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A Mill Near Colchester. Artist: John Constable (British, East Bergholt 1776-1837 Hampstead). Dimensions: sheet: 5 3/4 x 7 3/4 in. (14.6 x 19.7 cm). Date: 1833. John Constable created resonant images of rural England. A determined 'naturalist,' he restricted himself to familiar scenery and refused to idealize but often used experimental techniques. This drawing, made in the 1830s, was painted freely and with intensity. A hilltop mill dominates the composition, its sails reefed in for blustery conditions. The strength of the wind is suggested by the scudding clouds and the dancing leaves on the Stock Photo

RMRFDEFE–A Mill Near Colchester. Artist: John Constable (British, East Bergholt 1776-1837 Hampstead). Dimensions: sheet: 5 3/4 x 7 3/4 in. (14.6 x 19.7 cm). Date: 1833. John Constable created resonant images of rural England. A determined 'naturalist,' he restricted himself to familiar scenery and refused to idealize but often used experimental techniques. This drawing, made in the 1830s, was painted freely and with intensity. A hilltop mill dominates the composition, its sails reefed in for blustery conditions. The strength of the wind is suggested by the scudding clouds and the dancing leaves on the

Describes a letter from Alf Waud and a conversation with Mrs. Church. Transcription: time ' ?' satisfied with the idea of the money he [Alfred Waud] could make if he chose' Writes Alf: 'I perceive in Frank Leslie's one of those unpleasant caricatures which Sol [Eytinge] makes x x also several attempts at idealizing himself in illustrations of the Christmas poem. The Sol must be rapidly getting a very heavy personage.' The former is true enough. Sol always does idealize himself in his serious drawings. / The engraver [John] Watson ? Allie Vernon ?s former 'protector' ?is in Boston now. In doo Stock Photo

RMMAKMJ7–Describes a letter from Alf Waud and a conversation with Mrs. Church. Transcription: time ' ?' satisfied with the idea of the money he [Alfred Waud] could make if he chose' Writes Alf: 'I perceive in Frank Leslie's one of those unpleasant caricatures which Sol [Eytinge] makes x x also several attempts at idealizing himself in illustrations of the Christmas poem. The Sol must be rapidly getting a very heavy personage.' The former is true enough. Sol always does idealize himself in his serious drawings. / The engraver [John] Watson ? Allie Vernon ?s former 'protector' ?is in Boston now. In doo

pedagogy, the Brazilian virgin forest, illustrated chart for children, images for lesson, idealize illustration, coloured wood engraving, Germany, circa 1885, Additional-Rights-Clearences-Not Available Stock Photo

RMCPNJFH–pedagogy, the Brazilian virgin forest, illustrated chart for children, images for lesson, idealize illustration, coloured wood engraving, Germany, circa 1885, Additional-Rights-Clearences-Not Available

Idealized marble statue of an athlete at the Rome Stadio dei Marmi dramatic sky Stock Photo

RFJ5XRYH–Idealized marble statue of an athlete at the Rome Stadio dei Marmi dramatic sky

[Contemplations, Book II, XI: Women are on earth to idealize everything] The soul in bloom Stock Photo

RM2B952NY–[Contemplations, Book II, XI: Women are on earth to idealize everything] The soul in bloom

Andrew Jackson 1834–35; carved 1839 Hiram Powers American When Andrew Jackson (1767–1845) sat for Powers at the White House, he requested that the sculptor not idealize his aging facial features: 'Make me as I am.. It’s the only safe rule to follow.' This highly realistic portrait of a president with a controversial legacy reflects both of Jackson’s sobriquets: King Andrew, for his imperial style of governing, specifically his exploitation of Native American peoples, and Old Hickory, for his unbending strength and determination in the name of a populist political agenda. The bust was carved in Stock Photo

RM2HHCD7J–Andrew Jackson 1834–35; carved 1839 Hiram Powers American When Andrew Jackson (1767–1845) sat for Powers at the White House, he requested that the sculptor not idealize his aging facial features: 'Make me as I am.. It’s the only safe rule to follow.' This highly realistic portrait of a president with a controversial legacy reflects both of Jackson’s sobriquets: King Andrew, for his imperial style of governing, specifically his exploitation of Native American peoples, and Old Hickory, for his unbending strength and determination in the name of a populist political agenda. The bust was carved in

Portrait of Christoph Willibald Gluck, c. 1775. A well-known composer of the 1700s, Gluck reformed opera by bringing unprecedented simplicity and sincerity to his music and staging, qualities shared by Houdon’s bust. Unlike the other sculptures in this gallery, which idealize their subjects, this portrait, by depicting Gluck’s pockmarked face, was perceived as a natural and truthful representation. Yet, he would never have appeared publicly with unkempt hair and an open collar, which constituted the standard for representing an artist. Stock Photo

RM2A51YA6–Portrait of Christoph Willibald Gluck, c. 1775. A well-known composer of the 1700s, Gluck reformed opera by bringing unprecedented simplicity and sincerity to his music and staging, qualities shared by Houdon’s bust. Unlike the other sculptures in this gallery, which idealize their subjects, this portrait, by depicting Gluck’s pockmarked face, was perceived as a natural and truthful representation. Yet, he would never have appeared publicly with unkempt hair and an open collar, which constituted the standard for representing an artist.

A Mill Near Colchester 1833 John Constable British John Constable created resonant images of rural England. A determined 'naturalist,' he restricted himself to familiar scenery and refused to idealize but often used experimental techniques. This drawing, made in the 1830s, was painted freely and with intensity. A hilltop mill dominates the composition, its sails reefed in for blustery conditions. The strength of the wind is suggested by the scudding clouds and the dancing leaves on the foreground tree. To create the layout, Constable consulted sketches made at the site some fifteen years earli Stock Photo

RM2HH8CW8–A Mill Near Colchester 1833 John Constable British John Constable created resonant images of rural England. A determined 'naturalist,' he restricted himself to familiar scenery and refused to idealize but often used experimental techniques. This drawing, made in the 1830s, was painted freely and with intensity. A hilltop mill dominates the composition, its sails reefed in for blustery conditions. The strength of the wind is suggested by the scudding clouds and the dancing leaves on the foreground tree. To create the layout, Constable consulted sketches made at the site some fifteen years earli

Franz Joseph I., Kaiser von Österreich und Elisabeth, Kaiserin von Österreich Stock Photo

RMG6M8RG–Franz Joseph I., Kaiser von Österreich und Elisabeth, Kaiserin von Österreich

John C. Calhoun 1846 Savinien Edme Dubourjal French At the time he sat for this portrait, Calhoun, one of the preeminent American statesmen of the nineteenth century, was serving as United States Senator from South Carolina. Dubourjal does not idealize his portrait, but emphasizes the striking features of Calhoun’s visage: his piercing, deep-set eyes, high brow, thin lips, and hollow cheeks. The delicate cross-hatching on the face and in the background contrasts with the full, sinuous lines in the hair. Color is used sparingly, only in the face, and there are touches of white gouache on the ey Stock Photo

RM2HHGGTX–John C. Calhoun 1846 Savinien Edme Dubourjal French At the time he sat for this portrait, Calhoun, one of the preeminent American statesmen of the nineteenth century, was serving as United States Senator from South Carolina. Dubourjal does not idealize his portrait, but emphasizes the striking features of Calhoun’s visage: his piercing, deep-set eyes, high brow, thin lips, and hollow cheeks. The delicate cross-hatching on the face and in the background contrasts with the full, sinuous lines in the hair. Color is used sparingly, only in the face, and there are touches of white gouache on the ey

France. World War II- 'Image d´Epinal' (Idealized image) ,1942, about Marechal Petain and France. Stock Photo

RMFCEE8W–France. World War II- 'Image d´Epinal' (Idealized image) ,1942, about Marechal Petain and France.

The prairie spirit in landscape gardening; what the people of Illinois have done and can do toward designing and planting public and private grounds for efficiency and beauty . ise of the resurrection of the soul. The nextpicture (Fig. 61) he calls the straight wayto bad taste, because it shows one of the manyways in which fine artworks are desecrated bya display of wealth. Can we not have inevery Illinois community one cemetery of thehighest type? The farmer has a fine chance to idealize thelong view. I never frame a long prairie viewwith spectacular trees, like Lombardy poplar,as the eastern Stock Photo

RM2AN7813–The prairie spirit in landscape gardening; what the people of Illinois have done and can do toward designing and planting public and private grounds for efficiency and beauty . ise of the resurrection of the soul. The nextpicture (Fig. 61) he calls the straight wayto bad taste, because it shows one of the manyways in which fine artworks are desecrated bya display of wealth. Can we not have inevery Illinois community one cemetery of thehighest type? The farmer has a fine chance to idealize thelong view. I never frame a long prairie viewwith spectacular trees, like Lombardy poplar,as the eastern

Hector Berlioz-.Louis-Hector Berlioz (11 December 1803 â€“ 8 March 1869) was a French Romantic composer and conductor. His output includes orchestral Stock Photo

RM2J37D6G–Hector Berlioz-.Louis-Hector Berlioz (11 December 1803 â€“ 8 March 1869) was a French Romantic composer and conductor. His output includes orchestral

A Mill Near Colchester, 1833, Watercolor over traces of graphite, with scratching out and a touch of pen and brown ink on the Stock Photo

RMKC8BYY–A Mill Near Colchester, 1833, Watercolor over traces of graphite, with scratching out and a touch of pen and brown ink on the

An engraving entitled 'The Love Token' scanned at high resolution from a book published in 1841 Stock Photo

RMD1R77K–An engraving entitled 'The Love Token' scanned at high resolution from a book published in 1841

The Pfahlbauten is an open air museum displaying reconstructions Neolithic and Bronze Age pile dwellings The buildings are Stock Photo

RMEB78X4–The Pfahlbauten is an open air museum displaying reconstructions Neolithic and Bronze Age pile dwellings The buildings are

a carnival scene from a 15th century manuscript in ambrosian library milan Stock Photo

RMDKGX39–a carnival scene from a 15th century manuscript in ambrosian library milan

Art inspired by A Mill Near Colchester, 1833, Watercolor over traces of graphite, with scratching out and a touch of pen and brown ink on the horizon, evidence of squaring for transfer in graphite, with a color wash test verso, sheet: 5 3/4 x 7 3/4 in. (14.6 x 19.7 cm), Drawings, John, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTXJBP–Art inspired by A Mill Near Colchester, 1833, Watercolor over traces of graphite, with scratching out and a touch of pen and brown ink on the horizon, evidence of squaring for transfer in graphite, with a color wash test verso, sheet: 5 3/4 x 7 3/4 in. (14.6 x 19.7 cm), Drawings, John, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Costume of Twelfth century from a painting in Crypt of Canterbury Cathedral Birth of John The Baptist chromolitho Stock Photo

RMDJYJY2–Costume of Twelfth century from a painting in Crypt of Canterbury Cathedral Birth of John The Baptist chromolitho

Thomas Jones (1742-1803). English painter. Landscape with Dido and Aeneas (Storm), 1769. Detail. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photo

RMP7F9X3–Thomas Jones (1742-1803). English painter. Landscape with Dido and Aeneas (Storm), 1769. Detail. The State Hermitage Museum. Saint Petersburg. Russia.

model, design, project, concept, plan, draft, sculptor, creation, missing, Stock Photo

RFJ9JK25–model, design, project, concept, plan, draft, sculptor, creation, missing,

post office, the post and the railway, display for children, images for the object-lesson, idealised illustration of a city, coloured wood engraving, Germany, circa 1885, Additional-Rights-Clearences-Not Available Stock Photo

RMCPNJJH–post office, the post and the railway, display for children, images for the object-lesson, idealised illustration of a city, coloured wood engraving, Germany, circa 1885, Additional-Rights-Clearences-Not Available

RFAXJG4M–Footsteps in the sand.

Detail of stained-glass window showing sheep or lamb with painted curls suggesting its wool fleece coat Stock Photo

RFCR38F4–Detail of stained-glass window showing sheep or lamb with painted curls suggesting its wool fleece coat

Concept of sculptor creating THE jigsaw piece (a missing piece) Stock Photo

RFFPPXTP–Concept of sculptor creating THE jigsaw piece (a missing piece)

Woman making a roof shape with hands Stock Photo

RFE49M8M–Woman making a roof shape with hands

Teenaged boys kick a socerball around the Piazza della Santissima Annunziata, in Florence, in the region of Tuscany, Italy. Stock Photo

RFT019NF–Teenaged boys kick a socerball around the Piazza della Santissima Annunziata, in Florence, in the region of Tuscany, Italy.

Decorating Christmas Tree at home,getting it ready for gifts and presents. A scene of complete domestic bliss. Stock Photo

RFEBEWBM–Decorating Christmas Tree at home,getting it ready for gifts and presents. A scene of complete domestic bliss.

Red School House (Country Scene) 1858 George Henry Durrie Based in New Haven, Connecticut, Durrie traveled throughout the state, painting scenes of rural life. He was noted for his winter landscapes, which idealize the harsh season and effectively capture the visual effects of snow and ice. The New York lithographic firm Currier and Ives chose a number of his scenes for reproduction and distribution. In this nostalgic work, Durrie depicted a one-room schoolhouse with a blanket of unmelted snow on its roof, surrounded by children at play.. Red School House (Country Scene). George Henry Durrie ( Stock Photo

RM2HHA46R–Red School House (Country Scene) 1858 George Henry Durrie Based in New Haven, Connecticut, Durrie traveled throughout the state, painting scenes of rural life. He was noted for his winter landscapes, which idealize the harsh season and effectively capture the visual effects of snow and ice. The New York lithographic firm Currier and Ives chose a number of his scenes for reproduction and distribution. In this nostalgic work, Durrie depicted a one-room schoolhouse with a blanket of unmelted snow on its roof, surrounded by children at play.. Red School House (Country Scene). George Henry Durrie (

Washington, DC. 6-13-1986 Blessed Teresa of Calcutta, commonly known as Mother Teresa a Roman Catholic religious sister and missionary who lived most of her life in India. She was born in today's Macedonia, with her family being of Albanian descent originating in Kosovo. Mother Teresa founded the Missionaries of Charity, a Roman Catholic religious congregation. Credit: Mark Reinstein Stock Photo

RMFA14KX–Washington, DC. 6-13-1986 Blessed Teresa of Calcutta, commonly known as Mother Teresa a Roman Catholic religious sister and missionary who lived most of her life in India. She was born in today's Macedonia, with her family being of Albanian descent originating in Kosovo. Mother Teresa founded the Missionaries of Charity, a Roman Catholic religious congregation. Credit: Mark Reinstein

RM2AN7YGD–The prairie spirit in landscape gardening; what the people of Illinois have done and can do toward designing and planting public and private grounds for efficiency and beauty . 12-14. Three Ways by which Every mi§^iZQ.d^YgMtCfOSOi^t into his Home Grounds in Country or City 14. Symbolize the prairie, e. g., plant Illinoisor prairie roses beside the front door. 13. Idealize the farm view, c. g., frame it withhaws, crabs, or honey locust. 13. Conventionalize the prairie, e. g., put intothe formal garden some flat-topped flowers. 6 THE PRAIRIE SPIRIT IN LANDSCAPE GARDENING. 15-16. Is your Communit

Real life vs social media - rose-colored and pink color of post is distorting and manipulating reality - fake, false and inauthentic idealization on s Stock Photo

RF2DN669T–Real life vs social media - rose-colored and pink color of post is distorting and manipulating reality - fake, false and inauthentic idealization on s

RFF7K3JP–Woman making a roof shape with hands

An engraving entitled 'Home' scanned at high resolution from a book published in 1841 Stock Photo

RMD1R78T–An engraving entitled 'Home' scanned at high resolution from a book published in 1841

RMEB78X3–The Pfahlbauten is an open air museum displaying reconstructions Neolithic and Bronze Age pile dwellings The buildings are

couple with meter forming a house Stock Photo

RFEHBM04–couple with meter forming a house

Word 'idealism' printed on dictionary page, macro close-up Stock Photo

RM2HN7K97–Word 'idealism' printed on dictionary page, macro close-up

Personages of distinction Germany from Goodrich court c 1680 chromolitho Stock Photo

RMDJYJY5–Personages of distinction Germany from Goodrich court c 1680 chromolitho

Thomas Jones (1742-1803). English painter. Landscape with Dido and Aeneas (Storm), 1769. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photo

RMP7F9X2–Thomas Jones (1742-1803). English painter. Landscape with Dido and Aeneas (Storm), 1769. The State Hermitage Museum. Saint Petersburg. Russia.

girl looking fondly at boyfriend Stock Photo

RFDY6HW6–girl looking fondly at boyfriend

RFWWRJHW–Woman making a roof shape with hands

The Pier at Queenscliff Victoria Australia. Stock Photo

RMATC3KM–The Pier at Queenscliff Victoria Australia.

Cartoon woman sees herself as a Bride in wedding dress in mirror reflection. Vector illustration on concept for woman's fantasy for wedding. Stock Vector

RF2EDHJCK–Cartoon woman sees herself as a Bride in wedding dress in mirror reflection. Vector illustration on concept for woman's fantasy for wedding.

woman, close, humans, human beings, people, folk, persons, human, human being, Stock Photo

RFHHBJC9–woman, close, humans, human beings, people, folk, persons, human, human being,

RF2A86558–Bride in mirror icon. Cartoon of bride in mirror vector icon for web design isolated on white background

RFT019M0–Teenaged boys kick a socerball around the Piazza della Santissima Annunziata, in Florence, in the region of Tuscany, Italy.

American poultry world . commend them to our readers. MOUNTENEYS ROSE COMB REDS Winners at New York State Fair, Palace andother big shows. Send for mating list. W. E. MOUNTENEY, ELMSFORD, N. Y. IDEALIZE YOUR FLOCK Welcomes Famous Ideal Trap Nest shows which hen laid the egg, highest ef-ficiency, least attention, lowest net cost. Writenow for prices and proof. F. 0. Wellcome, Box W, Yarmouth, Maine Haywards White Rocks ARE CONSISTENT WINNERS As shown by the following records at Boston 1917—1st cockerel, 1st hen, 1st young pen, 2nd old pen, 4thcock, 4th pullet, Champion Male and Best Display. 19 Stock Photo

RM2AJH4NM–American poultry world . commend them to our readers. MOUNTENEYS ROSE COMB REDS Winners at New York State Fair, Palace andother big shows. Send for mating list. W. E. MOUNTENEY, ELMSFORD, N. Y. IDEALIZE YOUR FLOCK Welcomes Famous Ideal Trap Nest shows which hen laid the egg, highest ef-ficiency, least attention, lowest net cost. Writenow for prices and proof. F. 0. Wellcome, Box W, Yarmouth, Maine Haywards White Rocks ARE CONSISTENT WINNERS As shown by the following records at Boston 1917—1st cockerel, 1st hen, 1st young pen, 2nd old pen, 4thcock, 4th pullet, Champion Male and Best Display. 19

The Pfahlbauten is an open air museum displaying reconstructions of Neolithic and Bronze Age pile dwellings The buildings are Stock Photo

RMEBB467–The Pfahlbauten is an open air museum displaying reconstructions of Neolithic and Bronze Age pile dwellings The buildings are

RM2HN7HP6–Word 'idealism' printed on dictionary page, macro close-up

The Lady of the Tournament Delivering the prize c 1450 15th Century chromolitho Stock Photo

RMDJYJKP–The Lady of the Tournament Delivering the prize c 1450 15th Century chromolitho

RFT019KN–Teenaged boys kick a socerball around the Piazza della Santissima Annunziata, in Florence, in the region of Tuscany, Italy.

. The Ladies' home journal. t nonsense they are talk-ing. . They idealize the people be-cause they do not know what they arereally like; they see them from outside,rather patronizingly, hopefully, as aschoolmaster, if young and optimistic,sees his pupils growing daily more likehimself. Because I belong to the people,born and bred among them, and havenever lost contact with them, I have nosuch illusions. Onbert Situ• tll, who has spunsuch an entrancing web of the nearpast in his three books, LEFT HAND,RIGHT HAND! (about ancestors), THESCARLET TREE (about his own Edwar-dian childhood) and now GR Stock Photo

RM2CENF0T–. The Ladies' home journal. t nonsense they are talk-ing. . They idealize the people be-cause they do not know what they arereally like; they see them from outside,rather patronizingly, hopefully, as aschoolmaster, if young and optimistic,sees his pupils growing daily more likehimself. Because I belong to the people,born and bred among them, and havenever lost contact with them, I have nosuch illusions. Onbert Situ• tll, who has spunsuch an entrancing web of the nearpast in his three books, LEFT HAND,RIGHT HAND! (about ancestors), THESCARLET TREE (about his own Edwar-dian childhood) and now GR

RMEB78X1–The Pfahlbauten is an open air museum displaying reconstructions of Neolithic and Bronze Age pile dwellings The buildings are

Henry VI and his Queen receiving a book from John Talbot Earl of Shrewsbury chromolitho Stock Photo

RMDJYJKG–Henry VI and his Queen receiving a book from John Talbot Earl of Shrewsbury chromolitho

RFT019NY–Teenaged boys kick a socerball around the Piazza della Santissima Annunziata, in Florence, in the region of Tuscany, Italy.

. Book of the Royal blue . its haxing had to latterh burrowits way under the two important Ameri-can cities of Pittsburg and Baltimore,and build from Baltimore to Philadel-phia, besides which it now contiinplatesan elevated entrance and loop m Wash- ington. A great railwa)-, like a greatcity, is a knotty thing to create — a slowand stubborn process of evolution — andthe succeeding forces in this new portionof the world have btqueathed early pos-terit a series ol raihvax tangles thatonly the millenniinn may be h(ipe<l toperfect or idealize. The managementof the Baltimore tV Ohio is doing a Stock Photo

RM2CNKB0J–. Book of the Royal blue . its haxing had to latterh burrowits way under the two important Ameri-can cities of Pittsburg and Baltimore,and build from Baltimore to Philadel-phia, besides which it now contiinplatesan elevated entrance and loop m Wash- ington. A great railwa)-, like a greatcity, is a knotty thing to create — a slowand stubborn process of evolution — andthe succeeding forces in this new portionof the world have btqueathed early pos-terit a series ol raihvax tangles thatonly the millenniinn may be h(ipe<l toperfect or idealize. The managementof the Baltimore tV Ohio is doing a

RMEBB49X–The Pfahlbauten is an open air museum displaying reconstructions of Neolithic and Bronze Age pile dwellings The buildings are

Edward IV and Richard Duke of Gloucester at court Receiving Jean de Wavrin's Book, c1471-83 chromolitho Stock Photo

RMDJYJKH–Edward IV and Richard Duke of Gloucester at court Receiving Jean de Wavrin's Book, c1471-83 chromolitho

RFT019MA–Teenaged boys kick a socerball around the Piazza della Santissima Annunziata, in Florence, in the region of Tuscany, Italy.

. Bulletin - United States National Museum. Science. I'ig. 75.—N.APLES, Francis I, 30 ducals, 1826 '*^ (Div. of Numismatics photo) Ferdinand's successor, Francis I (1825-1830), a weak and timorous personality, was a vacillating fig- ure on the royal throne. Rega tried again to embel- lish, if not to idealize, his king, however trivial the figure. During the short reign of Francis I, only a single portrait of him was used for the gold, silver, and copper coinage (fig. 75). A similar representa- tion was also used on many medals '** signed by Francesco d'Andrea, Vincenzo Catenacci, and even Andr Stock Photo

RMRG7B24–. Bulletin - United States National Museum. Science. I'ig. 75.—N.APLES, Francis I, 30 ducals, 1826 '*^ (Div. of Numismatics photo) Ferdinand's successor, Francis I (1825-1830), a weak and timorous personality, was a vacillating fig- ure on the royal throne. Rega tried again to embel- lish, if not to idealize, his king, however trivial the figure. During the short reign of Francis I, only a single portrait of him was used for the gold, silver, and copper coinage (fig. 75). A similar representa- tion was also used on many medals '** signed by Francesco d'Andrea, Vincenzo Catenacci, and even Andr

1922 1941 archaeology Baden-Württemberg based between Bronze Age buchau building built structure color image day designed dig Stock Photo

RMEBB4A0–1922 1941 archaeology Baden-Württemberg based between Bronze Age buchau building built structure color image day designed dig

Battle of San Romano set of three paintings by Florentine painter Paolo Uccello depicting events that took place chromolitho Stock Photo

RMDJYJKE–Battle of San Romano set of three paintings by Florentine painter Paolo Uccello depicting events that took place chromolitho

John Lacy an actor temp charles II in three of his principal characters Stock Photo

RMDKGX2X–John Lacy an actor temp charles II in three of his principal characters

RFT019MX–Teenaged boys kick a socerball around the Piazza della Santissima Annunziata, in Florence, in the region of Tuscany, Italy.

RMEBB49Y–The Pfahlbauten is an open air museum displaying reconstructions of Neolithic and Bronze Age pile dwellings The buildings are

King Henry VIII Presenting a Charter to the Company of Barber Surgeons By Holbein Stock Photo

RMDKGX2E–King Henry VIII Presenting a Charter to the Company of Barber Surgeons By Holbein

Court of the King's Bench Temp Henry VI chromolitho Stock Photo

RMDJYJKK–Court of the King's Bench Temp Henry VI chromolitho

RMEB78X2–The Pfahlbauten is an open air museum displaying reconstructions of Neolithic and Bronze Age pile dwellings The buildings are

ferdinand first king of arragon his queen the emperor sigismund and pope martin v chromolitho Stock Photo

RMDJYJYH–ferdinand first king of arragon his queen the emperor sigismund and pope martin v chromolitho

Oenotria Telus, An Idealized Woodland Scene Near Naples - 1796 - Johann Heinrich Wilhelm Tischbein German, 1751-1829 - Artist: Johann Heinrich Stock Photo

RMRKXJGG–Oenotria Telus, An Idealized Woodland Scene Near Naples - 1796 - Johann Heinrich Wilhelm Tischbein German, 1751-1829 - Artist: Johann Heinrich

Square Lamp (andon) with Design of an Idealized Woman Behind a Curtain. Period: Edo period (1615-1868); Date: 1760; Culture: Japan; Medium: Porcelain Stock Photo

RMKNHEG1–Square Lamp (andon) with Design of an Idealized Woman Behind a Curtain. Period: Edo period (1615-1868); Date: 1760; Culture: Japan; Medium: Porcelain

Women Preparing Sashimi. Artist: Kitagawa Utamaro (Japanese, 1753?-1806); Period: Edo period (1615-1868); Date: 1806-20; Culture: Japan; Medium: Stock Photo

RMKNG3F0–Women Preparing Sashimi. Artist: Kitagawa Utamaro (Japanese, 1753?-1806); Period: Edo period (1615-1868); Date: 1806-20; Culture: Japan; Medium:

Bronze statuette of a solar deity. Period: Hellenistic; Date: 3rd-2nd century B.C; Culture: Etruscan; Medium: Bronze; Dimensions: H.: 9 13/16 in. Stock Photo

RMKNKH8Y–Bronze statuette of a solar deity. Period: Hellenistic; Date: 3rd-2nd century B.C; Culture: Etruscan; Medium: Bronze; Dimensions: H.: 9 13/16 in.

The dream of life Italian costume of the 14th century chromolitho Stock Photo

RMDJYJYF–The dream of life Italian costume of the 14th century chromolitho

Sketch of a Horse. Date: late 18th century; Culture: India (Pahari Hills); Medium: Ink on paper; Dimensions: Image (sight): 8 x 9 1/2 in. (20.3 x Stock Photo

RMKNJ865–Sketch of a Horse. Date: late 18th century; Culture: India (Pahari Hills); Medium: Ink on paper; Dimensions: Image (sight): 8 x 9 1/2 in. (20.3 x

The Kitchen. Artist: Kitagawa Utamaro (Japanese, 1753?-1806); Period: Edo period (1615-1868); Date: 1795; Culture: Japan; Medium: Right-hand sheet of Stock Photo

RMKNDKAW–The Kitchen. Artist: Kitagawa Utamaro (Japanese, 1753?-1806); Period: Edo period (1615-1868); Date: 1795; Culture: Japan; Medium: Right-hand sheet of

Head of a Buddha. Period: late Gupta period; Date: late 5th-early 6th century; Culture: India (Uttar Pradesh, Mathura); Medium: Red sandstone; Stock Photo

RMKNGBE6–Head of a Buddha. Period: late Gupta period; Date: late 5th-early 6th century; Culture: India (Uttar Pradesh, Mathura); Medium: Red sandstone;

Pietà (Lamentation). Date: early 16th century; Culture: French; Medium: Wood, paint and gilding; Dimensions: Overall: 63 3/4 x 55 3/16 x 6in. (161.9 Stock Photo

RMKNWKDD–Pietà (Lamentation). Date: early 16th century; Culture: French; Medium: Wood, paint and gilding; Dimensions: Overall: 63 3/4 x 55 3/16 x 6in. (161.9

Period: Qing dynasty (1644-1911); Date: 18th century; Culture: China; Medium: Carnelian; Dimensions: H. 4 in. (10.2 cm); Classification: Hardstone Stock Photo

RMKNG7AP–Period: Qing dynasty (1644-1911); Date: 18th century; Culture: China; Medium: Carnelian; Dimensions: H. 4 in. (10.2 cm); Classification: Hardstone

Marble head of a veiled man. Period: Early Imperial, Julio-Claudian; Date: 1st half of 1st century A.D; Culture: Roman; Medium: Marble; Dimensions: Stock Photo

RMKNKK15–Marble head of a veiled man. Period: Early Imperial, Julio-Claudian; Date: 1st half of 1st century A.D; Culture: Roman; Medium: Marble; Dimensions:

Wedding slippers. Designer: C. Middleton; Date: 1844; Culture: American; Medium: silk Stock Photo

RMKNGK8H–Wedding slippers. Designer: C. Middleton; Date: 1844; Culture: American; Medium: silk

The Evening Dress. Artist: Thomas Wilmer Dewing (1851-1938); Date: before 1926; Medium: Pastel on brown paper cardboard; Dimensions: Sight: 14 1/4 x Stock Photo

RMKNFYGA–The Evening Dress. Artist: Thomas Wilmer Dewing (1851-1938); Date: before 1926; Medium: Pastel on brown paper cardboard; Dimensions: Sight: 14 1/4 x

Fragment with a garden scene. Object Name: Fragment; Date: early 17th century; Geography: Attributed to Iran; Medium: Silk, metal wrapped thread; Stock Photo

RMKNWF12–Fragment with a garden scene. Object Name: Fragment; Date: early 17th century; Geography: Attributed to Iran; Medium: Silk, metal wrapped thread;

charles le chauve receiving a bible presented to him by the abbe vivien chromolith Stock Photo

RMDJYJY8–charles le chauve receiving a bible presented to him by the abbe vivien chromolith

Memorial Head (Nsodie). Date: ca. 1800; Geography: Ghana, Twifo-Heman traditional area; Culture: Akan peoples; Medium: Terracotta; Dimensions: H. 8 Stock Photo

RMKNN2P6–Memorial Head (Nsodie). Date: ca. 1800; Geography: Ghana, Twifo-Heman traditional area; Culture: Akan peoples; Medium: Terracotta; Dimensions: H. 8

Marble portrait of the emperor Augustus. Period: Early Imperial, Julio-Claudian; Date: ca. A.D. 14-37; Culture: Roman; Medium: Marble; Dimensions: Stock Photo

RMKNM05K–Marble portrait of the emperor Augustus. Period: Early Imperial, Julio-Claudian; Date: ca. A.D. 14-37; Culture: Roman; Medium: Marble; Dimensions:

Parasol. Designer: Dupuy (French); Date: 1868; Culture: French; Medium: silk, ivory, metal Stock Photo

RMKNHF6R–Parasol. Designer: Dupuy (French); Date: 1868; Culture: French; Medium: silk, ivory, metal

Marble head of a goddess. Period: Hellenistic; Date: 2nd-1st century B.C; Culture: Greek; Medium: Marble; Dimensions: H. 18 11/16 in. (47.5 cm); Stock Photo

RMKNKK53–Marble head of a goddess. Period: Hellenistic; Date: 2nd-1st century B.C; Culture: Greek; Medium: Marble; Dimensions: H. 18 11/16 in. (47.5 cm);

Marble portrait of Livia. Period: Early Imperial, Tiberian; Date: ca. A.D. 14-37; Culture: Roman; Medium: Marble; Dimensions: Other: 9 7/8 x 7 1/4 x Stock Photo

RMKNX87F–Marble portrait of Livia. Period: Early Imperial, Tiberian; Date: ca. A.D. 14-37; Culture: Roman; Medium: Marble; Dimensions: Other: 9 7/8 x 7 1/4 x

The Making of Silk Floss. Artist: Kitagawa Utamaro (Japanese, 1753?-1806); Period: Edo period (1615-1868); Date: ca. 1790; Culture: Japan; Medium: Stock Photo

RMKNHB1Y–The Making of Silk Floss. Artist: Kitagawa Utamaro (Japanese, 1753?-1806); Period: Edo period (1615-1868); Date: ca. 1790; Culture: Japan; Medium:

A Heroine and Her Lover in a Pavilion: Page from a Dispersed Nayikabheda. Date: ca. 1660-80; Culture: India (Madhya Pradesh, Malwa); Medium: Ink and Stock Photo

RMKNDKC0–A Heroine and Her Lover in a Pavilion: Page from a Dispersed Nayikabheda. Date: ca. 1660-80; Culture: India (Madhya Pradesh, Malwa); Medium: Ink and

Ichikawa Monosuke II. Artist: Katsukawa Shun´ei (Japanese, 1762-1819); Period: Edo period (1615-1868); Date: ca. 1790; Culture: Japan; Medium: Stock Photo

RMKNDNB5–Ichikawa Monosuke II. Artist: Katsukawa Shun´ei (Japanese, 1762-1819); Period: Edo period (1615-1868); Date: ca. 1790; Culture: Japan; Medium:

Memorial Head (Nsodie). Date: 17th-mid-18th century; Geography: Ghana; Culture: Akan peoples; Medium: Terracotta, roots, quartz fragments; Stock Photo

RMKNYMR6–Memorial Head (Nsodie). Date: 17th-mid-18th century; Geography: Ghana; Culture: Akan peoples; Medium: Terracotta, roots, quartz fragments;

Richard II (6 January 1367 – ca. 14 February 1400) was King of England from 1377 until he was deposed in 1399 chromolitho Stock Photo

RMDJYJK8–Richard II (6 January 1367 – ca. 14 February 1400) was King of England from 1377 until he was deposed in 1399 chromolitho

A Bejewelled Maiden with a Parakeet. Object Name: Illustrated single work; Date: ca. 1670-1700; Geography: Country of Origin India, Golconda, Deccan; Stock Photo

RMKNWG88–A Bejewelled Maiden with a Parakeet. Object Name: Illustrated single work; Date: ca. 1670-1700; Geography: Country of Origin India, Golconda, Deccan;

Russian Imperial and Eclesiastical costume 17th century Stock Photo

RMDKGX33–Russian Imperial and Eclesiastical costume 17th century

Melancholy Courtesan. Date: ca. 1750; Culture: India (Rajasthan, Bundi, or Kota [?]); Medium: Ink, gold and opaque watercolor on paper; Dimensions: Stock Photo

RMKNGBAK–Melancholy Courtesan. Date: ca. 1750; Culture: India (Rajasthan, Bundi, or Kota [?]); Medium: Ink, gold and opaque watercolor on paper; Dimensions:

Woman under a Willow Tree. Artist: Attributed to Katsukawa Shunsho (Japanese, 1726-1792); Period: Edo period (1615-1868); Date: 18th century; Stock Photo

RMKNGC63–Woman under a Willow Tree. Artist: Attributed to Katsukawa Shunsho (Japanese, 1726-1792); Period: Edo period (1615-1868); Date: 18th century;

Figure of a King. Date: 1300-1325; Geography: Made in Flanders; Culture: South Netherlandish; Medium: Oak, paint, gilt; Dimensions: Overall: 46 in. Stock Photo

RMKNFXJH–Figure of a King. Date: 1300-1325; Geography: Made in Flanders; Culture: South Netherlandish; Medium: Oak, paint, gilt; Dimensions: Overall: 46 in.

The Head of a Woman Looking Up (Judith). Artist: Guido Reni (Italian, Bologna 1575-1642 Bologna); Date: 1625-26; Medium: Red and black chalk, on Stock Photo

RMKNX545–The Head of a Woman Looking Up (Judith). Artist: Guido Reni (Italian, Bologna 1575-1642 Bologna); Date: 1625-26; Medium: Red and black chalk, on

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