Johann Beheim after Franz Anton Maulbertsch, Saint Florian, c 1765 Saint Florian; circa 1765 date Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/johann-beheim-after-franz-anton-maulbertsch-saint-florian-c-1765-saint-florian-circa-1765-date-image335944588.html
RM2AEFGN0–Johann Beheim after Franz Anton Maulbertsch, Saint Florian, c 1765 Saint Florian; circa 1765 date
The image of toleration, Franz Anton Maulbertsch, Langenargen 1724 - 1796 Vienna, print, etching, sheet: 48 x 53.2 cm, Austria Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-image-of-toleration-franz-anton-maulbertsch-langenargen-1724-1796-vienna-print-etching-sheet-48-x-532-cm-austria-image573295230.html
RM2T8KRWJ–The image of toleration, Franz Anton Maulbertsch, Langenargen 1724 - 1796 Vienna, print, etching, sheet: 48 x 53.2 cm, Austria
The Trinity. second half of 18th century. Franz Anton Maulbertsch - The Trinity - WGA14698 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-trinity-second-half-of-18th-century-franz-anton-maulbertsch-the-trinity-wga14698-image184984894.html
RMMMXP3A–The Trinity. second half of 18th century. Franz Anton Maulbertsch - The Trinity - WGA14698
Franz Anton Maulbertsch - The Glorification of the Union of the Houses of Hapsburg and Lorraine - 84.PA.75 - J. Paul Getty Museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-franz-anton-maulbertsch-the-glorification-of-the-union-of-the-houses-134915660.html
RMHRDX8C–Franz Anton Maulbertsch - The Glorification of the Union of the Houses of Hapsburg and Lorraine - 84.PA.75 - J. Paul Getty Museum
Franz Anton Maulbertsch 004. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franz-anton-maulbertsch-004-image343989497.html
RM2AYJ235–Franz Anton Maulbertsch 004.
Franz Anton Maulbertsch The image of toleration. etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franz-anton-maulbertsch-the-image-of-toleration-etching-image572837507.html
RM2T7Y02B–Franz Anton Maulbertsch The image of toleration. etching
MAULBERTSCH, Franz Anton (b. 1724, Langenargen, d. 1796, Wien) Christ and Godfather 1758 Ceiling fresco Parish Church, Sümeg --- Keywords: -------------- Author: MAULBERTSCH, Franz Anton Title: Christ and Godfather Time-line: 1751-1800 School: Austrian Form: painting Type: religious Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maulbertsch-franz-anton-b-1724-langenargen-d-1796-wien-christ-and-godfather-1758-ceiling-fresco-parish-church-smeg-keywords-author-maulbertsch-franz-anton-title-christ-and-godfather-time-line-1751-1800-school-austrian-form-painting-type-religious-image625284643.html
RM2Y984XB–MAULBERTSCH, Franz Anton (b. 1724, Langenargen, d. 1796, Wien) Christ and Godfather 1758 Ceiling fresco Parish Church, Sümeg --- Keywords: -------------- Author: MAULBERTSCH, Franz Anton Title: Christ and Godfather Time-line: 1751-1800 School: Austrian Form: painting Type: religious
Johann Beheim after Franz Anton Maulbertsch (Austrian, c. 1730 - after 1770), Four Saints, 1762, etching and reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/johann-beheim-after-franz-anton-maulbertsch-austrian-c-1730-after-1770-four-saints-1762-etching-and-reimagined-image230057009.html
RFRA801N–Johann Beheim after Franz Anton Maulbertsch (Austrian, c. 1730 - after 1770), Four Saints, 1762, etching and reimagined
The Quacksalver, 1785. Charlatans, quacks and tooth-pullers. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-quacksalver-1785-charlatans-quacks-and-tooth-pullers-image491538775.html
RM2KFKEM7–The Quacksalver, 1785. Charlatans, quacks and tooth-pullers.
The Adoration of the Shepherds. Dated: 1757. Dimensions: overall: 31 x 23.2 cm (12 3/16 x 9 1/8 in.). Medium: pen and black ink with gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Franz Anton Maulbertsch. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-adoration-of-the-shepherds-dated-1757-dimensions-overall-31-x-232-cm-12-316-x-9-18-in-medium-pen-and-black-ink-with-gray-wash-on-laid-paper-museum-national-gallery-of-art-washington-dc-author-franz-anton-maulbertsch-image233251635.html
RMRFDERF–The Adoration of the Shepherds. Dated: 1757. Dimensions: overall: 31 x 23.2 cm (12 3/16 x 9 1/8 in.). Medium: pen and black ink with gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Franz Anton Maulbertsch.
The Sacrifice of Isaac - by Franz Anton Maulbertsch Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-sacrifice-of-isaac-by-franz-anton-maulbertsch-image573934006.html
RM2T9MXK2–The Sacrifice of Isaac - by Franz Anton Maulbertsch
MAULBERTSCH, Franz Anton Christ and God the Father Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-maulbertsch-franz-anton-christ-and-god-the-father-142958510.html
RMJ8G912–MAULBERTSCH, Franz Anton Christ and God the Father
fine arts, Maulbertsch, Franz Anton, (1724 - 1796), painting, altar fresco, detail, assumption, 1757 / 1758, fresco, Heiligenkreuz - Gutenbrunn pilgrimage church, Herzogenburg, Austria, , Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fine-arts-maulbertsch-franz-anton-1724-1796-painting-altar-fresco-14567772.html
RMAHY33W–fine arts, Maulbertsch, Franz Anton, (1724 - 1796), painting, altar fresco, detail, assumption, 1757 / 1758, fresco, Heiligenkreuz - Gutenbrunn pilgrimage church, Herzogenburg, Austria, , Artist's Copyright has not to be cleared
fine arts, Maulbertsch, Franz Anton (1724 - 1796), painting, Creation of Man by th Titian Prometheus, scetch, 18th century, oil on canvas, Bavarian National Museum, Munich, , Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fine-arts-maulbertsch-franz-anton-1724-1796-painting-creation-of-man-16206527.html
RMAT58AT–fine arts, Maulbertsch, Franz Anton (1724 - 1796), painting, Creation of Man by th Titian Prometheus, scetch, 18th century, oil on canvas, Bavarian National Museum, Munich, , Artist's Copyright has not to be cleared
Resurrection of Christ, Franz Anton Maulbertsch, Langenargen 1724 - 1796 Vienna, drawing, chalk, pencil, mount: 18.1 x 26.3 cm, Austria Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/resurrection-of-christ-franz-anton-maulbertsch-langenargen-1724-1796-vienna-drawing-chalk-pencil-mount-181-x-263-cm-austria-image573253792.html
RM2T8HY1M–Resurrection of Christ, Franz Anton Maulbertsch, Langenargen 1724 - 1796 Vienna, drawing, chalk, pencil, mount: 18.1 x 26.3 cm, Austria
medicine, quacksalver, charlatans on stage, copper engraving by Franz Anton Maulbertsch (1724 - 1796), 18th century, Germanisches Nationalmuseum (National Museum of Germanic History), Nuremberg, 18th century, graphic, graphics, charlatanry, quackery, quackeries, quacksalver, quack, half length, standing, stage, stages, fair, fairs, market, markets, talking, talk, speak, speaking, viewer, viewers, audience, audiences, Maulpertsch, funfair, carnival, medicine, medicines, charlatan, charlatans, historic, historical, people, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-medicine-quacksalver-charlatans-on-stage-copper-engraving-by-franz-58479706.html
RMDB3YCX–medicine, quacksalver, charlatans on stage, copper engraving by Franz Anton Maulbertsch (1724 - 1796), 18th century, Germanisches Nationalmuseum (National Museum of Germanic History), Nuremberg, 18th century, graphic, graphics, charlatanry, quackery, quackeries, quacksalver, quack, half length, standing, stage, stages, fair, fairs, market, markets, talking, talk, speak, speaking, viewer, viewers, audience, audiences, Maulpertsch, funfair, carnival, medicine, medicines, charlatan, charlatans, historic, historical, people, Artist's Copyright has not to be cleared
Visitation (detail). between 1771 and 1777. Franz Anton Maulbertsch - Visitation (detail) - WGA14692 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/visitation-detail-between-1771-and-1777-franz-anton-maulbertsch-visitation-detail-wga14692-image184984900.html
RMMMXP3G–Visitation (detail). between 1771 and 1777. Franz Anton Maulbertsch - Visitation (detail) - WGA14692
'fine arts, Maulbertsch, Franz Anton, (1724 - 1796), painting, 'anointment of Saul', 1797, Germanic national museum, Nuremberg Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fine-arts-maulbertsch-franz-anton-1724-1796-painting-anointment-of-15231664.html
RMAMDK0H–'fine arts, Maulbertsch, Franz Anton, (1724 - 1796), painting, 'anointment of Saul', 1797, Germanic national museum, Nuremberg
Franz Anton Maulbertsch - Judith and Holofernes Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franz-anton-maulbertsch-judith-and-holofernes-image343989419.html
RM2AYJ20B–Franz Anton Maulbertsch - Judith and Holofernes
fine arts, religious art, Jesus Christ, adoration of the Magi, painting by Franz Anton Maulbertsch, circa 1750, oil on canvas, L Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fine-arts-religious-art-jesus-christ-adoration-of-the-magi-painting-10874579.html
RMA3XFDT–fine arts, religious art, Jesus Christ, adoration of the Magi, painting by Franz Anton Maulbertsch, circa 1750, oil on canvas, L
Franz Anton Maulbertsch (circle) Gnadenstuhl Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-franz-anton-maulbertsch-circle-gnadenstuhl-132694506.html
RMHKTN5E–Franz Anton Maulbertsch (circle) Gnadenstuhl
'fine arts, Maulbertsch, Franz Anton, (1724 - 1796), painting, 'Rebecca and Eliezer', 1745 - 1750, oil on canvas, 72 cm x 915 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fine-arts-maulbertsch-franz-anton-1724-1796-painting-rebecca-and-eliezer-15230446.html
RMAMDFAR–'fine arts, Maulbertsch, Franz Anton, (1724 - 1796), painting, 'Rebecca and Eliezer', 1745 - 1750, oil on canvas, 72 cm x 915
MAULBERTSCH, Franz Anton (b. 1724, Langenargen, d. 1796, Wien) Adoration of the Shepherds (detail) 1758 Fresco Parish Church, Sümeg The detail shows the self-portrait of the artist. --- Keywords: -------------- Author: MAULBERTSCH, Franz Anton Title: Adoration of the Shepherds (detail) Time-line: 1751-1800 School: Austrian Form: painting Type: religious Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maulbertsch-franz-anton-b-1724-langenargen-d-1796-wien-adoration-of-the-shepherds-detail-1758-fresco-parish-church-smeg-the-detail-shows-the-self-portrait-of-the-artist-keywords-author-maulbertsch-franz-anton-title-adoration-of-the-shepherds-detail-time-line-1751-1800-school-austrian-form-painting-type-religious-image625284624.html
RM2Y984WM–MAULBERTSCH, Franz Anton (b. 1724, Langenargen, d. 1796, Wien) Adoration of the Shepherds (detail) 1758 Fresco Parish Church, Sümeg The detail shows the self-portrait of the artist. --- Keywords: -------------- Author: MAULBERTSCH, Franz Anton Title: Adoration of the Shepherds (detail) Time-line: 1751-1800 School: Austrian Form: painting Type: religious
Franz Anton Maulbertsch. The Quacksalver. 1785. Austria. Etching and drypoint on ivory laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franz-anton-maulbertsch-the-quacksalver-1785-austria-etching-and-drypoint-on-ivory-laid-paper-image337942608.html
RM2AHPH6T–Franz Anton Maulbertsch. The Quacksalver. 1785. Austria. Etching and drypoint on ivory laid paper
Franz Anton Maulbertsch The peep box man. etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franz-anton-maulbertsch-the-peep-box-man-etching-image572837497.html
RM2T7Y021–Franz Anton Maulbertsch The peep box man. etching
The Adoration of the Holy Lamb. Artist: Franz Anton Maulbertsch (Austrian, Langenargen am Bodensee 1724-1796 Vienna). Dimensions: sheet: 6 5/8 x 7 11/16 in. (16.9 x 19.5 cm). Date: 1724-96. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-adoration-of-the-holy-lamb-artist-franz-anton-maulbertsch-austrian-langenargen-am-bodensee-1724-1796-vienna-dimensions-sheet-6-58-x-7-1116-in-169-x-195-cm-date-1724-96-museum-metropolitan-museum-of-art-new-york-usa-image233247987.html
RMRFDA57–The Adoration of the Holy Lamb. Artist: Franz Anton Maulbertsch (Austrian, Langenargen am Bodensee 1724-1796 Vienna). Dimensions: sheet: 6 5/8 x 7 11/16 in. (16.9 x 19.5 cm). Date: 1724-96. Museum: Metropolitan Museum of Art, New York, USA.
Johann Beheim after Franz Anton Maulbertsch (Austrian, c. 1730 - after 1770), Four Saints, 1762, etching and reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/johann-beheim-after-franz-anton-maulbertsch-austrian-c-1730-after-1770-four-saints-1762-etching-and-reimagined-image230421904.html
RFRATHDM–Johann Beheim after Franz Anton Maulbertsch (Austrian, c. 1730 - after 1770), Four Saints, 1762, etching and reimagined
Ceiling decoration 1782 by Franz Anton Maulbertsch Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ceiling-decoration-1782-by-franz-anton-maulbertsch-image573934275.html
RM2T9MY0K–Ceiling decoration 1782 by Franz Anton Maulbertsch
The stoning of Saint Stephen, c1782/1783. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-stoning-of-saint-stephen-c17821783-image575136693.html
RM2TBKMM5–The stoning of Saint Stephen, c1782/1783.
Franz Anton Maulbertsch - Judita a Holofernes Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-franz-anton-maulbertsch-judita-a-holofernes-148497900.html
RMJHGJGC–Franz Anton Maulbertsch - Judita a Holofernes
The Peep Box Man, Franz Anton Maulbertsch, Langenargen 1724 - 1796 Vienna, print, etching, sheet: 35.2 x 40.5 cm, Austria Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-peep-box-man-franz-anton-maulbertsch-langenargen-1724-1796-vienna-print-etching-sheet-352-x-405-cm-austria-image573295219.html
RM2T8KRW7–The Peep Box Man, Franz Anton Maulbertsch, Langenargen 1724 - 1796 Vienna, print, etching, sheet: 35.2 x 40.5 cm, Austria
The Adoration of the Shepherds (detail). 1758. Franz Anton Maulbertsch - Adoration of the Shepherds (detail) - WGA14687 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-adoration-of-the-shepherds-detail-1758-franz-anton-maulbertsch-adoration-of-the-shepherds-detail-wga14687-image184984882.html
RMMMXP2X–The Adoration of the Shepherds (detail). 1758. Franz Anton Maulbertsch - Adoration of the Shepherds (detail) - WGA14687
Franz Anton Maulbertsch - The Last Supper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franz-anton-maulbertsch-the-last-supper-image343989401.html
RM2AYJ1YN–Franz Anton Maulbertsch - The Last Supper
Franz Anton Maulbertsch Hl Thekla Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-franz-anton-maulbertsch-hl-thekla-132694548.html
RMHKTN70–Franz Anton Maulbertsch Hl Thekla
MAULBERTSCH, Franz Anton (b. 1724, Langenargen, d. 1796, Wien) The Education of the Virgin c. 1755 Oil on canvas, 60 x 30 cm Kunsthalle, Karlsruhe --- Keywords: -------------- Author: MAULBERTSCH, Franz Anton Title: The Education of the Virgin Time-line: 1751-1800 School: Austrian Form: painting Type: religious Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maulbertsch-franz-anton-b-1724-langenargen-d-1796-wien-the-education-of-the-virgin-c-1755-oil-on-canvas-60-x-30-cm-kunsthalle-karlsruhe-keywords-author-maulbertsch-franz-anton-title-the-education-of-the-virgin-time-line-1751-1800-school-austrian-form-painting-type-religious-image625284687.html
RM2Y984YY–MAULBERTSCH, Franz Anton (b. 1724, Langenargen, d. 1796, Wien) The Education of the Virgin c. 1755 Oil on canvas, 60 x 30 cm Kunsthalle, Karlsruhe --- Keywords: -------------- Author: MAULBERTSCH, Franz Anton Title: The Education of the Virgin Time-line: 1751-1800 School: Austrian Form: painting Type: religious
In Capernaum kneels a Roman centurion BC requesting to be slave to heal at home was seriously ill. Christ making a blessing gebaar. Manufacturer : printmaker: Franz Anton Maulbertsch (listed building) Dated: 1734 - 1796 Physical features: etching and drypoint material: paper Technique: etching / drypoint dimensions: plate edge: H 421 mm × W 324 mm Subject: the centurion or Capernaum, kneeling before Christ, Begs him to heal his paralytic servant (or son) (Matthew 8: 5-13; Luke 7: 1-10; John 4: 46-54) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/in-capernaum-kneels-a-roman-centurion-bc-requesting-to-be-slave-to-heal-at-home-was-seriously-ill-christ-making-a-blessing-gebaar-manufacturer-printmaker-franz-anton-maulbertsch-listed-building-dated-1734-1796-physical-features-etching-and-drypoint-material-paper-technique-etching-drypoint-dimensions-plate-edge-h-421-mm-w-324-mm-subject-the-centurion-or-capernaum-kneeling-before-christ-begs-him-to-heal-his-paralytic-servant-or-son-matthew-8-5-13-luke-7-1-10-john-4-46-54-image348259816.html
RM2B6GGXG–In Capernaum kneels a Roman centurion BC requesting to be slave to heal at home was seriously ill. Christ making a blessing gebaar. Manufacturer : printmaker: Franz Anton Maulbertsch (listed building) Dated: 1734 - 1796 Physical features: etching and drypoint material: paper Technique: etching / drypoint dimensions: plate edge: H 421 mm × W 324 mm Subject: the centurion or Capernaum, kneeling before Christ, Begs him to heal his paralytic servant (or son) (Matthew 8: 5-13; Luke 7: 1-10; John 4: 46-54)
Franz Anton Maulbertsch Allegory of the zodiac. etching around 1780 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franz-anton-maulbertsch-allegory-of-the-zodiac-etching-around-1780-image572855854.html
RM2T7YRDJ–Franz Anton Maulbertsch Allegory of the zodiac. etching around 1780
Apotheosis of Saint Stanislaus. Date/Period: Between 1750 and 1759. Drawing. Pen, brown ink, grey and brown wash on paper. Height: 398 mm (15.66 in); Width: 239 mm (9.40 in). Author: Franz Anton Maulbertsch. MAULBERTSCH, FRANZ ANTON. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apotheosis-of-saint-stanislaus-dateperiod-between-1750-and-1759-drawing-pen-brown-ink-grey-and-brown-wash-on-paper-height-398-mm-1566-in-width-239-mm-940-in-author-franz-anton-maulbertsch-maulbertsch-franz-anton-image233251127.html
RMRFDE5B–Apotheosis of Saint Stanislaus. Date/Period: Between 1750 and 1759. Drawing. Pen, brown ink, grey and brown wash on paper. Height: 398 mm (15.66 in); Width: 239 mm (9.40 in). Author: Franz Anton Maulbertsch. MAULBERTSCH, FRANZ ANTON.
Franz Anton Maulbertsch (Austrian, 1724-1796). Das Bild der Duldung, 1785. Engraving and etching. Plate: 490 mm x 526 reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franz-anton-maulbertsch-austrian-1724-1796-das-bild-der-duldung-1785-engraving-and-etching-plate-490-mm-x-526-reimagined-image230488480.html
RFRAYJBC–Franz Anton Maulbertsch (Austrian, 1724-1796). Das Bild der Duldung, 1785. Engraving and etching. Plate: 490 mm x 526 reimagined
Decoration of the Cupola 1783 by Franz Anton Maulbertsch Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/decoration-of-the-cupola-1783-by-franz-anton-maulbertsch-image573934277.html
RM2T9MY0N–Decoration of the Cupola 1783 by Franz Anton Maulbertsch
The Glorification of the Royal Hungarian Saints, ca. 1772-73. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-glorification-of-the-royal-hungarian-saints-ca-1772-73-image343005882.html
RM2AX17E2–The Glorification of the Royal Hungarian Saints, ca. 1772-73.
Franz Anton Maulbertsch - Apotheosis of Saint Stanislaus - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-franz-anton-maulbertsch-apotheosis-of-saint-stanislaus-148411208.html
RMJHCM08–Franz Anton Maulbertsch - Apotheosis of Saint Stanislaus -
David with the head of Goliath, Lucas Stipperger, Vienna 1755 - 1806 Vienna, Franz Anton Maulbertsch, Langenargen 1724 - 1796 Vienna, drawing, chalk, mount: 18.7 x 11.4 cm, Austria Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/david-with-the-head-of-goliath-lucas-stipperger-vienna-1755-1806-vienna-franz-anton-maulbertsch-langenargen-1724-1796-vienna-drawing-chalk-mount-187-x-114-cm-austria-image573253802.html
RM2T8HY22–David with the head of Goliath, Lucas Stipperger, Vienna 1755 - 1806 Vienna, Franz Anton Maulbertsch, Langenargen 1724 - 1796 Vienna, drawing, chalk, mount: 18.7 x 11.4 cm, Austria
The Education of the Virgin Mary. circa 1755. Franz Anton Maulbertsch - The Education of the Virgin - WGA14682 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-education-of-the-virgin-mary-circa-1755-franz-anton-maulbertsch-the-education-of-the-virgin-wga14682-image184984899.html
RMMMXP3F–The Education of the Virgin Mary. circa 1755. Franz Anton Maulbertsch - The Education of the Virgin - WGA14682
Franz Anton Maulbertsch - Joseph and his Brothers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franz-anton-maulbertsch-joseph-and-his-brothers-image343989367.html
RM2AYJ1XF–Franz Anton Maulbertsch - Joseph and his Brothers
Franz Anton Maulbertsch - The Trinity - WGA14698 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-franz-anton-maulbertsch-the-trinity-wga14698-132694542.html
RMHKTN6P–Franz Anton Maulbertsch - The Trinity - WGA14698
MAULBERTSCH, Franz Anton (b. 1724, Langenargen, d. 1796, Wien) Mary Magdalen 1754 Oil on canvas Cistertian Church, Zirc Thr painting shows the influence Piazzetta's painting. --- Keywords: -------------- Author: MAULBERTSCH, Franz Anton Title: Mary Magdalen Time-line: 1751-1800 School: Austrian Form: painting Type: religious Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maulbertsch-franz-anton-b-1724-langenargen-d-1796-wien-mary-magdalen-1754-oil-on-canvas-cistertian-church-zirc-thr-painting-shows-the-influence-piazzettas-painting-keywords-author-maulbertsch-franz-anton-title-mary-magdalen-time-line-1751-1800-school-austrian-form-painting-type-religious-image625284656.html
RM2Y984XT–MAULBERTSCH, Franz Anton (b. 1724, Langenargen, d. 1796, Wien) Mary Magdalen 1754 Oil on canvas Cistertian Church, Zirc Thr painting shows the influence Piazzetta's painting. --- Keywords: -------------- Author: MAULBERTSCH, Franz Anton Title: Mary Magdalen Time-line: 1751-1800 School: Austrian Form: painting Type: religious
Het Christuskind als Salvator Mundi met verscheidene heiligen en paus Clemens XIII Maximus in Sanctis est parvulus ille Puellus (titel op object) The Christ Child with cross sitting on a globe with saints Francis Seraphikus below, Christopher, Theresa of Avila and Pope Clement XII. Manufacturer : printmaker Johann Beheim (listed building), designed by Franz Anton Maulbertsch (listed building) publisher: Johann Beheim (listed building) place manufacture: Vienna Date: 1762 Physical characteristics: etching and engra material: paper Technique: etching / engra (printing process) Measurements: imag Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/het-christuskind-als-salvator-mundi-met-verscheidene-heiligen-en-paus-clemens-xiii-maximus-in-sanctis-est-parvulus-ille-puellus-titel-op-object-the-christ-child-with-cross-sitting-on-a-globe-with-saints-francis-seraphikus-below-christopher-theresa-of-avila-and-pope-clement-xii-manufacturer-printmaker-johann-beheim-listed-building-designed-by-franz-anton-maulbertsch-listed-building-publisher-johann-beheim-listed-building-place-manufacture-vienna-date-1762-physical-characteristics-etching-and-engra-material-paper-technique-etching-engra-printing-process-measurements-imag-image348434710.html
RM2B6TG0P–Het Christuskind als Salvator Mundi met verscheidene heiligen en paus Clemens XIII Maximus in Sanctis est parvulus ille Puellus (titel op object) The Christ Child with cross sitting on a globe with saints Francis Seraphikus below, Christopher, Theresa of Avila and Pope Clement XII. Manufacturer : printmaker Johann Beheim (listed building), designed by Franz Anton Maulbertsch (listed building) publisher: Johann Beheim (listed building) place manufacture: Vienna Date: 1762 Physical characteristics: etching and engra material: paper Technique: etching / engra (printing process) Measurements: imag
Franz Anton Maulbertsch Saint Florian. Feather after 1759 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franz-anton-maulbertsch-saint-florian-feather-after-1759-image572697988.html
RM2T7MJ3G–Franz Anton Maulbertsch Saint Florian. Feather after 1759
Saint Wenceslas at the Vintage, Attended by Angels and Putti. Artist: Franz Anton Maulbertsch (Austrian, Langenargen am Bodensee 1724-1796 Vienna). Dimensions: sheet: 13 1/4 x 8 3/8 in. (33.7 x 21.3 cm). Date: mid-18th-late 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-wenceslas-at-the-vintage-attended-by-angels-and-putti-artist-franz-anton-maulbertsch-austrian-langenargen-am-bodensee-1724-1796-vienna-dimensions-sheet-13-14-x-8-38-in-337-x-213-cm-date-mid-18th-late-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image233247843.html
RMRFDA03–Saint Wenceslas at the Vintage, Attended by Angels and Putti. Artist: Franz Anton Maulbertsch (Austrian, Langenargen am Bodensee 1724-1796 Vienna). Dimensions: sheet: 13 1/4 x 8 3/8 in. (33.7 x 21.3 cm). Date: mid-18th-late 18th century. Museum: Metropolitan Museum of Art, New York, USA.
Fourteen Holy Helpers. Maulbertsch, Franz Anton (1724-1796), painter Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fourteen-holy-helpers-maulbertsch-franz-anton-1724-1796-painter-image480397129.html
RM2JWFYC9–Fourteen Holy Helpers. Maulbertsch, Franz Anton (1724-1796), painter
Decoration of the Cupola 1783 by Franz Anton Maulbertsch Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/decoration-of-the-cupola-1783-by-franz-anton-maulbertsch-image573934032.html
RM2T9MXM0–Decoration of the Cupola 1783 by Franz Anton Maulbertsch
Franz Anton Maulbertsch Mars, Venus and Vulkan. etching around 1780 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franz-anton-maulbertsch-mars-venus-and-vulkan-etching-around-1780-image572817589.html
RM2T7X2K1–Franz Anton Maulbertsch Mars, Venus and Vulkan. etching around 1780
Maulbertsch, Franz Anton - St. Paul the Apostle - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-maulbertsch-franz-anton-st-paul-the-apostle-148398380.html
RMJHC3J4–Maulbertsch, Franz Anton - St. Paul the Apostle -
The Assumption of Mary, c. 1757/58, oil on canvas, 64 x 37 cm, unsigned, Franz Anton Maulbertsch, Langenargen am Bodensee 1724–1796 Wien, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-assumption-of-mary-c-175758-oil-on-canvas-64-x-37-cm-unsigned-franz-anton-maulbertsch-langenargen-am-bodensee-17241796-wien-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349797817.html
RF2B92JK5–The Assumption of Mary, c. 1757/58, oil on canvas, 64 x 37 cm, unsigned, Franz Anton Maulbertsch, Langenargen am Bodensee 1724–1796 Wien, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Christ at Emmaus, c1772/1773. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-at-emmaus-c17721773-image575137720.html
RM2TBKP0T–Christ at Emmaus, c1772/1773.
The image of toleration, Franz Anton Maulbertsch, Langenargen 1724 - 1796 Vienna, 1785, drawing, lead pencil and opaque white, bordered with ink, 46 x 34.7 cm, cahier note: RS: stamp, Austria Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-image-of-toleration-franz-anton-maulbertsch-langenargen-1724-1796-vienna-1785-drawing-lead-pencil-and-opaque-white-bordered-with-ink-46-x-347-cm-cahier-note-rs-stamp-austria-image573254136.html
RM2T8HYE0–The image of toleration, Franz Anton Maulbertsch, Langenargen 1724 - 1796 Vienna, 1785, drawing, lead pencil and opaque white, bordered with ink, 46 x 34.7 cm, cahier note: RS: stamp, Austria
Christ and God the Father. 1758. Franz Anton Maulbertsch - Christ and God the Father - WGA14685 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-and-god-the-father-1758-franz-anton-maulbertsch-christ-and-god-the-father-wga14685-image184984888.html
RMMMXP34–Christ and God the Father. 1758. Franz Anton Maulbertsch - Christ and God the Father - WGA14685
Franz Anton Maulbertsch - St Paul Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franz-anton-maulbertsch-st-paul-image343989417.html
RM2AYJ209–Franz Anton Maulbertsch - St Paul
Franz Anton Maulbertsch - The Last Supper - WGA14683 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-franz-anton-maulbertsch-the-last-supper-wga14683-132694526.html
RMHKTN66–Franz Anton Maulbertsch - The Last Supper - WGA14683
MAULBERTSCH, Franz Anton (b. 1724, Langenargen, d. 1796, Wien) St Paul 1759 Oil on canvas, 200 x 113 cm Hungarian National Gallery, Budapest The painting was comissioned for the Parish Church at Balassagyarmat, Hungary. --- Keywords: -------------- Author: MAULBERTSCH, Franz Anton Title: St Paul Time-line: 1751-1800 School: Austrian Form: painting Type: religious Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maulbertsch-franz-anton-b-1724-langenargen-d-1796-wien-st-paul-1759-oil-on-canvas-200-x-113-cm-hungarian-national-gallery-budapest-the-painting-was-comissioned-for-the-parish-church-at-balassagyarmat-hungary-keywords-author-maulbertsch-franz-anton-title-st-paul-time-line-1751-1800-school-austrian-form-painting-type-religious-image625284682.html
RM2Y984YP–MAULBERTSCH, Franz Anton (b. 1724, Langenargen, d. 1796, Wien) St Paul 1759 Oil on canvas, 200 x 113 cm Hungarian National Gallery, Budapest The painting was comissioned for the Parish Church at Balassagyarmat, Hungary. --- Keywords: -------------- Author: MAULBERTSCH, Franz Anton Title: St Paul Time-line: 1751-1800 School: Austrian Form: painting Type: religious
Kwakzalver A quack and his entourage on a open stage in the city. The man on the right pulls a tooth of one of the spectators. Left climbs a man with a sausage in his pants a ladder. Another attempt to cut off the sausage. In the foreground a woman with kind. Manufacturer : printmaker: Franz Anton Maulbertsch (listed property) to painting by Franz Anton MaulbertschPlaats manufacture: Germany Date: 1785 Physical features: etching material: paper Technique: etching Dimensions: plate edge: H 332 mm × W 401 mmToelichtingEen painting of the same subject comes true: d in the Städtische Kunstsammlung Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kwakzalver-a-quack-and-his-entourage-on-a-open-stage-in-the-city-the-man-on-the-right-pulls-a-tooth-of-one-of-the-spectators-left-climbs-a-man-with-a-sausage-in-his-pants-a-ladder-another-attempt-to-cut-off-the-sausage-in-the-foreground-a-woman-with-kind-manufacturer-printmaker-franz-anton-maulbertsch-listed-property-to-painting-by-franz-anton-maulbertschplaats-manufacture-germany-date-1785-physical-features-etching-material-paper-technique-etching-dimensions-plate-edge-h-332-mm-w-401-mmtoelichtingeen-painting-of-the-same-subject-comes-true-d-in-the-stdtische-kunstsammlung-image348533107.html
RM2B711EY–Kwakzalver A quack and his entourage on a open stage in the city. The man on the right pulls a tooth of one of the spectators. Left climbs a man with a sausage in his pants a ladder. Another attempt to cut off the sausage. In the foreground a woman with kind. Manufacturer : printmaker: Franz Anton Maulbertsch (listed property) to painting by Franz Anton MaulbertschPlaats manufacture: Germany Date: 1785 Physical features: etching material: paper Technique: etching Dimensions: plate edge: H 332 mm × W 401 mmToelichtingEen painting of the same subject comes true: d in the Städtische Kunstsammlung
The Institution of the Eucharist. Dated: c. 1765. Dimensions: plate: 41.6 x 31 cm (16 3/8 x 12 3/16 in.) sheet: 42.1 x 31.2 cm (16 9/16 x 12 5/16 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Franz Anton Maulbertsch. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-institution-of-the-eucharist-dated-c-1765-dimensions-plate-416-x-31-cm-16-38-x-12-316-in-sheet-421-x-312-cm-16-916-x-12-516-in-medium-etching-and-engraving-on-laid-paper-museum-national-gallery-of-art-washington-dc-author-franz-anton-maulbertsch-image233250183.html
RMRFDCYK–The Institution of the Eucharist. Dated: c. 1765. Dimensions: plate: 41.6 x 31 cm (16 3/8 x 12 3/16 in.) sheet: 42.1 x 31.2 cm (16 9/16 x 12 5/16 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Franz Anton Maulbertsch.
H Johannes Nepomuk als pleitbezorger van stervenden Een man ligt op zijn sterfbed, omgeven door figuren. In de lucht de heilige Johanns Nepomuk, omgeven door engelen, van Wie: er een crucifix vasthoudt, in smekende houding. Op de voorgrond twee zuilen. Manufacturer : prentmaker: Jakob Matthias Schmutzer (vermeld op object)naar schilderij van: Franz Anton Maulbertsch (vermeld op object)Plaats manufacture: Duitsland Dating: 1750 - 1770 Physical kenmerken: ets en gravure Material: papier Techniek: etsen / graveren (drukprocedé) Dimensions: blad: h 414 mm × b 311 mm Subject: the martyr John Nepom Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/h-johannes-nepomuk-als-pleitbezorger-van-stervenden-een-man-ligt-op-zijn-sterfbed-omgeven-door-figuren-in-de-lucht-de-heilige-johanns-nepomuk-omgeven-door-engelen-van-wie-er-een-crucifix-vasthoudt-in-smekende-houding-op-de-voorgrond-twee-zuilen-manufacturer-prentmaker-jakob-matthias-schmutzer-vermeld-op-objectnaar-schilderij-van-franz-anton-maulbertsch-vermeld-op-objectplaats-manufacture-duitsland-dating-1750-1770-physical-kenmerken-ets-en-gravure-material-papier-techniek-etsen-graveren-drukproced-dimensions-blad-h-414-mm-b-311-mm-subject-the-martyr-john-nepom-image348423008.html
RM2B6T12T–H Johannes Nepomuk als pleitbezorger van stervenden Een man ligt op zijn sterfbed, omgeven door figuren. In de lucht de heilige Johanns Nepomuk, omgeven door engelen, van Wie: er een crucifix vasthoudt, in smekende houding. Op de voorgrond twee zuilen. Manufacturer : prentmaker: Jakob Matthias Schmutzer (vermeld op object)naar schilderij van: Franz Anton Maulbertsch (vermeld op object)Plaats manufacture: Duitsland Dating: 1750 - 1770 Physical kenmerken: ets en gravure Material: papier Techniek: etsen / graveren (drukprocedé) Dimensions: blad: h 414 mm × b 311 mm Subject: the martyr John Nepom
Ceiling decoration 1782 by Franz Anton Maulbertsch Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ceiling-decoration-1782-by-franz-anton-maulbertsch-image573934027.html
RM2T9MXKR–Ceiling decoration 1782 by Franz Anton Maulbertsch
Franz Anton Maulbertsch The merciful Samaritan. Black stone chalk around 1756/58 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franz-anton-maulbertsch-the-merciful-samaritan-black-stone-chalk-around-175658-image572667132.html
RM2T7K6NG–Franz Anton Maulbertsch The merciful Samaritan. Black stone chalk around 1756/58
Coriolanus at the gates of Rome. Maulbertsch, Franz Anton (1724-1796), cultural circle, unknown, painter Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coriolanus-at-the-gates-of-rome-maulbertsch-franz-anton-1724-1796-cultural-circle-unknown-painter-image480392702.html
RM2JWFNP6–Coriolanus at the gates of Rome. Maulbertsch, Franz Anton (1724-1796), cultural circle, unknown, painter
The Quacksalver, 1785, Franz Anton Maulbertsch, Austrian, 1724-1796, Austria, Etching and drypoint on ivory laid paper, 332 × 405 mm (plate), 340 × 415 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-quacksalver-1785-franz-anton-maulbertsch-austrian-1724-1796-austria-etching-and-drypoint-on-ivory-laid-paper-332-405-mm-plate-340-415-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349744379.html
RF2B906EK–The Quacksalver, 1785, Franz Anton Maulbertsch, Austrian, 1724-1796, Austria, Etching and drypoint on ivory laid paper, 332 × 405 mm (plate), 340 × 415 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Franz Anton Maulbertsch Himmelfahrt Mary. Oil on paper 1785/90 , 1785/1790 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franz-anton-maulbertsch-himmelfahrt-mary-oil-on-paper-178590-17851790-image572671671.html
RM2T7KCFK–Franz Anton Maulbertsch Himmelfahrt Mary. Oil on paper 1785/90 , 1785/1790
Two allegorical groups: a girl each above a figure lying on the ground, Franz Anton Maulbertsch, Langenargen 1724 - 1796 Vienna, drawing, brown pen, gray wash, mount: 15.8 x 21.9 cm, Austria Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-allegorical-groups-a-girl-each-above-a-figure-lying-on-the-ground-franz-anton-maulbertsch-langenargen-1724-1796-vienna-drawing-brown-pen-gray-wash-mount-158-x-219-cm-austria-image573261731.html
RM2T8J957–Two allegorical groups: a girl each above a figure lying on the ground, Franz Anton Maulbertsch, Langenargen 1724 - 1796 Vienna, drawing, brown pen, gray wash, mount: 15.8 x 21.9 cm, Austria
The Adoration of the Holy Lamb 1724–96 Franz Anton Maulbertsch Austrian. The Adoration of the Holy Lamb 370811 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-adoration-of-the-holy-lamb-172496-franz-anton-maulbertsch-austrian-the-adoration-of-the-holy-lamb-370811-image458265976.html
RM2HHFPX0–The Adoration of the Holy Lamb 1724–96 Franz Anton Maulbertsch Austrian. The Adoration of the Holy Lamb 370811
Theater Design, 18th century, Attributed to Franz Anton Maulbertsch, Austrian, 1724 - 1796, 11 1/8 x 7 15/16 in. (28.26 x 20.16 cm) (sheet)19 5/8 x 15 3/4 in. (49.85 x 40.01 cm) (outer frame), Gouache and white and black chalk with brush and wash on laid paper, Austria, 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/theater-design-18th-century-attributed-to-franz-anton-maulbertsch-austrian-1724-1796-11-18-x-7-1516-in-2826-x-2016-cm-sheet19-58-x-15-34-in-4985-x-4001-cm-outer-frame-gouache-and-white-and-black-chalk-with-brush-and-wash-on-laid-paper-austria-18th-century-image573504132.html
RM2T91AAC–Theater Design, 18th century, Attributed to Franz Anton Maulbertsch, Austrian, 1724 - 1796, 11 1/8 x 7 15/16 in. (28.26 x 20.16 cm) (sheet)19 5/8 x 15 3/4 in. (49.85 x 40.01 cm) (outer frame), Gouache and white and black chalk with brush and wash on laid paper, Austria, 18th century
. Ceiling decoration (detail) . 1782. Franz Anton Maulbertsch - Ceiling decoration (detail) - WGA14694 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ceiling-decoration-detail-1782-franz-anton-maulbertsch-ceiling-decoration-detail-wga14694-image184984886.html
RMMMXP32–. Ceiling decoration (detail) . 1782. Franz Anton Maulbertsch - Ceiling decoration (detail) - WGA14694
The Glorification of the Union of the Houses of Hapsburg and Lorraine; Franz Anton Maulbertsch, Austrian, 1724 - 1796; 1775 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-glorification-of-the-union-of-the-houses-of-hapsburg-and-lorraine-77452611.html
RMEE07GK–The Glorification of the Union of the Houses of Hapsburg and Lorraine; Franz Anton Maulbertsch, Austrian, 1724 - 1796; 1775
Franz Anton Maulbertsch Hl Thekla. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franz-anton-maulbertsch-hl-thekla-image343989517.html
RM2AYJ23W–Franz Anton Maulbertsch Hl Thekla.
Female Figures with Putti in Clouds, n.d., Possibly Gregorio de’ Ferrari (Italian, 1644-1726), or Domenico Piola (Italian, 1627-1703), or Antonio Allegri, called Correggio (Italian, c. 1489-1534), or Franz Anton Maulbertsch (Austrian, 1724-1796), Italy, Pen and brown ink, with brush and brown wash and black chalk, on ivory laid paper, 357 x 505 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/female-figures-with-putti-in-clouds-nd-possibly-gregorio-de-ferrari-italian-1644-1726-or-domenico-piola-italian-1627-1703-or-antonio-allegri-called-correggio-italian-c-1489-1534-or-franz-anton-maulbertsch-austrian-1724-1796-italy-pen-and-brown-ink-with-brush-and-brown-wash-and-black-chalk-on-ivory-laid-paper-357-x-505-mm-image328623718.html
RM2A2J2WA–Female Figures with Putti in Clouds, n.d., Possibly Gregorio de’ Ferrari (Italian, 1644-1726), or Domenico Piola (Italian, 1627-1703), or Antonio Allegri, called Correggio (Italian, c. 1489-1534), or Franz Anton Maulbertsch (Austrian, 1724-1796), Italy, Pen and brown ink, with brush and brown wash and black chalk, on ivory laid paper, 357 x 505 mm
Franz Anton Maulbertsch - Joseph and his Brothers - WGA14678 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-franz-anton-maulbertsch-joseph-and-his-brothers-wga14678-132694540.html
RMHKTN6M–Franz Anton Maulbertsch - Joseph and his Brothers - WGA14678
MAULBERTSCH, Franz Anton (b. 1724, Langenargen, d. 1796, Wien) Annunciation (study) 1794 Oil on canvas, 81 x 52 cm Bishop's Residence, Szombathely This study was executed for the fresco on the nave ceiling in the Cathedral of Szombathely. --- Keywords: -------------- Author: MAULBERTSCH, Franz Anton Title: Annunciation (study) Time-line: 1751-1800 School: Austrian Form: painting Type: religious Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maulbertsch-franz-anton-b-1724-langenargen-d-1796-wien-annunciation-study-1794-oil-on-canvas-81-x-52-cm-bishops-residence-szombathely-this-study-was-executed-for-the-fresco-on-the-nave-ceiling-in-the-cathedral-of-szombathely-keywords-author-maulbertsch-franz-anton-title-annunciation-study-time-line-1751-1800-school-austrian-form-painting-type-religious-image625284637.html
RM2Y984X5–MAULBERTSCH, Franz Anton (b. 1724, Langenargen, d. 1796, Wien) Annunciation (study) 1794 Oil on canvas, 81 x 52 cm Bishop's Residence, Szombathely This study was executed for the fresco on the nave ceiling in the Cathedral of Szombathely. --- Keywords: -------------- Author: MAULBERTSCH, Franz Anton Title: Annunciation (study) Time-line: 1751-1800 School: Austrian Form: painting Type: religious
Franz Anton Maulbertsch The image of toleration. Leading handle and deck white, surrounded by ink 1785 , 1785 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franz-anton-maulbertsch-the-image-of-toleration-leading-handle-and-deck-white-surrounded-by-ink-1785-1785-image572673154.html
RM2T7KECJ–Franz Anton Maulbertsch The image of toleration. Leading handle and deck white, surrounded by ink 1785 , 1785
The Glorification of the Union of the Houses of Hapsburg and Lorraine, 1775. In this illusionistic ceiling painting, figures and objects are foreshortened so that they actually seem to exist in the space above the viewer. The impression is one of infinite receding distance. Against a blue sky, putti and other seemingly weightless figures float on clouds and hover in mid-air. Light green, blue, yellow, gold, red, and orange colours blend harmoniously to create an effect of dazzling brilliance. Painted as the final model for the ceiling fresco of the great hall in the imperial palace in Innsbruc Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-glorification-of-the-union-of-the-houses-of-hapsburg-and-lorraine-1775-in-this-illusionistic-ceiling-painting-figures-and-objects-are-foreshortened-so-that-they-actually-seem-to-exist-in-the-space-above-the-viewer-the-impression-is-one-of-infinite-receding-distance-against-a-blue-sky-putti-and-other-seemingly-weightless-figures-float-on-clouds-and-hover-in-mid-air-light-green-blue-yellow-gold-red-and-orange-colours-blend-harmoniously-to-create-an-effect-of-dazzling-brilliance-painted-as-the-final-model-for-the-ceiling-fresco-of-the-great-hall-in-the-imperial-palace-in-innsbruc-image626633116.html
RM2YBDGX4–The Glorification of the Union of the Houses of Hapsburg and Lorraine, 1775. In this illusionistic ceiling painting, figures and objects are foreshortened so that they actually seem to exist in the space above the viewer. The impression is one of infinite receding distance. Against a blue sky, putti and other seemingly weightless figures float on clouds and hover in mid-air. Light green, blue, yellow, gold, red, and orange colours blend harmoniously to create an effect of dazzling brilliance. Painted as the final model for the ceiling fresco of the great hall in the imperial palace in Innsbruc
Four Saints. Dated: 1762. Dimensions: plate: 44.4 x 28.9 cm (17 1/2 x 11 3/8 in.) sheet: 49 x 33 cm (19 5/16 x 13 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Beheim after Franz Anton Maulbertsch. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/four-saints-dated-1762-dimensions-plate-444-x-289-cm-17-12-x-11-38-in-sheet-49-x-33-cm-19-516-x-13-in-medium-etching-and-engraving-on-laid-paper-museum-national-gallery-of-art-washington-dc-author-johann-beheim-after-franz-anton-maulbertsch-image225643554.html
RMR32XJA–Four Saints. Dated: 1762. Dimensions: plate: 44.4 x 28.9 cm (17 1/2 x 11 3/8 in.) sheet: 49 x 33 cm (19 5/16 x 13 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Beheim after Franz Anton Maulbertsch.
Adoration of the Shepherds 1758 by Franz Anton Maulbertsch Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adoration-of-the-shepherds-1758-by-franz-anton-maulbertsch-image573934262.html
RM2T9MY06–Adoration of the Shepherds 1758 by Franz Anton Maulbertsch
The Glorification of the Union of the Houses of Hapsburg and Lorraine, Franz Anton Maulbertsch, Austrian, 1724 - 1796 reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-glorification-of-the-union-of-the-houses-of-hapsburg-and-lorraine-franz-anton-maulbertsch-austrian-1724-1796-reimagined-image230458502.html
RFRAX84P–The Glorification of the Union of the Houses of Hapsburg and Lorraine, Franz Anton Maulbertsch, Austrian, 1724 - 1796 reimagined
Rebecca and Eliezer. between 1745 and 1750. Franz Anton Maulbertsch - Rebecca and Eliezer - WGA14677 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rebecca-and-eliezer-between-1745-and-1750-franz-anton-maulbertsch-rebecca-and-eliezer-wga14677-image184984890.html
RMMMXP36–Rebecca and Eliezer. between 1745 and 1750. Franz Anton Maulbertsch - Rebecca and Eliezer - WGA14677
Franz Anton Maulbertsch - The Sacrifice of Isaac Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franz-anton-maulbertsch-the-sacrifice-of-isaac-image343989404.html
RM2AYJ1YT–Franz Anton Maulbertsch - The Sacrifice of Isaac
The Christ Child as Salvator Mundi with several saints and Pope Clemens XIII, Maximus in Sanctis est parvulus ille Puellus (title on object), The Christ Child with Cross seated on a globe with below the saints Francis Seraphikus, Christophorus, Theresa of Avila and Pope Clemens XII., print maker: Johann Beheim, (mentioned on object), after design by: Franz Anton Maulbertsch, (mentioned on object), publisher: Johann Beheim, (mentioned on object), Vienna, 1762, paper, etching, engraving, height 446 mm × width 286 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-christ-child-as-salvator-mundi-with-several-saints-and-pope-clemens-xiii-maximus-in-sanctis-est-parvulus-ille-puellus-title-on-object-the-christ-child-with-cross-seated-on-a-globe-with-below-the-saints-francis-seraphikus-christophorus-theresa-of-avila-and-pope-clemens-xii-print-maker-johann-beheim-mentioned-on-object-after-design-by-franz-anton-maulbertsch-mentioned-on-object-publisher-johann-beheim-mentioned-on-object-vienna-1762-paper-etching-engraving-height-446-mm-width-286-mm-image473307137.html
RM2JE1029–The Christ Child as Salvator Mundi with several saints and Pope Clemens XIII, Maximus in Sanctis est parvulus ille Puellus (title on object), The Christ Child with Cross seated on a globe with below the saints Francis Seraphikus, Christophorus, Theresa of Avila and Pope Clemens XII., print maker: Johann Beheim, (mentioned on object), after design by: Franz Anton Maulbertsch, (mentioned on object), publisher: Johann Beheim, (mentioned on object), Vienna, 1762, paper, etching, engraving, height 446 mm × width 286 mm
Franz Anton Maulbertsch - The Sacrifice of Isaac - WGA14681 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-franz-anton-maulbertsch-the-sacrifice-of-isaac-wga14681-132694516.html
RMHKTN5T–Franz Anton Maulbertsch - The Sacrifice of Isaac - WGA14681
MAULBERTSCH, Franz Anton (b. 1724, Langenargen, d. 1796, Wien) Allegory of the Alba c. 1750 Oil on canvas, 67 x 53 cm Wallraf-Richartz Museum, Cologne Tha artist made no distinction between religious and mythological or allegorical subjects, he appalied the same rococo style for all. --- Keywords: -------------- Author: MAULBERTSCH, Franz Anton Title: Allegory of the Alba Time-line: 1751-1800 School: Austrian Form: painting Type: mythological Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maulbertsch-franz-anton-b-1724-langenargen-d-1796-wien-allegory-of-the-alba-c-1750-oil-on-canvas-67-x-53-cm-wallraf-richartz-museum-cologne-tha-artist-made-no-distinction-between-religious-and-mythological-or-allegorical-subjects-he-appalied-the-same-rococo-style-for-all-keywords-author-maulbertsch-franz-anton-title-allegory-of-the-alba-time-line-1751-1800-school-austrian-form-painting-type-mythological-image625284634.html
RM2Y984X2–MAULBERTSCH, Franz Anton (b. 1724, Langenargen, d. 1796, Wien) Allegory of the Alba c. 1750 Oil on canvas, 67 x 53 cm Wallraf-Richartz Museum, Cologne Tha artist made no distinction between religious and mythological or allegorical subjects, he appalied the same rococo style for all. --- Keywords: -------------- Author: MAULBERTSCH, Franz Anton Title: Allegory of the Alba Time-line: 1751-1800 School: Austrian Form: painting Type: mythological
Franz Anton Maulbertsch Venus and Adonis. Oilgrisaille in brown, black and light yellow on cardboard Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franz-anton-maulbertsch-venus-and-adonis-oilgrisaille-in-brown-black-and-light-yellow-on-cardboard-image572660135.html
RM2T7JWRK–Franz Anton Maulbertsch Venus and Adonis. Oilgrisaille in brown, black and light yellow on cardboard
Self-Portrait, ca 1767. Found in the Collection of Österreichische Galerie Belvedere, Vienna. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/self-portrait-ca-1767-found-in-the-collection-of-xd6sterreichische-galerie-belvedere-vienna-image348985553.html
RM2B7NJHN–Self-Portrait, ca 1767. Found in the Collection of Österreichische Galerie Belvedere, Vienna.
Saint Florian. Dated: c. 1765. Dimensions: plate: 41.9 x 30.2 cm (16 1/2 x 11 7/8 in.) sheet: 42 x 30.4 cm (16 9/16 x 11 15/16 in.). Medium: etching with engraving on laid paper, mounted on album sheet. Museum: National Gallery of Art, Washington DC. Author: Johann Beheim after Franz Anton Maulbertsch. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-florian-dated-c-1765-dimensions-plate-419-x-302-cm-16-12-x-11-78-in-sheet-42-x-304-cm-16-916-x-11-1516-in-medium-etching-with-engraving-on-laid-paper-mounted-on-album-sheet-museum-national-gallery-of-art-washington-dc-author-johann-beheim-after-franz-anton-maulbertsch-image225471556.html
RMR2R37G–Saint Florian. Dated: c. 1765. Dimensions: plate: 41.9 x 30.2 cm (16 1/2 x 11 7/8 in.) sheet: 42 x 30.4 cm (16 9/16 x 11 15/16 in.). Medium: etching with engraving on laid paper, mounted on album sheet. Museum: National Gallery of Art, Washington DC. Author: Johann Beheim after Franz Anton Maulbertsch.
Adoration of the Shepherds 1758 by Franz Anton Maulbertsch Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adoration-of-the-shepherds-1758-by-franz-anton-maulbertsch-image573934015.html
RM2T9MXKB–Adoration of the Shepherds 1758 by Franz Anton Maulbertsch
Female Figures with Putti in Clouds, n.d., Possibly Gregorio de’ Ferrari (Italian, 1644-1726), or Domenico Piola (Italian, 1627-1703), or Antonio Allegri, called Correggio (Italian, c. 1489-1534), or Franz Anton Maulbertsch (Austrian, 1724-1796), Italy, Pen and brown ink, with brush and brown wash and black chalk, on ivory laid paper, 357 x 505 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutioniz Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/female-figures-with-putti-in-clouds-nd-possibly-gregorio-de-ferrari-italian-1644-1726-or-domenico-piola-italian-1627-1703-or-antonio-allegri-called-correggio-italian-c-1489-1534-or-franz-anton-maulbertsch-austrian-1724-1796-italy-pen-and-brown-ink-with-brush-and-brown-wash-and-black-chalk-on-ivory-laid-paper-357-x-505-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutioniz-image349683724.html
RF2B8WD4C–Female Figures with Putti in Clouds, n.d., Possibly Gregorio de’ Ferrari (Italian, 1644-1726), or Domenico Piola (Italian, 1627-1703), or Antonio Allegri, called Correggio (Italian, c. 1489-1534), or Franz Anton Maulbertsch (Austrian, 1724-1796), Italy, Pen and brown ink, with brush and brown wash and black chalk, on ivory laid paper, 357 x 505 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutioniz
The Sacrifice of Isaac. second half of 18th century. Franz Anton Maulbertsch - The Sacrifice of Isaac - WGA14681 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-sacrifice-of-isaac-second-half-of-18th-century-franz-anton-maulbertsch-the-sacrifice-of-isaac-wga14681-image184984897.html
RMMMXP3D–The Sacrifice of Isaac. second half of 18th century. Franz Anton Maulbertsch - The Sacrifice of Isaac - WGA14681
Franz Anton Maulbertsch (circle) Gnadenstuhl. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franz-anton-maulbertsch-circle-gnadenstuhl-image343989424.html
RM2AYJ20G–Franz Anton Maulbertsch (circle) Gnadenstuhl.
The Christ Child as Salvator Mundi with several saints and Pope Clemens XIII, Maximus in Sanctis est parvulus ille Puellus (title on object), The Christ Child with Cross seated on a globe with below the saints Francis Seraphikus, Christophorus, Theresa of Avila and Pope Clemens XII., print maker: Johann Beheim, (mentioned on object), after design by: Franz Anton Maulbertsch, (mentioned on object), publisher: Johann Beheim, (mentioned on object), Vienna, 1762, paper, etching, engraving, height 446 mm × width 286 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-christ-child-as-salvator-mundi-with-several-saints-and-pope-clemens-xiii-maximus-in-sanctis-est-parvulus-ille-puellus-title-on-object-the-christ-child-with-cross-seated-on-a-globe-with-below-the-saints-francis-seraphikus-christophorus-theresa-of-avila-and-pope-clemens-xii-print-maker-johann-beheim-mentioned-on-object-after-design-by-franz-anton-maulbertsch-mentioned-on-object-publisher-johann-beheim-mentioned-on-object-vienna-1762-paper-etching-engraving-height-446-mm-width-286-mm-image473265544.html
RM2JDY30T–The Christ Child as Salvator Mundi with several saints and Pope Clemens XIII, Maximus in Sanctis est parvulus ille Puellus (title on object), The Christ Child with Cross seated on a globe with below the saints Francis Seraphikus, Christophorus, Theresa of Avila and Pope Clemens XII., print maker: Johann Beheim, (mentioned on object), after design by: Franz Anton Maulbertsch, (mentioned on object), publisher: Johann Beheim, (mentioned on object), Vienna, 1762, paper, etching, engraving, height 446 mm × width 286 mm
Franz Anton Maulbertsch - St Paul - WGA14689 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-franz-anton-maulbertsch-st-paul-wga14689-132694524.html
RMHKTN64–Franz Anton Maulbertsch - St Paul - WGA14689
MAULBERTSCH, Franz Anton (b. 1724, Langenargen, d. 1796, Wien) Rebecca and Eliezer 1745-50 Oil on canvas, 72 x 91,5 cm Museum of Fine Arts, Budapest The painting and its companion-piece, Joseph and his Brothers, are early works showing the influence of Troger and the Venetian painter Giovanni Battista Pittoni. --- Keywords: -------------- Author: MAULBERTSCH, Franz Anton Title: Rebecca and Eliezer Time-line: 1751-1800 School: Austrian Form: painting Type: religious Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maulbertsch-franz-anton-b-1724-langenargen-d-1796-wien-rebecca-and-eliezer-1745-50-oil-on-canvas-72-x-915-cm-museum-of-fine-arts-budapest-the-painting-and-its-companion-piece-joseph-and-his-brothers-are-early-works-showing-the-influence-of-troger-and-the-venetian-painter-giovanni-battista-pittoni-keywords-author-maulbertsch-franz-anton-title-rebecca-and-eliezer-time-line-1751-1800-school-austrian-form-painting-type-religious-image625284661.html
RM2Y984Y1–MAULBERTSCH, Franz Anton (b. 1724, Langenargen, d. 1796, Wien) Rebecca and Eliezer 1745-50 Oil on canvas, 72 x 91,5 cm Museum of Fine Arts, Budapest The painting and its companion-piece, Joseph and his Brothers, are early works showing the influence of Troger and the Venetian painter Giovanni Battista Pittoni. --- Keywords: -------------- Author: MAULBERTSCH, Franz Anton Title: Rebecca and Eliezer Time-line: 1751-1800 School: Austrian Form: painting Type: religious
Franz Anton Maulbertsch Farewell to the apostles Peter and Paul. Feder in brown, laved around 1767 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franz-anton-maulbertsch-farewell-to-the-apostles-peter-and-paul-feder-in-brown-laved-around-1767-image572663773.html
RM2T7K2DH–Franz Anton Maulbertsch Farewell to the apostles Peter and Paul. Feder in brown, laved around 1767
Study for "The Presentation of Christ in the Temple" (for Saint Ulrich, Vienna), c. 1750. This loosely painted sketch is the preliminary design for an altarpiece in the Church of Saint Ulrich, Vienna. Mary and Joseph have brought the infant Jesus to the temple to be inducted into the Jewish faith; the aged priest Simeon cradles the infant in his arms, turning his gaze to heaven as he realizes that he is holding the Son of God. Strong contrasts of light and shadow underscore the drama of the moment. The frame is not original to this painting, but was made by an Austrian craftsman in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-for-quotthe-presentation-of-christ-in-the-templequot-for-saint-ulrich-vienna-c-1750-this-loosely-painted-sketch-is-the-preliminary-design-for-an-altarpiece-in-the-church-of-saint-ulrich-vienna-mary-and-joseph-have-brought-the-infant-jesus-to-the-temple-to-be-inducted-into-the-jewish-faith-the-aged-priest-simeon-cradles-the-infant-in-his-arms-turning-his-gaze-to-heaven-as-he-realizes-that-he-is-holding-the-son-of-god-strong-contrasts-of-light-and-shadow-underscore-the-drama-of-the-moment-the-frame-is-not-original-to-this-painting-but-was-made-by-an-austrian-craftsman-in-image330122340.html
RM2A52ABG–Study for "The Presentation of Christ in the Temple" (for Saint Ulrich, Vienna), c. 1750. This loosely painted sketch is the preliminary design for an altarpiece in the Church of Saint Ulrich, Vienna. Mary and Joseph have brought the infant Jesus to the temple to be inducted into the Jewish faith; the aged priest Simeon cradles the infant in his arms, turning his gaze to heaven as he realizes that he is holding the Son of God. Strong contrasts of light and shadow underscore the drama of the moment. The frame is not original to this painting, but was made by an Austrian craftsman in
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