Stock photos, 360° images, vectors and videos
Filters
Quick filters:
Page 1 of 169
RM2A2JGED–Landscape, c. 1875, Léon Richet, French, 1847-1907, France, Charcoal on ivory wove paper, 234 × 333 mm
RF2HW64X0–Art inspired by Jews' Quarter, Amsterdam, 1889, Etching; cancelled plate (Glasgow); printed in black ink on heavy ivory wove paper, 5 1/8 x 8 1/2 in. (13 x 21.6 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2G6FGC3–Odilon Redon. Fear - 1866 - Odilon Redon French, 1840-1916. Etching on ivory wove paper. France.
RM2HPGYH6–Self-Portrait by Lovis Corinth (1858-1925), gouache, with possible additions in oil, on heavy ivory wove paper, 1924
RMRX7W73–Little Dorothy. James McNeill Whistler; American, 1834-1903. Date: 1896. Dimensions: 193 x 136 mm (image); 307 x 211 mm (sheet). Transfer lithograph in black on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute.
RMMMNTP5–. English: View of Boston from the Hospital at Chelsea (valentine), c. 1840. Watercolor on embossed ivory wove paper. Art Institute of Chicago. 7 1840s Boston FromHospitalAtChelsea valentine ARTIC
RM2A2KW97–Monte Circello, 1831, Ludwig Richter, German, 1803-1884, Germany, Etching on ivory wove paper, 155 x 198 mm
RF2HTXJ0E–Art inspired by Church, Amsterdam, 1889, Etching; cancelled impression of the only state (Glasgow); printed in black ink on ivory wove paper, Plate: 8 1/2 × 5 1/16 in. (21.6 × 12.9 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2G12RJ8–Odilon Redon. Enigma - 1892 - Odilon Redon French, 1840-1916. Drypoint on ivory wove paper. France.
RMRX9AXT–Two Boys Watching Schooners. Winslow Homer; American, 1836-1910. Date: 1880. Dimensions: 227 x 340 mm. Watercolor, with graphite, on moderately thick, rough-textured, ivory wove paper. Origin: United States. Museum: The Chicago Art Institute.
RMMMNWT7–. South Boston Pier, c. 1898. By Maurice Brazil Prendergast. Watercolor over graphite, with traces of white gouache, on ivory wove paper. Art Institute of Chicago. 11 1898 SouthBostonPier byPrendergast ARTIC
RM2A2JF2M–Landscape, 1844, Charles Émile Jacque, French, 1813-1894, France, Etching on ivory wove paper, 49 × 72 mm
RF2HW64WC–Art inspired by Salvation Army, Sandwich, 1887, Etching and drypoint; impression from cancelled plate; printed in black ink on ivory wove paper, Plate: 3 1/8 × 6 7/8 in. (8 × 17.5 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2F6W06C–Author: Anders Zorn. The Cousins - 1883 - Anders Zorn Swedish, 1860-1920. Etching on ivory wove paper. Sweden.
RMRX7JCW–Campfire, Adirondacks. Winslow Homer; American, 1836-1910. Date: 1892. Dimensions: 384 x 545 mm. Transparent and opaque watercolor, with blotting and scraping, on thick, moderately-textured, ivory wove paper. Origin: United States. Museum: The Chicago Art Institute.
RMMY8E32–. English: View of Boston from the Hospital at Chelsea (valentine), c. 1840. Watercolor on embossed ivory wove paper. Art Institute of Chicago. circa 1840. Artist unknown 6 1840s Boston FromHospitalAtChelsea valentine ARTIC
RM2A2KWWF–Figures, c. 1817, John Flaxman, English, 1755-1826, England, Lithograph on ivory wove paper, 285 × 178 mm
RF2HW64X1–Art inspired by Landscape with the Horse (Landscape with Horses), 1859, Etching; second state of two (Glasgow); black ink on dark ivory wove paper, plate: 4 15/16 x 7 15/16 in. (12.5 x 20.2 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2F6TYNP–Author: Anders Zorn. Pepita - 1883 - Anders Zorn Swedish, 1860-1920. Etching on ivory wove paper. Sweden.
RMRX7X73–Lender Seated. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1895. Dimensions: 354 × 244 mm (image); 514 × 399 mm (sheet). Lithograph on ivory wove paper. Origin: France. Museum: The Chicago Art Institute.
RMMX2GH0–. English: View of Boston from the Hospital at Chelsea (valentine), c. 1840. Watercolor on embossed ivory wove paper. Art Institute of Chicago. circa 1840. Artist unknown 7 1840s Boston FromHospitalAtChelsea valentine ARTIC
RM2A2JFH5–The Village Church, n.d., Henry Stacy Marks, English, 1829-1898, England, Pen and brown ink on ivory wove paper
RF2HTXHXC–Art inspired by The Beggars, 1879–80, Etching and drypoint; seventh state of seventeen (Glasgow); printed in black ink on heavy ivory wove paper, Plate: 11 15/16 × 8 1/4 in. (30.3 × 21 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2F6TE23–Author: Anders Zorn. The Cousins - 1883 - Anders Zorn Swedish, 1860-1920. Etching on ivory wove paper. Sweden.
RMRXAAFY–Sunshine and Shadow, Prout's Neck. Winslow Homer; American, 1836-1910. Date: 1894. Dimensions: 385 x 546 mm. Watercolor, with rewetting and blotting, over graphite, on thick, rough-textured, ivory wove paper. Origin: United States. Museum: The Chicago Art Institute.
RMMX28RK–. South Boston Pier, c. 1898. By Maurice Brazil Prendergast. Watercolor over graphite, with traces of white gouache, on ivory wove paper. Art Institute of Chicago. 1898. Prendergast 11 1898 SouthBostonPier byPrendergast ARTIC
RM2A2K91W–Portrait of Eugène Lacheurié, 1852, Gustave Moreau, French, 1826-1898, France, Graphite on ivory wove paper, 323 × 245 mm
RF2HTXJ2D–Art inspired by The Tyresmith, 1890, Transfer lithograph, drawn on medium-grained transfer paper; printed in black ink on smooth ivory wove paper, Image: 6 11/16 × 6 7/8 in. (17 × 17.5 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2F6TD72–Author: Walter Gramatt. Man - 1919 - Walter Gramatt German, 1897-1929. Lithograph on ivory wove paper. Germany.
RMRX6PGD–The Etcher's Press - The Printmaker's Shop. Abraham Bosse; French, 1602-1676. Date: 1642. Dimensions: 257 × 322 mm (plate); 288 × 357 mm (sheet). Etching on ivory wove paper. Origin: France. Museum: The Chicago Art Institute.
RMMW6W4Y–. English: View of Boston from the Hospital at Chelsea (valentine), c. 1840. Watercolor on embossed ivory wove paper. Art Institute of Chicago. circa 1840. Artist unknown 7 1840s Boston FromHospitalAtChelsea valentine ARTIC
RM2A2JE3E–Study, c. 1850, Charles François Daubigny, French, 1817-1878, France, Graphite on ivory wove paper, 104 × 166 mm
RF2HTXJ4G–Art inspired by Study of a Horse, 1895, Transfer lithograph, drawn on thin, transparent transfer paper; only state (Chicago); printed in black ink on machine-made ivory wove paper, Image: 4 in. × 4 13/16 in. (10.2 × 12.3 cm), Prints, James McNeill Whistler (American, Lowell, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2F6TYD3–Author: Walter Gramatt. My Mother - 1927 - Walter Gramatt German, 1897-1929. Etching and engraving on ivory wove paper. Germany.
RMRXADMY–The Master Engraver, Adolphe Albert. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1898. Dimensions: 342 × 246 mm (image); 474 × 354 mm (sheet). Lithograph on ivory wove paper. Origin: France. Museum: The Chicago Art Institute.
RMMW6XTT–. South Boston Pier, c. 1898. By Maurice Brazil Prendergast. Watercolor over graphite, with traces of white gouache, on ivory wove paper. Art Institute of Chicago. 1898. Prendergast 11 1898 SouthBostonPier byPrendergast ARTIC
RM2A2JF9F–Vagabond, n.d., Charles Émile Jacque, French, 1813-1894, France, Etching on ivory wove paper, 24 × 23 mm
RF2HW6595–Art inspired by The Long Gallery, Louvre, 1894, Transfer lithograph with stumping, drawn on fine-grained transfer paper; only state (Chicago); printed in black ink on ivory wove paper, Image: 8 1/2 × 6 1/4 in. (21.6 × 15.9 cm), Prints, James McNeill Whistler (American, Lowell, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2F6TEPA–Author: Walter Gramatt. Night Scene - 1923 - Walter Gramatt German, 1897-1929. Lithograph on ivory wove paper. Germany.
RMRX9AWN–The Water Fan. Winslow Homer; American, 1836-1910. Date: 1898-1899. Dimensions: 374 x 534 mm. Watercolor, with blotting and touches of scraping, over graphite, on thick, rough twill-textured, ivory wove paper. Origin: United States. Museum: The Chicago Art Institute.
RM2A2JF5M–Drinkers, n.d., Charles Émile Jacque, French, 1813-1894, France, Etching on ivory wove paper, 24 × 28 mm
RF2HW654F–Art inspired by The Long Gallery, Louvre, 1894, Transfer lithograph with stumping, drawn on fine-grained transfer paper; only state (Chicago); printed in black ink on ivory wove paper, Image: 8 1/2 × 6 1/4 in. (21.6 × 15.9 cm), Prints, James McNeill Whistler (American, Lowell, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2F6TY3G–Author: Anders Zorn. Zorn and His Wife - 1890 - Anders Zorn Swedish, 1860-1920. Etching on ivory wove paper. Sweden.
RMRXNPDG–Reading. James McNeill Whistler; American, 1834-1903. Date: 1879. Dimensions: 253 x 366 mm (image); 285 x 447 mm (sheet). Lithograph, in black ink, with scraping, on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute.
RM2A2KF99–Castel Sant’Angelo, 1746, Alexander Cozens, English, c. 1717-1786, England, Etching on ivory wove paper, 275 × 380 mm
RF2HTXJ28–Art inspired by The Smith's Yard, 1895, Transfer lithograph drawn on thin, transparent transfer paper; only state (Chicago), as published; printed from a supplementary stone on medium-weight ivory wove paper with a smooth finish, sheet: 11 1/8 x 7 7/8 in. (28.3 x 20 cm), Prints, James, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2G12PRW–Jean Louis Forain. The Arbor - 1893 - Jean Louis Forain French, 1852-1931. Lithograph on ivory wove paper. France.
RMRX7W6Y–Reading. James McNeill Whistler; American, 1834-1903. Date: 1879. Dimensions: 253 x 365 mm (image); 279 x 377 mm (sheet). Lithograph, in black ink, with stumping, on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute.
RM2D4MDRF–Etching and aquatint in black ink on ivory wove paper laid down on ivory wove plate paper (chine collé)
RM2A2KJTN–Portrait of a Girl, 1883, Anders Zorn, Swedish, 1860-1920, Sweden, Watercolor and graphite on ivory wove paper, 254 x 177 mm
RF2HTXJ76–Art inspired by Little London Model, 1896, Transfer lithograph with stumping, drawn on white transfer paper with a grained-stone texture; only state (Chicago); printed in black ink on ivory wove paper, Image: 6 3/4 in. × 5 in. (17.2 × 12.7 cm), Prints, James McNeill Whistler (American, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2F6T7M7–Author: Rodolphe Bresdin. The Knight's Return - 1871 - Rodolphe Bresdin French, 1825-1885. Etching on ivory wove paper. France.
RMRX8TTJ–Prout's Neck, Evening. Winslow Homer; American, 1836-1910. Date: 1894. Dimensions: 359 x 536 mm. Watercolor, with rewetting and blotting, over traces of graphite, on thick, rough-textured, ivory wove paper (top edge trimmed). Origin: United States. Museum: The Chicago Art Institute.
RM2D4MDR7–Transparent and opaque watercolor with rewetting blotting and scraping heightened with gum glaze over graphite on thick rough-textured ivory wove paper (lower edge trimmed)
RM2A2J0T2–Church at Scheveningen, October 1838, Edward William Cooke, English, 1811-1880, England, Graphite on ivory wove paper, 115 × 171 mm
RF2HTXJ2T–Art inspired by The Smith's Yard, 1895, Transfer lithograph drawn on thin, transparent transfer paper; only state (Chicago), as published; printed from a supplementary stone on medium-weight ivory wove paper with a smooth finish, Image: 7 1/2 × 6 1/4 in. (19.1 × 15.8 cm), Prints, James, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2F6TDXB–Author: Anders Zorn. Mrs. Runeberg - 1900 - Anders Zorn Swedish, 1860-1920. Etching on ivory wove paper. Sweden.
RMRX8P6N–Breaking Storm, Coast of Maine. Winslow Homer; American, 1836-1910. Date: 1894. Dimensions: 384 x 546 mm. Transparent watercolor, with touches of opaque watercolor, rewetting, blotting and traces of scraping, on thick, rough-textured, ivory wove paper. Origin: United States. Museum: The Chicago Art Institute.
RM2D4MDX1–Transparent watercolor with touches of opaque watercolor rewetting blotting and scraping over resist and traces of graphite on medium weight moderately textured ivory wove paper laid down on cream wove paper
RM2A2KW7C–Songs of the Painters with Etchings, 1838, Rudolph von Normann, German, 1806-1882, Germany, Etching on ivory wove paper, 289 x 231 mm
RF2HTXJ4W–Art inspired by The Smith's Yard, 1895, Transfer lithograph drawn on thin, transparent transfer paper; only state (Chicago), as published; printed from a supplementary stone on medium-weight ivory wove paper with a smooth finish, Image: 7 1/2 × 6 1/4 in. (19.1 × 15.8 cm), Prints, James, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2F6TFCJ–Author: Anders Zorn. Mrs. Runeberg - 1900 - Anders Zorn Swedish, 1860-1920. Etching on ivory wove paper. Sweden.
RMRX8RD2–North Woods Club, Adirondacks (The Interrupted Tete-a-Tete). Winslow Homer; American, 1836-1910. Date: 1892. Dimensions: 380 x 545 mm. Watercolor, with rewetting, blotting and scraping, over graphite, on thick, moderately textured, ivory wove paper. Origin: United States. Museum: The Chicago Art Institute.
RM2A2KHB5–Naples with Vesuvius, n.d., Unknown Artist, British, 19th century, United Kingdom, Gouache on ivory wove paper, 251 x 357 mm
RF2HTXJ2N–Art inspired by Reading, 1879, Lithograph with scraping; fourth state of four (Chicago); printed in black ink on grayish chine mounted on ivory wove paper, Image: 6 1/8 × 5 1/8 in. (15.5 × 13 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2F6W0C4–Author: Anders Zorn. Olga Bratt - 1892 - Anders Zorn Swedish, 1860-1920. Etching on ivory wove paper. Sweden.
RMRXPHK4–Stowing Sail. Winslow Homer; American, 1836-1910. Date: 1903. Dimensions: 355 x 554 mm. Transparent watercolor, with touches of opaque watercolor, rewetting, blotting, scraping and graphite, on thick, moderately textured (twill texture on verso), ivory wove paper. Origin: United States. Museum: The Chicago Art Institute.
RM2A2JF5J–Monk at Prayer, n.d., Charles Émile Jacque, French, 1813-1894, France, Drypoint on ivory wove paper, 30 × 24 mm
RF2HTXHX7–Art inspired by Fulham (Chelsea), 1879, Etching and drypoint; cancelled plate, after fifth state of five (Glasgow); printed in black ink on ivory wove paper, plate: 5 1/4 x 8 in. (13.3 x 20.3 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2F6TKJD–Author: Maxime Lalanne. View of Nogent - 1883 - Maxime Lalanne French, 1827-1886. Etching on ivory wove paper. France.
RMRX8NR9–The End of the Day, Adirondacks. Winslow Homer; American, 1836-1910. Date: 1890. Dimensions: 354 x 508 mm. Transparent watercolor, with traces of opaque watercolor, rewetting, blotting, and scraping, over traces of graphite, on moderately thick, rough-textured, ivory wove paper. Origin: United States. Museum: The Chicago Art Institute.
RM2A2KHAM–Grotto Scene, n.d., Unknown Artist, British, 19th century, United Kingdom, Gouache on ivory wove paper, 249 x 363 mm
RF2HW64P1–Art inspired by The Lime-Burner (W. Jones, Lime-Burner, Thames Street), 1859, Etching and drypoint; first state of two (Glasgow); warm black ink on ivory wove paper, Plate: 9 3/4 x 7 in. (24.8 x 17.8 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Search Results for Ivory wove paper Stock Photos and Images (16,830)
Page 1 of 169