Stock photos, 360° images, vectors and videos
Filters
Quick filters:
RM2HB6JA9–Portal of the Oosterkerk in Hoorn, anonymous, Oosterkerk (Hoorn), Mar-1916, cardboard, gelatin silver print, height 225 mm × width 165 mm
RF2HKC3GW–Inspired by Interior of Overbeek House in Velp, Huize Overbeek, Mar-1906, height 225 mm × width 169 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMFCXE1T–Bondi Beach, Sydney, Australia. 26th Jan, 2016. Sunrise over Sydneys Bondi Beach and Bondi Icebergs pool. Despite being the height of summer, January in Sydney and surrounding regions have experienced record breaking rainfall with more forecast today. Sydney has already received 225 mm of rain in January which is more than double the long term average. Credit: Sydney Photographer/Alamy Live News
RMPNCBHA–Forest Scene. Date/Period: 1879. Drawing. Black and white chalk. Height: 225 mm (8.85 in); Width: 320 mm (12.59 in). Author: Joseph Wenglein.
RMP76PDD–. . Height: 155 mm (6.10 in); Width: 100 mm (3.93 in) . circa 1884 225 Virgen de Cuteclara by Julio Romero de Torres
RM2CE4TMM–. Annals of the South African Museum = Annale van die Suid-Afrikaanse Museum . Figure 14 isitya, beer beaker (A-C) or food basket (D). A. Mpondo, Flagstaff, 1932. Height 256 mm. UCT-32/41. B. Mpondo, Umvume Springs, 1939. Height 294 mm. SAM-5994. C. Mpondo, Libode, 1942. Width 222 mm. FH 369. Photo N. J. van Warmelo. D. Xesibe, Mount Ayliff, 1969. Height 225 mm. SAM-9633. 5. ingcaza: Bhaca, for drinking beer. 6. ingceke: Vundla, a small basket for food; Xhosa, Mpondo, Xesibe, a small ingobozi. 7. ilala: made of palm-leaf, for food or drink; this would mean a coiled sewn basket likeisitya above
RMPFB80R–. Description of new carnivores from the Miocene of western Nebraska. Carnivora, Fossil; Paleontology; Paleontology. PETERSON : NEW CARNIVORES FROM MIOCENE OF WESTERN NEBRASKA 225 and the zygapophyses and neural spines, especially of the thirteenth dorsal, are typically lumbar in character. Measurements of Twelfth and Thirteenth Dorsal Vertebrae. d. 12 D. 13 Mm. Mm. Antero-posterior diameter of centra 28 29 Transverse diameter of centra posteriorly 26 27 Vertical diameter of centra posteriorly 17 19 Transverse diameter at transverse processes 31 33 Height of neural spine 25 First Lumbar Verteb
RM2HB6JFR–Interior of Overbeek House in Velp, anonymous, Huize Overbeek, Mar-1906, cardboard, photographic support, height 225 mm × width 169 mm
RF2HKC321–Inspired by Portal of the Oosterkerk in Hoorn, Oosterkerk (Hoorn), Mar-1916, gelatin silver print, height 225 mm × width 165 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPND7P7–Tell's Chapel, Lake Lucerne. Date/Period: 1841. Painting. Watercolor. Height: 225 mm (8.85 in); Width: 286 mm (11.25 in). Author: J. M. W. Turner.
RM2CE57A8–. Annals of the South African Museum = Annale van die Suid-Afrikaanse Museum . B. Figure 2 Pseudoxybeloceras matsumotoi Collignon, 1965. GDI4001 from Gisement 225. An internal mould of the phragmocone to illustrate the weak ribbing on the flanks and dorsum, and absence over the venter as well as complete absence of tuberculation on internal moulds, x 1. OBSER VA TIONS ON PSEUDOXYBELOCERAS MATSUMOTOI 203 COILING The initial juvenile stages are unknown; the earliest ontogenetic stages present consistof slightly curved shafts with a whorl height of c. 20 mm. With the exception of GDI 4000,all the
RM2HB6J9P–Hall in Huize Wijtenburg on the Steenschuur in Leiden, anonymous, Steenschuur, Aug-1904, cardboard, albumen print, height 225 mm × width 169 mm
RF2HKC323–Inspired by Pulpit in the Van Harenskerk in Sint Annaparochie, Van Harenskerk, Nov-1898, height 225 mm × width 170 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPNBAHF–Christ Church Gate, Canterbury. Date/Period: 1793 to 1794. Painting. Watercolor. Height: 225 mm (8.85 in); Width: 273 mm (10.74 in). Author: J. M. W. Turner.
RMRG7TY9–. Bulletin - United States National Museum. Science. NEMATODE PARASITES OF BIRDS 155 Morphology.—Contraeaecum (p. 146) : Lips (fig. 220a) with ear- like projections and with 2 papillae; dentigerous ridges absent. Ac- cording to Drasche, intcrlabia about 2/3 the height of the lips, thick and curved, their free ends being close to lips; Skrjabin states that no interlabia are present. Cross-striations of cuticle give dentate appearance to collar as seen at edge of body. Male 13 to 18 mm. long by COO to 900/* wide. Esophagus 3.23 mm. long, its appendix small, dactyliform (fig. 225). Intestinal cec
RM2HB6JA4–Pulpit in the Van Harenskerk in Sint Annaparochie, anonymous, Van Harenskerk, Nov-1898, cardboard, photographic support, height 225 mm × width 170 mm
RF2HKC2XT–Inspired by Hall in Huize Wijtenburg on the Steenschuur in Leiden, Steenschuur, Aug-1904, albumen print, height 225 mm × width 169 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPNCN89–A wet day on a wild coast. Date/Period: 1894. Watercolours. Watercolour. Height: 225 mm (8.85 in); Width: 385 mm (15.15 in). Author: William Mathew Hodgkins.
RMRMPB3X–. Annals of the Carnegie Museum. Carnegie Museum; Carnegie Museum of Natural History; Natural history. Douglass : Rhinoceroses from North Dakota and Montana 263 Mf.ASUREMENTS. mm. Height of occiput 225 Width of occiput 270 Height of paroccipital processes 65 Though the type of Aphelops ceratorhinus represents a large rhino- ceros, portions of a skull, vertebrae, and limb-bones of another indi- vidual (Carnegie Museum Catalogue of Vertebrate Fossils, No. 842, from the Madison Valley) indicate a very much larger animal, possibly belong- ing to a different species. Thegreater portion of the hume
RM2HB77M6–Portrait of Jetje de Neufville, Jetje de Neufville (title on object), anonymous, Netherlands, 1855 - 1870, paper, salted paper print, height 225 mm × width 160 mm
RF2HKDGTM–Inspired by Portrait of Jetje de Neufville, Jetje de Neufville, Netherlands, 1855 - 1870, paper, salted paper print, height 225 mm × width 160 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPNDXKT–Two Girls with Shrimping Nets. Drawing. Watercolor and black chalk on medium, beige, smooth wove paper. Height: 225 mm (8.85 in); Width: 187 mm (7.36 in). Author: Peter DeWint.
RMRHRF52–. The Biochemical journal, 1912. Biochemistry. (;ai>i:m('ai. riniPAHAiioNs of j)i(,aTALis 225 fall. Digipuratmn, from an initial nxovn^e lu>iprht of 49 mm. above the base-line, caused a rise to a maximum of 5;') mm., GO minutes after tlie introduction of the drug. Digitalone and the Tincture of Digitalis produced no increase in mean tonus until the final rise of approaching death in systole. Reducing these results to percentages we can express them grapliically, as in Fig. 5.. Digalen Digipuratum Disitalone Tincture of Dipfitalia Fig. 5. Variation in Height of Mean Tonus. Reading these r
RM2JDYC36–Menu card with quotations from Dutch literature, maker: anonymous, 18-Jul-1891, cardboard, letterpress printing, height 225 mm × width 140 mm
RF2HKXY2W–Art inspired by Hall in Huize Wijtenburg on the Steenschuur in Leiden, Steenschuur, Aug-1904, cardboard, albumen print, height 225 mm × width 169 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPMBDGD–Christ in Majesty with the Symbols of the Evangelists. Date/Period: Second quarter of 14th century. Painting. Tempera and gold on parchment. Height: 225 mm (8.85 in); Width: 170 mm (6.69 in). Author: UNKNOWN.
RMRJMXJW–. Bacteriological apparatus : pathological, biochemical. Scientific apparatus and instruments; Bacteriology; Chemical industry. (Hi)* Hill CUnrporatiott, Rochester, HL f.. 17090 17090 SterilizersâHot Air. Automatically temperature-controlled; set to shut off at 176° C before leaving factory, but can be regulated by thumb screw; furnished complete, with instructions; electrically heated. Inside Dimensions Height, mm Width, mm No. A U 125 125 325 375 500 500 Depth, mm Each 175 300 300 85.00 150.00 225.00 17005 SterilizersâHot Air. Same as No. 17090 above, but gas heated. No. A B Inside Dimensio
RM2JE2XBK–Menu card with quotations from Dutch literature, maker: anonymous, 18-Jul-1891, cardboard, letterpress printing, height 225 mm × width 140 mm
RF2HKXY9M–Art inspired by Interior of Overbeek House in Velp, Huize Overbeek, Mar-1906, cardboard, photographic support, height 225 mm × width 169 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRFDE2P–Sky Study with Rainbow. Date/Period: 1827. Landscape. Watercolor on medium, smooth, blued white wove paper. Height: 225 mm (8.85 in); Width: 184 mm (7.24 in). Author: John Constable.
RMRJN5B6–. Bacteriological apparatus : pathological, biochemical. Scientific apparatus and instruments; Bacteriology; Chemical industry. 10995 10985 Boilers—Agateware. Of agate nickel steel, seamless; with retinned cover and patent bottom which prevents scorching of contents and renders vessel more durable; with bale handle. No. A Capacity (approx.), liters 1 Height, mm 95 Diameter, mm 145 B C D 2 3 5 100 110 125 170 200 225 Each .85 .95 1.10 1.40 10990 Boilers—Agateware. Same as No. 10985 above, but with side handle. No. A B C D Capacity (approx.), liters 1 2 3 5 Height, mm 95 100 110 125 Diameter, mm
RM2JDYFP3–Woman reading in a chair, print maker: anonymous, (mentioned on object), c. 1875 - c. 1925, paper, drypoint, height 225 mm × width 172 mm
RF2HKXY2T–Art inspired by Portal of the Oosterkerk in Hoorn, Oosterkerk (Hoorn), Mar-1916, cardboard, gelatin silver print, height 225 mm × width 165 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPMD30F–Imperial Winter Palace, Pekin, October 29, 1860. Date/Period: October 29, 1860. Print. Albumen silver. Height: 225 mm (8.85 in); Width: 291 mm (11.45 in). Author: Felice Beato.
RMRJN5B1–. Bacteriological apparatus : pathological, biochemical. Scientific apparatus and instruments; Bacteriology; Chemical industry. 10995 10985 Boilers—Agateware. Of agate nickel steel, seamless; with retinned cover and patent bottom which prevents scorching of contents and renders vessel more durable; with bale handle. No. A Capacity (approx.), liters 1 Height, mm 95 Diameter, mm 145 B C D 2 3 5 100 110 125 170 200 225 Each .85 .95 1.10 1.40 10990 Boilers—Agateware. Same as No. 10985 above, but with side handle. No. A B C D Capacity (approx.), liters 1 2 3 5 Height, mm 95 100 110 125 Diameter, mm
RM2JE36W1–Woman reading in a chair, print maker: anonymous, (mentioned on object), c. 1875 - c. 1925, paper, drypoint, height 225 mm × width 172 mm
RF2HKXY34–Art inspired by Pulpit in the Van Harenskerk in Sint Annaparochie, Van Harenskerk, Nov-1898, cardboard, photographic support, height 225 mm × width 170 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPNEARG–Group of Cretins in Boí. Date/Period: 1904. Drawing. Reed pen and ink and watercolour on cardboard. Height: 225 mm (8.85 in); Width: 162 mm (6.37 in). Author: NONELL I MONTURIOL, ISIDRE.
RMRJN4KT–. Bacteriological apparatus : pathological, biochemical. Scientific apparatus and instruments; Bacteriology; Chemical industry. 11165. 3675 1840 1850 1845 11165 Buckets—Agateware. Of agate nickel steel, seamless. No. A B Capacity (approx.) liters 8 12 Height, mm 175 225 Diameter (top) mm 240 290 Each 1.40 1.90 3675 Bulb—Leveling. Convenient for use in gas analysis and other pur- poses; mounted on iron stand Each 3680 Glass Bulb only Each 1840 Burettes—Mohr's. For pinchcock. No. A B C D E F Capacity, cc 5 10 10 25 25 50 Graduated, cc 1/10 1/10 1/20 1/10 1/20 1/5 1845 1850 3.00 1.00 Each .36 .36
RM2JDY8NH–Four women seated at a table, print maker: Jac Jongert, (signed by artist), 1928, transparant paper, height 115 mm × width 145 mm, height 225 mm × width 200 mm
RF2HKYNM9–Art inspired by Portrait of Jetje de Neufville, Jetje de Neufville, Netherlands, 1855 - 1870, paper, salted paper print, height 225 mm × width 160 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRFFREP–River Landscape with a Waterfall. Drawing. Black ink and gray wash over graphite on medium, smooth, cream wove paper. Height: 225 mm (8.85 in); Width: 368 mm (14.48 in). Author: James Ward.
RMRCXENT–. Description of new carnivores from the Miocene of western Nebraska. Carnivora, Fossil; Paleontology; Paleontology. PETERSON : NEW CARNIVORES FROM MIOCENE OF WESTERN NEBRASKA 225 and the zygapophyses and neural spines, especially of the thirteenth dorsal, are typically lumbar in character. Measurements of Twelfth and Thirteenth Dorsal Vertebrae. d. 12 D. 13 Mm. Mm. Antero-posterior diameter of centra 28 29 Transverse diameter of centra posteriorly 26 27 Vertical diameter of centra posteriorly 17 19 Transverse diameter at transverse processes 31 33 Height of neural spine 25 First Lumbar Verteb
RM2JDYRH1–Sculpture of Amor, Sculptures of antiquity (series title), Caption in Latin. Print is part of an album., print maker: anonymous, Italy, 1600 - 1699, paper, etching, engraving, height 225 mm × width 135 mm
RF2HKBMRJ–Inspired by View of the Accijnshuis in Alkmaar, A.J.M. Mulder, Alkmaar, 1898, height 225 mm × width 169 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPNCNMK–Ibsamboul, Stèle à Droite du Temple d'Hathor. Date/Period: 1854. Print. Salted paper, from a calotype negative. Height: 225 mm (8.85 in); Width: 299 mm (11.77 in). Author: John Beasly Greene.
RMRCXEJ7–. Description of new carnivores from the Miocene of western Nebraska. Carnivora, Fossil; Paleontology; Paleontology. PETERSON : NEW CARNIVORES FROM MIOCENE OF WESTERN NEBRASKA 225 and the zygapophyses and neural spines, especially of the thirteenth dorsal, are typically lumbar in character. Measurements of Twelfth and Thirteenth Dorsal Vertebrae. d. 12 D. 13 Mm. Mm. Antero-posterior diameter of centra 28 29 Transverse diameter of centra posteriorly 26 27 Vertical diameter of centra posteriorly 17 19 Transverse diameter at transverse processes 31 33 Height of neural spine 25 First Lumbar Verteb
RM2JE3JFH–Sculpture of Amor, Sculptures of antiquity (series title), Caption in Latin. Print is part of an album., print maker: anonymous, Italy, 1600 - 1699, paper, etching, engraving, height 225 mm × width 135 mm
RF2HKBPT0–Inspired by Façade of Wijnstraat 65, Dordrecht, A.J.M. Mulder, Wijnstraat, 1906, height 225 mm × width 170 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMRFFWAD–A Mare, Possibly a Study for 'L'Amour de Cheval', Dated 1827, in the Tate Gallery. Drawing. Charcoal on medium, slightly textured, brown wove paper. Height: 225 mm (8.85 in); Width: 311 mm (12.24 in). Author: James Ward.
RM2JE2MKW–Four women seated at a table, print maker: Jac Jongert, (signed by artist), 1928, transparant paper, height 115 mm × width 145 mm, height 225 mm × width 200 mm
RF2HKBRE3–Inspired by Exterior of a Dutch Reformed church in the Netherlands, Netherlands, c. 1875 - c. 1900, height 225 mm × width 175 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMRFDE63–A Prancing Horse, Facing Right. Date/Period: Ca. 1790. Drawing. Red chalk on thin, smooth, cream wove paper laid to beige, medium, slightly textured, wove paper. Height: 225 mm (8.85 in); Width: 244 mm (9.60 in). Author: George Stubbs.
RM2JDYRH5–Sculpture of a goddess with sign, Sculptures of Antiquity (series title), Caption in Latin. Print is part of an album., print maker: anonymous, Italy, 1600 - 1699, paper, engraving, height 225 mm × width 142 mm
RF2HKCNP8–Inspired by Capitals of a column in the crypt of the Abbey church at Rolduc, Rolduc, 1890, albumen print, height 225 mm × width 172 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPMD4WM–Hyde Park. Date/Period: Between 1746 and 1750. Landscape. Black chalk with white gouache and buff-gray ground on medium, slightly textured, cream laid paper, mounted on thick, moderately textured, beige laid paper. Height: 225 mm (8.85 in); Width: 257 mm (10.11 in). Author: ALEXANDER COZENS.
RM2JE3JJY–Sculpture of a goddess with sign, Sculptures of Antiquity (series title), Caption in Latin. Print is part of an album., print maker: anonymous, Italy, 1600 - 1699, paper, engraving, height 225 mm × width 142 mm
RF2HKBPT9–Inspired by Facade of Voorstraat 28 in Dordrecht, A.J.M. Mulder, Voorstraat, 1906, height 225 mm × width 163 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPNECTD–Sketch of Two Ships on a Catalogue Page. Date/Period: Ca. 1823. Drawing. Graphite on medium, slightly textured cream wove paper, adhered to medium, slightly textured cream laid paper. Height: 225 mm (8.85 in); Width: 422 mm (16.61 in). Author: J. M. W. Turner.
RM2JDYAAN–Portrait of bookseller Bernard Alfred Quaritch behind his desk, Bernard Alfred Quaritch (title on object), print maker: anonymous, anonymous, after 27-Aug-1913, paper, printing, height 225 mm × width 287 mm
RF2HKC2XM–Inspired by Oak mantelpiece with relief in the house at Blauwpoortsplein 3 in Dordrecht, Blauwpoortsplein, Feb-1911, height 225 mm × width 164 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPNC74C–Sampler. Date/Period: 1729. Sampler. Medium: silk embroidery on cotton foundation. Technique: embroidered in cross, satin, rococo, running and double running stitches on plain weave foundation; sewn to linen tape and mounted on paper. Height: 225 mm (8.85 in); Width: 160 mm (6.29 in). Author: Dinah Bird.
RM2JE2PXD–Portrait of bookseller Bernard Alfred Quaritch behind his desk, Bernard Alfred Quaritch (title on object), print maker: anonymous, anonymous, after 27-Aug-1913, paper, printing, height 225 mm × width 287 mm
RF2HKBWNM–Inspired by Two ornament prints with a bird and a wreath, c. 1875 - c. 1900, albumen print, height 225 mm × width 144 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPNC444–Jerusalem, Plate 10, 'Into the Furnaces....'. Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 150 mm (5.90 in). Author: William Blake.
RM2JDYEY8–Three children in front of the window of a bookstore, print maker: anonymous, after design by: Cornelis Jetses, (mentioned on object), publisher: Albertus Willem Sijthoff, Leiden, c. 1910, paper, height 225 mm × width 150 mm
RF2HKD03H–Inspired by Coat of arms with a double-headed eagle, Europe, c. 1875 - c. 1900, paper, collotype, height 225 mm × width 230 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPNEAGB–Jerusalem, Plate 38, 'His face and bosom....'. Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 162 mm (6.37 in). Author: William Blake.
RM2JE349F–Three children in front of the window of a bookstore, print maker: anonymous, after design by: Cornelis Jetses, (mentioned on object), publisher: Albertus Willem Sijthoff, Leiden, c. 1910, paper, height 225 mm × width 150 mm
RF2HKBRDW–Inspired by Choir window of the Old Saint Nicholas Church in IJsselstein, IJsselstein, c. 1875 - c. 1900, height 225 mm × width 170 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPNCG0C–Jerusalem, Plate 6, 'His Spectre driv'n....'. Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 162 mm (6.37 in). Author: William Blake.
RM2JE3JG9–Sculpture of one of the daughters of Niobe, Sculptures of Antiquity (series title), The sculpture lacks the head, an arm and fingers. Caption in Latin. Print is part of an album., print maker: anonymous, Italy, 1600 - 1699, paper, etching, engraving, height 225 mm × width 138 mm
RF2HKBNDA–Inspired by Façade of Kleine Houtstraat 81 in Haarlem, A.J.M. Mulder, Kleine Houtstraat, 1905, height 225 mm × width 165 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPNDH6N–Jerusalem, Plate 3, 'To the Public....'. Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 162 mm (6.37 in). Author: William Blake.
RM2JDYRG6–Sculpture of one of the daughters of Niobe, Sculptures of Antiquity (series title), The sculpture lacks the head, an arm and fingers. Caption in Latin. Print is part of an album., print maker: anonymous, Italy, 1600 - 1699, paper, etching, engraving, height 225 mm × width 138 mm
RF2HKBNGP–Inspired by Gate of Slot Assumburg near Heemskerk, Alex Bratsch, Heemskerk, 1910 - 1930, gelatin silver print, height 225 mm × width 169 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPND9WB–Jerusalem, Plate 11, 'To labours mighty....'. Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 165 mm (6.49 in). Author: William Blake.
RM2JE2PX1–Portrait of Thomas Miller, bookseller at Bungay, Thomas Miller, Bookseller, Bungay, Suffolk (title on object), print maker: Edward Scriven, (mentioned on object), after painting by: Henry Edridge, (mentioned on object), 1804 - 1841, paper, etching, height 225 mm × width 163 mm
RF2HKBR5J–Inspired by Exterior of the Franeker town hall, A. Visser Jzn., Franeker, c. 1875 - c. 1900, albumen print, height 225 mm × width 162 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPNDEBA–Jerusalem, Plate 48, 'These were his last words....'. Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 165 mm (6.49 in). Author: William Blake.
RM2JDYA9K–Portrait of Thomas Miller, bookseller at Bungay, Thomas Miller, Bookseller, Bungay, Suffolk (title on object), print maker: Edward Scriven, (mentioned on object), after painting by: Henry Edridge, (mentioned on object), 1804 - 1841, paper, etching, height 225 mm × width 163 mm
RF2HKBNEJ–Inspired by Façade of Jansstraat 85, Haarlem, A.J.M. Mulder, Jansstraat, 1906, gelatin silver print, height 225 mm × width 166 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPNDF1R–Jerusalem, Plate 12, 'Why wilt thou give to her....'. Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 165 mm (6.49 in). Author: William Blake.
RM2JDXREY–Ex libris of Sir William Stirling Maxwell, Ex libris of book collector Sir William Stirling Maxwell. His coat of arms and mottoes encased in an ornamental frame. Ex libris pasted to cover page. This print is part of an album., after design by: William Stirling Maxwell, 1838 - 1878, paper, etching, height 225 mm × width 173 mm
RF2HKCJPD–Inspired by Church with palm trees in front of it, c. 1875 - c. 1910, height 225 mm, width 283 mmheight 317 mm, width 378 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPNE452–Jerusalem, Plate 72, 'And the Thirty-two Counties....'. Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 150 mm (5.90 in). Author: William Blake.
RM2JE0669–Ex libris of Sir William Stirling Maxwell, Ex libris of book collector Sir William Stirling Maxwell. His coat of arms and mottoes encased in an ornamental frame. Ex libris pasted to cover page. This print is part of an album., after design by: William Stirling Maxwell, 1838 - 1878, paper, etching, height 225 mm × width 173 mm
RF2HKBXYW–Inspired by View of Castle Biljoen at Velp, Velp. Biljoen, Johannes Gerardus Kramer, Velp, c. 1875 - c. 1900, albumen print, height 225 mm × width 281 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPNCNDJ–Jerusalem, Plate 73, 'Such are Cathedron's golden Halls....'. Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 149 mm (5.86 in). Author: William Blake.
RM2JE1K5F–Ex libris of Sir William Stirling Maxwell, Ex libris of book collector Sir William Stirling Maxwell. His coat of arms and mottoes encased in an ornamental frame. Ex libris pasted to cover page. This print is part of an album., after design by: William Stirling Maxwell, 1838 - 1878, paper, etching, height 225 mm × width 173 mm
RF2HKA7F0–Inspired by Tap jug on table, draughtsman: Firma Feuchère, Paris, c. 1830 - c. 1850, tracing paper, graphite (mineral), pen, height 225 mm × width 335 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPNEAJP–Jerusalem, Plate 39, 'By Satans Watch-fiends....'. Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 159 mm (6.25 in). Author: William Blake.
RM2JE3JAB–Earth relative to the sun, Title page for: J.E. Bode, Thoughts on the Changes of the Weather, 1819, Four positions of the earth relative to the sun. Accompanying these are four signs of the zodiac., print maker: anonymous, publisher: weduwe Adriaan Pietersz. Loosjes, (mentioned on object), Haarlem, 1819, paper, engraving, height 225 mm × width 135 mm
RF2HKDX0J–Inspired by Construction of the Viaur Viaduct in France by the Societé de Construction des Battignolles, May 15, 1901, France, 15-May-1901, cyanotype, height 225 mm × width 285 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPNCC1W–Jerusalem, Plate 41, 'Bath who is Legions....'. Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 162 mm (6.37 in). Author: William Blake.
RM2JDYR7E–Earth relative to the sun, Title page for: J.E. Bode, Thoughts on the Changes of the Weather, 1819, Four positions of the earth relative to the sun. Accompanying these are four signs of the zodiac., print maker: anonymous, publisher: weduwe Adriaan Pietersz. Loosjes, (mentioned on object), Haarlem, 1819, paper, engraving, height 225 mm × width 135 mm
RF2HKDX3H–Inspired by Construction of the Viaur Viaduct in France by the Societé de Construction des Battignolles, September 17, 1901, France, 17-Sep-1901, cyanotype, height 225 mm × width 286 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPNE3PX–Jerusalem, Plate 33, 'Turning his back to the Divine Vision....'. Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 149 mm (5.86 in). Author: William Blake.
RM2JE2EC5–Bound bouquet, Les Petits Bouquets (series title), Bound bouquet. Print is part of an album., print maker: Jean Baptiste Monnoyer, (mentioned on object), after design by: Jean Baptiste Monnoyer, publisher: Jean Baptiste Monnoyer, (mentioned on object), Paris, c. 1680 - c. 1695, paper, etching, height 225 mm × width 176 mm
RF2HKDWTR–Inspired by Construction of the Viaur Viaduct in France by the Societé de Construction des Battignolles, November 5, 1900, France, 5-Nov-1900, cyanotype, height 225 mm × width 283 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
