Fifteenth century painting hi-res stock photography and images

A ship in a storm: St Nicholas rebukes the tempest. An early fifteenth century painting by Bicci di Lorenzo, in the Ashmolean Museum, Oxford. Stock Photo

RMWH8PNK–A ship in a storm: St Nicholas rebukes the tempest. An early fifteenth century painting by Bicci di Lorenzo, in the Ashmolean Museum, Oxford.

RMPB4157–Virgin and Child. Artist: Master of the Saint Ursula Legend (Netherlandish, active late 15th century). Dimensions: Arched top, 22 1/8 x 13 1/2 in. (56.2 x 34.3 cm). Date: 1475-99. Devotional images of the breastfeeding Virgin, the Virgo lactans, became extremely popular in fifteenth-century painting, particularly in Bruges, where the Sint-Donaaskerk housed relics of Mary's hair and milk. While the motif generally derives from a Byzantine icon type (galaktotrophousa), the Virgin and Child in this picture were quoted from Rogier van der Weyden's Saint Luke Drawing the Virgin</i

Fifteenth century painting of sailing ship on wall of Snargate church, Romney Marsh, Kent Stock Photo

RMK6HHBK–Fifteenth century painting of sailing ship on wall of Snargate church, Romney Marsh, Kent

'Battle of Castillon', 1453 (19th century). Artist: Charles Philippe Auguste Lariviere Stock Photo

RMW7CWAX–'Battle of Castillon', 1453 (19th century). Artist: Charles Philippe Auguste Lariviere

Gothic fragment inspired by 'The Tale Of The Three Dead And The Three Living'.Fifteenth Century painting. Stock Photo

RMBN21T3–Gothic fragment inspired by 'The Tale Of The Three Dead And The Three Living'.Fifteenth Century painting.

Fifteenth century painting of St Eustace at Canterbury cathedral, England. Stock Photo

RMHNY99H–Fifteenth century painting of St Eustace at Canterbury cathedral, England.

China: Dodo (2 April 1614 - 29 April 1649) Manchu prince and general of the Qing Dynasty. Hanging scroll painting, 17th century. Dodo, formally known as Prince Yu, was the fifteenth son of Nurhaci and one of Dorgon's two full brothers. He distinguished himself in the conquest of China alongside Dorgon. Dodo is also somewhat notorious due to his sanctioning of the Massacre of Yangzhou, a terrible bloodbath in which an alleged 800,000 men, women, and children were killed by Manchu soldiers. This massacre began when Dodo authorized his men to have five days to do anything they wished to the tow Stock Photo

RM2B015YW–China: Dodo (2 April 1614 - 29 April 1649) Manchu prince and general of the Qing Dynasty. Hanging scroll painting, 17th century. Dodo, formally known as Prince Yu, was the fifteenth son of Nurhaci and one of Dorgon's two full brothers. He distinguished himself in the conquest of China alongside Dorgon. Dodo is also somewhat notorious due to his sanctioning of the Massacre of Yangzhou, a terrible bloodbath in which an alleged 800,000 men, women, and children were killed by Manchu soldiers. This massacre began when Dodo authorized his men to have five days to do anything they wished to the tow

Missal of Eberhard von Greiffenklau, Communion, The Missal of Eberhard von Greiffenklau is a masterpiece of Dutch manuscript painting. It was originally produced in the second quarter of the fifteenth century for von Greiffenklau, prebendary of Utrecht from 1446. The manuscript features work by the Masters of Zweder van Culemborg, active in the Utrecht area between 1420 and 1440, so-named after the Bishop of Utrecht 1425-33 for whom they produced a magnificent Missal in the late 1420s (now Bressanone, Bibl. del Seminario Maggiore) Stock Photo

RM2T901T0–Missal of Eberhard von Greiffenklau, Communion, The Missal of Eberhard von Greiffenklau is a masterpiece of Dutch manuscript painting. It was originally produced in the second quarter of the fifteenth century for von Greiffenklau, prebendary of Utrecht from 1446. The manuscript features work by the Masters of Zweder van Culemborg, active in the Utrecht area between 1420 and 1440, so-named after the Bishop of Utrecht 1425-33 for whom they produced a magnificent Missal in the late 1420s (now Bressanone, Bibl. del Seminario Maggiore)

15th century musical instruments. Painting Hubert van Eyck?) showing musicians playing tromba marina, lute, psaltery, harp, portative organ, and vielle. Choirs in towers at side of musicians. Stock Photo

RMK2YC9G–15th century musical instruments. Painting Hubert van Eyck?) showing musicians playing tromba marina, lute, psaltery, harp, portative organ, and vielle. Choirs in towers at side of musicians.

Portrait of Ludovico Bolognini by Unknown Ferrarese painter of the fifteenth century 15th century, Italy, Italian. Stock Photo

RMR6A89A–Portrait of Ludovico Bolognini by Unknown Ferrarese painter of the fifteenth century 15th century, Italy, Italian.

The Legend of Saint Lucie, Virgin and Child with Saints' (detail), 15th century. From the Art Museum of Estonia, Tallinn. Stock Photo

RM2CWBFJ1–The Legend of Saint Lucie, Virgin and Child with Saints' (detail), 15th century. From the Art Museum of Estonia, Tallinn.

Saint Dominic Resuscitating Napoleone Orsini 1467–74 Bartolomeo degli Erri Italian Bartolomeo degli Erri and his brother Agnolo were the key artistic personalities in Modena (north of Bologna) during the second half of the fifteenth century, painting three altarpieces for the church of San Domenico there. This picture is from the predella of the main altarpiece and shows Saint Dominic resuscitating the nephew of Cardinal Stefano di Fossa Nova, who had been killed in a fall from his horse. In the background, the saint presents the revived young man to his astonished uncle.. Saint Dominic Resusc Stock Photo

RM2HJ138X–Saint Dominic Resuscitating Napoleone Orsini 1467–74 Bartolomeo degli Erri Italian Bartolomeo degli Erri and his brother Agnolo were the key artistic personalities in Modena (north of Bologna) during the second half of the fifteenth century, painting three altarpieces for the church of San Domenico there. This picture is from the predella of the main altarpiece and shows Saint Dominic resuscitating the nephew of Cardinal Stefano di Fossa Nova, who had been killed in a fall from his horse. In the background, the saint presents the revived young man to his astonished uncle.. Saint Dominic Resusc

Sveva da Montefeltro (fifteenth century panel painting) Stock Photo

RMHKFEXY–Sveva da Montefeltro (fifteenth century panel painting)

Renaissance frescos, st Benedict life, painting by Luca Signorelli, west side of Great Cloister, Abbey of Monte Oliveto Maggiore, Tuscany, Italy Stock Photo

RMJGB53T–Renaissance frescos, st Benedict life, painting by Luca Signorelli, west side of Great Cloister, Abbey of Monte Oliveto Maggiore, Tuscany, Italy

Piedmont - Saluzzo (Cn) - Castello della Manta. Fresco of the fifteenth century. Stock Photo

RMCP3YMP–Piedmont - Saluzzo (Cn) - Castello della Manta. Fresco of the fifteenth century.

The Jew's Passover. Facsimile of a miniature from a missal of the fifteenth century ornamented with painting of the school of Ven Eyck. Stock Photo

RMW2R3H7–The Jew's Passover. Facsimile of a miniature from a missal of the fifteenth century ornamented with painting of the school of Ven Eyck.

St. Stephen preaching - from fresco painting by Fra Angelico in the chapel of Nicholas V, in the Vatican, Italy. 15th century. Stock Photo

RMERGFHT–St. Stephen preaching - from fresco painting by Fra Angelico in the chapel of Nicholas V, in the Vatican, Italy. 15th century.

Pilgrim James. Detail of the altarpiece. Late fifteenth century. Marañon. Navarre. Stock Photo

RMBG8N82–Pilgrim James. Detail of the altarpiece. Late fifteenth century. Marañon. Navarre.

Art inspired by Two Camels Fighting, late 16th–early 17th century, Attributed to Iran, Ink, watercolor, and gold on paper, Painting: H. 4 1/8 in. (10.5 cm), Codices, The depiction of two camels fighting has a long history in Iranian art, stretching back to pre-Islamic times, and was, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTY9J2–Art inspired by Two Camels Fighting, late 16th–early 17th century, Attributed to Iran, Ink, watercolor, and gold on paper, Painting: H. 4 1/8 in. (10.5 cm), Codices, The depiction of two camels fighting has a long history in Iranian art, stretching back to pre-Islamic times, and was, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Illuminated manuscript done by the Bedford Master a French illuminator active in Paris during the fifteenth century. The Bedford Master is known to have been the head of a workshop. His chief assistant is known as the Chief Associate of the Bedford Master Stock Photo

RMG169RB–Illuminated manuscript done by the Bedford Master a French illuminator active in Paris during the fifteenth century. The Bedford Master is known to have been the head of a workshop. His chief assistant is known as the Chief Associate of the Bedford Master

Saint Dominic Resuscitating Napoleone Orsini. Artist: Bartolomeo degli Erri (Italian, Modena, active 1460-79). Dimensions: 14 x 17 1/2 in. (35.6 x 44.5 cm). Date: 1467-74. Bartolomeo degli Erri and his brother Agnolo were the key artistic personalities in Modena (north of Bologna) during the second half of the fifteenth century, painting three altarpieces for the church of San Domenico there. This picture is from the predella of the main altarpiece and shows Saint Dominic resuscitating the nephew of Cardinal Stefano di Fossa Nova, who had been killed in a fall from his horse. In the backgroun Stock Photo

RMPAAPBF–Saint Dominic Resuscitating Napoleone Orsini. Artist: Bartolomeo degli Erri (Italian, Modena, active 1460-79). Dimensions: 14 x 17 1/2 in. (35.6 x 44.5 cm). Date: 1467-74. Bartolomeo degli Erri and his brother Agnolo were the key artistic personalities in Modena (north of Bologna) during the second half of the fifteenth century, painting three altarpieces for the church of San Domenico there. This picture is from the predella of the main altarpiece and shows Saint Dominic resuscitating the nephew of Cardinal Stefano di Fossa Nova, who had been killed in a fall from his horse. In the backgroun

Detail of 15th century screen showing the Old testament prophet Lazarus, at All Saints Church, Thornham in north Norfolk. Stock Photo

RMWB2GM4–Detail of 15th century screen showing the Old testament prophet Lazarus, at All Saints Church, Thornham in north Norfolk.

Scene from a story of chivalry, c1400. Artist: Anon Stock Photo

RMW7CRXC–Scene from a story of chivalry, c1400. Artist: Anon

The Six Bells Horley 1912 watercolour of the yard of the fifteenth century pub in the Surrey town Stock Photo

RMARGYRP–The Six Bells Horley 1912 watercolour of the yard of the fifteenth century pub in the Surrey town

RMHNY9B0–Fifteenth century painting of St Eustace at Canterbury cathedral, England.

France: Noah supervising the building of the ark with God's blessing from on high. Miniature painting from the Bedford Hours, by the Bedford Master (fl. 15th century), c. 1423. The Bedford Master was an manuscript illuminator active in Paris during the fifteenth century. He is named for the work he did on two books illustrated for John of Lancaster, 1st Duke of Bedford between 1415 and 1435. One is the Bedford Hours, a Book of Hours, in the British Library. Noah (or Noe, Noach) was, according to the Hebrew Bible, the tenth and last of the antediluvian Patriarchs. Stock Photo

RM2B01DW0–France: Noah supervising the building of the ark with God's blessing from on high. Miniature painting from the Bedford Hours, by the Bedford Master (fl. 15th century), c. 1423. The Bedford Master was an manuscript illuminator active in Paris during the fifteenth century. He is named for the work he did on two books illustrated for John of Lancaster, 1st Duke of Bedford between 1415 and 1435. One is the Bedford Hours, a Book of Hours, in the British Library. Noah (or Noe, Noach) was, according to the Hebrew Bible, the tenth and last of the antediluvian Patriarchs.

Missal of Eberhard von Greiffenklau, Resurrection, The Missal of Eberhard von Greiffenklau is a masterpiece of Dutch manuscript painting. It was originally produced in the second quarter of the fifteenth century for von Greiffenklau, prebendary of Utrecht from 1446. The manuscript features work by the Masters of Zweder van Culemborg, active in the Utrecht area between 1420 and 1440, so-named after the Bishop of Utrecht 1425-33 for whom they produced a magnificent Missal in the late 1420s (now Bressanone, Bibl. del Seminario Maggiore) Stock Photo

RM2T901RJ–Missal of Eberhard von Greiffenklau, Resurrection, The Missal of Eberhard von Greiffenklau is a masterpiece of Dutch manuscript painting. It was originally produced in the second quarter of the fifteenth century for von Greiffenklau, prebendary of Utrecht from 1446. The manuscript features work by the Masters of Zweder van Culemborg, active in the Utrecht area between 1420 and 1440, so-named after the Bishop of Utrecht 1425-33 for whom they produced a magnificent Missal in the late 1420s (now Bressanone, Bibl. del Seminario Maggiore)

Coronation of the Virgin - detail of angel musicians from painting by Fra Angelico, c. 1434-1435. FA: Also known as Fra Giovanni da Fiesole. Early Italian Renaissance painter, born Guido di Pietro. C. 1395 – 18 February 1455 Stock Photo

RMKH91KW–Coronation of the Virgin - detail of angel musicians from painting by Fra Angelico, c. 1434-1435. FA: Also known as Fra Giovanni da Fiesole. Early Italian Renaissance painter, born Guido di Pietro. C. 1395 – 18 February 1455

Saint Peter Enthroned by Giovanni dal Ponte 1385-1437 , Florence, Italy, ( Giovanni di Marco, Giovanni dal Ponte or da Ponte, Italian painter, Tuscany fifteenth century. ) Stock Photo

RM2K6D0NB–Saint Peter Enthroned by Giovanni dal Ponte 1385-1437 , Florence, Italy, ( Giovanni di Marco, Giovanni dal Ponte or da Ponte, Italian painter, Tuscany fifteenth century. )

Altarpiece of St Vincent by Nuno Goncalves, 1460. Panel of the Relic (right side), Panel of the Knights (left side). From the Museu Nacional de Arte Antiga, Lisbon, Portugal. Stock Photo

RM2CWBFGX–Altarpiece of St Vincent by Nuno Goncalves, 1460. Panel of the Relic (right side), Panel of the Knights (left side). From the Museu Nacional de Arte Antiga, Lisbon, Portugal.

RM2HH3483–Virgin and Child 1475–99 Master of the Saint Ursula Legend Netherlandish Devotional images of the breastfeeding Virgin, the Virgo lactans, became extremely popular in fifteenth-century painting, particularly in Bruges, where the Sint-Donaaskerk housed relics of Mary’s hair and milk. While the motif generally derives from a Byzantine icon type (galaktotrophousa), the Virgin and Child in this picture were quoted from Rogier van der Weyden’s Saint Luke Drawing the Virgin (Museum of Fine Arts, Boston). The seemingly archaic trompe l'oeil golden niche returns the image to its status as an icon.The

Fifteenth-century food vendor (fresco from Castello di Issogne) Stock Photo

RMHKTEXK–Fifteenth-century food vendor (fresco from Castello di Issogne)

RMJGB53N–Renaissance frescos, st Benedict life, painting by Luca Signorelli, west side of Great Cloister, Abbey of Monte Oliveto Maggiore, Tuscany, Italy

RMKWDJKB–THE YOUNG ST. JOHN THE BAPTIST, by Piero di Cosimo, 1480-1522, Italian Renaissance tempera painting. Saint John the Baptist portrayed in profile with a rustic cross, a halo, and wearing a camel skin. He was Florences patron saints and images of him as a youth were popular in the fifteenth century (BSLOC 2017 16 67)

The Jews Passover. Facsimile of a miniature from a missel of the fifteenth century ornamented with painting of the school of Ven Eyck. Stock Photo

RMW2R3H2–The Jews Passover. Facsimile of a miniature from a missel of the fifteenth century ornamented with painting of the school of Ven Eyck.

. English: Anonymous late fifteenth-century portrait of Sveva da Montefeltro (beata Serafina Sforza), painted on a panel forming part of one of the doors of a credenza (sideboard, cupboard or similar item of furniture). Musei Civici, Pesaro, Italy. Late fifteenth century. Anonymous Renaissance painter 582 Sveva da Montefeltro (fifteenth-century panel painting) Stock Photo

RMMW1A9F–. English: Anonymous late fifteenth-century portrait of Sveva da Montefeltro (beata Serafina Sforza), painted on a panel forming part of one of the doors of a credenza (sideboard, cupboard or similar item of furniture). Musei Civici, Pesaro, Italy. Late fifteenth century. Anonymous Renaissance painter 582 Sveva da Montefeltro (fifteenth-century panel painting)

Monastery of Pantanassa. Inside view. Mistra. Greece. Stock Photo

RMBG8R01–Monastery of Pantanassa. Inside view. Mistra. Greece.

Art inspired by Bookcover with Christian Themes, mid-19th century, Attributed to Iran, Pasteboard; painted and lacquered, H. 11 1/8 in. (28.3 cm), Codices, The technique of painting on pasteboard under lacquer varnish had been utilized in Persian bookbinding from at least the fifteenth, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTY8N0–Art inspired by Bookcover with Christian Themes, mid-19th century, Attributed to Iran, Pasteboard; painted and lacquered, H. 11 1/8 in. (28.3 cm), Codices, The technique of painting on pasteboard under lacquer varnish had been utilized in Persian bookbinding from at least the fifteenth, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Detail from an iIlluminated manuscript done by the Bedford Master a French illuminator active in Paris during the fifteenth century. His chief assistant is known as the Chief Associate of the Bedford Master. Noah's Ark is the vessel in the Genesis flood n Stock Photo

RMG169RH–Detail from an iIlluminated manuscript done by the Bedford Master a French illuminator active in Paris during the fifteenth century. His chief assistant is known as the Chief Associate of the Bedford Master. Noah's Ark is the vessel in the Genesis flood n

Salvator Mundi. Artist: Workshop of Hans Memling (Netherlandish, Seligenstadt, active by 1465-died 1494 Bruges). Dimensions: Overall, with integral frame, diameter 10 3/4 in. (27.3 cm); painted surface 8 in. (20.3 cm). Date: 1475-99. Christ is shown as the Savior of the World (Salvator Mundi), a popular image in fifteenth-century painting. Front-faced, he holds a cross-topped globe and raises his right hand in blessing, merging the themes of the Holy Face (Christ's features miraculously imprinted on a cloth) and Christ in Majesty. The small, circular format made this picture appropriate for h Stock Photo

RMPB3HP0–Salvator Mundi. Artist: Workshop of Hans Memling (Netherlandish, Seligenstadt, active by 1465-died 1494 Bruges). Dimensions: Overall, with integral frame, diameter 10 3/4 in. (27.3 cm); painted surface 8 in. (20.3 cm). Date: 1475-99. Christ is shown as the Savior of the World (Salvator Mundi), a popular image in fifteenth-century painting. Front-faced, he holds a cross-topped globe and raises his right hand in blessing, merging the themes of the Holy Face (Christ's features miraculously imprinted on a cloth) and Christ in Majesty. The small, circular format made this picture appropriate for h

Panel with The Crucifixion from Retable. Domingo Ram. 15th century. Made in Aragon, Spain. Stock Photo

RM2W7JJNF–Panel with The Crucifixion from Retable. Domingo Ram. 15th century. Made in Aragon, Spain.

'Virgin and Child with St Paul', c1450. Artist: Anon Stock Photo

RMW7CRXF–'Virgin and Child with St Paul', c1450. Artist: Anon

James Buchanan Jr (1791-1868), American politician who served as the 15th President of the United States, portrait painting by Jacob Eichholtz, 1834 Stock Photo

RM2D690AP–James Buchanan Jr (1791-1868), American politician who served as the 15th President of the United States, portrait painting by Jacob Eichholtz, 1834

ROCHESTER CASTLE, Kent. Aerial reconstruction drawing by Alan Sorrell showing the castle as it might have appeared in the fifteenth century. Stock Photo

RM2D1TN91–ROCHESTER CASTLE, Kent. Aerial reconstruction drawing by Alan Sorrell showing the castle as it might have appeared in the fifteenth century.

'The Healing of Saint Roch', late 15th century. Artist: German Master Stock Photo

RMDE89K4–'The Healing of Saint Roch', late 15th century. Artist: German Master

Missal of Eberhard von Greiffenklau, All Saints, The Missal of Eberhard von Greiffenklau is a masterpiece of Dutch manuscript painting. It was originally produced in the second quarter of the fifteenth century for von Greiffenklau, prebendary of Utrecht from 1446. The manuscript features work by the Masters of Zweder van Culemborg, active in the Utrecht area between 1420 and 1440, so-named after the Bishop of Utrecht 1425-33 for whom they produced a magnificent Missal in the late 1420s (now Bressanone, Bibl. del Seminario Maggiore) Stock Photo

RM2T901XD–Missal of Eberhard von Greiffenklau, All Saints, The Missal of Eberhard von Greiffenklau is a masterpiece of Dutch manuscript painting. It was originally produced in the second quarter of the fifteenth century for von Greiffenklau, prebendary of Utrecht from 1446. The manuscript features work by the Masters of Zweder van Culemborg, active in the Utrecht area between 1420 and 1440, so-named after the Bishop of Utrecht 1425-33 for whom they produced a magnificent Missal in the late 1420s (now Bressanone, Bibl. del Seminario Maggiore)

Angels playing instruments. (Double flute, lute, psaltery, timbrel, guitar-fiddle, mandola).Image part of 'The Ascension of the Virgin' (c.1500), by Girolamo di Benvenuto. Stock Photo

RMKH910Y–Angels playing instruments. (Double flute, lute, psaltery, timbrel, guitar-fiddle, mandola).Image part of 'The Ascension of the Virgin' (c.1500), by Girolamo di Benvenuto.

Liberation of Saint Peter from prison by Giovanni dal Ponte 1385-1437 , Florence, Italy, ( Giovanni di Marco, Giovanni dal Ponte or da Ponte, Italian painter, Tuscany fifteenth century. ) Stock Photo

RM2K6D0NH–Liberation of Saint Peter from prison by Giovanni dal Ponte 1385-1437 , Florence, Italy, ( Giovanni di Marco, Giovanni dal Ponte or da Ponte, Italian painter, Tuscany fifteenth century. )

Virgin of Humility', 15th century. by Giovanni di Paolo Stock Photo

RM2CWBG2M–Virgin of Humility', 15th century. by Giovanni di Paolo

First half of Ten Thousand Li of the Yangzi River late 15th century Unidentified artist This handscroll was split into two pieces; this is the first half, for the second, see 13.220.18. Once attributed to the Southern Song court painter Xia Gui, these paintings in fact reflect a later interpretation of the artist’s style. Xia’s subtle brushwork has been magnified in both size and intensity to create a bold, high-contrast work of art. Ten Thousand Li of the Yangzi River exemplifies a type of fifteenth-century painting in which earlier styles—especially those of the Southern Song—were intensifie Stock Photo

RM2HHW2Y8–First half of Ten Thousand Li of the Yangzi River late 15th century Unidentified artist This handscroll was split into two pieces; this is the first half, for the second, see 13.220.18. Once attributed to the Southern Song court painter Xia Gui, these paintings in fact reflect a later interpretation of the artist’s style. Xia’s subtle brushwork has been magnified in both size and intensity to create a bold, high-contrast work of art. Ten Thousand Li of the Yangzi River exemplifies a type of fifteenth-century painting in which earlier styles—especially those of the Southern Song—were intensifie

How to allure the Hare Fac simile of a Miniature in the Manuscript of Phoebus Fifteenth Century Stock Photo

RMHKC0RR–How to allure the Hare Fac simile of a Miniature in the Manuscript of Phoebus Fifteenth Century

RMH9FJXT–Renaissance frescos, st Benedict life, painting by Luca Signorelli, west side of Great Cloister, Abbey of Monte Oliveto Maggiore, Tuscany, Italy

The Life of Leonardo da Vinci: Painting the Mona Lisa 'La Gioconda/ La Joconde). LDV: Italian polymath (painter, architect, Stock Photo

RMERGJ11–The Life of Leonardo da Vinci: Painting the Mona Lisa 'La Gioconda/ La Joconde). LDV: Italian polymath (painter, architect,

All Seeing Eye: A painting of an eye in a pyramid radiating light: A painting of an eye in a pyramid radiating light surrounded by winged heads angels saints Reminiscent of an American dollar bill Stock Photo

RM2MADKN7–All Seeing Eye: A painting of an eye in a pyramid radiating light: A painting of an eye in a pyramid radiating light surrounded by winged heads angels saints Reminiscent of an American dollar bill

RMMY2MCH–. English: Anonymous late fifteenth-century portrait of Sveva da Montefeltro (beata Serafina Sforza), painted on a panel forming part of one of the doors of a credenza (sideboard, cupboard or similar item of furniture). Musei Civici, Pesaro, Italy. Late fifteenth century. Anonymous Renaissance painter 509 Sveva da Montefeltro (fifteenth-century panel painting)

RMJ4GKF0–Sveva da Montefeltro (fifteenth century panel painting)

Wolfgang, circa 924 - 31.10.994, Saint, bishop of Regensburg, painting, ARTIST'S COPYRIGHT HAS NOT TO BE CLEARED Stock Photo

RM2RD6EDH–Wolfgang, circa 924 - 31.10.994, Saint, bishop of Regensburg, painting, ARTIST'S COPYRIGHT HAS NOT TO BE CLEARED

RMBMJYP9–15Ith century icon depicting the Annunciation. Italo-Cretan School. Franciscan Monastery Museum. Dubrovnik. Croatia.

SANCHEZ, Pedro. Spanish painter active in Seville in the second half of the fifteenth century. THE BURIAL OF CHRIST. Painting on wood. Museum of Fine Arts. Budapest. Hungary. Stock Photo

RMP50F0B–SANCHEZ, Pedro. Spanish painter active in Seville in the second half of the fifteenth century. THE BURIAL OF CHRIST. Painting on wood. Museum of Fine Arts. Budapest. Hungary.

Phaeton Driving the Chariot of Phoebus by an unknown Northern Italian artist. 1475/1500. Stock Photo

RM2R5EX17–Phaeton Driving the Chariot of Phoebus by an unknown Northern Italian artist. 1475/1500.

'Christ Nailed to the Cross', c1481. Artist: Gerard David Stock Photo

RMW7CY36–'Christ Nailed to the Cross', c1481. Artist: Gerard David

James Buchanan Jr (1791-1868), American politician who served as the 15th President of the United States, portrait painting by George Peter Alexander Healy, 1859 Stock Photo

RM2D690EB–James Buchanan Jr (1791-1868), American politician who served as the 15th President of the United States, portrait painting by George Peter Alexander Healy, 1859

15th century painting The Judgement of Cambyses, part 2 by Gerard David, Early Netherlandish painter in the Groeningemuseum, Bruges, Flanders, Belgium Stock Photo

RMRERXW7–15th century painting The Judgement of Cambyses, part 2 by Gerard David, Early Netherlandish painter in the Groeningemuseum, Bruges, Flanders, Belgium

'The Expulsion of Saint Roch from Rome', late 15th century. Artist: German Master Stock Photo

RMDE89FB–'The Expulsion of Saint Roch from Rome', late 15th century. Artist: German Master

Missal of Eberhard von Greiffenklau, Annunciation, The Missal of Eberhard von Greiffenklau is a masterpiece of Dutch manuscript painting. It was originally produced in the second quarter of the fifteenth century for von Greiffenklau, prebendary of Utrecht from 1446. The manuscript features work by the Masters of Zweder van Culemborg, active in the Utrecht area between 1420 and 1440, so-named after the Bishop of Utrecht 1425-33 for whom they produced a magnificent Missal in the late 1420s (now Bressanone, Bibl. del Seminario Maggiore) Stock Photo

RM2T9022M–Missal of Eberhard von Greiffenklau, Annunciation, The Missal of Eberhard von Greiffenklau is a masterpiece of Dutch manuscript painting. It was originally produced in the second quarter of the fifteenth century for von Greiffenklau, prebendary of Utrecht from 1446. The manuscript features work by the Masters of Zweder van Culemborg, active in the Utrecht area between 1420 and 1440, so-named after the Bishop of Utrecht 1425-33 for whom they produced a magnificent Missal in the late 1420s (now Bressanone, Bibl. del Seminario Maggiore)

Color print of fifteenth-century ruler, Charles the Bold, Duke of Burgandy, seated on his throne (at right) with his barons and councilors crowded next to him and at the base of the steps, with medieval architecture, horses, and people in the background, and marginalia in the lower register, after an original miniature painting from the manuscript Chroniques abregees des Anciens Rois et Ducs de Bourgogne, 1870. Courtesy Internet Archive. () Stock Photo

RMPEDP0H–Color print of fifteenth-century ruler, Charles the Bold, Duke of Burgandy, seated on his throne (at right) with his barons and councilors crowded next to him and at the base of the steps, with medieval architecture, horses, and people in the background, and marginalia in the lower register, after an original miniature painting from the manuscript Chroniques abregees des Anciens Rois et Ducs de Bourgogne, 1870. Courtesy Internet Archive. ()

The celebration of the enactment of the Fifteenth Amendment on March 30, 1870. Stock Photo

RF2G27MDK–The celebration of the enactment of the Fifteenth Amendment on March 30, 1870.

Madonna and Child', 15th century by Petrus Christus. From the Staatliche Museen, Berlin, Germany. Stock Photo

RM2CWBG20–Madonna and Child', 15th century by Petrus Christus. From the Staatliche Museen, Berlin, Germany.

Salvator Mundi 1480–85 Workshop of Hans Memling Netherlandish Christ is shown as the Savior of the World (Salvator Mundi), a popular image in fifteenth-century painting. Front-facing, he holds a cross-topped globe and raises his right hand in blessing, merging the themes of the Holy Face (Christ’s features miraculously imprinted on a cloth) and Christ in Majesty. The small, circular format made this picture appropriate for hanging above a bed.. Salvator Mundi. Workshop of Hans Memling (Netherlandish, Seligenstadt, active by 1465–died 1494 Bruges). 1480–85. Oil on wood. Paintings Stock Photo

RM2HH2YJW–Salvator Mundi 1480–85 Workshop of Hans Memling Netherlandish Christ is shown as the Savior of the World (Salvator Mundi), a popular image in fifteenth-century painting. Front-facing, he holds a cross-topped globe and raises his right hand in blessing, merging the themes of the Holy Face (Christ’s features miraculously imprinted on a cloth) and Christ in Majesty. The small, circular format made this picture appropriate for hanging above a bed.. Salvator Mundi. Workshop of Hans Memling (Netherlandish, Seligenstadt, active by 1465–died 1494 Bruges). 1480–85. Oil on wood. Paintings

Italian Nobleman of the Fifteenth Century From a Playing card engraved on Copper about 1460 Cabinet des Estampes National Library of Paris edit2 Stock Photo

RMHKE5M0–Italian Nobleman of the Fifteenth Century From a Playing card engraved on Copper about 1460 Cabinet des Estampes National Library of Paris edit2

Italy, Tuscany, Montepulciano, Duomo, Trittico dell'Assunta, painted by Taddeo di Bartolo (1401 AD) Stock Photo

RMD6BB14–Italy, Tuscany, Montepulciano, Duomo, Trittico dell'Assunta, painted by Taddeo di Bartolo (1401 AD)

Raphael taking his first painting lessons in his parents' house, 1491. Illustration of an episode from the life of Italian Stock Photo

RMERGJC0–Raphael taking his first painting lessons in his parents' house, 1491. Illustration of an episode from the life of Italian

Madonna and Child, icons, Wood, 15th century Stock Photo

RMBM2R2C–Madonna and Child, icons, Wood, 15th century

RMMWRGAE–. English: Anonymous late fifteenth-century portrait of Sveva da Montefeltro (beata Serafina Sforza), painted on a panel forming part of one of the doors of a credenza (sideboard, cupboard or similar item of furniture). Musei Civici, Pesaro, Italy. Late fifteenth century. Anonymous Renaissance painter 582 Sveva da Montefeltro (fifteenth-century panel painting)

Art inspired by Preparation for a Feast', Folio from a Divan of Jami, late 15th century, Attributed to Iran, Opaque watercolor, ink, and gold on paper, Painting: H. 6 15/16 in. (17.6 cm), Codices, This painting depicts in a lively fashion the many tasks involved in the preparation of a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8MKD–Art inspired by Preparation for a Feast', Folio from a Divan of Jami, late 15th century, Attributed to Iran, Opaque watercolor, ink, and gold on paper, Painting: H. 6 15/16 in. (17.6 cm), Codices, This painting depicts in a lively fashion the many tasks involved in the preparation of a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

religion, Christianity, Annunciation of the Blessed Virgin Mary, angel in front of Mary, painting, ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE Stock Photo

RM2FMX2D0–religion, Christianity, Annunciation of the Blessed Virgin Mary, angel in front of Mary, painting, ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE

Leonardo da Vinci (1452-1519). Italian artist, architect and inventor. Portrait. Engraving from a 16th century original. 'Les Arts au Moyen Age et a l'Epoque de la Renaissance'. Paris, 1877. Stock Photo

RM2R7W49C–Leonardo da Vinci (1452-1519). Italian artist, architect and inventor. Portrait. Engraving from a 16th century original. 'Les Arts au Moyen Age et a l'Epoque de la Renaissance'. Paris, 1877.

Virgin and Child. Artist: Workshop or Circle of Hans Traut (German, ca. 1500). Dimensions: 15 5/8 x 12 1/8 in. (39.7 x 30.8 cm). This painting testifies to the widespread influence of early Netherlandish masters on German artists of the last half of the fifteenth century. Although the exact prototype for this <i>Virgin and Child</i> is unknown, the composition and figure style can be generally associated with models by Dieric Bouts that were widely circulated through drawings. Technical examination revealed that the underdrawing of the figures was transferred onto the panel from a preexisting Stock Photo

RMPANPX4–Virgin and Child. Artist: Workshop or Circle of Hans Traut (German, ca. 1500). Dimensions: 15 5/8 x 12 1/8 in. (39.7 x 30.8 cm). This painting testifies to the widespread influence of early Netherlandish masters on German artists of the last half of the fifteenth century. Although the exact prototype for this Virgin and Child is unknown, the composition and figure style can be generally associated with models by Dieric Bouts that were widely circulated through drawings. Technical examination revealed that the underdrawing of the figures was transferred onto the panel from a preexisting

Emperor Heraclius Slays the King of Persia. 1460/80 Stock Photo

RM2R5EWWC–Emperor Heraclius Slays the King of Persia. 1460/80

Altarpiece of St Vincent, 1460. Artist: Nuno Goncalves Stock Photo

RMW7CW2G–Altarpiece of St Vincent, 1460. Artist: Nuno Goncalves

James Buchanan (1791-1868), 15th President of the United States, portrait painting by George Peter Alexander Healy, 1859 Stock Photo

RM2EM46EJ–James Buchanan (1791-1868), 15th President of the United States, portrait painting by George Peter Alexander Healy, 1859

Festival of the Archers - Schuttersfeest 1493 by Meister von Frankfurt ,Meester van Frankfurt, Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. ( The fifteenth century, cities in the Low Countries relied on civic militias to help maintain public order. Armed guilds like this also represented their town at festivities elsewhere, and organised competitions and parties of their own. A well-attended festival staged by one of Antwerp’s four crossbow companies is what we see here. The host was the ‘Guild of the Old Handbow’, which owned the painting for many years. Stock Photo

RM2X21DMW–Festival of the Archers - Schuttersfeest 1493 by Meister von Frankfurt ,Meester van Frankfurt, Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. ( The fifteenth century, cities in the Low Countries relied on civic militias to help maintain public order. Armed guilds like this also represented their town at festivities elsewhere, and organised competitions and parties of their own. A well-attended festival staged by one of Antwerp’s four crossbow companies is what we see here. The host was the ‘Guild of the Old Handbow’, which owned the painting for many years.

RMMPT6WC–Icon of Elijah fed by a Crow, 15th-16th century (1401-1600). Artist: Unknown.

Missal of Eberhard von Greiffenklau, A Prophet, The Missal of Eberhard von Greiffenklau is a masterpiece of Dutch manuscript painting. It was originally produced in the second quarter of the fifteenth century for von Greiffenklau, prebendary of Utrecht from 1446. The manuscript features work by the Masters of Zweder van Culemborg, active in the Utrecht area between 1420 and 1440, so-named after the Bishop of Utrecht 1425-33 for whom they produced a magnificent Missal in the late 1420s (now Bressanone, Bibl. del Seminario Maggiore) Stock Photo

RM2T90213–Missal of Eberhard von Greiffenklau, A Prophet, The Missal of Eberhard von Greiffenklau is a masterpiece of Dutch manuscript painting. It was originally produced in the second quarter of the fifteenth century for von Greiffenklau, prebendary of Utrecht from 1446. The manuscript features work by the Masters of Zweder van Culemborg, active in the Utrecht area between 1420 and 1440, so-named after the Bishop of Utrecht 1425-33 for whom they produced a magnificent Missal in the late 1420s (now Bressanone, Bibl. del Seminario Maggiore)

the Count of Flanders and Hainaut, Baudouin elected Emperor of the East / May 9, 1204 miniatures of the fifteenth century Stock Photo

RMG6NFNJ–the Count of Flanders and Hainaut, Baudouin elected Emperor of the East / May 9, 1204 miniatures of the fifteenth century

RMRERYAJ–15th century painting The Judgement of Cambyses, part 2 by Gerard David, Early Netherlandish painter in the Groeningemuseum, Bruges, Flanders, Belgium

The Adoration of the Magi' (detail), 15th century. From the Pushkin State Museum of Fine Arts, Moscow, Russia. Stock Photo

RM2CWBFGH–The Adoration of the Magi' (detail), 15th century. From the Pushkin State Museum of Fine Arts, Moscow, Russia.

An unflattering but possibly true to life 15th century portrait of an ageing Christopher Columbus (1451 – 1506), wearing a turban-like head covering. Some historians have disputed the claim saying that this image represents Paolo dal Pozzo Toscanelli (but who had a rounded nose) and who worked closely with Columbus before his voyage of discovery to America. Stock Photo

RMKX9T8T–An unflattering but possibly true to life 15th century portrait of an ageing Christopher Columbus (1451 – 1506), wearing a turban-like head covering. Some historians have disputed the claim saying that this image represents Paolo dal Pozzo Toscanelli (but who had a rounded nose) and who worked closely with Columbus before his voyage of discovery to America.

RMHX8E4R–Sveva da Montefeltro (fifteenth century panel painting)

RMD6BB66–Italy, Tuscany, Montepulciano, Duomo, Trittico dell'Assunta, painted by Taddeo di Bartolo (1401 AD)

Christopher Columbus. Copy of a painting of 1555 after a lost original. CC Spanish explorer 1451 - 20 May 1506. Stock Photo

RMERG2T0–Christopher Columbus. Copy of a painting of 1555 after a lost original. CC Spanish explorer 1451 - 20 May 1506.

Spring on the Farm, by Limbourg Brothers, 15th Century, 1385-1416 Stock Photo

RMBK5W0K–Spring on the Farm, by Limbourg Brothers, 15th Century, 1385-1416

N/A. English: Detail of a fifteenth century fresco painting in Alva Church, Gotland, Sweden, depicting a Passion scene. 15th century. Unknown 91 Alva Church Gotland fresco Stock Photo

RMP5KHDB–N/A. English: Detail of a fifteenth century fresco painting in Alva Church, Gotland, Sweden, depicting a Passion scene. 15th century. Unknown 91 Alva Church Gotland fresco

Art inspired by 明陳子和古木酒仙圖軸, Drunken Immortal beneath an old tree, Ming dynasty (1368–1644), early 16th century, China, Hanging scroll; ink on silk, Image: 69 in. × 40 1/4 in. (175.3 × 102.2 cm), Paintings, Chen Zihe (Chinese, active early 16th century), By the end of the fifteenth, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW3864–Art inspired by 明陳子和古木酒仙圖軸, Drunken Immortal beneath an old tree, Ming dynasty (1368–1644), early 16th century, China, Hanging scroll; ink on silk, Image: 69 in. × 40 1/4 in. (175.3 × 102.2 cm), Paintings, Chen Zihe (Chinese, active early 16th century), By the end of the fifteenth, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

fine arts, painting, Madonna with unicorn, circa 1460, central panel of the winged altar of Jenikov, ARTIST'S COPYRIGHT HAS NOT TO BE CLEARED Stock Photo

RM2G3A6EF–fine arts, painting, Madonna with unicorn, circa 1460, central panel of the winged altar of Jenikov, ARTIST'S COPYRIGHT HAS NOT TO BE CLEARED

Unknown Artist, Netherlandish (Late 15th Century), Virgin and Child in a Landscape, c. 1492-1498, Oil on Panel Stock Photo

RF2T9HKB4–Unknown Artist, Netherlandish (Late 15th Century), Virgin and Child in a Landscape, c. 1492-1498, Oil on Panel

Bookcover with Christian Themes. Dimensions: H. 11 1/8 in. (28.3 cm) W. 6 1/2 in. (16.5 cm). Date: mid-19th century. The technique of painting on pasteboard under lacquer varnish had been utilized in Persian bookbinding from at least the fifteenth century. Originating in China, the technique was transmitted to Iran as a result of the expanded contacts with China during the Timurid hegemony. However, painters, and not bookbinders, were responsible for the adoption of the technique and its development in sixteenth- and seventeenth-century Safavid Iran. Lacquer painting for book covers gained g Stock Photo

RMPAJNKF–Bookcover with Christian Themes. Dimensions: H. 11 1/8 in. (28.3 cm) W. 6 1/2 in. (16.5 cm). Date: mid-19th century. The technique of painting on pasteboard under lacquer varnish had been utilized in Persian bookbinding from at least the fifteenth century. Originating in China, the technique was transmitted to Iran as a result of the expanded contacts with China during the Timurid hegemony. However, painters, and not bookbinders, were responsible for the adoption of the technique and its development in sixteenth- and seventeenth-century Safavid Iran. Lacquer painting for book covers gained g

Altarpiece with The Passion of Christ. Master of the Schlägl Altarpiece. c. 1440s. Oil and gold on wood. Stock Photo

RM2X8H7CC–Altarpiece with The Passion of Christ. Master of the Schlägl Altarpiece. c. 1440s. Oil and gold on wood.

Centre panel of the Ortenberg Altarpiece, c1410-1420. Artist: Master of the Ortenberg Altar Stock Photo

RMW7CRWM–Centre panel of the Ortenberg Altarpiece, c1410-1420. Artist: Master of the Ortenberg Altar

Louis XV of France (1710–1774), as a child, portrait painting after Hyacinthe Rigaud, circa 1716-1724 Stock Photo

RM2B626TD–Louis XV of France (1710–1774), as a child, portrait painting after Hyacinthe Rigaud, circa 1716-1724

Fifteenth century painting Stock Photos and Images

Fifteenth century painting Stock Photos and Images

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