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RMEX6H0P–A drawing in ink and light-gray wash of a skeleton leaning on a scythe. One of six leaves of anatomical drawings appended to a Persian translation of an Arabic medical compendium. The figure shows some knowledge of the illustrations of Vesalius's Fabrica
RF2HW6WC3–Art inspired by Design for a Monstrance, 18th century, Ink and gray wash, Anonymous, Italian, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRAH4XY–Louis-Joseph Le Lorrain, Architectural Fantasy with Fountain and Obelisk, Circa 1745, Black chalk, brush, gray wash on paper, Cooper Hewitt, Smithsonian Design Museum, USA.
RMR38MK4–Madonna with Skull. Medium: engraving on paper tinted with gray wash. Museum: National Gallery of Art, Washington DC. Author: Barthel Beham.
RMCWBW56–Human skeleton leaning on a scythe, drawn in ink and light-gray wash from a Persian translation of an Arabic medical book. The
RMMMY8RP–. Foreshore Scene with Windmill Drawing; graphite and gray wash on laid paper; overall: 17.5 x 27.5 cm (6 7/8 x 10 13/16 in.); Goyen 1653 nabrzeepoodpywiezwiatrakiem
RMTX7XT4–Landscape; France, 1900 Drawings Pen, brush and gray wash Gift of Dr. and Mrs. Werner Z. Hirsch (M.85.183.2) Prints and Drawings; 1900date QS:P571,+1900-00-00T00:00:00Z/9;
RMEX6H0M–A drawing in ink and light-gray wash of a skeleton leaning on a pedestal. One of six leaves of anatomical drawings appended to a Persian translation of an Arabic medical compendium. The figure shows some knowledge of the illustrations of Vesalius's Fabric
RM2DMX8XJ–Drawing, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing
RF2HW5HTN–Art inspired by Design for Ecclesiastical Picture Frame, mid-17th century, Pen and brown ink, gray wash, Drawings, Anonymous, Italian, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMR358A6–Satan Defying the Powers of Heaven. Dated: late 1790s. Medium: graphite, black chalk, and gray wash. Museum: National Gallery of Art, Washington DC. Author: FUSELI, HENRY.
RMCWBW57–Human skeleton leaning on a pedestal drawn in ink and light-gray wash from a Persian translation of an Arabic medical book. The
RMMMY8E3–Drawing; brush and black ink and gray wash with scraping on laid paper; overall: 23.7 x 15 cm (9 5/16 x 5 7/8 in.); Goya - Mascaras crueles (Cruel Masks) recto
RMTWXDP2–A Bridge over a Forest Stream; 1840s Drawings Pen and black ink and gray wash Gift of Sam Watters in honor of the museum's 40th anniversary (M.2006.17) Prints and Drawings; 1840s date QS:P571,+1840-00-00T00:00:00Z/8;
RM2DMHE1G–Drawing, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing
RF2HW6WGY–Art inspired by Architectural Capriccio, 18th century, Ink and gray wash, 11-11/16 x 9-1/4 in, Anonymous, Italian, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Study of a Head in Profile [verso]. Medium: gray wash and graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: John Varley. Stock Photo](https://c8.alamy.com/comp/R2TR2G/study-of-a-head-in-profile-verso-medium-gray-wash-and-graphite-on-laid-paper-museum-national-gallery-of-art-washington-dc-author-john-varley-R2TR2G.jpg "Study of a Head in Profile [verso]. Medium: gray wash and graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: John Varley. Stock Photo")
RMR2TR2G–Study of a Head in Profile [verso]. Medium: gray wash and graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: John Varley.
RMP01EW1–. English: Title: A south view of Crown Point Abstract/medium: 1 drawing : gray wash, black & sepia ink. . 1760. Davies, Thomas, approximately 1737-1812, artist 207 A south view of Crown Point LCCN2004661622
RMTXBWNP–Portrait of George Petel; Italy, 18th century Drawings Black ink and gray wash Gift of Mrs. Irene Salinger in memory of her father, Adolph Stern (54.70.3) Prints and Drawings; 18th century date QS:P571,+1750-00-00T00:00:00Z/7;
RM2DMCEG9–Drawing, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing
RF2HW6X24–Art inspired by Design for a Niche, 18th century, Ink and gray wash, 21.5 x 15.3 cm, Drawings, Anonymous, Italian, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPNECK7–Harbor on the Sea in Gathering Thunderstorm. Brush and gray ink, gray wash, white bodycolor over graphite pencil. Author: Ludolf Bakhuizen.
RMPBYBXX–Jacques de Gheyn II (Dutch, 1565 - 1629 ), Elegantly Dressed Soldier Preparing to Fire His Caliver, c. 1597, pen and brown ink with gray wash on laid paper, Gift of The Ahmanson Foundation 183 Elegantly Dressed Soldier Tamping His Caliver
RMTXBX2R–Portrait of a Woman Seated on a Balcony; United States, 19th century Drawings Gray wash, laid down Gift of Dr. and Mrs. Joseph Goldyne, in honor of Mrs. Leonard Sperry (M.72.64) Prints and Drawings; 19th century date QS:P571,+1850-00-00T00:00:00Z/7;
RM2DMT6H9–Altar, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing
RF2HW6WGK–Art inspired by Design for the Decoration of a Cornice, 18th century, Ink and gray wash, 11-5/8 x 19-1/4 in, Anonymous, Italian, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRFD751–Vue du Salon du Louvre en l'annee 1753. Dated: 1753. Medium: etching, reworked with pen and gray wash. Museum: National Gallery of Art, Washington DC. Author: Gabriel Jacques de Saint-Aubin.
![R-20091019-0013.jpg Francisco de Goya (Spanish, 1746 - 1828 ), Brujas à volar (Witches Preparing to Fly) [verso], 1796/1797, brush and black ink and gray wash on laid paper, Woodner Collection Goya - Brujas à volar (Witches Preparing to Fly) verso Stock Photo](https://c8.alamy.com/comp/MMJT1P/r-20091019-0013jpg-francisco-de-goya-spanish-1746-1828-brujas-volar-witches-preparing-to-fly-verso-17961797-brush-and-black-ink-and-gray-wash-on-laid-paper-woodner-collection-goya-brujas-volar-witches-preparing-to-fly-verso-MMJT1P.jpg "R-20091019-0013.jpg Francisco de Goya (Spanish, 1746 - 1828 ), Brujas à volar (Witches Preparing to Fly) [verso], 1796/1797, brush and black ink and gray wash on laid paper, Woodner Collection Goya - Brujas à volar (Witches Preparing to Fly) verso Stock Photo")
RMMMJT1P–R-20091019-0013.jpg Francisco de Goya (Spanish, 1746 - 1828 ), Brujas à volar (Witches Preparing to Fly) [verso], 1796/1797, brush and black ink and gray wash on laid paper, Woodner Collection Goya - Brujas à volar (Witches Preparing to Fly) verso
RMTX5K7X–Hilly Landscape with Stream and Figures; Holland, 1609 - 1685 Drawings Black chalk and gray wash Museum Purchase with County Funds (57.52.1) Prints and Drawings; between 1609 and 1685 date QS:P571,+1650-00-00T00:00:00Z/7,P1319,+1609-00-00T00:00:00Z/9,P1326,+1685-00-00T00:00:00Z/9;
RM2DMR4F6–Altar, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing
RF2HW6XEJ–Art inspired by Interior of Opera Giudetta, 1800–1900, Ink and gray wash, 11-3/4 x 13 in, Anonymous, Italian, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMR36XRM–A Waterfall with Ruins (verso). Dated: 1704/1714. Medium: gray wash heightened with white gouache on blue laid paper. Museum: National Gallery of Art, Washington DC. Author: Joachim Franz Beich.
RMMMXN4T–. English: Frans Breydel - Procession of maskers with floats, Pen and brown ink and brush and gray wash over black chalk on cream laid paper, 44.9 x 40.1 cm, Museum of Fine Arts Boston . 18th century. Frans Breydel Frans Breydel - Procession of maskers with floats
RFCX1NMJ–Agostino Mitelli (Italian, 1609 - 1660 ), Landscape with Ancient Tombs, pen and brown ink with gray wash on laid paper
RMTX4YEW–Group of Turkish Men; France, 1680 - 1820 Drawings Sanguine and gray wash Gift of Dr. W. R. Valentiner (57.44.17) Prints and Drawings; between 1680 and 1820 date QS:P571,+1500-00-00T00:00:00Z/6,P1319,+1680-00-00T00:00:00Z/9,P1326,+1820-00-00T00:00:00Z/9;
RM2DMNP1A–Fountain, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing
RF2HW6WBW–Art inspired by Drawing for a Capital, 18th century, Ink and gray wash, 10-1/4 x 8-3/4 in, Drawings, Anonymous, Italian, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPNA15G–Portrait of Henriette Schnorr von Carolsfeld, 1817. Date/Period: 1817. Pencil, pen and brown ink, brown and gray wash, brown framing line. Author: Julius Schnorr von Carolsfeld.
RMMMWRGH–R-20091211-0003.tif Lucas Cranach the Elder (German, 1472 - 1553 ), Hercules Relieving Atlas of the Globe, c. 1530, pen and black ink over brush and gray wash over chalk on laid paper, Patrons' Permanent Fund Lucas Cranach d.Ä. - Herkules und Atlas (National Gallery of Art)
RFCX1NHP–Joseph Parrocel (French, 1646 - 1704 ), The Stoning of Saint Stephen, pen and brown ink, with gray wash on laid paper
RMTX19FK–Circe, Ulysses, and Mercury; Italy, circa 1766 Drawings Brown ink and dark gray wash over traces of black chalk Los Angeles County Fund (54.12.13) Prints and Drawings Currently on public view: Ahmanson Building, floor 3; circa 1766 date QS:P571,+1766-00-00T00:00:00Z/9,P1480,Q5727902;
RM2DMKM2E–Altar, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing
RF2HW6WC1–Art inspired by A Baroque Ceiling, 18th century, Pen and gray wash, 8-1/16 x 12-1/16 in, Drawings, Anonymous, Italian, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRFF72E–A Town on a Hilltop (Sanctuary of Lampedusa). Dated: 1884/1885. Medium: gray wash with touches of pen and black ink on card. Museum: National Gallery of Art, Washington DC. Author: Edward Lear.
RMMP9P6Y–St. Martin Before the Virgin, 1715 BergmŸller, Johann Georg German, 1688-1762 Pen and brown ink, brown and gray wash, watercolor, white heightening on white p Crocker Art Museum, E. B. Crocker Collection 1871.60 724 Johann Georg Bergmüller - St. Martin and Other Saints Appealing to the Virgin
RMCX1JTN–Thomas Cole, The Good Shepherd, American, 1801 - 1848, 1847, graphite and pen and ink with tan and gray wash, heightened with wh
RMTXDH1G–Virgin and Child with Adoring Saint; Italy, Rome (?), 1580 - 1720 Drawings Black ink and gray wash, squared in black chalk Gift of Mr. and Mrs. Oscar Salzer (53.31.5) Prints and Drawings; between 1580 and 1720 date QS:P571,+1500-00-00T00:00:00Z/6,P1319,+1580-00-00T00:00:00Z/9,P1326,+1720-00-00T00:00:00Z/9;
RM2DMHT1C–Altar, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing
RF2HW5FJX–Art inspired by Coat of Arms of Clement XIII (Rezzonico), 1758–69, Pen and gray wash, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMR2PKP0–Head of an Apostle. Dimensions: overall (diameter): 12.4 cm (4 7/8 in.). Medium: pen and brown ink with brown and gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius.
RMMNXMFD–The Agony in the Garden; Carle Vanloo (French, 1705 - 1765); about 1760; Pen and brown ink, brown and gray wash, heightened with white gouache, over black chalk; 46 x 33.2 cm (18 1/8 x 13 1/16 in.); 2000.62 The Agony in the Garden circa 1760. 1168 The Agony in the Garden
RFCX1NX9–Edward Lear, View across a Bay (Monaco?), British, 1812 - 1888, 1884/1885, gray wash on wove paper
RMTX3CGJ–Flore, Mistress of a Public House in Toulon; Holland, 19th century Drawings Brown ink and gray wash on paper, laid down Sheet: 7 x 4 7/8 in. (17.78 x 12.38 cm) Gift of Dr. Toni Marcy in Memory of Sigbert Marcy (M.75.122.2) Prints and Drawings; 19th century date QS:P571,+1850-00-00T00:00:00Z/7;
RM2DMG3XH–Pulpit, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing
RF2HW6960–Art inspired by Cartouche with Skeletons, 1647, Etching, touched proof with blue-gray wash in the shroud, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMR33J1T–Title Page for Kensworth. Dimensions: sheet (approximate): 28 × 21.1 cm (11 × 8 5/16 in.). Medium: graphite with gray wash. Museum: National Gallery of Art, Washington DC. Author: Alfred E. Hubbard.
![English: A south view of Crown Point . English: A south view of Crown Point. Davies, Thomas, ca. 1737-1812, artist. Date Created/Published: [1760] Medium: 1 drawing : gray wash, black & sepia ink. Library of Congress Prints and Photographs Division Washington, D.C. . 1760. 1134 South view of crown point 1760 Stock Photo](https://c8.alamy.com/comp/MNXD6N/english-a-south-view-of-crown-point-english-a-south-view-of-crown-point-davies-thomas-ca-1737-1812-artist-date-createdpublished-1760-medium-1-drawing-gray-wash-black-sepia-ink-library-of-congress-prints-and-photographs-division-washington-dc-1760-1134-south-view-of-crown-point-1760-MNXD6N.jpg "English: A south view of Crown Point . English: A south view of Crown Point. Davies, Thomas, ca. 1737-1812, artist. Date Created/Published: [1760] Medium: 1 drawing : gray wash, black & sepia ink. Library of Congress Prints and Photographs Division Washington, D.C. . 1760. 1134 South view of crown point 1760 Stock Photo")
RMMNXD6N–English: A south view of Crown Point . English: A south view of Crown Point. Davies, Thomas, ca. 1737-1812, artist. Date Created/Published: [1760] Medium: 1 drawing : gray wash, black & sepia ink. Library of Congress Prints and Photographs Division Washington, D.C. . 1760. 1134 South view of crown point 1760
RFCX1NF2–Thomas Hearne (British, 1744 - 1817 ), Furness Abbey, 1777, graphite and pen and gray ink with gray wash on laid paper
RM2DMFPT5–Altar, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing
RF2HTXFBJ–Art inspired by The Baptism of The Eunuch, 1641, Etching, touches of gray wash; second state of two, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMR2PM13–La Famine par l'ordre de Ceres ... Dated: 1767. Medium: pen and black ink and brush and black ink with gray wash. Museum: National Gallery of Art, Washington DC. Author: MOREAU, JEAN MICHEL D. J.
RMP5P0M2–N/A. English: Capriccio Landscape with Classical Monuments by Giuseppe Bernardino Bison, pen and dark brown ink; brush and green, yellowish-brown and pinkish watercolor; and gray wash over black chalk on paper, 5 x 6 1/16 in., Crocker Art Museum . Giuseppe Bernardino Bison 206 Capriccio Landscape with Classical Monuments by Giuseppe Bernardino Bison
RFCX1N25–Johann Friedrich Stock (German, died 1866 ), View of Muhlendamm, 1834, pen and black ink with gray wash on wove paper
RM2DCA973–Barthel Beham, (artist), German, 1502 - 1540, Madonna with Skull, engraving on paper tinted with gray wash
RF2HW5258–Art inspired by Landscape with Ornamental Frame, ca. 1730, Pen and brown ink, brush and gray wash(landscape), Drawings, Johann Melchior Füssli (Swiss, Zurich 1677–1736 Zurich, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRXNN3F–Girl with Cat. Kate Greenaway; English, 1846-1901. Date: 1883-1901. Dimensions: 103 × 85 mm. Graphite and brush and gray wash, with watercolor, on cream wood-pulp laminate board. Origin: England. Museum: The Chicago Art Institute.
RMP01EWH–. English: Title: A west view of Oswego and Fort Ontario with General Amherst's camp at Lake Ontario in the year 1760 Abstract/medium: 1 drawing : gray wash, black & sepia ink. . 1760. Davies, Thomas, approximately 1737-1812, artist 253 A west view of Oswego and Fort Ontario with General Amherst's camp at Lake Ontario in the year 1760 LCCN2004661623
RMCX1KCN–Charles Wesley Jarvis, The Drinker, American, probably 1812 - 1868, 1820s, graphite and black chalk with gray wash on laid paper
RM2DMFG2F–Wall Fountain, Graphite, brush and gray wash on laid paper, Rome, Italy, 1775, architecture, Drawing
RF2HK53Y6–Inspired by Raja Enthroned with Courtiers, Musicians, and Nautch Girls in Attendance, Indian, Ink with gray wash on paper, ca. 1750, sheet: 17 1/4 x 8 7/8 in., 43.8 x 22.5 cm, figures, people, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMR3B02J–Nous n'avons pas le patience d'attendre que nous fussions seuls. Dated: published 1797. Medium: pen and black ink and brush and black ink with gray wash. Museum: National Gallery of Art, Washington DC. Author: Louis-Joseph Lefevre.
RMP5X89W–N/A. English: Hermes Stalking Argus by Christian Wilhelm Ernst Dietrich, graphite, brush and point of brush, and gray wash on beige laid paper, 10 15/16 in. x 14 7/16 in. (27.78 cm x 36.67 cm), Crocker Art Museum . Christian Wilhelm Ernst Dietrich 454 Hermes Stalking Argus by Christian Wilhelm Ernst Dietrich, graphite & brush
RFCX1N1J–Gerard van Houten (Dutch, 1675 - 1706 ), Allegory of Sculpture, pen and brown and gray ink with gray wash on laid paper
RM2DN18P9–Ornament for the Intersec, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing
RF2HW6WDX–Art inspired by Perspective Design for a Ceiling, 18th century, Pen and gray wash, 8-3/4 x 13-3/4 in, Drawings, Anonymous, Italian, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRXK67Y–Walrus Hunt. Elizabeth Fitzgerald; English, 19th century. Date: 1801. Dimensions: 287 × 439 mm. Pen and black ink, with brush and gray wash, over graphite, on ivory laid paper. Origin: England. Museum: The Chicago Art Institute.
RMP5RWA0–N/A. English: Funeral of a Hero by Jacques-Louis David, 1778, pen and black ink, brush and gray wash and white opaque watercolor over black chalk on blue laid paper, 10 5/16 in. x 59 5/8 in. (26.19 cm x 151.45 cm), Crocker Art Museum . 1778. Jacques-Louis David 416 Funeral of a Hero by Jacques-Louis David, 1778, pen and black ink
RMCX1JK7–William Michael Harnett, A Sprig of Plums, American, 1848 - 1892, 1873, graphite and charcoal with gray wash on wove paper
RM2DN7GYR–Terminus of an All e (or, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing
RF2HW5385–Art inspired by Hunting Scene, 16th century, Pen and brown ink, brush and gray wash. Incised, Diameter: 9 in. (22.9 cm), Drawings, Anonymous, Netherlandish, 16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRFDECR–Antique Bearded Head. Dimensions: overall: 20.1 x 15.2 cm (7 15/16 x 6 in.). Medium: brush and gray ink with gray wash. Museum: National Gallery of Art, Washington DC. Author: JOHN FLAXMAN.
RMMX2GH8–. English: Joseph Mallord William Turner, British, 1775–1851 Rhine Falls of Schaffhausen, ca. 1841 Watercolor heightened with white chalk over graphite with touches of pen and reddish brown ink and scraping on white wove paper prepared with gray wash 22.6 x 28.8 cm. (8 7/8 x 11 5/16 in.) Museum Purchase, gift of Mrs. Millard Meiss and the Surdna Fund x1982-48 . circa 1841 7 1841, Turner, J.M.W., Rhine Falls of Schaffhausen
RFCX1NK2–Edward Lear, Bridge with Mountains in the Distance (Ventimiglia), British, 1812 - 1888, 1884/1885, gray wash on wove paper
RM2DMJXBR–City Gate, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing
RF2HW6WDM–Art inspired by Design for Fountain with Dolphins and Grotesque Head, 18th century, Pen and gray wash, 7-1/16 x 5-1/4 in, Anonymous, Italian, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPNE49X–Madonna and Child with Saint, c. 1750-1760. Date/Period: Ca. 1750-1760. Pen and brown ink, brown-gray wash, over preparatory sketch in red chalk. Author: Giovanni Battista Tiepolo.
RMMN01WK–. Lisieux - Drawing Brown ink, brown and gray wash over graphite on cream paper - 42.3 x 33.5 cm . 1813. Henry Edridge (–1821) Alternative names Edridge Description British painter Date of birth/death August 1769 23 April 1821 Location of birth/death Londres Londres Work location London; France (1817 - 1819) Authority control : Q4529914 VIAF:?33149994 ISNI:?0000 0001 1617 1099 ULAN:?500017407 LCCN:?nr89016571 NLA:?35038189 WorldCat Henry Edridge06
RFCX1N6X–German 18th Century, A Stage Set with a Statue and a Palace, pen and black ink with gray wash on laid paper
RM2DMFDX1–City Gate, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing
RF2HW6WA9–Art inspired by Half Rococo Cartouche with Cherubs, 18th century, Ink, gray wash, and yellow, 5-3/4 x 6-1/4 in, Anonymous, Italian, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMR36X1W–Sunlit Garden. Dimensions: overall: 26.7 x 36 cm (10 1/2 x 14 3/16 in.). Medium: black chalk with gray wash. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Millet.
RMMMNTPC–. English: Joseph Mallord William Turner, British, 1775–1851 Rhine Falls of Schaffhausen, ca. 1841 Watercolor heightened with white chalk over graphite with touches of pen and reddish brown ink and scraping on white wove paper prepared with gray wash 22.6 x 28.8 cm. (8 7/8 x 11 5/16 in.) Museum Purchase, gift of Mrs. Millard Meiss and the Surdna Fund x1982-48 . circa 1841. 7 1841, Turner, J.M.W., Rhine Falls of Schaffhausen
Search Results for Gray wash Stock Photos and Images (34,797)
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