This 1899 illustration shows Catherine de’Medici as painted by the French artist Clouet the Younger (died 1541). Catherine de' Medici was an Italian noblewoman. She also was queen consort of France from 1547 until 1559, by marriage to King Henry II, and mother of kings Francis II, Charles IX and Henry III.
This 1899 illustration shows Catherine de’Medici as painted by the French artist Clouet the Younger (died 1541). Catherine de' Medici was an Italian noblewoman. She also was queen consort of France from 1547 until 1559, by marriage to King Henry II, and mother of kings Francis II, Charles IX and Henry III. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/this-1899-illustration-shows-catherine-demedici-as-painted-by-the-french-artist-clouet-the-younger-died-1541-catherine-de-medici-was-an-italian-noblewoman-she-also-was-queen-consort-of-france-from-1547-until-1559-by-marriage-to-king-henry-ii-and-mother-of-kings-francis-ii-charles-ix-and-henry-iii-image432891207.html
Author: Unknown artist. Journey to Emmaus - 1549 - Unknown artist French, 16th century. Engraving printed in black on paper. France.
Author: Unknown artist. Journey to Emmaus - 1549 - Unknown artist French, 16th century. Engraving printed in black on paper. France. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/author-unknown-artist-journey-to-emmaus-1549-unknown-artist-french-16th-century-engraving-printed-in-black-on-paper-france-image355711534.html
The Fox, 1564. This illustration from a French copy of the Bestiary of Manuel Philes, originally made by the Cretan scribe Angelos Vergecios. The artist is unknown. Bodleian Library, Oxford.
The Fox, 1564. This illustration from a French copy of the Bestiary of Manuel Philes, originally made by the Cretan scribe Angelos Vergecios. The artist is unknown. Bodleian Library, Oxford. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-fox-1564-this-illustration-from-a-french-copy-of-the-bestiary-of-manuel-philes-originally-made-by-the-cretan-scribe-angelos-vergecios-the-artist-is-unknown-bodleian-library-oxford-image377035572.html
The Virgin Mary, 1590, by the artist El Greco, Fine Arts of Strasbourg, France.
The Virgin Mary, 1590, by the artist El Greco, Fine Arts of Strasbourg, France. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-virgin-mary-1590-by-the-artist-el-greco-fine-arts-of-strasbourg-france-image333988574.html
Saint Martin and the Beggar, early 1500s. This plate is an appliqué seal, intended as a decorative element for a garment or possibly as a simple pilgrimage medallion. The work tells a story of charity. It depicts Martin of Tours, a French soldier of the fourth century who, when accosted by a beggar at the gates of Amiens, cut a portion of his cloak and gave it to him. St. Martin is depicted midway through cutting away his cloak with his saber. The bronze is often attributed to an artist in the northern Netherlands, which is due in part to the popularity of several motifs there at the turn
Saint Martin and the Beggar, early 1500s. This plate is an appliqué seal, intended as a decorative element for a garment or possibly as a simple pilgrimage medallion. The work tells a story of charity. It depicts Martin of Tours, a French soldier of the fourth century who, when accosted by a beggar at the gates of Amiens, cut a portion of his cloak and gave it to him. St. Martin is depicted midway through cutting away his cloak with his saber. The bronze is often attributed to an artist in the northern Netherlands, which is due in part to the popularity of several motifs there at the turn https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/saint-martin-and-the-beggar-early-1500s-this-plate-is-an-appliquxe9-seal-intended-as-a-decorative-element-for-a-garment-or-possibly-as-a-simple-pilgrimage-medallion-the-work-tells-a-story-of-charity-it-depicts-martin-of-tours-a-french-soldier-of-the-fourth-century-who-when-accosted-by-a-beggar-at-the-gates-of-amiens-cut-a-portion-of-his-cloak-and-gave-it-to-him-st-martin-is-depicted-midway-through-cutting-away-his-cloak-with-his-saber-the-bronze-is-often-attributed-to-an-artist-in-the-northern-netherlands-which-is-due-in-part-to-the-popularity-of-several-motifs-there-at-the-turn-image330116325.html
Scene with Mercury and Minerva - School of Fontainebleau French, 16th century - Artist: Fontainebleau School, Origin: France, Date: 1500-1599,
Scene with Mercury and Minerva - School of Fontainebleau French, 16th century - Artist: Fontainebleau School, Origin: France, Date: 1500-1599, https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/scene-with-mercury-and-minerva-school-of-fontainebleau-french-16th-century-artist-fontainebleau-school-origin-france-date-1500-1599-image235961821.html
The Ambassadors. Hans Holbein the Younger. 1533. The painting shows Jean de Dinteville, French Ambassador to Henry VIII, and Georges de Selve, Bishop of Lavaur. It famously contains an anamorphic skull in the foreground.
The Ambassadors. Hans Holbein the Younger. 1533. The painting shows Jean de Dinteville, French Ambassador to Henry VIII, and Georges de Selve, Bishop of Lavaur. It famously contains an anamorphic skull in the foreground. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-ambassadors-hans-holbein-the-younger-1533-the-painting-shows-jean-de-dinteville-french-ambassador-to-henry-viii-and-georges-de-selve-bishop-of-lavaur-it-famously-contains-an-anamorphic-skull-in-the-foreground-image468535279.html
Marriage of Adam and Eve, 1555. Jean Duvet (French, 1485-1561). Engraving; This print is part of a bound volume of works illustrating the a narrative of the Apocalypse, taken from the Revelation of Saint John in the Bible. The 23 engravings in the series occupied the artist for a number of years and represent his greatest artistic achievement. The museum's volume is one of only seven known complete sets. Jean Duvet was one of the first major printmakers in France and one of the most original artists of the 1500s. Although he worked mostly in the provincial city of Langres, he became aware of
Marriage of Adam and Eve, 1555. Jean Duvet (French, 1485-1561). Engraving; This print is part of a bound volume of works illustrating the a narrative of the Apocalypse, taken from the Revelation of Saint John in the Bible. The 23 engravings in the series occupied the artist for a number of years and represent his greatest artistic achievement. The museum's volume is one of only seven known complete sets. Jean Duvet was one of the first major printmakers in France and one of the most original artists of the 1500s. Although he worked mostly in the provincial city of Langres, he became aware of https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/marriage-of-adam-and-eve-1555-jean-duvet-french-1485-1561-engraving-this-print-is-part-of-a-bound-volume-of-works-illustrating-the-a-narrative-of-the-apocalypse-taken-from-the-revelation-of-saint-john-in-the-bible-the-23-engravings-in-the-series-occupied-the-artist-for-a-number-of-years-and-represent-his-greatest-artistic-achievement-the-museums-volume-is-one-of-only-seven-known-complete-sets-jean-duvet-was-one-of-the-first-major-printmakers-in-france-and-one-of-the-most-original-artists-of-the-1500s-although-he-worked-mostly-in-the-provincial-city-of-langres-he-became-aware-of-image448064035.html
Catherine de Medici (Catherine de Médicis:1519-1589), Queen of France from 1547 until 1559, as the wife of King Henry II. Portrait c.1580 by unknown artist, oil on oak panel.
Catherine de Medici (Catherine de Médicis:1519-1589), Queen of France from 1547 until 1559, as the wife of King Henry II. Portrait c.1580 by unknown artist, oil on oak panel. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-catherine-de-medici-catherine-de-mdicis1519-1589-queen-of-france-from-124191474.html
Book of Hours (Use of Rouen), c. 1470. Master of the Geneva Latini (French, active Rouen, 1460-80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminat
Book of Hours (Use of Rouen), c. 1470. Master of the Geneva Latini (French, active Rouen, 1460-80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminat https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/book-of-hours-use-of-rouen-c-1470-master-of-the-geneva-latini-french-active-rouen-1460-80-ink-tempera-and-gold-on-vellum-codex-195-x-131-cm-7-1116-x-5-316-in-in-the-late-1400s-and-early-1500s-rouen-was-an-established-and-important-center-of-book-production-the-citys-cathedral-had-a-wealthy-chapter-that-spent-large-sums-of-money-to-commission-books-and-to-maintain-its-extensive-library-the-stationers-and-booksellers-would-have-likely-been-concentrated-in-or-near-the-cathedral-precinct-this-artist-named-after-a-manuscript-now-in-geneva-was-rouens-principal-illuminat-image448060829.html
Francis I (1494-1547), King of France, sculpture by unknown artist, before 1599
Francis I (1494-1547), King of France, sculpture by unknown artist, before 1599 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/francis-i-1494-1547-king-of-france-sculpture-by-unknown-artist-before-1599-image367764047.html
A Lady in her Bath by François Clouet (c. 1510-1572), oil on oak, c. 1571
A Lady in her Bath by François Clouet (c. 1510-1572), oil on oak, c. 1571 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-lady-in-her-bath-by-franois-clouet-c-1510-1572-oil-on-oak-c-1571-image434783923.html
Saint George Fighting the Dragon. Detail of the altarpiece 'Retable of Saint George and Saint John' dated from 1475-1500 by an unknown artist from the Rhineland (possibly from Colmar) based on the engravings by German Renaissance engraver Martin Schongauer on display in the Unterlinden Museum (Musée Unterlinden) in Colmar, Alsace, France.
Saint George Fighting the Dragon. Detail of the altarpiece 'Retable of Saint George and Saint John' dated from 1475-1500 by an unknown artist from the Rhineland (possibly from Colmar) based on the engravings by German Renaissance engraver Martin Schongauer on display in the Unterlinden Museum (Musée Unterlinden) in Colmar, Alsace, France. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/saint-george-fighting-the-dragon-detail-of-the-altarpiece-retable-of-saint-george-and-saint-john-dated-from-1475-1500-by-an-unknown-artist-from-the-rhineland-possibly-from-colmar-based-on-the-engravings-by-german-renaissance-engraver-martin-schongauer-on-display-in-the-unterlinden-museum-muse-unterlinden-in-colmar-alsace-france-image263767614.html
The Lamentation by Jacques Bellange (c. 1575–1616), oil on canvas, c. 1616
The Lamentation by Jacques Bellange (c. 1575–1616), oil on canvas, c. 1616 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-lamentation-by-jacques-bellange-c-15751616-oil-on-canvas-c-1616-image459289574.html
Old Testament story of Esther and the Persian King Ahasuerus, 16th Century tapestry, 1575-1599
Old Testament story of Esther and the Persian King Ahasuerus, 16th Century tapestry, 1575-1599 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/old-testament-story-of-esther-and-the-persian-king-ahasuerus-16th-century-tapestry-1575-1599-image368495895.html
Catherine of Aragon portrait
Catherine of Aragon portrait https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/catherine-of-aragon-portrait-image240904975.html
Benvenuto Cellini, Renaissance goldsmith and sculptor who worked for Pope Clement VII, French monarch Francois I and Tuscan Duke Cosimo de Medici - early 1900s sculpture, commissioned to mark the 400th anniversary of Cellini's birth, on the Ponte Vecchio in Florence, Italy
Benvenuto Cellini, Renaissance goldsmith and sculptor who worked for Pope Clement VII, French monarch Francois I and Tuscan Duke Cosimo de Medici - early 1900s sculpture, commissioned to mark the 400th anniversary of Cellini's birth, on the Ponte Vecchio in Florence, Italy https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/benvenuto-cellini-renaissance-goldsmith-and-sculptor-who-worked-for-pope-clement-vii-french-monarch-francois-i-and-tuscan-duke-cosimo-de-medici-early-1900s-sculpture-commissioned-to-mark-the-400th-anniversary-of-cellinis-birth-on-the-ponte-vecchio-in-florence-italy-image449637031.html
The Heron, 1564. Illustration from a French copy of the Bestiary of Manuel Philes. It was originally made by the Cretan scribe Angelos Vergecios. The artist is unknown and it is from the Bodleian Library, Oxford.
The Heron, 1564. Illustration from a French copy of the Bestiary of Manuel Philes. It was originally made by the Cretan scribe Angelos Vergecios. The artist is unknown and it is from the Bodleian Library, Oxford. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-heron-1564-illustration-from-a-french-copy-of-the-bestiary-of-manuel-philes-it-was-originally-made-by-the-cretan-scribe-angelos-vergecios-the-artist-is-unknown-and-it-is-from-the-bodleian-library-oxford-image377035569.html
Moses Surrounded by the Patriarchs, before 1561. This print is part of a bound volume of works illustrating the a narrative of the Apocalypse, taken from the Revelation of Saint John in the Bible. The 23 engravings in the series occupied the artist for a number of years and represent his greatest artistic achievement. The museum's volume is one of only seven known complete sets. Jean Duvet was one of the first major printmakers in France and one of the most original artists of the 1500s. Although he worked mostly in the provincial city of Langres, he became aware of Italian art through the cir
Moses Surrounded by the Patriarchs, before 1561. This print is part of a bound volume of works illustrating the a narrative of the Apocalypse, taken from the Revelation of Saint John in the Bible. The 23 engravings in the series occupied the artist for a number of years and represent his greatest artistic achievement. The museum's volume is one of only seven known complete sets. Jean Duvet was one of the first major printmakers in France and one of the most original artists of the 1500s. Although he worked mostly in the provincial city of Langres, he became aware of Italian art through the cir https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/moses-surrounded-by-the-patriarchs-before-1561-this-print-is-part-of-a-bound-volume-of-works-illustrating-the-a-narrative-of-the-apocalypse-taken-from-the-revelation-of-saint-john-in-the-bible-the-23-engravings-in-the-series-occupied-the-artist-for-a-number-of-years-and-represent-his-greatest-artistic-achievement-the-museums-volume-is-one-of-only-seven-known-complete-sets-jean-duvet-was-one-of-the-first-major-printmakers-in-france-and-one-of-the-most-original-artists-of-the-1500s-although-he-worked-mostly-in-the-provincial-city-of-langres-he-became-aware-of-italian-art-through-the-cir-image330107611.html
Journey to Emmaus - 1549 - Unknown artist French, 16th century - Artist: Unknown artist, Origin: France, Date: 1549, Medium: Engraving printed in
Journey to Emmaus - 1549 - Unknown artist French, 16th century - Artist: Unknown artist, Origin: France, Date: 1549, Medium: Engraving printed in https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/journey-to-emmaus-1549-unknown-artist-french-16th-century-artist-unknown-artist-origin-france-date-1549-medium-engraving-printed-in-image235908587.html
Holy Kinship. Detail of the altarpiece 'Retable of Saint George and Saint John' dated from 1475-1500 by an unknown artist from the Rhineland (possibly from Colmar) based on the engravings by German Renaissance engraver Martin Schongauer on display in the Unterlinden Museum (Musée Unterlinden) in Colmar, Alsace, France.
Holy Kinship. Detail of the altarpiece 'Retable of Saint George and Saint John' dated from 1475-1500 by an unknown artist from the Rhineland (possibly from Colmar) based on the engravings by German Renaissance engraver Martin Schongauer on display in the Unterlinden Museum (Musée Unterlinden) in Colmar, Alsace, France. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/holy-kinship-detail-of-the-altarpiece-retable-of-saint-george-and-saint-john-dated-from-1475-1500-by-an-unknown-artist-from-the-rhineland-possibly-from-colmar-based-on-the-engravings-by-german-renaissance-engraver-martin-schongauer-on-display-in-the-unterlinden-museum-muse-unterlinden-in-colmar-alsace-france-image263767607.html
The Royal Majesty, before 1561. This print is part of a bound volume of works illustrating the a narrative of the Apocalypse, taken from the Revelation of Saint John in the Bible. The 23 engravings in the series occupied the artist for a number of years and represent his greatest artistic achievement. The museum's volume is one of only seven known complete sets. Jean Duvet was one of the first major printmakers in France and one of the most original artists of the 1500s. Although he worked mostly in the provincial city of Langres, he became aware of Italian art through the circulation of print
The Royal Majesty, before 1561. This print is part of a bound volume of works illustrating the a narrative of the Apocalypse, taken from the Revelation of Saint John in the Bible. The 23 engravings in the series occupied the artist for a number of years and represent his greatest artistic achievement. The museum's volume is one of only seven known complete sets. Jean Duvet was one of the first major printmakers in France and one of the most original artists of the 1500s. Although he worked mostly in the provincial city of Langres, he became aware of Italian art through the circulation of print https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-royal-majesty-before-1561-this-print-is-part-of-a-bound-volume-of-works-illustrating-the-a-narrative-of-the-apocalypse-taken-from-the-revelation-of-saint-john-in-the-bible-the-23-engravings-in-the-series-occupied-the-artist-for-a-number-of-years-and-represent-his-greatest-artistic-achievement-the-museums-volume-is-one-of-only-seven-known-complete-sets-jean-duvet-was-one-of-the-first-major-printmakers-in-france-and-one-of-the-most-original-artists-of-the-1500s-although-he-worked-mostly-in-the-provincial-city-of-langres-he-became-aware-of-italian-art-through-the-circulation-of-print-image330130168.html
Model Field Cannon with Carriage - 16th century - French - Artist: Dodemant, Origin: France, Date: 1570–1700, Medium: Bronze, oak, and iron,
Model Field Cannon with Carriage - 16th century - French - Artist: Dodemant, Origin: France, Date: 1570–1700, Medium: Bronze, oak, and iron, https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/model-field-cannon-with-carriage-16th-century-french-artist-dodemant-origin-france-date-15701700-medium-bronze-oak-and-iron-image235990217.html
The Annunciation. Artist: Anonymous, French, 16th century; Medium: Pen and red and brown ink, red and brown wash, heightened with white; Dimensions:
The Annunciation. Artist: Anonymous, French, 16th century; Medium: Pen and red and brown ink, red and brown wash, heightened with white; Dimensions: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-the-annunciation-artist-anonymous-french-16th-century-medium-pen-and-168290177.html
Author: Unknown artist. Pentecost and Christ Carrying the Cross - c. 1500 - Unknown artist French, active 15th/16th century. Hand-colored woodcuts,
Author: Unknown artist. Pentecost and Christ Carrying the Cross - c. 1500 - Unknown artist French, active 15th/16th century. Hand-colored woodcuts, https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/author-unknown-artist-pentecost-and-christ-carrying-the-cross-c-1500-unknown-artist-french-active-15th16th-century-hand-colored-woodcuts-image417285191.html
Nativity of Saint John the Baptist. Detail of the altarpiece 'Retable of Saint George and Saint John' dated from 1475-1500 by an unknown artist from the Rhineland (possibly from Colmar) based on the engravings by German Renaissance engraver Martin Schongauer on display in the Unterlinden Museum (Musée Unterlinden) in Colmar, Alsace, France.
Nativity of Saint John the Baptist. Detail of the altarpiece 'Retable of Saint George and Saint John' dated from 1475-1500 by an unknown artist from the Rhineland (possibly from Colmar) based on the engravings by German Renaissance engraver Martin Schongauer on display in the Unterlinden Museum (Musée Unterlinden) in Colmar, Alsace, France. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/nativity-of-saint-john-the-baptist-detail-of-the-altarpiece-retable-of-saint-george-and-saint-john-dated-from-1475-1500-by-an-unknown-artist-from-the-rhineland-possibly-from-colmar-based-on-the-engravings-by-german-renaissance-engraver-martin-schongauer-on-display-in-the-unterlinden-museum-muse-unterlinden-in-colmar-alsace-france-image263767601.html
Book of Hours (Use of Rouen), c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s.
Book of Hours (Use of Rouen), c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/book-of-hours-use-of-rouen-c-1470-in-the-late-1400s-and-early-1500s-rouen-was-an-established-and-important-center-of-book-production-the-cityx2019s-cathedral-had-a-wealthy-chapter-that-spent-large-sums-of-money-to-commission-books-and-to-maintain-its-extensive-library-the-stationers-and-booksellers-would-have-likely-been-concentrated-in-or-near-the-cathedral-precinct-this-artist-named-after-a-manuscript-now-in-geneva-was-rouenx2019s-principal-illuminator-during-the-second-half-of-the-1400s-image330078315.html
Pentecost and Christ Carrying the Cross - c. 1500 - Unknown artist French, active 15th/16th century - Artist: Unknown artist, Origin: France, Date:
Pentecost and Christ Carrying the Cross - c. 1500 - Unknown artist French, active 15th/16th century - Artist: Unknown artist, Origin: France, Date: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/pentecost-and-christ-carrying-the-cross-c-1500-unknown-artist-french-active-15th16th-century-artist-unknown-artist-origin-france-date-image235935717.html
Book of Hours (Use of Rouen), c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s.
Book of Hours (Use of Rouen), c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/book-of-hours-use-of-rouen-c-1470-in-the-late-1400s-and-early-1500s-rouen-was-an-established-and-important-center-of-book-production-the-cityx2019s-cathedral-had-a-wealthy-chapter-that-spent-large-sums-of-money-to-commission-books-and-to-maintain-its-extensive-library-the-stationers-and-booksellers-would-have-likely-been-concentrated-in-or-near-the-cathedral-precinct-this-artist-named-after-a-manuscript-now-in-geneva-was-rouenx2019s-principal-illuminator-during-the-second-half-of-the-1400s-image330078322.html
Plaque with the Crucifixion. Artist: Atelier of Nardon Pénicaud (French, 1470-1542/43); Date: 16th century; Geography: Made in Limoges, France;
Plaque with the Crucifixion. Artist: Atelier of Nardon Pénicaud (French, 1470-1542/43); Date: 16th century; Geography: Made in Limoges, France; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/plaque-with-the-crucifixion-artist-atelier-of-nardon-pnicaud-french-1470-154243-date-16th-century-geography-made-in-limoges-france-image443157535.html
Book of Hours (Use of Rouen), c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s.
Book of Hours (Use of Rouen), c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/book-of-hours-use-of-rouen-c-1470-in-the-late-1400s-and-early-1500s-rouen-was-an-established-and-important-center-of-book-production-the-cityx2019s-cathedral-had-a-wealthy-chapter-that-spent-large-sums-of-money-to-commission-books-and-to-maintain-its-extensive-library-the-stationers-and-booksellers-would-have-likely-been-concentrated-in-or-near-the-cathedral-precinct-this-artist-named-after-a-manuscript-now-in-geneva-was-rouenx2019s-principal-illuminator-during-the-second-half-of-the-1400s-image330078307.html
Cavalry Battle Scene - Unknown Artist French or Italian, early 16th century - Origin: France, Date: 1600–1650, Medium: Pen and brown ink on ivory
Cavalry Battle Scene - Unknown Artist French or Italian, early 16th century - Origin: France, Date: 1600–1650, Medium: Pen and brown ink on ivory https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/cavalry-battle-scene-unknown-artist-french-or-italian-early-16th-century-origin-france-date-16001650-medium-pen-and-brown-ink-on-ivory-image235941995.html
Mary Magdalen carried to Heaven. Artist: Anonymous, French, School of Fontainebleau, 16th century; Medium: Etching; Dimensions: Plate: 11 5/8 x 11
Mary Magdalen carried to Heaven. Artist: Anonymous, French, School of Fontainebleau, 16th century; Medium: Etching; Dimensions: Plate: 11 5/8 x 11 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-mary-magdalen-carried-to-heaven-artist-anonymous-french-school-of-168295212.html
The Feast of Saint James, Florence, July 25, 1619. Artist: Jacques Callot (French, Nancy 1592-1635 Nancy); Date: 16th century; Medium: Etching;
The Feast of Saint James, Florence, July 25, 1619. Artist: Jacques Callot (French, Nancy 1592-1635 Nancy); Date: 16th century; Medium: Etching; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-the-feast-of-saint-james-florence-july-25-1619-artist-jacques-callot-168246914.html
Bottle Cooler - 1700/1720 - Clérissy Pottery Factory French, late 16th century-1736 - Artist: Clérissy Factory, Origin: Moustiers-Sainte Marie, Date:
Bottle Cooler - 1700/1720 - Clérissy Pottery Factory French, late 16th century-1736 - Artist: Clérissy Factory, Origin: Moustiers-Sainte Marie, Date: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/bottle-cooler-17001720-clrissy-pottery-factory-french-late-16th-century-1736-artist-clrissy-factory-origin-moustiers-sainte-marie-date-image235994729.html
Hercules Stealing the Horses of Diomedes. Artist: Étienne Delaune (French, Orléans 1518/19-1583 Strasbourg); Date: 16th century; Medium: Engraving;
Hercules Stealing the Horses of Diomedes. Artist: Étienne Delaune (French, Orléans 1518/19-1583 Strasbourg); Date: 16th century; Medium: Engraving; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-hercules-stealing-the-horses-of-diomedes-artist-tienne-delaune-french-168316103.html
Untitled. Artist: Étienne Delaune (French, Orléans 1518/19-1583 Strasbourg); Artist: After Marcantonio Raimondi (Italian, Argini (?) ca. 1480-before
Untitled. Artist: Étienne Delaune (French, Orléans 1518/19-1583 Strasbourg); Artist: After Marcantonio Raimondi (Italian, Argini (?) ca. 1480-before https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-untitled-artist-tienne-delaune-french-orlans-151819-1583-strasbourg-168368117.html
Hercules Killing Diomedes. Artist: Étienne Delaune (French, Orléans 1518/19-1583 Strasbourg); Date: 16th century; Medium: Engraving; Dimensions:
Hercules Killing Diomedes. Artist: Étienne Delaune (French, Orléans 1518/19-1583 Strasbourg); Date: 16th century; Medium: Engraving; Dimensions: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-hercules-killing-diomedes-artist-tienne-delaune-french-orlans-151819-168316101.html
E-17: French Bedroom, Late 16th Century - c. 1937 - Mrs. James Ward Thorne American, 1882-1966 - Artist: Mrs. James Ward Thorne, Origin: United
E-17: French Bedroom, Late 16th Century - c. 1937 - Mrs. James Ward Thorne American, 1882-1966 - Artist: Mrs. James Ward Thorne, Origin: United https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/e-17-french-bedroom-late-16th-century-c-1937-mrs-james-ward-thorne-american-1882-1966-artist-mrs-james-ward-thorne-origin-united-image235917433.html
Book of Hours (Use of Rouen): fol. 88v, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s.
Book of Hours (Use of Rouen): fol. 88v, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/book-of-hours-use-of-rouen-fol-88v-c-1470-in-the-late-1400s-and-early-1500s-rouen-was-an-established-and-important-center-of-book-production-the-cityx2019s-cathedral-had-a-wealthy-chapter-that-spent-large-sums-of-money-to-commission-books-and-to-maintain-its-extensive-library-the-stationers-and-booksellers-would-have-likely-been-concentrated-in-or-near-the-cathedral-precinct-this-artist-named-after-a-manuscript-now-in-geneva-was-rouenx2019s-principal-illuminator-during-the-second-half-of-the-1400s-image330078853.html
Various Animals. Artist: Anonymous, Italian, 16th century; Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome); Medium:
Various Animals. Artist: Anonymous, Italian, 16th century; Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome); Medium: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-various-animals-artist-anonymous-italian-16th-century-publisher-antonio-168359133.html
Court Cupboard (side elevation). Artist: Anonymous, French, 16th century; Date: 16th century; Medium: Pen and brown ink; Dimensions: sheet: 17 1/4 x
Court Cupboard (side elevation). Artist: Anonymous, French, 16th century; Date: 16th century; Medium: Pen and brown ink; Dimensions: sheet: 17 1/4 x https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-court-cupboard-side-elevation-artist-anonymous-french-16th-century-168367788.html
The Head of Pompey Presented to Caesar. Artist: Anonymous, French, 16th century; Medium: Pen and gray ink, brush and pale gray wash. Framing line in
The Head of Pompey Presented to Caesar. Artist: Anonymous, French, 16th century; Medium: Pen and gray ink, brush and pale gray wash. Framing line in https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-the-head-of-pompey-presented-to-caesar-artist-anonymous-french-16th-168123955.html
Plaque with Christ Carring Cross. Artist: Atelier of Nardon Pénicaud (French, 1470-1542/43); Date: 16th century; Geography: Made in Limoges, France;
Plaque with Christ Carring Cross. Artist: Atelier of Nardon Pénicaud (French, 1470-1542/43); Date: 16th century; Geography: Made in Limoges, France; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/plaque-with-christ-carring-cross-artist-atelier-of-nardon-pnicaud-french-1470-154243-date-16th-century-geography-made-in-limoges-france-image443157463.html
Woman Playing the Flute. Artist: Anonymous, French, 16th century; Medium: Woodcut with pochoir in orange, two shades of brown and beige; Dimensions:
Woman Playing the Flute. Artist: Anonymous, French, 16th century; Medium: Woodcut with pochoir in orange, two shades of brown and beige; Dimensions: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-woman-playing-the-flute-artist-anonymous-french-16th-century-medium-168368998.html
Apollo or Orpheus surrounded by Animals. Artist: Anonymous, French, 16th century; Medium: Graphite; Dimensions: 7 5/8 x 4 3/4 in. (19.4 x 12.1 cm);
Apollo or Orpheus surrounded by Animals. Artist: Anonymous, French, 16th century; Medium: Graphite; Dimensions: 7 5/8 x 4 3/4 in. (19.4 x 12.1 cm); https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/apollo-or-orpheus-surrounded-by-animals-artist-anonymous-french-16th-century-medium-graphite-dimensions-7-58-x-4-34-in-194-x-121-cm-image443149435.html
Bellone. Artist: Étienne Delaune (French, Orléans 1518/19-1583 Strasbourg); Date: 16th century; Medium: Etching; Dimensions: sheet: 2 5/8 x 2 in.
Bellone. Artist: Étienne Delaune (French, Orléans 1518/19-1583 Strasbourg); Date: 16th century; Medium: Etching; Dimensions: sheet: 2 5/8 x 2 in. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-bellone-artist-tienne-delaune-french-orlans-151819-1583-strasbourg-168368111.html
Winding Column from Saint Peter´s, Rome. Artist: Anonymous, Italian, 16th century; Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca.
Winding Column from Saint Peter´s, Rome. Artist: Anonymous, Italian, 16th century; Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-winding-column-from-saint-peters-rome-artist-anonymous-italian-16th-168359128.html
Four Studies of Horses. Artist: Jacques Callot (French, Nancy 1592-1635 Nancy); Date: 16th century; Medium: Pen and brown ink; Dimensions: 2 3/8 x 5
Four Studies of Horses. Artist: Jacques Callot (French, Nancy 1592-1635 Nancy); Date: 16th century; Medium: Pen and brown ink; Dimensions: 2 3/8 x 5 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/four-studies-of-horses-artist-jacques-callot-french-nancy-1592-1635-nancy-date-16th-century-medium-pen-and-brown-ink-dimensions-2-38-x-5-image443148686.html
Abduction of Helen. Artist: Anonymous, French, 16th century; Medium: Engraving; Dimensions: Sheet: 4 5/8 x 6 15/16 in. (11.7 x 17.7 cm);
Abduction of Helen. Artist: Anonymous, French, 16th century; Medium: Engraving; Dimensions: Sheet: 4 5/8 x 6 15/16 in. (11.7 x 17.7 cm); https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-abduction-of-helen-artist-anonymous-french-16th-century-medium-engraving-168328532.html
Book of Hours (Use of Rouen): fol. 86r, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s.
Book of Hours (Use of Rouen): fol. 86r, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/book-of-hours-use-of-rouen-fol-86r-c-1470-in-the-late-1400s-and-early-1500s-rouen-was-an-established-and-important-center-of-book-production-the-cityx2019s-cathedral-had-a-wealthy-chapter-that-spent-large-sums-of-money-to-commission-books-and-to-maintain-its-extensive-library-the-stationers-and-booksellers-would-have-likely-been-concentrated-in-or-near-the-cathedral-precinct-this-artist-named-after-a-manuscript-now-in-geneva-was-rouenx2019s-principal-illuminator-during-the-second-half-of-the-1400s-image330078777.html
Shepherds. Artist: Étienne Delaune (French, Orléans 1518/19-1583 Strasbourg); Date: 16th century; Medium: Etching; Dimensions: image: 1 7/16 x 1 in.
Shepherds. Artist: Étienne Delaune (French, Orléans 1518/19-1583 Strasbourg); Date: 16th century; Medium: Etching; Dimensions: image: 1 7/16 x 1 in. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-shepherds-artist-tienne-delaune-french-orlans-151819-1583-strasbourg-168316110.html
Book of Hours (Use of Rouen): fol. 138r, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s.
Book of Hours (Use of Rouen): fol. 138r, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/book-of-hours-use-of-rouen-fol-138r-c-1470-in-the-late-1400s-and-early-1500s-rouen-was-an-established-and-important-center-of-book-production-the-cityx2019s-cathedral-had-a-wealthy-chapter-that-spent-large-sums-of-money-to-commission-books-and-to-maintain-its-extensive-library-the-stationers-and-booksellers-would-have-likely-been-concentrated-in-or-near-the-cathedral-precinct-this-artist-named-after-a-manuscript-now-in-geneva-was-rouenx2019s-principal-illuminator-during-the-second-half-of-the-1400s-image330078470.html
Speculum Romanae Magnificentiae: Statues of the Dioscuri at the Quirinal. Artist: Anonymous, Italian, 16th century; Publisher: Published by Antonio
Speculum Romanae Magnificentiae: Statues of the Dioscuri at the Quirinal. Artist: Anonymous, Italian, 16th century; Publisher: Published by Antonio https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-speculum-romanae-magnificentiae-statues-of-the-dioscuri-at-the-quirinal-168419388.html
Speculum Romanae Magnificentiae: Grotesque Winding Column in St. Peter´s. Series/Portfolio: Speculum Romanae Magnificentiae; Artist: Nicolas
Speculum Romanae Magnificentiae: Grotesque Winding Column in St. Peter´s. Series/Portfolio: Speculum Romanae Magnificentiae; Artist: Nicolas https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/speculum-romanae-magnificentiae-grotesque-winding-column-in-st-peters-seriesportfolio-speculum-romanae-magnificentiae-artist-nicolas-image443151388.html
Statuette. Artist: Manner of Andrea Briosco, called Riccio (Italian, Trent 1470-1532 Padua); Date: 16th century; Culture: Italian, Padua; Medium:
Statuette. Artist: Manner of Andrea Briosco, called Riccio (Italian, Trent 1470-1532 Padua); Date: 16th century; Culture: Italian, Padua; Medium: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-statuette-artist-manner-of-andrea-briosco-called-riccio-italian-trent-168188862.html
Speculum Romanae Magnificentiae: Bacchus on the Shoulders of a Satyr. Series/Portfolio: Speculum Romanae Magnificentiae; Artist: Cornelis Cort
Speculum Romanae Magnificentiae: Bacchus on the Shoulders of a Satyr. Series/Portfolio: Speculum Romanae Magnificentiae; Artist: Cornelis Cort https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/speculum-romanae-magnificentiae-bacchus-on-the-shoulders-of-a-satyr-seriesportfolio-speculum-romanae-magnificentiae-artist-cornelis-cort-image443151261.html
Warrior Pulling a Rider from His Horse, from Ex Antiquis Camorum et Gemmae Delineata. Artist: Anonymous, Italian, 16th century; Artist: After
Warrior Pulling a Rider from His Horse, from Ex Antiquis Camorum et Gemmae Delineata. Artist: Anonymous, Italian, 16th century; Artist: After https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/warrior-pulling-a-rider-from-his-horse-from-ex-antiquis-camorum-et-gemmae-delineata-artist-anonymous-italian-16th-century-artist-after-image443149688.html
Faustulus and Merentia Discover Romulus and Remus - Possibly school of Fontainebleau (French, 16th century) or an unknown Netherlandish artist (16th
Faustulus and Merentia Discover Romulus and Remus - Possibly school of Fontainebleau (French, 16th century) or an unknown Netherlandish artist (16th https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/faustulus-and-merentia-discover-romulus-and-remus-possibly-school-of-fontainebleau-french-16th-century-or-an-unknown-netherlandish-artist-16th-image235963560.html
Book of Hours (Use of Rouen): fol. 3v, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s.
Book of Hours (Use of Rouen): fol. 3v, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/book-of-hours-use-of-rouen-fol-3v-c-1470-in-the-late-1400s-and-early-1500s-rouen-was-an-established-and-important-center-of-book-production-the-cityx2019s-cathedral-had-a-wealthy-chapter-that-spent-large-sums-of-money-to-commission-books-and-to-maintain-its-extensive-library-the-stationers-and-booksellers-would-have-likely-been-concentrated-in-or-near-the-cathedral-precinct-this-artist-named-after-a-manuscript-now-in-geneva-was-rouenx2019s-principal-illuminator-during-the-second-half-of-the-1400s-image330078610.html
Faustulus and Merentia Discover Romulus and Remus - Possibly school of Fontainebleau (French, 16th century) or an unknown Netherlandish artist (16th
Faustulus and Merentia Discover Romulus and Remus - Possibly school of Fontainebleau (French, 16th century) or an unknown Netherlandish artist (16th https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/faustulus-and-merentia-discover-romulus-and-remus-possibly-school-of-fontainebleau-french-16th-century-or-an-unknown-netherlandish-artist-16th-image235953824.html
Book of Hours (Use of Rouen): fol. 7v, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s.
Book of Hours (Use of Rouen): fol. 7v, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/book-of-hours-use-of-rouen-fol-7v-c-1470-in-the-late-1400s-and-early-1500s-rouen-was-an-established-and-important-center-of-book-production-the-cityx2019s-cathedral-had-a-wealthy-chapter-that-spent-large-sums-of-money-to-commission-books-and-to-maintain-its-extensive-library-the-stationers-and-booksellers-would-have-likely-been-concentrated-in-or-near-the-cathedral-precinct-this-artist-named-after-a-manuscript-now-in-geneva-was-rouenx2019s-principal-illuminator-during-the-second-half-of-the-1400s-image330078773.html
Plaque with the Crucifixion. Artist: Master of the Orléans Triptych (French, active late 15th-early 16th century); Date: 16th century; Geography:
Plaque with the Crucifixion. Artist: Master of the Orléans Triptych (French, active late 15th-early 16th century); Date: 16th century; Geography: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/plaque-with-the-crucifixion-artist-master-of-the-orlans-triptych-french-active-late-15th-early-16th-century-date-16th-century-geography-image443157505.html
Book of Hours (Use of Rouen): fol. 11v, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s.
Book of Hours (Use of Rouen): fol. 11v, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/book-of-hours-use-of-rouen-fol-11v-c-1470-in-the-late-1400s-and-early-1500s-rouen-was-an-established-and-important-center-of-book-production-the-cityx2019s-cathedral-had-a-wealthy-chapter-that-spent-large-sums-of-money-to-commission-books-and-to-maintain-its-extensive-library-the-stationers-and-booksellers-would-have-likely-been-concentrated-in-or-near-the-cathedral-precinct-this-artist-named-after-a-manuscript-now-in-geneva-was-rouenx2019s-principal-illuminator-during-the-second-half-of-the-1400s-image330078357.html
Model Artillery with Field Carriage - 1580/1600 - Master Dodemont of Normandy French, active mid-16th century - Artist: Germain Pilon, Origin:
Model Artillery with Field Carriage - 1580/1600 - Master Dodemont of Normandy French, active mid-16th century - Artist: Germain Pilon, Origin: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/model-artillery-with-field-carriage-15801600-master-dodemont-of-normandy-french-active-mid-16th-century-artist-germain-pilon-origin-image235949188.html
Mary Magdalen carried to Heaven. Artist: Anonymous, French, School of Fontainebleau, 16th century; Artist: Designed by Giulio Romano (Italian, Rome
Mary Magdalen carried to Heaven. Artist: Anonymous, French, School of Fontainebleau, 16th century; Artist: Designed by Giulio Romano (Italian, Rome https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-mary-magdalen-carried-to-heaven-artist-anonymous-french-school-of-168245469.html
Ornamental sketches with a Griffin and Architectural Elements. Artist: Anonymous, French, 16th century; Date: 16th century; Medium: Pen and brown
Ornamental sketches with a Griffin and Architectural Elements. Artist: Anonymous, French, 16th century; Date: 16th century; Medium: Pen and brown https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/ornamental-sketches-with-a-griffin-and-architectural-elements-artist-anonymous-french-16th-century-date-16th-century-medium-pen-and-brown-image443123274.html
Design for Two Cartouches. Artist: Anonymous, French, 16th century; Date: 16th century; Medium: Pen and brown ink, brush and brown wash; Dimensions:
Design for Two Cartouches. Artist: Anonymous, French, 16th century; Date: 16th century; Medium: Pen and brown ink, brush and brown wash; Dimensions: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/design-for-two-cartouches-artist-anonymous-french-16th-century-date-16th-century-medium-pen-and-brown-ink-brush-and-brown-wash-dimensions-image443122016.html
Flagellation of Christ in an ornate Frame. Artist: Etched by Anonymous, French, School of Fontainebleau, 16th century; Date: ca. 1542-45; Medium:
Flagellation of Christ in an ornate Frame. Artist: Etched by Anonymous, French, School of Fontainebleau, 16th century; Date: ca. 1542-45; Medium: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-flagellation-of-christ-in-an-ornate-frame-artist-etched-by-anonymous-168293740.html
Book of Hours (Use of Rouen): fol. 60r, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s.
Book of Hours (Use of Rouen): fol. 60r, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/book-of-hours-use-of-rouen-fol-60r-c-1470-in-the-late-1400s-and-early-1500s-rouen-was-an-established-and-important-center-of-book-production-the-cityx2019s-cathedral-had-a-wealthy-chapter-that-spent-large-sums-of-money-to-commission-books-and-to-maintain-its-extensive-library-the-stationers-and-booksellers-would-have-likely-been-concentrated-in-or-near-the-cathedral-precinct-this-artist-named-after-a-manuscript-now-in-geneva-was-rouenx2019s-principal-illuminator-during-the-second-half-of-the-1400s-image330078740.html
The Miraculous Draught of Fishes. Artist: Anonymous, French, School of Fontainebleau, 16th century; Artist: After Raphael (Raffaello Sanzio or Santi)
The Miraculous Draught of Fishes. Artist: Anonymous, French, School of Fontainebleau, 16th century; Artist: After Raphael (Raffaello Sanzio or Santi) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-the-miraculous-draught-of-fishes-artist-anonymous-french-school-of-168295264.html
Book of Hours (Use of Rouen): fol. 56v, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s.
Book of Hours (Use of Rouen): fol. 56v, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/book-of-hours-use-of-rouen-fol-56v-c-1470-in-the-late-1400s-and-early-1500s-rouen-was-an-established-and-important-center-of-book-production-the-cityx2019s-cathedral-had-a-wealthy-chapter-that-spent-large-sums-of-money-to-commission-books-and-to-maintain-its-extensive-library-the-stationers-and-booksellers-would-have-likely-been-concentrated-in-or-near-the-cathedral-precinct-this-artist-named-after-a-manuscript-now-in-geneva-was-rouenx2019s-principal-illuminator-during-the-second-half-of-the-1400s-image330078714.html
Court Cupboard (recto); Half-page of rectangles, numbered and lettered (verso). Artist: Anonymous, French, 16th century; Date: 16th century; Medium:
Court Cupboard (recto); Half-page of rectangles, numbered and lettered (verso). Artist: Anonymous, French, 16th century; Date: 16th century; Medium: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-court-cupboard-recto-half-page-of-rectangles-numbered-and-lettered-168339201.html
An Architectural Monstrance. Artist: Anonymous, French, 16th century; Date: ca. 1530-40; Medium: Etching with grey wash; Dimensions: Sheet (trimmed):
An Architectural Monstrance. Artist: Anonymous, French, 16th century; Date: ca. 1530-40; Medium: Etching with grey wash; Dimensions: Sheet (trimmed): https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-an-architectural-monstrance-artist-anonymous-french-16th-century-date-168296806.html
Design for Choir Stalls Showing the Entrance to the Choir through the Rood Screen. Artist: Anonymous, French, 16th century; Date: 16th century;
Design for Choir Stalls Showing the Entrance to the Choir through the Rood Screen. Artist: Anonymous, French, 16th century; Date: 16th century; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-design-for-choir-stalls-showing-the-entrance-to-the-choir-through-168319775.html
Hexagonal Raised Platform with an Architecturally-Shaped Canopy. Artist: Anonymous, French, 16th century; Date: ca. 1530-40; Medium: Etching with
Hexagonal Raised Platform with an Architecturally-Shaped Canopy. Artist: Anonymous, French, 16th century; Date: ca. 1530-40; Medium: Etching with https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-hexagonal-raised-platform-with-an-architecturally-shaped-canopy-artist-168296785.html
Design for One Half of an Ornamental Border. Artist: Anonymous, French, School of Fontainebleau, 16th century; Artist: Previously attributed to
Design for One Half of an Ornamental Border. Artist: Anonymous, French, School of Fontainebleau, 16th century; Artist: Previously attributed to https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-design-for-one-half-of-an-ornamental-border-artist-anonymous-french-168124371.html
Agamemnon killing Odios. Artist: Anonymous, French, School of Fontainebleau, 16th century; Artist: After Giulio Romano (Italian, Rome 1499?-1546
Agamemnon killing Odios. Artist: Anonymous, French, School of Fontainebleau, 16th century; Artist: After Giulio Romano (Italian, Rome 1499?-1546 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-agamemnon-killing-odios-artist-anonymous-french-school-of-fontainebleau-168297207.html
Triptych with The Way to Calvary, Crucifixion, and Descent from the Cross. Artist: Atelier of Jean Pénicaud I (French, ca. 1490-after 1543); Date:
Triptych with The Way to Calvary, Crucifixion, and Descent from the Cross. Artist: Atelier of Jean Pénicaud I (French, ca. 1490-after 1543); Date: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/triptych-with-the-way-to-calvary-crucifixion-and-descent-from-the-cross-artist-atelier-of-jean-pnicaud-i-french-ca-1490-after-1543-date-image443157716.html
Book of Hours (Use of Rouen): fol. 64v, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s.
Book of Hours (Use of Rouen): fol. 64v, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/book-of-hours-use-of-rouen-fol-64v-c-1470-in-the-late-1400s-and-early-1500s-rouen-was-an-established-and-important-center-of-book-production-the-cityx2019s-cathedral-had-a-wealthy-chapter-that-spent-large-sums-of-money-to-commission-books-and-to-maintain-its-extensive-library-the-stationers-and-booksellers-would-have-likely-been-concentrated-in-or-near-the-cathedral-precinct-this-artist-named-after-a-manuscript-now-in-geneva-was-rouenx2019s-principal-illuminator-during-the-second-half-of-the-1400s-image330078741.html
Illustration from Horae, plate 63 from Woodcuts from Books of the XVI Century - 1514, assembled into portfolio 1937 - Unknown Artist (French, 16th
Illustration from Horae, plate 63 from Woodcuts from Books of the XVI Century - 1514, assembled into portfolio 1937 - Unknown Artist (French, 16th https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/illustration-from-horae-plate-63-from-woodcuts-from-books-of-the-xvi-century-1514-assembled-into-portfolio-1937-unknown-artist-french-16th-image235992706.html
The Birth of the Virgin. Artist: Anonymous, French, School of Fontainebleau, 16th century; Artist: After Giulio Romano (Italian, Rome 1499?-1546
The Birth of the Virgin. Artist: Anonymous, French, School of Fontainebleau, 16th century; Artist: After Giulio Romano (Italian, Rome 1499?-1546 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-the-birth-of-the-virgin-artist-anonymous-french-school-of-fontainebleau-168295315.html
The Toilet of Venus. Artist: Anonymous, French, School of Fontainebleau, 16th century; Medium: Pen and black ink, brush and brown and blue wash,
The Toilet of Venus. Artist: Anonymous, French, School of Fontainebleau, 16th century; Medium: Pen and black ink, brush and brown and blue wash, https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-the-toilet-of-venus-artist-anonymous-french-school-of-fontainebleau-168124615.html
Perspective study of an Arched Colonnade. Artist: Anonymous, French, 16th century; Former Attribution: Formerly attributed to workshop of Jacques
Perspective study of an Arched Colonnade. Artist: Anonymous, French, 16th century; Former Attribution: Formerly attributed to workshop of Jacques https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-perspective-study-of-an-arched-colonnade-artist-anonymous-french-16th-168319757.html
Book of Hours (Use of Rouen): fol. 72v, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s.
Book of Hours (Use of Rouen): fol. 72v, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/book-of-hours-use-of-rouen-fol-72v-c-1470-in-the-late-1400s-and-early-1500s-rouen-was-an-established-and-important-center-of-book-production-the-cityx2019s-cathedral-had-a-wealthy-chapter-that-spent-large-sums-of-money-to-commission-books-and-to-maintain-its-extensive-library-the-stationers-and-booksellers-would-have-likely-been-concentrated-in-or-near-the-cathedral-precinct-this-artist-named-after-a-manuscript-now-in-geneva-was-rouenx2019s-principal-illuminator-during-the-second-half-of-the-1400s-image330078760.html
Two Plans and Elevations for Fountains. Artist: Anonymous, French, 16th century; Former Attribution: Formerly attributed to workshop of Jacques
Two Plans and Elevations for Fountains. Artist: Anonymous, French, 16th century; Former Attribution: Formerly attributed to workshop of Jacques https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-two-plans-and-elevations-for-fountains-artist-anonymous-french-16th-168319826.html
Book of Hours (Use of Rouen): fol. 153r, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s.
Book of Hours (Use of Rouen): fol. 153r, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/book-of-hours-use-of-rouen-fol-153r-c-1470-in-the-late-1400s-and-early-1500s-rouen-was-an-established-and-important-center-of-book-production-the-cityx2019s-cathedral-had-a-wealthy-chapter-that-spent-large-sums-of-money-to-commission-books-and-to-maintain-its-extensive-library-the-stationers-and-booksellers-would-have-likely-been-concentrated-in-or-near-the-cathedral-precinct-this-artist-named-after-a-manuscript-now-in-geneva-was-rouenx2019s-principal-illuminator-during-the-second-half-of-the-1400s-image330078513.html
Two Plans and Elevations for Fountains. Artist: Anonymous, French, 16th century; Former Attribution: Formerly attributed to workshop of Jacques
Two Plans and Elevations for Fountains. Artist: Anonymous, French, 16th century; Former Attribution: Formerly attributed to workshop of Jacques https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-two-plans-and-elevations-for-fountains-artist-anonymous-french-16th-168319793.html
Book of Hours (Use of Rouen): fol. 113r, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s.
Book of Hours (Use of Rouen): fol. 113r, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/book-of-hours-use-of-rouen-fol-113r-c-1470-in-the-late-1400s-and-early-1500s-rouen-was-an-established-and-important-center-of-book-production-the-cityx2019s-cathedral-had-a-wealthy-chapter-that-spent-large-sums-of-money-to-commission-books-and-to-maintain-its-extensive-library-the-stationers-and-booksellers-would-have-likely-been-concentrated-in-or-near-the-cathedral-precinct-this-artist-named-after-a-manuscript-now-in-geneva-was-rouenx2019s-principal-illuminator-during-the-second-half-of-the-1400s-image330078345.html
Two Plans and Elevations for Fountains. Artist: Anonymous, French, 16th century; Former Attribution: Formerly attributed to workshop of Jacques
Two Plans and Elevations for Fountains. Artist: Anonymous, French, 16th century; Former Attribution: Formerly attributed to workshop of Jacques https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-two-plans-and-elevations-for-fountains-artist-anonymous-french-16th-168319794.html
Book of Hours (Use of Rouen): fol. 120r, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s.
Book of Hours (Use of Rouen): fol. 120r, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/book-of-hours-use-of-rouen-fol-120r-c-1470-in-the-late-1400s-and-early-1500s-rouen-was-an-established-and-important-center-of-book-production-the-cityx2019s-cathedral-had-a-wealthy-chapter-that-spent-large-sums-of-money-to-commission-books-and-to-maintain-its-extensive-library-the-stationers-and-booksellers-would-have-likely-been-concentrated-in-or-near-the-cathedral-precinct-this-artist-named-after-a-manuscript-now-in-geneva-was-rouenx2019s-principal-illuminator-during-the-second-half-of-the-1400s-image330078371.html
Astronomy (Astronomie). Artist: Étienne Delaune (French, Orléans 1518/19-1583 Strasbourg); Date: 16th century; Medium: Engraving; Dimensions: image:
Astronomy (Astronomie). Artist: Étienne Delaune (French, Orléans 1518/19-1583 Strasbourg); Date: 16th century; Medium: Engraving; Dimensions: image: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-astronomy-astronomie-artist-tienne-delaune-french-orlans-151819-1583-168368109.html
Cadmus Building Thebes. Artist: Anonymous, French, School of Fontainebleau, 16th century; Artist: Attributed to Master of the Story of Cadmus (active
Cadmus Building Thebes. Artist: Anonymous, French, School of Fontainebleau, 16th century; Artist: Attributed to Master of the Story of Cadmus (active https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-cadmus-building-thebes-artist-anonymous-french-school-of-fontainebleau-168321583.html
Book of Hours (Use of Rouen): fol. 143r, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s.
Book of Hours (Use of Rouen): fol. 143r, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/book-of-hours-use-of-rouen-fol-143r-c-1470-in-the-late-1400s-and-early-1500s-rouen-was-an-established-and-important-center-of-book-production-the-cityx2019s-cathedral-had-a-wealthy-chapter-that-spent-large-sums-of-money-to-commission-books-and-to-maintain-its-extensive-library-the-stationers-and-booksellers-would-have-likely-been-concentrated-in-or-near-the-cathedral-precinct-this-artist-named-after-a-manuscript-now-in-geneva-was-rouenx2019s-principal-illuminator-during-the-second-half-of-the-1400s-image330078473.html
Oval landscape in an ornate frame. Artist: Etched by Anonymous, French, School of Fontainebleau, 16th century; Date: ca. 1542-45; Medium: Etching;
Oval landscape in an ornate frame. Artist: Etched by Anonymous, French, School of Fontainebleau, 16th century; Date: ca. 1542-45; Medium: Etching; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-oval-landscape-in-an-ornate-frame-artist-etched-by-anonymous-french-168293742.html
Saint Barbara. Artist: School of Troyes; Date: 16th century; Geography: Made in Troyes, France; Culture: French; Medium: Marble, trace of polychromy
Saint Barbara. Artist: School of Troyes; Date: 16th century; Geography: Made in Troyes, France; Culture: French; Medium: Marble, trace of polychromy https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-saint-barbara-artist-school-of-troyes-date-16th-century-geography-168372496.html
Leaf from Portraits d'Oyseaux, plate 70 from Woodcuts from Books of the XVI Century - 1557, assembled into portfolio 1937 - Unknown Artist (French,
Leaf from Portraits d'Oyseaux, plate 70 from Woodcuts from Books of the XVI Century - 1557, assembled into portfolio 1937 - Unknown Artist (French, https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/leaf-from-portraits-doyseaux-plate-70-from-woodcuts-from-books-of-the-xvi-century-1557-assembled-into-portfolio-1937-unknown-artist-french-image236000463.html
The Birth of the Virgin. Artist: Anonymous, French, School of Fontainebleau, 16th century; Artist: after Giulio Romano (Italian, Rome 1499?-1546
The Birth of the Virgin. Artist: Anonymous, French, School of Fontainebleau, 16th century; Artist: after Giulio Romano (Italian, Rome 1499?-1546 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-the-birth-of-the-virgin-artist-anonymous-french-school-of-fontainebleau-168295302.html
Book of Hours (Use of Rouen): fol. 15v, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s.
Book of Hours (Use of Rouen): fol. 15v, c. 1470. In the late 1400s and early 1500s Rouen was an established and important center of book production. The city’s cathedral had a wealthy chapter that spent large sums of money to commission books and to maintain its extensive library. The stationers and booksellers would have likely been concentrated in or near the cathedral precinct. This artist, named after a manuscript now in Geneva, was Rouen’s principal illuminator during the second half of the 1400s. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/book-of-hours-use-of-rouen-fol-15v-c-1470-in-the-late-1400s-and-early-1500s-rouen-was-an-established-and-important-center-of-book-production-the-cityx2019s-cathedral-had-a-wealthy-chapter-that-spent-large-sums-of-money-to-commission-books-and-to-maintain-its-extensive-library-the-stationers-and-booksellers-would-have-likely-been-concentrated-in-or-near-the-cathedral-precinct-this-artist-named-after-a-manuscript-now-in-geneva-was-rouenx2019s-principal-illuminator-during-the-second-half-of-the-1400s-image330078506.html
Solomon and the Queen of Sheba. Artist: Anonymous, French, School of Fontainebleau, 16th century; Artist: After Maarten van Heemskerck
Solomon and the Queen of Sheba. Artist: Anonymous, French, School of Fontainebleau, 16th century; Artist: After Maarten van Heemskerck https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-solomon-and-the-queen-of-sheba-artist-anonymous-french-school-of-fontainebleau-168321633.html
