Helena Saville Faucit, Lady Martin, 1817 – 1898. English actress.
Helena Saville Faucit, Lady Martin, 1817 – 1898. English actress. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-helena-saville-faucit-lady-martin-1817-1898-english-actress-116437885.html
Helena Faucit (Lady Martin) : Martin, Theodore, Sir, 1816-1909
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Miss Helen Faucit, by W. F. sic Burton, Caldesi & Montecchi (British, active 1850s), London, England, 1858, Albumen silver print, 35 × 22 cm (13 3/4 × 8 11/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Miss Helen Faucit, by W. F. sic Burton, Caldesi & Montecchi (British, active 1850s), London, England, 1858, Albumen silver print, 35 × 22 cm (13 3/4 × 8 11/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/miss-helen-faucit-by-w-f-sic-burton-caldesi-montecchi-british-active-1850s-london-england-1858-albumen-silver-print-35-22-cm-13-34-8-1116-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349923243.html
lady martin helen faucit Helena Saville Faucit (11 October 1817 - 31 October 1898) was an English actress. The daughter of Jo
lady martin helen faucit Helena Saville Faucit (11 October 1817 - 31 October 1898) was an English actress. The daughter of Jo https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-lady-martin-helen-faucit-helena-saville-faucit-11-october-1817-31-22672415.html
Helena-faucit
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750 Helena-faucit
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Rudolf Lehmann - Miss Helen Faucit, Actress
Rudolf Lehmann - Miss Helen Faucit, Actress https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/rudolf-lehmann-miss-helen-faucit-actress-image384215398.html
Miss Helen Faucit, by W. F. sic Burton. Caldesi & Montecchi (British, active 1850s)
Miss Helen Faucit, by W. F. sic Burton. Caldesi & Montecchi (British, active 1850s) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/miss-helen-faucit-by-w-f-sic-burton-caldesi-montecchi-british-active-1850s-image416432416.html
Helena Faucit (Lady Martin) . Cornell UniversityLibrary The original of this book is inthe Cornell University Library. There are no known copyright restrictions inthe United States on the use of the text. www.archive.org/cletails/cu31924027135304cu31924027135304
Helena Faucit (Lady Martin) . Cornell UniversityLibrary The original of this book is inthe Cornell University Library. There are no known copyright restrictions inthe United States on the use of the text. www.archive.org/cletails/cu31924027135304cu31924027135304 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/helena-faucit-lady-martin-cornell-universitylibrary-the-original-of-this-book-is-inthe-cornell-university-library-there-are-no-known-copyright-restrictions-inthe-united-states-on-the-use-of-the-text-wwwarchiveorgcletailscu31924027135304cu31924027135304-image339396139.html
Scene from "The Lady of Lyons" at the Haymarket Theatre, 1845. London stage production of "The Lady of Lyons; or, Love and Pride", a romantic melodrama written in 1838 by Edward Bulwer-Lytton, 1st Baron Lytton. '...the First Scene of the Second Act...Claude Melnotte (Mr. Anderson), pretending to be the Prince of Como, is speaking to Pauline (Miss Helen Fawcit) of his imaginary Palace...'. From "Illustrated London News", 1845, Vol VII.
Scene from "The Lady of Lyons" at the Haymarket Theatre, 1845. London stage production of "The Lady of Lyons; or, Love and Pride", a romantic melodrama written in 1838 by Edward Bulwer-Lytton, 1st Baron Lytton. '...the First Scene of the Second Act...Claude Melnotte (Mr. Anderson), pretending to be the Prince of Como, is speaking to Pauline (Miss Helen Fawcit) of his imaginary Palace...'. From "Illustrated London News", 1845, Vol VII. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/scene-from-quotthe-lady-of-lyonsquot-at-the-haymarket-theatre-1845-london-stage-production-of-quotthe-lady-of-lyons-or-love-and-pridequot-a-romantic-melodrama-written-in-1838-by-edward-bulwer-lytton-1st-baron-lytton-the-first-scene-of-the-second-actclaude-melnotte-mr-anderson-pretending-to-be-the-prince-of-como-is-speaking-to-pauline-miss-helen-fawcit-of-his-imaginary-palace-from-quotillustrated-london-newsquot-1845-vol-vii-image397472107.html
Helena Faucit (Lady Martin) : Martin, Theodore, Sir, 1816-1909
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Helena faucit
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Helena Faucit (Lady Martin) . his very opulenceof aesthetic capacity in her was apt to disconcert me in my desiredstudies. For example, when forcibly struck with the artisticcompleteness of some momentary pose or action, and its capabilityof being reproduced and perpetuated, without any change, in theart of design, but by reason of its transientness difficult to seizeand fix in the memory, I ardently hoped to see it repeated ona future occasion. Herein I was doomed to disappointment.What took its place was doubtless equally appropriate and efiec-tive in its way, only it may have chanced to lac
Helena Faucit (Lady Martin) . his very opulenceof aesthetic capacity in her was apt to disconcert me in my desiredstudies. For example, when forcibly struck with the artisticcompleteness of some momentary pose or action, and its capabilityof being reproduced and perpetuated, without any change, in theart of design, but by reason of its transientness difficult to seizeand fix in the memory, I ardently hoped to see it repeated ona future occasion. Herein I was doomed to disappointment.What took its place was doubtless equally appropriate and efiec-tive in its way, only it may have chanced to lac https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/helena-faucit-lady-martin-his-very-opulenceof-aesthetic-capacity-in-her-was-apt-to-disconcert-me-in-my-desiredstudies-for-example-when-forcibly-struck-with-the-artisticcompleteness-of-some-momentary-pose-or-action-and-its-capabilityof-being-reproduced-and-perpetuated-without-any-change-in-theart-of-design-but-by-reason-of-its-transientness-difficult-to-seizeand-fix-in-the-memory-i-ardently-hoped-to-see-it-repeated-ona-future-occasion-herein-i-was-doomed-to-disappointmentwhat-took-its-place-was-doubtless-equally-appropriate-and-efiec-tive-in-its-way-only-it-may-have-chanced-to-lac-image339395222.html
Miss Helen Faucit, by W. F. sic Burton, Caldesi & Montecchi (British, active 1850s), London, England, 1858, Albumen silver print, 35 × 22 cm (13 3/4 × 8 11/16 in
Miss Helen Faucit, by W. F. sic Burton, Caldesi & Montecchi (British, active 1850s), London, England, 1858, Albumen silver print, 35 × 22 cm (13 3/4 × 8 11/16 in https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/miss-helen-faucit-by-w-f-sic-burton-caldesi-montecchi-british-active-1850s-london-england-1858-albumen-silver-print-35-22-cm-13-34-8-1116-in-image261295656.html
Eminent women of the age : being narratives of the lives and deeds of the most prominent women of the present generation . has retained its place asone of the stock pieces of the stage ever since. There isnow, indeed, no Claude Melnotte to be compared with Mac-ready, although he was by no means young when he per-formed that youthful part; nor has any one ever approachedhim in it. But Helen Faucit is far nearer the ideal Paulinenow than she was in those days; and it is easy to imaginethe delight of Lord Lytton in witnessing that which it is nottoo much to say surpasses, in refined grace and int
Eminent women of the age : being narratives of the lives and deeds of the most prominent women of the present generation . has retained its place asone of the stock pieces of the stage ever since. There isnow, indeed, no Claude Melnotte to be compared with Mac-ready, although he was by no means young when he per-formed that youthful part; nor has any one ever approachedhim in it. But Helen Faucit is far nearer the ideal Paulinenow than she was in those days; and it is easy to imaginethe delight of Lord Lytton in witnessing that which it is nottoo much to say surpasses, in refined grace and int https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/eminent-women-of-the-age-being-narratives-of-the-lives-and-deeds-of-the-most-prominent-women-of-the-present-generation-has-retained-its-place-asone-of-the-stock-pieces-of-the-stage-ever-since-there-isnow-indeed-no-claude-melnotte-to-be-compared-with-mac-ready-although-he-was-by-no-means-young-when-he-per-formed-that-youthful-part-nor-has-any-one-ever-approachedhim-in-it-but-helen-faucit-is-far-nearer-the-ideal-paulinenow-than-she-was-in-those-days-and-it-is-easy-to-imaginethe-delight-of-lord-lytton-in-witnessing-that-which-it-is-nottoo-much-to-say-surpasses-in-refined-grace-and-int-image343024084.html
Helena Faucit (Lady Martin) . ur heroines ; now you mu?t by tone and manner and dignityof expression lift this one up to yourself. This, by universalconsent, she succeeded in doing, making the character her ownby putting into her impersonation qualities of mind and heartwhich are not to be found in the authors text. The cast of the piece was very powerful. Every character wasin strong hands, and on the first night the play gave everypromise of assured success. But for some nights afterwards theaudiences were so scanty that Mr jMacready talked one day atrehearsal of withdrawing it. Against this
Helena Faucit (Lady Martin) . ur heroines ; now you mu?t by tone and manner and dignityof expression lift this one up to yourself. This, by universalconsent, she succeeded in doing, making the character her ownby putting into her impersonation qualities of mind and heartwhich are not to be found in the authors text. The cast of the piece was very powerful. Every character wasin strong hands, and on the first night the play gave everypromise of assured success. But for some nights afterwards theaudiences were so scanty that Mr jMacready talked one day atrehearsal of withdrawing it. Against this https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/helena-faucit-lady-martin-ur-heroines-now-you-mut-by-tone-and-manner-and-dignityof-expression-lift-this-one-up-to-yourself-this-by-universalconsent-she-succeeded-in-doing-making-the-character-her-ownby-putting-into-her-impersonation-qualities-of-mind-and-heartwhich-are-not-to-be-found-in-the-authors-text-the-cast-of-the-piece-was-very-powerful-every-character-wasin-strong-hands-and-on-the-first-night-the-play-gave-everypromise-of-assured-success-but-for-some-nights-afterwards-theaudiences-were-so-scanty-that-mr-jmacready-talked-one-day-atrehearsal-of-withdrawing-it-against-this-image339395579.html
. Fifty years of an actor's life. s left lamenting—Barry Sullivanon the Road—Enter PZdvvin Forrest—The Othello of Othellos —•The Moor that Shakespeare drew—Breaking the Scottish Saubath—The Mathews—Charlie and Madame at their Zenith—The GoldenFleece—Another check to Proud Ambition ALTHOUGH I had only seen Helen Faucit onthe occasion of my rare visits to Drury Lane,she was the goddess of my idolatry, enthronedin my heart of hearts, and I was in a fever of ex-citement at the very thought of coming in personalcontact with her. Besides, was she not announcedfor Antigone ? And I was to see this div
. Fifty years of an actor's life. s left lamenting—Barry Sullivanon the Road—Enter PZdvvin Forrest—The Othello of Othellos —•The Moor that Shakespeare drew—Breaking the Scottish Saubath—The Mathews—Charlie and Madame at their Zenith—The GoldenFleece—Another check to Proud Ambition ALTHOUGH I had only seen Helen Faucit onthe occasion of my rare visits to Drury Lane,she was the goddess of my idolatry, enthronedin my heart of hearts, and I was in a fever of ex-citement at the very thought of coming in personalcontact with her. Besides, was she not announcedfor Antigone ? And I was to see this div https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/fifty-years-of-an-actors-life-s-left-lamentingbarry-sullivanon-the-roadenter-pzdvvin-forrestthe-othello-of-othellos-the-moor-that-shakespeare-drewbreaking-the-scottish-saubaththe-mathewscharlie-and-madame-at-their-zeniththe-goldenfleeceanother-check-to-proud-ambition-although-i-had-only-seen-helen-faucit-onthe-occasion-of-my-rare-visits-to-drury-laneshe-was-the-goddess-of-my-idolatry-enthronedin-my-heart-of-hearts-and-i-was-in-a-fever-of-ex-citement-at-the-very-thought-of-coming-in-personalcontact-with-her-besides-was-she-not-announcedfor-antigone-and-i-was-to-see-this-div-image336654797.html
Helena Faucit (Lady Martin) . ntent with Turin, Genoa, Florence, Pisa, and Eome.The copious memoranda of the Diary show how carefully andcritically she studied the works of art in all these places. Imust find room for what she says of the famous Titian in theBorghese Palace, generally known as Sacred and Profane Love,for the sake of the ingenious suggestion it contains as to thepurpose of the painter—a suggestion which found favour withmore than one of our principal artists. Ma?j 2, 1881.—Went to the Borghese Gallery. Fresh delightin the fine Titian, which they call Sacred and Profane Love;but
Helena Faucit (Lady Martin) . ntent with Turin, Genoa, Florence, Pisa, and Eome.The copious memoranda of the Diary show how carefully andcritically she studied the works of art in all these places. Imust find room for what she says of the famous Titian in theBorghese Palace, generally known as Sacred and Profane Love,for the sake of the ingenious suggestion it contains as to thepurpose of the painter—a suggestion which found favour withmore than one of our principal artists. Ma?j 2, 1881.—Went to the Borghese Gallery. Fresh delightin the fine Titian, which they call Sacred and Profane Love;but https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/helena-faucit-lady-martin-ntent-with-turin-genoa-florence-pisa-and-eomethe-copious-memoranda-of-the-diary-show-how-carefully-andcritically-she-studied-the-works-of-art-in-all-these-places-imust-find-room-for-what-she-says-of-the-famous-titian-in-theborghese-palace-generally-known-as-sacred-and-profane-lovefor-the-sake-of-the-ingenious-suggestion-it-contains-as-to-thepurpose-of-the-paintera-suggestion-which-found-favour-withmore-than-one-of-our-principal-artists-maj-2-1881went-to-the-borghese-gallery-fresh-delightin-the-fine-titian-which-they-call-sacred-and-profane-lovebut-image339394165.html
. An actor's notebooks, being some memories, friendships, criticisms and experiences of Frank Archer. ..^ From a drawinc: hy Stephen Pearce. Engraved by J. H. Baker.LEIGH MURRAY. -p. 72] Henry Leigh Murray 73 his great assumption of Raphael Duchatlet in TheMarble Heart. With Helen Faucit he repeatedly played the maleparts, and Sir Theodore Martin has borne testimonyto the excellence of his acting. With Mrs. Stirlingtoo, then in the hey-day of her attractiveness as ayoung actress, he was constantly associated. It wasLeigh Murrays fate—I fear it must be called—at thetime he was so popular, to be
. An actor's notebooks, being some memories, friendships, criticisms and experiences of Frank Archer. ..^ From a drawinc: hy Stephen Pearce. Engraved by J. H. Baker.LEIGH MURRAY. -p. 72] Henry Leigh Murray 73 his great assumption of Raphael Duchatlet in TheMarble Heart. With Helen Faucit he repeatedly played the maleparts, and Sir Theodore Martin has borne testimonyto the excellence of his acting. With Mrs. Stirlingtoo, then in the hey-day of her attractiveness as ayoung actress, he was constantly associated. It wasLeigh Murrays fate—I fear it must be called—at thetime he was so popular, to be https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/an-actors-notebooks-being-some-memories-friendships-criticisms-and-experiences-of-frank-archer-from-a-drawinc-hy-stephen-pearce-engraved-by-j-h-bakerleigh-murray-p-72-henry-leigh-murray-73-his-great-assumption-of-raphael-duchatlet-in-themarble-heart-with-helen-faucit-he-repeatedly-played-the-maleparts-and-sir-theodore-martin-has-borne-testimonyto-the-excellence-of-his-acting-with-mrs-stirlingtoo-then-in-the-hey-day-of-her-attractiveness-as-ayoung-actress-he-was-constantly-associated-it-wasleigh-murrays-fatei-fear-it-must-be-calledat-thetime-he-was-so-popular-to-be-image337051992.html
The life and letters of Frederic Shields . eing not, hearingnot, save the stirring Spirit of God bringing me into con-demnation for refusing to yield up my darling pleasure,whilst I trembled with fear for disobedience. At last Iyielded partially, making a compromise that I wouldcease regular attendance, and be present only on thoseoccasions when Helen Faucit, that supremely giftedactress, came to Manchester. But the voice would notbe silenced, and at last I utterly broke from the toils, andresolved to visit the theatre no more, no matter whattemptation it held out. Then peace flowed into my so
The life and letters of Frederic Shields . eing not, hearingnot, save the stirring Spirit of God bringing me into con-demnation for refusing to yield up my darling pleasure,whilst I trembled with fear for disobedience. At last Iyielded partially, making a compromise that I wouldcease regular attendance, and be present only on thoseoccasions when Helen Faucit, that supremely giftedactress, came to Manchester. But the voice would notbe silenced, and at last I utterly broke from the toils, andresolved to visit the theatre no more, no matter whattemptation it held out. Then peace flowed into my so https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-life-and-letters-of-frederic-shields-eing-not-hearingnot-save-the-stirring-spirit-of-god-bringing-me-into-con-demnation-for-refusing-to-yield-up-my-darling-pleasurewhilst-i-trembled-with-fear-for-disobedience-at-last-iyielded-partially-making-a-compromise-that-i-wouldcease-regular-attendance-and-be-present-only-on-thoseoccasions-when-helen-faucit-that-supremely-giftedactress-came-to-manchester-but-the-voice-would-notbe-silenced-and-at-last-i-utterly-broke-from-the-toils-andresolved-to-visit-the-theatre-no-more-no-matter-whattemptation-it-held-out-then-peace-flowed-into-my-so-image338087549.html
. Life and art of Richard Mansfield : with selections from his letters. art ofacting. Charlotte Cushman, Adelaide Neilson,Mary Anderson, Ellen Terry, Helena Modjeska,and Ada Rehan have taught successive periodsthat neither the tragic nor comic muse departedwith Dora Jordan, Sarah Siddons, Mary Duff,Helen Faucit, or Ellen Tree. Edwin Booth, who,about 1857, had, upon the American stage, inaugu-rated a new epoch of dramatic art, died in 1893,and it might then have been supposed that tragedyhad died with him; but the sceptre that droppedfrom the dying hand of that great tragedian wastaken up by Ri
. Life and art of Richard Mansfield : with selections from his letters. art ofacting. Charlotte Cushman, Adelaide Neilson,Mary Anderson, Ellen Terry, Helena Modjeska,and Ada Rehan have taught successive periodsthat neither the tragic nor comic muse departedwith Dora Jordan, Sarah Siddons, Mary Duff,Helen Faucit, or Ellen Tree. Edwin Booth, who,about 1857, had, upon the American stage, inaugu-rated a new epoch of dramatic art, died in 1893,and it might then have been supposed that tragedyhad died with him; but the sceptre that droppedfrom the dying hand of that great tragedian wastaken up by Ri https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/life-and-art-of-richard-mansfield-with-selections-from-his-letters-art-ofacting-charlotte-cushman-adelaide-neilsonmary-anderson-ellen-terry-helena-modjeskaand-ada-rehan-have-taught-successive-periodsthat-neither-the-tragic-nor-comic-muse-departedwith-dora-jordan-sarah-siddons-mary-duffhelen-faucit-or-ellen-tree-edwin-booth-whoabout-1857-had-upon-the-american-stage-inaugu-rated-a-new-epoch-of-dramatic-art-died-in-1893and-it-might-then-have-been-supposed-that-tragedyhad-died-with-him-but-the-sceptre-that-droppedfrom-the-dying-hand-of-that-great-tragedian-wastaken-up-by-ri-image336895938.html
. Life and art of Richard Mansfield : with selections from his letters. delightful men I ever met; alwaysobliging, and always kind in every possibleway. . Ada Rehan, who was introduced uponthe British stage by Augustin Daly (at ToolesTheatre, London, July 19, 1884), became as great afavorite there as even the admired Helen Faucit hadbeen, and, as long as she continued to act, main-tained an equal position with that of Ellen Terry,the leading English actress of her time. Miss Rehanwas also successful in Berlin, Hamburg, and Paris,where she filled three engagements. Augustin Dalybuilt and manage
. Life and art of Richard Mansfield : with selections from his letters. delightful men I ever met; alwaysobliging, and always kind in every possibleway. . Ada Rehan, who was introduced uponthe British stage by Augustin Daly (at ToolesTheatre, London, July 19, 1884), became as great afavorite there as even the admired Helen Faucit hadbeen, and, as long as she continued to act, main-tained an equal position with that of Ellen Terry,the leading English actress of her time. Miss Rehanwas also successful in Berlin, Hamburg, and Paris,where she filled three engagements. Augustin Dalybuilt and manage https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/life-and-art-of-richard-mansfield-with-selections-from-his-letters-delightful-men-i-ever-met-alwaysobliging-and-always-kind-in-every-possibleway-ada-rehan-who-was-introduced-uponthe-british-stage-by-augustin-daly-at-toolestheatre-london-july-19-1884-became-as-great-afavorite-there-as-even-the-admired-helen-faucit-hadbeen-and-as-long-as-she-continued-to-act-main-tained-an-equal-position-with-that-of-ellen-terrythe-leading-english-actress-of-her-time-miss-rehanwas-also-successful-in-berlin-hamburg-and-pariswhere-she-filled-three-engagements-augustin-dalybuilt-and-manage-image336889557.html
Life and art of Richard Mansfield, with selections from his letters . most delightful men I ever met; alwaysobliging, and always kind in every possibleway. ... Ada Rehan, who was introduced uponthe British stage by Augustin Daly (at ToolesTheatre, London, July 19, 1884), became as great afavorite there as even the admired Helen Faucit hadbeen, and, as long as she continued to act, main-tained an equal position with that of Ellen Terry,the leading English actress of her time. Miss Rehanwas also successful in Berhn, Hamburg, and Paris,where she filled three engagements. Augustin Dalybuilt and ma
Life and art of Richard Mansfield, with selections from his letters . most delightful men I ever met; alwaysobliging, and always kind in every possibleway. ... Ada Rehan, who was introduced uponthe British stage by Augustin Daly (at ToolesTheatre, London, July 19, 1884), became as great afavorite there as even the admired Helen Faucit hadbeen, and, as long as she continued to act, main-tained an equal position with that of Ellen Terry,the leading English actress of her time. Miss Rehanwas also successful in Berhn, Hamburg, and Paris,where she filled three engagements. Augustin Dalybuilt and ma https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/life-and-art-of-richard-mansfield-with-selections-from-his-letters-most-delightful-men-i-ever-met-alwaysobliging-and-always-kind-in-every-possibleway-ada-rehan-who-was-introduced-uponthe-british-stage-by-augustin-daly-at-toolestheatre-london-july-19-1884-became-as-great-afavorite-there-as-even-the-admired-helen-faucit-hadbeen-and-as-long-as-she-continued-to-act-main-tained-an-equal-position-with-that-of-ellen-terrythe-leading-english-actress-of-her-time-miss-rehanwas-also-successful-in-berhn-hamburg-and-pariswhere-she-filled-three-engagements-augustin-dalybuilt-and-ma-image338506130.html
Life and art of Richard Mansfield, with selections from his letters . art ofacting. Charlotte Cushman, Adelaide Neilson,Mary Anderson, Ellen Terry, Helena Modjeska,and Ada Rehan have taught successive periodsthat neither the tragic nor comic muse departedwith Dora Jordan, Sarah Siddons, Mary Duff,Helen Faucit, or Ellen Tree. Edwin Booth, who,about 1857, had, upon the American stage, inaugu-rated a new epoch of dramatic art, died in 1898,and it might then have been supposed that tragedyhad died with him; but the sceptre that droppedfrom the dying hand of that great tragedian wastaken up by Rich
Life and art of Richard Mansfield, with selections from his letters . art ofacting. Charlotte Cushman, Adelaide Neilson,Mary Anderson, Ellen Terry, Helena Modjeska,and Ada Rehan have taught successive periodsthat neither the tragic nor comic muse departedwith Dora Jordan, Sarah Siddons, Mary Duff,Helen Faucit, or Ellen Tree. Edwin Booth, who,about 1857, had, upon the American stage, inaugu-rated a new epoch of dramatic art, died in 1898,and it might then have been supposed that tragedyhad died with him; but the sceptre that droppedfrom the dying hand of that great tragedian wastaken up by Rich https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/life-and-art-of-richard-mansfield-with-selections-from-his-letters-art-ofacting-charlotte-cushman-adelaide-neilsonmary-anderson-ellen-terry-helena-modjeskaand-ada-rehan-have-taught-successive-periodsthat-neither-the-tragic-nor-comic-muse-departedwith-dora-jordan-sarah-siddons-mary-duffhelen-faucit-or-ellen-tree-edwin-booth-whoabout-1857-had-upon-the-american-stage-inaugu-rated-a-new-epoch-of-dramatic-art-died-in-1898and-it-might-then-have-been-supposed-that-tragedyhad-died-with-him-but-the-sceptre-that-droppedfrom-the-dying-hand-of-that-great-tragedian-wastaken-up-by-rich-image338514403.html
Helena Faucit (Lady Martin) . ormer visits so happy. She read Tennysons Dora and The Brook to the Queen after dinner one evening,and Mrs Brownings Lady Geraldines Courtship on another ;and she records that in a letter the Queen said very sweetthings of my reading. H.M. seems very fond of Mrs Browningspoems. Not long after our return home the following entryoccurs : March 12.—This morning came a lovely cashmere shawlto me as a present from the Queen, with a charming letter accom-panying it from the Princess Louise. Acknowledged both (noeasy task) before I went to bed. In June we went to Wales,
Helena Faucit (Lady Martin) . ormer visits so happy. She read Tennysons Dora and The Brook to the Queen after dinner one evening,and Mrs Brownings Lady Geraldines Courtship on another ;and she records that in a letter the Queen said very sweetthings of my reading. H.M. seems very fond of Mrs Browningspoems. Not long after our return home the following entryoccurs : March 12.—This morning came a lovely cashmere shawlto me as a present from the Queen, with a charming letter accom-panying it from the Princess Louise. Acknowledged both (noeasy task) before I went to bed. In June we went to Wales, https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/helena-faucit-lady-martin-ormer-visits-so-happy-she-read-tennysons-dora-and-the-brook-to-the-queen-after-dinner-one-eveningand-mrs-brownings-lady-geraldines-courtship-on-another-and-she-records-that-in-a-letter-the-queen-said-very-sweetthings-of-my-reading-hm-seems-very-fond-of-mrs-browningspoems-not-long-after-our-return-home-the-following-entryoccurs-march-12this-morning-came-a-lovely-cashmere-shawlto-me-as-a-present-from-the-queen-with-a-charming-letter-accom-panying-it-from-the-princess-louise-acknowledged-both-noeasy-task-before-i-went-to-bed-in-june-we-went-to-wales-image339394736.html
Fifty years ago . AT THE FLAY AND THE SHOW 129 the Haymarket they had Farren, Webster, Buckstone,Mrs. Glover, and Mrs. Humby. At the Olympic, Elhs-ton, Liston, and Madame Vestris. Helen Faucit madeher first appearance hi 1835 ; Miss Fanny Kemble hersin 1830. Charles Mathews, Harley, Macready, andCharles Kean were all playing. I hardly think that infifty years time so good a list will be made of actors ofthe present day whose memory has lasted so long asthose of 1837. The salaries of actors and singers variedgreatly, of course. Malibran received 125/. a night,Charles Kean 50/. a night, Macready
Fifty years ago . AT THE FLAY AND THE SHOW 129 the Haymarket they had Farren, Webster, Buckstone,Mrs. Glover, and Mrs. Humby. At the Olympic, Elhs-ton, Liston, and Madame Vestris. Helen Faucit madeher first appearance hi 1835 ; Miss Fanny Kemble hersin 1830. Charles Mathews, Harley, Macready, andCharles Kean were all playing. I hardly think that infifty years time so good a list will be made of actors ofthe present day whose memory has lasted so long asthose of 1837. The salaries of actors and singers variedgreatly, of course. Malibran received 125/. a night,Charles Kean 50/. a night, Macready https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/fifty-years-ago-at-the-flay-and-the-show-129-the-haymarket-they-had-farren-webster-buckstonemrs-glover-and-mrs-humby-at-the-olympic-elhs-ton-liston-and-madame-vestris-helen-faucit-madeher-first-appearance-hi-1835-miss-fanny-kemble-hersin-1830-charles-mathews-harley-macready-andcharles-kean-were-all-playing-i-hardly-think-that-infifty-years-time-so-good-a-list-will-be-made-of-actors-ofthe-present-day-whose-memory-has-lasted-so-long-asthose-of-1837-the-salaries-of-actors-and-singers-variedgreatly-of-course-malibran-received-125-a-nightcharles-kean-50-a-night-macready-image340037880.html
. Recollections of an equestrian manager. ^(d S -^ 4 CONTENTS. PAGEA NEW CANTERBURY TALE—THE TOWN-CRIER IN TROUBLE 47 THE CONJURER AND THE HARROW BOYS 51 BEGGARS IN BROUGHAMS—A PAUPER TREAT 54 THE PRINCE OF WALES AT HANLEY—PAINFUL NEWS 57 COMING OF AGE OF THE MASTER OF LOVAT 59 TURNING THE TABLES—AN EXODUS AVERTED 62 HELEN FAUCIT 64 raising THE wind—A RED INDIAN AT LARGE 66 HENRY BROWN, THE CLOWN—A ONE-SIDED ACQUAINTANCESHIP....68 JOINING THE STAFF—A VOLUNTEER ANECDOTE 71 THE SCOTT CENTENARY 74 ADA JACOBS AS RICHMOND—A CLIMAX TO A TRAGEDY 81 A sisters parting GIFT 82 MARTINI, THE MAN-MONKEY 8
. Recollections of an equestrian manager. ^(d S -^ 4 CONTENTS. PAGEA NEW CANTERBURY TALE—THE TOWN-CRIER IN TROUBLE 47 THE CONJURER AND THE HARROW BOYS 51 BEGGARS IN BROUGHAMS—A PAUPER TREAT 54 THE PRINCE OF WALES AT HANLEY—PAINFUL NEWS 57 COMING OF AGE OF THE MASTER OF LOVAT 59 TURNING THE TABLES—AN EXODUS AVERTED 62 HELEN FAUCIT 64 raising THE wind—A RED INDIAN AT LARGE 66 HENRY BROWN, THE CLOWN—A ONE-SIDED ACQUAINTANCESHIP....68 JOINING THE STAFF—A VOLUNTEER ANECDOTE 71 THE SCOTT CENTENARY 74 ADA JACOBS AS RICHMOND—A CLIMAX TO A TRAGEDY 81 A sisters parting GIFT 82 MARTINI, THE MAN-MONKEY 8 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/recollections-of-an-equestrian-manager-d-s-4-contents-pagea-new-canterbury-talethe-town-crier-in-trouble-47-the-conjurer-and-the-harrow-boys-51-beggars-in-broughamsa-pauper-treat-54-the-prince-of-wales-at-hanleypainful-news-57-coming-of-age-of-the-master-of-lovat-59-turning-the-tablesan-exodus-averted-62-helen-faucit-64-raising-the-winda-red-indian-at-large-66-henry-brown-the-clowna-one-sided-acquaintanceship68-joining-the-staffa-volunteer-anecdote-71-the-scott-centenary-74-ada-jacobs-as-richmonda-climax-to-a-tragedy-81-a-sisters-parting-gift-82-martini-the-man-monkey-8-image337073198.html
Helena Faucit (Lady Martin) . .y>ffn ^r rAfr/r-f/^c//y.. ^j-^y/^- ^/y-^. M./^Xjr>f€f>fr^^r7. W.iIW S:Cpc)iBrBlLuh-o, Helena Faucit (LADY MARTIN) BY SIR THEODORE MARTIN K.C.B., K.C.V.O. SECOND EDITION WILLIAM BLACKWOOD AND SONS EDINBURGH AND LONDON MDCCCC A-/77^7 3 ^.. / >^ IN MEMORIAM CONTENTS. CHAPTER I. PAGE Early years—Meeting with Edmund Kean—Trial appearancesat Richmond Theatre—At Covent Garden—As Julia in TlieHunchback — Great success — Belvidera — Charles Kemblesadvice — Mr Macready — Acting in Separation — Her sisterHarriet—Romeo and Juliet—Don Juan of Austria—Queen attheat
Helena Faucit (Lady Martin) . .y>ffn ^r rAfr/r-f/^c//y.. ^j-^y/^- ^/y-^. M./^Xjr>f€f>fr^^r7. W.iIW S:Cpc)iBrBlLuh-o, Helena Faucit (LADY MARTIN) BY SIR THEODORE MARTIN K.C.B., K.C.V.O. SECOND EDITION WILLIAM BLACKWOOD AND SONS EDINBURGH AND LONDON MDCCCC A-/77^7 3 ^.. / >^ IN MEMORIAM CONTENTS. CHAPTER I. PAGE Early years—Meeting with Edmund Kean—Trial appearancesat Richmond Theatre—At Covent Garden—As Julia in TlieHunchback — Great success — Belvidera — Charles Kemblesadvice — Mr Macready — Acting in Separation — Her sisterHarriet—Romeo and Juliet—Don Juan of Austria—Queen attheat https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/helena-faucit-lady-martin-ygtffn-r-rafrr-fcy-j-y-y-mxjrgtffgtfrr7-wiiw-scpcibrblluh-o-helena-faucit-lady-martin-by-sir-theodore-martin-kcb-kcvo-second-edition-william-blackwood-and-sons-edinburgh-and-london-mdcccc-a-777-3-gt-in-memoriam-contents-chapter-i-page-early-yearsmeeting-with-edmund-keantrial-appearancesat-richmond-theatreat-covent-gardenas-julia-in-tliehunchback-great-success-belvidera-charles-kemblesadvice-mr-macready-acting-in-separation-her-sisterharrietromeo-and-julietdon-juan-of-austriaqueen-attheat-image339395776.html
![. An actor's notebooks, being some memories, friendships, criticisms and experiences of Frank Archer. ..^ From a drawinc: hy Stephen Pearce. Engraved by J. H. Baker.LEIGH MURRAY. -p. 72] Henry Leigh Murray 73 his great assumption of Raphael Duchatlet in TheMarble Heart. With Helen Faucit he repeatedly played the maleparts, and Sir Theodore Martin has borne testimonyto the excellence of his acting. With Mrs. Stirlingtoo, then in the hey-day of her attractiveness as ayoung actress, he was constantly associated. It wasLeigh Murrays fate—I fear it must be called—at thetime he was so popular, to be - Stock Image](https://c8.alamy.com/comp/2AGA174/an-actors-notebooks-being-some-memories-friendships-criticisms-and-experiences-of-frank-archer-from-a-drawinc-hy-stephen-pearce-engraved-by-j-h-bakerleigh-murray-p-72-henry-leigh-murray-73-his-great-assumption-of-raphael-duchatlet-in-themarble-heart-with-helen-faucit-he-repeatedly-played-the-maleparts-and-sir-theodore-martin-has-borne-testimonyto-the-excellence-of-his-acting-with-mrs-stirlingtoo-then-in-the-hey-day-of-her-attractiveness-as-ayoung-actress-he-was-constantly-associated-it-wasleigh-murrays-fatei-fear-it-must-be-calledat-thetime-he-was-so-popular-to-be-2AGA174.jpg)
