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RF2HK5HDF–Inspired by Flowers in a vase, Giovanni Antonio Pellegrini, formerly attributed to, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMWCF4W–. Elizabeth I of England in Parliament Robes, Helmingham Hall, Stowmarket . circa 1585-90. formerly attributed to Marcus Gheeraerts the Younger, exhibited 2003 as 'British School* 184 Elizabeth I in Parliament Robes
RMPNDPMK–Parrot and insect among pear blossoms. Date/Period: Second half of 13th century. Painting. Ink and color on silk. Height: 276 mm (10.86 in); Width: 276 mm (10.86 in). Author: Formerly Attributed to Huang Jucai.
RMFN8TXH–Portrait of a Man with a Samson Medal1515 Master of the Brandon portrait (formerly attributed to) Dutch Netherlands
RMJ7WBF0–'Old Tree and Lonely Bamboo', formerly attributed to Ni Zan, c. 17th century, Honolulu Museum of Art, 264.1
RMHRDP82–Pieter van Bloemen; Formerly attributed to G. Vanvitelli - Coach and Travelers at Madonna del Riposo Near Rome - 69.93 - Minneapolis Institute of Arts
RMFF84MX–POSADA: CALAVERA HUERTISTA. /nA representation of General Victoriano Huerta. Zinc engraving, c1914, formerly attributed to JosΘ de Posada.
RMT7FX1K–Louis XIV and His Family, portrait, Formerly attributed to Nicolas de Largillière, now unknown, c. 1710
RM2B00X1K–Switzerland: 'Portrait of a Young Black Woman'. Pastel on canvas painting formerly attributed to Jean-Étienne Liotard (1702-1789), late 18th century. Jean-Étienne Liotard (1702–1789) was a Swiss-French painter. although not primarily an Orientalist, his paintings contain some Orientalist themes, notably 'Portrait of Richard Pocoke' (1738), 'Portrait of Monsieur Levett English Merchant in Tatar Costume' (1740), 'Turkish Woman with Maidservant' (1742), and (formerly) 'Portrait of a Young Black Woman'.
RM2BF1E62–Cupid Resting after a painting formerly attributed to Rembrandt. A winged cupid, his quiver of arrows at his left side, reclines on a couch. His bow at left. After a painting in the Thyssen collection, signed and dated 'Rembrandt 1634.) Neither painting nor print are presently given to Rembrandt.
RMHGXGHJ–Florence. Italy. Painted terracotta bust of Niccolò da Uzzano, by Desiderio da Settignano, ca.1450, formerly attributed to Donatello.
RMTC9GB7–Portrait in pencil of King Henry III, by Jean Decourt (formerly attributed to Étienne Dumonstier).
RF2H75WD7–George Gower portrait of Queen Elizabeth the First of England formerly attributed Steven van der Meulen - 1567
RMFKJHER–FLANDERS (or Holland?). 17th c. Interior Church. View from the choir. Formerly attributed to Neefs then Baden. Louvre Museum.
RF2HK5HCY–Inspired by Flowers in a vase, Giovanni Antonio Pellegrini, formerly attributed to, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMYDNNR–. Elizabeth I of England in Parliament Robes, Helmingham Hall, Stowmarket . circa 1585-90. formerly attributed to Marcus Gheeraerts the Younger, exhibited 2003 as 'British School* 158 Elizabeth I in Parliament Robes
RMPAKRRB–Travellers. Artist: Unidentified Artist; Formerly Attributed to Zhao Gan (Chinese). Culture: China. Dimensions: 67 3/4 x 40 in. (172.1 x 101.6 cm). Museum: Metropolitan Museum of Art, New York, USA.
RMFD2D07–Ec. French (1630): allegorical composition. Formerly attributed to Claude Deruet (1588-1660) France French
RMRXWK4G–Elizabeth I (as a young Princess), Formerly attributed to William Scrots (fl. 1537-1554). circa 1546; oil on oak panel
RMHRDP8D–Antonio Butafago; Formerly attributed to G. B. Cignaroli - The Virgin and Child with the Infant St. John and St. Joseph - 69.89 - Minneapolis Institute of Arts
RMFF9RCB–LE NAIN: BACCHUS & ARIADNE. /nDetail of Bacchus from the painting 'Bacchus and Ariadne.' Oil on canvas, c1635, by Mathieu Le Nain, formerly attributed to Louis Le Nain.
RM2A264HT–Elizabeth I (as a young Princess), Formerly attributed to William Scrots (fl. 1537–1554). circa 1546; oil on oak panel
RM2B00XN4–England: 'Portrait of Elizabeth I of England, the Armada Portrait'. Oil on panel painting formerly attributed to George Gower (1540-1596), c. 1588. Elizabeth I (7 September 1533 – 24 March 1603) was Queen regnant of England and Queen regnant of Ireland from 17 November 1558 until her death. Sometimes called The Virgin Queen, Gloriana, or Good Queen Bess, Elizabeth was the fifth and last monarch of the Tudor dynasty. Elizabeth I's foreign policy with regard to Asia, Africa and Latin America demonstrated a new understanding of the role of England as a maritime, Protestant power globally.
RM2AE68XY–A Crouching Apostle (Saint Peter); 1785date Adam von Bartsch, after a drawing formerly attributed to Albrecht Dürer, A Crouching Apostle (Saint Peter), 1785
RMHGXGH9–Florence. Italy. Painted terracotta bust of Niccolò da Uzzano, by Desiderio da Settignano, ca.1450, formerly attributed to Donatello.
RM2F6TCBW–Author: Evert Duyckinck, III. Henry Gibbs - c. 1721 - American, 18th century Formerly attributed to Evert Duyckinck III American, 1677'1727. Oil on
RM2JA5FHJ–The Council of Trent, 4th December 1563 (oil on canvas) by Italian School, (16th century); 117x176 cm; Louvre, Paris, France; (add.info.: formerly attributed to Titian (1488-1576); 23rd session of the Council;); Giraudon; Italian, out of copyright
RMKCBP2A–Drawings and Prints, Print, Venus and Mars with cupid and the Three Graces, Formerly attributed to, Giovanni Jacopo Caraglio
RF2HK5HD0–Inspired by Flowers in a vase, Giovanni Antonio Pellegrini, formerly attributed to, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMX8F78–. Elizabeth I of England in Parliament Robes, Helmingham Hall, Stowmarket . circa 1585-90. formerly attributed to Marcus Gheeraerts the Younger, exhibited 2003 as 'British School* 184 Elizabeth I in Parliament Robes
RMPB0KYT–Landscape. Artist: Unidentified Artist; Formerly Attributed to Pei Kuan (Chinese, Tang dynasty). Culture: China. Dimensions: 15 x 15 3/4 in. (38.1 x 40 cm). Museum: Metropolitan Museum of Art, New York, USA.
RMBRE8C0–A figure of a Persian cat, attributed to Karl Fabergé, circa 1910 Made of smoky quartz, with elaborately and finely carved coat. Two ruby eyes set in gold. Height 16.6 cm. According to the consignor, this lot formerly belonged to a Russian expatriate living in England. historic, historical, 1910s, 20th century, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, sculpture, sculptures, statuette, figurine, figurines, statuettes, fine arts, art,
RFK57C1P–The twelfth century Crediton parish church, formerly attributed the unusual name of Church of the Holy Cross and the Mother of Him who Hung Thereon
RMKNAFDR–Candlestick MET DP251736 1315 Former Attribution: Formerly attributed to Jacob Hurd, American, Boston, Massachusetts 1702/3?1758 Boston, Massachusetts, Candlestick, ca. 1740?50, Silver, 6 1/16 x 3 15/16 in. (15.4 x 10 cm); 9 oz. 6 dwt. (289.7 g).
RMB80CH4–Doric temple of Hera from about 450 BC, formerly incorrectly attributed as the Temple of Poseidon or Apollo, in Paestum, Italy.
RMFFAG48–JAN BAPTISTA VAN HELMONT /n(1579-1644). Flemish physician and chemist. Presumed portrait, formerly considered to be a portrait of English scientist Robert Hooke (1635-1703). Oil on canvas, c1674, attributed to Mary Beale.
RM2B00XN8–England: 'Portrait of Elizabeth I of England, the Armada Portrait'. Oil on panel painting formerly attributed to George Gower (1540-1596), c. 1588. Elizabeth I (7 September 1533 – 24 March 1603) was Queen regnant of England and Queen regnant of Ireland from 17 November 1558 until her death. Sometimes called The Virgin Queen, Gloriana, or Good Queen Bess, Elizabeth was the fifth and last monarch of the Tudor dynasty. Elizabeth I's foreign policy with regard to Asia, Africa and Latin America demonstrated a new understanding of the role of England as a maritime, Protestant power globally.
RM2B6TA8P–Heilige familie bij avond The holy family at night. Interior lit by candlelight Anna Maria and the Who: g Where: sleeping in the Christ child. Mary reads a book, Anna keeps the cord in the crib handen. Manufacturer : printmaker James McArdellnaar painting: Rembrandt van Rijn (workshop) Place manufacture: London Dating: ca. 1745 - 1765 Physical features: mezzotint and etching; proofing material: paper Technique: mezzotint / etch dimensions: plate edge: H 341 mm × W 469 mmToelichtingNaar the painting was formerly attributed to Rembrandt, see SK-A-4119. Subject: Holy Family with others, eg: Anna
RMMBD4TT–AMULETS - PRECIOUS STONES - GEMS - OPAL Hand-coloured wood-engraving from Johananis de Cuba, Hortus Sanitatis, 1483. The illustration depicts the Orphanus, set by jewellers in the imperial Crown of the Holy Roman Emperor. It is said to have been a particularly beautiful and miraculous large Opal, which (according to Albertus Magnus, in Opera Omnia, V, f.42) formerly had the power to shine in dark. However, if this had been an Opal, none of the specific qualities of this stone were attributed to it. According to the gemmologists, the opal had the power to make the wearer invisible, which
RM2BWRE0A–Author: Francisco Jos de Goya y Lucientes. The Andalusian dance - 1825/26 - Formerly attributed to Francisco Jos de Goya y Lucientes Spanish,
RMRJB01C–Town in ruins by Monsu Desiderio. 17th century. Monsu was the name formerly given to an artist believed to have painted architectural scenes in a distinctive style in Naples in the early seventeenth century. art historians identified the works previously attributed to 'Desiderio' as being by at least three different painters: Francois de Nome (1593 – after 1620) and Didier Barra, both originally from Metz, and a third artist, whose name is unknown.
RMKCBP29–Drawings and Prints, Print, Venus and Mars with cupid and the Three Graces, Formerly attributed to, Giovanni Jacopo Caraglio
RF2HK5HCN–Inspired by Flowers in a vase, Giovanni Antonio Pellegrini, formerly attributed to, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMNWYM2–. Grafinia Aleksandra Vasil'evna Branitskaia, 1754-1838 . 1907. Formerly attributed to Fyodor Rokotov (–1808) Alternative names Федор Рокотов, Fyodor Rokotov Description Russian painter Date of birth/death circa 1736 24 December 1808 Location of birth/death Vorontsovo manor Park Moscow Work location Moscow, Saint Petersburg Authority control : Q372393 VIAF: 61820347 ISNI: 0000 0001 0979 3308 ULAN: 500007776 LCCN: n86091795 WGA: ROKOTOV, Fyodor WorldCat 1079 RusPortraits v4-214 Grafinia Aleksandra Vasil'evna Branitskaia, 1754-1838
RMPA8BPJ–Bamboo. Artist: Unidentified Artist; Formerly Attributed to Su Shi (Chinese, 1037-1101). Culture: China. Dimensions: 8 x 8 3/8 in. (20.3 x 21.3 cm). Museum: Metropolitan Museum of Art, New York, USA.
RMBRE8AW–A figure of a Persian cat, attributed to Karl Fabergé, circa 1910 Made of smoky quartz, with elaborately and finely carved coat. Two ruby eyes set in gold. Height 16.6 cm. According to the consignor, this lot formerly belonged to a Russian expatriate living in England. historic, historical, 1910s, 20th century, sculpture, sculptures, statuette, figurine, figurines, statuettes, fine arts, art, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs,
RFK57C5E–The twelfth century Crediton parish church, formerly attributed the unusual name of Church of the Holy Cross and the Mother of Him who Hung Thereon
RMKNAFE0–Candlestick MET DP251745 Candlestick MET DP251745 /1315 Former Attribution: Formerly attributed to Jacob Hurd, American, Boston, Massachusetts 1702/3?1758 Boston, Massachusetts, Candlestick, ca. 1740?50, Silver, 6 1/16 x 3 15/16 in. (15.4 x 10 cm); 9 oz. 6 dwt. (289.7 g).
RMB80CGF–Doric temple of Hera from about 450 BC, formerly incorrectly attributed as the Temple of Poseidon or Apollo, in Paestum, Italy.
RMTA2BD2–This photograph is a view of the port of Neufahrwasser, Nowy Port, near Gdansk. The port belonged to the Monastery of Oliwa of the Cistercian Order in the formerly independent city of Oliwa, today a district of Gdansk. Already after the first partition of Poland in 1772, the port fell to Prussia and was thus separated from Danzig. In the 19th century, the small town Neufahrwasser was expanded with a barracks to military base. The Treaty of Versailles in 1919 attributed the port to the Free City of Danzig. The Germans used the area as a transit camp during the Second World War. After the
RM2B00W63–Netherlands/Italy: 'The Naval Battle near Livorno, 14 March 1653: Incident of the First Anglo-Dutch War'. Oil on canvas painting formerly attributed to Johannes Lingelbach (1622-1674), c. 1653-1660. The naval Battle of Leghorn (the Dutch call the encounter by the Italian name Livorno) took place on 14 March (4 March Old Style) 1653, during the First Anglo-Dutch War, near Leghorn/Livorno, Italy. It was a victory of a Dutch fleet under Commodore Johan van Galen over an English squadron under Captain Henry Appleton.
RM2B6TA90–Heilige familie bij avond The holy family at night. Interior lit by candlelight Anna Maria and the Who: g Where: sleeping in the Christ child. Mary reads a book, Anna keeps the cord in the crib handen. Manufacturer : printmaker James McArdellnaar painting: Rembrandt van Rijn (workshop) Place manufacture: London Dating: ca. 1745 - 1765 Physical features: mezzotint and etching; proofing material: paper Technique: mezzotint / etch dimensions: plate edge: H 341 mm × W 469 mmToelichtingNaar the painting was formerly attributed to Rembrandt, see SK-A-4119. Subject: Holy Family with others, eg: Anna
RMF8EB61–Italy. Paestum. Doric temple of Hera from about 450 BC, formerly incorrectly attributed as the Temple of Neptune (Poseidon). South of Naples. Unesco World Heritage.
RMKNRPY8–Philosopher with an Hourglass. Artist: Jan Lievens (Dutch, Leiden 1607-1674 Amsterdam); Former Attribution: Formerly attributed to Rembrandt
RM2D3NK56–A Little Penguin or more commonly referred to as Fairy Penguin sits protecting her eggs in a man-made hutch on the foreshore of Sydney Harbour October 25, 2001 as National Parks and Wildlife Serice (NPWS) officers conduct studies on the endangered species. The 70 breeding pairs of penguins is believed to be the only colony to inhabit a major city in the world, with the decline in the formerly extensive population believed to be attributed to habitat destruction by urban develoment and predation from cats and dogs. REUTERS/Mark Baker MDB/DL
RMEDYW98–Cupid Armed Venus and Cupid, William Hilton, 1786-1839, Formerly attributed to William Etty, 1787-1849
RF2HK5HDK–Inspired by Flowers in a vase, Giovanni Antonio Pellegrini, formerly attributed to, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
![. Kontrovers diskutiertes Gemälde, das lange dem hölländischen Maler van Mander Anfang des 17.Jahrhundert zugeschrieben wurde, und zwei idealisierte Dichter darstellt, möglicherweise ein Ausschnitt eines vormals grösseren Bildes. Als abgebildete Personen wurden Johnson (erhebliche Ähnlichkeit) und Shakespeare (Marlowe?) diskutiert[1] Formerly attributed to Karel van Mander I (1548–1606) Alternative names Carel van Mander (I) Description Flemish painter, draughtsman, printmaker and author Date of birth/death May 1548 11 September 1606 Location of birth/death Meulebeke Amsterdam Wo Stock Photo](https://c8.alamy.com/comp/MP8G9A/kontrovers-diskutiertes-gemlde-das-lange-dem-hllndischen-maler-van-mander-anfang-des-17jahrhundert-zugeschrieben-wurde-und-zwei-idealisierte-dichter-darstellt-mglicherweise-ein-ausschnitt-eines-vormals-grsseren-bildes-als-abgebildete-personen-wurden-johnson-erhebliche-hnlichkeit-und-shakespeare-marlowe-diskutiert-1-formerly-attributed-to-karel-van-mander-i-15481606-alternative-names-carel-van-mander-i-description-flemish-painter-draughtsman-printmaker-and-author-date-of-birthdeath-may-1548-11-september-1606-location-of-birthdeath-meulebeke-amsterdam-wo-MP8G9A.jpg ". Kontrovers diskutiertes Gemälde, das lange dem hölländischen Maler van Mander Anfang des 17.Jahrhundert zugeschrieben wurde, und zwei idealisierte Dichter darstellt, möglicherweise ein Ausschnitt eines vormals grösseren Bildes. Als abgebildete Personen wurden Johnson (erhebliche Ähnlichkeit) und Shakespeare (Marlowe?) diskutiert[1] Formerly attributed to Karel van Mander I (1548–1606) Alternative names Carel van Mander (I) Description Flemish painter, draughtsman, printmaker and author Date of birth/death May 1548 11 September 1606 Location of birth/death Meulebeke Amsterdam Wo Stock Photo")
RMMP8G9A–. Kontrovers diskutiertes Gemälde, das lange dem hölländischen Maler van Mander Anfang des 17.Jahrhundert zugeschrieben wurde, und zwei idealisierte Dichter darstellt, möglicherweise ein Ausschnitt eines vormals grösseren Bildes. Als abgebildete Personen wurden Johnson (erhebliche Ähnlichkeit) und Shakespeare (Marlowe?) diskutiert[1] Formerly attributed to Karel van Mander I (1548–1606) Alternative names Carel van Mander (I) Description Flemish painter, draughtsman, printmaker and author Date of birth/death May 1548 11 September 1606 Location of birth/death Meulebeke Amsterdam Wo
RMPAT8K1–Snow Landscape. Artist: Unidentified Artist; Formerly Attributed to Lin Anjun (Chinese). Culture: China. Dimensions: 10 x 13 1/4 in. (25.4 x 33.7 cm). Museum: Metropolitan Museum of Art, New York, USA.
RM2ANJBW7–Diseases of the chest and the principles of physical diagnosis . h-pitched nasal sounds. 1 Some people have never learned to whisper, some whisper during inspiration,which greatly modifies the sounds produced. 2 Egophony was formerly attributed to (a) flattening of non-cartilaginous bronchiby pressure of the effusion, so that they acted like reeds (Laennec); (6) vibrations ofthe walls of small bronchi by actual collision—interruption of the air current (Wintrich);(c) the articulation of overtones—only the higher harmonics passing through the effu-sion (Stone); (d) to vibrations passing through
RFK57BXP–The twelfth century Crediton parish church, formerly attributed the unusual name of Church of the Holy Cross and the Mother of Him who Hung Thereon
RMKNAFDY–Candlestick MET DP251748 1316 Lithographer: Formerly attributed to Jacob Hurd, American, Boston, Massachusetts 1702/3?1758 Boston, Massachusetts, Candlestick, 1740?50, Silver, 6 1/8 x 4 in. (15.6 x 10.2 cm): 8 oz. 17 dwt. (274.6 g). The Metropolitan Museum of Art, New York. Bequest of Alphonso T. Clearwater, 1933 (33.120.203)
RMB80CGA–Doric temple of Hera from about 450 BC, formerly incorrectly attributed as the Temple of Poseidon or Apollo, in Paestum, Italy.
RM2HRHNF0–The new temporary Senate Chamber at the Senate of Canada Building, formerly the Government Conference Centre, is shown in Ottawa on December 13, 2018. The long-delayed introduction of cameras to broadcast meetings of the Senate is proceeding after a shaky start. The House of Commons has been televised for more than 40 years but the Senate is only beginning to broadcast meetings in its main chamber with a move into a temporary home while Centre Block is being renovated. A special engineer was brought in to deal with the wobbly cameras, which were attributed to 'natural vibrations and inherent m
RMFN8TY3–Hans Holbein the Younger Portrait of a Woman from Southern Germany,1520 - 1525 German Germany
RM2B6TA9M–Heilige familie bij avond The holy family at night. Interior lit by candlelight Anna Maria and the Who: g Where: sleeping in the Christ child. Mary reads a book, Anna keeps the cradle cord in handen. Manufacturer : printmaker James McArdell (listed property) to painting: Rembrandt van Rijn (workshop) Place manufacture: London Dating: ca. 1745 - 1765 Material: paper Technique: mezzotint / etch dimensions: plate edge: h 341 mm × W 468 mmToelichtingNaar the painting was formerly attributed to Rembrandt, see SK-A-4119. Subject: Holy Family with others, eg: Anna interior of the house reading
RMMA7YW2–The citadel of Darius, Darab, Fars Province, Iran, Kalah i Daráb. A 19th Century scene identifying it wrongly as a Druidical circle
RMKNPA5B–Panel of Shutter Decoration of Two Putti with Garlands. Artist: Anonymous, German, 17th century; Former Attribution: Formerly attributed to
RF2HF2D2N–Forty-three original Tokaido Formerly Attributed to Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo))
RM2D3RKN0–A Little Penguin or more commonly referred to as Fairy Penguin sits protecting her eggs in a man-made hutch on the foreshore of Sydney Harbour October 25, 2001 as National Parks and Wildlife Serice (NPWS) officers conduct studies on the endangered species. The 70 breeding pairs of penguins is believed to be the only colony to inhabit a major city in the world, with the decline in the formerly extensive population believed to be attributed to habitat destruction by urban develoment and predation from cats and dogs.
RMEDT8RT–Adam von Bartsch, after a drawing formerly attributed to Albrecht Dürer (Austrian, 1757 - 1821), A Crouching Apostle
RF2HK5HCX–Inspired by Flowers in a vase, Giovanni Antonio Pellegrini, formerly attributed to, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMYK1JX–. en:Louis XV of France. Enlargement of detail from portrait of Louis XIV and heirs . 1715 - 1720. Formerly attributed to Nicolas de Largillière (1656–1746) Alternative names Nicolas de Largillierre Description French painter and draughtsman Date of birth/death 10 October 1656 (baptised) 30 March 1746 Location of birth/death Paris Paris Work location England, Antwerp (1662-1674), England (1675-1679), Paris (1680-1746), London (1686-1688) Authority control : Q550302 VIAF: 71513528 ISNI: 0000 0000 7358 0529 ULAN: 500011561 LCCN: n85101518 WGA: LARGILLIÈRE, Nicolas de WorldCat 329 Lo
RMPAB47G–Landscape. Artist: Unidentified Artist; Formerly attributed to Chang Qiling. Culture: China. Dimensions: 16 1/4 x 107 7/8 in. (41.3 x 274 cm). Date: early 20th century. Museum: Metropolitan Museum of Art, New York, USA.
RM2AJ4PY2–The Roxburghe ballads . To the Tune of, Now the Tyranthas stolen my dearest away (a ballad reprinted in vol. vi. p. 67).The burden of Laurence Prices Seamans Compass was Theresnone but a Seaman shall marry with me. This agrees with the determination of another damosel, whoappears on our p. 510; but she can scarcely be considered a prize. The present ballad describes the habits formerly attributed to The Wanton Girls of Gravesend Town, with a frankness notaltogether complimentary, yet with some discretion. Consideringhow much he boasts himself to have known, it ought to comfortpeople who are ea
