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RMPPT1GN–One Armchair; Frames attributed to François-Honoré-Georges Jacob-Desmalter, French, 1770 - 1841, Tapestries by Beauvais
RMRY6F45–Stools, 1805-1813. François-Honoré-Georges Jacob (French, 1770-1841), Georges Jacob (French, 1739-1814). Painted walnut; overall: 47.3 x 48.4 cm (18 5/8 x 19 1/16 in
RMPAAGYB–Coin cabinet. Culture: French, Paris. Decorator: Decoration after drawings by baron Dominique Vivant Denon (French, Givry 1747-1825 Paris). Designer: Designed by Charles Percier (French, Paris 1764-1838 Paris). Dimensions: Overall: 35 1/2 × 19 3/4 × 14 3/4 in. (90.2 × 50.2 × 37.5 cm). Maker: Probably by François-Honoré-Georges Jacob-Desmalter (French, 1770-1841); Silver mounts by Martin-Guillaume Biennais (French, 1764-1843, active ca. 1796-1819). Date: ca. 1809-19. The design, medium, and execution of this extravagant medal cabinet are as impressive and eccentric as the man who probably comm
RM2GMXNT0–Daybed (lit de repos). Maker: François-Honoré-Georges Jacob-Desmalter (French, 1770-1841); Maker: and Georges II Jacob (French, 1768-1803); Maker:
RMKNKDRD–Coin cabinet. Designer: Designed by Charles Percier (French, Paris 1764-1838 Paris); Maker: Probably by François-Honoré-Georges Jacob-Desmalter
RM2H1250P–Stool, 1805-1813. François-Honoré-Georges Jacob (French, 1770-1841), Georges Jacob (French, 1739-1814). Painted walnut; overall: 47.8 x 48.4 cm (18 13/16 x 19 1/16 in.).
RFRAFNAG–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by reimagined
RM2J3NHNE–Emperor's Chamber (Chambre de l'Empereur) at the Château de Compiègne in Compiègne, France.
RMRY6F43–Stool, 1805-1813. François-Honoré-Georges Jacob (French, 1770-1841), Georges Jacob (French, 1739-1814). Painted walnut; overall: 47.3 x 48.4 cm (18 5/8 x 19 1/16 in
RMPB1NYC–Cheval glass (psyché). Culture: French, Paris. Dimensions: Overall: 86 x 48 5/8 x 31 5/8 in. (218.4 x 123.5 x 80.3 cm). Maker: Attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770-1841). Date: ca. 1810-14. The psyché was so named for the heroine in La Fontaine's Les amours de Psyché, who was reputed to have looked at a full-length reflection of herself. Specific reference to the myth is in the frieze containing butterflies, symbols of Psyche. An identical gilt-bronze frieze was on a psyché made for Empress Marie-Louise in 1810. The two winged fantastic creatures on the crest ho
RMKNKDPM–Cheval glass (psyché). Maker: Attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770-1841); Date: ca. 1810-14; Culture: French, Paris;
RM2H122J9–Stool, 1805-1813. François-Honoré-Georges Jacob (French, 1770-1841), Georges Jacob (French, 1739-1814). Painted walnut; overall: 47.3 x 48.4 cm (18 5/8 x 19 1/16 in.).
RF2B970GG–One Settee and Ten Armchairs, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Paris, France, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMKNP7JE–Vertumnus and Pomona. Artist: François Boucher (French, Paris 1703-1770 Paris); Medium: Brown chalk; Dimensions: 13 9/16 x 8 15/16 in. (34.5 x 22.7
RM2J3NHE3–Emperor's Chamber (Chambre de l'Empereur) at the Château de Compiègne in Compiègne, France.
RMRY6F44–Stool, 1805-1813. François-Honoré-Georges Jacob (French, 1770-1841), Georges Jacob (French, 1739-1814). Painted walnut; overall: 47.8 x 48.4 cm (18 13/16 x 19 1/16 in
RMW51D69–One Settee and Ten Armchairs, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Paris, France, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery
RM2H0XRAA–Stools, 1805-1813. François-Honoré-Georges Jacob (French, 1770-1841), Georges Jacob (French, 1739-1814). Painted walnut; overall: 47.3 x 48.4 cm (18 5/8 x 19 1/16 in.).
RF2B9CYB1–One Settee and Ten Armchairs, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Paris, France, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2HJ458G–Cabinet (commode à vantaux) ca. 1813–25 François-Honoré-Georges Jacob-Desmalter French Jacob-Desmalter was the leading Empire furniture maker, and this cabinet is eloquent testimony that his graceful handling of large proportions did not lessen during the Restoration. The form of stamp was in use from 1815 to 1826.. Cabinet (commode à vantaux) 194568
RMW51D6H–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestry upholstery by the Beauvais Manufactory (French, founded 1664), Paris, France, about 1810, Mahogany and beech, gilt-bronze mounts, wool and silk, 100.6 × 63.5 × 48.3 cm (39 5/8 × 25 × 19 in
RF2B970GW–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestry upholstery by the Beauvais Manufactory (French, founded 1664), Paris, France, about 1810, Mahogany and beech, gilt-bronze mounts, wool and silk, 100.6 × 63.5 × 48.3 cm (39 5/8 × 25 × 19 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2HHBPXC–Cheval glass (psyché) ca. 1810–14 Attributed to François-Honoré-Georges Jacob-Desmalter French The psyché was so named for the heroine in La Fontaine's Les amours de Psyché, who was reputed to have looked at a full-length reflection of herself. Specific reference to the myth is in the frieze containing butterflies, symbols of Psyche. An identical gilt-bronze frieze was on a psyché made for Empress Marie-Louise in 1810. The two winged fantastic creatures on the crest hold a wreath, which probably originally contained a decorative motif or monogram.. Cheval glass (psyché) 195220
RMW51D6B–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestry upholstery by the Beauvais Manufactory (French, founded 1664), Beauvais, France, about 1810, Mahogany and beech, gilt-bronze mounts, wool and silk, 100.6 × 63.5 × 50.8 cm (39 5/8 × 25 × 20 in
RF2B970GN–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestry upholstery by the Beauvais Manufactory (French, founded 1664), Beauvais, France, about 1810, Mahogany and beech, gilt-bronze mounts, wool and silk, 100.6 × 63.5 × 50.8 cm (39 5/8 × 25 × 20 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2HHB40F–Daybed (lit de repos) ca. 1795–1803 François-Honoré-Georges Jacob-Desmalter French The sphinx-shaped arms suggest a date soon after Napoleon’s Egyptian campaign which is confirmed by the stamp of JACOB FRERES/R. MESLEE used by the Jacob firm only between 1795 and 1803. The daybed must have supported several Bonapartes, for it bears the inventory mark of the Château de Neuilly, where two of Napoleon’s sisters lived, first Caroline Murat and later Pauline Borghese, as well as marks for the Château de Trianon, the Palais des Tuileries, and the Château de Villeneuve l’Etang.. Daybed (lit de repos)
RMW51D6C–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Beauvais, France, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, 100.6 × 63.5 × 48.3 cm (39 5/8 × 25 × 19 in
RF2B970GK–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Beauvais, France, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, 100.6 × 63.5 × 48.3 cm (39 5/8 × 25 × 19 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMW51D6E–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Paris, France, Europe, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, 100.6 × 63.5 × 48.3 cm (39 5/8 × 25 × 19 in
RF2B9CYB0–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Beauvais, France, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, 100.6 x 63.5 x 48.3 cm (39 5,8 x 25 x 19 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMW51D6F–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Paris, France, Europe, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, 100.6 × 63.5 × 48.3 cm (39 5/8 × 25 × 19 in
RF2B970GP–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Paris, France, Europe, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, 100.6 × 63.5 × 48.3 cm (39 5/8 × 25 × 19 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMW51D6A–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Paris, France, Europe, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, 100.6 × 63.5 × 48.3 cm (39 5/8 × 25 × 19 in
RF2B970GT–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Beauvais, France, Europe, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, 100.6 × 63.5 × 48.3 cm (39 5/8 × 25 × 19 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMW51D6D–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Beauvais, France, Europe, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, 100.6 × 63.5 × 48.3 cm (39 5/8 × 25 × 19 in
RF2B970GR–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Paris, France, Europe, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, 100.6 × 63.5 × 48.3 cm (39 5/8 × 25 × 19 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2B0MPN2–Designed by Charles Percier, Coin cabinet, French, Paris, Probably by François-Honoré-Georges Jacob-Desmalter (French, 1770–1841), Silver mounts by Martin-Guillaume Biennais (French, 1764–1843, active ca. 1796–1819), ca. 1809–19, French, Paris, Mahogany (probably Swietenia mahagoni), applied and inlaid silver, Overall: 35 1/2 × 19 3/4 × 14 3/4 in. (90.2 × 50.2 × 37.5 cm), Woodwork-Furniture
RF2B970GJ–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Paris, France, Europe, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, 100.6 × 63.5 × 48.3 cm (39 5/8 × 25 × 19 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2B0HCW5–François-Honoré-Georges Jacob-Desmalter, Daybed (lit de repos), French, Paris, François-Honoré-Georges Jacob-Desmalter (French, 1770–1841), and Georges II Jacob (French, 1768–1803), working together as the firm Jacob Frères, ca. 1795–1803, French, Paris, Mahogany and mahogany veneered on beechwood; gilt bronze, bronze, lampas, 34 3/4 x 76 3/4 x 29 1/2 in. (88.3 x 194.9 x 74.9cm), Woodwork-Furniture
RMPPT1GM–One Settee and Ten Armchairs; Frames attributed to François-Honoré-Georges Jacob-Desmalter, French, 1770 - 1841, Tapestries
RMEE030N–One Armchair; Frames attributed to François-Honoré-Georges Jacob-Desmalter, French, 1770 - 1841, Tapestries
