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RM2A2JR6K–The Shepherd, 1644, Paulus Potter, Dutch, 1625-1654, Holland, Etching on ivory laid paper, 181 x 268 mm
RF2HTXJ5E–Art inspired by The Forge, 1861, Drypoint; fourth state of six (Glasgow); printed in black ink on European ivory laid paper, Plate: 7 1/2 × 12 1/2 in. (19.1 × 31.8 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPBBCX0–Francisco de Goya y Lucientes / 'All will fall'. 1797. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.
RMMX0424–. Costume Design for Musician, for Cleopatra, 1910 Watercolor, with graphite and metallic paint, on ivory laid paper, laid down on tan board 314 x 234 mm Sidney A. Kent Fund, 1920.2530 . 1910. Бакст 134 Cleopatra ballet by Bakst 06
RM2G133RD–Kernoa-Paimpol - 1911 - Gustave Leheutre French, 1861-1932. Etching on ivory laid paper. France.
RM2A2HXFP–The Magdalen, n.d., Giulio Carpioni, Italian, 1613-1678, Italy, Etching on ivory laid paper, 216 x 139 mm
RF2HW6509–Art inspired by Temple (The Temple), 1880–81, Etching; only state (Glasgow); printed in brownish-black ink on ivory laid paper, Plate: 3 7/8 × 6 in. (9.8 × 15.3 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPBCNCN–Francisco de Goya y Lucientes / 'This too'. 1810 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.
RMMY6ANT–. Léon Bakst Russian, 1868-1924 Costume Design for Electra, for Helen of Sparta, n.d. Gouache and watercolor, with graphite and metallic paint, on ivory laid paper, laid down on tan board 270 x 254 mm Sidney A. Kent Fund, 1920.2523 . 20th century. Bakst 157 Electra, for Helen of Sparta by L.Bakst
RM2G131HD–Wenceslaus Hollar. Galley - 1665 - Wenceslaus Hollar Czech, 1607-1677. Etching on ivory laid paper. Bohemia.
RM2A2JY5B–Bacchanal, 1633/78, Giulio Carpioni, Italian, 1613-1678, Italy, Etching on ivory laid paper, 123 x 406 mm
RF2HTXJ34–Art inspired by Thames Warehouses, 1859, Etching and drypoint; fifth state of five (Glasgow); black ink on medium weight ivory laid paper, Plate: 3 × 8 in. (7.6 × 20.3 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPBCNWR–Francisco de Goya y Lucientes / 'This is what you were born for'. 1810 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.
RMMW4875–. Léon Bakst Russian, 1868-1924 Costume Design for Electra, for Helen of Sparta, n.d. Gouache and watercolor, with graphite and metallic paint, on ivory laid paper, laid down on tan board 270 x 254 mm Sidney A. Kent Fund, 1920.2523 . 20th century. Bakst 182 Electra, for Helen of Sparta by L.Bakst
RM2F6W4P3–Anders Zorn. Balance-1919-Anders Zorn Swedish, 1860-1920. Etching on ivory laid paper. Sweden.
RM2A2J6AT–Albury, 1645, Wenceslaus Hollar, Czech, 1607-1677, Bohemia, Etching on ivory laid paper, 89 × 158 mm (plate/sheet
RF2HTXCG4–Art inspired by The Thames, 1896, Lithotint with scraping; third state of three (Chicago); printed in black ink on ivory laid paper, Image: 10 3/8 × 7 5/8 in. (26.4 × 19.3 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPBCPEP–Francisco de Goya y Lucientes / 'He deserved it'. 1810 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.
RMMX040X–. Léon Bakst Russian, 1868-1924 Costume Design for Electra, for Helen of Sparta, n.d. Gouache and watercolor, with graphite and metallic paint, on ivory laid paper, laid down on tan board 270 x 254 mm Sidney A. Kent Fund, 1920.2523 . 20th century. Bakst 183 Electra, for Helen of Sparta by L.Bakst
RM2G12X36–Claude Lorrain. The Tempest - 1630 - Claude Lorrain French, 1600-1682. Etching on ivory laid paper. France.
RM2A2KHBX–Figure Piece, n.d., Domenichino, Italian, 1581-1641, Italy, Black chalk on ivory laid paper, 390 x 290 mm
RF2HTXJ0F–Art inspired by Nocturne: Furnace, 1879–80, Etching and drypoint; printed in dark brown ink on fine ivory laid paper, Plate: 6 9/16 × 9 1/16 in. (16.6 × 23 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPBCN15–Francisco de Goya y Lucientes / 'Barbarians!'. 1810 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.
RMMX041B–. Léon Bakst Russian, 1868-1924 Costume Design for Man in a Brown Suit, for Ballet Boutique Fastasque, 1918 Watercolor and graphite with gouache, on ivory laid paper laid down on gray board 488 x 331 mm Sidney A. Kent Fund, 1920.2525 . 1919. bakst 353 La boutique fantastique by L. Bakst 03
RM2G6FHFB–Odilon Redon. Perversity - 1891 - Odilon Redon French, 1840-1916. Etching on ivory laid paper. France.
RM2A2K4FT–Fireworks at Hemissem, c. 1650, Wenceslaus Hollar, Czech, 1607-1677, Bohemia, Etching on ivory laid paper, 249 × 414 mm
RF2HTXJ0R–Art inspired by Fumette, 1858, Etching; fifth state of five (Glasgow); printed in black ink on fine ivory laid paper, Plate: 6 7/16 × 4 5/16 in. (16.4 × 11 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPBCT3X–Anton Raphael Mengs / 'Study for the dead Christ'. 1768. Black chalk, Touches of white chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.
RMMW4874–. Léon Bakst Russian, 1868-1924 Costume Design for Girl in a Green Dress, for Ballet Boutique Fantasque, 1915 Watercolor, gouache and graphite on ivory laid paper laid down on gray board 448 x 294 mm Sidney A. Kent Fund, 1920.2528 . 1919. bakst 353 La boutique fantastique by L. Bakst 02
RM2F6TE4T–Author: Walter Gramatt. Listener - 1920 - Walter Gramatt German, 1897-1929. Lithograph on ivory laid paper. Germany.
RM2A2J0J4–The Triumph of Bacchus, 1528, Daniel Hopfer, I, German, 1470-1536, Germany, Etching on ivory laid paper, 214 x 285 mm
RF2HTXJ2C–Art inspired by Hurlingham, 1879, Etching and drypoint; fourth state of four (Glasgow); printed in black ink on ivory laid paper, Plate: 5 3/8 x 7 7/8 in. (13.6 x 20 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPBC1RX–Francisco de Goya y Lucientes / 'Bitter presence'. 1810 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.
RMMX042W–. Léon Bakst Russian, 1868-1924 Costume Design for Young Woman in Red Bonnet, for Ballet Boutique Fantasque, 1917 Watercolor and graphite with gouache, on ivory laid paper laid down on gray board 448 x 294 mm Sidney A. Kent Fund, 1920.2531 . 1919. bakst 353 La boutique fantastique by L. Bakst 07
RM2G12W1G–Giulio Carpioni. The Magdalen - Giulio Carpioni Italian, 1613-1678. Etching on ivory laid paper. 1633 - 1678. Italy.
RM2A2KDAK–Adam and Eve, 1638, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on ivory laid paper, 162 x 116 mm
RF2HTXHYR–Art inspired by Little Dordrecht, 1885–86, Etching; only state (Glasgow); printed in black ink on ivory laid paper, Plate: 3 13/16 × 5 3/16 in. (9.7 × 13.2 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPBCNAY–Francisco de Goya y Lucientes / 'Hunger scene'. 1812 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.
RMMY6AP8–. Léon Bakst Russian, 1868-1924 Costume Design for Man in a Green Jacket, for Ballet Boutique Fantasque, 1918 Watercolor and graphite on ivory laid paper, laid down on gray board 450 x 294 mm Sidney A. Kent Fund, 1920.2529 . 1919. bakst 308 La boutique fantastique by L. Bakst 04
RM2F6TY0Y–Author: Anders Zorn. Olandine - 1904 - Anders Zorn Swedish, 1860-1920. Etching on ivory laid paper. Sweden.
RM2A2JB7P–The Cascade, from the series Set of Landscapes, n.d., Herman Naijwincx, Dutch, 1623-after 1651, Netherlands, Etching on ivory laid paper
RF2HTXHYE–Art inspired by Furniture Shop, 1887, Etching; second state of two (Glasgow); printed in black ink on ivory laid paper, Plate: 3 3/4 × 6 7/16 in. (9.6 × 16.3 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPBBY4P–Francisco de Goya y Lucientes / 'Charity of a woman'. 1812 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.
RMMY6ANR–. Léon Bakst Russian, 1868-1924 Costume Design for Girl in a Green Dress, for Ballet Boutique Fantasque, 1915 Watercolor, gouache and graphite on ivory laid paper laid down on gray board 448 x 294 mm Sidney A. Kent Fund, 1920.2528 . 1919. bakst 308 La boutique fantastique by L. Bakst 02
RM2F6TMPE–Author: Wenceslaus Hollar. Spring - 1644 - Wenceslaus Hollar Czech, 1607-1677. Etching on ivory laid paper. Bohemia.
RM2A2JHAA–Profile of a Woman, 1894, Philipp William May, English, 1864-1903, England, Graphite on ivory laid paper, 178 × 104 mm
RF2HTXJ09–Art inspired by Alderney Street, 1880–81, Etching; first state of three (Glasgow); printed in black ink on ivory laid paper, Plate: 7 1/16 × 4 7/16 in. (18 × 11.3 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPBBCP6–Francisco de Goya y Lucientes / 'Saturn devouting his sons'. 1797 - 1798. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.
RMMY6APG–. Léon Bakst Russian, 1868-1924 Costume Design for Young Woman in Red Bonnet, for Ballet Boutique Fantasque, 1917 Watercolor and graphite with gouache, on ivory laid paper laid down on gray board 448 x 294 mm Sidney A. Kent Fund, 1920.2531 . 1919. bakst 308 La boutique fantastique by L. Bakst 07
RM2F6W82W–Author: Wenceslaus Hollar. Winter - 1641 - Wenceslaus Hollar Czech, 1607-1677. Etching on ivory laid paper. Bohemia.
RM2A2JT0B–Saint Christopher, 1511, Albrecht Dürer, German, 1471-1528, Germany, Woodcut in black on ivory laid paper, 211 x 212 mm
RF2HTXJ0G–Art inspired by Courtyard, Brussels, 1887, Etching; only state (Glasgow); printed in black ink on fine ivory laid paper, Plate: 8 7/16 × 4 15/16 in. (21.4 × 12.5 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPBC15N–Francisco de Goya y Lucientes / 'He gets something out of it'. 1814 - 1815. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.
RMMW487K–. Léon Bakst Russian, 1868-1924 Costume Design for Young Woman in Red Bonnet, for Ballet Boutique Fantasque, 1917 Watercolor and graphite with gouache, on ivory laid paper laid down on gray board 448 x 294 mm Sidney A. Kent Fund, 1920.2531 . 1919. bakst 353 La boutique fantastique by L. Bakst 07
RM2F6TP2J–Author: Wenceslaus Hollar. Summer - 1641 - Wenceslaus Hollar Czech, 1607-1677. Etching on ivory laid paper. Bohemia.
RM2A2KKFW–In the Gallery, 1889, Lucien Pissarro, French, 1863-1944, France, Black Conté crayon on ivory laid paper, 227 × 181 mm
RF2HTXJ2G–Art inspired by Steamboat Fleet, 1875, Drypoint; first state of two (Glasgow); printed in black ink on ivory laid paper, Plate: 5 5/16 × 8 3/8 in. (13.5 × 21.2 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPBBYNJ–Francisco de Goya y Lucientes / 'Everything is topsy-turvy'. 1810 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.
RMMX041R–. Léon Bakst Russian, 1868-1924 Costume Design for Man in a Green Jacket, for Ballet Boutique Fantasque, 1918 Watercolor and graphite on ivory laid paper, laid down on gray board 450 x 294 mm Sidney A. Kent Fund, 1920.2529 . 1919. bakst 353 La boutique fantastique by L. Bakst 04
RM2F6W2T0–Author: Wenceslaus Hollar. Autumn - 1644 - Wenceslaus Hollar Czech, 1607-1677. Etching on ivory laid paper. Bohemia.
RM2A2JTJ7–The Small Horse, 1505, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 163 x 108 mm
RF2HTXDY1–Art inspired by Hurlingham, 1879, Etching and drypoint; fourth state of four (Glasgow); printed in black ink on ivory laid paper, image: 5 7/16 x 7 15/16 in. (13.8 x 20.1 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPBBD0P–Francisco de Goya y Lucientes / 'Exhortation'. 1815 - 1819. Red wash, Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.
RMMW487B–. Léon Bakst Russian, 1868-1924 Costume Design for Man in a Brown Suit, for Ballet Boutique Fastasque, 1918 Watercolor and graphite with gouache, on ivory laid paper laid down on gray board 488 x 331 mm Sidney A. Kent Fund, 1920.2525 . 1919. bakst 353 La boutique fantastique by L. Bakst 03
RM2F6W33J–Author: Anders Zorn. Olandine - 1904 - Anders Zorn Swedish, 1860-1920. Etching on ivory laid paper. Sweden.
RM2A2KHKD–The Battle of the Amazons, 1543, Enea Vico, Italian, 1523-1567, Italy, Engraving in black on ivory laid paper, 209 x 280 mm
RF2HW64MX–Art inspired by The Kitchen, 1858 republished 1885, Etching; third state of three (Glasgow); black ink on fine ivory laid paper, Plate: 8 15/16 × 6 3/16 in. (22.7 × 15.7 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPBCT79–Francesco Cepparuli / 'Charles III (as Charles VII of Naples and Sicily)'. Ca. 1745. Taille douce: etching and engraving on ivory laid paper. Museum: Museo del Prado, Madrid, España.
RMMW487C–. Léon Bakst Russian, 1868-1924 Costume Design for Man in a Green Jacket, for Ballet Boutique Fantasque, 1918 Watercolor and graphite on ivory laid paper, laid down on gray board 450 x 294 mm Sidney A. Kent Fund, 1920.2529 . 1919. bakst 353 La boutique fantastique by L. Bakst 04
RM2F6W5AC–Author: Wenceslaus Hollar. Spring - 1641 - Wenceslaus Hollar Czech, 1607-1677. Etching on ivory laid paper. Bohemia.
RM2A2K0PY–St. Philip, 1526, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 121 x 75 mm
RF2HTXJ3Y–Art inspired by Longshore Men, 1859, Etching and drypoint; fourth state of four (Glasgow); black ink on medium weight ivory laid paper, Plate: 6 x 8 13/16 in. (15.2 x 22.4 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPBC0FC–Francisco de Goya y Lucientes / 'There is No Time Left'. 1810 - 1814. Pencil, Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.
RMMX040R–. Léon Bakst Russian, 1868-1924 Costume Design for Girl in a Green Dress, for Ballet Boutique Fantasque, 1915 Watercolor, gouache and graphite on ivory laid paper laid down on gray board 448 x 294 mm Sidney A. Kent Fund, 1920.2528 . 1919. bakst 353 La boutique fantastique by L. Bakst 02
RM2G1306K–Wenceslaus Hollar. French Noblewoman - 1643 - Wenceslaus Hollar Czech, 1607-1677. Etching on ivory laid paper. Bohemia.
RM2A2KKR1–The Finding of Moses, c. 1655, Bartolomeo Biscaino, Italian, before 1629-1657, Italy, Etching on ivory laid paper, 189 x 244 mm
RF2HW64RA–Art inspired by A Sketch from Billingsgate (From Billingsgate), 1878, Drypoint; seventh state of eight (Glasgow); printed in black ink on ivory laid paper, Plate: 5 7/8 × 8 7/8 in. (14.9 × 22.6 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPBCPHY–Francisco de Goya y Lucientes / 'Cruel Folly'. 1815 - 1819. Red wash, Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.
RMMX042A–. Эскиз для постановки *Синий бог* Райнальдо Гана. 1912 Costume Design for Pretres Agni, for The Blue God, 1911 Graphite, with gouache, metallic paint, and touches of red watercolor, on ivory laid paper, laid down on tan board 280 x 174 mm Sidney A. Kent Fund, 1920.2522 . 1911. Bakst 362 Le Dieu Bleu by Bakst 06
RM2F6TN0D–Author: Wenceslaus Hollar. Autumn - 1641 - Wenceslaus Hollar Czech, 1607-1677. Etching on ivory laid paper. Bohemia.
RM2A2K132–Sleeping Peasant, c. 1865, Jean François Millet, French, 1814-1875, France, Charcoal, on ivory laid paper, 118 × 215 mm
RF2HTXJ38–Art inspired by Notre Dame, Bourges, 1888, Etching; only state (Glasgow); printed in black ink on fine ivory laid paper, Plate: 8 9/16 × 5 1/16 in. (21.7 × 12.8 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPBBWJP–Francisco de Goya y Lucientes / 'Folly of poverty'. 1815 - 1819. Red wash, Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.
RMMY6APF–. Léon Bakst Russian, 1868-1924 Costume Design for Woman with a Lorgnette, for Ballet Boutique Fantastique, 1918 Watercolor and graphite, with touches of gouache and gold metallic paint, on ivory laid paper, laid down on gray board 450 x 294 mm Sidney A. Kent Fund, 1920.2524 . 1919. bakst 308 La boutique fantastique by L. Bakst 06
RM2F6TFH0–Author: Anders Zorn. Vallkulla - 1912 - Anders Zorn Swedish, 1860-1920. Etching on ivory laid paper. Sweden.
RM2A2KJEY–Prophet, n.d., Paul Troger, Austrian, 1698-1762, Austria, Pen and brown ink on ivory laid paper, 182 × 126 mm
RF2HW64WM–Art inspired by A Fragment of Piccadilly (Piccadilly), 1884–86, Etching; only state (Glasgow); printed in dark brown ink on ivory laid paper, Plate: 4 1/4 × 2 5/8 in. (10.8 × 6.7 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPBBHPN–Francisco de Goya y Lucientes / 'The same elsewhere (Disasters of War, 23)'. 1810 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.
RMMW487J–. Léon Bakst Russian, 1868-1924 Costume Design for Woman with a Lorgnette, for Ballet Boutique Fantastique, 1918 Watercolor and graphite, with touches of gouache and gold metallic paint, on ivory laid paper, laid down on gray board 450 x 294 mm Sidney A. Kent Fund, 1920.2524 . 1919. bakst 353 La boutique fantastique by L. Bakst 06
Search Results for Ivory laid paper Stock Photos and Images (22,989)
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