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New Creative Relevant Search filters Ivory Laid Paper Stock Photos and Images  (17,763) Narrow your search: Black & white | Cut Outs Page 1 of 178 The Shepherd, 1644, Paulus Potter, Dutch, 1625-1654, Holland, Etching on ivory laid paper, 181 x 268 mm The Shepherd, 1644, Paulus Potter, Dutch, 1625-1654, Holland, Etching on ivory laid paper, 181 x 268 mmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-shepherd-1644-paulus-potter-dutch-1625-1654-holland-etching-on-ivory-laid-paper-181-x-268-mm-image328639659.html The Shepherd, 1644, Paulus Potter, Dutch, 1625-1654, Holland, Etching on ivory laid paper, 181 x 268 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. The Shepherd, 1644, Paulus Potter, Dutch, 1625-1654, Holland, Etching on ivory laid paper, 181 x 268 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-shepherd-1644-paulus-potter-dutch-1625-1654-holland-etching-on-ivory-laid-paper-181-x-268-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349709323.html Guilben Point, Paimpol - 1911 - Gustave Leheutre French, 1861-1932. Etching and drypoint on ivory laid paper. France. Guilben Point, Paimpol - 1911 - Gustave Leheutre French, 1861-1932. Etching and drypoint on ivory laid paper. France.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/guilben-point-paimpol-1911-gustave-leheutre-french-1861-1932-etching-and-drypoint-on-ivory-laid-paper-france-image355715826.html Francisco de Goya y Lucientes / 'All will fall'. 1797. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España. Francisco de Goya y Lucientes / 'All will fall'. 1797. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-de-goya-y-lucientes-all-will-fall-1797-red-chalk-on-ivory-laid-paper-museum-museo-del-prado-madrid-espaa-image213537240.html The Magdalen, n.d., Giulio Carpioni, Italian, 1613-1678, Italy, Etching on ivory laid paper, 216 x 139 mm The Magdalen, n.d., Giulio Carpioni, Italian, 1613-1678, Italy, Etching on ivory laid paper, 216 x 139 mmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-magdalen-nd-giulio-carpioni-italian-1613-1678-italy-etching-on-ivory-laid-paper-216-x-139-mm-image328620314.html Albury, 1645, Wenceslaus Hollar, Czech, 1607-1677, Bohemia, Etching on ivory laid paper, 89 × 158 mm (plate/sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Albury, 1645, Wenceslaus Hollar, Czech, 1607-1677, Bohemia, Etching on ivory laid paper, 89 × 158 mm (plate/sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albury-1645-wenceslaus-hollar-czech-1607-1677-bohemia-etching-on-ivory-laid-paper-89-158-mm-platesheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349687816.html Author: Anders Zorn. Storm - 1891 - Anders Zorn Swedish, 1860-1920. Etching on ivory laid paper. Sweden. Author: Anders Zorn. Storm - 1891 - Anders Zorn Swedish, 1860-1920. Etching on ivory laid paper. Sweden.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-anders-zorn-storm-1891-anders-zorn-swedish-1860-1920-etching-on-ivory-laid-paper-sweden-image355715707.html Francisco de Goya y Lucientes / 'This too'. 1810 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España. Francisco de Goya y Lucientes / 'This too'. 1810 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-de-goya-y-lucientes-this-too-1810-1814-red-chalk-on-ivory-laid-paper-museum-museo-del-prado-madrid-espaa-image213565877.html Bacchanal, 1633/78, Giulio Carpioni, Italian, 1613-1678, Italy, Etching on ivory laid paper, 123 x 406 mm Bacchanal, 1633/78, Giulio Carpioni, Italian, 1613-1678, Italy, Etching on ivory laid paper, 123 x 406 mmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchanal-163378-giulio-carpioni-italian-1613-1678-italy-etching-on-ivory-laid-paper-123-x-406-mm-image328642759.html Bacchanal, 1633/78, Giulio Carpioni, Italian, 1613-1678, Italy, Etching on ivory laid paper, 123 x 406 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Bacchanal, 1633/78, Giulio Carpioni, Italian, 1613-1678, Italy, Etching on ivory laid paper, 123 x 406 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchanal-163378-giulio-carpioni-italian-1613-1678-italy-etching-on-ivory-laid-paper-123-x-406-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349715988.html Author: Wenceslaus Hollar. Spring - 1644 - Wenceslaus Hollar Czech, 1607-1677. Etching on ivory laid paper. Bohemia. Author: Wenceslaus Hollar. Spring - 1644 - Wenceslaus Hollar Czech, 1607-1677. Etching on ivory laid paper. Bohemia.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-wenceslaus-hollar-spring-1644-wenceslaus-hollar-czech-1607-1677-etching-on-ivory-laid-paper-bohemia-image360090304.html Francisco de Goya y Lucientes / 'This is what you were born for'. 1810 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España. Francisco de Goya y Lucientes / 'This is what you were born for'. 1810 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-de-goya-y-lucientes-this-is-what-you-were-born-for-1810-1814-red-chalk-on-ivory-laid-paper-museum-museo-del-prado-madrid-espaa-image213566243.html Albury, 1645, Wenceslaus Hollar, Czech, 1607-1677, Bohemia, Etching on ivory laid paper, 89 × 158 mm (plate/sheet Albury, 1645, Wenceslaus Hollar, Czech, 1607-1677, Bohemia, Etching on ivory laid paper, 89 × 158 mm (plate/sheethttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albury-1645-wenceslaus-hollar-czech-1607-1677-bohemia-etching-on-ivory-laid-paper-89-158-mm-platesheet-image328626448.html Figure Piece, n.d., Domenichino, Italian, 1581-1641, Italy, Black chalk on ivory laid paper, 390 x 290 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Figure Piece, n.d., Domenichino, Italian, 1581-1641, Italy, Black chalk on ivory laid paper, 390 x 290 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figure-piece-nd-domenichino-italian-1581-1641-italy-black-chalk-on-ivory-laid-paper-390-x-290-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349742240.html Author: Anders Zorn. Nskulla - 1910 - Anders Zorn Swedish, 1860-1920. Etching on ivory laid paper. Sweden. Author: Anders Zorn. Nskulla - 1910 - Anders Zorn Swedish, 1860-1920. Etching on ivory laid paper. Sweden.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-anders-zorn-nskulla-1910-anders-zorn-swedish-1860-1920-etching-on-ivory-laid-paper-sweden-image360094415.html Francisco de Goya y Lucientes / 'He deserved it'. 1810 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España. Francisco de Goya y Lucientes / 'He deserved it'. 1810 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-de-goya-y-lucientes-he-deserved-it-1810-1814-red-chalk-on-ivory-laid-paper-museum-museo-del-prado-madrid-espaa-image213566718.html Figure Piece, n.d., Domenichino, Italian, 1581-1641, Italy, Black chalk on ivory laid paper, 390 x 290 mm Figure Piece, n.d., Domenichino, Italian, 1581-1641, Italy, Black chalk on ivory laid paper, 390 x 290 mmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figure-piece-nd-domenichino-italian-1581-1641-italy-black-chalk-on-ivory-laid-paper-390-x-290-mm-image328657054.html Fireworks at Hemissem, c. 1650, Wenceslaus Hollar, Czech, 1607-1677, Bohemia, Etching on ivory laid paper, 249 × 414 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Fireworks at Hemissem, c. 1650, Wenceslaus Hollar, Czech, 1607-1677, Bohemia, Etching on ivory laid paper, 249 × 414 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fireworks-at-hemissem-c-1650-wenceslaus-hollar-czech-1607-1677-bohemia-etching-on-ivory-laid-paper-249-414-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349724347.html Author: Wenceslaus Hollar. Summer - 1644 - Wenceslaus Hollar Czech, 1607-1677. Etching on ivory laid paper. Bohemia. Author: Wenceslaus Hollar. Summer - 1644 - Wenceslaus Hollar Czech, 1607-1677. Etching on ivory laid paper. Bohemia.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-wenceslaus-hollar-summer-1644-wenceslaus-hollar-czech-1607-1677-etching-on-ivory-laid-paper-bohemia-image360090360.html Francisco de Goya y Lucientes / 'Barbarians!'. 1810 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España. Francisco de Goya y Lucientes / 'Barbarians!'. 1810 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-de-goya-y-lucientes-barbarians!-1810-1814-red-chalk-on-ivory-laid-paper-museum-museo-del-prado-madrid-espaa-image213565553.html Fireworks at Hemissem, c. 1650, Wenceslaus Hollar, Czech, 1607-1677, Bohemia, Etching on ivory laid paper, 249 × 414 mm Fireworks at Hemissem, c. 1650, Wenceslaus Hollar, Czech, 1607-1677, Bohemia, Etching on ivory laid paper, 249 × 414 mmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fireworks-at-hemissem-c-1650-wenceslaus-hollar-czech-1607-1677-bohemia-etching-on-ivory-laid-paper-249-414-mm-image328646972.html Adam and Eve, 1638, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on ivory laid paper, 162 x 116 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Adam and Eve, 1638, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on ivory laid paper, 162 x 116 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adam-and-eve-1638-rembrandt-van-rijn-dutch-1606-1669-holland-etching-on-ivory-laid-paper-162-x-116-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349736490.html Author: Wenceslaus Hollar. Winter - 1644 - Wenceslaus Hollar Czech, 1607-1677. Etching on ivory laid paper. Bohemia. Author: Wenceslaus Hollar. Winter - 1644 - Wenceslaus Hollar Czech, 1607-1677. Etching on ivory laid paper. Bohemia.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-wenceslaus-hollar-winter-1644-wenceslaus-hollar-czech-1607-1677-etching-on-ivory-laid-paper-bohemia-image360090369.html Anton Raphael Mengs / 'Study for the dead Christ'. 1768. Black chalk, Touches of white chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España. Anton Raphael Mengs / 'Study for the dead Christ'. 1768. Black chalk, Touches of white chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anton-raphael-mengs-study-for-the-dead-christ-1768-black-chalk-touches-of-white-chalk-on-ivory-laid-paper-museum-museo-del-prado-madrid-espaa-image213567982.html The Triumph of Bacchus, 1528, Daniel Hopfer, I, German, 1470-1536, Germany, Etching on ivory laid paper, 214 x 285 mm The Triumph of Bacchus, 1528, Daniel Hopfer, I, German, 1470-1536, Germany, Etching on ivory laid paper, 214 x 285 mmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-triumph-of-bacchus-1528-daniel-hopfer-i-german-1470-1536-germany-etching-on-ivory-laid-paper-214-x-285-mm-image328621948.html The Cascade, from the series Set of Landscapes, n.d., Herman Naijwincx, Dutch, 1623-after 1651, Netherlands, Etching on ivory laid paper, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. The Cascade, from the series Set of Landscapes, n.d., Herman Naijwincx, Dutch, 1623-after 1651, Netherlands, Etching on ivory laid paper, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-cascade-from-the-series-set-of-landscapes-nd-herman-naijwincx-dutch-1623-after-1651-netherlands-etching-on-ivory-laid-paper-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349693555.html Author: Wenceslaus Hollar. Albury - 1645 - Wenceslaus Hollar Czech, 1607-1677. Etching on ivory laid paper. Bohemia. Author: Wenceslaus Hollar. Albury - 1645 - Wenceslaus Hollar Czech, 1607-1677. Etching on ivory laid paper. Bohemia.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-wenceslaus-hollar-albury-1645-wenceslaus-hollar-czech-1607-1677-etching-on-ivory-laid-paper-bohemia-image360091719.html Francisco de Goya y Lucientes / 'Bitter presence'. 1810 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España. Francisco de Goya y Lucientes / 'Bitter presence'. 1810 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-de-goya-y-lucientes-bitter-presence-1810-1814-red-chalk-on-ivory-laid-paper-museum-museo-del-prado-madrid-espaa-image213550510.html Adam and Eve, 1638, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on ivory laid paper, 162 x 116 mm Adam and Eve, 1638, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on ivory laid paper, 162 x 116 mmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adam-and-eve-1638-rembrandt-van-rijn-dutch-1606-1669-holland-etching-on-ivory-laid-paper-162-x-116-mm-image328653883.html Profile of a Woman, 1894, Philipp William May, English, 1864-1903, England, Graphite on ivory laid paper, 178 × 104 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Profile of a Woman, 1894, Philipp William May, English, 1864-1903, England, Graphite on ivory laid paper, 178 × 104 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/profile-of-a-woman-1894-philipp-william-may-english-1864-1903-england-graphite-on-ivory-laid-paper-178-104-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349700623.html Author: Wenceslaus Hollar. Autumn - 1644 - Wenceslaus Hollar Czech, 1607-1677. Etching on ivory laid paper. Bohemia. Author: Wenceslaus Hollar. Autumn - 1644 - Wenceslaus Hollar Czech, 1607-1677. Etching on ivory laid paper. Bohemia.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-wenceslaus-hollar-autumn-1644-wenceslaus-hollar-czech-1607-1677-etching-on-ivory-laid-paper-bohemia-image360092402.html Francisco de Goya y Lucientes / 'Hunger scene'. 1812 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España. Francisco de Goya y Lucientes / 'Hunger scene'. 1812 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-de-goya-y-lucientes-hunger-scene-1812-1814-red-chalk-on-ivory-laid-paper-museum-museo-del-prado-madrid-espaa-image213565827.html The Cascade, from the series Set of Landscapes, n.d., Herman Naijwincx, Dutch, 1623-after 1651, Netherlands, Etching on ivory laid paper The Cascade, from the series Set of Landscapes, n.d., Herman Naijwincx, Dutch, 1623-after 1651, Netherlands, Etching on ivory laid paperhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-cascade-from-the-series-set-of-landscapes-nd-herman-naijwincx-dutch-1623-after-1651-netherlands-etching-on-ivory-laid-paper-image328630282.html Whitehall from the River, 1647, Wenceslaus Hollar, Czech, 1607-1677, Bohemia, Etching on ivory laid paper, 148 × 287 mm (plate/sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Whitehall from the River, 1647, Wenceslaus Hollar, Czech, 1607-1677, Bohemia, Etching on ivory laid paper, 148 × 287 mm (plate/sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/whitehall-from-the-river-1647-wenceslaus-hollar-czech-1607-1677-bohemia-etching-on-ivory-laid-paper-148-287-mm-platesheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349687802.html Author: Anders Zorn. Beadle - 1911 - Anders Zorn Swedish, 1860-1920. Etching on ivory laid paper. Sweden. Author: Anders Zorn. Beadle - 1911 - Anders Zorn Swedish, 1860-1920. Etching on ivory laid paper. Sweden.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-anders-zorn-beadle-1911-anders-zorn-swedish-1860-1920-etching-on-ivory-laid-paper-sweden-image360089239.html Francisco de Goya y Lucientes / 'Charity of a woman'. 1812 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España. Francisco de Goya y Lucientes / 'Charity of a woman'. 1812 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-de-goya-y-lucientes-charity-of-a-woman-1812-1814-red-chalk-on-ivory-laid-paper-museum-museo-del-prado-madrid-espaa-image213548406.html Profile of a Woman, 1894, Philipp William May, English, 1864-1903, England, Graphite on ivory laid paper, 178 × 104 mm Profile of a Woman, 1894, Philipp William May, English, 1864-1903, England, Graphite on ivory laid paper, 178 × 104 mmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/profile-of-a-woman-1894-philipp-william-may-english-1864-1903-england-graphite-on-ivory-laid-paper-178-104-mm-image328635058.html In the Gallery, 1889, Lucien Pissarro, French, 1863-1944, France, Black Conté crayon on ivory laid paper, 227 × 181 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. In the Gallery, 1889, Lucien Pissarro, French, 1863-1944, France, Black Conté crayon on ivory laid paper, 227 × 181 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/in-the-gallery-1889-lucien-pissarro-french-1863-1944-france-black-cont-crayon-on-ivory-laid-paper-227-181-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349745601.html Author: Claude Lorrain. The Goatherd - 1663 - Claude Lorrain French, 1600-1682. Etching on ivory laid paper. France. Author: Claude Lorrain. The Goatherd - 1663 - Claude Lorrain French, 1600-1682. Etching on ivory laid paper. France.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-claude-lorrain-the-goatherd-1663-claude-lorrain-french-1600-1682-etching-on-ivory-laid-paper-france-image360088583.html Francisco de Goya y Lucientes / 'Saturn devouting his sons'. 1797 - 1798. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España. Francisco de Goya y Lucientes / 'Saturn devouting his sons'. 1797 - 1798. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-de-goya-y-lucientes-saturn-devouting-his-sons-1797-1798-red-chalk-on-ivory-laid-paper-museum-museo-del-prado-madrid-espaa-image213537134.html Saint Christopher, 1511, Albrecht Dürer, German, 1471-1528, Germany, Woodcut in black on ivory laid paper, 211 x 212 mm Saint Christopher, 1511, Albrecht Dürer, German, 1471-1528, Germany, Woodcut in black on ivory laid paper, 211 x 212 mmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-christopher-1511-albrecht-drer-german-1471-1528-germany-woodcut-in-black-on-ivory-laid-paper-211-x-212-mm-image328640267.html The Battle of the Amazons, 1543, Enea Vico, Italian, 1523-1567, Italy, Engraving in black on ivory laid paper, 209 x 280 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. The Battle of the Amazons, 1543, Enea Vico, Italian, 1523-1567, Italy, Engraving in black on ivory laid paper, 209 x 280 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-battle-of-the-amazons-1543-enea-vico-italian-1523-1567-italy-engraving-in-black-on-ivory-laid-paper-209-x-280-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349742631.html Author: Claude Lorrain. The Cowherd - 1636 - Claude Lorrain French, 1600-1682. Etching on ivory laid paper. France. Author: Claude Lorrain. The Cowherd - 1636 - Claude Lorrain French, 1600-1682. Etching on ivory laid paper. France.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-claude-lorrain-the-cowherd-1636-claude-lorrain-french-1600-1682-etching-on-ivory-laid-paper-france-image355714190.html Francisco de Goya y Lucientes / 'He gets something out of it'. 1814 - 1815. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España. Francisco de Goya y Lucientes / 'He gets something out of it'. 1814 - 1815. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-de-goya-y-lucientes-he-gets-something-out-of-it-1814-1815-red-chalk-on-ivory-laid-paper-museum-museo-del-prado-madrid-espaa-image213550001.html In the Gallery, 1889, Lucien Pissarro, French, 1863-1944, France, Black Conté crayon on ivory laid paper, 227 × 181 mm In the Gallery, 1889, Lucien Pissarro, French, 1863-1944, France, Black Conté crayon on ivory laid paper, 227 × 181 mmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/in-the-gallery-1889-lucien-pissarro-french-1863-1944-france-black-cont-crayon-on-ivory-laid-paper-227-181-mm-image328658733.html Saint Christopher, 1511, Albrecht Dürer, German, 1471-1528, Germany, Woodcut in black on ivory laid paper, 211 x 212 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Saint Christopher, 1511, Albrecht Dürer, German, 1471-1528, Germany, Woodcut in black on ivory laid paper, 211 x 212 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-christopher-1511-albrecht-drer-german-1471-1528-germany-woodcut-in-black-on-ivory-laid-paper-211-x-212-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349711007.html Author: Anders Zorn. Mona - 1911 - Anders Zorn Swedish, 1860-1920. Etching on ivory laid paper. Sweden. Author: Anders Zorn. Mona - 1911 - Anders Zorn Swedish, 1860-1920. Etching on ivory laid paper. Sweden.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-anders-zorn-mona-1911-anders-zorn-swedish-1860-1920-etching-on-ivory-laid-paper-sweden-image360089382.html Francisco de Goya y Lucientes / 'Everything is topsy-turvy'. 1810 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España. Francisco de Goya y Lucientes / 'Everything is topsy-turvy'. 1810 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-de-goya-y-lucientes-everything-is-topsy-turvy-1810-1814-red-chalk-on-ivory-laid-paper-museum-museo-del-prado-madrid-espaa-image213548878.html The Small Horse, 1505, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 163 x 108 mm The Small Horse, 1505, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 163 x 108 mmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-small-horse-1505-albrecht-drer-german-1471-1528-germany-engraving-in-black-on-ivory-laid-paper-163-x-108-mm-image328640767.html The Finding of Moses, c. 1655, Bartolomeo Biscaino, Italian, before 1629-1657, Italy, Etching on ivory laid paper, 189 x 244 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. The Finding of Moses, c. 1655, Bartolomeo Biscaino, Italian, before 1629-1657, Italy, Etching on ivory laid paper, 189 x 244 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-finding-of-moses-c-1655-bartolomeo-biscaino-italian-before-1629-1657-italy-etching-on-ivory-laid-paper-189-x-244-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349745961.html Author: Claude Lorrain. The Ford - 1634 - Claude Lorrain French, 1600-1682. Etching on ivory laid paper. France. Author: Claude Lorrain. The Ford - 1634 - Claude Lorrain French, 1600-1682. Etching on ivory laid paper. France.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-claude-lorrain-the-ford-1634-claude-lorrain-french-1600-1682-etching-on-ivory-laid-paper-france-image360093838.html Francisco de Goya y Lucientes / 'Exhortation'. 1815 - 1819. Red wash, Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España. Francisco de Goya y Lucientes / 'Exhortation'. 1815 - 1819. Red wash, Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-de-goya-y-lucientes-exhortation-1815-1819-red-wash-red-chalk-on-ivory-laid-paper-museum-museo-del-prado-madrid-espaa-image213537318.html The Battle of the Amazons, 1543, Enea Vico, Italian, 1523-1567, Italy, Engraving in black on ivory laid paper, 209 x 280 mm The Battle of the Amazons, 1543, Enea Vico, Italian, 1523-1567, Italy, Engraving in black on ivory laid paper, 209 x 280 mmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-battle-of-the-amazons-1543-enea-vico-italian-1523-1567-italy-engraving-in-black-on-ivory-laid-paper-209-x-280-mm-image328657265.html St. Philip, 1526, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 121 x 75 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. St. Philip, 1526, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 121 x 75 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-philip-1526-albrecht-drer-german-1471-1528-germany-engraving-in-black-on-ivory-laid-paper-121-x-75-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349718606.html Author: Anders Zorn. Mending - 1905 - Anders Zorn Swedish, 1860-1920. Etching on ivory laid paper. Sweden. Author: Anders Zorn. Mending - 1905 - Anders Zorn Swedish, 1860-1920. Etching on ivory laid paper. Sweden.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-anders-zorn-mending-1905-anders-zorn-swedish-1860-1920-etching-on-ivory-laid-paper-sweden-image360089080.html Francesco Cepparuli / 'Charles III (as Charles VII of Naples and Sicily)'. Ca. 1745. Taille douce: etching and engraving on ivory laid paper. Museum: Museo del Prado, Madrid, España. Francesco Cepparuli / 'Charles III (as Charles VII of Naples and Sicily)'. Ca. 1745. Taille douce: etching and engraving on ivory laid paper. Museum: Museo del Prado, Madrid, España.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francesco-cepparuli-charles-iii-as-charles-vii-of-naples-and-sicily-ca-1745-taille-douce-etching-and-engraving-on-ivory-laid-paper-museum-museo-del-prado-madrid-espaa-image213568077.html St. Philip, 1526, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 121 x 75 mm St. Philip, 1526, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 121 x 75 mmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-philip-1526-albrecht-drer-german-1471-1528-germany-engraving-in-black-on-ivory-laid-paper-121-x-75-mm-image328644035.html The Small Horse, 1505, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 163 x 108 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. The Small Horse, 1505, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 163 x 108 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-small-horse-1505-albrecht-drer-german-1471-1528-germany-engraving-in-black-on-ivory-laid-paper-163-x-108-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349711751.html Author: Anders Zorn. At the Piano - 1900 - Anders Zorn Swedish, 1860-1920. Etching on ivory laid paper. Sweden. Author: Anders Zorn. At the Piano - 1900 - Anders Zorn Swedish, 1860-1920. Etching on ivory laid paper. Sweden.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-anders-zorn-at-the-piano-1900-anders-zorn-swedish-1860-1920-etching-on-ivory-laid-paper-sweden-image360088874.html Francisco de Goya y Lucientes / 'There is No Time Left'. 1810 - 1814. Pencil, Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España. Francisco de Goya y Lucientes / 'There is No Time Left'. 1810 - 1814. Pencil, Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-de-goya-y-lucientes-there-is-no-time-left-1810-1814-pencil-red-chalk-on-ivory-laid-paper-museum-museo-del-prado-madrid-espaa-image213549488.html The Finding of Moses, c. 1655, Bartolomeo Biscaino, Italian, before 1629-1657, Italy, Etching on ivory laid paper, 189 x 244 mm The Finding of Moses, c. 1655, Bartolomeo Biscaino, Italian, before 1629-1657, Italy, Etching on ivory laid paper, 189 x 244 mmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-finding-of-moses-c-1655-bartolomeo-biscaino-italian-before-1629-1657-italy-etching-on-ivory-laid-paper-189-x-244-mm-image328658933.html The Sacrifice of Isaac, 1640/ 42, Pietro Testa, Italian, 1611/12-1650, Italy, Etching on ivory laid paper, 295 x 239 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. The Sacrifice of Isaac, 1640/ 42, Pietro Testa, Italian, 1611/12-1650, Italy, Etching on ivory laid paper, 295 x 239 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-sacrifice-of-isaac-1640-42-pietro-testa-italian-161112-1650-italy-etching-on-ivory-laid-paper-295-x-239-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349742579.html Author: Anders Zorn. The Waltz - 1891 - Anders Zorn Swedish, 1860-1920. Etching on ivory laid paper. Sweden. Author: Anders Zorn. The Waltz - 1891 - Anders Zorn Swedish, 1860-1920. Etching on ivory laid paper. Sweden.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-anders-zorn-the-waltz-1891-anders-zorn-swedish-1860-1920-etching-on-ivory-laid-paper-sweden-image360089916.html Francisco de Goya y Lucientes / 'Cruel Folly'. 1815 - 1819. Red wash, Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España. Francisco de Goya y Lucientes / 'Cruel Folly'. 1815 - 1819. Red wash, Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-de-goya-y-lucientes-cruel-folly-1815-1819-red-wash-red-chalk-on-ivory-laid-paper-museum-museo-del-prado-madrid-espaa-image213566807.html Sleeping Peasant, c. 1865, Jean François Millet, French, 1814-1875, France, Charcoal, on ivory laid paper, 118 × 215 mm Sleeping Peasant, c. 1865, Jean François Millet, French, 1814-1875, France, Charcoal, on ivory laid paper, 118 × 215 mmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sleeping-peasant-c-1865-jean-franois-millet-french-1814-1875-france-charcoal-on-ivory-laid-paper-118-215-mm-image328644262.html Portrait of Ulrich Varnbüler, 1522, Albrecht Dürer, German, 1471-1528, Germany, Woodcut in black on ivory laid paper, 433 x 327 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Portrait of Ulrich Varnbüler, 1522, Albrecht Dürer, German, 1471-1528, Germany, Woodcut in black on ivory laid paper, 433 x 327 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-ulrich-varnbler-1522-albrecht-drer-german-1471-1528-germany-woodcut-in-black-on-ivory-laid-paper-433-x-327-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349709390.html Author: Albert Besnard. Madame Besnard - 1884 - Albert Besnard French, 1849-1934. Etching on ivory laid paper. France. Author: Albert Besnard. Madame Besnard - 1884 - Albert Besnard French, 1849-1934. Etching on ivory laid paper. France.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-albert-besnard-madame-besnard-1884-albert-besnard-french-1849-1934-etching-on-ivory-laid-paper-france-image355715517.html Francisco de Goya y Lucientes / 'Folly of poverty'. 1815 - 1819. Red wash, Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España. Francisco de Goya y Lucientes / 'Folly of poverty'. 1815 - 1819. Red wash, Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-de-goya-y-lucientes-folly-of-poverty-1815-1819-red-wash-red-chalk-on-ivory-laid-paper-museum-museo-del-prado-madrid-espaa-image213547230.html Prophet, n.d., Paul Troger, Austrian, 1698-1762, Austria, Pen and brown ink on ivory laid paper, 182 × 126 mm Prophet, n.d., Paul Troger, Austrian, 1698-1762, Austria, Pen and brown ink on ivory laid paper, 182 × 126 mmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/prophet-nd-paul-troger-austrian-1698-1762-austria-pen-and-brown-ink-on-ivory-laid-paper-182-126-mm-image328657923.html Erasmus of Rotterdam, 1520/25, Hans Holbein, the younger, German, 1497-1543, Germany, Woodcut on ivory laid paper, 285 x 154 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Erasmus of Rotterdam, 1520/25, Hans Holbein, the younger, German, 1497-1543, Germany, Woodcut on ivory laid paper, 285 x 154 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/erasmus-of-rotterdam-152025-hans-holbein-the-younger-german-1497-1543-germany-woodcut-on-ivory-laid-paper-285-x-154-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349708929.html Author: Paul Czanne. Bathers - 1890'1900 - Paul Czanne French, 1839-1906. Color lithograph on ivory laid paper. France. Author: Paul Czanne. Bathers - 1890'1900 - Paul Czanne French, 1839-1906. Color lithograph on ivory laid paper. France.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-paul-czanne-bathers-18901900-paul-czanne-french-1839-1906-color-lithograph-on-ivory-laid-paper-france-image355714988.html Francisco de Goya y Lucientes / 'The same elsewhere (Disasters of War, 23)'. 1810 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España. Francisco de Goya y Lucientes / 'The same elsewhere (Disasters of War, 23)'. 1810 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-de-goya-y-lucientes-the-same-elsewhere-disasters-of-war-23-1810-1814-red-chalk-on-ivory-laid-paper-museum-museo-del-prado-madrid-espaa-image213541069.html Annette and Lubin, 1789, Philibert Louis Debucourt, French, 1755-1832, France, Etching and aquatint on ivory laid paper, 380 × 268 mm Annette and Lubin, 1789, Philibert Louis Debucourt, French, 1755-1832, France, Etching and aquatint on ivory laid paper, 380 × 268 mmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/annette-and-lubin-1789-philibert-louis-debucourt-french-1755-1832-france-etching-and-aquatint-on-ivory-laid-paper-380-268-mm-image328663394.html Madonna with the Monkey, c. 1498, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 190 x 122 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Madonna with the Monkey, c. 1498, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 190 x 122 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-with-the-monkey-c-1498-albrecht-drer-german-1471-1528-germany-engraving-in-black-on-ivory-laid-paper-190-x-122-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349711767.html Author: Mary Cassatt. Repose - 1890 - Mary Cassatt American, 1844-1926. Etching on ivory laid paper. United States. Author: Mary Cassatt. Repose - 1890 - Mary Cassatt American, 1844-1926. Etching on ivory laid paper. United States.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-mary-cassatt-repose-1890-mary-cassatt-american-1844-1926-etching-on-ivory-laid-paper-united-states-image355718542.html Francisco de Goya y Lucientes / 'People in Sacks'. 1815 - 1819. Red wash, Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España. Francisco de Goya y Lucientes / 'People in Sacks'. 1815 - 1819. Red wash, Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-de-goya-y-lucientes-people-in-sacks-1815-1819-red-wash-red-chalk-on-ivory-laid-paper-museum-museo-del-prado-madrid-espaa-image213550674.html Taste, 1774, Jean Baptiste Le Prince, French, 1734-1781, France, Aquatint and etching on ivory laid paper, 154 × 95 mm Taste, 1774, Jean Baptiste Le Prince, French, 1734-1781, France, Aquatint and etching on ivory laid paper, 154 × 95 mmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/taste-1774-jean-baptiste-le-prince-french-1734-1781-france-aquatint-and-etching-on-ivory-laid-paper-154-95-mm-image328663466.html The Fair at Impruneta, 1622, Jacques Callot, French, 1592-1635, France, Etching on two sheets of ivory laid paper, 418 × 668 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. The Fair at Impruneta, 1622, Jacques Callot, French, 1592-1635, France, Etching on two sheets of ivory laid paper, 418 × 668 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-fair-at-impruneta-1622-jacques-callot-french-1592-1635-france-etching-on-two-sheets-of-ivory-laid-paper-418-668-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349733387.html Author: Augustin Hirschvogel. Self-Portrait - 1548 - Augustin Hirschvogel German, 1503-1553. Etching on ivory laid paper. Germany. Author: Augustin Hirschvogel. Self-Portrait - 1548 - Augustin Hirschvogel German, 1503-1553. Etching on ivory laid paper. Germany.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-augustin-hirschvogel-self-portrait-1548-augustin-hirschvogel-german-1503-1553-etching-on-ivory-laid-paper-germany-image355718529.html Francisco de Goya y Lucientes / 'They play another with the cape in an enclosure'. 1814 - 1816. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España. Francisco de Goya y Lucientes / 'They play another with the cape in an enclosure'. 1814 - 1816. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-de-goya-y-lucientes-they-play-another-with-the-cape-in-an-enclosure-1814-1816-red-chalk-on-ivory-laid-paper-museum-museo-del-prado-madrid-espaa-image213537356.html Catherine de’Medici, n.d., Marc Duval, French, c. 1530-1581, France, Engraving on ivory laid paper, 145 × 120 mm Catherine de’Medici, n.d., Marc Duval, French, c. 1530-1581, France, Engraving on ivory laid paper, 145 × 120 mmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/catherine-demedici-nd-marc-duval-french-c-1530-1581-france-engraving-on-ivory-laid-paper-145-120-mm-image328620191.html The Crucifixion, from The Small Passion, 1624/31, Jacques Callot, French, 1592-1635, France, Etching on ivory laid paper, 75 × 58 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. The Crucifixion, from The Small Passion, 1624/31, Jacques Callot, French, 1592-1635, France, Etching on ivory laid paper, 75 × 58 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-crucifixion-from-the-small-passion-162431-jacques-callot-french-1592-1635-france-etching-on-ivory-laid-paper-75-58-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349686598.html Author: Anders Zorn. Lawyer Wade - 1890 - Anders Zorn Swedish, 1860-1920. Etching on ivory laid paper. Sweden. Author: Anders Zorn. Lawyer Wade - 1890 - Anders Zorn Swedish, 1860-1920. Etching on ivory laid paper. Sweden.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-anders-zorn-lawyer-wade-1890-anders-zorn-swedish-1860-1920-etching-on-ivory-laid-paper-sweden-image355714533.html Francisco de Goya y Lucientes / 'They escape through the flames'. 1810 - 1814. Red chalk, Conté crayon on ivory laid paper. Museum: Museo del Prado, Madrid, España. Francisco de Goya y Lucientes / 'They escape through the flames'. 1810 - 1814. Red chalk, Conté crayon on ivory laid paper. Museum: Museo del Prado, Madrid, España.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-de-goya-y-lucientes-they-escape-through-the-flames-1810-1814-red-chalk-cont-crayon-on-ivory-laid-paper-museum-museo-del-prado-madrid-espaa-image213548591.html Erasmus of Rotterdam, 1520/25, Hans Holbein, the younger, German, 1497-1543, Germany, Woodcut on ivory laid paper, 285 x 154 mm Erasmus of Rotterdam, 1520/25, Hans Holbein, the younger, German, 1497-1543, Germany, Woodcut on ivory laid paper, 285 x 154 mmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/erasmus-of-rotterdam-152025-hans-holbein-the-younger-german-1497-1543-germany-woodcut-on-ivory-laid-paper-285-x-154-mm-image328639478.html Prophet, n.d., Paul Troger, Austrian, 1698-1762, Austria, Pen and brown ink on ivory laid paper, 182 × 126 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Prophet, n.d., Paul Troger, Austrian, 1698-1762, Austria, Pen and brown ink on ivory laid paper, 182 × 126 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/prophet-nd-paul-troger-austrian-1698-1762-austria-pen-and-brown-ink-on-ivory-laid-paper-182-126-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349743908.html Author: Paulus Potter. The Shepherd - 1644 - Paulus Potter Dutch, 1625-1654. Etching on ivory laid paper. 1639'1649. Holland. Author: Paulus Potter. The Shepherd - 1644 - Paulus Potter Dutch, 1625-1654. Etching on ivory laid paper. 1639'1649. Holland.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-paulus-potter-the-shepherd-1644-paulus-potter-dutch-1625-1654-etching-on-ivory-laid-paper-16391649-holland-image360091932.html Francisco de Goya y Lucientes / 'Rabble'. 1810 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España. Francisco de Goya y Lucientes / 'Rabble'. 1810 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-de-goya-y-lucientes-rabble-1810-1814-red-chalk-on-ivory-laid-paper-museum-museo-del-prado-madrid-espaa-image213537104.html Mars and Venus (recto and verso), Guillaume Courtois, French, 1628-1679, France, Red chalk on ivory laid paper, 181 × 246 mm Mars and Venus (recto and verso), Guillaume Courtois, French, 1628-1679, France, Red chalk on ivory laid paper, 181 × 246 mmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mars-and-venus-recto-and-verso-guillaume-courtois-french-1628-1679-france-red-chalk-on-ivory-laid-paper-181-246-mm-image328622412.html Landscape, 1870/75, Maxime Lalanne, French, 1827-1886, France, Charcoal, with stumping and erasing, on ivory laid paper, 282 × 372 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Landscape, 1870/75, Maxime Lalanne, French, 1827-1886, France, Charcoal, with stumping and erasing, on ivory laid paper, 282 × 372 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-187075-maxime-lalanne-french-1827-1886-france-charcoal-with-stumping-and-erasing-on-ivory-laid-paper-282-372-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349698315.html Author: Antoine Masson. Saint Jerome - 1693 - Antoine Masson French, 1636-1700. Engraving on ivory laid paper. France. Author: Antoine Masson. Saint Jerome - 1693 - Antoine Masson French, 1636-1700. Engraving on ivory laid paper. France.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-antoine-masson-saint-jerome-1693-antoine-masson-french-1636-1700-engraving-on-ivory-laid-paper-france-image355711895.html Francisco de Goya y Lucientes / 'Loyalty'. 1815 - 1819. Red wash, Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España. Francisco de Goya y Lucientes / 'Loyalty'. 1815 - 1819. Red wash, Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-de-goya-y-lucientes-loyalty-1815-1819-red-wash-red-chalk-on-ivory-laid-paper-museum-museo-del-prado-madrid-espaa-image213550177.html Nymph and Satyr, n.d., Ciro Ferri, Italian, 1634-1689, Italy, Black chalk on ivory laid paper, 181 x 213 mm Nymph and Satyr, n.d., Ciro Ferri, Italian, 1634-1689, Italy, Black chalk on ivory laid paper, 181 x 213 mmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nymph-and-satyr-nd-ciro-ferri-italian-1634-1689-italy-black-chalk-on-ivory-laid-paper-181-x-213-mm-image328624693.html The Flagellation, from The Small Passion, 1624/31, Jacques Callot, French, 1592-1635, France, Etching on ivory laid paper, 77 × 57 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. The Flagellation, from The Small Passion, 1624/31, Jacques Callot, French, 1592-1635, France, Etching on ivory laid paper, 77 × 57 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-flagellation-from-the-small-passion-162431-jacques-callot-french-1592-1635-france-etching-on-ivory-laid-paper-77-57-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349686586.html Author: Wenceslaus Hollar. Near Albury - 1645 - Wenceslaus Hollar Czech, 1607-1677. Etching on ivory laid paper. Bohemia. Author: Wenceslaus Hollar. Near Albury - 1645 - Wenceslaus Hollar Czech, 1607-1677. Etching on ivory laid paper. Bohemia.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-wenceslaus-hollar-near-albury-1645-wenceslaus-hollar-czech-1607-1677-etching-on-ivory-laid-paper-bohemia-image360091686.html Francisco de Goya y Lucientes / 'Women Surprised by Soldiers'. 1810 - 1814. Red chalk, Conté crayon on ivory laid paper. Museum: Museo del Prado, Madrid, España. Francisco de Goya y Lucientes / 'Women Surprised by Soldiers'. 1810 - 1814. Red chalk, Conté crayon on ivory laid paper. Museum: Museo del Prado, Madrid, España.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-de-goya-y-lucientes-women-surprised-by-soldiers-1810-1814-red-chalk-cont-crayon-on-ivory-laid-paper-museum-museo-del-prado-madrid-espaa-image213550428.html The Fair at Impruneta, 1622, Jacques Callot, French, 1592-1635, France, Etching on two sheets of ivory laid paper, 418 × 668 mm The Fair at Impruneta, 1622, Jacques Callot, French, 1592-1635, France, Etching on two sheets of ivory laid paper, 418 × 668 mmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-fair-at-impruneta-1622-jacques-callot-french-1592-1635-france-etching-on-two-sheets-of-ivory-laid-paper-418-668-mm-image328651983.html The Jockey, 1899, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color lithograph on ivory laid paper, 518 × 363 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. The Jockey, 1899, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color lithograph on ivory laid paper, 518 × 363 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-jockey-1899-henri-de-toulouse-lautrec-french-1864-1901-france-color-lithograph-on-ivory-laid-paper-518-363-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349704821.html Author: Anders Zorn. Albert Engstrm - 1905 - Anders Zorn Swedish, 1860-1920. Etching on ivory laid paper. Sweden. Author: Anders Zorn. Albert Engstrm - 1905 - Anders Zorn Swedish, 1860-1920. Etching on ivory laid paper. Sweden.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-anders-zorn-albert-engstrm-1905-anders-zorn-swedish-1860-1920-etching-on-ivory-laid-paper-sweden-image360089681.html Francisco de Goya y Lucientes / 'Curarlos, y a otra'. 1810. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España. Francisco de Goya y Lucientes / 'Curarlos, y a otra'. 1810. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-de-goya-y-lucientes-curarlos-y-a-otra-1810-red-chalk-on-ivory-laid-paper-museum-museo-del-prado-madrid-espaa-image213566630.html Next page Recent searches: Search Results for Ivory Laid Paper Stock Photos and Images  (17,763) Page 1 of 178 12345678910