Le Tavernier (–1462) Alternative names Jan de Tavernier Description Flemish painter and miniaturist Date of birth/death 1462 Location of birth/death Oudenaarde Oudenaarde Work period 1454-1462 Work location Oudenaarde; Lille Authority control : Q734843 VIAF: 7438689 ISNI: 0000 0000 0069 1260 LCCN: nr97035577 WGA: LE TAVERNIER, Jean GND: 122231848 WorldCat 1163 Tavernier Jean Mielot
Medieval scribe Jean Miélot, sitting at a desk, making a copy of another book Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/medieval-scribe-jean-milot-sitting-at-a-desk-making-a-copy-of-another-book-image398843689.htmlRM2E4TW5D–Medieval scribe Jean Miélot, sitting at a desk, making a copy of another book
Miniature from The Miracles of Our Lady, Lieven van Lathem, Flemish, about 1430 - 1493, active 1454 - 1493, Jean reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/miniature-from-the-miracles-of-our-lady-lieven-van-lathem-flemish-about-1430-1493-active-1454-1493-jean-reimagined-image230426604.htmlRFRATRDG–Miniature from The Miracles of Our Lady, Lieven van Lathem, Flemish, about 1430 - 1493, active 1454 - 1493, Jean reimagined
Flandre . Fig. 100. — Bataille navale. (Histoire dIhiaine.) iliruxellcs, 00^7) (Cliché pan l)ammc.) 5i hLASDHt. Vu,. loi SaTLRNE OF.VORA>T ses EJtrAXTS. (Histutre du llainaulj (Hruxelle*. 9^4».) (t.licht van hamme) La facture fie cemorceau e»t fortoriginale. Let con-Ifiuri ionl Ifê» ac-cut^ft. I oute laiccnc c»l mainte-nue dans une de-liaeuKr teinte degrisaille rehausséed un ton brunâtre (fig. 105). Le 7 rai le da louanges de laI^ Verge (Bruxelles,9270) fut offerten 1461 à r^hi-lippe le Bon par Jean Mielot. chanoine du chapitre de Lille.Louvrage souvre par une superbe miniature, lAnnonciati Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flandre-fig-100-bataille-navale-histoire-dihiaine-iliruxellcs-007-clich-pan-lammc-5i-hlasdht-vu-loi-satlrne-ofvoragtt-ses-ejtraxts-histutre-du-llainaulj-hruxelle-94-tlicht-van-hamme-la-facture-fie-cemorceau-et-fortoriginale-let-con-ifiuri-ionl-if-ac-cutft-i-oute-laiccnc-cl-mainte-nue-dans-une-de-liaeukr-teinte-degrisaille-rehaussed-un-ton-bruntre-fig-105-le-7-rai-le-da-louanges-de-lai-verge-bruxelles9270-fut-offerten-1461-rhi-lippe-le-bon-par-jean-mielot-chanoine-du-chapitre-de-lillelouvrage-souvre-par-une-superbe-miniature-lannonciati-image340141066.htmlRM2ANANB6–Flandre . Fig. 100. — Bataille navale. (Histoire dIhiaine.) iliruxellcs, 00^7) (Cliché pan l)ammc.) 5i hLASDHt. Vu,. loi SaTLRNE OF.VORA>T ses EJtrAXTS. (Histutre du llainaulj (Hruxelle*. 9^4».) (t.licht van hamme) La facture fie cemorceau e»t fortoriginale. Let con-Ifiuri ionl Ifê» ac-cut^ft. I oute laiccnc c»l mainte-nue dans une de-liaeuKr teinte degrisaille rehausséed un ton brunâtre (fig. 105). Le 7 rai le da louanges de laI^ Verge (Bruxelles,9270) fut offerten 1461 à r^hi-lippe le Bon par Jean Mielot. chanoine du chapitre de Lille.Louvrage souvre par une superbe miniature, lAnnonciati
![Scenes from the life of Saint Catherine of Alexandria, 4th century virgin and martyr. Depicted in Flemish costume of the 15th century. La Vie de Sainte Catherine de Sienne [sic]. Grisailles taken from Jean Mielot's Le moindre des secretaires d'icelluy seigneur, MS Supplement Francais No. 540.2. Flandres, XVe siecle. Chromolithograph by Ferdinand Sere and Auguste Racine from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photo](https://c8.alamy.com/comp/2T68E81/scenes-from-the-life-of-saint-catherine-of-alexandria-4th-century-virgin-and-martyr-depicted-in-flemish-costume-of-the-15th-century-la-vie-de-sainte-catherine-de-sienne-sic-grisailles-taken-from-jean-mielots-le-moindre-des-secretaires-dicelluy-seigneur-ms-supplement-francais-no-5402-flandres-xve-siecle-chromolithograph-by-ferdinand-sere-and-auguste-racine-from-charles-louandres-les-arts-somptuaires-the-sumptuary-arts-hangard-mauge-paris-1858-2T68E81.jpg "Scenes from the life of Saint Catherine of Alexandria, 4th century virgin and martyr. Depicted in Flemish costume of the 15th century. La Vie de Sainte Catherine de Sienne [sic]. Grisailles taken from Jean Mielot's Le moindre des secretaires d'icelluy seigneur, MS Supplement Francais No. 540.2. Flandres, XVe siecle. Chromolithograph by Ferdinand Sere and Auguste Racine from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photo")
Scenes from the life of Saint Catherine of Alexandria, 4th century virgin and martyr. Depicted in Flemish costume of the 15th century. La Vie de Sainte Catherine de Sienne [sic]. Grisailles taken from Jean Mielot's Le moindre des secretaires d'icelluy seigneur, MS Supplement Francais No. 540.2. Flandres, XVe siecle. Chromolithograph by Ferdinand Sere and Auguste Racine from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scenes-from-the-life-of-saint-catherine-of-alexandria-4th-century-virgin-and-martyr-depicted-in-flemish-costume-of-the-15th-century-la-vie-de-sainte-catherine-de-sienne-sic-grisailles-taken-from-jean-mielots-le-moindre-des-secretaires-dicelluy-seigneur-ms-supplement-francais-no-5402-flandres-xve-siecle-chromolithograph-by-ferdinand-sere-and-auguste-racine-from-charles-louandres-les-arts-somptuaires-the-sumptuary-arts-hangard-mauge-paris-1858-image571816897.htmlRM2T68E81–Scenes from the life of Saint Catherine of Alexandria, 4th century virgin and martyr. Depicted in Flemish costume of the 15th century. La Vie de Sainte Catherine de Sienne [sic]. Grisailles taken from Jean Mielot's Le moindre des secretaires d'icelluy seigneur, MS Supplement Francais No. 540.2. Flandres, XVe siecle. Chromolithograph by Ferdinand Sere and Auguste Racine from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
312 Jean Miélot Presentation Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/312-jean-milot-presentation-image187809533.htmlRMMWFCY9–312 Jean Miélot Presentation
Tavernier Jean Mielot Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tavernier-jean-mielot-image477830693.htmlRM2JNB1WW–Tavernier Jean Mielot
Tavernier Jean Mielot recadrage Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tavernier-jean-mielot-recadrage-image477830689.htmlRM2JNB1WN–Tavernier Jean Mielot recadrage
Ladies of rank of the 15th and 16th centuries and their headdresses satirized. Queen on throne with ladies in waiting, from the Romance of Jean de Saintre, Cotton Nero D IX f.2, kneeling women from Jean Mielot's Benvenuto da Imola, Romuleon, Royal MS 19 E V, and satirical image of sow on stilts with harp wearing a hennin from Jean Froissart's Chronicles, Harley MS 4379. Handcoloured engraving by Joseph Strutt from his Complete View of the Dress and Habits of the People of England, Henry Bohn, London, 1842. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ladies-of-rank-of-the-15th-and-16th-centuries-and-their-headdresses-satirized-queen-on-throne-with-ladies-in-waiting-from-the-romance-of-jean-de-saintre-cotton-nero-d-ix-f2-kneeling-women-from-jean-mielots-benvenuto-da-imola-romuleon-royal-ms-19-e-v-and-satirical-image-of-sow-on-stilts-with-harp-wearing-a-hennin-from-jean-froissarts-chronicles-harley-ms-4379-handcoloured-engraving-by-joseph-strutt-from-his-complete-view-of-the-dress-and-habits-of-the-people-of-england-henry-bohn-london-1842-image571817458.htmlRM2T68F02–Ladies of rank of the 15th and 16th centuries and their headdresses satirized. Queen on throne with ladies in waiting, from the Romance of Jean de Saintre, Cotton Nero D IX f.2, kneeling women from Jean Mielot's Benvenuto da Imola, Romuleon, Royal MS 19 E V, and satirical image of sow on stilts with harp wearing a hennin from Jean Froissart's Chronicles, Harley MS 4379. Handcoloured engraving by Joseph Strutt from his Complete View of the Dress and Habits of the People of England, Henry Bohn, London, 1842.
313 Jean Miélot Presentation Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/313-jean-milot-presentation-image188332112.htmlRMMXB7ET–313 Jean Miélot Presentation
Miracle of the Adulterous Woman's Repentance. Date/Period: Ca. 1460. Detached leaf. Tempera colors and gold paint on parchment. Height: 132 mm (5.19 in); Width: 178 mm (7 in). Author: Lieven van Lathem. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/miracle-of-the-adulterous-womans-repentance-dateperiod-ca-1460-detached-leaf-tempera-colors-and-gold-paint-on-parchment-height-132-mm-519-in-width-178-mm-7-in-author-lieven-van-lathem-image219743002.htmlRMPNE4CA–Miracle of the Adulterous Woman's Repentance. Date/Period: Ca. 1460. Detached leaf. Tempera colors and gold paint on parchment. Height: 132 mm (5.19 in); Width: 178 mm (7 in). Author: Lieven van Lathem.
271 Jean Miélot Presentation Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/271-jean-milot-presentation-image189067628.htmlRMMYGNK8–271 Jean Miélot Presentation
312 Jean Miélot Presentation Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/312-jean-milot-presentation-image213916044.htmlRMPC0M2M–312 Jean Miélot Presentation
English: Portrait of Jean Miélot Français : Jean Miélot dans son scriptorium, dans Miracles de Notre Dame, f.19 : after 1456. N/A 525 Escribano Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-portrait-of-jean-milot-franais-jean-milot-dans-son-scriptorium-dans-miracles-de-notre-dame-f19-after-1456-na-525-escribano-image210226933.htmlRMP60JGN–English: Portrait of Jean Miélot Français : Jean Miélot dans son scriptorium, dans Miracles de Notre Dame, f.19 : after 1456. N/A 525 Escribano
. English: Book of Hours (`Hours of Philip of Burgundy'; use of Paris) Place of origin, date: Oudenaarde, Jean Miélot (scribe), Jean le Tavernier e.a. (illuminator); c. 1450-1460 Material: Vellum, ff. 341, 268x187 (165x110) mm, 20 lines, littera cursiva. Latin and French. Binding: 16th-century brown leather, blind, made by Antoine de Gavere Decoration: 153 grisaille miniatures ( mm); 12 grisaille illustrations in the margin (calendar); penwork initials with pen-flourishes throughout Provenance: Made for Philip the Good, Duke of Burgundy (d. 1467). Purchased by G.J. Gérard at the sale at Mons o Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-book-of-hours-`hours-of-philip-of-burgundy-use-of-paris-place-of-origin-date-oudenaarde-jean-milot-scribe-jean-le-tavernier-ea-illuminator-c-1450-1460-material-vellum-ff-341-268x187-165x110-mm-20-lines-littera-cursiva-latin-and-french-binding-16th-century-brown-leather-blind-made-by-antoine-de-gavere-decoration-153-grisaille-miniatures-mm-12-grisaille-illustrations-in-the-margin-calendar-penwork-initials-with-pen-flourishes-throughout-provenance-made-for-philip-the-good-duke-of-burgundy-d-1467-purchased-by-gj-grard-at-the-sale-at-mons-o-image184810244.htmlRMMMJR9T–. English: Book of Hours (`Hours of Philip of Burgundy'; use of Paris) Place of origin, date: Oudenaarde, Jean Miélot (scribe), Jean le Tavernier e.a. (illuminator); c. 1450-1460 Material: Vellum, ff. 341, 268x187 (165x110) mm, 20 lines, littera cursiva. Latin and French. Binding: 16th-century brown leather, blind, made by Antoine de Gavere Decoration: 153 grisaille miniatures ( mm); 12 grisaille illustrations in the margin (calendar); penwork initials with pen-flourishes throughout Provenance: Made for Philip the Good, Duke of Burgundy (d. 1467). Purchased by G.J. Gérard at the sale at Mons o
