Illuminated manuscript on parchment hi-res stock photography and images

The Annunciation from the Hours of Étienne Chevalier, illuminated manuscript on parchment by Jean Fouquet, 1452-1460 Stock Photo

RM2RC90H1–The Annunciation from the Hours of Étienne Chevalier, illuminated manuscript on parchment by Jean Fouquet, 1452-1460

David playing the lyre while watching over Bethlehem. Personification of Bethlehem lying in the foreground. From the Paris Psalter (Codex Parisinianus) 10th century Illuminated manuscript on parchment Paris, Bibliothèque Nationale de France Stock Photo

RMGG2GBH–David playing the lyre while watching over Bethlehem. Personification of Bethlehem lying in the foreground. From the Paris Psalter (Codex Parisinianus) 10th century Illuminated manuscript on parchment Paris, Bibliothèque Nationale de France

Art inspired by Hours of Francis I, 1539–40, French, Paris or Tours, Illuminated manuscript on parchment, bound in leather with gilt, Overall, bound dimensions, confirmed: 8 3/16 x 5 3/4 x 1 1/2 in. (20.8 x 14.6 x 3.8 cm), Parchment, This is the only extant fully illuminated Book of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTWC37–Art inspired by Hours of Francis I, 1539–40, French, Paris or Tours, Illuminated manuscript on parchment, bound in leather with gilt, Overall, bound dimensions, confirmed: 8 3/16 x 5 3/4 x 1 1/2 in. (20.8 x 14.6 x 3.8 cm), Parchment, This is the only extant fully illuminated Book of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Hours of Francis I, 1539–40, French, Paris or Tours, Illuminated manuscript on parchment, bound in leather with gilt, Overall Stock Photo

RMKC7W3M–Hours of Francis I, 1539–40, French, Paris or Tours, Illuminated manuscript on parchment, bound in leather with gilt, Overall

Miniature from The Great Chronicles of France: the Foundation of Paris by King Pharamond 1375-1380. Manuscript on parchment n.2813, f. 5. Paris, The Grandes Chroniques de France is a vernacular royal compilation of the history of France, most manuscripts of which are luxury copies that are heavily illuminated. Copies were produced between the thirteenth and fifteenth centuries Stock Photo

RM2JYY553–Miniature from The Great Chronicles of France: the Foundation of Paris by King Pharamond 1375-1380. Manuscript on parchment n.2813, f. 5. Paris, The Grandes Chroniques de France is a vernacular royal compilation of the history of France, most manuscripts of which are luxury copies that are heavily illuminated. Copies were produced between the thirteenth and fifteenth centuries

Carolingian illuminated manuscript known as the Evangeliář svatovítský (The Gospel of Saint Vitus) also known as the Prague Gospel dated from the end of the 9th century on display at the exhibition 'At the Beginning of the Statehood' in Prague, Czech Republic. The exhibition to celebrate the 100th anniversary of Czechoslovakia runs for only five days from January 10 to January 15, 2018 in the Imperial Stables of Prague Castle. The manuscript is opened on the first page of the Gospel of Matthew with the Carolingian ornamental design. The manuscript was used once during the coronation of Charle Stock Photo

RMM7X43K–Carolingian illuminated manuscript known as the Evangeliář svatovítský (The Gospel of Saint Vitus) also known as the Prague Gospel dated from the end of the 9th century on display at the exhibition 'At the Beginning of the Statehood' in Prague, Czech Republic. The exhibition to celebrate the 100th anniversary of Czechoslovakia runs for only five days from January 10 to January 15, 2018 in the Imperial Stables of Prague Castle. The manuscript is opened on the first page of the Gospel of Matthew with the Carolingian ornamental design. The manuscript was used once during the coronation of Charle

France, Paris, the MahJ (Museum of Jewish Art and History), illuminated manuscript on parchment by the heraldic painter Victor Bouton 1876 Stock Photo

RM2Y9Y2C2–France, Paris, the MahJ (Museum of Jewish Art and History), illuminated manuscript on parchment by the heraldic painter Victor Bouton 1876

Virgin in Majesty nursing Christ, from the Hours of Etienne Chevalier, illuminated manuscript on parchment by Jean Fouquet, 1452-1460 Stock Photo

RF2WMGP44–Virgin in Majesty nursing Christ, from the Hours of Etienne Chevalier, illuminated manuscript on parchment by Jean Fouquet, 1452-1460

Illuminated parchment page from a 15th century religious book on display in the 12th century Cathedral of the Saviour. Avila, Avila Province, Castile Stock Photo

RM2HNDBJ6–Illuminated parchment page from a 15th century religious book on display in the 12th century Cathedral of the Saviour. Avila, Avila Province, Castile

Nativity, illuminated capital letter in the 'Episcopal Sacramentary of Elna' manuscript on parchm… Stock Photo

RMP9GXDN–Nativity, illuminated capital letter in the 'Episcopal Sacramentary of Elna' manuscript on parchm…

Title: Manuscript Leaf from a Missal Artist: n/d Year: mid-15th century Medium: Tempera, ink, and gold on parchment Dimensions: 32.5 x 24.4 cm Location: The Metropolitan Museum of Art Stock Photo

RM2YH8NAN–Title: Manuscript Leaf from a Missal Artist: n/d Year: mid-15th century Medium: Tempera, ink, and gold on parchment Dimensions: 32.5 x 24.4 cm Location: The Metropolitan Museum of Art

King Edward I of England forming an alliance with Guy de Dampierre, Earl of Flanders, 1294. The king is seated on a throne with blazons of three lions, wears a dalmatica and crown, and holds a sceptre. A scribe seated on a stool at his feet writes on parchment with a quill pen. (Mistakenly labeled Edward III.) From Cotton MS Nero E ii, Les Grandes Chroniques de France, 15th century. Handcoloured engraving by Joseph Strutt from his Complete View of the Dress and Habits of the People of England, Henry Bohn, London, 1842. Stock Photo

RM2E2FT7B–King Edward I of England forming an alliance with Guy de Dampierre, Earl of Flanders, 1294. The king is seated on a throne with blazons of three lions, wears a dalmatica and crown, and holds a sceptre. A scribe seated on a stool at his feet writes on parchment with a quill pen. (Mistakenly labeled Edward III.) From Cotton MS Nero E ii, Les Grandes Chroniques de France, 15th century. Handcoloured engraving by Joseph Strutt from his Complete View of the Dress and Habits of the People of England, Henry Bohn, London, 1842.

Illuminated Psalter. Culture: Byzantine. Dimensions: 8 1/8 x 5 7/8 x 2 in. (20.7 x 14.9 x 5.1 cm) Other (Single MS leaf): 7 11/16 x 5 13/16 in. (19.5 x 14.7 cm). Date: late 1100s. Literacy was highly prized in Byzantine state, with its sophisticated secular and clerical elite proving to be enthusiatic patrons of the book arts. This manuscript, one of the approximately fifty so-called aristocratic psalters that survive from the Middle Byzantine era, demonstrates the high quality of that period's book production. The text is elegantly written in gold letters on parchment, with vibrantly colore Stock Photo

RMPAKXN2–Illuminated Psalter. Culture: Byzantine. Dimensions: 8 1/8 x 5 7/8 x 2 in. (20.7 x 14.9 x 5.1 cm) Other (Single MS leaf): 7 11/16 x 5 13/16 in. (19.5 x 14.7 cm). Date: late 1100s. Literacy was highly prized in Byzantine state, with its sophisticated secular and clerical elite proving to be enthusiatic patrons of the book arts. This manuscript, one of the approximately fifty so-called aristocratic psalters that survive from the Middle Byzantine era, demonstrates the high quality of that period's book production. The text is elegantly written in gold letters on parchment, with vibrantly colore

England: 'The Temptation of Adam and Eve in the Earthly Paradise'. Detail of illumination on parchment from the Hunterian Psalter, c. 1170. The Hunterian Psalter (or York Psalter) is an illuminated manuscript of the 12th century. It was produced in England some time around 1170, and is considered a striking example of Romanesque book art. The work is part of the collection of the Glasgow University Library, which acquired the book in 1807. It derives its colloquial name, the 'Hunterian Psalter', from having been part of the collection of 18th century Scottish anatomist William Hunter. Stock Photo

RM2B01871–England: 'The Temptation of Adam and Eve in the Earthly Paradise'. Detail of illumination on parchment from the Hunterian Psalter, c. 1170. The Hunterian Psalter (or York Psalter) is an illuminated manuscript of the 12th century. It was produced in England some time around 1170, and is considered a striking example of Romanesque book art. The work is part of the collection of the Glasgow University Library, which acquired the book in 1807. It derives its colloquial name, the 'Hunterian Psalter', from having been part of the collection of 18th century Scottish anatomist William Hunter.

Tobias Matthay. Illuminated testimonial in the form of an encased triptych on parchment, with signatures of former pupils and Stock Photo

RMERE6NN–Tobias Matthay. Illuminated testimonial in the form of an encased triptych on parchment, with signatures of former pupils and

Worms Mahzor. Prayer book for Jewish holidays. Germany, 1271-1272. Ink on parchment (facsimile). Jewish Museum Berlin. Germany. Stock Photo

RMCREBYH–Worms Mahzor. Prayer book for Jewish holidays. Germany, 1271-1272. Ink on parchment (facsimile). Jewish Museum Berlin. Germany.

Maritime Atlas . English: Walters manuscript W.660 is an illuminated and illustrated maritime atlas, referred to as the Walters Deniz atlasi. It is an early Ottoman atlas, perhaps dating to the 10th century AH/AD 16th. The work contains 8 double-page charts executed on parchment. Four of the maps show the Mediterranean, Aegean, and Black seas. There is also a world map and a chart of the Indian Ocean. The various geographical names are written in black Nasta'liq script. A distinguishing feature of this atlas is the detailed approach to representing such features as city vignettes. . Hijri历10t Stock Photo

RMMNY0H3–Maritime Atlas . English: Walters manuscript W.660 is an illuminated and illustrated maritime atlas, referred to as the Walters Deniz atlasi. It is an early Ottoman atlas, perhaps dating to the 10th century AH/AD 16th. The work contains 8 double-page charts executed on parchment. Four of the maps show the Mediterranean, Aegean, and Black seas. There is also a world map and a chart of the Indian Ocean. The various geographical names are written in black Nasta'liq script. A distinguishing feature of this atlas is the detailed approach to representing such features as city vignettes. . Hijri历10t

Illustration of the orbits of Venus, Mercury, and the Sun, in a Franco-Flemish manuscript from the last quarter of 13th century (after 1277). Tempera colors, pen and ink, gold leaf, and gold paint on parchment. Stock Photo

RMG16AER–Illustration of the orbits of Venus, Mercury, and the Sun, in a Franco-Flemish manuscript from the last quarter of 13th century (after 1277). Tempera colors, pen and ink, gold leaf, and gold paint on parchment.

old gregorian book with letters decorated on parchment to sing in the choir Stock Photo

RFRR5KMJ–old gregorian book with letters decorated on parchment to sing in the choir

RM2RC8YND–Virgin in Majesty nursing Christ, from the Hours of Etienne Chevalier, illuminated manuscript on parchment by Jean Fouquet, 1452-1460

The Astronomer and the Computing clerk Astronomer raising an astrolabe to a starry sky between writing and computing clerks. From the Psalter of Saint Louis and Blanche of Castille. 13th century Illuminated manuscript on parchment Paris, Bibliothèque Nati Stock Photo

RMGG2GBM–The Astronomer and the Computing clerk Astronomer raising an astrolabe to a starry sky between writing and computing clerks. From the Psalter of Saint Louis and Blanche of Castille. 13th century Illuminated manuscript on parchment Paris, Bibliothèque Nati

Art inspired by Manuscript Leaf Showing an Illuminated Initial R with The Resurrection, late 13th century, Rhenish, Parchment, tempera, ink, metal leaf, 4 1/8 in. (10.4 cm) x 4 3/8 in. (11.1 cm), Manuscripts and Illuminations, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW31FM–Art inspired by Manuscript Leaf Showing an Illuminated Initial R with The Resurrection, late 13th century, Rhenish, Parchment, tempera, ink, metal leaf, 4 1/8 in. (10.4 cm) x 4 3/8 in. (11.1 cm), Manuscripts and Illuminations, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Illuminated Manuscript, Chapter 53 of the Book of Isaiah, Crucifixion; Veronica, This English manuscript was made in the nineteenth-century, using an extremely fine parchment. It contains the fifty-third chapter of the Book of Isaiah, in English translation. The small book is comprised of eight folios written and decorated on the rectos, leaving the versos blank. Script and decoration suggest that the book was conceived to imitate the style of fourteenth or fifteenth century French illumination Stock Photo

RM2T902XH–Illuminated Manuscript, Chapter 53 of the Book of Isaiah, Crucifixion; Veronica, This English manuscript was made in the nineteenth-century, using an extremely fine parchment. It contains the fifty-third chapter of the Book of Isaiah, in English translation. The small book is comprised of eight folios written and decorated on the rectos, leaving the versos blank. Script and decoration suggest that the book was conceived to imitate the style of fourteenth or fifteenth century French illumination

Illuminated Initial H from a Prayerbook. 1401–1500. Germany. Manuscript cutting in tempera and gold leaf, with Plattdeutsch inscriptions in light brown, red and blue inks, on parchment Stock Photo

RM2AHWCM2–Illuminated Initial H from a Prayerbook. 1401–1500. Germany. Manuscript cutting in tempera and gold leaf, with Plattdeutsch inscriptions in light brown, red and blue inks, on parchment

Duke Spytihněv II of Bohemia or probably his brother Duke Vratislaus II of Bohemia depicted in the medieval illuminated manuscript known as the Svatovítská apokalypsa (The Apocalypse of Saint Vitus) dated from the 11th century on display at the exhibition 'At the Beginning of the Statehood' in Prague, Czech Republic. Duke Spytihněv II of Bohemia is depicted below in the middle receiving the illuminated manuscript from the monks and being guarded by his servant. The exhibition to celebrate the 100th anniversary of Czechoslovakia runs for only five days from January 10 to January 15, 2018 in th Stock Photo

RMM7X43J–Duke Spytihněv II of Bohemia or probably his brother Duke Vratislaus II of Bohemia depicted in the medieval illuminated manuscript known as the Svatovítská apokalypsa (The Apocalypse of Saint Vitus) dated from the 11th century on display at the exhibition 'At the Beginning of the Statehood' in Prague, Czech Republic. Duke Spytihněv II of Bohemia is depicted below in the middle receiving the illuminated manuscript from the monks and being guarded by his servant. The exhibition to celebrate the 100th anniversary of Czechoslovakia runs for only five days from January 10 to January 15, 2018 in th

Monk showing old 1555 illuminated manuscript parchment book of gospels in museum of Kebran Gabriel monastery on Lake Tana Stock Photo

RMA2WK2W–Monk showing old 1555 illuminated manuscript parchment book of gospels in museum of Kebran Gabriel monastery on Lake Tana

Closeup of an illuminated medieval manuscript on a parchment with the historical Gregorian chant Stock Photo

RF2E2J5T4–Closeup of an illuminated medieval manuscript on a parchment with the historical Gregorian chant

France Bas Rhin Selestat humanistic library Liber Precum from the 12th centtury manuscript on parchment containing different Stock Photo

RME2FC3K–France Bas Rhin Selestat humanistic library Liber Precum from the 12th centtury manuscript on parchment containing different

Whitsun, illuminated capital letter in the 'Episcopal Sacramentary of Elna', manuscript on parchm… Stock Photo

RMP9GXDP–Whitsun, illuminated capital letter in the 'Episcopal Sacramentary of Elna', manuscript on parchm…

Missal 1472 German The Missal contains a Temporale, benedictions and preparations for the mass, Canon of the Mass, Sanctorale, and votive masses. The first section is a palimpsest written on parchment and was signed by frater Arnoldus in 1472 (151v). Beside a small drawing of a Crucifixion in the beginning of the volume, numerous pen-drawn initials, and three illuminated non-figural initials, the manuscript is decorated with one full-page Crucifixion (79v).. Missal 469038 Stock Photo

RM2HJ1J6F–Missal 1472 German The Missal contains a Temporale, benedictions and preparations for the mass, Canon of the Mass, Sanctorale, and votive masses. The first section is a palimpsest written on parchment and was signed by frater Arnoldus in 1472 (151v). Beside a small drawing of a Crucifixion in the beginning of the volume, numerous pen-drawn initials, and three illuminated non-figural initials, the manuscript is decorated with one full-page Crucifixion (79v).. Missal 469038

ROME, ITALY. Wednesday 29/02/2012. Lux in Arcana, The Vatican Secret Archives Reveals Itself. Book written on parchment convoking Vatican II council, December 25th 1961, Lux in Arcana exhibition at the Capitoline Museums in Rome. Stock Photo

RMC9XG91–ROME, ITALY. Wednesday 29/02/2012. Lux in Arcana, The Vatican Secret Archives Reveals Itself. Book written on parchment convoking Vatican II council, December 25th 1961, Lux in Arcana exhibition at the Capitoline Museums in Rome.

Prayer book. German manuscript on parchment with initials decorated with flowers. Museum: PRIVATE COLLECTION. Author: Anonymous master. Stock Photo

RM2WKEJJF–Prayer book. German manuscript on parchment with initials decorated with flowers. Museum: PRIVATE COLLECTION. Author: Anonymous master.

The specimens in the accompanying plate are selections from illuminations, representing a series of subjects from the Old and New Testament, pinted in opaque colours in compartments on four large sheets of parchment, and surrounded by borders of various design and pattern. 11th century. London. 1833 Stock Photo

RF2YAK2W6–The specimens in the accompanying plate are selections from illuminations, representing a series of subjects from the Old and New Testament, pinted in opaque colours in compartments on four large sheets of parchment, and surrounded by borders of various design and pattern. 11th century. London. 1833

Islamic illuminated manuscripts, (1898). Decoration from: 'Fig 1: an Arabian Koran, 14th century. Figs 2 and 3: an Arabian Koran, 16th century. Figs 4 and 5: a Moorish Koran, 18th century. Figs 6 and 7: an Arabian Koran, 16th century. Figs 8-10: an Arabian Koran, 17th century. Figs 11 and 12: a Moorish Koran, 18th century...in their paintings on parchment the Arabian artists show special skill in surface decoration. Scroll work, rigidly idealised, alternates with geometrical figures, or else the arabesque ornament fills the compartments formed by the lines and bands. In this manner whole pages Stock Photo

RM2AG0HYR–Islamic illuminated manuscripts, (1898). Decoration from: 'Fig 1: an Arabian Koran, 14th century. Figs 2 and 3: an Arabian Koran, 16th century. Figs 4 and 5: a Moorish Koran, 18th century. Figs 6 and 7: an Arabian Koran, 16th century. Figs 8-10: an Arabian Koran, 17th century. Figs 11 and 12: a Moorish Koran, 18th century...in their paintings on parchment the Arabian artists show special skill in surface decoration. Scroll work, rigidly idealised, alternates with geometrical figures, or else the arabesque ornament fills the compartments formed by the lines and bands. In this manner whole pages

Jerusalem, Israel. 2nd February, 2019. A medieval handwritten manuscript commentary on the Mishnah that refers to work of Rabbi Moshe ben Maimon displayed in an exhibition entitled “Maimonides: A Legacy in Script” inside Israel Museum in West Jerusalem. The exhibit showcase several manuscripts of one of Judaism's greatest and most renowned thinkers Rabbi Moshe ben Maimon aka Maimonides, aka Rambam who lived and worked almost a millennium ago. Stock Photo

RMRHKG46–Jerusalem, Israel. 2nd February, 2019. A medieval handwritten manuscript commentary on the Mishnah that refers to work of Rabbi Moshe ben Maimon displayed in an exhibition entitled “Maimonides: A Legacy in Script” inside Israel Museum in West Jerusalem. The exhibit showcase several manuscripts of one of Judaism's greatest and most renowned thinkers Rabbi Moshe ben Maimon aka Maimonides, aka Rambam who lived and worked almost a millennium ago.

This missal was collected by William K. Bixby, who donated it to the Missouri History Museum as part of his collection of papers. The document is the oldest item in the Archives. Dr. Susan L ?Engle from St. Louis University provided the following information to identify the document: Missal bifolium, Florence, Italy, circa 1450-1470. A bifolium is a sheet of parchment folded in half. A missal is a service book containing the texts necessary for the performance of the mass, including chants, prayers, and readings. The Latin text begins with the Introit for Tuesday of Holy week and ends on the b Stock Photo

RMMAJ2PX–This missal was collected by William K. Bixby, who donated it to the Missouri History Museum as part of his collection of papers. The document is the oldest item in the Archives. Dr. Susan L ?Engle from St. Louis University provided the following information to identify the document: Missal bifolium, Florence, Italy, circa 1450-1470. A bifolium is a sheet of parchment folded in half. A missal is a service book containing the texts necessary for the performance of the mass, including chants, prayers, and readings. The Latin text begins with the Introit for Tuesday of Holy week and ends on the b

Illuminated initial 'S' with foliate decoration, including hybrid creatures. Fragment from a canon law text (?), with glosses, on parchment. France, S.; 14th century. Source: Harley 5966, f.48. Language: Latin. Stock Photo

RMR52J96–Illuminated initial 'S' with foliate decoration, including hybrid creatures. Fragment from a canon law text (?), with glosses, on parchment. France, S.; 14th century. Source: Harley 5966, f.48. Language: Latin.

RFRR5KM1–old gregorian book with letters decorated on parchment to sing in the choir

Étienne Chevalier, and, Saint Étienne, his, patron saint, from the, Hours of Étienne Chevalier, illuminated manuscript on parchment by Jean Fouquet, 1452-1460 Stock Photo

RM2RC90HJ–Étienne Chevalier, and, Saint Étienne, his, patron saint, from the, Hours of Étienne Chevalier, illuminated manuscript on parchment by Jean Fouquet, 1452-1460

The Lion of Marc 7th century Illuminated on parchment published in The Book of Durrow, folio 191v Dublin, Trinity College Stock Photo

RMGG2GB3–The Lion of Marc 7th century Illuminated on parchment published in The Book of Durrow, folio 191v Dublin, Trinity College

Art inspired by Manuscript Leaf Showing an Illuminated Initial A and The Resurrection, second half of 14th–early 15th century, North Italian, Parchment, tempera, ink, metal leaf, 11 3/16 x 10 3/8 in. (28.4 x 26.4 cm), Manuscripts and Illuminations, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW31F7–Art inspired by Manuscript Leaf Showing an Illuminated Initial A and The Resurrection, second half of 14th–early 15th century, North Italian, Parchment, tempera, ink, metal leaf, 11 3/16 x 10 3/8 in. (28.4 x 26.4 cm), Manuscripts and Illuminations, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Illuminated Manuscript, Chapter 53 of the Book of Isaiah, Resurrection, This English manuscript was made in the nineteenth-century, using an extremely fine parchment. It contains the fifty-third chapter of the Book of Isaiah, in English translation. The small book is comprised of eight folios written and decorated on the rectos, leaving the versos blank. Script and decoration suggest that the book was conceived to imitate the style of fourteenth or fifteenth century French illumination Stock Photo

RM2T902XJ–Illuminated Manuscript, Chapter 53 of the Book of Isaiah, Resurrection, This English manuscript was made in the nineteenth-century, using an extremely fine parchment. It contains the fifty-third chapter of the Book of Isaiah, in English translation. The small book is comprised of eight folios written and decorated on the rectos, leaving the versos blank. Script and decoration suggest that the book was conceived to imitate the style of fourteenth or fifteenth century French illumination

Illuminated Initial G from a Prayerbook. 1401–1500. Netherlands. Manuscript cutting in tempera and gold leaf, with Dutch inscriptions in black and red inks, ruled in black, on parchment Stock Photo

RM2AHTHMD–Illuminated Initial G from a Prayerbook. 1401–1500. Netherlands. Manuscript cutting in tempera and gold leaf, with Dutch inscriptions in black and red inks, ruled in black, on parchment

Saint Matthew the Evangelist depicted in the medieval illuminated manuscript known as the Evangelistář svatovítský (The Evangeliary of Saint Vitus) dated from before the year of 1085 on display at the exhibition 'At the Beginning of the Statehood' in Prague, Czech Republic. The exhibition to celebrate the 100th anniversary of Czechoslovakia runs for only five days from January 10 to January 15, 2018 in the Imperial Stables of Prague Castle. The illuminated manuscript was probably ordered by King Vratislaus II of Bohemia together with the Vyšehrad Codex in occasion of his coronation as the fir Stock Photo

RMM7X43M–Saint Matthew the Evangelist depicted in the medieval illuminated manuscript known as the Evangelistář svatovítský (The Evangeliary of Saint Vitus) dated from before the year of 1085 on display at the exhibition 'At the Beginning of the Statehood' in Prague, Czech Republic. The exhibition to celebrate the 100th anniversary of Czechoslovakia runs for only five days from January 10 to January 15, 2018 in the Imperial Stables of Prague Castle. The illuminated manuscript was probably ordered by King Vratislaus II of Bohemia together with the Vyšehrad Codex in occasion of his coronation as the fir

Crucifixion and burial of Jesus scenes in old 1555 illuminated manuscript parchment book in museum of Kebran Gabriel on Lake Ta Stock Photo

RMA2WK2N–Crucifixion and burial of Jesus scenes in old 1555 illuminated manuscript parchment book in museum of Kebran Gabriel on Lake Ta

RF2E2J5TG–Closeup of an illuminated medieval manuscript on a parchment with the historical Gregorian chant

6077. Hebrew Pentateuch written on parchment, dating 13-14th. C. from North Africa and Spain. Stock Photo

RFKCKCX4–6077. Hebrew Pentateuch written on parchment, dating 13-14th. C. from North Africa and Spain.

Illuminated manuscript of the Georgian-language Gospels, Between 1201 and 1300. Artist: Anonymous master Stock Photo

RMDE6TB7–Illuminated manuscript of the Georgian-language Gospels, Between 1201 and 1300. Artist: Anonymous master

Illuminated Psalter late 1100s Byzantine Literacy was highly prized in Byzantine state, with its sophisticated secular and clerical elite proving to be enthusiatic patrons of the book arts. This manuscript, one of the approximately fifty so-called aristocratic psalters that survive from the Middle Byzantine era, demonstrates the high quality of that period's book production. The text is elegantly written in gold letters on parchment, with vibrantly colored illuminations set against gilded grounds at selected readings. The iconlike illiminations assist in making the Old Testament text relevant Stock Photo

RM2HH6463–Illuminated Psalter late 1100s Byzantine Literacy was highly prized in Byzantine state, with its sophisticated secular and clerical elite proving to be enthusiatic patrons of the book arts. This manuscript, one of the approximately fifty so-called aristocratic psalters that survive from the Middle Byzantine era, demonstrates the high quality of that period's book production. The text is elegantly written in gold letters on parchment, with vibrantly colored illuminations set against gilded grounds at selected readings. The iconlike illiminations assist in making the Old Testament text relevant

Europa, Frankreich, Evangelist trankribiert einen Text auf ein Pergament mit einer Schilffeder, Originaltext : ' Évangéliste trancrivant, avec le calame, sur un parchemin, le texte dont il recoit la révélation . D`aprés une miniature du IX e siècle . ' , Motiv aus : ' L`Ancienne France , Le Livre ' , von M. P. Louisy, Verlag : ' Librairie de Firmin-Didot et Cie, Paris, 1887 . / Europe, France, evangelist is trancribing a text on a parchment paper with a reed pen, original text : ' Évangéliste transcrivant , avec le calame, sur un parchemin, le texte dont il recoit la révélation. D`aprés un Stock Photo

RM2A8X4AJ–Europa, Frankreich, Evangelist trankribiert einen Text auf ein Pergament mit einer Schilffeder, Originaltext : ' Évangéliste trancrivant, avec le calame, sur un parchemin, le texte dont il recoit la révélation . D`aprés une miniature du IX e siècle . ' , Motiv aus : ' L`Ancienne France , Le Livre ' , von M. P. Louisy, Verlag : ' Librairie de Firmin-Didot et Cie, Paris, 1887 . / Europe, France, evangelist is trancribing a text on a parchment paper with a reed pen, original text : ' Évangéliste transcrivant , avec le calame, sur un parchemin, le texte dont il recoit la révélation. D`aprés un

Folio from a Qur'an Manuscript. Dimensions: H. 8 1/2 in. (21.6 cm) W. 5 3/4 in. (14.6 cm). Date: 8th-9th century. While the earliest surviving Qur'ans were copied in a tall, streamlined script known as hijazi on a vertical parchment support , such preferences were abandoned during the Umayyad period as scribes developed the horizontal format and kufic script of the kind seen in this folio. The wide, elongated calligraphy spreads out elegantly across the horizontally formatted parchment as scribes manipulate the width of individual letters to fill out lines. The earliest script lacked dots an Stock Photo

RMPAR086–Folio from a Qur'an Manuscript. Dimensions: H. 8 1/2 in. (21.6 cm) W. 5 3/4 in. (14.6 cm). Date: 8th-9th century. While the earliest surviving Qur'ans were copied in a tall, streamlined script known as hijazi on a vertical parchment support , such preferences were abandoned during the Umayyad period as scribes developed the horizontal format and kufic script of the kind seen in this folio. The wide, elongated calligraphy spreads out elegantly across the horizontally formatted parchment as scribes manipulate the width of individual letters to fill out lines. The earliest script lacked dots an

RFR1T04C–Manuscript vector icon isolated on transparent background, Manuscript transparency logo concept

RM2YJ3WTN–The specimens in the accompanying plate are selections from illuminations, representing a series of subjects from the Old and New Testament, pinted in opaque colours in compartments on four large sheets of parchment, and surrounded by borders of various design and pattern. 11th century. London. 1833

Jerusalem, Israel. 2nd February, 2019. A medieval handwritten manuscript decorated with gold leaf commentary on the Mishnah that refers to work of Rabbi Moshe ben Maimon displayed in an exhibition entitled “Maimonides: A Legacy in Script” inside Israel Museum in West Jerusalem. The exhibit showcase several manuscripts of one of Judaism's greatest and most renowned thinkers Rabbi Moshe ben Maimon aka Maimonides, aka Rambam who lived and worked almost a millennium ago. Stock Photo

RMRHKFRW–Jerusalem, Israel. 2nd February, 2019. A medieval handwritten manuscript decorated with gold leaf commentary on the Mishnah that refers to work of Rabbi Moshe ben Maimon displayed in an exhibition entitled “Maimonides: A Legacy in Script” inside Israel Museum in West Jerusalem. The exhibit showcase several manuscripts of one of Judaism's greatest and most renowned thinkers Rabbi Moshe ben Maimon aka Maimonides, aka Rambam who lived and worked almost a millennium ago.

Old blank paper sheet, white feather in the inkwell and burning candle in antique candlestick are isolated on a black background Stock Photo

RF2BCNK7X–Old blank paper sheet, white feather in the inkwell and burning candle in antique candlestick are isolated on a black background

Miniature of Mark seated at a desk and writing the words 'In illo tempore' on a parchment, while his symbol, a winged lion, sits before him, at the beginning of his Gospel. Book of Hours, Use of Rome ('The Dunois Hours'). France, Central (Paris); c. 1440 - c. 1450 (after 1436). Source: Yates Thompson 3, f.20v. Language: Latin, with a French calendar. Stock Photo

RMR54FKB–Miniature of Mark seated at a desk and writing the words 'In illo tempore' on a parchment, while his symbol, a winged lion, sits before him, at the beginning of his Gospel. Book of Hours, Use of Rome ('The Dunois Hours'). France, Central (Paris); c. 1440 - c. 1450 (after 1436). Source: Yates Thompson 3, f.20v. Language: Latin, with a French calendar.

. Historical notes : Public Library of New South Wales. ich the collector was able to obtain. Still turning over the contents of the librarians safe, one sees two Books ofHours—Roman Catholic prayer books—one at least of which dates back half acentury before the art of printing—to 1402. They are hand-printed on parchment,with beautifully-illuminated capitals in colour and burnished gold, and illustratedwith pictures done in colour. A manuscript copy of the Koran, also a finely-producedwork, contains the inscription, Written by the caligrapher, Muhammad Suhra-wardi. Placed in the Royal Library Stock Photo

RM2AFMK5B–. Historical notes : Public Library of New South Wales. ich the collector was able to obtain. Still turning over the contents of the librarians safe, one sees two Books ofHours—Roman Catholic prayer books—one at least of which dates back half acentury before the art of printing—to 1402. They are hand-printed on parchment,with beautifully-illuminated capitals in colour and burnished gold, and illustratedwith pictures done in colour. A manuscript copy of the Koran, also a finely-producedwork, contains the inscription, Written by the caligrapher, Muhammad Suhra-wardi. Placed in the Royal Library

15th Century illuminated manuscript 'The Pentecost', tempera and gold on parchment by Bohemian Master, 1413-1415 Stock Photo

RM2T3MYN1–15th Century illuminated manuscript 'The Pentecost', tempera and gold on parchment by Bohemian Master, 1413-1415

Les Maqâmât by Aboû Mohamed al-Qâsim: Muslim warrior mounted on a camel 13th century Illuminated manuscript (27.5 x 21 cm) n°3929, f.41v Paris, Bibliothèque Nationale de France Stock Photo

RMGG2G99–Les Maqâmât by Aboû Mohamed al-Qâsim: Muslim warrior mounted on a camel 13th century Illuminated manuscript (27.5 x 21 cm) n°3929, f.41v Paris, Bibliothèque Nationale de France

Art inspired by Manuscript Leaf from a Book of Hours Showing an Illuminated Initial D and Christ Bearing the Cross, 1390–1400, French, Parchment, tempera, ink, metal leaf, 6 13/16 x 5 1/16 in. (17.3 x 12.8 cm); mat: 12 × 10 in. (30.5 × 25.4 cm), Manuscripts and Illuminations, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW31F4–Art inspired by Manuscript Leaf from a Book of Hours Showing an Illuminated Initial D and Christ Bearing the Cross, 1390–1400, French, Parchment, tempera, ink, metal leaf, 6 13/16 x 5 1/16 in. (17.3 x 12.8 cm); mat: 12 × 10 in. (30.5 × 25.4 cm), Manuscripts and Illuminations, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Illuminated Manuscript, Chapter 53 of the Book of Isaiah, Good shepherd, This English manuscript was made in the nineteenth-century, using an extremely fine parchment. It contains the fifty-third chapter of the Book of Isaiah, in English translation. The small book is comprised of eight folios written and decorated on the rectos, leaving the versos blank. Script and decoration suggest that the book was conceived to imitate the style of fourteenth or fifteenth century French illumination Stock Photo

RM2T902X1–Illuminated Manuscript, Chapter 53 of the Book of Isaiah, Good shepherd, This English manuscript was made in the nineteenth-century, using an extremely fine parchment. It contains the fifty-third chapter of the Book of Isaiah, in English translation. The small book is comprised of eight folios written and decorated on the rectos, leaving the versos blank. Script and decoration suggest that the book was conceived to imitate the style of fourteenth or fifteenth century French illumination

Illuminated Initial G from a Bible Historiale. 1401–1500. Netherlands. Manuscript cutting in tempera and gold leaf, with Dutch inscriptions in black and red inks, ruled in black, on parchment Stock Photo

RM2AHP9RA–Illuminated Initial G from a Bible Historiale. 1401–1500. Netherlands. Manuscript cutting in tempera and gold leaf, with Dutch inscriptions in black and red inks, ruled in black, on parchment

Illuminated initial by Florentine manuscript illuminators Zanobi Strozzi and Filippo di Matteo Torelli in the Antiphonary G dated from 1447 on display in the Monastery Library in the San Marco Museum (Museo Nazionale di San Marco) in Florence, Tuscany, Italy. Stock Photo

RMT1NWD4–Illuminated initial by Florentine manuscript illuminators Zanobi Strozzi and Filippo di Matteo Torelli in the Antiphonary G dated from 1447 on display in the Monastery Library in the San Marco Museum (Museo Nazionale di San Marco) in Florence, Tuscany, Italy.

RMA2WK2T–Crucifixion and burial of Jesus scenes in old 1555 illuminated manuscript parchment book in museum of Kebran Gabriel on Lake Ta

A vintage typewriter on a wooden table illuminated by natural light coming through a nearby window Stock Photo

RF2R1TBYD–A vintage typewriter on a wooden table illuminated by natural light coming through a nearby window

Paris, France - 10 19 2024: Le Louvre Museum. Figure of the madman. View of an illuminated handwritten text on parchment Stock Photo

RF2YEATYT–Paris, France - 10 19 2024: Le Louvre Museum. Figure of the madman. View of an illuminated handwritten text on parchment

Illuminated manuscript of the Georgian-language Gospels, 11th-12th century. Artist: Anonymous master Stock Photo

RMDE6TBF–Illuminated manuscript of the Georgian-language Gospels, 11th-12th century. Artist: Anonymous master

Paper scroll icons in color illuminated spherical glass buttons on black background. Can be used to black or dark templates Stock Vector

RF2C9YB2H–Paper scroll icons in color illuminated spherical glass buttons on black background. Can be used to black or dark templates

Folio from a Qur'an Manuscript. Dimensions: H. 11 3/4 in. (29.8 cm) W. 8 3/4 in. (22.2 cm). Date: ca. 1180. These folios from a dispersed Qur'an exemplify the transition during the Seljuq period from Qur'ans written in kufic script on parchment to those copied in the more rounded new-style writing on paper. By the late twelfth century, the practitioners of the new style had perfected its mannered, slightly eccentric forms. As seen here, these include the extreme elongation of tall letters and the ellipse formed by combining two of these letters, lam and alif. Museum: Metropolitan Museum of Stock Photo

RMPAN143–Folio from a Qur'an Manuscript. Dimensions: H. 11 3/4 in. (29.8 cm) W. 8 3/4 in. (22.2 cm). Date: ca. 1180. These folios from a dispersed Qur'an exemplify the transition during the Seljuq period from Qur'ans written in kufic script on parchment to those copied in the more rounded new-style writing on paper. By the late twelfth century, the practitioners of the new style had perfected its mannered, slightly eccentric forms. As seen here, these include the extreme elongation of tall letters and the ellipse formed by combining two of these letters, lam and alif. Museum: Metropolitan Museum of

RMRHKG01–Jerusalem, Israel. 2nd February, 2019. A medieval handwritten manuscript decorated with gold leaf commentary on the Mishnah that refers to work of Rabbi Moshe ben Maimon displayed in an exhibition entitled “Maimonides: A Legacy in Script” inside Israel Museum in West Jerusalem. The exhibit showcase several manuscripts of one of Judaism's greatest and most renowned thinkers Rabbi Moshe ben Maimon aka Maimonides, aka Rambam who lived and worked almost a millennium ago.

Francis II (1544-1560), King of France (1559-1560) and King Consort of Scotland (1558-1560) with his wife Mary, Queen of Scots (1542-1587), illuminated manuscript portrait painting on parchment by Francois Clouet, circa 1573 Stock Photo

RM2WH1D51–Francis II (1544-1560), King of France (1559-1560) and King Consort of Scotland (1558-1560) with his wife Mary, Queen of Scots (1542-1587), illuminated manuscript portrait painting on parchment by Francois Clouet, circa 1573

Art inspired by Manuscript Leaf Cutting Probably from a Missal with an Illuminated Initial S and King David Receiving the Holy Bread from Ahimelech the Priest., late 15th century, French, Parchment, tempera, ink, metal leaf, 3 1/8 x 4 7/16 in. (8 x 11.3 cm); mat: 7 x 9 in. (17.8 x 22.9, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW31G1–Art inspired by Manuscript Leaf Cutting Probably from a Missal with an Illuminated Initial S and King David Receiving the Holy Bread from Ahimelech the Priest., late 15th century, French, Parchment, tempera, ink, metal leaf, 3 1/8 x 4 7/16 in. (8 x 11.3 cm); mat: 7 x 9 in. (17.8 x 22.9, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Illuminated Manuscript, Chapter 53 of the Book of Isaiah, Christ before Pilate, This English manuscript was made in the nineteenth-century, using an extremely fine parchment. It contains the fifty-third chapter of the Book of Isaiah, in English translation. The small book is comprised of eight folios written and decorated on the rectos, leaving the versos blank. Script and decoration suggest that the book was conceived to imitate the style of fourteenth or fifteenth century French illumination Stock Photo

RM2T902WR–Illuminated Manuscript, Chapter 53 of the Book of Isaiah, Christ before Pilate, This English manuscript was made in the nineteenth-century, using an extremely fine parchment. It contains the fifty-third chapter of the Book of Isaiah, in English translation. The small book is comprised of eight folios written and decorated on the rectos, leaving the versos blank. Script and decoration suggest that the book was conceived to imitate the style of fourteenth or fifteenth century French illumination

School of Weingarten Abbey. Saint Gregory as Author. 1188–1200. Germany. Opaque watercolor on parchment This striking author portrait honors Saint Gregory, who reigned as Pope Gregory the Great from 590 to 604. He is shown in the act of writing his homilies, with the dove of the Holy Ghost perched on his shoulder to provide inspiration. This leaf, illuminated on both sides, is apparently all that remains of a manuscript of the life of Saint Gregory written in the monastic scriptorium of Weingarten Abbey not far from Lake Constance during the time of Abbot Meingoz (1188–1200). In this period, t Stock Photo

RM2AHT4E5–School of Weingarten Abbey. Saint Gregory as Author. 1188–1200. Germany. Opaque watercolor on parchment This striking author portrait honors Saint Gregory, who reigned as Pope Gregory the Great from 590 to 604. He is shown in the act of writing his homilies, with the dove of the Holy Ghost perched on his shoulder to provide inspiration. This leaf, illuminated on both sides, is apparently all that remains of a manuscript of the life of Saint Gregory written in the monastic scriptorium of Weingarten Abbey not far from Lake Constance during the time of Abbot Meingoz (1188–1200). In this period, t

RF2YEATYY–Paris, France - 10 19 2024: Le Louvre Museum. Figure of the madman. View of an illuminated handwritten text on parchment

RMDE6TC2–Illuminated manuscript of the Georgian-language Gospels, 11th-12th century. Artist: Anonymous master

Paper scroll with feather icons in color illuminated spherical glass buttons on black background. Can be used to black or dark templates Stock Vector

RF2CAE7C0–Paper scroll with feather icons in color illuminated spherical glass buttons on black background. Can be used to black or dark templates

Folio from a Qur'an Manuscript. Dimensions: H. 13 1/8 in. (33.32 cm) W. 9 3/8 in. (23.8 cm). Date: late 9th-early 10th century. Like many early Qur'an folios, this one is written on parchment in black ink with a broad-nibbed reed pen. The horizontally elongated letters seen here are characteristic of early kufic Qur'ans on parchment, and are thought to be a response to the rectangular page format. The angular script is moderated by the roundness of several letters that look like large black dots, their inner blank spaces reduced almost to a needlepoint. Red and green dots indicate the vowel Stock Photo

RMPATJ7K–Folio from a Qur'an Manuscript. Dimensions: H. 13 1/8 in. (33.32 cm) W. 9 3/8 in. (23.8 cm). Date: late 9th-early 10th century. Like many early Qur'an folios, this one is written on parchment in black ink with a broad-nibbed reed pen. The horizontally elongated letters seen here are characteristic of early kufic Qur'ans on parchment, and are thought to be a response to the rectangular page format. The angular script is moderated by the roundness of several letters that look like large black dots, their inner blank spaces reduced almost to a needlepoint. Red and green dots indicate the vowel

The French King at Court, 15th Century illuminated manuscript by unknown artist, 1460-1470 Stock Photo

RM2CD80EG–The French King at Court, 15th Century illuminated manuscript by unknown artist, 1460-1470

Inspired by Illuminated Letter D, Unknown Master, Painting on parchment with gold leaf, red, pink, blue, green, yellow, and white, 15th century, sheet: 6 15/16 x 6 1/16 in., 17.6 x 15.4 cm, illuminated, manuscript, vellum, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK4PR1–Inspired by Illuminated Letter D, Unknown Master, Painting on parchment with gold leaf, red, pink, blue, green, yellow, and white, 15th century, sheet: 6 15/16 x 6 1/16 in., 17.6 x 15.4 cm, illuminated, manuscript, vellum, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Illuminated Initial G from a Prayerbook, 15th century, Dutch, Netherlands, Manuscript cutting in tempera and gold leaf, with Dutch inscriptions in black and red inks, ruled in black, on parchment, 140 x 74 mm Stock Photo

RM2A2HRRF–Illuminated Initial G from a Prayerbook, 15th century, Dutch, Netherlands, Manuscript cutting in tempera and gold leaf, with Dutch inscriptions in black and red inks, ruled in black, on parchment, 140 x 74 mm

Unknown artist. Investiture Certificate of Sister Maria Theresa Baglioni. 1712–1722. Italy. Manuscript cutting in opaque and translucent water-based paint and metalic paint over traces of black chalk on parchment This elaborate illuminated manuscript page marked Maria Theresa Baglioni’s investiture as a nun in the Augustinian convent of Santa Marta in Venice in 1717. During the ceremony, in addition to renouncing all property and vowing to live in abstinence until death, she likely recited the standard ritualistic formula of promises of obedience to God, the pope, and Saint Augustine, which ar Stock Photo

RM2AHT69G–Unknown artist. Investiture Certificate of Sister Maria Theresa Baglioni. 1712–1722. Italy. Manuscript cutting in opaque and translucent water-based paint and metalic paint over traces of black chalk on parchment This elaborate illuminated manuscript page marked Maria Theresa Baglioni’s investiture as a nun in the Augustinian convent of Santa Marta in Venice in 1717. During the ceremony, in addition to renouncing all property and vowing to live in abstinence until death, she likely recited the standard ritualistic formula of promises of obedience to God, the pope, and Saint Augustine, which ar

RMDE6TBB–Illuminated manuscript of the Georgian-language Gospels, Between 1201 and 1300. Artist: Anonymous master

Scroll with certificate on left icons in color illuminated spherical glass buttons on black background. Can be used to black or dark templates Stock Vector

RF2CA0J3M–Scroll with certificate on left icons in color illuminated spherical glass buttons on black background. Can be used to black or dark templates

Folio from a Qur'an Manuscript. Dimensions: H. 3 5/16 in. (8.4 cm) W. 5 1/16 in. (12.9 cm). Date: 9th-early 10th century. Like many early Qur'an folios, this folio is written in parchment in black ink using a broad-nibbed reed pen. The horizontal, rounded letters seen here are characteristic of early kufic Qur'ans on parchment, and are thought to be a response to the rectangular page format. The angular script is moderated by the roundness of several letters that look like large black dots, their inner blank spaces reduced to tiny circles. Red and green dots indicate the vowel marks. Museum: Stock Photo

RMPB1WDT–Folio from a Qur'an Manuscript. Dimensions: H. 3 5/16 in. (8.4 cm) W. 5 1/16 in. (12.9 cm). Date: 9th-early 10th century. Like many early Qur'an folios, this folio is written in parchment in black ink using a broad-nibbed reed pen. The horizontal, rounded letters seen here are characteristic of early kufic Qur'ans on parchment, and are thought to be a response to the rectangular page format. The angular script is moderated by the roundness of several letters that look like large black dots, their inner blank spaces reduced to tiny circles. Red and green dots indicate the vowel marks. Museum:

Xerxes I (518-465BC), King of the Persians crosses a bridge with his army, 15th Century illuminated manuscript, 1413-1415 Stock Photo

RM2CD80E5–Xerxes I (518-465BC), King of the Persians crosses a bridge with his army, 15th Century illuminated manuscript, 1413-1415

Art inspired by Illuminated Letter D, Unknown Master, Painting on parchment with gold leaf, red, pink, blue, green, yellow, and white, 15th century, sheet: 6 15/16 x 6 1/16 in., 17.6 x 15.4 cm, illuminated, manuscript, vellum, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKK45F–Art inspired by Illuminated Letter D, Unknown Master, Painting on parchment with gold leaf, red, pink, blue, green, yellow, and white, 15th century, sheet: 6 15/16 x 6 1/16 in., 17.6 x 15.4 cm, illuminated, manuscript, vellum, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Illuminated Initial G from a Bible Historiale, 15th century, Dutch, Netherlands, Manuscript cutting in tempera and gold leaf, with Dutch inscriptions in black and red inks, ruled in black, on parchment, 141 x 75 mm Stock Photo

RM2A2HRRG–Illuminated Initial G from a Bible Historiale, 15th century, Dutch, Netherlands, Manuscript cutting in tempera and gold leaf, with Dutch inscriptions in black and red inks, ruled in black, on parchment, 141 x 75 mm

Vecchietta (Lorenzo di Pietro di Giovanni). Pope Pius II, frontispiece to a Constitution of the Sienese Church of the Year 1464. 1464. Italy. Manuscript cutting in tempera and gold leaf on parchment This illuminated frontispiece features Pope Pius II, who reigned from 1458 to 1464, above a view of his hometown of Siena and eight Sienese coats of arms. Pius II had an unusual past for a pope, having served as the imperial poet laureate in 1442 at Frederick III’s court. While poet laureate, he wrote what would become a best seller of its time, The Tale of the Two Lovers, a courtly romance. This m Stock Photo

RM2AHTH8D–Vecchietta (Lorenzo di Pietro di Giovanni). Pope Pius II, frontispiece to a Constitution of the Sienese Church of the Year 1464. 1464. Italy. Manuscript cutting in tempera and gold leaf on parchment This illuminated frontispiece features Pope Pius II, who reigned from 1458 to 1464, above a view of his hometown of Siena and eight Sienese coats of arms. Pius II had an unusual past for a pope, having served as the imperial poet laureate in 1442 at Frederick III’s court. While poet laureate, he wrote what would become a best seller of its time, The Tale of the Two Lovers, a courtly romance. This m

The world map from the Manchester Beatus. Stock Photo

RMW7CCHK–The world map from the Manchester Beatus.

Section from a Qur'an Manuscript. Dimensions: 10 7/16 x 7 1/2 in. (26.5 x 19 cm). Date: ca. 1320. This section of a Qur'an manuscript written on parchment contains verses 114-147 from Sura 4 (al-Nisa', 'of the women'). On the last page, the text is framed by a gilded border and is set inside cloud-bands against a background of scrolls. The style of the script is cursive muhaqqaq, canonized in the 13th century, that is of larger dimensions than naskhi and mainly employed for large Qur'ans. The brown leather binding, gold-tooled in Mamluk style, is a recent addition. Museum: Metropolitan Museu Stock Photo

RMPAXPB9–Section from a Qur'an Manuscript. Dimensions: 10 7/16 x 7 1/2 in. (26.5 x 19 cm). Date: ca. 1320. This section of a Qur'an manuscript written on parchment contains verses 114-147 from Sura 4 (al-Nisa', 'of the women'). On the last page, the text is framed by a gilded border and is set inside cloud-bands against a background of scrolls. The style of the script is cursive muhaqqaq, canonized in the 13th century, that is of larger dimensions than naskhi and mainly employed for large Qur'ans. The brown leather binding, gold-tooled in Mamluk style, is a recent addition. Museum: Metropolitan Museu

Saint George and the Dragon, illuminated manuscript by Master of Guillebert de Mets, circa 1450-1455 Stock Photo

RM2CA92DJ–Saint George and the Dragon, illuminated manuscript by Master of Guillebert de Mets, circa 1450-1455

Art inspired by Manuscript Leaf Cutting from a Choir Book with an Illuminated Initial B and the Archangel Michael, second half of the 15th century, Made in Lombardy, Italy, Italian, Tempera, gold, silver, ink on parchment, 3 3/8 x 3 3/4 in. (8.5 x 9.5 cm); mat: 9 x 7 in. (22.9 x 17.8, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW31FE–Art inspired by Manuscript Leaf Cutting from a Choir Book with an Illuminated Initial B and the Archangel Michael, second half of the 15th century, Made in Lombardy, Italy, Italian, Tempera, gold, silver, ink on parchment, 3 3/8 x 3 3/4 in. (8.5 x 9.5 cm); mat: 9 x 7 in. (22.9 x 17.8, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Illuminated Initial H from a Prayerbook, 15th century, Northern German (possibly Munster), Germany, Manuscript cutting in tempera and gold leaf, with Plattdeutsch inscriptions in light brown, red and blue inks, on parchment, 120 x 88 mm Stock Photo

RM2A2HRRA–Illuminated Initial H from a Prayerbook, 15th century, Northern German (possibly Munster), Germany, Manuscript cutting in tempera and gold leaf, with Plattdeutsch inscriptions in light brown, red and blue inks, on parchment, 120 x 88 mm

Two bound books on martial arts for the infantry and cavalry. In a parchment tire reinforced with cardboard. both translations from German to French military manuals, the first for the infantry (148 pp + illustrations) for the 2nd Cavalry (135 pp + illustrations). Book one is assigned by the translator to Maurice, Prince of Orange-Nassau, of whom: a medallion portrait on titelp. M. B .. The 2nd is dedicated to Frederick V of Palatinate. The back is bonded with strips of parchment of a medieval illuminated manuscript. Inscriptions. Gesigneerd. Manufacturer : writer Johann Jacobi von Wallhausenv Stock Photo

RM2B70NTE–Two bound books on martial arts for the infantry and cavalry. In a parchment tire reinforced with cardboard. both translations from German to French military manuals, the first for the infantry (148 pp + illustrations) for the 2nd Cavalry (135 pp + illustrations). Book one is assigned by the translator to Maurice, Prince of Orange-Nassau, of whom: a medallion portrait on titelp. M. B .. The 2nd is dedicated to Frederick V of Palatinate. The back is bonded with strips of parchment of a medieval illuminated manuscript. Inscriptions. Gesigneerd. Manufacturer : writer Johann Jacobi von Wallhausenv

The world map from the Saint-Sever Beatus. Stock Photo

RMW7CCHN–The world map from the Saint-Sever Beatus.

Bible. Date/Period: 1637 - 1638. Manuscript. Tempera colors, gold paint, and gold leaf on parchment bound between original wood boards covered with reddish brown morocco. Height: 252 mm (9.92 in); Width: 183 mm (7.20 in). Author: Malnazar. Stock Photo

RMPNE1EN–Bible. Date/Period: 1637 - 1638. Manuscript. Tempera colors, gold paint, and gold leaf on parchment bound between original wood boards covered with reddish brown morocco. Height: 252 mm (9.92 in); Width: 183 mm (7.20 in). Author: Malnazar.

Knights Templar, Crusades, Battle of Al Mansurah, illuminated manuscript, circa 1330 Stock Photo

RMTA0R9A–Knights Templar, Crusades, Battle of Al Mansurah, illuminated manuscript, circa 1330

Art inspired by Illuminated Gospel, late 14th–early 15th century, Ethiopia, Amhara region, Amhara peoples, Parchment (vellum), wood (acacia), tempera, ink, H. 16 1/2 x W. 11 1/4 x D. 4 in. (41.9 x 28.6 x 10.2 cm), Hide-Documents, This illuminated manuscript of the Four Gospels was, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTX7XK–Art inspired by Illuminated Gospel, late 14th–early 15th century, Ethiopia, Amhara region, Amhara peoples, Parchment (vellum), wood (acacia), tempera, ink, H. 16 1/2 x W. 11 1/4 x D. 4 in. (41.9 x 28.6 x 10.2 cm), Hide-Documents, This illuminated manuscript of the Four Gospels was, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Illuminated Letter D, Unknown Master, Painting on parchment with gold leaf, red, pink, blue, green, yellow, and white, 15th century, sheet: 6 15/16 x 6 1/16 in., 17.6 x 15.4 cm, illuminated, manuscript, vellum Stock Photo

RM2HB20GD–Illuminated Letter D, Unknown Master, Painting on parchment with gold leaf, red, pink, blue, green, yellow, and white, 15th century, sheet: 6 15/16 x 6 1/16 in., 17.6 x 15.4 cm, illuminated, manuscript, vellum

Illuminated manuscript on parchment Stock Photos and Images

Illuminated manuscript on parchment Stock Photos and Images

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