Ink wash over pencil on paper Stock Photos and Images
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Ink wash over pencil on paper Stock Photos and Images
George Brinton McClellan. Date: c. 1862. Ink wash over pencil on paper. Museum: NATIONAL PORTRAIT GALLERY. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-brinton-mcclellan-date-c-1862-ink-wash-over-pencil-on-paper-museum-national-portrait-gallery-image554741992.htmlRM2R6EK20–George Brinton McClellan. Date: c. 1862. Ink wash over pencil on paper. Museum: NATIONAL PORTRAIT GALLERY.
Sir William Orpen, Irish, 1878–1931, An Old Tramp, 1922, Pen and brown ink and brown wash over pencil on paper, Overall: 10 3/16 x 9 in. (25.9 x 22.9 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-william-orpen-irish-18781931-an-old-tramp-1922-pen-and-brown-ink-and-brown-wash-over-pencil-on-paper-overall-10-316-x-9-in-259-x-229-cm-image344571475.htmlRM2B0GGC3–Sir William Orpen, Irish, 1878–1931, An Old Tramp, 1922, Pen and brown ink and brown wash over pencil on paper, Overall: 10 3/16 x 9 in. (25.9 x 22.9 cm
Gen Sherman & Staff passing over the Pontoon Bridge Abstract/medium: 1 drawing on tan paper : pencil and black ink wash ; 17.4 x 28.7 cm. (sheet). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gen-sherman-staff-passing-over-the-pontoon-bridge-abstractmedium-1-drawing-on-tan-paper-pencil-and-black-ink-wash-174-x-287-cm-sheet-image265249339.htmlRMWBF46K–Gen Sherman & Staff passing over the Pontoon Bridge Abstract/medium: 1 drawing on tan paper : pencil and black ink wash ; 17.4 x 28.7 cm. (sheet).
Cows Resting, Brush and gray ink, gray wash over pencil, 20.4 × 31.6 cm (8 1/16 × 12 7/16 in.), Made in The Netherlands, Dutch, 19th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cowsresting-brush-and-gray-ink-gray-wash-over-pencil-204-316-cm-8-116-12-716in-made-in-the-netherlands-dutch-19thcentury-works-on-paper-drawings-andwatercolors-image393512060.htmlRM2DT60J4–Cows Resting, Brush and gray ink, gray wash over pencil, 20.4 × 31.6 cm (8 1/16 × 12 7/16 in.), Made in The Netherlands, Dutch, 19th century, Works on Paper - Drawings and Watercolors
Love's Mirror or a Parable of Love, 1850 - 1852. Artist: Dante Gabriel Rossetti.. Black pen and ink over pencil, with ink wash, on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/loves-mirror-or-a-parable-of-love-1850-1852-artist-dante-gabriel-rossetti-black-pen-and-ink-over-pencil-with-ink-wash-on-paper-image551025984.htmlRM2R0DB7C–Love's Mirror or a Parable of Love, 1850 - 1852. Artist: Dante Gabriel Rossetti.. Black pen and ink over pencil, with ink wash, on paper
Pen and brown ink, brush and brown wash over pencil on paper between circa 1830 and circa 1835 by Jean-Baptiste-Camille Corot Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pen-and-brown-ink-brush-and-brown-wash-over-pencil-on-paper-between-circa-1830-and-circa-1835-by-jean-baptiste-camille-corot-image543780218.htmlRM2PGK962–Pen and brown ink, brush and brown wash over pencil on paper between circa 1830 and circa 1835 by Jean-Baptiste-Camille Corot
Sir William Orpen, An Old Tramp, 1922, pen and brown ink and brown wash over pencil on paper. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-william-orpen-an-old-tramp-1922-pen-and-brown-ink-and-brown-wash-over-pencil-on-paper-image537445238.htmlRM2P6AMTP–Sir William Orpen, An Old Tramp, 1922, pen and brown ink and brown wash over pencil on paper.
Drawing, Architectural Fantasy: Temple of Athena Interior; Attributed to Charles Michel-Ange Challe (French, 1718 – 1778); France; pen and black ink, gray wash and white gouache over pencil on laid paper; Mat: 55.9 × 71.1 cm (22 × 28 in.) H x W: 35.3 × 61.8 cm (13 7/8 × 24 5/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-architectural-fantasy-temple-of-athena-interior-attributed-to-charles-michel-ange-challe-french-1718-1778-france-pen-and-black-ink-gray-wash-and-white-gouache-over-pencil-on-laid-paper-mat-559-711-cm-22-28-in-h-x-w-353-618-cm-13-78-24-516-in-image546144590.htmlRM2PMF0YX–Drawing, Architectural Fantasy: Temple of Athena Interior; Attributed to Charles Michel-Ange Challe (French, 1718 – 1778); France; pen and black ink, gray wash and white gouache over pencil on laid paper; Mat: 55.9 × 71.1 cm (22 × 28 in.) H x W: 35.3 × 61.8 cm (13 7/8 × 24 5/16 in.)
A colored view of an oil mill, near Twickenham Common; drawn in 1767. A wooden and red brick building by a body of water; mud and grass on either side; a path winding to the left; trees in the distance. Inscribed with title and date in brown ink on verso. Bears inscription in pencil below image on a seperate piece of paper 'capt. Francis Grose See drawings in Print Room BM' below drawing. Oil Mill near Twickenham Common : drawn Sepr 12 1767. London, September 12 1767. 1 drawing : pen and black ink with coloured wash over pencil ; sheet 25.7 x 36.9 cm. Source: Maps K.Top.30.19.ii. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-colored-view-of-an-oil-mill-near-twickenham-common-drawn-in-1767-a-wooden-and-red-brick-building-by-a-body-of-water-mud-and-grass-on-either-side-a-path-winding-to-the-left-trees-in-the-distance-inscribed-with-title-and-date-in-brown-ink-on-verso-bears-inscription-in-pencil-below-image-on-a-seperate-piece-of-paper-capt-francis-grose-see-drawings-in-print-room-bm-below-drawing-oil-mill-near-twickenham-common-drawn-sepr-12-1767-london-september-12-1767-1-drawing-pen-and-black-ink-with-coloured-wash-over-pencil-sheet-257-x-369-cm-source-maps-ktop3019ii-image226866989.htmlRMR52K4D–A colored view of an oil mill, near Twickenham Common; drawn in 1767. A wooden and red brick building by a body of water; mud and grass on either side; a path winding to the left; trees in the distance. Inscribed with title and date in brown ink on verso. Bears inscription in pencil below image on a seperate piece of paper 'capt. Francis Grose See drawings in Print Room BM' below drawing. Oil Mill near Twickenham Common : drawn Sepr 12 1767. London, September 12 1767. 1 drawing : pen and black ink with coloured wash over pencil ; sheet 25.7 x 36.9 cm. Source: Maps K.Top.30.19.ii.
Twin-engined military flying boat over coastline. Ink on paper. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/twin-engined-military-flying-boat-over-coastline-ink-on-paper-image490613686.htmlRF2KE5ANA–Twin-engined military flying boat over coastline. Ink on paper.
Jean Alexander Allais, French, 1792-1850, The Fortune Teller, 1814, pen and black ink over pencil with gray wash and white gouache on tan wove paper, Sheet: 19 × 14 5/8 inches (48.3 × 37.1 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-alexander-allais-french-1792-1850-the-fortune-teller-1814-pen-and-black-ink-over-pencil-with-gray-wash-and-white-gouache-on-tan-wove-paper-sheet-19-14-58-inches-483-371-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349815589.htmlRF2B93D9W–Jean Alexander Allais, French, 1792-1850, The Fortune Teller, 1814, pen and black ink over pencil with gray wash and white gouache on tan wove paper, Sheet: 19 × 14 5/8 inches (48.3 × 37.1 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
A Boat Tied to a Pier, 1892. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-boat-tied-to-a-pier-1892-image462414238.htmlRM2HT8P26–A Boat Tied to a Pier, 1892.
Leopold Stokowski. Date: 1931. Ink, wash and crayon over pencil on paper. Museum: NATIONAL PORTRAIT GALLERY. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leopold-stokowski-date-1931-ink-wash-and-crayon-over-pencil-on-paper-museum-national-portrait-gallery-image554747354.htmlRM2R6EWWE–Leopold Stokowski. Date: 1931. Ink, wash and crayon over pencil on paper. Museum: NATIONAL PORTRAIT GALLERY.
Effects of shells upon the enemies rifle pits at the crossing over the Rappahannock--June 5th Abstract/medium: 1 drawing on tan paper : pencil, ink wash, and Chinese white ; 23.8 x 35.0 cm. (sheet) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/effects-of-shells-upon-the-enemies-rifle-pits-at-the-crossing-over-the-rappahannock-june-5th-abstractmedium-1-drawing-on-tan-paper-pencil-ink-wash-and-chinese-white-238-x-350-cm-sheet-image265023093.htmlRMWB4RJD–Effects of shells upon the enemies rifle pits at the crossing over the Rappahannock--June 5th Abstract/medium: 1 drawing on tan paper : pencil, ink wash, and Chinese white ; 23.8 x 35.0 cm. (sheet)
Cows and Sheep, Brush and gray ink, gray wash over pencil, 20.6 × 26.8 cm (8 1/8 × 10 9/16 in.), Made in The Netherlands, Dutch, 19th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cows-andsheep-brush-and-gray-ink-gray-wash-over-pencil-206-268-cm-8-18-10-916in-made-in-the-netherlands-dutch-19thcentury-works-on-paper-drawings-andwatercolors-image393512043.htmlRM2DT60HF–Cows and Sheep, Brush and gray ink, gray wash over pencil, 20.6 × 26.8 cm (8 1/8 × 10 9/16 in.), Made in The Netherlands, Dutch, 19th century, Works on Paper - Drawings and Watercolors
Felix Octavius Carr Darley, American, 1822-1888, Mine Site, 19th century, brush and black ink and wash over pencil on cream wove paper, Sheet: 1 3/4 × 3 1/8 inches (4.4 × 7.9 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/felix-octavius-carr-darley-american-1822-1888-mine-site-19th-century-brush-and-black-ink-and-wash-over-pencil-on-cream-wove-paper-sheet-1-34-3-18-inches-44-79-cm-image328741391.htmlRM2A2RCYY–Felix Octavius Carr Darley, American, 1822-1888, Mine Site, 19th century, brush and black ink and wash over pencil on cream wove paper, Sheet: 1 3/4 × 3 1/8 inches (4.4 × 7.9 cm
Ferdinand Sigismund Bac, Taxi Meter, 1869–1952, brush and black ink and gray wash over pencil on paper. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ferdinand-sigismund-bac-taxi-meter-18691952-brush-and-black-ink-and-gray-wash-over-pencil-on-paper-image537440489.htmlRM2P6AER5–Ferdinand Sigismund Bac, Taxi Meter, 1869–1952, brush and black ink and gray wash over pencil on paper.
A Ferry on the Königsee between 1827 and 1839 by Friedrich Gauermann Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-ferry-on-the-knigsee-between-1827-and-1839-by-friedrich-gauermann-image562499739.htmlRM2RK424B–A Ferry on the Königsee between 1827 and 1839 by Friedrich Gauermann
Jean Jacques de Boissieu, French, 1736-1810, Landscape with River, between 1736 and 1810, pen and brown ink and gray wash over graphite pencil on cream laid paper, Sheet: 5 × 8 13/16 inches (12.7 × 22.4 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-jacques-de-boissieu-french-1736-1810-landscape-with-river-between-1736-and-1810-pen-and-brown-ink-and-gray-wash-over-graphite-pencil-on-cream-laid-paper-sheet-5-8-1316-inches-127-224-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349815183.htmlRF2B93CRB–Jean Jacques de Boissieu, French, 1736-1810, Landscape with River, between 1736 and 1810, pen and brown ink and gray wash over graphite pencil on cream laid paper, Sheet: 5 × 8 13/16 inches (12.7 × 22.4 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Landscape with Tree on Road to Buildings, n.d. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-tree-on-road-to-buildings-nd-image491535328.htmlRM2KFKA94–Landscape with Tree on Road to Buildings, n.d.
Anonymous / 'Moses Closing the Waters of the Red Sea over Pharaoh's Hosts'. XVI century. Blue wash, Pencil, Grey-brown ink on blue paper. Museum: Museo del Prado, Madrid, España. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anonymous-moses-closing-the-waters-of-the-red-sea-over-pharaohs-hosts-xvi-century-blue-wash-pencil-grey-brown-ink-on-blue-paper-museum-museo-del-prado-madrid-espaa-image220262100.htmlRMPP9PFG–Anonymous / 'Moses Closing the Waters of the Red Sea over Pharaoh's Hosts'. XVI century. Blue wash, Pencil, Grey-brown ink on blue paper. Museum: Museo del Prado, Madrid, España.
Antonio Carracci. Saint Paul Baptizing Dionysus the Areopagite (recto); Sketches of Baby, Hands (verso). 1600–1799. Italy. Pen and black and brown ink, with brush and brown wash, over graphite (recto), and pencil and red chalk (verso), on tan laid paper (pieced) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antonio-carracci-saint-paul-baptizing-dionysus-the-areopagite-recto-sketches-of-baby-hands-verso-16001799-italy-pen-and-black-and-brown-ink-with-brush-and-brown-wash-over-graphite-recto-and-pencil-and-red-chalk-verso-on-tan-laid-paper-pieced-image337978265.htmlRM2AHT6M9–Antonio Carracci. Saint Paul Baptizing Dionysus the Areopagite (recto); Sketches of Baby, Hands (verso). 1600–1799. Italy. Pen and black and brown ink, with brush and brown wash, over graphite (recto), and pencil and red chalk (verso), on tan laid paper (pieced)
Jean-Honoré Fragonard, French, 1732–1806, Les jets d'eau, c. 1765–70, Brush and brown ink and brown wash over pencil on laid paper, Overall: 10 7/16 x 15 1/8 in. (26.5 x 38.4 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-honor-fragonard-french-17321806-les-jets-deau-c-176570-brush-and-brown-ink-and-brown-wash-over-pencil-on-laid-paper-overall-10-716-x-15-18-in-265-x-384-cm-image344571882.htmlRM2B0GGXJ–Jean-Honoré Fragonard, French, 1732–1806, Les jets d'eau, c. 1765–70, Brush and brown ink and brown wash over pencil on laid paper, Overall: 10 7/16 x 15 1/8 in. (26.5 x 38.4 cm
Pierre Lelu, Well at Mâcon, 1751–1810, pen and brush and brown ink and brown wash over pencil on paper. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pierre-lelu-well-at-mcon-17511810-pen-and-brush-and-brown-ink-and-brown-wash-over-pencil-on-paper-image537450350.htmlRM2P6AYBA–Pierre Lelu, Well at Mâcon, 1751–1810, pen and brush and brown ink and brown wash over pencil on paper.
A Ferry on the Königsee between 1827 and 1839 by Friedrich Gauermann Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-ferry-on-the-knigsee-between-1827-and-1839-by-friedrich-gauermann-image562499963.htmlRM2RK42CB–A Ferry on the Königsee between 1827 and 1839 by Friedrich Gauermann
View of the Château of Versailles from the side of Le Nôtre's Parterre d'Eau, Israel Silvestre (French, 1621-1691), about 1680, pen ink and green wash over pencil on cream laid paper affixed to paper mount, 12-3/8 x 18 in. (image) 14-1/4 x 19-1/2 in. (mount), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-chteau-of-versailles-from-the-side-of-le-ntres-parterre-deau-israel-silvestre-french-1621-1691-about-1680-pen-ink-and-green-wash-over-pencil-on-cream-laid-paper-affixed-to-paper-mount-12-38-x-18-in-image-14-14-x-19-12-in-mount-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349870138.htmlRF2B95XX2–View of the Château of Versailles from the side of Le Nôtre's Parterre d'Eau, Israel Silvestre (French, 1621-1691), about 1680, pen ink and green wash over pencil on cream laid paper affixed to paper mount, 12-3/8 x 18 in. (image) 14-1/4 x 19-1/2 in. (mount), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Three Figures with Severed Head on Ground, 1600/20. Circle of Marcantonio Bassetti. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/three-figures-with-severed-head-on-ground-160020-circle-of-marcantonio-bassetti-image491539891.htmlRM2KFKG43–Three Figures with Severed Head on Ground, 1600/20. Circle of Marcantonio Bassetti.
Giovanni Battista Paggi / 'Christ triumphing over death'. Second half of the XVI century. Wash, Pencil, Pencil ground, Grey-brown ink on yellow paper. Museum: Museo del Prado, Madrid, España. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giovanni-battista-paggi-christ-triumphing-over-death-second-half-of-the-xvi-century-wash-pencil-pencil-ground-grey-brown-ink-on-yellow-paper-museum-museo-del-prado-madrid-espaa-image213566773.htmlRMPBCPGN–Giovanni Battista Paggi / 'Christ triumphing over death'. Second half of the XVI century. Wash, Pencil, Pencil ground, Grey-brown ink on yellow paper. Museum: Museo del Prado, Madrid, España.
Constantin Guys, French, 1805-1892, The Victoria, between 1805 and 1892, brush and black ink wash over pencil on tan wove paper (drawing is hinged to blue paperboard with black ink and gold foil borders in imitation of French mount), Sheet: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/constantin-guys-french-1805-1892-the-victoria-between-1805-and-1892-brush-and-black-ink-wash-over-pencil-on-tan-wove-paper-drawing-is-hinged-to-blue-paperboard-with-black-ink-and-gold-foil-borders-in-imitation-of-french-mount-sheet-9-18-13-18-inches-232-333-cm-image328719471.htmlRM2A2PD13–Constantin Guys, French, 1805-1892, The Victoria, between 1805 and 1892, brush and black ink wash over pencil on tan wove paper (drawing is hinged to blue paperboard with black ink and gold foil borders in imitation of French mount), Sheet: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm
Henry Auguste (or workshop), Three-Branch Candlestick, after 1804, pen and ink and gray wash over pencil on laid paper. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henry-auguste-or-workshop-three-branch-candlestick-after-1804-pen-and-ink-and-gray-wash-over-pencil-on-laid-paper-image537551035.htmlRM2P6FFR7–Henry Auguste (or workshop), Three-Branch Candlestick, after 1804, pen and ink and gray wash over pencil on laid paper.
Architectural Fantasy: Temple of Athena Interior, Pen and black ink, gray wash and white gouache over pencil on laid paper, Flights of stairs lead downwards to the transept from a hall at left and from the apse at right. The design of the center of the apse has been subjected to a correction. The statue of the goddess was originally intended larger than she was definitely sketched. Only the left side of the the apse shows a colonnade and a relief over it in the rear., France, ca. 1750, architecture, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/architectural-fantasy-temple-of-athena-interior-pen-and-black-ink-gray-wash-and-white-gouache-over-pencil-on-laid-paper-flights-of-stairs-lead-downwards-to-the-transept-from-a-hall-at-left-and-from-the-apse-at-right-the-design-of-the-center-of-the-apse-has-been-subjected-to-a-correction-the-statue-of-the-goddess-was-originally-intended-larger-than-she-was-definitely-sketched-only-the-left-side-of-the-the-apse-shows-a-colonnade-and-a-relief-over-it-in-the-rear-france-ca-1750-architecture-drawing-image391653375.htmlRM2DN59TF–Architectural Fantasy: Temple of Athena Interior, Pen and black ink, gray wash and white gouache over pencil on laid paper, Flights of stairs lead downwards to the transept from a hall at left and from the apse at right. The design of the center of the apse has been subjected to a correction. The statue of the goddess was originally intended larger than she was definitely sketched. Only the left side of the the apse shows a colonnade and a relief over it in the rear., France, ca. 1750, architecture, Drawing
Osøybroen over Gaula presumably between 1810 and 1811 by Heinrich August Grosch Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/osybroen-over-gaula-presumably-between-1810-and-1811-by-heinrich-august-grosch-image562743141.htmlRM2RKF4H9–Osøybroen over Gaula presumably between 1810 and 1811 by Heinrich August Grosch
Costume Design: Persian Prince, for a Stage Production Designed by Giuseppe Galli Bibiena, Pen and gray ink, gray wash, over pencil on paper, Vertical rectangle. Full-length of a man, facing the spectator, his head turned toward the left. His right hand is at this hip, the left gesturing. He wears an elaborate brocaded costume, with an ermine-lined cape over it. On his head a turban adored with a plume and jewels. A sword is at his side., Italy, Vienna, Austria, 1719, figures, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/costume-design-persian-prince-for-a-stage-production-designed-by-giuseppe-galli-bibiena-pen-and-gray-ink-gray-wash-over-pencil-on-paper-vertical-rectangle-full-length-of-a-man-facing-the-spectator-his-head-turned-toward-the-left-his-right-hand-is-at-this-hip-the-left-gesturing-he-wears-an-elaborate-brocaded-costume-with-an-ermine-lined-cape-over-it-on-his-head-a-turban-adored-with-a-plume-and-jewels-a-sword-is-at-his-side-italy-vienna-austria-1719-figures-drawing-image391237914.htmlRM2DMEBXJ–Costume Design: Persian Prince, for a Stage Production Designed by Giuseppe Galli Bibiena, Pen and gray ink, gray wash, over pencil on paper, Vertical rectangle. Full-length of a man, facing the spectator, his head turned toward the left. His right hand is at this hip, the left gesturing. He wears an elaborate brocaded costume, with an ermine-lined cape over it. On his head a turban adored with a plume and jewels. A sword is at his side., Italy, Vienna, Austria, 1719, figures, Drawing
Butler's Hill, Brookville (recto), Boy Reading (verso), John Ottis Adams (American, 1851-1927), about 1900, pen, ink and ink wash over pencil on off-white paper, 9 x 11-7/8 in. (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/butlers-hill-brookville-recto-boy-reading-verso-john-ottis-adams-american-1851-1927-about-1900-pen-ink-and-ink-wash-over-pencil-on-off-white-paper-9-x-11-78-in-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349864495.htmlRF2B95KMF–Butler's Hill, Brookville (recto), Boy Reading (verso), John Ottis Adams (American, 1851-1927), about 1900, pen, ink and ink wash over pencil on off-white paper, 9 x 11-7/8 in. (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Love's Mirror or a Parable of Love, 1850, 1852 Artist: Dante Gabriel Rossetti Black pen and ink over pencil, with ink wash, on paper, 19th Century, Ink, Pre-Raphaelite, Wash drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/loves-mirror-or-a-parable-of-love-1850-1852-artist-dante-gabriel-rossetti-black-pen-and-ink-over-pencil-with-ink-wash-on-paper-19th-century-ink-pre-raphaelite-wash-drawing-image387014758.htmlRM2DDJ17J–Love's Mirror or a Parable of Love, 1850, 1852 Artist: Dante Gabriel Rossetti Black pen and ink over pencil, with ink wash, on paper, 19th Century, Ink, Pre-Raphaelite, Wash drawing
Pastoral Scene: Men Hunting Birds, Couples Seated on Ground, n.d. Possibly after Bernard van Orley. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pastoral-scene-men-hunting-birds-couples-seated-on-ground-nd-possibly-after-bernard-van-orley-image491536025.htmlRM2KFKB61–Pastoral Scene: Men Hunting Birds, Couples Seated on Ground, n.d. Possibly after Bernard van Orley.
Anonymous / 'The Lamentation over the Dead Body of Christ'. First half of the XVII century. Wash, White lead, Pencil, Pencil ground, Grey-brown ink on paper. Museum: Museo del Prado, Madrid, España. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anonymous-the-lamentation-over-the-dead-body-of-christ-first-half-of-the-xvii-century-wash-white-lead-pencil-pencil-ground-grey-brown-ink-on-paper-museum-museo-del-prado-madrid-espaa-image213567096.htmlRMPBCR08–Anonymous / 'The Lamentation over the Dead Body of Christ'. First half of the XVII century. Wash, White lead, Pencil, Pencil ground, Grey-brown ink on paper. Museum: Museo del Prado, Madrid, España.
Robert Frederick Blum, View of the Gulf of Corinth, 1867–1903, brush and black ink and gray wash over pencil on paper. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/robert-frederick-blum-view-of-the-gulf-of-corinth-18671903-brush-and-black-ink-and-gray-wash-over-pencil-on-paper-image537441096.htmlRM2P6AFGT–Robert Frederick Blum, View of the Gulf of Corinth, 1867–1903, brush and black ink and gray wash over pencil on paper.
Utsikt over Mjøsa ved Biri glassverk presumably July 1810 by Heinrich August Grosch Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/utsikt-over-mjsa-ved-biri-glassverk-presumably-july-1810-by-heinrich-august-grosch-image562743142.htmlRM2RKF4HA–Utsikt over Mjøsa ved Biri glassverk presumably July 1810 by Heinrich August Grosch
Fontainebleau, Figure Leaning Against a Rock, Jean-Baptiste-Camille Corot (French, 1796 - 1875), France, about 1830 - 1835, Pen and brown ink, brush and brown wash over pencil on paper, 28.7 x 44.9 cm (11 5,16 x 17 11,16 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fontainebleau-figure-leaning-against-a-rock-jean-baptiste-camille-corot-french-1796-1875-france-about-1830-1835-pen-and-brown-ink-brush-and-brown-wash-over-pencil-on-paper-287-x-449-cm-11-516-x-17-1116-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350074065.htmlRF2B9F715–Fontainebleau, Figure Leaning Against a Rock, Jean-Baptiste-Camille Corot (French, 1796 - 1875), France, about 1830 - 1835, Pen and brown ink, brush and brown wash over pencil on paper, 28.7 x 44.9 cm (11 5,16 x 17 11,16 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Henry Auguste (or workshop), French, 1759–1816, Three-Branch Candlestick, after 1804, Pen and ink and gray wash over pencil on laid paper, Overall: 15 3/4 x 10 15/16 in. (40 x 27.8 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henry-auguste-or-workshop-french-17591816-three-branch-candlestick-after-1804-pen-and-ink-and-gray-wash-over-pencil-on-laid-paper-overall-15-34-x-10-1516-in-40-x-278-cm-image344578880.htmlRM2B0GWTG–Henry Auguste (or workshop), French, 1759–1816, Three-Branch Candlestick, after 1804, Pen and ink and gray wash over pencil on laid paper, Overall: 15 3/4 x 10 15/16 in. (40 x 27.8 cm
Battle Scene with Central Figure on Rearing Horse, n.d. Possibly style of Luca Giordano. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-scene-with-central-figure-on-rearing-horse-nd-possibly-style-of-luca-giordano-image491535157.htmlRM2KFKA31–Battle Scene with Central Figure on Rearing Horse, n.d. Possibly style of Luca Giordano.
Death on the Battlefield. Pen and brown ink, gray and brown wash over black pencil and red chalk, squaring with black pencil. Author: STEFANO DELLA BELLA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/death-on-the-battlefield-pen-and-brown-ink-gray-and-brown-wash-over-black-pencil-and-red-chalk-squaring-with-black-pencil-author-stefano-della-bella-image233247834.htmlRMRFD9YP–Death on the Battlefield. Pen and brown ink, gray and brown wash over black pencil and red chalk, squaring with black pencil. Author: STEFANO DELLA BELLA.
Jean-Honoré Fragonard, Les jets d'eau, c. 1765–70, brush and brown ink and brown wash over pencil on laid paper. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-honor-fragonard-les-jets-deau-c-176570-brush-and-brown-ink-and-brown-wash-over-pencil-on-laid-paper-image537452684.htmlRM2P6B2AM–Jean-Honoré Fragonard, Les jets d'eau, c. 1765–70, brush and brown ink and brown wash over pencil on laid paper.
Jean Alexander Allais, French, 1792-1850, The Fortune Teller, 1814, pen and black ink over pencil with gray wash and white gouache on tan wove paper, Sheet: 19 × 14 5/8 inches (48.3 × 37.1 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-alexander-allais-french-1792-1850-the-fortune-teller-1814-pen-and-black-ink-over-pencil-with-gray-wash-and-white-gouache-on-tan-wove-paper-sheet-19-14-58-inches-483-371-cm-image328713377.htmlRM2A2P57D–Jean Alexander Allais, French, 1792-1850, The Fortune Teller, 1814, pen and black ink over pencil with gray wash and white gouache on tan wove paper, Sheet: 19 × 14 5/8 inches (48.3 × 37.1 cm
Houses on the Tiber, n.d. Attributed to Gaspar van Wittel. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/houses-on-the-tiber-nd-attributed-to-gaspar-van-wittel-image491541625.htmlRM2KFKJA1–Houses on the Tiber, n.d. Attributed to Gaspar van Wittel.
Meadow with Cows and Sheep, Pen and brown ink, brown and gray wash, over pencil, 22.7 × 32.5 cm (8 15/16 × 12 13/16 in.), Made in The Netherlands, Dutch, 19th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/meadow-with-cows-andsheep-pen-and-brown-ink-brown-and-gray-wash-over-pencil-227-325-cm-8-1516-12-1316in-made-in-the-netherlands-dutch-19thcentury-works-on-paper-drawings-andwatercolors-image393512711.htmlRM2DT61DB–Meadow with Cows and Sheep, Pen and brown ink, brown and gray wash, over pencil, 22.7 × 32.5 cm (8 15/16 × 12 13/16 in.), Made in The Netherlands, Dutch, 19th century, Works on Paper - Drawings and Watercolors
Thomas Cole, American, 1801-1848, Shrine and Pilgrims, 1832, pen and brown ink and brown wash over graphite pencil on off-white wove paper, Sheet: 8 3/4 × 12 3/8 inches (22.2 × 31.4 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thomas-cole-american-1801-1848-shrine-and-pilgrims-1832-pen-and-brown-ink-and-brown-wash-over-graphite-pencil-on-off-white-wove-paper-sheet-8-34-12-38-inches-222-314-cm-image328723068.htmlRM2A2PHHG–Thomas Cole, American, 1801-1848, Shrine and Pilgrims, 1832, pen and brown ink and brown wash over graphite pencil on off-white wove paper, Sheet: 8 3/4 × 12 3/8 inches (22.2 × 31.4 cm
Milsom Street in Bath. Dated: 1784. Dimensions: Overall: 33.1 x 47.8 cm (13 1/16 x 18 13/16 in.) mat: 55.9 x 71.1 cm (22 x 28 in.). Medium: pen and gray and black ink with gray wash and watercolor over graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Thomas Malton. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/milsom-street-in-bath-dated-1784-dimensions-overall-331-x-478-cm-13-116-x-18-1316-in-mat-559-x-711-cm-22-x-28-in-medium-pen-and-gray-and-black-ink-with-gray-wash-and-watercolor-over-graphite-on-laid-paper-museum-national-gallery-of-art-washington-dc-author-thomas-malton-image225727509.htmlRMR36NMN–Milsom Street in Bath. Dated: 1784. Dimensions: Overall: 33.1 x 47.8 cm (13 1/16 x 18 13/16 in.) mat: 55.9 x 71.1 cm (22 x 28 in.). Medium: pen and gray and black ink with gray wash and watercolor over graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Thomas Malton.
Gustavo Simoni, Reception at the Prefecture, 1846–1912, brush and black ink and gray wash heightened with white gouache over pencil sketch on paper. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gustavo-simoni-reception-at-the-prefecture-18461912-brush-and-black-ink-and-gray-wash-heightened-with-white-gouache-over-pencil-sketch-on-paper-image537445838.htmlRM2P6ANJ6–Gustavo Simoni, Reception at the Prefecture, 1846–1912, brush and black ink and gray wash heightened with white gouache over pencil sketch on paper.
The Triumph of Truth Over Heresy, c. 1710. Attributed to François Boitard. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-triumph-of-truth-over-heresy-c-1710-attributed-to-franxe7ois-boitard-image491541710.htmlRM2KFKJD2–The Triumph of Truth Over Heresy, c. 1710. Attributed to François Boitard.
Thomas Cole, American, 1801-1848, View on the Moon, 1829, pen and black ink and gray wash over graphite pencil on off-white wove paper, Image: 6 7/8 × 12 1/4 inches (17.5 × 31.1 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thomas-cole-american-1801-1848-view-on-the-moon-1829-pen-and-black-ink-and-gray-wash-over-graphite-pencil-on-off-white-wove-paper-image-6-78-12-14-inches-175-311-cm-image328721697.htmlRM2A2PFTH–Thomas Cole, American, 1801-1848, View on the Moon, 1829, pen and black ink and gray wash over graphite pencil on off-white wove paper, Image: 6 7/8 × 12 1/4 inches (17.5 × 31.1 cm
Love's Mirror / or / A Parable of Love. Date/Period: 1850/1852. Black pen and ink over pencil, with ink wash, on paper. 19.5 × 17.5 cm (7.6 × 6.8 in). Author: Dante Gabriel Rossetti. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/loves-mirror-or-a-parable-of-love-dateperiod-18501852-black-pen-and-ink-over-pencil-with-ink-wash-on-paper-195-175-cm-76-68-in-author-dante-gabriel-rossetti-image219700557.htmlRMPNC68D–Love's Mirror / or / A Parable of Love. Date/Period: 1850/1852. Black pen and ink over pencil, with ink wash, on paper. 19.5 × 17.5 cm (7.6 × 6.8 in). Author: Dante Gabriel Rossetti.
Robert Frederick Blum, Shore of the Gulf of Corinth with Acrocorinthus in the Background, 1867–1903, brush and black ink and gray wash over pencil on paper. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/robert-frederick-blum-shore-of-the-gulf-of-corinth-with-acrocorinthus-in-the-background-18671903-brush-and-black-ink-and-gray-wash-over-pencil-on-paper-image537441076.htmlRM2P6AFG4–Robert Frederick Blum, Shore of the Gulf of Corinth with Acrocorinthus in the Background, 1867–1903, brush and black ink and gray wash over pencil on paper.
Farm with Men and Cows, n.d. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/farm-with-men-and-cows-nd-image491535441.htmlRM2KFKAD5–Farm with Men and Cows, n.d.
Thomas Cole, American, 1801-1848, The Flume, White Mountains, 1828, gray wash, pen and black ink over graphite pencil on off-white wove paper, Sheet: 14 1/2 × 10 11/16 inches (36.8 × 27.1 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thomas-cole-american-1801-1848-the-flume-white-mountains-1828-gray-wash-pen-and-black-ink-over-graphite-pencil-on-off-white-wove-paper-sheet-14-12-10-1116-inches-368-271-cm-image328721184.htmlRM2A2PF68–Thomas Cole, American, 1801-1848, The Flume, White Mountains, 1828, gray wash, pen and black ink over graphite pencil on off-white wove paper, Sheet: 14 1/2 × 10 11/16 inches (36.8 × 27.1 cm
Group of Trees and Resting Sheperd. Pen, brush, bister and ink wash, over graphite pencil. Author: Claude Lorrain. LORRAIN, CLAUDE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/group-of-trees-and-resting-sheperd-pen-brush-bister-and-ink-wash-over-graphite-pencil-author-claude-lorrain-lorrain-claude-image219712015.htmlRMPNCMWK–Group of Trees and Resting Sheperd. Pen, brush, bister and ink wash, over graphite pencil. Author: Claude Lorrain. LORRAIN, CLAUDE.
Robert Frederick Blum, Opening Scene of Japanese Parliament, 1890, brush and black ink and gray wash, heightened with white gouache, over pencil on paper. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/robert-frederick-blum-opening-scene-of-japanese-parliament-1890-brush-and-black-ink-and-gray-wash-heightened-with-white-gouache-over-pencil-on-paper-image537440521.htmlRM2P6AET9–Robert Frederick Blum, Opening Scene of Japanese Parliament, 1890, brush and black ink and gray wash, heightened with white gouache, over pencil on paper.
Design for a Saltcellar, 17th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-saltcellar-17th-century-image491535330.htmlRM2KFKA96–Design for a Saltcellar, 17th century.
Charles-Marie Dulac, French, 1865-1898, Landscape, ca. 1893, pen and black ink, grey ink wash, and watercolor over pencil on blue laid paper, Sheet: 12 3/8 × 18 7/8 inches (31.4 × 47.9 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-marie-dulac-french-1865-1898-landscape-ca-1893-pen-and-black-ink-grey-ink-wash-and-watercolor-over-pencil-on-blue-laid-paper-sheet-12-38-18-78-inches-314-479-cm-image328739363.htmlRM2A2RABF–Charles-Marie Dulac, French, 1865-1898, Landscape, ca. 1893, pen and black ink, grey ink wash, and watercolor over pencil on blue laid paper, Sheet: 12 3/8 × 18 7/8 inches (31.4 × 47.9 cm
Artist: Philippe-Louis Parizeau, French, 1740–1801, The Blind Belisarius, pen and brown ink and wash over pencil, 37.6 × 47.1 cm (14 13/16 × 18 9/16 in.), Made in France, French, 18th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-philippe-louis-parizeau-french-17401801-the-blindbelisarius-pen-and-brown-ink-and-wash-over-pencil-376-471-cm-14-1316-18-916in-made-in-france-french-18thcentury-works-on-paper-drawings-andwatercolors-image393472049.htmlRM2DT45H5–Artist: Philippe-Louis Parizeau, French, 1740–1801, The Blind Belisarius, pen and brown ink and wash over pencil, 37.6 × 47.1 cm (14 13/16 × 18 9/16 in.), Made in France, French, 18th century, Works on Paper - Drawings and Watercolors
Tiber Landscape with Castel Sant'Angelo in the Background. Pen, ink, brush, bister wash, over traces of graphite pencil. Author: Claude Lorrain. LORRAIN, CLAUDE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tiber-landscape-with-castel-santangelo-in-the-background-pen-ink-brush-bister-wash-over-traces-of-graphite-pencil-author-claude-lorrain-lorrain-claude-image219700487.htmlRMPNC65Y–Tiber Landscape with Castel Sant'Angelo in the Background. Pen, ink, brush, bister wash, over traces of graphite pencil. Author: Claude Lorrain. LORRAIN, CLAUDE.
Stanislaw Rejchan, A Formal Garden Party, 19th century, brush and black ink and gray wash, heightened with white, over pencil sketch on paper. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stanislaw-rejchan-a-formal-garden-party-19th-century-brush-and-black-ink-and-gray-wash-heightened-with-white-over-pencil-sketch-on-paper-image537445810.htmlRM2P6ANH6–Stanislaw Rejchan, A Formal Garden Party, 19th century, brush and black ink and gray wash, heightened with white, over pencil sketch on paper.
Standing Man, n.d. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/standing-man-nd-image491535207.htmlRM2KFKA4R–Standing Man, n.d.
After: Sebastian Vrancx, Flemish, 1573–1647, Winter Scene in the City, Pen and brown ink and gray wash over preliminary drawing in pencil, Sheet: 27.3 × 43.7 cm (10 3/4 × 17 3/16 in.), Made in Flanders, Flemish, 17th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/after-sebastian-vrancx-flemish-15731647-winter-scene-in-thecity-pen-and-brown-ink-and-gray-wash-over-preliminary-drawing-in-pencil-sheet-273-437-cm-10-34-17-316in-made-in-flanders-flemish-17thcentury-works-on-paper-drawings-andwatercolors-image393144456.htmlRM2DRH7NC–After: Sebastian Vrancx, Flemish, 1573–1647, Winter Scene in the City, Pen and brown ink and gray wash over preliminary drawing in pencil, Sheet: 27.3 × 43.7 cm (10 3/4 × 17 3/16 in.), Made in Flanders, Flemish, 17th century, Works on Paper - Drawings and Watercolors
The Annunciation. Date/Period: 1862. Brown wash, Indian ink, and watercolour over pencil on paper. Width: 786 mm. Height: 788 mm. Author: Edward Burne-Jones. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-annunciation-dateperiod-1862-brown-wash-indian-ink-and-watercolour-over-pencil-on-paper-width-786-mm-height-788-mm-author-edward-burne-jones-image219739437.htmlRMPNDYW1–The Annunciation. Date/Period: 1862. Brown wash, Indian ink, and watercolour over pencil on paper. Width: 786 mm. Height: 788 mm. Author: Edward Burne-Jones.
Henri-Joseph Harpignies, Along a River Bank, 1907, brush and black and gray ink and gray wash over light sketch in pencil on paper. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henri-joseph-harpignies-along-a-river-bank-1907-brush-and-black-and-gray-ink-and-gray-wash-over-light-sketch-in-pencil-on-paper-image537443600.htmlRM2P6AJP8–Henri-Joseph Harpignies, Along a River Bank, 1907, brush and black and gray ink and gray wash over light sketch in pencil on paper.
Two Figures with Docked Boats near Windmill, n.d. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-figures-with-docked-boats-near-windmill-nd-image506112567.htmlRM2MBBBMR–Two Figures with Docked Boats near Windmill, n.d.
St. Catherine of Siena Receiving the Stigmata, 18th Century, Pen and purple ink and purple wash heightened with white over sketch in black chalk or pencil, 35.9 × 23.8 cm (14 1/8 × 9 3/8 in.), Unknown, Made in Germany, German, 18th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-catherine-of-siena-receiving-thestigmata-18thcentury-pen-and-purple-ink-and-purple-wash-heightened-with-white-over-sketch-in-black-chalk-or-pencil-359-238-cm-14-18-9-38in-unknown-made-in-germany-german-18thcentury-works-on-paper-drawings-andwatercolors-image393652887.htmlRM2DTCC7K–St. Catherine of Siena Receiving the Stigmata, 18th Century, Pen and purple ink and purple wash heightened with white over sketch in black chalk or pencil, 35.9 × 23.8 cm (14 1/8 × 9 3/8 in.), Unknown, Made in Germany, German, 18th century, Works on Paper - Drawings and Watercolors
On the Aar between Unterseen and Lake of Brienz. Date/Period: From 1794 until 1797. Gray ink wash over pencil on white paper. Author: J. M. W. Turner. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/on-the-aar-between-unterseen-and-lake-of-brienz-dateperiod-from-1794-until-1797-gray-ink-wash-over-pencil-on-white-paper-author-j-m-w-turner-image219725314.htmlRMPND9TJ–On the Aar between Unterseen and Lake of Brienz. Date/Period: From 1794 until 1797. Gray ink wash over pencil on white paper. Author: J. M. W. Turner.
Clément Auguste Andrieux, Louis-Philippe Escaping from Paris by Fiacre during the 1848 Revolution, 1849, brown ink and wash with white heightenings over pencil on paper. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/clment-auguste-andrieux-louis-philippe-escaping-from-paris-by-fiacre-during-the-1848-revolution-1849-brown-ink-and-wash-with-white-heightenings-over-pencil-on-paper-image537538315.htmlRM2P6EYGY–Clément Auguste Andrieux, Louis-Philippe Escaping from Paris by Fiacre during the 1848 Revolution, 1849, brown ink and wash with white heightenings over pencil on paper.
William Hodges, 1744–1797, British, View of Part of the City of Benares, ca. 1781. Gray wash with brush and brown ink over pencil squared for transfer, on laid paper laid down on 19th century wash mount. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-hodges-17441797-british-view-of-part-of-the-city-of-benares-ca-1781-gray-wash-with-brush-and-brown-ink-over-pencil-squared-for-transfer-on-laid-paper-laid-down-on-19th-century-wash-mount-image398400938.htmlRM2E44MCX–William Hodges, 1744–1797, British, View of Part of the City of Benares, ca. 1781. Gray wash with brush and brown ink over pencil squared for transfer, on laid paper laid down on 19th century wash mount.
Beata Humbelina with Crucifix, c. 1700. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beata-humbelina-with-crucifix-c-1700-image491535264.htmlRM2KFKA6T–Beata Humbelina with Crucifix, c. 1700.
Artist, probably by: Charles Le Brun, French, 1619–1690, Vertumnus and Pomona, Pen and grayish-brown ink and gray wash over preliminary drawing in pencil, Sheet: 29.7 × 36.2 cm (11 11/16 × 14 1/4 in.), Made in France, French, 17th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-probably-by-charles-le-brun-french-16191690-vertumnus-andpomona-pen-and-grayish-brown-ink-and-gray-wash-over-preliminary-drawing-in-pencil-sheet-297-362-cm-11-1116-14-14in-made-in-france-french-17thcentury-works-on-paper-drawings-andwatercolors-image393412075.htmlRM2DT1D37–Artist, probably by: Charles Le Brun, French, 1619–1690, Vertumnus and Pomona, Pen and grayish-brown ink and gray wash over preliminary drawing in pencil, Sheet: 29.7 × 36.2 cm (11 11/16 × 14 1/4 in.), Made in France, French, 17th century, Works on Paper - Drawings and Watercolors
King René's Honeymoon - Sculpture. Date/Period: 1861. Pen, indian ink and wash over coloured chalk and pencil, on paper. Width: 342 mm. Height: 550 mm. Author: Edward Burne-Jones. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-rens-honeymoon-sculpture-dateperiod-1861-pen-indian-ink-and-wash-over-coloured-chalk-and-pencil-on-paper-width-342-mm-height-550-mm-author-edward-burne-jones-image219708838.htmlRMPNCGT6–King René's Honeymoon - Sculpture. Date/Period: 1861. Pen, indian ink and wash over coloured chalk and pencil, on paper. Width: 342 mm. Height: 550 mm. Author: Edward Burne-Jones.
Mountain Lake with Two Figures, n.d. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mountain-lake-with-two-figures-nd-image491540281.htmlRM2KFKGJ1–Mountain Lake with Two Figures, n.d.
After: Hendrick van Balen I, Flemish, 1575–1632, Nymphs in the Wood, Pen and brown ink and brown-gray wash over sketch in pencil, traced for transfer, Sheet: 23.9 × 38.9 cm (9 7/16 × 15 5/16 in.), Made in Flanders, Flemish, 17th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/after-hendrick-van-balen-i-flemish-15751632-nymphs-in-thewood-pen-and-brown-ink-and-brown-gray-wash-over-sketch-in-pencil-traced-for-transfer-sheet-239-389-cm-9-716-15-516in-made-in-flanders-flemish-17thcentury-works-on-paper-drawings-andwatercolors-image393247003.htmlRM2DRNXFR–After: Hendrick van Balen I, Flemish, 1575–1632, Nymphs in the Wood, Pen and brown ink and brown-gray wash over sketch in pencil, traced for transfer, Sheet: 23.9 × 38.9 cm (9 7/16 × 15 5/16 in.), Made in Flanders, Flemish, 17th century, Works on Paper - Drawings and Watercolors
Design for a Chalice, Graphite, pen and ink, brush and wash on paper, A richly decorated vase stands upon a pedestal in the scheme of a pedestal upside down. On top stands a cup, with a bossed bottom. An oval medallion with the three nails suspended from a bowknot over two crossed boughs, in a band. At bottom left, an accounting in pencil., Italy, ca. 1800, metalwork, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-chalice-graphite-pen-and-ink-brush-and-wash-on-paper-a-richly-decorated-vase-stands-upon-a-pedestal-in-the-scheme-of-a-pedestal-upside-down-on-top-stands-a-cup-with-a-bossed-bottom-an-oval-medallion-with-the-three-nails-suspended-from-a-bowknot-over-two-crossed-boughs-in-a-band-at-bottom-left-an-accounting-in-pencil-italy-ca-1800-metalwork-drawing-image391580315.htmlRM2DN20K7–Design for a Chalice, Graphite, pen and ink, brush and wash on paper, A richly decorated vase stands upon a pedestal in the scheme of a pedestal upside down. On top stands a cup, with a bossed bottom. An oval medallion with the three nails suspended from a bowknot over two crossed boughs, in a band. At bottom left, an accounting in pencil., Italy, ca. 1800, metalwork, Drawing
The Tomb of Tristram and Iseult. Date/Period: 1862. Indian ink and brown wash over pencil on paper laid onto canvas. Width: 642 mm. Height: 641 mm. Author: Edward Burne-Jones. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-tomb-of-tristram-and-iseult-dateperiod-1862-indian-ink-and-brown-wash-over-pencil-on-paper-laid-onto-canvas-width-642-mm-height-641-mm-author-edward-burne-jones-image219713301.htmlRMPNCPFH–The Tomb of Tristram and Iseult. Date/Period: 1862. Indian ink and brown wash over pencil on paper laid onto canvas. Width: 642 mm. Height: 641 mm. Author: Edward Burne-Jones.
Design for a Library Wall, Pen and black and red ink, brush and gray and rose wash on two sheets of white laid paper, Two sections of bookcases are divided and flanked by carved panels of boiserie; at the left, a door and a wide and narrow panel, the wider one flanked by sconces and decorated with carved festoons and a mirror; at the right, desk containing a clock and above, a carved picture or mirror frame; over the bookcases--statuary, vases, and a map-globe. On verso, pencil sketch of a console table with indications of scale., ca. 1740, interiors, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-library-wall-pen-and-black-and-red-ink-brush-and-gray-and-rose-wash-on-two-sheets-of-white-laid-paper-two-sections-of-bookcases-are-divided-and-flanked-by-carved-panels-of-boiserie-at-the-left-a-door-and-a-wide-and-narrow-panel-the-wider-one-flanked-by-sconces-and-decorated-with-carved-festoons-and-a-mirror-at-the-right-desk-containing-a-clock-and-above-a-carved-picture-or-mirror-frame-over-the-bookcases-statuary-vases-and-a-map-globe-on-verso-pencil-sketch-of-a-console-table-with-indications-of-scale-ca-1740-interiors-drawing-image391235947.htmlRM2DME9CB–Design for a Library Wall, Pen and black and red ink, brush and gray and rose wash on two sheets of white laid paper, Two sections of bookcases are divided and flanked by carved panels of boiserie; at the left, a door and a wide and narrow panel, the wider one flanked by sconces and decorated with carved festoons and a mirror; at the right, desk containing a clock and above, a carved picture or mirror frame; over the bookcases--statuary, vases, and a map-globe. On verso, pencil sketch of a console table with indications of scale., ca. 1740, interiors, Drawing
Four Left Halves of Escutcheons, Gilles-Marie Oppenord, French, 1672–1742, Pencil, pen and brown ink with grey wash, partial framing line in red chalk, Horizontal rectangle., Recto: Four left halves of escutcheons decorated with scrolls, leaves and surmounted by crowns. One shows a half-female-half-lion, another a head over a crescent and spear-head., Verso: Interlacing pattern of band-work, probably intended to be carried out in marble or wood flooring. The ground is indicated in shading, perhaps a suggestion for Suite XIV, plate 1., One sheet of paper drawn on recto and verso Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/four-left-halves-of-escutcheons-gilles-marie-oppenord-french-16721742-pencil-pen-and-brown-ink-with-grey-wash-partial-framing-line-in-red-chalk-horizontal-rectangle-recto-four-left-halves-of-escutcheons-decorated-with-scrolls-leaves-and-surmounted-by-crowns-one-shows-a-half-female-half-lion-another-a-head-over-a-crescent-and-spear-head-verso-interlacing-pattern-of-band-work-probably-intended-to-be-carried-out-in-marble-or-wood-flooring-the-ground-is-indicated-in-shading-perhaps-a-suggestion-for-suite-xiv-plate-1-one-sheet-of-paper-drawn-on-recto-and-verso-image391371693.htmlRM2DMMEGD–Four Left Halves of Escutcheons, Gilles-Marie Oppenord, French, 1672–1742, Pencil, pen and brown ink with grey wash, partial framing line in red chalk, Horizontal rectangle., Recto: Four left halves of escutcheons decorated with scrolls, leaves and surmounted by crowns. One shows a half-female-half-lion, another a head over a crescent and spear-head., Verso: Interlacing pattern of band-work, probably intended to be carried out in marble or wood flooring. The ground is indicated in shading, perhaps a suggestion for Suite XIV, plate 1., One sheet of paper drawn on recto and verso
Benjamin West, American, 1738-1820, Britannia Protecting the Fine Arts, between 18th and 19th century, pen and ink and wash over graphite pencil on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/benjamin-west-american-1738-1820-britannia-protecting-the-fine-arts-between-18th-and-19th-century-pen-and-ink-and-wash-over-graphite-pencil-on-paper-image328727195.htmlRM2A2PPTY–Benjamin West, American, 1738-1820, Britannia Protecting the Fine Arts, between 18th and 19th century, pen and ink and wash over graphite pencil on paper
Sketches of Four Draped Female Figures (for Pendentives), n.d. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sketches-of-four-draped-female-figures-for-pendentives-nd-image506114389.htmlRM2MBBE1W–Sketches of Four Draped Female Figures (for Pendentives), n.d.
The Prince's Progress - Compositional Study for 'You should have wept her yesterday'. Date/Period: 1865. Pen and Indian ink with grey wash over pencil on paper, with drawn outline. Width: 118 mm. Height: 172 mm. Author: Dante Gabriel Rossetti. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-princes-progress-compositional-study-for-you-should-have-wept-her-yesterday-dateperiod-1865-pen-and-indian-ink-with-grey-wash-over-pencil-on-paper-with-drawn-outline-width-118-mm-height-172-mm-author-dante-gabriel-rossetti-image219724814.htmlRMPND96P–The Prince's Progress - Compositional Study for 'You should have wept her yesterday'. Date/Period: 1865. Pen and Indian ink with grey wash over pencil on paper, with drawn outline. Width: 118 mm. Height: 172 mm. Author: Dante Gabriel Rossetti.
Benjamin West, American, 1738-1820, Britannia Protecting the Fine Arts, between 18th and 19th century, pen and ink and wash over graphite pencil on paper, Sheet (diameter): 6 15/16 inches (17.6 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/benjamin-west-american-1738-1820-britannia-protecting-the-fine-arts-between-18th-and-19th-century-pen-and-ink-and-wash-over-graphite-pencil-on-paper-sheet-diameter-6-1516-inches-176-cm-image328727197.htmlRM2A2PPW1–Benjamin West, American, 1738-1820, Britannia Protecting the Fine Arts, between 18th and 19th century, pen and ink and wash over graphite pencil on paper, Sheet (diameter): 6 15/16 inches (17.6 cm
Two Women Conversing Near House, 1790. Style of Richard Westall or John Renton. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-women-conversing-near-house-1790-style-of-richard-westall-or-john-renton-image506115339.htmlRM2MBBF7R–Two Women Conversing Near House, 1790. Style of Richard Westall or John Renton.
Pyramus and Thisbe - Pyramus Draws His Sword to Slay Himself. Date/Period: 1865/1866. Brown ink and brown wash over pencil on cream toned paper. Width: 240 mm. Height: 316 mm. Author: Edward Burne-Jones. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pyramus-and-thisbe-pyramus-draws-his-sword-to-slay-himself-dateperiod-18651866-brown-ink-and-brown-wash-over-pencil-on-cream-toned-paper-width-240-mm-height-316-mm-author-edward-burne-jones-image219739516.htmlRMPNDYYT–Pyramus and Thisbe - Pyramus Draws His Sword to Slay Himself. Date/Period: 1865/1866. Brown ink and brown wash over pencil on cream toned paper. Width: 240 mm. Height: 316 mm. Author: Edward Burne-Jones.
Pierre Lelu, French, 1741–1810, Well at Mâcon, 1751–1810, Pen and brush and brown ink and brown wash over pencil on paper, Overall: 7 11/16 x 9 9/16 in. (19.5 x 24.3 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pierre-lelu-french-17411810-well-at-mcon-17511810-pen-and-brush-and-brown-ink-and-brown-wash-over-pencil-on-paper-overall-7-1116-x-9-916-in-195-x-243-cm-image344571807.htmlRM2B0GGRY–Pierre Lelu, French, 1741–1810, Well at Mâcon, 1751–1810, Pen and brush and brown ink and brown wash over pencil on paper, Overall: 7 11/16 x 9 9/16 in. (19.5 x 24.3 cm
Travelers before a Ruin, n.d. Attributed to Bartholomeus Breenbergh. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/travelers-before-a-ruin-nd-attributed-to-bartholomeus-breenbergh-image491542136.htmlRM2KFKK08–Travelers before a Ruin, n.d. Attributed to Bartholomeus Breenbergh.
Savoyard with a Dancing Doll. Pen, brush and black and brown ink, wash, over graphite pencil. Author: Jean-Baptiste Greuze. Jean Baptiste Greuze. GREUZE, JEAN-BAPTISTE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/savoyard-with-a-dancing-doll-pen-brush-and-black-and-brown-ink-wash-over-graphite-pencil-author-jean-baptiste-greuze-jean-baptiste-greuze-greuze-jean-baptiste-image219742680.htmlRMPNE40T–Savoyard with a Dancing Doll. Pen, brush and black and brown ink, wash, over graphite pencil. Author: Jean-Baptiste Greuze. Jean Baptiste Greuze. GREUZE, JEAN-BAPTISTE.
Henri-Joseph Harpignies, French, 1819–1916, Along a River Bank, 1907, Brush and black and gray ink and gray wash over light sketch in pencil on paper, Overall: 5 x 7 in. (12.7 x 17.8 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henri-joseph-harpignies-french-18191916-along-a-river-bank-1907-brush-and-black-and-gray-ink-and-gray-wash-over-light-sketch-in-pencil-on-paper-overall-5-x-7-in-127-x-178-cm-image344571417.htmlRM2B0GGA1–Henri-Joseph Harpignies, French, 1819–1916, Along a River Bank, 1907, Brush and black and gray ink and gray wash over light sketch in pencil on paper, Overall: 5 x 7 in. (12.7 x 17.8 cm
Sketches of Tuscan Villas, n.d. Attributed to Bernardo Buontalenti. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sketches-of-tuscan-villas-nd-attributed-to-bernardo-buontalenti-image491542113.htmlRM2KFKJYD–Sketches of Tuscan Villas, n.d. Attributed to Bernardo Buontalenti.
A capriccio with a monumental staircase. Date/Period: Ca. 1755 - ca. 1760. Drawing. Pen and ink, with grey wash, over ruled and free pencil and pinpointing on paper. Height: 363 mm (14.29 in); Width: 531 mm (20.90 in). Author: CANALETTO. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-capriccio-with-a-monumental-staircase-dateperiod-ca-1755-ca-1760-drawing-pen-and-ink-with-grey-wash-over-ruled-and-free-pencil-and-pinpointing-on-paper-height-363-mm-1429-in-width-531-mm-2090-in-author-canaletto-image219704326.htmlRMPNCB32–A capriccio with a monumental staircase. Date/Period: Ca. 1755 - ca. 1760. Drawing. Pen and ink, with grey wash, over ruled and free pencil and pinpointing on paper. Height: 363 mm (14.29 in); Width: 531 mm (20.90 in). Author: CANALETTO.
Robert Frederick Blum, American, 1857–1903, View of the Gulf of Corinth, 1867–1903, Brush and black ink and gray wash over pencil on paper, Overall: 9 13/16 x 12 15/16 in. (24.9 x 32.9 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/robert-frederick-blum-american-18571903-view-of-the-gulf-of-corinth-18671903-brush-and-black-ink-and-gray-wash-over-pencil-on-paper-overall-9-1316-x-12-1516-in-249-x-329-cm-image344571236.htmlRM2B0GG3G–Robert Frederick Blum, American, 1857–1903, View of the Gulf of Corinth, 1867–1903, Brush and black ink and gray wash over pencil on paper, Overall: 9 13/16 x 12 15/16 in. (24.9 x 32.9 cm
Stage Design, n.d. Attributed to Louis Jean Desprez. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stage-design-nd-attributed-to-louis-jean-desprez-image491541072.htmlRM2KFKHJ8–Stage Design, n.d. Attributed to Louis Jean Desprez.
Val of Shanganagh, Dún Laoghaire, with Boats. Elizabeth Murray; English, c. 1815-1882. Date: 1843. Dimensions: 176 mm × 260 mm. Brush and brown wash over graphite on cream wove paper. Origin: England. Museum: The Chicago Art Institute, FLORENCIA, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/val-of-shanganagh-dn-laoghaire-with-boats-elizabeth-murray-english-c-1815-1882-date-1843-dimensions-176-mm-260-mm-brush-and-brown-wash-over-graphite-on-cream-wove-paper-origin-england-museum-the-chicago-art-institute-florencia-usa-image631000869.htmlRM2YJGG19–Val of Shanganagh, Dún Laoghaire, with Boats. Elizabeth Murray; English, c. 1815-1882. Date: 1843. Dimensions: 176 mm × 260 mm. Brush and brown wash over graphite on cream wove paper. Origin: England. Museum: The Chicago Art Institute, FLORENCIA, USA.
Gustavo Simoni, Italian, 1846–1926, Reception at the Prefecture, 1846–1912, Brush and black ink and gray wash heightened with white gouache over pencil sketch on paper, Overall: 17 11/16 x 13 1/16 in. (45 x 33.1 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gustavo-simoni-italian-18461926-reception-at-the-prefecture-18461912-brush-and-black-ink-and-gray-wash-heightened-with-white-gouache-over-pencil-sketch-on-paper-overall-17-1116-x-13-116-in-45-x-331-cm-image344571512.htmlRM2B0GGDC–Gustavo Simoni, Italian, 1846–1926, Reception at the Prefecture, 1846–1912, Brush and black ink and gray wash heightened with white gouache over pencil sketch on paper, Overall: 17 11/16 x 13 1/16 in. (45 x 33.1 cm
Patriarch and Youths, n.d. Attributed to William Young Ottley. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/patriarch-and-youths-nd-attributed-to-william-young-ottley-image506112156.htmlRM2MBBB64–Patriarch and Youths, n.d. Attributed to William Young Ottley.
Company of Peasants in a Tavern, c. 1670-1679. Date/Period: Ca. 1670-1679. Pen and light and dark-brown ink over graphite pencil and black chalk, gray wash. Author: Adriaen van Ostade. Ostade, Adriaen Jansz, van. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/company-of-peasants-in-a-tavern-c-1670-1679-dateperiod-ca-1670-1679-pen-and-light-and-dark-brown-ink-over-graphite-pencil-and-black-chalk-gray-wash-author-adriaen-van-ostade-ostade-adriaen-jansz-van-image233247707.htmlRMRFD9R7–Company of Peasants in a Tavern, c. 1670-1679. Date/Period: Ca. 1670-1679. Pen and light and dark-brown ink over graphite pencil and black chalk, gray wash. Author: Adriaen van Ostade. Ostade, Adriaen Jansz, van.
Jean Jacques de Boissieu, French, 1736-1810, Landscape with River, between 1736 and 1810, pen and brown ink and gray wash over graphite pencil on cream laid paper, Sheet: 5 × 8 13/16 inches (12.7 × 22.4 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-jacques-de-boissieu-french-1736-1810-landscape-with-river-between-1736-and-1810-pen-and-brown-ink-and-gray-wash-over-graphite-pencil-on-cream-laid-paper-sheet-5-8-1316-inches-127-224-cm-image328713274.htmlRM2A2P53P–Jean Jacques de Boissieu, French, 1736-1810, Landscape with River, between 1736 and 1810, pen and brown ink and gray wash over graphite pencil on cream laid paper, Sheet: 5 × 8 13/16 inches (12.7 × 22.4 cm
