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Farnese gallery Stock Photos and Images
View of the Farnese Gallery, Rome; Francesco Panini, Italian, 1745 - 1812, Italy; about 1775; Pen and black ink and gray wash Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-farnese-gallery-rome-francesco-panini-italian-1745-1812-italy-about-1775-pen-and-black-ink-and-gray-wash-image220634411.htmlRMPPXNCB–View of the Farnese Gallery, Rome; Francesco Panini, Italian, 1745 - 1812, Italy; about 1775; Pen and black ink and gray wash
Titian - Ranuccio Farnese - National Gallery of Art, Washington DC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-titian-ranuccio-farnese-national-gallery-of-art-washington-dc-105600724.htmlRMG3PEPC–Titian - Ranuccio Farnese - National Gallery of Art, Washington DC
A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino, still image, Prints, 1626 - 1686, Cesi, Carlo, 1626-1686, Carracci, Annibale, 1560-1609 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-plate-from-the-farnese-gallery-panels-after-annibale-carraccis-designs-for-domenichino-still-image-prints-1626-1686-cesi-carlo-1626-1686-carracci-annibale-1560-1609-image376516721.htmlRM2CTFPWN–A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino, still image, Prints, 1626 - 1686, Cesi, Carlo, 1626-1686, Carracci, Annibale, 1560-1609
Annibale Carracci Introduces Painting to Apollo and Minerva. Artist: After Carlo Maratti (Italian, Camerano 1625-1713 Rome); Pietro Aquila (Italian, Marsala, Sicily 1650-1692/1700 Rome). Dimensions: Sheet (Trimmed to plate): 18 1/8 × 25 1/4 in. (46 × 64.1 cm). Publisher: Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Series/Portfolio: Published in Galeria Farnesianae Icones..., 1674. Date: 1674. This print appeared as a frontispiece to a book of etchings depicting the frescoes painted by Annibale Carracci in the Farnese Gallery in Rome. Like the publication of the book itself, this Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annibale-carracci-introduces-painting-to-apollo-and-minerva-artist-after-carlo-maratti-italian-camerano-1625-1713-rome-pietro-aquila-italian-marsala-sicily-1650-16921700-rome-dimensions-sheet-trimmed-to-plate-18-18-25-14-in-46-641-cm-publisher-giovanni-giacomo-de-rossi-italian-rome-1627-1691-rome-seriesportfolio-published-in-galeria-farnesianae-icones-1674-date-1674-this-print-appeared-as-a-frontispiece-to-a-book-of-etchings-depicting-the-frescoes-painted-by-annibale-carracci-in-the-farnese-gallery-in-rome-like-the-publication-of-the-book-itself-this-image213365538.htmlRMPB3HWP–Annibale Carracci Introduces Painting to Apollo and Minerva. Artist: After Carlo Maratti (Italian, Camerano 1625-1713 Rome); Pietro Aquila (Italian, Marsala, Sicily 1650-1692/1700 Rome). Dimensions: Sheet (Trimmed to plate): 18 1/8 × 25 1/4 in. (46 × 64.1 cm). Publisher: Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Series/Portfolio: Published in Galeria Farnesianae Icones..., 1674. Date: 1674. This print appeared as a frontispiece to a book of etchings depicting the frescoes painted by Annibale Carracci in the Farnese Gallery in Rome. Like the publication of the book itself, this
Rubens - Study of part of a Frieze in the Farnese Gallery Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-rubens-study-of-part-of-a-frieze-in-the-farnese-gallery-134857212.htmlRMHRB7N0–Rubens - Study of part of a Frieze in the Farnese Gallery
Giovanni Volpato Farnese Gallery Wall Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-giovanni-volpato-farnese-gallery-wall-142925995.htmlRMJ8ERFR–Giovanni Volpato Farnese Gallery Wall
8 Annibale Carracci - Studies of decorations for the Farnese Gallery Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/8-annibale-carracci-studies-of-decorations-for-the-farnese-gallery-image214050114.htmlRMPC6R2X–8 Annibale Carracci - Studies of decorations for the Farnese Gallery
Annibale Carracci - Studies of decorations for the Farnese Gallery. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annibale-carracci-studies-of-decorations-for-the-farnese-gallery-image214976843.htmlRMPDN14B–Annibale Carracci - Studies of decorations for the Farnese Gallery.
8 Annibale Carracci, Study for Phineas - Farnese Gallery Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/8-annibale-carracci-study-for-phineas-farnese-gallery-image214029970.htmlRMPC5WBE–8 Annibale Carracci, Study for Phineas - Farnese Gallery
Italy Emilia Romagna Parma Museum Pole of the Pilotta - National gallery north wing of the second floor - Alessandro Farnese by Anthonis Mor Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-emilia-romagna-parma-museum-pole-of-the-pilotta-national-gallery-north-wing-of-the-second-floor-alessandro-farnese-by-anthonis-mor-image247796837.htmlRMTB43B1–Italy Emilia Romagna Parma Museum Pole of the Pilotta - National gallery north wing of the second floor - Alessandro Farnese by Anthonis Mor
View of the Farnese Gallery, Rome. Francesco Panini (Italian, 1745 - 1812) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-farnese-gallery-rome-francesco-panini-italian-1745-1812-image416582257.htmlRM2F5MXWN–View of the Farnese Gallery, Rome. Francesco Panini (Italian, 1745 - 1812)
A view of the gallery of Carracci, with the frescoes 'The Loves of the Gods' by Annibale and Agostino Carracci at Palazzo Farnese in Rome , Italy on february 2014. Palazzo Farnese, which currently houses the French embassy is the most monumental of Roman Renaissance palaces, in Rome, Italy. First designed in 1517 for the Farnese family, the palace building expanded in size and conception when Alessandro Farnese became Pope Paul III in 1534. Its building history involved some of the most prominent Italian architects of the 16th century.After the extinction of the Farnese family it passed by inh Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-view-of-the-gallery-of-carracci-with-the-frescoes-the-loves-of-the-gods-by-annibale-and-agostino-carracci-at-palazzo-farnese-in-rome-italy-on-february-2014-palazzo-farnese-which-currently-houses-the-french-embassy-is-the-most-monumental-of-roman-renaissance-palaces-in-rome-italy-first-designed-in-1517-for-the-farnese-family-the-palace-building-expanded-in-size-and-conception-when-alessandro-farnese-became-pope-paul-iii-in-1534-its-building-history-involved-some-of-the-most-prominent-italian-architects-of-the-16th-centuryafter-the-extinction-of-the-farnese-family-it-passed-by-inh-image392224860.htmlRM2DP3APM–A view of the gallery of Carracci, with the frescoes 'The Loves of the Gods' by Annibale and Agostino Carracci at Palazzo Farnese in Rome , Italy on february 2014. Palazzo Farnese, which currently houses the French embassy is the most monumental of Roman Renaissance palaces, in Rome, Italy. First designed in 1517 for the Farnese family, the palace building expanded in size and conception when Alessandro Farnese became Pope Paul III in 1534. Its building history involved some of the most prominent Italian architects of the 16th century.After the extinction of the Farnese family it passed by inh
![Visitors contemplate the Loves of the Gods painted by Annibale Carracci on the vaulted ceiling of the Farnese Gallery in Rome, with a draughtsman copying the paintings on the left. An open door can be seen in the background. Veduta della Galleria dipinta da Annibale Carracci e suoi Scolari esistente nel Palazzo Farnese in Roma. [Rome] : [Giovanni Volpato], 1777. Hand-coloured etching and engraving. Source: Maps K.Top.81.69.a. Language: Italian. Stock Photo](https://c8.alamy.com/comp/RCY9AF/visitors-contemplate-the-loves-of-the-gods-painted-by-annibale-carracci-on-the-vaulted-ceiling-of-the-farnese-gallery-in-rome-with-a-draughtsman-copying-the-paintings-on-the-left-an-open-door-can-be-seen-in-the-background-veduta-della-galleria-dipinta-da-annibale-carracci-e-suoi-scolari-esistente-nel-palazzo-farnese-in-roma-rome-giovanni-volpato-1777-hand-coloured-etching-and-engraving-source-maps-ktop8169a-language-italian-RCY9AF.jpg "Visitors contemplate the Loves of the Gods painted by Annibale Carracci on the vaulted ceiling of the Farnese Gallery in Rome, with a draughtsman copying the paintings on the left. An open door can be seen in the background. Veduta della Galleria dipinta da Annibale Carracci e suoi Scolari esistente nel Palazzo Farnese in Roma. [Rome] : [Giovanni Volpato], 1777. Hand-coloured etching and engraving. Source: Maps K.Top.81.69.a. Language: Italian. Stock Photo")
Visitors contemplate the Loves of the Gods painted by Annibale Carracci on the vaulted ceiling of the Farnese Gallery in Rome, with a draughtsman copying the paintings on the left. An open door can be seen in the background. Veduta della Galleria dipinta da Annibale Carracci e suoi Scolari esistente nel Palazzo Farnese in Roma. [Rome] : [Giovanni Volpato], 1777. Hand-coloured etching and engraving. Source: Maps K.Top.81.69.a. Language: Italian. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/visitors-contemplate-the-loves-of-the-gods-painted-by-annibale-carracci-on-the-vaulted-ceiling-of-the-farnese-gallery-in-rome-with-a-draughtsman-copying-the-paintings-on-the-left-an-open-door-can-be-seen-in-the-background-veduta-della-galleria-dipinta-da-annibale-carracci-e-suoi-scolari-esistente-nel-palazzo-farnese-in-roma-rome-giovanni-volpato-1777-hand-coloured-etching-and-engraving-source-maps-ktop8169a-language-italian-image231710711.htmlRMRCY9AF–Visitors contemplate the Loves of the Gods painted by Annibale Carracci on the vaulted ceiling of the Farnese Gallery in Rome, with a draughtsman copying the paintings on the left. An open door can be seen in the background. Veduta della Galleria dipinta da Annibale Carracci e suoi Scolari esistente nel Palazzo Farnese in Roma. [Rome] : [Giovanni Volpato], 1777. Hand-coloured etching and engraving. Source: Maps K.Top.81.69.a. Language: Italian.
The Loves of the Gods is a monumental fresco cycle, completed by the Bolognese artist Annibale Carracci and his studio, in the Farnese Gallery which is located in the west wing of the Palazzo Farnese, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-loves-of-the-gods-is-a-monumental-fresco-cycle-completed-by-the-bolognese-artist-annibale-carracci-and-his-studio-in-the-farnese-gallery-which-is-located-in-the-west-wing-of-the-palazzo-farnese-image604246384.htmlRF2X31PC0–The Loves of the Gods is a monumental fresco cycle, completed by the Bolognese artist Annibale Carracci and his studio, in the Farnese Gallery which is located in the west wing of the Palazzo Farnese,
Volpato - View of the north side of the Farnese Gallery with the frescoes of Annibale Carracci, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/volpato-view-of-the-north-side-of-the-farnese-gallery-with-the-frescoes-of-annibale-carracci-image574345390.htmlRM2TABKBA–Volpato - View of the north side of the Farnese Gallery with the frescoes of Annibale Carracci,
Annibale Carracci Introduces Painting to Apollo and Minerva 1674 Pietro Aquila Italian This print appeared as a frontispiece to a book of etchings depicting the frescoes painted by Annibale Carracci in the Farnese Gallery in Rome. Like the publication of the book itself, this frontispiece was part of a concerted effort to raise the painter, active at the turn of the seventeenth century, to mythical status. Here we see Annibale accompanied by Genius bringing Painting out of a dark cave (symbolic of the obscurity and darkness into which painting was said to have fallen in the late sixteenth cent Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annibale-carracci-introduces-painting-to-apollo-and-minerva-1674-pietro-aquila-italian-this-print-appeared-as-a-frontispiece-to-a-book-of-etchings-depicting-the-frescoes-painted-by-annibale-carracci-in-the-farnese-gallery-in-rome-like-the-publication-of-the-book-itself-this-frontispiece-was-part-of-a-concerted-effort-to-raise-the-painter-active-at-the-turn-of-the-seventeenth-century-to-mythical-status-here-we-see-annibale-accompanied-by-genius-bringing-painting-out-of-a-dark-cave-symbolic-of-the-obscurity-and-darkness-into-which-painting-was-said-to-have-fallen-in-the-late-sixteenth-cent-image458543900.htmlRM2HJ0DBT–Annibale Carracci Introduces Painting to Apollo and Minerva 1674 Pietro Aquila Italian This print appeared as a frontispiece to a book of etchings depicting the frescoes painted by Annibale Carracci in the Farnese Gallery in Rome. Like the publication of the book itself, this frontispiece was part of a concerted effort to raise the painter, active at the turn of the seventeenth century, to mythical status. Here we see Annibale accompanied by Genius bringing Painting out of a dark cave (symbolic of the obscurity and darkness into which painting was said to have fallen in the late sixteenth cent
Farnese Hercules, 3rd Century AD, Uffizi Gallery, Florence, Tuscany, Italy, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-farnese-hercules-3rd-century-ad-uffizi-gallery-florence-tuscany-italy-148175053.htmlRMJH1XP5–Farnese Hercules, 3rd Century AD, Uffizi Gallery, Florence, Tuscany, Italy, Europe
Triton Sounding a Conch Shell ca. 1597–1602 Annibale Carracci Italian This study is dazzling for the energy of its drawing, economy of means, and monumentality of expression. It was preparatory for a triton that appears at the extreme left of a large oblong fresco Thetis Carried to the Bridal Chamber of Peleus (The Triumph of Galatea) on the ceiling of the gallery of the Palazzo Farnese, Rome, a project begun in 1597. Annibale invented most of the robust figures in the gigantic Farnese Gallery fresco cycle - nearly ninety of his drawings for it are extant -- exploring their poses from live nud Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/triton-sounding-a-conch-shell-ca-15971602-annibale-carracci-italian-this-study-is-dazzling-for-the-energy-of-its-drawing-economy-of-means-and-monumentality-of-expression-it-was-preparatory-for-a-triton-that-appears-at-the-extreme-left-of-a-large-oblong-fresco-thetis-carried-to-the-bridal-chamber-of-peleus-the-triumph-of-galatea-on-the-ceiling-of-the-gallery-of-the-palazzo-farnese-rome-a-project-begun-in-1597-annibale-invented-most-of-the-robust-figures-in-the-gigantic-farnese-gallery-fresco-cycle-nearly-ninety-of-his-drawings-for-it-are-extant-exploring-their-poses-from-live-nud-image458256947.htmlRM2HHFBBF–Triton Sounding a Conch Shell ca. 1597–1602 Annibale Carracci Italian This study is dazzling for the energy of its drawing, economy of means, and monumentality of expression. It was preparatory for a triton that appears at the extreme left of a large oblong fresco Thetis Carried to the Bridal Chamber of Peleus (The Triumph of Galatea) on the ceiling of the gallery of the Palazzo Farnese, Rome, a project begun in 1597. Annibale invented most of the robust figures in the gigantic Farnese Gallery fresco cycle - nearly ninety of his drawings for it are extant -- exploring their poses from live nud
Ranuccio Farnese, Titian, 1542, National Gallery of Art, Washington DC, USA, North America Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ranuccio-farnese-titian-1542-national-gallery-of-art-washington-dc-174925390.htmlRMM4GF3A–Ranuccio Farnese, Titian, 1542, National Gallery of Art, Washington DC, USA, North America
Omnia Vincit Amor 1599 Agostino Carracci Italian This image is a pun derived on a famous line in Virgil's tenth Eclogue, 'Love conquers all.' The Latin word omnia, like the Greek word pan, signifies 'all', while amor, the Latin name for Cupid, means 'love', so that Cupid's victorious combat with the woodland god is a visual translation of the phrase. The engraving was produced around the time that Agostino was assisting his brother Annibale in the decoration of the Farnese Gallery, a fresco cycle that also has as its theme the power of love in the universe. As a key to this meaning, Annibale h Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/omnia-vincit-amor-1599-agostino-carracci-italian-this-image-is-a-pun-derived-on-a-famous-line-in-virgils-tenth-eclogue-love-conquers-all-the-latin-word-omnia-like-the-greek-word-pan-signifies-all-while-amor-the-latin-name-for-cupid-means-love-so-that-cupids-victorious-combat-with-the-woodland-god-is-a-visual-translation-of-the-phrase-the-engraving-was-produced-around-the-time-that-agostino-was-assisting-his-brother-annibale-in-the-decoration-of-the-farnese-gallery-a-fresco-cycle-that-also-has-as-its-theme-the-power-of-love-in-the-universe-as-a-key-to-this-meaning-annibale-h-image458539792.htmlRM2HJ0854–Omnia Vincit Amor 1599 Agostino Carracci Italian This image is a pun derived on a famous line in Virgil's tenth Eclogue, 'Love conquers all.' The Latin word omnia, like the Greek word pan, signifies 'all', while amor, the Latin name for Cupid, means 'love', so that Cupid's victorious combat with the woodland god is a visual translation of the phrase. The engraving was produced around the time that Agostino was assisting his brother Annibale in the decoration of the Farnese Gallery, a fresco cycle that also has as its theme the power of love in the universe. As a key to this meaning, Annibale h
Portrat of Alessandro Farnese, Duke of Parma Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrat-of-alessandro-farnese-duke-of-parma-image184264822.htmlRMMKNYJE–Portrat of Alessandro Farnese, Duke of Parma
Tourists admiring Teatro Farnese (Farnese Theatre) within the building complex of Palazzo della Pilotta, Parma, Emilia Romagna, Italy, Europe. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tourists-admiring-teatro-farnese-farnese-theatre-within-the-building-complex-of-palazzo-della-pilotta-parma-emilia-romagna-italy-europe-image358909142.htmlRF2BRWM7J–Tourists admiring Teatro Farnese (Farnese Theatre) within the building complex of Palazzo della Pilotta, Parma, Emilia Romagna, Italy, Europe.
Pope Paul III. Farnese (1468-1549) by Tiziano Vecellio, called Titian 1488 Pieve di Cadore - 1576 Venice) Italy Italian . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pope-paul-iii-farnese-1468-1549-by-tiziano-vecellio-called-titian-1488-pieve-di-cadore-1576-venice-italy-italian-image221297998.htmlRMPT0YRX–Pope Paul III. Farnese (1468-1549) by Tiziano Vecellio, called Titian 1488 Pieve di Cadore - 1576 Venice) Italy Italian .
Rubens - Study of part of a Frieze in the Farnese Gallery Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-rubens-study-of-part-of-a-frieze-in-the-farnese-gallery-134877132.htmlRMHRC54C–Rubens - Study of part of a Frieze in the Farnese Gallery
Portrait of Mary Farnese 1638-1639 Nicolas Régnier (1591–1667), Niccolò Renieri, Italy ,Italian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-mary-farnese-1638-1639-nicolas-rgnier-15911667-niccol-177506231.htmlRMM8P307–Portrait of Mary Farnese 1638-1639 Nicolas Régnier (1591–1667), Niccolò Renieri, Italy ,Italian
The so-called Farnese Dionysus (Bacchus). Roman copy of an original from the Hellenistic period. 2nd Cent. BC. Naples. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-so-called-farnese-dionysus-bacchus-roman-copy-of-an-original-from-the-hellenistic-period-2nd-cent-bc-naples-image260540402.htmlRMW3THXA–The so-called Farnese Dionysus (Bacchus). Roman copy of an original from the Hellenistic period. 2nd Cent. BC. Naples.
Ranuccio Farnese 1541 Tiziano Vecellio, called, Titian ( 1488 Pieve di Cadore - 1576 Venice), Italy, Italian. ( Prior of the Venetian chapter of the Maltese Order ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ranuccio-farnese-1541-tiziano-vecellio-called-titian-1488-pieve-di-cadore-1576-venice-italy-italian-prior-of-the-venetian-chapter-of-the-maltese-order-image456043772.htmlRM2HDXGDG–Ranuccio Farnese 1541 Tiziano Vecellio, called, Titian ( 1488 Pieve di Cadore - 1576 Venice), Italy, Italian. ( Prior of the Venetian chapter of the Maltese Order )
. Callisto transformed into a bear, Farnese Gallery detali . 17th century 13 Callisto trasformata in orsa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/callisto-transformed-into-a-bear-farnese-gallery-detali-17th-century-13-callisto-trasformata-in-orsa-image208291041.htmlRMP2TD9N–. Callisto transformed into a bear, Farnese Gallery detali . 17th century 13 Callisto trasformata in orsa
Italy Emilia Romagna Parma Museum Pole of the Pilotta -national Gallery- north wing of the Fist floor - Ranuccio Farnese by Cesare Aretusi - XVII century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-emilia-romagna-parma-museum-pole-of-the-pilotta-national-gallery-north-wing-of-the-fist-floor-ranuccio-farnese-by-cesare-aretusi-xvii-century-image247798485.htmlRMTB45DW–Italy Emilia Romagna Parma Museum Pole of the Pilotta -national Gallery- north wing of the Fist floor - Ranuccio Farnese by Cesare Aretusi - XVII century
Tiziano Vecellio, known as Titian - Portrait of Ranuccio Farnese - 1576 - National Gallery of Art - Washington Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tiziano-vecellio-known-as-titian-portrait-of-ranuccio-farnese-1576-image60837246.htmlRMDEYAEP–Tiziano Vecellio, known as Titian - Portrait of Ranuccio Farnese - 1576 - National Gallery of Art - Washington
View of the Farnese Gallery, Rome, Francesco Panini (Italian, 1745 - 1812), Italy, about 1775, Pen and black ink and reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-farnese-gallery-rome-francesco-panini-italian-1745-1812-italy-about-1775-pen-and-black-ink-and-reimagined-image230209696.htmlRFRAEXPT–View of the Farnese Gallery, Rome, Francesco Panini (Italian, 1745 - 1812), Italy, about 1775, Pen and black ink and reimagined
The Drunken Silenus ('The Tazza Farnese'). Dated: 1597/1600. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Annibale Carracci. after Annibale Carracci. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-drunken-silenus-the-tazza-farnese-dated-15971600-medium-engraving-museum-national-gallery-of-art-washington-dc-author-annibale-carracci-after-annibale-carracci-image233191573.htmlRMRFAP6D–The Drunken Silenus ('The Tazza Farnese'). Dated: 1597/1600. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Annibale Carracci. after Annibale Carracci.
An oil painting of Ranuccio Farnese by the Italian artist Titian. At the National Gallery of Art in Washington DC. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-oil-painting-of-ranuccio-farnese-by-the-italian-artist-titian-at-the-national-gallery-of-art-in-washington-dc-image450756190.htmlRM2H59M3A–An oil painting of Ranuccio Farnese by the Italian artist Titian. At the National Gallery of Art in Washington DC.
Volpato - View of the south side of the Farnese Gallery with the frescoes of Annibale Carracci, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/volpato-view-of-the-south-side-of-the-farnese-gallery-with-the-frescoes-of-annibale-carracci-image574345436.htmlRM2TABKD0–Volpato - View of the south side of the Farnese Gallery with the frescoes of Annibale Carracci,
Palazzo Farnese on the 'Passeggiata Orientale', Ortona, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/palazzo-farnese-on-the-passeggiata-orientale-ortona-italy-image440634515.htmlRF2GGTHPY–Palazzo Farnese on the 'Passeggiata Orientale', Ortona, Italy
Flora Maior or Flora Farnese (2nd century AD.) Marble, colossal statue. National Archaeological Museum, Naples, Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flora-maior-or-flora-farnese-2nd-century-ad-marble-colossal-statue-national-archaeological-museum-naples-italy-image260540493.htmlRMW3TJ1H–Flora Maior or Flora Farnese (2nd century AD.) Marble, colossal statue. National Archaeological Museum, Naples, Italy.
Farnese Atlas, view of the Farnese Atlas statue in the in the Naples National Museum of Archaeology (Museo Archeologico Nazionale), Napoli, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-farnese-atlas-view-of-the-farnese-atlas-statue-in-the-in-the-naples-95683682.htmlRMFFJNEA–Farnese Atlas, view of the Farnese Atlas statue in the in the Naples National Museum of Archaeology (Museo Archeologico Nazionale), Napoli, Italy
Ranuccio Farnese, Titian, 1542, National Gallery of Art, Washington DC, USA, North America Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ranuccio-farnese-titian-1542-national-gallery-of-art-washington-dc-usa-north-america-image367945157.htmlRM2CAH9PD–Ranuccio Farnese, Titian, 1542, National Gallery of Art, Washington DC, USA, North America
The so called Pseudo Seneca. 1st century AD. Copy of Greek original. Philosopher. Farnese collection. Naples Archaeological Museum . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-so-called-pseudo-seneca-1st-century-ad-copy-of-greek-original-philosopher-farnese-collection-naples-archaeological-museum-image368863798.htmlRM2CC35F2–The so called Pseudo Seneca. 1st century AD. Copy of Greek original. Philosopher. Farnese collection. Naples Archaeological Museum .
Marble bust of Pope Paul III by Italian late-Renaissance sculptor Guglielmo della Porta (ca. 1560) on display in the Museo di Capodimonte in Naples, Campania, Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-marble-bust-of-pope-paul-iii-by-italian-late-renaissance-sculptor-139317360.htmlRMJ2JCM0–Marble bust of Pope Paul III by Italian late-Renaissance sculptor Guglielmo della Porta (ca. 1560) on display in the Museo di Capodimonte in Naples, Campania, Italy.
Tourists admiring Teatro Farnese (Farnese Theatre) within the building complex of Palazzo della Pilotta, Parma, Emilia Romagna, Italy, Europe. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tourists-admiring-teatro-farnese-farnese-theatre-within-the-building-complex-of-palazzo-della-pilotta-parma-emilia-romagna-italy-europe-image359751506.htmlRF2BW82M2–Tourists admiring Teatro Farnese (Farnese Theatre) within the building complex of Palazzo della Pilotta, Parma, Emilia Romagna, Italy, Europe.
Flora Maior or Flora Farnese (2nd century AD.) Detail, marble. Colossal statue. National Archaeological Museum Naples. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flora-maior-or-flora-farnese-2nd-century-ad-detail-marble-colossal-statue-national-archaeological-museum-naples-image260540499.htmlRMW3TJ1R–Flora Maior or Flora Farnese (2nd century AD.) Detail, marble. Colossal statue. National Archaeological Museum Naples.
Perseus and Phineas - Annibale Carracci and Domenichino - 1597 - Farnese Gallery, Rome Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-perseus-and-phineas-annibale-carracci-and-domenichino-1597-farnese-134662380.htmlRMHR2B6M–Perseus and Phineas - Annibale Carracci and Domenichino - 1597 - Farnese Gallery, Rome
Teatro Farnese in Parma is a Baroque-style theatre in Parma, Italy. It was built in 1618 by Giovanni Battista Aleotti. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/teatro-farnese-in-parma-is-a-baroque-style-theatre-in-parma-italy-it-was-built-in-1618-by-giovanni-battista-aleotti-image337221048.htmlRM2AGHMTT–Teatro Farnese in Parma is a Baroque-style theatre in Parma, Italy. It was built in 1618 by Giovanni Battista Aleotti.
A Woman borne off by a Sea God (Cartoon for a fresco in the Gallery of the Palazzo Farnese, Rome), c. 1599. Artist: Carracci, Agostino (1557-1602) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-woman-borne-off-by-a-sea-god-cartoon-for-a-fresco-in-the-gallery-image60395368.htmlRMDE76WC–A Woman borne off by a Sea God (Cartoon for a fresco in the Gallery of the Palazzo Farnese, Rome), c. 1599. Artist: Carracci, Agostino (1557-1602)
Portrait of Annibale Caracci, 1560-1609, Italian Baroque painter and instructor, Bolognese school, active in Bologna and later in Rome. Painted the Palazzo Farnese. Tinted etching within a decorative border by John Girtin after a self portrait by Caracci from John Girtin’s Seventy-Five Portraits of Celebrated Painters from Authentic Originals, J. M’Creery, London, 1817. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-annibale-caracci-1560-1609-italian-baroque-painter-and-instructor-bolognese-school-active-in-bologna-and-later-in-rome-painted-the-palazzo-farnese-tinted-etching-within-a-decorative-border-by-john-girtin-after-a-self-portrait-by-caracci-from-john-girtins-seventy-five-portraits-of-celebrated-painters-from-authentic-originals-j-mcreery-london-1817-image454515562.htmlRM2HBCY6J–Portrait of Annibale Caracci, 1560-1609, Italian Baroque painter and instructor, Bolognese school, active in Bologna and later in Rome. Painted the Palazzo Farnese. Tinted etching within a decorative border by John Girtin after a self portrait by Caracci from John Girtin’s Seventy-Five Portraits of Celebrated Painters from Authentic Originals, J. M’Creery, London, 1817.
English: Perseus and Phineas 1604-1606. 973 Perseus and Phineas - Annibale Carracci and Domenichino - 1597 - Farnese Gallery, Rome Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-perseus-and-phineas-1604-1606-973-perseus-and-phineas-annibale-carracci-and-domenichino-1597-farnese-gallery-rome-image185541839.htmlRMMNT4E7–English: Perseus and Phineas 1604-1606. 973 Perseus and Phineas - Annibale Carracci and Domenichino - 1597 - Farnese Gallery, Rome
Italy Emilia Romagna Parma Museum Pole of the Pilotta - National gallery north wing of the second floor - Alessandro Farnese by Anthonis Mor Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-italy-emilia-romagna-parma-museum-pole-of-the-pilotta-national-gallery-122440463.htmlRMH35J1K–Italy Emilia Romagna Parma Museum Pole of the Pilotta - National gallery north wing of the second floor - Alessandro Farnese by Anthonis Mor
Palazzo della Pilotta, Pilotta Palace, is a vast complex of buildings housing the Farnese Theater and the National Gallery. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/palazzo-della-pilotta-pilotta-palace-is-a-vast-complex-of-buildings-housing-the-farnese-theater-and-the-national-gallery-image478000736.htmlRM2JNJPPT–Palazzo della Pilotta, Pilotta Palace, is a vast complex of buildings housing the Farnese Theater and the National Gallery.
View of the Farnese Gallery, Rome, Francesco Panini (Italian, 1745 - 1812), Italy, about 1775, Pen and black ink and gray wash over black chalk, with occasional touches of white gouache, some pinholes, 42.5 x 27.6 cm (16 3,4 x 10 7,8 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-farnese-gallery-rome-francesco-panini-italian-1745-1812-italy-about-1775-pen-and-black-ink-and-gray-wash-over-black-chalk-with-occasional-touches-of-white-gouache-some-pinholes-425-x-276-cm-16-34-x-10-78-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350018974.htmlRF2B9CMNJ–View of the Farnese Gallery, Rome, Francesco Panini (Italian, 1745 - 1812), Italy, about 1775, Pen and black ink and gray wash over black chalk, with occasional touches of white gouache, some pinholes, 42.5 x 27.6 cm (16 3,4 x 10 7,8 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Doorway of Farnese Palace. Dated: c. 1642. Dimensions: plate: 32.5 x 20.3 cm (12 13/16 x 8 in.) sheet: 38.3 x 27.2 cm (15 1/16 x 10 11/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Vignola (author) and anonymous engraver. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doorway-of-farnese-palace-dated-c-1642-dimensions-plate-325-x-203-cm-12-1316-x-8-in-sheet-383-x-272-cm-15-116-x-10-1116-in-medium-engraving-on-laid-paper-museum-national-gallery-of-art-washington-dc-author-vignola-author-and-anonymous-engraver-image225508415.htmlRMR2TP7Y–Doorway of Farnese Palace. Dated: c. 1642. Dimensions: plate: 32.5 x 20.3 cm (12 13/16 x 8 in.) sheet: 38.3 x 27.2 cm (15 1/16 x 10 11/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Vignola (author) and anonymous engraver.
An oil painting of Ranuccio Farnese by the Italian artist Titian. At the National Gallery of Art in Washington DC. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-oil-painting-of-ranuccio-farnese-by-the-italian-artist-titian-at-the-national-gallery-of-art-in-washington-dc-image450756185.htmlRM2H59M35–An oil painting of Ranuccio Farnese by the Italian artist Titian. At the National Gallery of Art in Washington DC.
Parma, Italy, Emilia Romagna - August 4 year 2020 - National Gallery, bust of Ranuccio Farnese by Gianlorenzo Bernini Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/parma-italy-emilia-romagna-august-4-year-2020-national-gallery-bust-of-ranuccio-farnese-by-gianlorenzo-bernini-image368146898.htmlRF2CAXF3E–Parma, Italy, Emilia Romagna - August 4 year 2020 - National Gallery, bust of Ranuccio Farnese by Gianlorenzo Bernini
Farnese Hercules, marble, 2nd century AD, in the Uffizi, Florence Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/farnese-hercules-marble-2nd-century-ad-in-the-uffizi-florence-image544711458.htmlRM2PJ5N0J–Farnese Hercules, marble, 2nd century AD, in the Uffizi, Florence
PARMA, ITALY - APRIL 24, 2012: The medieval Pilotta Palace, located on Pace Square and houses the National Gallery, Farnese Theatre and various museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-parma-italy-april-24-2012-the-medieval-pilotta-palace-located-on-pace-135740778.htmlRMHTREMX–PARMA, ITALY - APRIL 24, 2012: The medieval Pilotta Palace, located on Pace Square and houses the National Gallery, Farnese Theatre and various museum
FLORENCE, ITALY - APRIL 7, 2018: Farnese Hercules from Uffizi Gallery in Florence, Italy. It is an Carrara marble statue from 2nd century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/florence-italy-april-7-2018-farnese-hercules-from-uffizi-gallery-in-florence-italy-it-is-an-carrara-marble-statue-from-2nd-century-image344155713.htmlRF2AYWJ3D–FLORENCE, ITALY - APRIL 7, 2018: Farnese Hercules from Uffizi Gallery in Florence, Italy. It is an Carrara marble statue from 2nd century.
Museo Nazionale Di Capodimonte Naples Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/museo-nazionale-di-capodimonte-naples-italy-image468988350.htmlRM2J707BX–Museo Nazionale Di Capodimonte Naples Italy
Sermon of an Apostle in the Roman Ruins with a Statue of the Farnese Hercules by Panini, Giovanni Paolo. 1691-1765 Italy Italian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sermon-of-an-apostle-in-the-roman-ruins-with-a-statue-of-the-farnese-hercules-by-panini-giovanni-paolo-1691-1765-italy-italian-image332018457.htmlRM2A84MX1–Sermon of an Apostle in the Roman Ruins with a Statue of the Farnese Hercules by Panini, Giovanni Paolo. 1691-1765 Italy Italian
Marble bust of Pope Paul III by Italian late-Renaissance sculptor Guglielmo della Porta (ca. 1560) on display in the Museo di Capodimonte in Naples, Campania, Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-marble-bust-of-pope-paul-iii-by-italian-late-renaissance-sculptor-139317772.htmlRMJ2JD6M–Marble bust of Pope Paul III by Italian late-Renaissance sculptor Guglielmo della Porta (ca. 1560) on display in the Museo di Capodimonte in Naples, Campania, Italy.
Carlo Cignani, Italian nobleman and Baroque painter of the Bolognese school, 1628-1719. Active in Bologna and Rome, working for Cardinal Farnese and the Archbishop of Milan. Conte Carlo Cignani, Pittore. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carlo-cignani-italian-nobleman-and-baroque-painter-of-the-bolognese-school-1628-1719-active-in-bologna-and-rome-working-for-cardinal-farnese-and-the-archbishop-of-milan-conte-carlo-cignani-pittore-copperplate-engraving-by-carlo-gregori-after-giovanni-domenico-campiglia-after-a-self-portrait-by-the-artist-from-francesco-mouckes-museo-florentino-museum-florentinum-serie-di-ritratti-de-pittori-series-of-portraits-of-painters-stamperia-mouckiana-florence-1752-62-image549256616.htmlRM2PWGPBM–Carlo Cignani, Italian nobleman and Baroque painter of the Bolognese school, 1628-1719. Active in Bologna and Rome, working for Cardinal Farnese and the Archbishop of Milan. Conte Carlo Cignani, Pittore. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
The so called Servilius Ahala ( 5th century BC). Roman politician. Bronze portrait of 1st century BC. Naples Archaeological Museum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-so-called-servilius-ahala-5th-century-bc-roman-politician-bronze-portrait-of-1st-century-bc-naples-archaeological-museum-image362243528.htmlRM2C19H8T–The so called Servilius Ahala ( 5th century BC). Roman politician. Bronze portrait of 1st century BC. Naples Archaeological Museum.
The Triumph of Bacchus and Ariadne - Annibale Carracci - 1597 - Farnese Gallery, Rome Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-triumph-of-bacchus-and-ariadne-annibale-carracci-1597-farnese-134792145.htmlRMHR88N5–The Triumph of Bacchus and Ariadne - Annibale Carracci - 1597 - Farnese Gallery, Rome
Asclepius (Asklepios), Giustini type. Late 2nd cent. AD. from a Greek original of the 4th cent. BC. Marble. Museum Archaeology, Naples. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/asclepius-asklepios-giustini-type-late-2nd-cent-ad-from-a-greek-original-of-the-4th-cent-bc-marble-museum-archaeology-naples-image337876660.htmlRM2AHKH3G–Asclepius (Asklepios), Giustini type. Late 2nd cent. AD. from a Greek original of the 4th cent. BC. Marble. Museum Archaeology, Naples.
Annibale Carracci Studies of decorations for the Farnese Gallery Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-annibale-carracci-studies-of-decorations-for-the-farnese-gallery-137282607.htmlRMHY9NA7–Annibale Carracci Studies of decorations for the Farnese Gallery
Portrait of Elisabeth Farnese, Queen consort of Spain, 1723. Found in the Collection of the Slovak National Gallery, Bratislava. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-elisabeth-farnese-queen-consort-of-spain-1723-found-in-the-collection-of-the-slovak-national-gallery-bratislava-image617196296.htmlRM2XT3M4T–Portrait of Elisabeth Farnese, Queen consort of Spain, 1723. Found in the Collection of the Slovak National Gallery, Bratislava.
Annibale Carracci, Study for Phineas Farnese Gallery Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-annibale-carracci-study-for-phineas-farnese-gallery-137312610.htmlRMHYB3HP–Annibale Carracci, Study for Phineas Farnese Gallery
Study of part of a Frieze in the Farnese Gallery (after Annibale Carracci) 17th century. 1076 Rubens - Study of part of a Frieze in the Farnese Gallery Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-of-part-of-a-frieze-in-the-farnese-gallery-after-annibale-carracci-17th-century-1076-rubens-study-of-part-of-a-frieze-in-the-farnese-gallery-image185581325.htmlRMMNWXTD–Study of part of a Frieze in the Farnese Gallery (after Annibale Carracci) 17th century. 1076 Rubens - Study of part of a Frieze in the Farnese Gallery
Italy Emilia Romagna Parma Museum Pole of the Pilotta -national Gallery- north wing of the Fist floor - Ranuccio Farnese by Cesare Aretusi - XVII century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-italy-emilia-romagna-parma-museum-pole-of-the-pilotta-national-gallery-122440574.htmlRMH35J5J–Italy Emilia Romagna Parma Museum Pole of the Pilotta -national Gallery- north wing of the Fist floor - Ranuccio Farnese by Cesare Aretusi - XVII century
Palazzo della Pilotta, Pilotta Palace, is a vast complex of buildings housing the Farnese Theater and the National Gallery. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/palazzo-della-pilotta-pilotta-palace-is-a-vast-complex-of-buildings-housing-the-farnese-theater-and-the-national-gallery-image478000774.htmlRM2JNJPT6–Palazzo della Pilotta, Pilotta Palace, is a vast complex of buildings housing the Farnese Theater and the National Gallery.
GALERIA DEL PALACIO FARNESE - ROMA - SIGLO XVII. Author: CARRACCI, AGOSTINO. Location: PALACIO FARNESIO. Rome. ITALIA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/galeria-del-palacio-farnese-roma-siglo-xvii-author-carracci-agostino-location-palacio-farnesio-rome-italia-image219878451.htmlRMPNM95R–GALERIA DEL PALACIO FARNESE - ROMA - SIGLO XVII. Author: CARRACCI, AGOSTINO. Location: PALACIO FARNESIO. Rome. ITALIA.
An oil painting of Ranuccio Farnese by the Italian artist Titian. At the National Gallery of Art in Washington DC. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-oil-painting-of-ranuccio-farnese-by-the-italian-artist-titian-at-the-national-gallery-of-art-in-washington-dc-image450756179.htmlRM2H59M2Y–An oil painting of Ranuccio Farnese by the Italian artist Titian. At the National Gallery of Art in Washington DC.
Parma, Italy, Emilia Romagna - August 4 year 2020 - National Gallery, bust of Ranuccio Farnese by Gianlorenzo Bernini Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/parma-italy-emilia-romagna-august-4-year-2020-national-gallery-bust-of-ranuccio-farnese-by-gianlorenzo-bernini-image368147335.htmlRF2CAXFK3–Parma, Italy, Emilia Romagna - August 4 year 2020 - National Gallery, bust of Ranuccio Farnese by Gianlorenzo Bernini
Diana en Endymion Schilderingen in Palazzo Farnese te Rome (serietitel) Gallery in Palazzo Farnese in Rome (serietitel) the goddess Diana embraces the eternal youth Endymion sleeping. In the foreground a sleeping dog. In the background, two putti. The picture originally belonged to liber 22 Atlas Michiel Hinloopen Rome (Apparent Foot Book 10) . Manufacturer : printmaker Carlo Cesio (listed property) designed by: Annibale Carracci (listed building) editor: François Collignon (listed object) provider of privilege: Alexander VII, (listed on object) Place manufacture: print maker: Rome to design: Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diana-en-endymion-schilderingen-in-palazzo-farnese-te-rome-serietitel-gallery-in-palazzo-farnese-in-rome-serietitel-the-goddess-diana-embraces-the-eternal-youth-endymion-sleeping-in-the-foreground-a-sleeping-dog-in-the-background-two-putti-the-picture-originally-belonged-to-liber-22-atlas-michiel-hinloopen-rome-apparent-foot-book-10-manufacturer-printmaker-carlo-cesio-listed-property-designed-by-annibale-carracci-listed-building-editor-franois-collignon-listed-object-provider-of-privilege-alexander-vii-listed-on-object-place-manufacture-print-maker-rome-to-design-image348308078.htmlRM2B6JPE6–Diana en Endymion Schilderingen in Palazzo Farnese te Rome (serietitel) Gallery in Palazzo Farnese in Rome (serietitel) the goddess Diana embraces the eternal youth Endymion sleeping. In the foreground a sleeping dog. In the background, two putti. The picture originally belonged to liber 22 Atlas Michiel Hinloopen Rome (Apparent Foot Book 10) . Manufacturer : printmaker Carlo Cesio (listed property) designed by: Annibale Carracci (listed building) editor: François Collignon (listed object) provider of privilege: Alexander VII, (listed on object) Place manufacture: print maker: Rome to design:
Italy, Rome, Via Giulia, queue at the entrance of Palazzo Farnese museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-italy-rome-via-giulia-queue-at-the-entrance-of-palazzo-farnese-museum-36207496.htmlRMC2WB0T–Italy, Rome, Via Giulia, queue at the entrance of Palazzo Farnese museum
Ranuccio Farnese forty years old - marble of Carrara - Gian Lorenzo Bernini - 1670 - Parma, Italy, National Gallery Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ranuccio-farnese-forty-years-old-marble-of-carrara-gian-lorenzo-bernini-1670-parma-italy-national-gallery-image466320098.htmlRF2J2JM16–Ranuccio Farnese forty years old - marble of Carrara - Gian Lorenzo Bernini - 1670 - Parma, Italy, National Gallery
Museo Nazionale Di Capodimonte Naples Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/museo-nazionale-di-capodimonte-naples-italy-image468988355.htmlRM2J707C3–Museo Nazionale Di Capodimonte Naples Italy
Sermon of an Apostle in the Roman Ruins with a Statue of the Farnese Hercules by Panini, Giovanni Paolo. 1691-1765 Italy Italian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sermon-of-an-apostle-in-the-roman-ruins-with-a-statue-of-the-farnese-hercules-by-panini-giovanni-paolo-1691-1765-italy-italian-image332018437.htmlRM2A84MW9–Sermon of an Apostle in the Roman Ruins with a Statue of the Farnese Hercules by Panini, Giovanni Paolo. 1691-1765 Italy Italian
Marble bust of Pope Paul III by Italian late-Renaissance sculptor Guglielmo della Porta (ca. 1560) on display in the Museo di Capodimonte in Naples, Campania, Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-marble-bust-of-pope-paul-iii-by-italian-late-renaissance-sculptor-139317243.htmlRMJ2JCFR–Marble bust of Pope Paul III by Italian late-Renaissance sculptor Guglielmo della Porta (ca. 1560) on display in the Museo di Capodimonte in Naples, Campania, Italy.
CARRACCI, Annibale (b. 1560, Bologna, d. 1609, Roma) The Flight into Egypt 1603 Oil on canvas, 122 x 230 cm Galleria Doria-Pamphili, Rome When the frescoes of Annibale Carracci on the ceiling of the Galleria Farnese were unveiled on June 2, 1601, one of those present was Pietro Aldobrandini, Clement VIII's nephew and Secretary of State. This is probably what led to a relationship between the cardinal and the Emilian painter, resulting in the former commissioning a painting entitled Domine quo vadis? (now in the National Gallery in London) from the artist the following year. He also asked him Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carracci-annibale-b-1560-bologna-d-1609-roma-the-flight-into-egypt-1603-oil-on-canvas-122-x-230-cm-galleria-doria-pamphili-rome-when-the-frescoes-of-annibale-carracci-on-the-ceiling-of-the-galleria-farnese-were-unveiled-on-june-2-1601-one-of-those-present-was-pietro-aldobrandini-clement-viiis-nephew-and-secretary-of-state-this-is-probably-what-led-to-a-relationship-between-the-cardinal-and-the-emilian-painter-resulting-in-the-former-commissioning-a-painting-entitled-domine-quo-vadis-now-in-the-national-gallery-in-london-from-the-artist-the-following-year-he-also-asked-him-image616244654.htmlRM2XPGA9J–CARRACCI, Annibale (b. 1560, Bologna, d. 1609, Roma) The Flight into Egypt 1603 Oil on canvas, 122 x 230 cm Galleria Doria-Pamphili, Rome When the frescoes of Annibale Carracci on the ceiling of the Galleria Farnese were unveiled on June 2, 1601, one of those present was Pietro Aldobrandini, Clement VIII's nephew and Secretary of State. This is probably what led to a relationship between the cardinal and the Emilian painter, resulting in the former commissioning a painting entitled Domine quo vadis? (now in the National Gallery in London) from the artist the following year. He also asked him
Palazzo Farnese, Rome: a wall of the gallery. Etching by P. Aquila after Annibale Carracci. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/palazzo-farnese-rome-a-wall-of-the-gallery-etching-by-p-aquila-after-annibale-carracci-image450063006.htmlRM2H463XP–Palazzo Farnese, Rome: a wall of the gallery. Etching by P. Aquila after Annibale Carracci.
PARMA, ITALY - APRIL 24, 2012: The complex of Pilotta Palace on Pace Square is one of the main city landmarks, including the museums, art gallery and Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-parma-italy-april-24-2012-the-complex-of-pilotta-palace-on-pace-square-135740777.htmlRMHTREMW–PARMA, ITALY - APRIL 24, 2012: The complex of Pilotta Palace on Pace Square is one of the main city landmarks, including the museums, art gallery and
Thucydides (460-400 BC). Athenian historian and general. Marble herm, 2nd cent. AD, copy of a Greek work, Naples Archeology Museum, Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thucydides-460-400-bc-athenian-historian-and-general-marble-herm-2nd-cent-ad-copy-of-a-greek-work-naples-archeology-museum-italy-image364693587.htmlRM2C596AY–Thucydides (460-400 BC). Athenian historian and general. Marble herm, 2nd cent. AD, copy of a Greek work, Naples Archeology Museum, Italy.
England, London, Piccadilly, Birlington House, The Royal Academy of Arts, Cast Statue of The Farnese Hercules In Repose dated 1790 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/england-london-piccadilly-birlington-house-the-royal-academy-of-arts-cast-statue-of-the-farnese-hercules-in-repose-dated-1790-image271301116.htmlRMWNAR9G–England, London, Piccadilly, Birlington House, The Royal Academy of Arts, Cast Statue of The Farnese Hercules In Repose dated 1790
Portrait of Alessandro Farnese (1545–1592), Duke of Parma, c1565. Found in the Collection of the Slovak National Gallery, Bratislava. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-alessandro-farnese-1545x20131592-duke-of-parma-c1565-found-in-the-collection-of-the-slovak-national-gallery-bratislava-image617196303.htmlRM2XT3M53–Portrait of Alessandro Farnese (1545–1592), Duke of Parma, c1565. Found in the Collection of the Slovak National Gallery, Bratislava.
Glaucus and Scylla Agostino Carracci 1597 Farnese Gallery, Rome Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-glaucus-and-scylla-agostino-carracci-1597-farnese-gallery-rome-137311215.htmlRMHYB1RY–Glaucus and Scylla Agostino Carracci 1597 Farnese Gallery, Rome
English: Venus and Anchises . English: Part of the ceiling fresco cycle The Loves of the Gods in the Farnese Gallery of the Palazzo Farnese in Rome . between 1597 and 1608. 1229 Venus and Anchises Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-venus-and-anchises-english-part-of-the-ceiling-fresco-cycle-the-loves-of-the-gods-in-the-farnese-gallery-of-the-palazzo-farnese-in-rome-between-1597-and-1608-1229-venus-and-anchises-image185607945.htmlRMMNY4R5–English: Venus and Anchises . English: Part of the ceiling fresco cycle The Loves of the Gods in the Farnese Gallery of the Palazzo Farnese in Rome . between 1597 and 1608. 1229 Venus and Anchises
Italy Emilia Romagna Parma Museum Pole of the Pilotta - National gallery north wing of the second floor - Parma embraces Alessandro Farnese by Girolamo Mazzola Bedoli Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-italy-emilia-romagna-parma-museum-pole-of-the-pilotta-national-gallery-122440575.htmlRMH35J5K–Italy Emilia Romagna Parma Museum Pole of the Pilotta - National gallery north wing of the second floor - Parma embraces Alessandro Farnese by Girolamo Mazzola Bedoli
Palazzo della Pilotta, Pilotta Palace, is a vast complex of buildings housing the Farnese Theater and the National Gallery. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/palazzo-della-pilotta-pilotta-palace-is-a-vast-complex-of-buildings-housing-the-farnese-theater-and-the-national-gallery-image478000746.htmlRM2JNJPR6–Palazzo della Pilotta, Pilotta Palace, is a vast complex of buildings housing the Farnese Theater and the National Gallery.
Portrait of Alessandro Farnese (1545–1592), Duke of Parma. Museum: Slovak National Gallery, Bratislava. Author: Pourbus, Frans, the elder. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-alessandro-farnese-15451592-duke-of-parma-museum-slovak-national-gallery-bratislava-author-pourbus-frans-the-elder-image612032619.htmlRM2XFMDRR–Portrait of Alessandro Farnese (1545–1592), Duke of Parma. Museum: Slovak National Gallery, Bratislava. Author: Pourbus, Frans, the elder.
An oil painting of Ranuccio Farnese by the Italian artist Titian. At the National Gallery of Art in Washington DC. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-oil-painting-of-ranuccio-farnese-by-the-italian-artist-titian-at-the-national-gallery-of-art-in-washington-dc-image450756192.htmlRM2H59M3C–An oil painting of Ranuccio Farnese by the Italian artist Titian. At the National Gallery of Art in Washington DC.
Pushkin/Saint Petersburg / Russia-09.03.2020: Stairs of the Cameron gallery. Sculptures of Hercules and Flora Farnese on pylons. Monument of Russian c Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pushkinsaint-petersburg-russia-09032020-stairs-of-the-cameron-gallery-sculptures-of-hercules-and-flora-farnese-on-pylons-monument-of-russian-c-image460648504.htmlRF2HNC9T8–Pushkin/Saint Petersburg / Russia-09.03.2020: Stairs of the Cameron gallery. Sculptures of Hercules and Flora Farnese on pylons. Monument of Russian c
Diana en Endymion Schilderingen in Palazzo Farnese te Rome (serietitel) Gallery in Palazzo Farnese in Rome (serietitel) the goddess Diana embraces the eternal youth Endymion dormant. In the foreground a sleeping dog. In the background two putti. Manufacturer : printmaker Carlo Cesio (listed property) designed by: Annibale Carracci (listed building) editor: François Collignon (listed property) provider of privilege: Alexander VII (listed property) Place manufacture : print maker: Rome to design: Italy Publisher: Rome Grantor of privilege: Vatican Date: 1656 Physical characteristics: etching mat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diana-en-endymion-schilderingen-in-palazzo-farnese-te-rome-serietitel-gallery-in-palazzo-farnese-in-rome-serietitel-the-goddess-diana-embraces-the-eternal-youth-endymion-dormant-in-the-foreground-a-sleeping-dog-in-the-background-two-putti-manufacturer-printmaker-carlo-cesio-listed-property-designed-by-annibale-carracci-listed-building-editor-franois-collignon-listed-property-provider-of-privilege-alexander-vii-listed-property-place-manufacture-print-maker-rome-to-design-italy-publisher-rome-grantor-of-privilege-vatican-date-1656-physical-characteristics-etching-mat-image348308026.htmlRM2B6JPCA–Diana en Endymion Schilderingen in Palazzo Farnese te Rome (serietitel) Gallery in Palazzo Farnese in Rome (serietitel) the goddess Diana embraces the eternal youth Endymion dormant. In the foreground a sleeping dog. In the background two putti. Manufacturer : printmaker Carlo Cesio (listed property) designed by: Annibale Carracci (listed building) editor: François Collignon (listed property) provider of privilege: Alexander VII (listed property) Place manufacture : print maker: Rome to design: Italy Publisher: Rome Grantor of privilege: Vatican Date: 1656 Physical characteristics: etching mat
The Titian room, including at the center, the oil painting, Pope Paul III with his Grandsons Alessandro and Ottavio Farnese. At the art museum, Museo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-titian-room-including-at-the-center-the-oil-painting-pope-paul-iii-with-his-grandsons-alessandro-and-ottavio-farnese-at-the-art-museum-museo-image515375994.htmlRM2MXDB9E–The Titian room, including at the center, the oil painting, Pope Paul III with his Grandsons Alessandro and Ottavio Farnese. At the art museum, Museo
England, London, Piccadilly, Birlington House, The Royal Academy of Arts, Cast Statue of The Farnese Hercules In Repose dated 1790 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/england-london-piccadilly-birlington-house-the-royal-academy-of-arts-cast-statue-of-the-farnese-hercules-in-repose-dated-1790-image329198666.htmlRM2A3G876–England, London, Piccadilly, Birlington House, The Royal Academy of Arts, Cast Statue of The Farnese Hercules In Repose dated 1790
Museo Nazionale Di Capodimonte Naples Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/museo-nazionale-di-capodimonte-naples-italy-image468910286.htmlRM2J6TKRX–Museo Nazionale Di Capodimonte Naples Italy
Sermon of an Apostle in the Roman Ruins with a Statue of the Farnese Hercules by Panini, Giovanni Paolo. 1691-1765 Italy Italian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sermon-of-an-apostle-in-the-roman-ruins-with-a-statue-of-the-farnese-hercules-by-panini-giovanni-paolo-1691-1765-italy-italian-image332018447.htmlRM2A84MWK–Sermon of an Apostle in the Roman Ruins with a Statue of the Farnese Hercules by Panini, Giovanni Paolo. 1691-1765 Italy Italian
Annibale Carracci Introduces Painting to Apollo and Minerva, Pietro Aquila, 1674 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-annibale-carracci-introduces-painting-to-apollo-and-minerva-pietro-162460507.htmlRMKC8M0Y–Annibale Carracci Introduces Painting to Apollo and Minerva, Pietro Aquila, 1674
The Colosseum Seen from the Farnese Gardens (Rome, Italy), 1826, retouched about 1849, Salon of 1849, Oil on paper mounted on canvas, Jean-Baptiste Ca Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-colosseum-seen-from-the-farnese-gardens-rome-italy-1826-retouched-about-1849-salon-of-1849-oil-on-paper-mounted-on-canvas-jean-baptiste-ca-image621631268.htmlRM2Y39N0M–The Colosseum Seen from the Farnese Gardens (Rome, Italy), 1826, retouched about 1849, Salon of 1849, Oil on paper mounted on canvas, Jean-Baptiste Ca
Palazzo Farnese, Rome: a wall of the gallery. Etching by P. Aquila after Annibale Carracci. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/palazzo-farnese-rome-a-wall-of-the-gallery-etching-by-p-aquila-after-annibale-carracci-image450043102.htmlRM2H456FX–Palazzo Farnese, Rome: a wall of the gallery. Etching by P. Aquila after Annibale Carracci.
Giuseppe Verdi bridge across the Parma stream leads to the Pilotta Palace, large complex, including Farnese Theatre, National Gallery, Palatina Librar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-giuseppe-verdi-bridge-across-the-parma-stream-leads-to-the-pilotta-135740700.htmlRFHTREJ4–Giuseppe Verdi bridge across the Parma stream leads to the Pilotta Palace, large complex, including Farnese Theatre, National Gallery, Palatina Librar
