Quick filters:
Horse and dog painting Stock Photos and Images
Meeting point, painting by G F Diez. Old 19th century engraved illustration from La Ilustración Artística 1882 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/meeting-point-painting-by-g-f-diez-old-19th-century-engraved-illustration-from-la-ilustracin-artstica-1882-image442908459.htmlRM2GMG677–Meeting point, painting by G F Diez. Old 19th century engraved illustration from La Ilustración Artística 1882
Painting 'Wedding' by Spanish naive painter Olga Sacharoff (1919-1923) on display in the National Art Museum of Catalonia (Museu Nacional d'Art de Catalunya) in Barcelona, Catalonia, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-wedding-by-spanish-naive-painter-olga-sacharoff-1919-1923-on-display-in-the-national-art-museum-of-catalonia-museu-nacional-dart-de-catalunya-in-barcelona-catalonia-spain-image361878112.htmlRM2C0MY68–Painting 'Wedding' by Spanish naive painter Olga Sacharoff (1919-1923) on display in the National Art Museum of Catalonia (Museu Nacional d'Art de Catalunya) in Barcelona, Catalonia, Spain.
Central Asia: Siyah Kalem School, 15th century: A hunting party with dogs and falcons. a leopard looks on. Siyah Kalem or 'Black Pen' is the name given to the 15th century school of painting attributed to Mehmed Siyah Kalem. Nothing is known of his life, but his work indicates that he was of Central Asian Turkic origin, and thoroughly familiar with camp and military life. The paintings appear in the 'Conqueror’s Albums', so named because two portraits of Sultan Mehmed II the Conqueror are present in one of them. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/central-asia-siyah-kalem-school-15th-century-a-hunting-party-with-dogs-and-falcons-a-leopard-looks-on-siyah-kalem-or-black-pen-is-the-name-given-to-the-15th-century-school-of-painting-attributed-to-mehmed-siyah-kalem-nothing-is-known-of-his-life-but-his-work-indicates-that-he-was-of-central-asian-turkic-origin-and-thoroughly-familiar-with-camp-and-military-life-the-paintings-appear-in-the-conquerors-albums-so-named-because-two-portraits-of-sultan-mehmed-ii-the-conqueror-are-present-in-one-of-them-image344225590.htmlRM2B00R72–Central Asia: Siyah Kalem School, 15th century: A hunting party with dogs and falcons. a leopard looks on. Siyah Kalem or 'Black Pen' is the name given to the 15th century school of painting attributed to Mehmed Siyah Kalem. Nothing is known of his life, but his work indicates that he was of Central Asian Turkic origin, and thoroughly familiar with camp and military life. The paintings appear in the 'Conqueror’s Albums', so named because two portraits of Sultan Mehmed II the Conqueror are present in one of them.
Inspired by Market Scene, Régis François Gignoux, French, active United States, 1816-1882, Oil on canvas, France, ca. 1862, 12 1/16 x 16 1/16 in., 30.6 x 40.8 cm, busy, cart, commerce, disrepair, dog, frame, horse, horse and buggy, market, marketplace, merchants, painting, people, shopping, street, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-market-scene-rgis-franois-gignoux-french-active-united-states-1816-1882-oil-on-canvas-france-ca-1862-12-116-x-16-116-in-306-x-408-cm-busy-cart-commerce-disrepair-dog-frame-horse-horse-and-buggy-market-marketplace-merchants-painting-people-shopping-street-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459260426.htmlRF2HK53A2–Inspired by Market Scene, Régis François Gignoux, French, active United States, 1816-1882, Oil on canvas, France, ca. 1862, 12 1/16 x 16 1/16 in., 30.6 x 40.8 cm, busy, cart, commerce, disrepair, dog, frame, horse, horse and buggy, market, marketplace, merchants, painting, people, shopping, street, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
transport / transportation, sleigh, horse-drawn sleigh on the ice, ARTIST'S COPYRIGHT HAS NOT TO BE CLEARED Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/transport-transportation-sleigh-horse-drawn-sleigh-on-the-ice-artists-copyright-has-not-to-be-cleared-image558186567.htmlRM2RC3GJF–transport / transportation, sleigh, horse-drawn sleigh on the ice, ARTIST'S COPYRIGHT HAS NOT TO BE CLEARED
A very old engraving (or painting) showing the coach yard and stables at the King's Arms Tavern, (sometimes called the King's Head) 132 High Holborn, London, UK (Circa 1850). The image is interesting in that it shows the building 'warts and all' with washing hanging from the galleries and a groom, hay fork in hand standing next to a pile of recently gathered horse dung and straw. A water pump stands to the left. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-very-old-engraving-or-painting-showing-the-coach-yard-and-stables-at-the-kings-arms-tavern-sometimes-called-the-kings-head-132-high-holborn-london-uk-circa-1850-the-image-is-interesting-in-that-it-shows-the-building-warts-and-all-with-washing-hanging-from-the-galleries-and-a-groom-hay-fork-in-hand-standing-next-to-a-pile-of-recently-gathered-horse-dung-and-straw-a-water-pump-stands-to-the-left-image344628612.htmlRM2B0K58M–A very old engraving (or painting) showing the coach yard and stables at the King's Arms Tavern, (sometimes called the King's Head) 132 High Holborn, London, UK (Circa 1850). The image is interesting in that it shows the building 'warts and all' with washing hanging from the galleries and a groom, hay fork in hand standing next to a pile of recently gathered horse dung and straw. A water pump stands to the left.
. English: 'Album leaf; painting. Deity. Śiva and Pārvatī as Kandelo Rao and Malsara on a horse with a dog. Painted on paper. According to register, folio 20.' . circa 1800. Unknown 339 Khanderao Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-album-leaf-painting-deity-iva-and-prvat-as-kandelo-rao-and-malsara-on-a-horse-with-a-dog-painted-on-paper-according-to-register-folio-20-circa-1800-unknown-339-khanderao-image187822328.htmlRMMWG188–. English: 'Album leaf; painting. Deity. Śiva and Pārvatī as Kandelo Rao and Malsara on a horse with a dog. Painted on paper. According to register, folio 20.' . circa 1800. Unknown 339 Khanderao
Man standing holding the reins of a horse with a dog before. Fresco dated between 14th and 13th century BC. Second palace of Tiryns National Archaeological Museum. Athens. Greece. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/man-standing-holding-the-reins-of-a-horse-with-a-dog-before-fresco-dated-between-14th-and-13th-century-bc-second-palace-of-tiryns-national-archaeological-museum-athens-greece-image220292668.htmlRMPPB5F8–Man standing holding the reins of a horse with a dog before. Fresco dated between 14th and 13th century BC. Second palace of Tiryns National Archaeological Museum. Athens. Greece.
17th century - Martyrdom of Saint Catherine, 1640 - Caspar de Crayer Philippe Sauvan-Magnet / Active Museum oil on canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/17th-century-martyrdom-of-saint-catherine-1640-caspar-de-crayer-philippe-image60240288.htmlRMDE052T–17th century - Martyrdom of Saint Catherine, 1640 - Caspar de Crayer Philippe Sauvan-Magnet / Active Museum oil on canvas
Mycenaean Fresco wall painting of a Mycanaean footman leading a horse & hunting dog, Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Mu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mycenaean-fresco-wall-painting-of-a-mycanaean-footman-leading-a-horse-hunting-dog-tiryns-greece-14th-13th-century-bc-athens-archaeological-mu-image336190972.htmlRF2AEXR0C–Mycenaean Fresco wall painting of a Mycanaean footman leading a horse & hunting dog, Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Mu
The fox jumps over the parson's gate by Randolph Caldecott, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-fox-jumps-over-the-parsons-gate-by-randolph-caldecott-image599093902.htmlRF2WPK2AP–The fox jumps over the parson's gate by Randolph Caldecott,
Horses at the Porch Adam Albrecht Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/horses-at-the-porch-adam-albrecht-image570502830.htmlRF2T44J52–Horses at the Porch Adam Albrecht
Degas Edgar - at the Stables Horse and Dog 1862 - French School - 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/degas-edgar-at-the-stables-horse-and-dog-1862-french-school-19th-century-image370710551.htmlRM2CF392F–Degas Edgar - at the Stables Horse and Dog 1862 - French School - 19th Century
Four in Hand - Stage coach with four horses, circa 1830 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-four-in-hand-stage-coach-with-four-horses-circa-1830-43967677.htmlRMCFEW65–Four in Hand - Stage coach with four horses, circa 1830
Sverchkov Nicholai Egorovich - a Horse and a Dog Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sverchkov-nicholai-egorovich-a-horse-and-a-dog-image184490859.htmlRFMM47Y7–Sverchkov Nicholai Egorovich - a Horse and a Dog
Pieter Brueghel the Elder (1525-1569). Netherlandish painter. The Triumph of Death, 1562-1563. Detail. Prado Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pieter-brueghel-the-elder-1525-1569-netherlandish-painter-the-triumph-103773108.htmlRMG0R7JC–Pieter Brueghel the Elder (1525-1569). Netherlandish painter. The Triumph of Death, 1562-1563. Detail. Prado Museum. Madrid. Spain.
James Chalon British school View of the Market and Fountain of the Innocents, Paris Oil on canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-chalon-british-school-view-of-the-market-and-fountain-of-the-innocents-paris-oil-on-canvas-image257282101.htmlRMTXG5XD–James Chalon British school View of the Market and Fountain of the Innocents, Paris Oil on canvas
painting, Johan van Gool, first half 18th century, Signature front, bottom left: J. v. Gool Ft, panel, oil paint, painted, Overall dimensions according to catalog 1983: 36 × 48cm 360 × 480mm, With frame: 55.5 × 66, 5 × 5cm 555 × 665 × 50mm, cat, cow, stable, woman, genre, dog, man, interior, horse, child, 1893, 1963 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-johan-van-gool-first-half-18th-century-signature-front-bottom-left-j-v-gool-ft-panel-oil-paint-painted-overall-dimensions-according-to-catalog-1983-36-48cm-360-480mm-with-frame-555-66-5-5cm-555-665-50mm-cat-cow-stable-woman-genre-dog-man-interior-horse-child-1893-1963-image386384888.htmlRM2DCH9T8–painting, Johan van Gool, first half 18th century, Signature front, bottom left: J. v. Gool Ft, panel, oil paint, painted, Overall dimensions according to catalog 1983: 36 × 48cm 360 × 480mm, With frame: 55.5 × 66, 5 × 5cm 555 × 665 × 50mm, cat, cow, stable, woman, genre, dog, man, interior, horse, child, 1893, 1963
Winter Landscape with Ice Skaters, Hendrick Avercamp, 1608 oil 77.3 × 131.9 Dutch, THe Netherlands. The high vantage point of this painting turns it into a sampler of human – and animal – activity during a harsh winter. Hundreds of people are out on the ice, most of them for pleasure, others working out of dire necessity. Avercamp did not shy away from grim details: in the left foreground crows and a dog feast on the carcass of a horse that has frozen to death. Hendrick Avercamp 1612-1679 Dutch The Netherlands. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/winter-landscape-with-ice-skaters-hendrick-avercamp-1608-oil-773-1319-dutch-the-netherlands-the-high-vantage-point-of-this-painting-turns-it-into-a-sampler-of-human-and-animal-activity-during-a-harsh-winter-hundreds-of-people-are-out-on-the-ice-most-of-them-for-pleasure-others-working-out-of-dire-necessity-avercamp-did-not-shy-away-from-grim-details-in-the-left-foreground-crows-and-a-dog-feast-on-the-carcass-of-a-horse-that-has-frozen-to-death-hendrick-avercamp-1612-1679-dutch-the-netherlands-image439551424.htmlRM2GF3894–Winter Landscape with Ice Skaters, Hendrick Avercamp, 1608 oil 77.3 × 131.9 Dutch, THe Netherlands. The high vantage point of this painting turns it into a sampler of human – and animal – activity during a harsh winter. Hundreds of people are out on the ice, most of them for pleasure, others working out of dire necessity. Avercamp did not shy away from grim details: in the left foreground crows and a dog feast on the carcass of a horse that has frozen to death. Hendrick Avercamp 1612-1679 Dutch The Netherlands.
humorous illustration of shaggy dog with saddle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-humorous-illustration-of-shaggy-dog-with-saddle-35891184.htmlRFC2AYG0–humorous illustration of shaggy dog with saddle
Painting La Carriole du pere Junier (The Horse Drawn Carriage of Father Junier, 1908) by French post-impressionist painter Henri Rousseau, also known as Le Douanier on display in Musee de l'Orangerie in Paris, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-painting-la-carriole-du-pere-junier-the-horse-drawn-carriage-of-father-131491204.htmlRMHHWXAC–Painting La Carriole du pere Junier (The Horse Drawn Carriage of Father Junier, 1908) by French post-impressionist painter Henri Rousseau, also known as Le Douanier on display in Musee de l'Orangerie in Paris, France.
Mongolia: Traditional Buddhist religious painting illustrating bodhisattvas and the heavenly spheres. Painting by Shang Hsi (fl. 1426-1435), 1428. Buddhism in Mongolia derives much of its recent characteristics from Tibetan Buddhism of the Gelugpa school. Traditionally, Mongols worshiped heaven (the 'clear blue sky') and their ancestors, and they followed ancient northern Asian practices of shamanism, in which human intermediaries went into trance and spoke to and for some of the numberless infinities of spirits responsible for human luck or misfortune. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mongolia-traditional-buddhist-religious-painting-illustrating-bodhisattvas-and-the-heavenly-spheres-painting-by-shang-hsi-fl-1426-1435-1428-buddhism-in-mongolia-derives-much-of-its-recent-characteristics-from-tibetan-buddhism-of-the-gelugpa-school-traditionally-mongols-worshiped-heaven-the-clear-blue-sky-and-their-ancestors-and-they-followed-ancient-northern-asian-practices-of-shamanism-in-which-human-intermediaries-went-into-trance-and-spoke-to-and-for-some-of-the-numberless-infinities-of-spirits-responsible-for-human-luck-or-misfortune-image344228856.htmlRM2B00YBM–Mongolia: Traditional Buddhist religious painting illustrating bodhisattvas and the heavenly spheres. Painting by Shang Hsi (fl. 1426-1435), 1428. Buddhism in Mongolia derives much of its recent characteristics from Tibetan Buddhism of the Gelugpa school. Traditionally, Mongols worshiped heaven (the 'clear blue sky') and their ancestors, and they followed ancient northern Asian practices of shamanism, in which human intermediaries went into trance and spoke to and for some of the numberless infinities of spirits responsible for human luck or misfortune.
Art inspired by A Riding School, or Breaking in Horses, Attributed to Abraham Pietersz. van Calraet, Dutch, 1642-1722, Oil on panel, Europe, 16 9/16 x 19 7/16 in., 42.1 x 49.4 cm, dog, forest, gun, horse, hunting, landscape, painting, sport, stallion, trees, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-a-riding-school-or-breaking-in-horses-attributed-to-abraham-pietersz-van-calraet-dutch-1642-1722-oil-on-panel-europe-16-916-x-19-716-in-421-x-494-cm-dog-forest-gun-horse-hunting-landscape-painting-sport-stallion-trees-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459566763.htmlRF2HKK22K–Art inspired by A Riding School, or Breaking in Horses, Attributed to Abraham Pietersz. van Calraet, Dutch, 1642-1722, Oil on panel, Europe, 16 9/16 x 19 7/16 in., 42.1 x 49.4 cm, dog, forest, gun, horse, hunting, landscape, painting, sport, stallion, trees, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
fine arts, Toulouse-Lautrec, Henri de (1864 - 1901), painting 'Horse And Rider With A Little Dog', 1879, Museum Albi, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fine-arts-toulouse-lautrec-henri-de-1864-1901-painting-horse-and-rider-110560153.htmlRMGBTCGW–fine arts, Toulouse-Lautrec, Henri de (1864 - 1901), painting 'Horse And Rider With A Little Dog', 1879, Museum Albi,
The horse and dog BHL21879421 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-horse-and-dog-bhl21879421-161643576.htmlRMKAYE0T–The horse and dog BHL21879421
. English: 'Gouache painting on paper. Khandoba and his wife on a horse. This regional Hindu deity is a form of Śiva and is usually depicted either in the form of a linga or as a figure riding a horse. Here he is carrying a sword and a trident, accompanied by a dog.' . between 1800 and 1805. unknown Poona artist 764 Khandoba Poona painting 1800-05 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-gouache-painting-on-paper-khandoba-and-his-wife-on-a-horse-this-regional-hindu-deity-is-a-form-of-iva-and-is-usually-depicted-either-in-the-form-of-a-linga-or-as-a-figure-riding-a-horse-here-he-is-carrying-a-sword-and-a-trident-accompanied-by-a-dog-between-1800-and-1805-unknown-poona-artist-764-khandoba-poona-painting-1800-05-image185819507.htmlRMMP8PJY–. English: 'Gouache painting on paper. Khandoba and his wife on a horse. This regional Hindu deity is a form of Śiva and is usually depicted either in the form of a linga or as a figure riding a horse. Here he is carrying a sword and a trident, accompanied by a dog.' . between 1800 and 1805. unknown Poona artist 764 Khandoba Poona painting 1800-05
A Bay Horse Approached by a Stable-Lad with Food and a Halter. Date/Period: 1789. Painting. Oil on canvas. Height: 616 mm (24.25 in); Width: 749 mm (29.48 in). Author: George Garrard. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-bay-horse-approached-by-a-stable-lad-with-food-and-a-halter-dateperiod-1789-painting-oil-on-canvas-height-616-mm-2425-in-width-749-mm-2948-in-author-george-garrard-image219729752.htmlRMPNDFF4–A Bay Horse Approached by a Stable-Lad with Food and a Halter. Date/Period: 1789. Painting. Oil on canvas. Height: 616 mm (24.25 in); Width: 749 mm (29.48 in). Author: George Garrard.
Man using a grindstone - Alexandre-Gabriel Decamps - Musée du Louvre - Paris Oil on canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-man-using-a-grindstone-alexandre-gabriel-decamps-muse-du-louvre-paris-59503285.htmlRMDCPH19–Man using a grindstone - Alexandre-Gabriel Decamps - Musée du Louvre - Paris Oil on canvas
Mycenaean Fresco wall painting of a Mycanaean footman leading a horse & hunting dog, Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Mu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mycenaean-fresco-wall-painting-of-a-mycanaean-footman-leading-a-horse-hunting-dog-tiryns-greece-14th-13th-century-bc-athens-archaeological-mu-image336216761.htmlRF2AEYYWD–Mycenaean Fresco wall painting of a Mycanaean footman leading a horse & hunting dog, Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Mu
The fox jumps over the parson's gate by Randolph Caldecott, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-fox-jumps-over-the-parsons-gate-by-randolph-caldecott-image599093983.htmlRF2WPK2DK–The fox jumps over the parson's gate by Randolph Caldecott,
'Queen Victoria Riding in Windsor Great Park with Lord Melbourne', c1838. After Sir Francis Grant (1803-1878). Queen Victoria with William Lamb, 2nd Viscount Melbourne. Melbourne was a British Whig statesman, Home Secretary and Prime Minister. Queen Victoria considered Melbourne a mentor. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/queen-victoria-riding-in-windsor-great-park-with-lord-melbourne-c1838-after-sir-francis-grant-1803-1878-queen-victoria-with-william-lamb-2nd-viscount-melbourne-melbourne-was-a-british-whig-statesman-home-secretary-and-prime-minister-queen-victoria-considered-melbourne-a-mentor-image241950235.htmlRMT1HNYR–'Queen Victoria Riding in Windsor Great Park with Lord Melbourne', c1838. After Sir Francis Grant (1803-1878). Queen Victoria with William Lamb, 2nd Viscount Melbourne. Melbourne was a British Whig statesman, Home Secretary and Prime Minister. Queen Victoria considered Melbourne a mentor.
Sverchkov Nicholai Egorovich - a Horse and a Dog - Russian School - 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sverchkov-nicholai-egorovich-a-horse-and-a-dog-russian-school-19th-century-image382107720.htmlRM2D5JE88–Sverchkov Nicholai Egorovich - a Horse and a Dog - Russian School - 19th Century
A First Rate Workman of Melton , circa 1800 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-first-rate-workman-of-melton-circa-1800-41801607.htmlRMCC06AF–A First Rate Workman of Melton , circa 1800
Verboeckhoven Eugene Joseph - Farmhand with Horse and Dog in a Landscape Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/verboeckhoven-eugene-joseph-farmhand-with-horse-and-dog-in-a-landscape-image188591706.htmlRFMXR2J2–Verboeckhoven Eugene Joseph - Farmhand with Horse and Dog in a Landscape
Francisco de Goya y Lucientes (1746-1828). Spanish painter. Hunting Party, 1775. Prado Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-francisco-de-goya-y-lucientes-1746-1828-spanish-painter-hunting-party-103237834.htmlRMFYXTWE–Francisco de Goya y Lucientes (1746-1828). Spanish painter. Hunting Party, 1775. Prado Museum. Madrid. Spain.
Jacques Laurent Agasse - A rural landscape with a ploughman resting with his grey horse, cattle and dog Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jacques-laurent-agasse-a-rural-landscape-with-a-ploughman-resting-132825309.htmlRMHM2M11–Jacques Laurent Agasse - A rural landscape with a ploughman resting with his grey horse, cattle and dog
painting, Jan van Goyen, 1626, Signature front, bottom left: I. van GOYEN 1626, panel, oil paint, painted, Overall dimensions according to catalog 1983: 32 × 59cm 320 × 590mm, With frame: 49.7 × 76.2 × 5, 2cm 497 × 762 × 52mm, inn, church, village view, woman, wagon, house, dog, man, tree, horse, Painting depicting a cityscape of Leiden: a view of the Morspoort from the Morsstraat. To the left of the center of the scene marked by a white fence is the Morspoort with the buildings of Morspoort Barracks on the left, with three houses for married professional soldiers for which two officers, two Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-jan-van-goyen-1626-signature-front-bottom-left-i-van-goyen-1626-panel-oil-paint-painted-overall-dimensions-according-to-catalog-1983-32-59cm-320-590mm-with-frame-497-762-5-2cm-497-762-52mm-inn-church-village-view-woman-wagon-house-dog-man-tree-horse-painting-depicting-a-cityscape-of-leiden-a-view-of-the-morspoort-from-the-morsstraat-to-the-left-of-the-center-of-the-scene-marked-by-a-white-fence-is-the-morspoort-with-the-buildings-of-morspoort-barracks-on-the-left-with-three-houses-for-married-professional-soldiers-for-which-two-officers-two-image386385168.htmlRM2DCHA68–painting, Jan van Goyen, 1626, Signature front, bottom left: I. van GOYEN 1626, panel, oil paint, painted, Overall dimensions according to catalog 1983: 32 × 59cm 320 × 590mm, With frame: 49.7 × 76.2 × 5, 2cm 497 × 762 × 52mm, inn, church, village view, woman, wagon, house, dog, man, tree, horse, Painting depicting a cityscape of Leiden: a view of the Morspoort from the Morsstraat. To the left of the center of the scene marked by a white fence is the Morspoort with the buildings of Morspoort Barracks on the left, with three houses for married professional soldiers for which two officers, two
Winter Landscape with Ice Skaters, Hendrick Avercamp, 1608 oil 77.3 × 131.9 Dutch, THe Netherlands. The high vantage point of this painting turns it into a sampler of human – and animal – activity during a harsh winter. Hundreds of people are out on the ice, most of them for pleasure, others working out of dire necessity. Avercamp did not shy away from grim details: in the left foreground crows and a dog feast on the carcass of a horse that has frozen to death. Hendrick Avercamp 1612-1679 Dutch The Netherlands. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/winter-landscape-with-ice-skaters-hendrick-avercamp-1608-oil-773-1319-dutch-the-netherlands-the-high-vantage-point-of-this-painting-turns-it-into-a-sampler-of-human-and-animal-activity-during-a-harsh-winter-hundreds-of-people-are-out-on-the-ice-most-of-them-for-pleasure-others-working-out-of-dire-necessity-avercamp-did-not-shy-away-from-grim-details-in-the-left-foreground-crows-and-a-dog-feast-on-the-carcass-of-a-horse-that-has-frozen-to-death-hendrick-avercamp-1612-1679-dutch-the-netherlands-image439551419.htmlRM2GF388Y–Winter Landscape with Ice Skaters, Hendrick Avercamp, 1608 oil 77.3 × 131.9 Dutch, THe Netherlands. The high vantage point of this painting turns it into a sampler of human – and animal – activity during a harsh winter. Hundreds of people are out on the ice, most of them for pleasure, others working out of dire necessity. Avercamp did not shy away from grim details: in the left foreground crows and a dog feast on the carcass of a horse that has frozen to death. Hendrick Avercamp 1612-1679 Dutch The Netherlands.
'The Farmers of Flagey' ('Les Paysans de Flagey'), 1855. Artist: Gustave Courbet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-farmers-of-flagey-les-paysans-de-flagey-1855-artist-gustave-courbet-image262740469.htmlRMW7CT45–'The Farmers of Flagey' ('Les Paysans de Flagey'), 1855. Artist: Gustave Courbet
Hand painted watercolor border fun city animals Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hand-painted-watercolor-border-fun-city-animals-image594539209.htmlRF2WF7GR5–Hand painted watercolor border fun city animals
Mongolia: Traditional Buddhist religious painting illustrating bodhisattvas and the heavenly spheres. Painting by Shang Hsi (fl. 1426-1435), 1428. Buddhism in Mongolia derives much of its recent characteristics from Tibetan Buddhism of the Gelugpa school. Traditionally, Mongols worshiped heaven (the 'clear blue sky') and their ancestors, and they followed ancient northern Asian practices of shamanism, in which human intermediaries went into trance and spoke to and for some of the numberless infinities of spirits responsible for human luck or misfortune. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mongolia-traditional-buddhist-religious-painting-illustrating-bodhisattvas-and-the-heavenly-spheres-painting-by-shang-hsi-fl-1426-1435-1428-buddhism-in-mongolia-derives-much-of-its-recent-characteristics-from-tibetan-buddhism-of-the-gelugpa-school-traditionally-mongols-worshiped-heaven-the-clear-blue-sky-and-their-ancestors-and-they-followed-ancient-northern-asian-practices-of-shamanism-in-which-human-intermediaries-went-into-trance-and-spoke-to-and-for-some-of-the-numberless-infinities-of-spirits-responsible-for-human-luck-or-misfortune-image344228854.htmlRM2B00YBJ–Mongolia: Traditional Buddhist religious painting illustrating bodhisattvas and the heavenly spheres. Painting by Shang Hsi (fl. 1426-1435), 1428. Buddhism in Mongolia derives much of its recent characteristics from Tibetan Buddhism of the Gelugpa school. Traditionally, Mongols worshiped heaven (the 'clear blue sky') and their ancestors, and they followed ancient northern Asian practices of shamanism, in which human intermediaries went into trance and spoke to and for some of the numberless infinities of spirits responsible for human luck or misfortune.
Art inspired by Market Scene, Régis François Gignoux, French, active United States, 1816-1882, Oil on canvas, France, ca. 1862, 12 1/16 x 16 1/16 in., 30.6 x 40.8 cm, busy, cart, commerce, disrepair, dog, frame, horse, horse and buggy, market, marketplace, merchants, painting, people, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-market-scene-rgis-franois-gignoux-french-active-united-states-1816-1882-oil-on-canvas-france-ca-1862-12-116-x-16-116-in-306-x-408-cm-busy-cart-commerce-disrepair-dog-frame-horse-horse-and-buggy-market-marketplace-merchants-painting-people-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459571581.htmlRF2HKK86N–Art inspired by Market Scene, Régis François Gignoux, French, active United States, 1816-1882, Oil on canvas, France, ca. 1862, 12 1/16 x 16 1/16 in., 30.6 x 40.8 cm, busy, cart, commerce, disrepair, dog, frame, horse, horse and buggy, market, marketplace, merchants, painting, people, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
'fine arts, Dürer, Albrecht, (1471 - 1528), painting, 'Paar zu Pferde', ('couple on horse'), 1495, watercolour and ink on pa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fine-arts-drer-albrecht-1471-1528-painting-paar-zu-pferde-couple-on-10876303.htmlRMA3XMHM–'fine arts, Dürer, Albrecht, (1471 - 1528), painting, 'Paar zu Pferde', ('couple on horse'), 1495, watercolour and ink on pa
The horse and dog BHL21879669 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-horse-and-dog-bhl21879669-161643648.htmlRMKAYE3C–The horse and dog BHL21879669
Plate XVI, creatures . English: Plate XVI, creatures including a lion, horse, elephant, bear, dog, cat and various birds, from Polygraphice, or, the arts of drawing, engraving, etching, limning, painting, washing, varnishing, gilding, colouring, dying, beautifying and perfuming : in seven books : Exemplified, in the drawing of men, women, landscapes, countreys, and figures of various forms ; the way of engraving, etching and limning, with all their requisites and ornaments ; the depicting of the most eminent pieces of antiquities ; the paintings of the antients ; washing of maps, globes or pi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-xvi-creatures-english-plate-xvi-creatures-including-a-lion-horse-elephant-bear-dog-cat-and-various-birds-from-polygraphice-or-the-arts-of-drawing-engraving-etching-limning-painting-washing-varnishing-gilding-colouring-dying-beautifying-and-perfuming-in-seven-books-exemplified-in-the-drawing-of-men-women-landscapes-countreys-and-figures-of-various-forms-the-way-of-engraving-etching-and-limning-with-all-their-requisites-and-ornaments-the-depicting-of-the-most-eminent-pieces-of-antiquities-the-paintings-of-the-antients-washing-of-maps-globes-or-pi-image185741457.htmlRMMP573D–Plate XVI, creatures . English: Plate XVI, creatures including a lion, horse, elephant, bear, dog, cat and various birds, from Polygraphice, or, the arts of drawing, engraving, etching, limning, painting, washing, varnishing, gilding, colouring, dying, beautifying and perfuming : in seven books : Exemplified, in the drawing of men, women, landscapes, countreys, and figures of various forms ; the way of engraving, etching and limning, with all their requisites and ornaments ; the depicting of the most eminent pieces of antiquities ; the paintings of the antients ; washing of maps, globes or pi
The True American. Artist: Enoch Wood Perry (1831-1915). Dimensions: 11 7/8 x 16 1/8 in. (30.2 x 41 cm). Date: ca. 1874. This painting was included in a collection of Perry's works and memorabilia in 1944. It resembles other works by him in technique, but the satirical subject and the unusual monogram signature at the lower left are atypical. All the heads in the picture are hidden, including those of the dog on the right side of the porch and the horse on the stud card tacked to the clapboard wall of the building, which is identified as the 'National Hotel' in the sign partially visible in t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-true-american-artist-enoch-wood-perry-1831-1915-dimensions-11-78-x-16-18-in-302-x-41-cm-date-ca-1874-this-painting-was-included-in-a-collection-of-perrys-works-and-memorabilia-in-1944-it-resembles-other-works-by-him-in-technique-but-the-satirical-subject-and-the-unusual-monogram-signature-at-the-lower-left-are-atypical-all-the-heads-in-the-picture-are-hidden-including-those-of-the-dog-on-the-right-side-of-the-porch-and-the-horse-on-the-stud-card-tacked-to-the-clapboard-wall-of-the-building-which-is-identified-as-the-national-hotel-in-the-sign-partially-visible-in-t-image213150310.htmlRMPANRB2–The True American. Artist: Enoch Wood Perry (1831-1915). Dimensions: 11 7/8 x 16 1/8 in. (30.2 x 41 cm). Date: ca. 1874. This painting was included in a collection of Perry's works and memorabilia in 1944. It resembles other works by him in technique, but the satirical subject and the unusual monogram signature at the lower left are atypical. All the heads in the picture are hidden, including those of the dog on the right side of the porch and the horse on the stud card tacked to the clapboard wall of the building, which is identified as the 'National Hotel' in the sign partially visible in t
17th century - Wolf and Fox Hunt - Pierre Paul Rubens (1616) - Metropolitan Museum of Art - New York Oil on canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-17th-century-wolf-and-fox-hunt-pierre-paul-rubens-1616-metropolitan-59410117.htmlRMDCJA5W–17th century - Wolf and Fox Hunt - Pierre Paul Rubens (1616) - Metropolitan Museum of Art - New York Oil on canvas
Mycenaean Fresco wall painting of a Mycanaean footman leading a horse & hunting dog, Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Mu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mycenaean-fresco-wall-painting-of-a-mycanaean-footman-leading-a-horse-hunting-dog-tiryns-greece-14th-13th-century-bc-athens-archaeological-mu-image336216748.htmlRF2AEYYW0–Mycenaean Fresco wall painting of a Mycanaean footman leading a horse & hunting dog, Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Mu
The fox jumps over the parson's gate by Randolph Caldecott, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-fox-jumps-over-the-parsons-gate-by-randolph-caldecott-image599094027.htmlRF2WPK2F7–The fox jumps over the parson's gate by Randolph Caldecott,
One of the Family, 1880. By Frederick George Cotman (1850-1920). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/one-of-the-family-1880-by-frederick-george-cotman-1850-1920-image245208462.htmlRMT6X5W2–One of the Family, 1880. By Frederick George Cotman (1850-1920).
Ansdell Richard - Man Reclining Accompanied by a Horse and a Dog - British School - 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ansdell-richard-man-reclining-accompanied-by-a-horse-and-a-dog-british-school-19th-century-image370578228.htmlRM2CEW88M–Ansdell Richard - Man Reclining Accompanied by a Horse and a Dog - British School - 19th Century
Horse logos Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/horse-logos-image486802758.htmlRF2K7YNTP–Horse logos
Verschuur I Wouterus - a Horse and Dog in a Stable Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/verschuur-i-wouterus-a-horse-and-dog-in-a-stable-image188594319.htmlRFMXR5YB–Verschuur I Wouterus - a Horse and Dog in a Stable
Jacob Jordaens (1593-1678). Flemish baroque painter. Meleager and Atalanta. 1620-1650. Prado Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jacob-jordaens-1593-1678-flemish-baroque-painter-meleager-and-atalanta-41770106.htmlRMCBXP5E–Jacob Jordaens (1593-1678). Flemish baroque painter. Meleager and Atalanta. 1620-1650. Prado Museum. Madrid. Spain.
Henry Barraud Children with Horse and Dog Google Art Project Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-henry-barraud-children-with-horse-and-dog-google-art-project-137387342.htmlRMHYEEXP–Henry Barraud Children with Horse and Dog Google Art Project
painting, Anonymous, c. 1650, panel, oil paint, painted, Carrier: 61.5 × 93.5 × 1.5cm 615 × 935 × 15mm, With frame: 84.2 × 116.6 × 4.3cm 842 × 1166 × 43mm, rider, mountain landscape, horse, woman, harbor view, tower structure, dog, man, ship, painting depicting a harbor view. On the left is a city gate with a high round tower. At the gate there are, among other things, a rider on horseback and a dog. Various ships lie along the beach in the foreground and on the beach there are many small figures. At the foot of the mountain there are several houses along the distant bank of the bay. Not Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-anonymous-c-1650-panel-oil-paint-painted-carrier-615-935-15cm-615-935-15mm-with-frame-842-1166-43cm-842-1166-43mm-rider-mountain-landscape-horse-woman-harbor-view-tower-structure-dog-man-ship-painting-depicting-a-harbor-view-on-the-left-is-a-city-gate-with-a-high-round-tower-at-the-gate-there-are-among-other-things-a-rider-on-horseback-and-a-dog-various-ships-lie-along-the-beach-in-the-foreground-and-on-the-beach-there-are-many-small-figures-at-the-foot-of-the-mountain-there-are-several-houses-along-the-distant-bank-of-the-bay-not-image386384140.htmlRM2DCH8WG–painting, Anonymous, c. 1650, panel, oil paint, painted, Carrier: 61.5 × 93.5 × 1.5cm 615 × 935 × 15mm, With frame: 84.2 × 116.6 × 4.3cm 842 × 1166 × 43mm, rider, mountain landscape, horse, woman, harbor view, tower structure, dog, man, ship, painting depicting a harbor view. On the left is a city gate with a high round tower. At the gate there are, among other things, a rider on horseback and a dog. Various ships lie along the beach in the foreground and on the beach there are many small figures. At the foot of the mountain there are several houses along the distant bank of the bay. Not
Ausritt zur Jagd - Horseback riding 1819 Franz Krüger 1797 -1857 German Germany ( Ride for the hunting ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ausritt-zur-jagd-horseback-riding-1819-franz-krger-1797-1857-german-123231295.htmlRMH4DJNK–Ausritt zur Jagd - Horseback riding 1819 Franz Krüger 1797 -1857 German Germany ( Ride for the hunting )
Johannes Lingelbach (1622-1674). Dutch Golden Age painter. Farmers resting on their way to the market. Louvre Museum. Paris. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-johannes-lingelbach-1622-1674-dutch-golden-age-painter-farmers-resting-98138186.htmlRMFKJG76–Johannes Lingelbach (1622-1674). Dutch Golden Age painter. Farmers resting on their way to the market. Louvre Museum. Paris.
Photo of an old painting A couple on horse cart in water and dog Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photo-of-an-old-painting-a-couple-on-horse-cart-in-water-and-dog-image3393349.htmlRFA23K46–Photo of an old painting A couple on horse cart in water and dog
Afghanistan: Late 15th century painting of a hunting scene from the Hast Bahist by Kamal al-Din Bihzad. Kamal ud-Din Behzad Herawi (c. 1450 - c. 1535), also known as Kamal al-din Bihzad or Kamaleddin Behzad, was a painter of Persian miniatures and head of the royal ateliers in Herat and Tabriz during the late Timurid and early Safavid periods. An orphan, he was raised by the prominent painter Mirak Naqqash, and was a protege of Mir Ali Shir Nava'i. His major patron in Herat was the Timurid sultan Husayn Bayqarah (ruled 1469 - 1506). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/afghanistan-late-15th-century-painting-of-a-hunting-scene-from-the-hast-bahist-by-kamal-al-din-bihzad-kamal-ud-din-behzad-herawi-c-1450-c-1535-also-known-as-kamal-al-din-bihzad-or-kamaleddin-behzad-was-a-painter-of-persian-miniatures-and-head-of-the-royal-ateliers-in-herat-and-tabriz-during-the-late-timurid-and-early-safavid-periods-an-orphan-he-was-raised-by-the-prominent-painter-mirak-naqqash-and-was-a-protege-of-mir-ali-shir-navai-his-major-patron-in-herat-was-the-timurid-sultan-husayn-bayqarah-ruled-1469-1506-image344226198.htmlRM2B00T0P–Afghanistan: Late 15th century painting of a hunting scene from the Hast Bahist by Kamal al-Din Bihzad. Kamal ud-Din Behzad Herawi (c. 1450 - c. 1535), also known as Kamal al-din Bihzad or Kamaleddin Behzad, was a painter of Persian miniatures and head of the royal ateliers in Herat and Tabriz during the late Timurid and early Safavid periods. An orphan, he was raised by the prominent painter Mirak Naqqash, and was a protege of Mir Ali Shir Nava'i. His major patron in Herat was the Timurid sultan Husayn Bayqarah (ruled 1469 - 1506).
1850s THE RETURN FROM THE WOODS PAINTING BY F F PALMER CURRIER & IVES LITHOGRAPH TWO HUNTERS & DOGS REST FARMERS LOADING WAGON - ka6501 LAN001 HARS HOME LIFE COPY SPACE FRIENDSHIP FULL-LENGTH HALF-LENGTH PHYSICAL FITNESS PERSONS FARMING MALES HUNTER SPIRITUALITY MIDDLE-AGED AGRICULTURE HUNT RESTING MIDDLE-AGED MAN WHEAT LOADING WIDE ANGLE HAPPINESS MAMMALS ADVENTURE LEISURE LOG CANINES FARMERS LABOR THE EMPLOYMENT LITHOGRAPH OCCUPATIONS POOCH CONCEPTUAL F PALMER STYLISH CURRIER & IVES CURRIER AND IVES EMPLOYEE 1850s BUCOLIC CANINE CURRIER HUNTERS IDYLLIC IVES MAMMAL MID-ADULT MID-ADULT MAN Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1850s-the-return-from-the-woods-painting-by-f-f-palmer-currier-ives-lithograph-two-hunters-dogs-rest-farmers-loading-wagon-ka6501-lan001-hars-home-life-copy-space-friendship-full-length-half-length-physical-fitness-persons-farming-males-hunter-spirituality-middle-aged-agriculture-hunt-resting-middle-aged-man-wheat-loading-wide-angle-happiness-mammals-adventure-leisure-log-canines-farmers-labor-the-employment-lithograph-occupations-pooch-conceptual-f-palmer-stylish-currier-ives-currier-and-ives-employee-1850s-bucolic-canine-currier-hunters-idyllic-ives-mammal-mid-adult-mid-adult-man-image453799671.htmlRM2HA8A33–1850s THE RETURN FROM THE WOODS PAINTING BY F F PALMER CURRIER & IVES LITHOGRAPH TWO HUNTERS & DOGS REST FARMERS LOADING WAGON - ka6501 LAN001 HARS HOME LIFE COPY SPACE FRIENDSHIP FULL-LENGTH HALF-LENGTH PHYSICAL FITNESS PERSONS FARMING MALES HUNTER SPIRITUALITY MIDDLE-AGED AGRICULTURE HUNT RESTING MIDDLE-AGED MAN WHEAT LOADING WIDE ANGLE HAPPINESS MAMMALS ADVENTURE LEISURE LOG CANINES FARMERS LABOR THE EMPLOYMENT LITHOGRAPH OCCUPATIONS POOCH CONCEPTUAL F PALMER STYLISH CURRIER & IVES CURRIER AND IVES EMPLOYEE 1850s BUCOLIC CANINE CURRIER HUNTERS IDYLLIC IVES MAMMAL MID-ADULT MID-ADULT MAN
'fine arts, Delacroix, Eugene, (1798 - 1863), painting, 'Moroccan and horse', 1857, oil on canvas, 50 cm x 61,5 cm, Museum of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fine-arts-delacroix-eugene-1798-1863-painting-moroccan-and-horse-1857-10876436.htmlRMA3XN0N–'fine arts, Delacroix, Eugene, (1798 - 1863), painting, 'Moroccan and horse', 1857, oil on canvas, 50 cm x 61,5 cm, Museum of
The horse and dog (Page 60) BHL21879438 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-horse-and-dog-page-60-bhl21879438-161643585.htmlRMKAYE15–The horse and dog (Page 60) BHL21879438
Dog painting in the style of cubism. Abstract painting of a dog in the style of Picasso. Vector illustration. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dog-painting-in-the-style-of-cubism-abstract-painting-of-a-dog-in-the-style-of-picasso-vector-illustration-image560911454.htmlRF2RGFM7X–Dog painting in the style of cubism. Abstract painting of a dog in the style of Picasso. Vector illustration.
Untitled (man on horse with woman and dog). Date: n.d. oil on canvas. Museum: Smithsonian American Art Museum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/untitled-man-on-horse-with-woman-and-dog-date-nd-oil-on-canvas-museum-smithsonian-american-art-museum-image554797459.htmlRM2R6H5PY–Untitled (man on horse with woman and dog). Date: n.d. oil on canvas. Museum: Smithsonian American Art Museum.
19th century - Winter Effect, 1841 - Peter Gabriel Wickenberg Philippe Sauvan-Magnet / Active Museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-19th-century-winter-effect-1841-peter-gabriel-wickenberg-philippe-59504354.htmlRMDCPJBE–19th century - Winter Effect, 1841 - Peter Gabriel Wickenberg Philippe Sauvan-Magnet / Active Museum
Portrait of Count Stanislaus Kos Potocki Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-count-stanislaus-kos-potocki-image179866077.htmlRMMCHH0D–Portrait of Count Stanislaus Kos Potocki
The fox jumps over the parson's gate by Randolph Caldecott, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-fox-jumps-over-the-parsons-gate-by-randolph-caldecott-image599093990.htmlRF2WPK2DX–The fox jumps over the parson's gate by Randolph Caldecott,
Old illustration of Kurdish falconer. By Duhousset, publ. on Le Tour du Monde, Paris, 1862 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-illustration-of-kurdish-falconer-by-duhousset-publ-on-le-tour-image159628984.htmlRFK7KMB4–Old illustration of Kurdish falconer. By Duhousset, publ. on Le Tour du Monde, Paris, 1862
Verschuur I Wouterus - a Horse and Dog in a Stable - Dutch School - 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/verschuur-i-wouterus-a-horse-and-dog-in-a-stable-dutch-school-19th-century-image376533345.htmlRM2CTGG3D–Verschuur I Wouterus - a Horse and Dog in a Stable - Dutch School - 19th Century
Horse logos Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/horse-logos-image486802748.htmlRF2K7YNTC–Horse logos
George Morland - Horse Dog Stable 1791 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-morland-horse-dog-stable-1791-image415530797.htmlRF2F411NH–George Morland - Horse Dog Stable 1791
Roelandt Savery (1576-1639). Flemish painter. The Garden of Eden, 1618. National Gallery. Prague. Czech Republic. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-roelandt-savery-1576-1639-flemish-painter-the-garden-of-eden-1618-94916571.htmlRMFEBR1F–Roelandt Savery (1576-1639). Flemish painter. The Garden of Eden, 1618. National Gallery. Prague. Czech Republic.
Hoefsmid Three figures and a dog with a horse, covered by a farrier. In the background a classic bouwwerk. Manufacturer : printmaker Gerard Hoet (I) (listed building) to painting: Hendrik Verschuring (listed property) Place manufacture: Unknown Date: 1658 - 1733 Physical features: etching material: paper Technique: etching Dimensions: leaf : h 181 mm (cut off at plate edge) × W 150 mm Subject: farrier, shoeing horse-smith Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hoefsmid-three-figures-and-a-dog-with-a-horse-covered-by-a-farrier-in-the-background-a-classic-bouwwerk-manufacturer-printmaker-gerard-hoet-i-listed-building-to-painting-hendrik-verschuring-listed-property-place-manufacture-unknown-date-1658-1733-physical-features-etching-material-paper-technique-etching-dimensions-leaf-h-181-mm-cut-off-at-plate-edge-w-150-mm-subject-farrier-shoeing-horse-smith-image348441890.htmlRM2B6TW56–Hoefsmid Three figures and a dog with a horse, covered by a farrier. In the background a classic bouwwerk. Manufacturer : printmaker Gerard Hoet (I) (listed building) to painting: Hendrik Verschuring (listed property) Place manufacture: Unknown Date: 1658 - 1733 Physical features: etching material: paper Technique: etching Dimensions: leaf : h 181 mm (cut off at plate edge) × W 150 mm Subject: farrier, shoeing horse-smith
painting, Anonymous, c. 1650, panel, oil paint, painted, Carrier: 61.5 × 93.5 × 1.5cm 615 × 935 × 15mm, With frame: 84.2 × 116.6 × 4.3cm 842 × 1166 × 43mm, rider, mountain landscape, horse, woman, harbor view, tower structure, dog, man, ship, painting depicting a harbor view. On the left is a city gate with a high round tower. At the gate there are, among other things, a rider on horseback and a dog. Various ships lie along the beach in the foreground and on the beach there are many small figures. At the foot of the mountain there are several houses along the distant bank of the bay. Not Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-anonymous-c-1650-panel-oil-paint-painted-carrier-615-935-15cm-615-935-15mm-with-frame-842-1166-43cm-842-1166-43mm-rider-mountain-landscape-horse-woman-harbor-view-tower-structure-dog-man-ship-painting-depicting-a-harbor-view-on-the-left-is-a-city-gate-with-a-high-round-tower-at-the-gate-there-are-among-other-things-a-rider-on-horseback-and-a-dog-various-ships-lie-along-the-beach-in-the-foreground-and-on-the-beach-there-are-many-small-figures-at-the-foot-of-the-mountain-there-are-several-houses-along-the-distant-bank-of-the-bay-not-image386384147.htmlRM2DCH8WR–painting, Anonymous, c. 1650, panel, oil paint, painted, Carrier: 61.5 × 93.5 × 1.5cm 615 × 935 × 15mm, With frame: 84.2 × 116.6 × 4.3cm 842 × 1166 × 43mm, rider, mountain landscape, horse, woman, harbor view, tower structure, dog, man, ship, painting depicting a harbor view. On the left is a city gate with a high round tower. At the gate there are, among other things, a rider on horseback and a dog. Various ships lie along the beach in the foreground and on the beach there are many small figures. At the foot of the mountain there are several houses along the distant bank of the bay. Not
Heimkehr von der Jagd - Homecoming from hunting 1818 Franz Krüger 1797 -1857 German Germany Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-heimkehr-von-der-jagd-homecoming-from-hunting-1818-franz-krger-1797-123231297.htmlRMH4DJNN–Heimkehr von der Jagd - Homecoming from hunting 1818 Franz Krüger 1797 -1857 German Germany
The Unicorn Norwich coach - Men on coach 'Norwich to Cromer', drawn by three horses circa 1830 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-unicorn-norwich-coach-men-on-coach-norwich-to-cromer-drawn-by-25419271.htmlRMBD9XF3–The Unicorn Norwich coach - Men on coach 'Norwich to Cromer', drawn by three horses circa 1830
The Performing Dog, c. 1875. Artist: Brown, John Lewis (1829-1890) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-performing-dog-c-1875-artist-brown-john-lewis-1829-1890-image60391605.htmlRMDE7231–The Performing Dog, c. 1875. Artist: Brown, John Lewis (1829-1890)
China: A Ming Dynasty painting of the Forbidden City (Gugong) in Beijing, c. mid-15th century. The Beijing Palace-City Scroll, now held in the National Museum of China, Beijing. Painted in the mid-Ming Dynasty (c. 15th century), depicting figures including the chief architects of the Forbidden City. The Forbidden City was the Chinese imperial palace from the Ming Dynasty to the end of the Qing Dynasty. It is located in the middle of Beijing, China, and now houses the Palace Museum. For almost five hundred years, it served as the home of emperors and their households. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-a-ming-dynasty-painting-of-the-forbidden-city-gugong-in-beijing-c-mid-15th-century-the-beijing-palace-city-scroll-now-held-in-the-national-museum-of-china-beijing-painted-in-the-mid-ming-dynasty-c-15th-century-depicting-figures-including-the-chief-architects-of-the-forbidden-city-the-forbidden-city-was-the-chinese-imperial-palace-from-the-ming-dynasty-to-the-end-of-the-qing-dynasty-it-is-located-in-the-middle-of-beijing-china-and-now-houses-the-palace-museum-for-almost-five-hundred-years-it-served-as-the-home-of-emperors-and-their-households-image344231629.htmlRM2B012XN–China: A Ming Dynasty painting of the Forbidden City (Gugong) in Beijing, c. mid-15th century. The Beijing Palace-City Scroll, now held in the National Museum of China, Beijing. Painted in the mid-Ming Dynasty (c. 15th century), depicting figures including the chief architects of the Forbidden City. The Forbidden City was the Chinese imperial palace from the Ming Dynasty to the end of the Qing Dynasty. It is located in the middle of Beijing, China, and now houses the Palace Museum. For almost five hundred years, it served as the home of emperors and their households.
Trojans pulling the wooden horse into the city. Two rows of bizarrely dressed people and others wearing dog masks pull the horse with ropes. Laocoon stands at the base of the statue of Minerva, and Cassandra kneels before it. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/trojans-pulling-the-wooden-horse-into-the-city-two-rows-of-bizarrely-dressed-people-and-others-wearing-dog-masks-pull-the-horse-with-ropes-laocoon-stands-at-the-base-of-the-statue-of-minerva-and-cassandra-kneels-before-it-copperplate-engraving-by-tommaso-piroli-from-his-antiquities-of-herculaneum-antichita-di-ercolano-rome-1790-image331806962.htmlRM2A7R34J–Trojans pulling the wooden horse into the city. Two rows of bizarrely dressed people and others wearing dog masks pull the horse with ropes. Laocoon stands at the base of the statue of Minerva, and Cassandra kneels before it. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790.
River View in Winter, by Aert van der Neer, 1655-60, Dutch painting, oil on canvas. People on the ice are skating and playing Kolf game, with golf club like sticks called kolf clubs to hit sajet balls. Others ice fish or ride in horse drawn sleighs (BSLOC 2016 3 137) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-river-view-in-winter-by-aert-van-der-neer-1655-60-dutch-painting-oil-115916080.htmlRMGMGC40–River View in Winter, by Aert van der Neer, 1655-60, Dutch painting, oil on canvas. People on the ice are skating and playing Kolf game, with golf club like sticks called kolf clubs to hit sajet balls. Others ice fish or ride in horse drawn sleighs (BSLOC 2016 3 137)
The horse and dog (Page 70) BHL21879448 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-horse-and-dog-page-70-bhl21879448-161643594.htmlRMKAYE1E–The horse and dog (Page 70) BHL21879448
Dog painting in the style of cubism. Abstract painting of a dog in the style of Picasso. Vector illustration. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dog-painting-in-the-style-of-cubism-abstract-painting-of-a-dog-in-the-style-of-picasso-vector-illustration-image560911465.htmlRF2RGFM89–Dog painting in the style of cubism. Abstract painting of a dog in the style of Picasso. Vector illustration.
A Tartar, an emaciated horse, and a dog. Origin: China. Ink and color on silk. Date: 1279-1368. Period: Possibly Yuan dynasty. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-tartar-an-emaciated-horse-and-a-dog-origin-china-ink-and-color-on-silk-date-1279-1368-period-possibly-yuan-dynasty-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554743186.htmlRM2R6EMGJ–A Tartar, an emaciated horse, and a dog. Origin: China. Ink and color on silk. Date: 1279-1368. Period: Possibly Yuan dynasty. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
18th century - The Picnic after the Hunt, 1737 - Carle Canloo Philippe Sauvan-Magnet / Active Museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-18th-century-the-picnic-after-the-hunt-1737-carle-canloo-philippe-59412105.htmlRMDCJCMW–18th century - The Picnic after the Hunt, 1737 - Carle Canloo Philippe Sauvan-Magnet / Active Museum
!['Gentleman Holding a White Horse', (1941). After 'A Grey Hunter with a Groom and a Greyhound at Creswell Crags', painting made c1762-1724, in the Tate Gallery, London. From "British Sport", by Eric Parker. [Collins, London, 1941] Stock Photo](https://c8.alamy.com/comp/2AG0H5A/gentleman-holding-a-white-horse-1941-after-a-grey-hunter-with-a-groom-and-a-greyhound-at-creswell-crags-painting-made-c1762-1724-in-the-tate-gallery-london-from-quotbritish-sportquot-by-eric-parker-collins-london-1941-2AG0H5A.jpg "'Gentleman Holding a White Horse', (1941). After 'A Grey Hunter with a Groom and a Greyhound at Creswell Crags', painting made c1762-1724, in the Tate Gallery, London. From "British Sport", by Eric Parker. [Collins, London, 1941] Stock Photo")
'Gentleman Holding a White Horse', (1941). After 'A Grey Hunter with a Groom and a Greyhound at Creswell Crags', painting made c1762-1724, in the Tate Gallery, London. From "British Sport", by Eric Parker. [Collins, London, 1941] Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gentleman-holding-a-white-horse-1941-after-a-grey-hunter-with-a-groom-and-a-greyhound-at-creswell-crags-painting-made-c1762-1724-in-the-tate-gallery-london-from-quotbritish-sportquot-by-eric-parker-collins-london-1941-image336844966.htmlRM2AG0H5A–'Gentleman Holding a White Horse', (1941). After 'A Grey Hunter with a Groom and a Greyhound at Creswell Crags', painting made c1762-1724, in the Tate Gallery, London. From "British Sport", by Eric Parker. [Collins, London, 1941]
The Second Horse from the book The sport of our ancestors; being a collection of prose and verse setting forth the sport of fox-hunting as they knew it; by baron Willoughby de Broke, Richard Greville Verney, 1869-1923; and illustrated by Armour, G. D. (George Denholm), Published in London by Constable and co. ltd. in 1921 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-second-horse-from-the-book-the-sport-of-our-ancestors-being-a-collection-of-prose-and-verse-setting-forth-the-sport-of-fox-hunting-as-they-knew-it-by-baron-willoughby-de-broke-richard-greville-verney-1869-1923-and-illustrated-by-armour-g-d-george-denholm-published-in-london-by-constable-and-co-ltd-in-1921-image434147539.htmlRM2G693H7–The Second Horse from the book The sport of our ancestors; being a collection of prose and verse setting forth the sport of fox-hunting as they knew it; by baron Willoughby de Broke, Richard Greville Verney, 1869-1923; and illustrated by Armour, G. D. (George Denholm), Published in London by Constable and co. ltd. in 1921
Queen Victoria at Osborne, 1865-67. By Edwin Landseer (1802-1873). Queen Victoria (1819-1901), pictured with her Scottish personal attendant John Brown (1826-1883), at Osborne House. Brown was also a ghillie for Prince Albert. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/queen-victoria-at-osborne-1865-67-by-edwin-landseer-1802-1873-queen-victoria-1819-1901-pictured-with-her-scottish-personal-attendant-john-brown1826-1883-at-osborne-house-brown-was-also-aghillieforprince-albert-image620584056.htmlRM2Y1J188–Queen Victoria at Osborne, 1865-67. By Edwin Landseer (1802-1873). Queen Victoria (1819-1901), pictured with her Scottish personal attendant John Brown (1826-1883), at Osborne House. Brown was also a ghillie for Prince Albert.
Tiryns Palace (late), horse, hunter, and hounds. A footman follows the hunters, leading more hounds. 1330-1200 BC. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tiryns-palace-late-horse-hunter-and-hounds-a-footman-follows-the-hunters-leading-more-hounds-1330-1200-bc-image211045999.htmlRFP79Y93–Tiryns Palace (late), horse, hunter, and hounds. A footman follows the hunters, leading more hounds. 1330-1200 BC.
Horse logos Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/horse-logos-image486802853.htmlRF2K7YP05–Horse logos
Toulouse-Lautrec - Horse Rider with Little Dog 1879 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/toulouse-lautrec-horse-rider-with-little-dog-1879-image430967873.htmlRF2G147WN–Toulouse-Lautrec - Horse Rider with Little Dog 1879
George Morland (1763-1804). English painter. Before a Thunderstorm, 1791. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-george-morland-1763-1804-english-painter-before-a-thunderstorm-1791-94693228.htmlRMFE1J50–George Morland (1763-1804). English painter. Before a Thunderstorm, 1791. The State Hermitage Museum. Saint Petersburg. Russia.
Hoefsmid Three figures and a dog with a horse, covered by a farrier. In the background a classic bouwwerk. Manufacturer : printmaker Gerard Hoet (I) (listed building) to painting: Hendrik Verschuring (listed property) Place manufacture: Unknown Date: 1658 - 1733 Physical features: etching with plate tone material: paper Technique: etching / tone plate size: plate edge: h 184 mm × W 151 mm Subject: farrier, shoeing smith horse- Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hoefsmid-three-figures-and-a-dog-with-a-horse-covered-by-a-farrier-in-the-background-a-classic-bouwwerk-manufacturer-printmaker-gerard-hoet-i-listed-building-to-painting-hendrik-verschuring-listed-property-place-manufacture-unknown-date-1658-1733-physical-features-etching-with-plate-tone-material-paper-technique-etching-tone-plate-size-plate-edge-h-184-mm-w-151-mm-subject-farrier-shoeing-smith-horse-image348441827.htmlRM2B6TW2Y–Hoefsmid Three figures and a dog with a horse, covered by a farrier. In the background a classic bouwwerk. Manufacturer : printmaker Gerard Hoet (I) (listed building) to painting: Hendrik Verschuring (listed property) Place manufacture: Unknown Date: 1658 - 1733 Physical features: etching with plate tone material: paper Technique: etching / tone plate size: plate edge: h 184 mm × W 151 mm Subject: farrier, shoeing smith horse-
![painting, Maerten Fransz. van der Hulst, 1641, Signature front, bottom left: monogram FMvHP [in one] 1641, panel, oil paint, painted, Carrier: 33.7 × 49.2 × 2.5cm 337 × 492 × 25mm, With frame: 50.5 × 64 , 5 × 4,5cm 505 × 645 × 45mm, dune landscape, church, woman, carriage, dog, cityscape, man, horse, Painting depicting a dune landscape. In the foreground are a chariot pulled by a horse. There are two figures in the car; a third figure walks behind the car. A dog walks in front of the car. They form the last part of a caravan, which first pulls through the dunes to the left Stock Photo](https://c8.alamy.com/comp/2DF6AXY/painting-maerten-fransz-van-der-hulst-1641-signature-front-bottom-left-monogram-fmvhp-in-one-1641-panel-oil-paint-painted-carrier-337-492-25cm-337-492-25mm-with-frame-505-64-5-45cm-505-645-45mm-dune-landscape-church-woman-carriage-dog-cityscape-man-horse-painting-depicting-a-dune-landscape-in-the-foreground-are-a-chariot-pulled-by-a-horse-there-are-two-figures-in-the-car-a-third-figure-walks-behind-the-car-a-dog-walks-in-front-of-the-car-they-form-the-last-part-of-a-caravan-which-first-pulls-through-the-dunes-to-the-left-2DF6AXY.jpg "painting, Maerten Fransz. van der Hulst, 1641, Signature front, bottom left: monogram FMvHP [in one] 1641, panel, oil paint, painted, Carrier: 33.7 × 49.2 × 2.5cm 337 × 492 × 25mm, With frame: 50.5 × 64 , 5 × 4,5cm 505 × 645 × 45mm, dune landscape, church, woman, carriage, dog, cityscape, man, horse, Painting depicting a dune landscape. In the foreground are a chariot pulled by a horse. There are two figures in the car; a third figure walks behind the car. A dog walks in front of the car. They form the last part of a caravan, which first pulls through the dunes to the left Stock Photo")
painting, Maerten Fransz. van der Hulst, 1641, Signature front, bottom left: monogram FMvHP [in one] 1641, panel, oil paint, painted, Carrier: 33.7 × 49.2 × 2.5cm 337 × 492 × 25mm, With frame: 50.5 × 64 , 5 × 4,5cm 505 × 645 × 45mm, dune landscape, church, woman, carriage, dog, cityscape, man, horse, Painting depicting a dune landscape. In the foreground are a chariot pulled by a horse. There are two figures in the car; a third figure walks behind the car. A dog walks in front of the car. They form the last part of a caravan, which first pulls through the dunes to the left Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-maerten-fransz-van-der-hulst-1641-signature-front-bottom-left-monogram-fmvhp-in-one-1641-panel-oil-paint-painted-carrier-337-492-25cm-337-492-25mm-with-frame-505-64-5-45cm-505-645-45mm-dune-landscape-church-woman-carriage-dog-cityscape-man-horse-painting-depicting-a-dune-landscape-in-the-foreground-are-a-chariot-pulled-by-a-horse-there-are-two-figures-in-the-car-a-third-figure-walks-behind-the-car-a-dog-walks-in-front-of-the-car-they-form-the-last-part-of-a-caravan-which-first-pulls-through-the-dunes-to-the-left-image387988243.htmlRM2DF6AXY–painting, Maerten Fransz. van der Hulst, 1641, Signature front, bottom left: monogram FMvHP [in one] 1641, panel, oil paint, painted, Carrier: 33.7 × 49.2 × 2.5cm 337 × 492 × 25mm, With frame: 50.5 × 64 , 5 × 4,5cm 505 × 645 × 45mm, dune landscape, church, woman, carriage, dog, cityscape, man, horse, Painting depicting a dune landscape. In the foreground are a chariot pulled by a horse. There are two figures in the car; a third figure walks behind the car. A dog walks in front of the car. They form the last part of a caravan, which first pulls through the dunes to the left
Campement de militaires - Military camp Jan Peeter Verdussen 1700-1763 Flemish Belgian Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-campement-de-militaires-military-camp-jan-peeter-verdussen-1700-1763-75255563.htmlRMEAC56K–Campement de militaires - Military camp Jan Peeter Verdussen 1700-1763 Flemish Belgian Belgium
Horse eats from Russian sweat bread Baranki and view of the table dishes with Khokhloma painting during the traditional Russian dog hunting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/horse-eats-from-russian-sweat-bread-baranki-and-view-of-the-table-dishes-with-khokhloma-painting-during-the-traditional-russian-dog-hunting-image341235816.htmlRM2AR4HNC–Horse eats from Russian sweat bread Baranki and view of the table dishes with Khokhloma painting during the traditional Russian dog hunting
'A Horse And Cart at the River', 1817. Artist: Johann Adam Klein Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-horse-and-cart-at-the-river-1817-artist-johann-adam-klein-image60294160.htmlRMDE2HPT–'A Horse And Cart at the River', 1817. Artist: Johann Adam Klein
China/Africa: Tile tableau depicting several Chinese merchants and noblemen who appear to have made themselves at home in an African village, c. 1700. An almost entirely traditional Chinese scene revolves around two sturdy African villagers dressed in skirts and headdresses who are holding spears. The Africans seem to be amused, most probably curious at the sight of so many richly dressed Chinese men and women, pagodas, pavilions, Chinese lanterns, a bamboo bridge, a Chinese gondola and even a floating Buddha in the sky. In the lower half of the painting, an African woman dances. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chinaafrica-tile-tableau-depicting-several-chinese-merchants-and-noblemen-who-appear-to-have-made-themselves-at-home-in-an-african-village-c-1700-an-almost-entirely-traditional-chinese-scene-revolves-around-two-sturdy-african-villagers-dressed-in-skirts-and-headdresses-who-are-holding-spears-the-africans-seem-to-be-amused-most-probably-curious-at-the-sight-of-so-many-richly-dressed-chinese-men-and-women-pagodas-pavilions-chinese-lanterns-a-bamboo-bridge-a-chinese-gondola-and-even-a-floating-buddha-in-the-sky-in-the-lower-half-of-the-painting-an-african-woman-dances-image344234812.htmlRM2B0170C–China/Africa: Tile tableau depicting several Chinese merchants and noblemen who appear to have made themselves at home in an African village, c. 1700. An almost entirely traditional Chinese scene revolves around two sturdy African villagers dressed in skirts and headdresses who are holding spears. The Africans seem to be amused, most probably curious at the sight of so many richly dressed Chinese men and women, pagodas, pavilions, Chinese lanterns, a bamboo bridge, a Chinese gondola and even a floating Buddha in the sky. In the lower half of the painting, an African woman dances.
