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Goaders Stock Photos and Images
RMKWDJH7–SHAH JAHAN WATCHING AN ELEPHANT FIGHT, by Bulaqi, 1639, Indian, Mughal watercolor painting. Shah Jahan, fifth Mughal Emperor, reigned from 1628-58. The Emperor and his two sons are shown in profile at top, above the courtiers. With goaders at ready, the elephants engage in active battle (BSLOC 2017 16 26)
RMPAADGR–'Shah Jahan Watching an Elephant Fight', Folio from a Padshahnama. Artist: Bulaqi. Dimensions: 15 in. high 9.75 in. wide (38.2 cm high 24.7 cm wide). Date: probably 1639. In this page from the Padshahnama, the artist has created a unified space stretching from the foreground, where goaders are milling, to the top of the scene, where the emperor and his two sons are shown in profile at an open tripartite window. Although the white and red walls of the fort are unmodulated planes, the placement of figures before them gives a sense of spatial recession. The dynamism of the elephant combat balanc
RMKWDM86–SHAH JAHAN WATCHING AN ELEPHANT FIGHT, by Bulaqi, 1639, Indian, Mughal watercolor painting. Shah Jahan, fifth Mughal Emperor, reigned from 1628-58. The Emperor and his two sons are shown in profile at top, above the courtiers. With goaders at ready, the elephants engage in active battle (BSLOC 2017 16 26)
RM2HH947R–'Shah Jahan Watching an Elephant Fight', Folio from a Padshahnama probably 1639 Bulaqi In this page from the Padshahnama, the artist has created a unified space stretching from the foreground, where goaders are milling, to the top of the scene, where the emperor and his two sons are shown in profile at an open tripartite window. Although the white and red walls of the fort are unmodulated planes, the placement of figures before them gives a sense of spatial recession. The dynamism of the elephant combat balances the impassive family portraits. While the courtiers in the upper tier turn their b
RM2AJJKF8–www.flickr.com/photos/internetarchivebookimages/tags/book... . h wasprobably simpler, and started with those whofirst beheld an equestrian tribe from the Northsettling in Thessaly at a time when horses werenot ridden in Greece, and imagined the horseand its rider to be one being. The name bull - spearers or bull - goaders (kevreiv :ravpos) suggests either the hunting of bulls bymounted Thessalians (Schol. ad Pind. I.e.), orthe driving of bulls by mounted 1 cowboys(Serv. ad Georg. iii. 115). But whatever theorigin of the myth, the Centaurs, like theSatyrs, represented unbridled animal passions,
RF2HW8PB5–Art inspired by Shah Jahan Watching an Elephant Fight', Folio from a Padshahnama, probably 1639, Attributed to India, Ink, opaque watercolor, and gold on paper, 15 in. high 9.75 in. wide (38.2 cm high 24.7 cm wide), Codices, Bulaqi, In this page from the Padshahnama, the artist has, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
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