19th century vintage photograph - Caucasus Georgia - two young Georgian women Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/19th-century-vintage-photograph-caucasus-georgia-two-young-georgian-women-image485674719.html
RM2K64B1K–19th century vintage photograph - Caucasus Georgia - two young Georgian women
Burning of The Kent, fire in the Bay of Biscay, 1825 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/burning-of-the-kent-fire-in-the-bay-of-biscay-1825-image245957713.html
RMT849G1–Burning of The Kent, fire in the Bay of Biscay, 1825
A print coloured engraving of the world in miniature watercolour etching on paper vintage 18th century created by Thomas Rowlandson antique print art artwork Georgian era England. A riverside scene men helping women onto a boat at left and groups of people picnicing along the bank. A large group of people outside of an inn in the background at center. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-print-coloured-engraving-of-the-world-in-miniature-watercolour-etching-on-paper-vintage-18th-century-created-by-thomas-rowlandson-antique-print-art-artwork-georgian-era-england-a-riverside-scene-men-helping-women-onto-a-boat-at-left-and-groups-of-people-picnicing-along-the-bank-a-large-group-of-people-outside-of-an-inn-in-the-background-at-center-image619956315.html
RM2Y0HCGY–A print coloured engraving of the world in miniature watercolour etching on paper vintage 18th century created by Thomas Rowlandson antique print art artwork Georgian era England. A riverside scene men helping women onto a boat at left and groups of people picnicing along the bank. A large group of people outside of an inn in the background at center.
Costumes at the beginning of George III's reign Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/costumes-at-the-beginning-of-george-iiis-reign-image210383839.html
RMP67PMF–Costumes at the beginning of George III's reign
View of Charles Street, St. James, London, looking east to the Haymarket Theatre (now Charles II Street and the Theatre Royal Haymarket). Fashionable men and women in hats with muffs stroll on the pavement, while riders and porters pass on the street. Handcoloured copperplate engraving from Rudolph Ackermann’s Repository of Arts, Literature, Fashions, Manufactures, etc., Strand, London, 1822. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-charles-street-st-james-london-looking-east-to-the-haymarket-theatre-now-charles-ii-street-and-the-theatre-royal-haymarket-fashionable-men-and-women-in-hats-with-muffs-stroll-on-the-pavement-while-riders-and-porters-pass-on-the-street-handcoloured-copperplate-engraving-from-rudolph-ackermanns-repository-of-arts-literature-fashions-manufactures-etc-strand-london-1822-image366973050.html
RM2C911TA–View of Charles Street, St. James, London, looking east to the Haymarket Theatre (now Charles II Street and the Theatre Royal Haymarket). Fashionable men and women in hats with muffs stroll on the pavement, while riders and porters pass on the street. Handcoloured copperplate engraving from Rudolph Ackermann’s Repository of Arts, Literature, Fashions, Manufactures, etc., Strand, London, 1822.
Beauties 1792 Artist: Thomas Rowlandson (1756-1827) an English artist and caricaturist of the Georgian Era. A social observer, he was a prolific artist and print maker. Credit: Levenson Collection/Alamy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beauties-1792-artist-thomas-rowlandson-1756-1827-an-english-artist-and-caricaturist-of-the-georgian-era-a-social-observer-he-was-a-prolific-artist-and-print-maker-credit-levenson-collectionalamy-image440674439.html
RM2GGXCMR–Beauties 1792 Artist: Thomas Rowlandson (1756-1827) an English artist and caricaturist of the Georgian Era. A social observer, he was a prolific artist and print maker. Credit: Levenson Collection/Alamy
Women of the Island of Andros, Greek Cyclades archipelago. They wear turbans, coats and long robes. Handcoloured copperplate engraving after Octavian Dalvimart from William Alexander’s translation of Picturesque Representations of the Dress and Manners of the Turks, Thomas M’Lean, London, 1814. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/women-of-the-island-of-andros-greek-cyclades-archipelago-they-wear-turbans-coats-and-long-robes-handcoloured-copperplate-engraving-after-octavian-dalvimart-from-william-alexanders-translation-of-picturesque-representations-of-the-dress-and-manners-of-the-turks-thomas-mlean-london-1814-image370667228.html
RM2CF19R8–Women of the Island of Andros, Greek Cyclades archipelago. They wear turbans, coats and long robes. Handcoloured copperplate engraving after Octavian Dalvimart from William Alexander’s translation of Picturesque Representations of the Dress and Manners of the Turks, Thomas M’Lean, London, 1814.
An Irish picnic by Thomas Rowlandson (1757-1827), an English artist and caricaturist of the Georgian Era, noted for his political satire and social observation. A prolific artist and printmaker, like other caricaturists of his age, his caricatures are often robust or bawdy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-irish-picnic-by-thomas-rowlandson-1757-1827-an-english-artist-and-caricaturist-of-the-georgian-era-noted-for-his-political-satire-and-social-observation-a-prolific-artist-and-printmaker-like-other-caricaturists-of-his-age-his-caricatures-are-often-robust-or-bawdy-image475486896.html
RM2JHG8AT–An Irish picnic by Thomas Rowlandson (1757-1827), an English artist and caricaturist of the Georgian Era, noted for his political satire and social observation. A prolific artist and printmaker, like other caricaturists of his age, his caricatures are often robust or bawdy.
19th century vintage photograph - Caucasus Georgia - two young Georgian women Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/19th-century-vintage-photograph-caucasus-georgia-two-young-georgian-women-image178268066.html
RMMA0PMJ–19th century vintage photograph - Caucasus Georgia - two young Georgian women
Sailors taking revenge on a Jewish merchant, Napoleonic era. Solomon Schernbac and his shoddy goods are dropped through a grating down into the gun deck. Seamen, officers and women watch and laugh. Paying Off. Handcoloured lithograph by George Cruikshank from Greenwich Hospital, a Series of Naval Sketches, by An Old Sailor (Matthew H. Barker), published by James Robins, London, 1826. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sailors-taking-revenge-on-a-jewish-merchant-napoleonic-era-solomon-schernbac-and-his-shoddy-goods-are-dropped-through-a-grating-down-into-the-gun-deck-seamen-officers-and-women-watch-and-laugh-paying-off-handcoloured-lithograph-by-george-cruikshank-from-greenwich-hospital-a-series-of-naval-sketches-by-an-old-sailor-matthew-h-barker-published-by-james-robins-london-1826-image571822978.html
RM2T68P16–Sailors taking revenge on a Jewish merchant, Napoleonic era. Solomon Schernbac and his shoddy goods are dropped through a grating down into the gun deck. Seamen, officers and women watch and laugh. Paying Off. Handcoloured lithograph by George Cruikshank from Greenwich Hospital, a Series of Naval Sketches, by An Old Sailor (Matthew H. Barker), published by James Robins, London, 1826.
Sailors taking revenge on a Jewish merchant, Napoleonic era. Solomon Schernbac and his shoddy goods are dropped through a grating down into the gun deck. Seamen, officers and women watch and laugh. Paying Off. Handcoloured lithograph by George Cruikshank from Greenwich Hospital, a Series of Naval Sketches, by An Old Sailor (Matthew H. Barker), published by James Robins, London, 1826. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sailors-taking-revenge-on-a-jewish-merchant-napoleonic-era-solomon-schernbac-and-his-shoddy-goods-are-dropped-through-a-grating-down-into-the-gun-deck-seamen-officers-and-women-watch-and-laugh-paying-off-handcoloured-lithograph-by-george-cruikshank-from-greenwich-hospital-a-series-of-naval-sketches-by-an-old-sailor-matthew-h-barker-published-by-james-robins-london-1826-image439607389.html
RM2GF5RKW–Sailors taking revenge on a Jewish merchant, Napoleonic era. Solomon Schernbac and his shoddy goods are dropped through a grating down into the gun deck. Seamen, officers and women watch and laugh. Paying Off. Handcoloured lithograph by George Cruikshank from Greenwich Hospital, a Series of Naval Sketches, by An Old Sailor (Matthew H. Barker), published by James Robins, London, 1826.
England, Somerset, Bath, The Holbourne Museum, Painting showing Georgian Era Garden Tea Party Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/england-somerset-bath-the-holbourne-museum-painting-showing-georgian-era-garden-tea-party-image334606399.html
RM2ACAHTF–England, Somerset, Bath, The Holbourne Museum, Painting showing Georgian Era Garden Tea Party
Exterior of Georgian period town house in Montgomery Powys Mid-Wales UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-exterior-of-georgian-period-town-house-in-montgomery-powys-mid-wales-82016932.html
RMENC5C4–Exterior of Georgian period town house in Montgomery Powys Mid-Wales UK
Designed by A. Wohlfeld. Titled: Women and girls ! collect women’s hair. Issued from the office of the Collecting Committee, Be Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/designed-by-a-wohlfeld-titled-women-and-girls-!-collect-womens-hair-image63366767.html
RFDK2GXR–Designed by A. Wohlfeld. Titled: Women and girls ! collect women’s hair. Issued from the office of the Collecting Committee, Be
Philip Mould & Company, Pall Mall, London, UK. 7 October 2020. London Art Week Digital focuses on Women Artists in October with online talks and articles with participant gallery Philip Mould & Company who are exhibiting ‘Pioneers: 500 Years of Women in British Art‘ from 12 Oct-4 Dec 2020. Maria Verelst was one of the most talented female immigrant artists of the late Stuart/early Georgian era. Image: A recently discovered version of the painting of Anne Blackett by Verelst at Wallington Hall, Northumberland, is an important addition to her much neglected oeuvre. Credit: Malcolm Park/Alamy Liv Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/philip-mould-company-pall-mall-london-uk-7-october-2020-london-art-week-digital-focuses-on-women-artists-in-october-with-online-talks-and-articles-with-participant-gallery-philip-mould-company-who-are-exhibiting-pioneers-500-years-of-women-in-british-art-from-12-oct-4-dec-2020-maria-verelst-was-one-of-the-most-talented-female-immigrant-artists-of-the-late-stuartearly-georgian-era-image-a-recently-discovered-version-of-the-painting-of-anne-blackett-by-verelst-at-wallington-hall-northumberland-is-an-important-addition-to-her-much-neglected-oeuvre-credit-malcolm-parkalamy-liv-image380558078.html
RM2D33WKX–Philip Mould & Company, Pall Mall, London, UK. 7 October 2020. London Art Week Digital focuses on Women Artists in October with online talks and articles with participant gallery Philip Mould & Company who are exhibiting ‘Pioneers: 500 Years of Women in British Art‘ from 12 Oct-4 Dec 2020. Maria Verelst was one of the most talented female immigrant artists of the late Stuart/early Georgian era. Image: A recently discovered version of the painting of Anne Blackett by Verelst at Wallington Hall, Northumberland, is an important addition to her much neglected oeuvre. Credit: Malcolm Park/Alamy Liv
Georgian Costume Parade to launch the Jane Austen Festival in Bath England UK GB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/georgian-costume-parade-to-launch-the-jane-austen-festival-in-bath-image4977380.html
RMAMEXE5–Georgian Costume Parade to launch the Jane Austen Festival in Bath England UK GB
End of an Era - Whitehaven memorial to the men and women who worked in the local coal mining industry. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-end-of-an-era-whitehaven-memorial-to-the-men-and-women-who-worked-170888787.html
RMKX0JAY–End of an Era - Whitehaven memorial to the men and women who worked in the local coal mining industry.
English Regency victim of a highway robbery discovered by two women on horseback. Dr. Syntax bound to a tree by highwaymen. Handcoloured copperplate engraving drawn and engraved by Thomas Rowlandson from William Combe’s The Tour of Doctor Syntax in Search of the Picturesque, Rudolph Ackermann, London, 1813. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-regency-victim-of-a-highway-robbery-discovered-by-two-women-on-horseback-dr-syntax-bound-to-a-tree-by-highwaymen-handcoloured-copperplate-engraving-drawn-and-engraved-by-thomas-rowlandson-from-william-combes-the-tour-of-doctor-syntax-in-search-of-the-picturesque-rudolph-ackermann-london-1813-image329656454.html
RM2A4944P–English Regency victim of a highway robbery discovered by two women on horseback. Dr. Syntax bound to a tree by highwaymen. Handcoloured copperplate engraving drawn and engraved by Thomas Rowlandson from William Combe’s The Tour of Doctor Syntax in Search of the Picturesque, Rudolph Ackermann, London, 1813.
St James Park & Buckingham House 1763 City of Westminster London Noble Nobility Upper class privileged period costume Georgian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-st-james-park-buckingham-house-1763-city-of-westminster-london-noble-78013805.html
RMEEWRB9–St James Park & Buckingham House 1763 City of Westminster London Noble Nobility Upper class privileged period costume Georgian
19th century vintage photograph - Caucasus Georgia - Georgian woman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/19th-century-vintage-photograph-caucasus-georgia-georgian-woman-image560806084.html
RM2RGAWTM–19th century vintage photograph - Caucasus Georgia - Georgian woman
Women Drinking Punch by Thomas Rowlandson Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/women-drinking-punch-by-thomas-rowlandson-image538851394.html
RM2P8JPCJ–Women Drinking Punch by Thomas Rowlandson
A print coloured engraving of the world in miniature watercolour etching on paper vintage 18th century created by Thomas Rowlandson antique print art artwork Georgian era England. A group of men eat and drink at a table in the courtyard of a country inn. At left, a man arrives through the inn's gate on horseback. At right, two women wash dishes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-print-coloured-engraving-of-the-world-in-miniature-watercolour-etching-on-paper-vintage-18th-century-created-by-thomas-rowlandson-antique-print-art-artwork-georgian-era-england-a-group-of-men-eat-and-drink-at-a-table-in-the-courtyard-of-a-country-inn-at-left-a-man-arrives-through-the-inns-gate-on-horseback-at-right-two-women-wash-dishes-image619957018.html
RM2Y0HDE2–A print coloured engraving of the world in miniature watercolour etching on paper vintage 18th century created by Thomas Rowlandson antique print art artwork Georgian era England. A group of men eat and drink at a table in the courtyard of a country inn. At left, a man arrives through the inn's gate on horseback. At right, two women wash dishes.
19th Century Agricultural labourers at the time of the first reform Parliament Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/19th-century-agricultural-labourers-at-the-time-of-the-first-reform-parliament-image210414600.html
RMP695Y4–19th Century Agricultural labourers at the time of the first reform Parliament
Two women, reading and writing letters. The complete letter-writer, containing familiar letters on the most common occasions in life ... To which are prefixed a plain and compendious grammar of the English language, etc. Derby : Henry Mozley, 1824. Source: 1608/5456 frontispiece. Author: ANON. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-women-reading-and-writing-letters-the-complete-letter-writer-containing-familiar-letters-on-the-most-common-occasions-in-life-to-which-are-prefixed-a-plain-and-compendious-grammar-of-the-english-language-etc-derby-henry-mozley-1824-source-16085456-frontispiece-author-anon-image227156772.html
RMR5FTNT–Two women, reading and writing letters. The complete letter-writer, containing familiar letters on the most common occasions in life ... To which are prefixed a plain and compendious grammar of the English language, etc. Derby : Henry Mozley, 1824. Source: 1608/5456 frontispiece. Author: ANON.
Costumes of the period of King George II Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/costumes-of-the-period-of-king-george-ii-image182062580.html
RMMG5JK0–Costumes of the period of King George II
Taste in High Life, May 1, 1798. After William Hogarth. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/taste-in-high-life-may-1-1798-after-william-hogarth-image349009079.html
RM2B7PMHY–Taste in High Life, May 1, 1798. After William Hogarth.
A Post-chaise in a hurry, Glastonbury, Somerset, England, circa 1800 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-post-chaise-in-a-hurry-glastonbury-somerset-england-circa-1800-image209153668.html
RMP47NHT–A Post-chaise in a hurry, Glastonbury, Somerset, England, circa 1800
19th century vintage photograph - Caucasus Georgia - Georgian woman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/19th-century-vintage-photograph-caucasus-georgia-georgian-woman-image178268076.html
RMMA0PN0–19th century vintage photograph - Caucasus Georgia - Georgian woman
Women of the Island of Andros, Greek Cyclades archipelago. They wear turbans, coats and long robes. Handcoloured copperplate engraving after Octavian Dalvimart from William Alexanders translation of Picturesque Representations of the Dress and Manners of the Turks, Thomas MLean, London, 1814. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/women-of-the-island-of-andros-greek-cyclades-archipelago-they-wear-turbans-coats-and-long-robes-handcoloured-copperplate-engraving-after-octavian-dalvimart-from-william-alexanders-translation-of-picturesque-representations-of-the-dress-and-manners-of-the-turks-thomas-mlean-london-1814-image571825532.html
RM2T68W8C–Women of the Island of Andros, Greek Cyclades archipelago. They wear turbans, coats and long robes. Handcoloured copperplate engraving after Octavian Dalvimart from William Alexanders translation of Picturesque Representations of the Dress and Manners of the Turks, Thomas MLean, London, 1814.
Thomas Gainsborough, painting, The Mall in St. James's Park, (London), 1783 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thomas-gainsborough-painting-the-mall-in-st-jamess-park-london-1783-image341642662.html
RM2ARR4KJ–Thomas Gainsborough, painting, The Mall in St. James's Park, (London), 1783
Mrs Jens Wolff, 1803-1815. Artist: Thomas Lawrence. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mrs-jens-wolff-1803-1815-artist-thomas-lawrence-image186158533.html
RMMPT731–Mrs Jens Wolff, 1803-1815. Artist: Thomas Lawrence.
Ada Lovelace (1815-1852), portrait painting by Margaret Sarah Carpenter, 1836 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ada-lovelace-1815-1852-portrait-painting-by-margaret-sarah-carpenter-1836-image236949395.html
RMRNDYAB–Ada Lovelace (1815-1852), portrait painting by Margaret Sarah Carpenter, 1836
. The ballad of Beau Brocade, and other poems of the XVIIIth century. CenthvHmlfthe Of<f grfiwH, HE lived in Georgian era too.Most women then, if bards betrue,Succumbed to Routs and Cards, or grew Devout and acid.But hers was neither fate. She cameOf good west-country folk, whose fameHas faded now. For us her nameIs Madam Placid. 38 A Gentlewoman of the Old School. Patience or Prudence,—what you will,Some prefix faintly fragrant stillAs those old musky scents that fill Our grandams pillows;And for her youthful portrait takeSome long-waist child of Hudsons make,Stiffly at ease beside a lake Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ballad-of-beau-brocade-and-other-poems-of-the-xviiith-century-centhvhmlfthe-ofltf-grfiwh-he-lived-in-georgian-era-toomost-women-then-if-bards-betruesuccumbed-to-routs-and-cards-or-grew-devout-and-acidbut-hers-was-neither-fate-she-cameof-good-west-country-folk-whose-famehas-faded-now-for-us-her-nameis-madam-placid-38-a-gentlewoman-of-the-old-school-patience-or-prudencewhat-you-willsome-prefix-faintly-fragrant-stillas-those-old-musky-scents-that-fill-our-grandams-pillowsand-for-her-youthful-portrait-takesome-long-waist-child-of-hudsons-makestiffly-at-ease-beside-a-lake-image370525939.html
RM2CEPWH7–. The ballad of Beau Brocade, and other poems of the XVIIIth century. CenthvHmlfthe Of<f grfiwH, HE lived in Georgian era too.Most women then, if bards betrue,Succumbed to Routs and Cards, or grew Devout and acid.But hers was neither fate. She cameOf good west-country folk, whose fameHas faded now. For us her nameIs Madam Placid. 38 A Gentlewoman of the Old School. Patience or Prudence,—what you will,Some prefix faintly fragrant stillAs those old musky scents that fill Our grandams pillows;And for her youthful portrait takeSome long-waist child of Hudsons make,Stiffly at ease beside a lake
Philip Mould & Company, Pall Mall, London, UK. 7 October 2020. London Art Week Digital focuses on Women Artists in October with online talks and articles with participant gallery Philip Mould & Company who are exhibiting ‘Pioneers: 500 Years of Women in British Art‘ from 12 Oct-4 Dec 2020. Maria Verelst was one of the most talented female immigrant artists of the late Stuart/early Georgian era. Image: A recently discovered version of the painting of Anne Blackett by Verelst at Wallington Hall, Northumberland, is an important addition to her much neglected oeuvre. Credit: Malcolm Park/Alamy Liv Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/philip-mould-company-pall-mall-london-uk-7-october-2020-london-art-week-digital-focuses-on-women-artists-in-october-with-online-talks-and-articles-with-participant-gallery-philip-mould-company-who-are-exhibiting-pioneers-500-years-of-women-in-british-art-from-12-oct-4-dec-2020-maria-verelst-was-one-of-the-most-talented-female-immigrant-artists-of-the-late-stuartearly-georgian-era-image-a-recently-discovered-version-of-the-painting-of-anne-blackett-by-verelst-at-wallington-hall-northumberland-is-an-important-addition-to-her-much-neglected-oeuvre-credit-malcolm-parkalamy-liv-image380557811.html
RM2D33WAB–Philip Mould & Company, Pall Mall, London, UK. 7 October 2020. London Art Week Digital focuses on Women Artists in October with online talks and articles with participant gallery Philip Mould & Company who are exhibiting ‘Pioneers: 500 Years of Women in British Art‘ from 12 Oct-4 Dec 2020. Maria Verelst was one of the most talented female immigrant artists of the late Stuart/early Georgian era. Image: A recently discovered version of the painting of Anne Blackett by Verelst at Wallington Hall, Northumberland, is an important addition to her much neglected oeuvre. Credit: Malcolm Park/Alamy Liv
Georgian Costume Parade to launch the Jane Austen Festival in Bath England UK GB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/georgian-costume-parade-to-launch-the-jane-austen-festival-in-bath-image4977299.html
RMAMEX94–Georgian Costume Parade to launch the Jane Austen Festival in Bath England UK GB
The Charmers of the Age, March 1, 1782. Barbara Campanini and George Desnoyer. After William Hogarth. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-charmers-of-the-age-march-1-1782-barbara-campanini-and-george-desnoyer-after-william-hogarth-image349008649.html
RM2B7PM2H–The Charmers of the Age, March 1, 1782. Barbara Campanini and George Desnoyer. After William Hogarth.
Regency parson besieged by a crowd of single women. The women include a black woman, Valet Pat holds the door. The advertisement for a wife. Handcoloured copperplate engraving drawn and engraved by Thomas Rowlandson from William Combe’s The Tour of Doctor Syntax in Search of a Wife, Rudolph Ackermann, London, 1821. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/regency-parson-besieged-by-a-crowd-of-single-women-the-women-include-a-black-woman-valet-pat-holds-the-door-the-advertisement-for-a-wife-handcoloured-copperplate-engraving-drawn-and-engraved-by-thomas-rowlandson-from-william-combes-the-tour-of-doctor-syntax-in-search-of-a-wife-rudolph-ackermann-london-1821-image329656650.html
RM2A494BP–Regency parson besieged by a crowd of single women. The women include a black woman, Valet Pat holds the door. The advertisement for a wife. Handcoloured copperplate engraving drawn and engraved by Thomas Rowlandson from William Combe’s The Tour of Doctor Syntax in Search of a Wife, Rudolph Ackermann, London, 1821.
Claydon House Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-claydon-house-22683786.html
RMB8W9B6–Claydon House
19th century vintage photograph - Caucasus Georgia - Georgian woman with a musical instrument Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/19th-century-vintage-photograph-caucasus-georgia-georgian-woman-with-a-musical-instrument-image560806128.html
RM2RGAWX8–19th century vintage photograph - Caucasus Georgia - Georgian woman with a musical instrument
Four Women at a Well in Rome by Thomas Rowlandson Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/four-women-at-a-well-in-rome-by-thomas-rowlandson-image538845121.html
RM2P8JECH–Four Women at a Well in Rome by Thomas Rowlandson
Woman sitting at Jane Austen's writing desk dressed in Regency costume inside Jane Austen's house in Chawton... Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-sitting-at-jane-austens-writing-desk-dressed-in-regency-costume-image69297910.html
RME0MP5A–Woman sitting at Jane Austen's writing desk dressed in Regency costume inside Jane Austen's house in Chawton...
'The Road to Ruin'. A man smoking accompanied by two women. A Sunday Ramble, or modern Sabbath-day Journey in and about the Cities of London and Westminster. Describing ... the various interesting scenes which are weekly to be met with at the Mineral Wells... London, [1776?]. Source: 578.i.10, opposite page 50. Language: English. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-road-to-ruin-a-man-smoking-accompanied-by-two-women-a-sunday-ramble-or-modern-sabbath-day-journey-in-and-about-the-cities-of-london-and-westminster-describing-the-various-interesting-scenes-which-are-weekly-to-be-met-with-at-the-mineral-wells-london-1776-source-578i10-opposite-page-50-language-english-image227150464.html
RMR5FGMG–'The Road to Ruin'. A man smoking accompanied by two women. A Sunday Ramble, or modern Sabbath-day Journey in and about the Cities of London and Westminster. Describing ... the various interesting scenes which are weekly to be met with at the Mineral Wells... London, [1776?]. Source: 578.i.10, opposite page 50. Language: English.
19th century vintage photograph - Caucasus Georgia - Georgian woman with a musical instrument Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/19th-century-vintage-photograph-caucasus-georgia-georgian-woman-with-a-musical-instrument-image178268067.html
RMMA0PMK–19th century vintage photograph - Caucasus Georgia - Georgian woman with a musical instrument
View of Charles Street, St. James, London, looking east to the Haymarket Theatre (now Charles II Street and the Theatre Royal Haymarket). Fashionable men and women in hats with muffs stroll on the pavement, while riders and porters pass on the street. Handcoloured copperplate engraving from Rudolph Ackermanns Repository of Arts, Literature, Fashions, Manufactures, etc., Strand, London, 1822. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-charles-street-st-james-london-looking-east-to-the-haymarket-theatre-now-charles-ii-street-and-the-theatre-royal-haymarket-fashionable-men-and-women-in-hats-with-muffs-stroll-on-the-pavement-while-riders-and-porters-pass-on-the-street-handcoloured-copperplate-engraving-from-rudolph-ackermanns-repository-of-arts-literature-fashions-manufactures-etc-strand-london-1822-image571811850.html
RM2T687RP–View of Charles Street, St. James, London, looking east to the Haymarket Theatre (now Charles II Street and the Theatre Royal Haymarket). Fashionable men and women in hats with muffs stroll on the pavement, while riders and porters pass on the street. Handcoloured copperplate engraving from Rudolph Ackermanns Repository of Arts, Literature, Fashions, Manufactures, etc., Strand, London, 1822.
Philip Mould & Company, Pall Mall, London, UK. 7 October 2020. London Art Week Digital focuses on Women Artists in October with online talks and articles with participant gallery Philip Mould & Company who are exhibiting ‘Pioneers: 500 Years of Women in British Art‘ from 12 Oct-4 Dec 2020. Maria Verelst was one of the most talented female immigrant artists of the late Stuart/early Georgian era. Image: A recently discovered version of the painting of Anne Blackett by Verelst at Wallington Hall, Northumberland, is an important addition to her much neglected oeuvre. Credit: Malcolm Park/Alamy Liv Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/philip-mould-company-pall-mall-london-uk-7-october-2020-london-art-week-digital-focuses-on-women-artists-in-october-with-online-talks-and-articles-with-participant-gallery-philip-mould-company-who-are-exhibiting-pioneers-500-years-of-women-in-british-art-from-12-oct-4-dec-2020-maria-verelst-was-one-of-the-most-talented-female-immigrant-artists-of-the-late-stuartearly-georgian-era-image-a-recently-discovered-version-of-the-painting-of-anne-blackett-by-verelst-at-wallington-hall-northumberland-is-an-important-addition-to-her-much-neglected-oeuvre-credit-malcolm-parkalamy-liv-image380558227.html
RM2D33WW7–Philip Mould & Company, Pall Mall, London, UK. 7 October 2020. London Art Week Digital focuses on Women Artists in October with online talks and articles with participant gallery Philip Mould & Company who are exhibiting ‘Pioneers: 500 Years of Women in British Art‘ from 12 Oct-4 Dec 2020. Maria Verelst was one of the most talented female immigrant artists of the late Stuart/early Georgian era. Image: A recently discovered version of the painting of Anne Blackett by Verelst at Wallington Hall, Northumberland, is an important addition to her much neglected oeuvre. Credit: Malcolm Park/Alamy Liv
Georgian Costume Parade to launch the Jane Austen Festival in Bath England UK GB walking along the Royal Crescent Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/georgian-costume-parade-to-launch-the-jane-austen-festival-in-bath-image4977328.html
RMAMEXB1–Georgian Costume Parade to launch the Jane Austen Festival in Bath England UK GB walking along the Royal Crescent
Frontispiece with Dr. Syntax playing in a quartet of musicians. Regency parson on violin, two women on cello and violin, black boy in turban on horn. Handcoloured copperplate engraving drawn and engraved by Thomas Rowlandson from William Combe’s The Tour of Doctor Syntax in Search of a Wife, Rudolph Ackermann, London, 1821. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frontispiece-with-dr-syntax-playing-in-a-quartet-of-musicians-regency-parson-on-violin-two-women-on-cello-and-violin-black-boy-in-turban-on-horn-handcoloured-copperplate-engraving-drawn-and-engraved-by-thomas-rowlandson-from-william-combes-the-tour-of-doctor-syntax-in-search-of-a-wife-rudolph-ackermann-london-1821-image329656607.html
RM2A494A7–Frontispiece with Dr. Syntax playing in a quartet of musicians. Regency parson on violin, two women on cello and violin, black boy in turban on horn. Handcoloured copperplate engraving drawn and engraved by Thomas Rowlandson from William Combe’s The Tour of Doctor Syntax in Search of a Wife, Rudolph Ackermann, London, 1821.
Period terraced houses for sale in Chepstow Monmouthshire South East Wales UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/period-terraced-houses-for-sale-in-chepstow-monmouthshire-south-east-image8052817.html
RMAG4GN2–Period terraced houses for sale in Chepstow Monmouthshire South East Wales UK
Confectionary shop with red postbox outside in Llandeilo Carmarthenshire West Wales UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/confectionary-shop-with-red-postbox-outside-in-llandeilo-carmarthenshire-image8290571.html
RMAHMPTC–Confectionary shop with red postbox outside in Llandeilo Carmarthenshire West Wales UK
Woman sitting at Jane Austen's writing desk dressed in Regency costume inside Jane Austen's house in Chawton... Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-sitting-at-jane-austens-writing-desk-dressed-in-regency-costume-image69298026.html
RME0MP9E–Woman sitting at Jane Austen's writing desk dressed in Regency costume inside Jane Austen's house in Chawton...
Madame De Staël. Portrait Gallery of eminent Men and Women of Europ. New York, 1872-74. Anne Louise Germaine Necker, Baroness of Staël-Holstein (1766-1817). French writer. Portrait from the original painting by Gerard. Source: 10604.g.10 volume I, 368. Language: English. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madame-de-stal-portrait-gallery-of-eminent-men-and-women-of-europ-new-york-1872-74-anne-louise-germaine-necker-baroness-of-stal-holstein-1766-1817-french-writer-portrait-from-the-original-painting-by-gerard-source-10604g10-volume-i-368-language-english-image226915171.html
RMR54TH7–Madame De Staël. Portrait Gallery of eminent Men and Women of Europ. New York, 1872-74. Anne Louise Germaine Necker, Baroness of Staël-Holstein (1766-1817). French writer. Portrait from the original painting by Gerard. Source: 10604.g.10 volume I, 368. Language: English.
Itinerant woman seller of sausages, with links and basket of pork sausages. In cap, upright lace collar, coat and skirts. Restoration era, reign of King Charles II. Possibly from the famous pork butchers of Fetter Lane, London. Copperplate engraving drawn and engraved by John Thomas Smith from his own The Cries of London, or Vagabondiana 2, edited by Francis Douce, John Bowyer Nichols, London, 1839. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/itinerant-woman-seller-of-sausages-with-links-and-basket-of-pork-sausages-in-cap-upright-lace-collar-coat-and-skirts-restoration-era-reign-of-king-charles-ii-possibly-from-the-famous-pork-butchers-of-fetter-lane-london-copperplate-engraving-drawn-and-engraved-by-john-thomas-smith-from-his-own-the-cries-of-london-or-vagabondiana-2-edited-by-francis-douce-john-bowyer-nichols-london-1839-image571849551.html
RM2T69YX7–Itinerant woman seller of sausages, with links and basket of pork sausages. In cap, upright lace collar, coat and skirts. Restoration era, reign of King Charles II. Possibly from the famous pork butchers of Fetter Lane, London. Copperplate engraving drawn and engraved by John Thomas Smith from his own The Cries of London, or Vagabondiana 2, edited by Francis Douce, John Bowyer Nichols, London, 1839.
Philip Mould & Company, Pall Mall, London, UK. 7 October 2020. London Art Week Digital focuses on Women Artists in October with online talks and articles with participant gallery Philip Mould & Company who are exhibiting ‘Pioneers: 500 Years of Women in British Art‘ from 12 Oct-4 Dec 2020. Maria Verelst was one of the most talented female immigrant artists of the late Stuart/early Georgian era. Image: A recently discovered version of the painting of Anne Blackett by Verelst at Wallington Hall, Northumberland, is an important addition to her much neglected oeuvre. Credit: Malcolm Park/Alamy Liv Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/philip-mould-company-pall-mall-london-uk-7-october-2020-london-art-week-digital-focuses-on-women-artists-in-october-with-online-talks-and-articles-with-participant-gallery-philip-mould-company-who-are-exhibiting-pioneers-500-years-of-women-in-british-art-from-12-oct-4-dec-2020-maria-verelst-was-one-of-the-most-talented-female-immigrant-artists-of-the-late-stuartearly-georgian-era-image-a-recently-discovered-version-of-the-painting-of-anne-blackett-by-verelst-at-wallington-hall-northumberland-is-an-important-addition-to-her-much-neglected-oeuvre-credit-malcolm-parkalamy-liv-image380558158.html
RM2D33WPP–Philip Mould & Company, Pall Mall, London, UK. 7 October 2020. London Art Week Digital focuses on Women Artists in October with online talks and articles with participant gallery Philip Mould & Company who are exhibiting ‘Pioneers: 500 Years of Women in British Art‘ from 12 Oct-4 Dec 2020. Maria Verelst was one of the most talented female immigrant artists of the late Stuart/early Georgian era. Image: A recently discovered version of the painting of Anne Blackett by Verelst at Wallington Hall, Northumberland, is an important addition to her much neglected oeuvre. Credit: Malcolm Park/Alamy Liv
Villagers in a noisy charivari or rough music parade, Devon, 1820. Women hold petticoats and antlers on pitchforks while others bang drums and pans. Dr. Syntax with the Skimmington Riders. Handcoloured copperplate engraving drawn and engraved by Thomas Rowlandson from William Combe’s The Tour of Doctor Syntax in Search of Consolation, Rudolph Ackermann, London, 1820. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/villagers-in-a-noisy-charivari-or-rough-music-parade-devon-1820-women-hold-petticoats-and-antlers-on-pitchforks-while-others-bang-drums-and-pans-dr-syntax-with-the-skimmington-riders-handcoloured-copperplate-engraving-drawn-and-engraved-by-thomas-rowlandson-from-william-combes-the-tour-of-doctor-syntax-in-search-of-consolation-rudolph-ackermann-london-1820-image329656581.html
RM2A49499–Villagers in a noisy charivari or rough music parade, Devon, 1820. Women hold petticoats and antlers on pitchforks while others bang drums and pans. Dr. Syntax with the Skimmington Riders. Handcoloured copperplate engraving drawn and engraved by Thomas Rowlandson from William Combe’s The Tour of Doctor Syntax in Search of Consolation, Rudolph Ackermann, London, 1820.
Claydon House Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-claydon-house-22683780.html
RMB8W9B0–Claydon House
Author Jane Austen's writing table, chair and quill inside her house at Chawton, near Alton, Hampshire, UK. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/author-jane-austens-writing-table-chair-and-quill-inside-her-house-image69299191.html
RME0MRR3–Author Jane Austen's writing table, chair and quill inside her house at Chawton, near Alton, Hampshire, UK.
A south-east view of Nottingham from the River Trent. Cattle and sheep on a river bank; women and a man by the water; a city on the opposite shore; a sailing boat on the right-hand side. . A south-east view of Nottingham from the River Trent. England : [publisher not identified], [around 1810-1815]. 1 print : aquatint and etching with hand-colouring ; sheet 25.8 x 33.2 cm. Source: Maps K.Top.33.33.c. Author: Cartwright, Thomas. Bonington, R. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-south-east-view-of-nottingham-from-the-river-trent-cattle-and-sheep-on-a-river-bank-women-and-a-man-by-the-water-a-city-on-the-opposite-shore-a-sailing-boat-on-the-right-hand-side-a-south-east-view-of-nottingham-from-the-river-trent-england-publisher-not-identified-around-1810-1815-1-print-aquatint-and-etching-with-hand-colouring-sheet-258-x-332-cm-source-maps-ktop3333c-author-cartwright-thomas-bonington-r-image226859558.html
RMR529K2–A south-east view of Nottingham from the River Trent. Cattle and sheep on a river bank; women and a man by the water; a city on the opposite shore; a sailing boat on the right-hand side. . A south-east view of Nottingham from the River Trent. England : [publisher not identified], [around 1810-1815]. 1 print : aquatint and etching with hand-colouring ; sheet 25.8 x 33.2 cm. Source: Maps K.Top.33.33.c. Author: Cartwright, Thomas. Bonington, R.
Rhynwick Williams, a young London florist convicted of stabbing women as the London Monster, 1790. Renwick Williams, commonly called The Monster. Depicted at his trial in the dock at the Old Bailey. Lithograph after a stipple engraving by Robert Cooper from Henry Wilson and James Caulfields Book of Wonderful Characters, Memoirs and Anecdotes, of Remarkable and Eccentric Persons in all ages and countries, John Camden Hotten, Piccadilly, London, 1869. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rhynwick-williams-a-young-london-florist-convicted-of-stabbing-women-as-the-london-monster-1790-renwick-williams-commonly-called-the-monster-depicted-at-his-trial-in-the-dock-at-the-old-bailey-lithograph-after-a-stipple-engraving-by-robert-cooper-from-henry-wilson-and-james-caulfields-book-of-wonderful-characters-memoirs-and-anecdotes-of-remarkable-and-eccentric-persons-in-all-ages-and-countries-john-camden-hotten-piccadilly-london-1869-image571815276.html
RM2T68C64–Rhynwick Williams, a young London florist convicted of stabbing women as the London Monster, 1790. Renwick Williams, commonly called The Monster. Depicted at his trial in the dock at the Old Bailey. Lithograph after a stipple engraving by Robert Cooper from Henry Wilson and James Caulfields Book of Wonderful Characters, Memoirs and Anecdotes, of Remarkable and Eccentric Persons in all ages and countries, John Camden Hotten, Piccadilly, London, 1869.
Regency parson at a Roma camp. Two women read a man’s palm while another steals from his luggage. A group of Romani travellers sit around a fire outside tents in a wood. Dr. Syntax and the gypsies. Handcoloured copperplate engraving drawn and engraved by Thomas Rowlandson from William Combe’s The Tour of Doctor Syntax in Search of Consolation, Rudolph Ackermann, London, 1820. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/regency-parson-at-a-roma-camp-two-women-read-a-mans-palm-while-another-steals-from-his-luggage-a-group-of-romani-travellers-sit-around-a-fire-outside-tents-in-a-wood-dr-syntax-and-the-gypsies-handcoloured-copperplate-engraving-drawn-and-engraved-by-thomas-rowlandson-from-william-combes-the-tour-of-doctor-syntax-in-search-of-consolation-rudolph-ackermann-london-1820-image329656548.html
RM2A49484–Regency parson at a Roma camp. Two women read a man’s palm while another steals from his luggage. A group of Romani travellers sit around a fire outside tents in a wood. Dr. Syntax and the gypsies. Handcoloured copperplate engraving drawn and engraved by Thomas Rowlandson from William Combe’s The Tour of Doctor Syntax in Search of Consolation, Rudolph Ackermann, London, 1820.
Claydon House Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-claydon-house-22683792.html
RMB8W9BC–Claydon House
Portrait of Mrs. Samuel McCall, Sr. Date/Period: 1746. Painting. Oil on canvas Oil on canvas. Height: 1,266.95 mm (49.88 in); Width: 1,012.95 mm (39.88 in). Author: ROBERT FEKE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-mrs-samuel-mccall-sr-dateperiod-1746-painting-oil-on-canvas-oil-on-canvas-height-126695-mm-4988-in-width-101295-mm-3988-in-author-robert-feke-image219749913.html
RMPNED75–Portrait of Mrs. Samuel McCall, Sr. Date/Period: 1746. Painting. Oil on canvas Oil on canvas. Height: 1,266.95 mm (49.88 in); Width: 1,012.95 mm (39.88 in). Author: ROBERT FEKE.
Elizabeth, Lady Blunt. Date/Period: 1759/1769. Painting. Oil on canvas. Width: 102.9 cm. Height: 125.7 cm (without frame). Author: GEORGE ROMNEY. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elizabeth-lady-blunt-dateperiod-17591769-painting-oil-on-canvas-width-1029-cm-height-1257-cm-without-frame-author-george-romney-image219681007.html
RMPNB9A7–Elizabeth, Lady Blunt. Date/Period: 1759/1769. Painting. Oil on canvas. Width: 102.9 cm. Height: 125.7 cm (without frame). Author: GEORGE ROMNEY.
Miss Lbt, 18th century celebrity. Beauty with her hair up with veil, low-cut decollete dress. Portrait number XXVIII (28) in an oval miniature frame from the Tete-a-Tete series published in Town and Country Magazine, A. Hamilton, London, 1770s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/miss-lbt-18th-century-celebrity-beauty-with-her-hair-up-with-veil-low-cut-decollete-dress-portrait-number-xxviii-28-in-an-oval-miniature-frame-from-the-tete-a-tete-series-published-in-town-and-country-magazine-a-hamilton-london-1770s-image571848313.html
RM2T69XA1–Miss Lbt, 18th century celebrity. Beauty with her hair up with veil, low-cut decollete dress. Portrait number XXVIII (28) in an oval miniature frame from the Tete-a-Tete series published in Town and Country Magazine, A. Hamilton, London, 1770s.
Costume of an Egyptian arab woman. She wears a black triangular linen veil covering the face (half niqab), white head scarf, long blue robe, and carries two bowls. Handcoloured copperplate engraving after Octavian Dalvimart from William Alexanders translation of Picturesque Representations of the Dress and Manners of the Turks, Thomas MLean, London, 1814. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/costume-of-an-egyptian-arab-woman-she-wears-a-black-triangular-linen-veil-covering-the-face-half-niqab-white-head-scarf-long-blue-robe-and-carries-two-bowls-handcoloured-copperplate-engraving-after-octavian-dalvimart-from-william-alexanders-translation-of-picturesque-representations-of-the-dress-and-manners-of-the-turks-thomas-mlean-london-1814-image571849607.html
RM2T6A007–Costume of an Egyptian arab woman. She wears a black triangular linen veil covering the face (half niqab), white head scarf, long blue robe, and carries two bowls. Handcoloured copperplate engraving after Octavian Dalvimart from William Alexanders translation of Picturesque Representations of the Dress and Manners of the Turks, Thomas MLean, London, 1814.
Fashion Plate (Parisian Head Dresses), 1817. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fashion-plate-parisian-head-dresses-1817-image568855925.html
RM2T1DHF1–Fashion Plate (Parisian Head Dresses), 1817.
Turkish lady in her wedding dress (rear view). Bride in a embroidered crimson robe with hood and long braids. Handcoloured copperplate engraving after Octavian Dalvimart from William Alexanders translation of Picturesque Representations of the Dress and Manners of the Turks, Thomas MLean, London, 1814. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/turkish-lady-in-her-wedding-dress-rear-view-bride-in-a-embroidered-crimson-robe-with-hood-and-long-braids-handcoloured-copperplate-engraving-after-octavian-dalvimart-from-william-alexanders-translation-of-picturesque-representations-of-the-dress-and-manners-of-the-turks-thomas-mlean-london-1814-image571846897.html
RM2T69TFD–Turkish lady in her wedding dress (rear view). Bride in a embroidered crimson robe with hood and long braids. Handcoloured copperplate engraving after Octavian Dalvimart from William Alexanders translation of Picturesque Representations of the Dress and Manners of the Turks, Thomas MLean, London, 1814.
Costume of a Simiot woman, Island of Simia, Ottoman Empire (now Simi or Symi, Greece). She wears a turban, face veil, short jacket and long robe. Handcoloured copperplate engraving after Octavian Dalvimart from William Alexanders translation of Picturesque Representations of the Dress and Manners of the Turks, Thomas MLean, London, 1814. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/costume-of-a-simiot-woman-island-of-simia-ottoman-empire-now-simi-or-symi-greece-she-wears-a-turban-face-veil-short-jacket-and-long-robe-handcoloured-copperplate-engraving-after-octavian-dalvimart-from-william-alexanders-translation-of-picturesque-representations-of-the-dress-and-manners-of-the-turks-thomas-mlean-london-1814-image571835688.html
RM2T69A74–Costume of a Simiot woman, Island of Simia, Ottoman Empire (now Simi or Symi, Greece). She wears a turban, face veil, short jacket and long robe. Handcoloured copperplate engraving after Octavian Dalvimart from William Alexanders translation of Picturesque Representations of the Dress and Manners of the Turks, Thomas MLean, London, 1814.
Woman of the island of Naxos, Cyclades islands. She wears a hat adorned with flowers, cloak, embroidered dress and stockings. Handcoloured copperplate engraving after Octavian Dalvimart from William Alexanders translation of Picturesque Representations of the Dress and Manners of the Turks, Thomas MLean, London, 1814. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-of-the-island-of-naxos-cyclades-islands-she-wears-a-hat-adorned-with-flowers-cloak-embroidered-dress-and-stockings-handcoloured-copperplate-engraving-after-octavian-dalvimart-from-william-alexanders-translation-of-picturesque-representations-of-the-dress-and-manners-of-the-turks-thomas-mlean-london-1814-image571837595.html
RM2T69CK7–Woman of the island of Naxos, Cyclades islands. She wears a hat adorned with flowers, cloak, embroidered dress and stockings. Handcoloured copperplate engraving after Octavian Dalvimart from William Alexanders translation of Picturesque Representations of the Dress and Manners of the Turks, Thomas MLean, London, 1814.
Female Bedouin Arab of the desert and her child. She wears a veil and tunic dress, large earrings and bracelets, pink boots. Handcoloured copperplate engraving after Octavian Dalvimart from William Alexanders translation of Picturesque Representations of the Dress and Manners of the Turks, Thomas MLean, London, 1814. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/female-bedouin-arab-of-the-desert-and-her-child-she-wears-a-veil-and-tunic-dress-large-earrings-and-bracelets-pink-boots-handcoloured-copperplate-engraving-after-octavian-dalvimart-from-william-alexanders-translation-of-picturesque-representations-of-the-dress-and-manners-of-the-turks-thomas-mlean-london-1814-image571911408.html
RM2T6CPRC–Female Bedouin Arab of the desert and her child. She wears a veil and tunic dress, large earrings and bracelets, pink boots. Handcoloured copperplate engraving after Octavian Dalvimart from William Alexanders translation of Picturesque Representations of the Dress and Manners of the Turks, Thomas MLean, London, 1814.
Chevalier dEon, who many years passed as a woman, 1728-1810. French diplomat, spy, soldier and professional fencer who dressed in womens clothes from 1777. Author of La Vie militaire, politique et privee de Mademoiselle dEon, 1779. Depicted aged 59 in bonnet, fichu and dress with the Order of Saint Louis. Lithograph after a stipple engraving by Robert Cooper after a 1787 portrait by Richard Cosway from Henry Wilson and James Caulfields Book of Wonderful Characters, Memoirs and Anecdotes, of Remarkable and Eccentric Persons in all ages and countries, John Camden Hotten, Piccadilly, London, 1869 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chevalier-deon-who-many-years-passed-as-a-woman-1728-1810-french-diplomat-spy-soldier-and-professional-fencer-who-dressed-in-womens-clothes-from-1777-author-of-la-vie-militaire-politique-et-privee-de-mademoiselle-deon-1779-depicted-aged-59-in-bonnet-fichu-and-dress-with-the-order-of-saint-louis-lithograph-after-a-stipple-engraving-by-robert-cooper-after-a-1787-portrait-by-richard-cosway-from-henry-wilson-and-james-caulfields-book-of-wonderful-characters-memoirs-and-anecdotes-of-remarkable-and-eccentric-persons-in-all-ages-and-countries-john-camden-hotten-piccadilly-london-1869-image571831681.html
RM2T69541–Chevalier dEon, who many years passed as a woman, 1728-1810. French diplomat, spy, soldier and professional fencer who dressed in womens clothes from 1777. Author of La Vie militaire, politique et privee de Mademoiselle dEon, 1779. Depicted aged 59 in bonnet, fichu and dress with the Order of Saint Louis. Lithograph after a stipple engraving by Robert Cooper after a 1787 portrait by Richard Cosway from Henry Wilson and James Caulfields Book of Wonderful Characters, Memoirs and Anecdotes, of Remarkable and Eccentric Persons in all ages and countries, John Camden Hotten, Piccadilly, London, 1869