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RMT94YMD–Saint Catherine's Monastery, Madonna and child, 13th century. A Hodegetria is an iconographic depiction of the Theotokos (Virgin Mary) holding the Child Jesus at her side while pointing to Him as the source of salvation for humankind. In the Western Church this type of icon is sometimes called Our Lady of the Way. Saint Catherine's Monastery lies on the Sinai Peninsula, at the mouth of a gorge at the foot of Mount Sinai, in the city of Saint Catherine, Egypt in the South Sinai Governorate.
RMKC7BHN–『図像抄』〈十巻抄〉明王部諸尊, Iconographic Drawings of the Five Kings of Wisdom (Myōō-bu shoson), 12th century
RM2J14ND7–Ludovico Ughi, Iconographic Representation of the City of Venice, 1729; 18th century, Copperplate engraving on paper, Map of Venice. British Library
RF2HK4XB4–Inspired by Iconographic Drawing of Kayosei, One of the Seven Constellations, Hanging scroll, ink on paper, Japan, late 11th-early 12th century, Heian Period, Image: 21 5/8 x 11 1/4 in., 55 x 28.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMEBE0E4–Farmer plowing with a pair of oxen. Iconographic motif carved into a capital in the church of Santa MarÃa de Nieva.
RF2C7KCEJ–A section of Pedro Duque Cornejo's ornate choir stalls in Cordoba's Mosque-Cathedral, meticulously crafted in mahogany with iconographic scenes
RMMWH40R–. Mircea I of Wallachia, painting at Argeş Episcopy . Contemporary iconographic depiction. Alex:D 419 MirceacelBatran
RF2F2B487–the four Fathers of the Church, a romanesque wall-painting in Övraby church, Sweden, November 6, 2009
RMPAJNPD–Plaque fragment with chariot scenes inscribed with the Urartian royal name Argishti. Culture: Urartian. Dimensions: 2.72 x 6 in. (6.91 x 15.24 cm). Date: ca. 713-679 B.C.. This fragment is decorated with two identical royal or religious processions, a typical stylistic and iconographic representation. What the footmen carry remains unknown. The Urartian cuneiform inscription above the top panel reads: 'From the arsenal of Argishti.'. Museum: Metropolitan Museum of Art, New York, USA.
RM2JYRHB6–Virgin Hodegetria ,Unusual iconographic features suggest that the icon is executed Cypriot workshop,13th Century Byzantine and Christian Museum in Athens,
RMGW6YD7–Iconostasis in the Onufri Museum in the Cathedral of the Assumption of Saint Mary, within the walls of Berat Castle.
RMT395TG–Queen Victoria Memorial outside Buckingham Palace, The Mall, London, Saturday, March 23, 2019.Photo: David Rowland / One-Image.com
RM2K03A1E–The Virgin of Vladimir, also known as Vladimir Mother of God, Our Lady of Vladimir; a 12th-century Byzantine icon depicting the Virgin and Child and an early example of the Eleusa iconographic type. It is one of the most culturally significant and celebrated pieces of art in Russian history.
RMJR31WH–Saint Catherine's Monastery, Madonna and child, 13th century. A Hodegetria is an iconographic depiction of the Theotokos (Virgin Mary) holding the Child Jesus at her side while pointing to Him as the source of salvation for humankind. In the Western Church this type of icon is sometimes called Our Lady of the Way. Saint Catherine's Monastery lies on the Sinai Peninsula, at the mouth of a gorge at the foot of Mount Sinai, in the city of Saint Catherine, Egypt in the South Sinai Governorate. The monastery is controlled by the autonomous Church of Sinai, part of the wider Eastern Orthodox Church,
RMRY5TGP–Iconographic Drawing of Tantric Enlightened Beings (verso), c. 1500. Tibet, early 15th Century. Ink and watercolor on cotton; overall: 20.3 x 12.7 cm (8 x 5 in
RF2AYTJ60–Hawzen, Ethiopia – January 12, 2019: wall murals of saints painted on the ceiling of Abuna Yemata Guh church
RF2HKK5R7–Art inspired by Iconographic Drawing of Kayosei, One of the Seven Constellations, Hanging scroll, ink on paper, Japan, late 11th-early 12th century, Heian Period, Image: 21 5/8 x 11 1/4 in., 55 x 28.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RME3TA88–Saint Wenceslas of Bohemia. Orthodox icon in Saints Cyril and Methodius' Cathedral in Prague, Czech Republic.
RMHA7C5E–History of navigation. The Wheel. Iconographic Encyclopaedia of science, Literature and Art, 19th century. Color.
RF2M9DYK8–Hamsa protection symbol vector design, hand of fatima symbol, illustration of Jamsa with god's eye
RMMYKCJH–. Mircea I of Wallachia, painting at Argeş Episcopy . Contemporary iconographic depiction. Alex:D 365 MirceacelBatran
RMFB03G0–Promulgation of the 1812 constitution by Salvador Viniegra, in Iconographic and Historical museum of the Parliament and Site of
RMTXCYM4–Seal Impression with Iconographic Signs of Prosperity; Egypt, probably Middle Kingdom or Second Interte Period (1991 - 1600 BCE) Tools and Equipment; seals Terracotta Height: 5/8 in. (1.59 cm); Width: 1 in. (2.54 cm) Gift of Jerome F. Snyder (M.80.202.862) Egyptian Art; Probably Middle Kingdom or Second Interte Period (1991 - 1600 BCE);
RF2F301RP–Christ with big almond-shaped eyes, a 800 years old al fresco wall-painting, Övraby church, Sweden, November 6, 2009
RMPAR10G–Martyrdom of Saint Lawrence. Culture: British. Dimensions: Overall: 25 9/16 x 12 5/8in. (65 x 32cm). Date: ca. 1180. Contrary to iconographic convention, Saint Lawrence here appears in supplication, amid bands of fire, rather than stretched out on the grill. This representation reflects the writings of both saints Augustine and Ambrose, which relate that Lawrence conquered the fire without--shown here licking at his feet--with the three fires within: those inflamed by the ardor of faith, the love of Christ, and the true knowledge of God, which are represented here by the bands of fire at wai
RM2JYRHDF–Virgin Hodegetria ,Unusual iconographic features suggest that the icon is executed Cypriot workshop,13th Century Byzantine and Christian Museum in Athens,
RMHAEKJD–HUGH WELCH DIAMOND (1809-1886) English psychiatrist and photographer in 1856 1856 Iconographic Photographic Society Club album Published: 1856 Copyrighted work available under Creative Commons Attribution only licence CC BY 4.0 http://creativecommons.org/licenses/by/4.0/
RMT395TF–Queen Victoria Memorial outside Buckingham Palace, The Mall, London, Saturday, March 23, 2019.Photo: David Rowland / One-Image.com
RMD9C3GN–Wall paintings form the Acropolis of Mycenae. Iconographic imagery taken from the natural world or religious ceremonies from the royal court.
RMRY5TGK–Iconographic Drawing: Vaishravana, Yama, Vsnisavijaya, Tara and Buddha (recto), c. 1500. Tibet, early 15th Century. Ink and watercolor on cotton; overall: 20.3 x 12.7 cm (8 x 5 in
RF2HTTHBG–Art inspired by Scroll from the Compendium of Iconographic Drawings (Zuzōshō), 真言諸尊図像抄, Heian (794–1185) or Kamakura (1185–1333) period, late 12th century, Japan, Handscroll; ink and color on paper, 11 7/8 in. x 25 ft. 7 1/2 in. (30.2 x 781 cm), Paintings, The Zuzōshō, or Jikkanshō, is, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RME3TA85–Our Lady of Pochayev. Orthodox icon in Saints Cyril and Methodius' Cathedral in Prague, Czech Republic.
RMHA7C72–History of navigation. Iconographic Encyclopaedia of science, Literature and Art, 19th c. Engraving, Color.
RF2M9E007–Hamsa protection symbol vector design, hand of fatima symbol, illustration of Jamsa with god's eye
RMMXCR7K–. Mircea I of Wallachia, painting at Argeş Episcopy . Contemporary iconographic depiction. Alex:D 419 MirceacelBatran
RFFB04NG–Iconographic and Historical museum of the Parliament and Site of Cadiz. In 9 Santa Ines street.Cádiz, Andalusia, Spain
RMTX4GHX–Photograph of the Hindu goddess Ganga, right, the deified Ganges River, in terracotta on a door pillar from U.P., India, Pratihara, 10th century CE. Following iconographic prescription, Ganga stands on her mount, the Makara, a stylized mythological crocodile-like aquatic monster (which unfortunately has been damaged in this piece) and (likely) holds a kumbha, a full pot of water, in her hand (which too has been damaged), while an attendant holds a parasol over her. She leans in the tribhanga pose on a dwarf attendent, while a male guard (or consort?) stands nearby. The dimensions
RMPAY77K–Scroll from the Compendium of Iconographic Drawings (Zuzosho). Culture: Japan. Dimensions: 11 7/8 in. x 25 ft. 7 1/2 in. (30.2 x 781 cm). Date: late 12th century. The Zuzosho, or Jikkansho, is an encyclopedia of Esoteric Buddhist iconography in ten scrolls. The first edition is datable to the early twelfth century, when multiple versions of the iconography for particular deities made it necessary to assemble and organize a comprehensive guide. This scroll is stylistically close to the oldest extant version of the Zuzosho, housed at Daigoji temple in Kyoto and dating to approximately 1193. Mus
RMW9ET4P–Aquamanile - Molded and glazed ceramics, Syria and Iran in the 12th and 13th centuries delivered figurative round-dents. Some of these objects have a specific function: water containers, pumice stone or pumice holder. Others, real small sculptures, are more enigmatic: they are representations in three dimensions of iconographic themes present on the objects, or scenes without equivalent that could have been created for purposes of pure delight.
RM2A31B1E–Equidæ of the Oligocene, Miocene and Pliocene of North America, iconographic type revision
RF2ERY7AG–Religious Catholic medals of virgins in selective focus in space copy, Brazil, South America
RF2FYRXWJ–Dioscuri, Castor and Polydeuces from the Greek myth relief carved on the outer wall of the Treasury, Al-Khazeh, Petra, Jordan
RMD9C3GW–Wall paintings form the Acropolis of Mycenae. Iconographic imagery taken from the natural world or religious ceremonies from the royal court.
RMRY5TGM–Iconographic Drawing: Vaishravana, Yama, Vsnisavijaya, Tara and Buddha (recto); Iconographic Drawing of Tantric Enlightened Beings (verso), c. 1500. Tibet, early 15th Century. Ink and watercolor on cotton; overall: 20.3 x 12.7 cm (8 x 5 in
RF2HTTHDE–Art inspired by Iconographic Drawing of Saturn (Doyō), 土曜図像, Heian period (794–1185), 12th century, Japan, Hanging scroll; ink and color on paper, Image: 21 5/8 x 11 1/8 in. (54.9 x 28.2 cm), Paintings, Rituals dedicated to the stars and planets were introduced to Japan from China in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RME3TA7P–Saint Ivan the Hermit. Orthodox icon in Saints Cyril and Methodius' Cathedral in Prague, Czech Republic.
RMHA7C0F–History of navigation. Claulking shot holes. Iconographic Encyclopaedia of science, Literature and Art, 19th c.
RF2M9E2Y9–Hamsa protection symbol vector design, hand of fatima symbol, illustration of Jamsa with god's eye
RMMW6PCF–. Basarab Laiotă, painting at Hurezi Monasterz . Contemporary iconographic depiction. This file is lacking author information. 357 Laiota
RFFB04NK–Iconographic and Historical museum of the Parliament and Site of Cadiz. In 9 Santa Ines street.Cádiz, Andalusia, Spain
RMTX42KF–Photograph of the Hindu goddess Ganga, the deified Ganges River, in terracotta from Ahichchhatra, U.P., India, Gupta, 5th century CE. Following iconographic prescription, Ganga stands on her mount, the Makara, a mythological crocodile-like aquatic monster and holds a full pot of water in her hand, while an attendant holds a parasol over her. The dimensions of the art-work are: height: 171 cm (67 in), width: 74 cm (29 in), depth: 40 cm (16 in). From the National Museum of India, New Delhi, taken by Fowler&fowler«Talk» 14:07, 15 May 2011 (UTC); 15 May 2011 15 May 2011 (original upl
RF2G81PCW–Little island with a lighthouse called 'Les Éclaireurs', also 'End of the world' near Ushuaia, Tierra del Fuego, Argentina
RMPAJ959–Vishnu Accompanied by Lakshmi and Sarasvati. Culture: Bangladesh. Dimensions: H. 47 in. (119.4 cm); W. 25 in. (63.5 cm); D. 9 in. (22.9 cm). Date: 12th century. Vishnu stands in perfect symmetry (samapada), the protector of cosmic order. In an iconographic convention unique to medieval Bengal, he is accompanied by the goddesses Lakshmi, holding a fly-whisk (camara) and lotus (padma), and Sarasvati, playing a vina, rather than by his wives Sri Devi and Bhu Devi. He is also closely associated with Priti, the earth goddess, who often appears between his feet. The goddesses in turn are flanked by
RMW9ET51–Aquamanile - Molded and glazed ceramics, Syria and Iran in the 12th and 13th centuries delivered figurative round-dents. Some of these objects have a specific function: water containers, pumice stone or pumice holder. Others, real small sculptures, are more enigmatic: they are representations in three dimensions of iconographic themes present on the objects, or scenes without equivalent that could have been created for purposes of pure delight.
RM2A31B25–Equidæ of the Oligocene, Miocene and Pliocene of North America, iconographic type revision
RF2EJ9WFK–Holy Bible, special edition, with golden leaves, with silver crucifix placed on the side, crucifix with red third, photo zoom, Brazil, South America
RMD9CE9C–Gospel book with cover. The iconographic composition follows that of the title page of the Greek liturgical books printed in Venice. From Adrianople, 1675.
RM2B0M1GJ–Giovanni Giacomo De Rossi, Papal conclave following the death of Pope Alessandro VII, with an iconographic map of Vatican City and scenes of the funeral, procession, and election of the new pope, 1667, Etching, Sheet (Trimmed): 9 3/8 × 13 13/16 in. (23.8 × 35.1 cm
RF2HW3A70–Art inspired by 『図像抄』〈十巻抄〉明王部諸尊, Iconographic Drawings of the Five Kings of Wisdom (Myōō-bu shoson), Heian period (794–1185), 12th century, Japan, Handscroll; ink and color on paper, 13 1/4 in. x 42 ft. 2 3/16 in. (33.7 x 1285.7 cm), Paintings, The Five Great Kings of Wisdom (Godai, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RME3TA7W–Saints Cyril and Methodius. Orthodox icon in Saints Cyril and Methodius' Cathedral in Prague, Czech Republic.
RMDFWMRD–Brazilian slave trade. Engraving. Iconographic Encyclopaedia of science, Literature and Art. 19th century.
RMMY93AX–. Basarab Laiotă, painting at Hurezi Monasterz . Contemporary iconographic depiction. This file is lacking author information. 311 Laiota
RFFB03FX–Iconographic and Historical museum of the Parliament and Site of Cadiz. In 9 Santa Ines street.Cádiz, Andalusia, Spain
RM2A50ETK–Casket, 1100-1150?. This champlevé enamel casket belongs to a distinct group of nine closely related objects characterized by the vivid colours of their enamel decoration and rows of spherical pins placed along the edges of each enamel plaque. Recent X-ray analysis suggests that the casket originally functioned as a stand for an altar cross. Such a function is attested to in at least three related caskets (in Copenhagen, Hildesheim, and Berlin). The casket’s iconographic program features the 12 apostles, placed under arcades (on the long sides), the Crucifixion and Christ in Majest
RMPAKRY1–Bowl with Two Facing Peacocks. Dimensions: H. 3 3/4 in. (9.5 cm) Diam. 12 1/8 in. (30.5 cm). Date: second-third quarter 10th century. Birds were a particularly popular subject in the Abbasid period, as artists in many media transformed the creatures' beaks and wings into increasingly abstracted designs. The symmetrical pattern of two peacocks facing each other finds iconographic precedents in examples dating from the late antique and Byzantine periods, where it often carried paradisiacal connotations. The exterior is painted with a simple pattern of circles and lines. The underside of the fo
RMW9ET4J–Aquamanile - Molded and glazed ceramics, Syria and Iran in the 12th and 13th centuries delivered figurative round-dents. Some of these objects have a specific function: water containers, pumice stone or pumice holder. Others, real small sculptures, are more enigmatic: they are representations in three dimensions of iconographic themes present on the objects, or scenes without equivalent that could have been created for purposes of pure delight.
RM2A31B21–Equidæ of the Oligocene, Miocene and Pliocene of North America, iconographic type revision
RMRMTHPR–The New South, Church Green, Boston, 1850, Etching by Sidney Lawton Smith, Published by the Iconographic Society, 1898
RMG1CDT3–Detail from the Hunter's Palette an Ancient Egyptian cosmetic palette showing a complex iconographic lion hunt. Dated 3100 BC
RM2B0E200–A bronze round and openwork pinhead. It is decorated with an iconographic morality that may have been borrowed from the famous Gilgamesh epic and can later also be found in the biblical story of Daniel in the lions' den: a human figure in the middle holds two ibexes on either side of him - with the heads down - in control. Known from the Surkh Dinn Shrine., Ornament, metal, bronze, L 8.5 cm, D 7.1 cm, Iron Age III 800-700 BC, Iran
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