Family conversation piece Stock Photos and Images
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Family conversation piece Stock Photos and Images
A Family Conversation Piece, Joseph Highmore, 1692–1780, British, 1730 to 1735, Oil on canvas, Support (PTG): 17 3/4 x 31 1/2 inches (45.1 x 80 cm), arches, architectural subject, basin, chairs, child, conversation piece, costume, family, garden, girl, group portrait, men, portrait, women Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-family-conversation-piece-joseph-highmore-16921780-british-1730-to-1735-oil-on-canvas-support-ptg-17-34-x-31-12-inches-451-x-80-cm-arches-architectural-subject-basin-chairs-child-conversation-piece-costume-family-garden-girl-group-portrait-men-portrait-women-image389663747.htmlRM2DHXM2B–A Family Conversation Piece, Joseph Highmore, 1692–1780, British, 1730 to 1735, Oil on canvas, Support (PTG): 17 3/4 x 31 1/2 inches (45.1 x 80 cm), arches, architectural subject, basin, chairs, child, conversation piece, costume, family, garden, girl, group portrait, men, portrait, women
The Jones Family Conversation Piece, William Hogarth, 1730, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-jones-family-conversation-piece-william-hogarth-1730-image550552264.htmlRM2PYKR0T–The Jones Family Conversation Piece, William Hogarth, 1730,
William Hogarth (1697-1764) 'The Jones Family Conversation Piece 69 x 96.5cm, oil on canvas) was acquired by The National Museums and Galleries of Wales in a private treaty sale arranged by Sotheby's of London. PA Photos. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-hogarth-1697-1764-the-jones-family-conversation-piece-69-x-105837143.htmlRMG4589Y–William Hogarth (1697-1764) 'The Jones Family Conversation Piece 69 x 96.5cm, oil on canvas) was acquired by The National Museums and Galleries of Wales in a private treaty sale arranged by Sotheby's of London. PA Photos.
A Family Conversation Piece. Date/Period: 1730 to 1735. Painting. Oil on canvas. Height: 451 mm (17.75 in); Width: 800 mm (31.49 in). Author: JOSEPH HIGHMORE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-family-conversation-piece-dateperiod-1730-to-1735-painting-oil-on-canvas-height-451-mm-1775-in-width-800-mm-3149-in-author-joseph-highmore-image233248143.htmlRMRFDAAR–A Family Conversation Piece. Date/Period: 1730 to 1735. Painting. Oil on canvas. Height: 451 mm (17.75 in); Width: 800 mm (31.49 in). Author: JOSEPH HIGHMORE.
Joseph Highmore - A Family Conversation Piece Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-highmore-a-family-conversation-piece-image374345365.htmlRM2CN0W99–Joseph Highmore - A Family Conversation Piece
Sketch for 'The Jones Family Conversation Piece', 1730. Artist: William Hogarth. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sketch-for-the-jones-family-conversation-piece-1730-artist-william-hogarth-image262788618.htmlRMW7F1FP–Sketch for 'The Jones Family Conversation Piece', 1730. Artist: William Hogarth.
Joseph Highmore - A Family Conversation Piece - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-joseph-highmore-a-family-conversation-piece-148395145.htmlRMJHBYEH–Joseph Highmore - A Family Conversation Piece -
Joseph Highmore A Family Conversation Piece Google Art Project Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-joseph-highmore-a-family-conversation-piece-google-art-project-137380485.htmlRMHYE65W–Joseph Highmore A Family Conversation Piece Google Art Project
A Family Conversation Piece, Joseph Highmore, 1692-1780, British Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-family-conversation-piece-joseph-highmore-1692-1780-british-77446818.htmlRMEE005P–A Family Conversation Piece, Joseph Highmore, 1692-1780, British
Sketch for 'The Jones Family Conversation Piece', 1730. Artist: William Hogarth. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sketch-for-the-jones-family-conversation-piece-1730-artist-william-135279769.htmlRMHT2EM9–Sketch for 'The Jones Family Conversation Piece', 1730. Artist: William Hogarth.
Royal Conversation Piece Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/royal-conversation-piece-image501458156.htmlRM2M3RAYT–Royal Conversation Piece
Conversation Piece by Solomon Joseph Solomon RA PRBA (1860-1927). Trollope by Charles Percy Snow, Baron Snow, CBE (1905-1980).. . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/conversation-piece-by-solomon-joseph-solomon-ra-prba-1860-1927-trollope-by-charles-percy-snow-baron-snow-cbe-1905-1980-image268845528.htmlRMWHAY60–Conversation Piece by Solomon Joseph Solomon RA PRBA (1860-1927). Trollope by Charles Percy Snow, Baron Snow, CBE (1905-1980).. .
Joseph Highmore - A Family Conversation Piece Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-highmore-a-family-conversation-piece-image454773866.htmlRF2HBTMKP–Joseph Highmore - A Family Conversation Piece
A Family Conversation Piece between 1730 and 1735 by Joseph Highmore Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-family-conversation-piece-between-1730-and-1735-by-joseph-highmore-image544108649.htmlRM2PH683N–A Family Conversation Piece between 1730 and 1735 by Joseph Highmore
Joseph Highmore, 1692–1780, British, A Family Conversation Piece, 1730 to 1735. Oil on canvas. arches , architectural subject , basin , chairs , child , conversation piece , costume , family , garden , girl , group portrait , men , portrait , women Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-highmore-16921780-british-a-family-conversation-piece-1730-to-1735-oil-on-canvas-arches-architectural-subject-basin-chairs-child-conversation-piece-costume-family-garden-girl-group-portrait-men-portrait-women-image398453796.htmlRM2E473TM–Joseph Highmore, 1692–1780, British, A Family Conversation Piece, 1730 to 1735. Oil on canvas. arches , architectural subject , basin , chairs , child , conversation piece , costume , family , garden , girl , group portrait , men , portrait , women
Tate Britain, London, UK. 16th December, 2016. Alex Farquharson, Director, Tate Britain in front of John Singleton Copley’s The Fountaine Family 1776, which has been accepted for the nation through Arts Council England’s Cultural Gift Scheme and allocated to Tate. This is the only conversation piece by this important American artist to enter a public collection in the UK and is a rare example of work from the beginning of the artist’s career in England. Alongside are preparatory drawings of the young boy featured in the painting. © artsimages/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tate-britain-london-uk-16th-december-2016-alex-farquharson-director-129081485.htmlRMHE04N1–Tate Britain, London, UK. 16th December, 2016. Alex Farquharson, Director, Tate Britain in front of John Singleton Copley’s The Fountaine Family 1776, which has been accepted for the nation through Arts Council England’s Cultural Gift Scheme and allocated to Tate. This is the only conversation piece by this important American artist to enter a public collection in the UK and is a rare example of work from the beginning of the artist’s career in England. Alongside are preparatory drawings of the young boy featured in the painting. © artsimages/Alamy Live News
Art inspired by The Saithwaite Family, ca. 1785, Oil on canvas, 38 3/4 x 50 in. (98.4 x 127 cm), Paintings, Francis Wheatley (British, London 1747–1801 London), Wheatley was among the best painters of the small-scale group portrait, or conversation piece, which is so typical of the mid, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-saithwaite-family-ca-1785-oil-on-canvas-38-34-x-50-in-984-x-127-cm-paintings-francis-wheatley-british-london-17471801-london-wheatley-was-among-the-best-painters-of-the-small-scale-group-portrait-or-conversation-piece-which-is-so-typical-of-the-mid-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462817716.htmlRF2HTY4M4–Art inspired by The Saithwaite Family, ca. 1785, Oil on canvas, 38 3/4 x 50 in. (98.4 x 127 cm), Paintings, Francis Wheatley (British, London 1747–1801 London), Wheatley was among the best painters of the small-scale group portrait, or conversation piece, which is so typical of the mid, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RICH'S FAMILY/HOGARTH Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/richs-familyhogarth-image222876085.htmlRMPXGTM5–RICH'S FAMILY/HOGARTH
Two women in traditional attire engage in a friendly conversation while sipping coffee indoors. The environment is cozy, showcasing cultural diversity Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-women-in-traditional-attire-engage-in-a-friendly-conversation-while-sipping-coffee-indoors-the-environment-is-cozy-showcasing-cultural-diversity-image626296596.htmlRF2YAX7KG–Two women in traditional attire engage in a friendly conversation while sipping coffee indoors. The environment is cozy, showcasing cultural diversity
Royal Conversation Piece -- Left to Right: Mrs. Franklin D. Roosevelt, wife of the President; the King, the President's Mother, Mrs. Sarah Delano Roosevelt; the Queen, and the President. Four Members of the first families of Great Britain and the United States were caught by the camera in Antimated conversation when King George and Queen Elizabeth sat with the Roosevelts on the front porch of the Roosevelt family home at Hyde Park, N.Y., June 11. November 6, 1939. (Photo by Associated Press Photo). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/royal-conversation-piece-left-to-right-mrs-franklin-d-roosevelt-wife-of-the-president-the-king-the-presidents-mother-mrs-sarah-delano-roosevelt-the-queen-and-the-president-four-members-of-the-first-families-of-great-britain-and-the-united-states-were-caught-by-the-camera-in-antimated-conversation-when-king-george-and-queen-elizabeth-sat-with-the-roosevelts-on-the-front-porch-of-the-roosevelt-family-home-at-hyde-park-ny-june-11-november-6-1939-photo-by-associated-press-photo-image471433250.htmlRM2JAYHWP–Royal Conversation Piece -- Left to Right: Mrs. Franklin D. Roosevelt, wife of the President; the King, the President's Mother, Mrs. Sarah Delano Roosevelt; the Queen, and the President. Four Members of the first families of Great Britain and the United States were caught by the camera in Antimated conversation when King George and Queen Elizabeth sat with the Roosevelts on the front porch of the Roosevelt family home at Hyde Park, N.Y., June 11. November 6, 1939. (Photo by Associated Press Photo).
The Jones Family Conversation Piece, William Hogarth, 1730, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-jones-family-conversation-piece-william-hogarth-1730-image332468668.htmlRM2A8W750–The Jones Family Conversation Piece, William Hogarth, 1730,
Frau von Schmerling probeert Fritz tot de adel te laten toetreden Upper right numbered 5. caption in Duits. Manufacturer : printmaker Daniel Nikolaus ChodoWie: ckinaar own design: Daniel Nikolaus ChodowieckiPlaats manufacture: Berlin Date: 1781 Material: paper Technique: etching dimensions: sheet: h 95 mm (inner plate edge cut ) × W 58 mm (cut inside edge plate) Remarks Made for GFW Grossmann's 'Nicht mehr als sechs Schüsseln. Print used: Königl. Grossbr. Genealogischer Calendar auf das Jahr 1782 Lauenburger: J.G. Berenberg, 1782. Subject: conversation, dialogue; conversation piece family line Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frau-von-schmerling-probeert-fritz-tot-de-adel-te-laten-toetreden-upper-right-numbered-5-caption-in-duits-manufacturer-printmaker-daniel-nikolaus-chodowie-ckinaar-own-design-daniel-nikolaus-chodowieckiplaats-manufacture-berlin-date-1781-material-paper-technique-etching-dimensions-sheet-h-95-mm-inner-plate-edge-cut-w-58-mm-cut-inside-edge-plate-remarks-made-for-gfw-grossmanns-nicht-mehr-als-sechs-schsseln-print-used-knigl-grossbr-genealogischer-calendar-auf-das-jahr-1782-lauenburger-jg-berenberg-1782-subject-conversation-dialogue-conversation-piece-family-line-image348366286.htmlRM2B6NCN2–Frau von Schmerling probeert Fritz tot de adel te laten toetreden Upper right numbered 5. caption in Duits. Manufacturer : printmaker Daniel Nikolaus ChodoWie: ckinaar own design: Daniel Nikolaus ChodowieckiPlaats manufacture: Berlin Date: 1781 Material: paper Technique: etching dimensions: sheet: h 95 mm (inner plate edge cut ) × W 58 mm (cut inside edge plate) Remarks Made for GFW Grossmann's 'Nicht mehr als sechs Schüsseln. Print used: Königl. Grossbr. Genealogischer Calendar auf das Jahr 1782 Lauenburger: J.G. Berenberg, 1782. Subject: conversation, dialogue; conversation piece family line
The Saithwaite Family. Artist: Francis Wheatley (British, London 1747-1801 London). Dimensions: 38 3/4 x 50 in. (98.4 x 127 cm). Date: ca. 1785. Wheatley was among the best painters of the small-scale group portrait, or conversation piece, which is so typical of the mid-eighteenth-century English school. Here he shows a couple and their little girl, traditionally identified as members of the Saithwaite family. The lady's dress, with its elaborate starched white muslin trim, her puffy powdered hair, and her elaborate plumed hat indicate a date of about 1785. The red figured damask upholstery a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-saithwaite-family-artist-francis-wheatley-british-london-1747-1801-london-dimensions-38-34-x-50-in-984-x-127-cm-date-ca-1785-wheatley-was-among-the-best-painters-of-the-small-scale-group-portrait-or-conversation-piece-which-is-so-typical-of-the-mid-eighteenth-century-english-school-here-he-shows-a-couple-and-their-little-girl-traditionally-identified-as-members-of-the-saithwaite-family-the-ladys-dress-with-its-elaborate-starched-white-muslin-trim-her-puffy-powdered-hair-and-her-elaborate-plumed-hat-indicate-a-date-of-about-1785-the-red-figured-damask-upholstery-a-image233250256.htmlRMRFDD28–The Saithwaite Family. Artist: Francis Wheatley (British, London 1747-1801 London). Dimensions: 38 3/4 x 50 in. (98.4 x 127 cm). Date: ca. 1785. Wheatley was among the best painters of the small-scale group portrait, or conversation piece, which is so typical of the mid-eighteenth-century English school. Here he shows a couple and their little girl, traditionally identified as members of the Saithwaite family. The lady's dress, with its elaborate starched white muslin trim, her puffy powdered hair, and her elaborate plumed hat indicate a date of about 1785. The red figured damask upholstery a
Portrait of a Family Conversation Piece, Joseph Francis Nollekens, 1702-1748, Flemish. Reimagined by Gibon. Classic reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-family-conversation-piece-joseph-francis-nollekens-1702-1748-flemish-reimagined-by-gibon-classic-reimagined-image230446865.htmlRFRAWN95–Portrait of a Family Conversation Piece, Joseph Francis Nollekens, 1702-1748, Flemish. Reimagined by Gibon. Classic reimagined
Happy family at home kitchen cooking Caucasian father dad cut bread talking with little cute daughter kid child girl teach cutting slicing baguette Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/happy-family-at-home-kitchen-cooking-caucasian-father-dad-cut-bread-talking-with-little-cute-daughter-kid-child-girl-teach-cutting-slicing-baguette-image567079389.htmlRF2RXGKF9–Happy family at home kitchen cooking Caucasian father dad cut bread talking with little cute daughter kid child girl teach cutting slicing baguette
Father in conversation with his daughter, Paul Gavarni, 1853 print Print is part of an album. Paris paper parents with their children. father and daughter(s) (family group) (with NUMBER of daughters). conversation, dialogue; conversation piece Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/father-in-conversation-with-his-daughter-paul-gavarni-1853-print-print-is-part-of-an-album-paris-paper-parents-with-their-children-father-and-daughters-family-group-with-number-of-daughters-conversation-dialogue-conversation-piece-image592906737.htmlRM2WCH6GH–Father in conversation with his daughter, Paul Gavarni, 1853 print Print is part of an album. Paris paper parents with their children. father and daughter(s) (family group) (with NUMBER of daughters). conversation, dialogue; conversation piece
senior mother and adult son eating cake at home Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/senior-mother-and-adult-son-eating-cake-at-home-image261330048.htmlRFW54H40–senior mother and adult son eating cake at home
Portrait of a Family Conversation Piece, Joseph Francis Nollekens, 1702-1748, Flemish Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-a-family-conversation-piece-joseph-francis-nollekens-1702-77446572.htmlRMEDYYW0–Portrait of a Family Conversation Piece, Joseph Francis Nollekens, 1702-1748, Flemish
'The Jones Family Conversation Piece', 1730. Artist: William Hogarth. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-jones-family-conversation-piece-1730-artist-william-hogarth-135268711.htmlRMHT20HB–'The Jones Family Conversation Piece', 1730. Artist: William Hogarth.
Portrait of Robert Mynors and His Family, 1797 James Millar, Family, 18th Century, Oil Painting, Animal, Dog, Conversation piece, Child, Animal, Cat, Art Movement, Symbolism, Sunset Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-robert-mynors-and-his-family-1797-james-millar-family-18th-century-oil-painting-animal-dog-conversation-piece-child-animal-cat-art-movement-symbolism-sunset-image387020013.htmlRM2DDJ7Y9–Portrait of Robert Mynors and His Family, 1797 James Millar, Family, 18th Century, Oil Painting, Animal, Dog, Conversation piece, Child, Animal, Cat, Art Movement, Symbolism, Sunset
The Hatch Family 1870-71, by Eastman Johnson (1824-1906), American portrait and genre painter.. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-hatch-family-1870-71-by-eastman-johnson-1824-1906-american-portrait-and-genre-painter-image268792226.htmlRMWH8F6A–The Hatch Family 1870-71, by Eastman Johnson (1824-1906), American portrait and genre painter..
A Family Group Called 'The Stafford Family', Unknown artist, eighteenth century, ca. 1730, Oil on canvas, Support (PTG): 39 × 55 inches (99.1 × 139.7 cm), boy, children, conversation piece, daughters, family, girls, house, man, portrait, river, son, stream, water Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-family-group-called-the-stafford-family-unknown-artist-eighteenth-century-ca-1730-oil-on-canvas-support-ptg-39-55-inches-991-1397-cm-boy-children-conversation-piece-daughters-family-girls-house-man-portrait-river-son-stream-water-image389854951.htmlRM2DJ7BY3–A Family Group Called 'The Stafford Family', Unknown artist, eighteenth century, ca. 1730, Oil on canvas, Support (PTG): 39 × 55 inches (99.1 × 139.7 cm), boy, children, conversation piece, daughters, family, girls, house, man, portrait, river, son, stream, water
Conversation Piece, ca. 1851-52. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/conversation-piece-ca-1851-52-image336841414.htmlRM2AG0CJE–Conversation Piece, ca. 1851-52.
Conversation Piece, ca. 1851–52, by Lilly Martin Spencer (American, 1822–1902)), Metropolitan Museum of Art, New York City Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-conversation-piece-ca-185152-by-lilly-martin-spencer-american-18221902-30864324.htmlRMBP5YN8–Conversation Piece, ca. 1851–52, by Lilly Martin Spencer (American, 1822–1902)), Metropolitan Museum of Art, New York City
Tate Britain, London, UK. 16th December, 2016. Alex Farquharson, Director, Tate Britain in front of John Singleton Copley’s The Fountaine Family 1776, which has been accepted for the nation through Arts Council England’s Cultural Gift Scheme and allocated to Tate. This is the only conversation piece by this important American artist to enter a public collection in the UK and is a rare example of work from the beginning of the artist’s career in England. The painting is accompanied by two preparatory drawings, all on display for the very first time. © artsimages/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tate-britain-london-uk-16th-december-2016-alex-farquharson-director-129081544.htmlRMHE04R4–Tate Britain, London, UK. 16th December, 2016. Alex Farquharson, Director, Tate Britain in front of John Singleton Copley’s The Fountaine Family 1776, which has been accepted for the nation through Arts Council England’s Cultural Gift Scheme and allocated to Tate. This is the only conversation piece by this important American artist to enter a public collection in the UK and is a rare example of work from the beginning of the artist’s career in England. The painting is accompanied by two preparatory drawings, all on display for the very first time. © artsimages/Alamy Live News.
Girl being carried by her mother outdoors Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/girl-being-carried-by-her-mother-outdoors-image630858086.htmlRF2YJA1WX–Girl being carried by her mother outdoors
CAPTAIN THE HON. AUGUSTUS HERVEY (1724-1779) TAKING LEAVE OF HIS FAMILY by Hubert Francois Bourguignon known as Hubert Gravelot Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-captain-the-hon-augustus-hervey-1724-1779-taking-leave-of-his-family-22714706.htmlRMB8XMRE–CAPTAIN THE HON. AUGUSTUS HERVEY (1724-1779) TAKING LEAVE OF HIS FAMILY by Hubert Francois Bourguignon known as Hubert Gravelot
Arthur Devis, Mr and Mrs Atherton, portrait painting in oil on canvas circa 1743 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arthur-devis-mr-and-mrs-atherton-portrait-painting-in-oil-on-canvas-circa-1743-image339650136.htmlRM2AMGB60–Arthur Devis, Mr and Mrs Atherton, portrait painting in oil on canvas circa 1743
Thomas Gainsborough Elizabeth and Thomas Linley Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thomas-gainsborough-elizabeth-and-thomas-linley-image152805308.htmlRMJTGTMC–Thomas Gainsborough Elizabeth and Thomas Linley
A man and woman in wheelchairs are closely inspecting a piece of paper in their kitchen at home. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-man-and-woman-in-wheelchairs-are-closely-inspecting-a-piece-of-paper-in-their-kitchen-at-home-image604520128.htmlRF2X3E7GG–A man and woman in wheelchairs are closely inspecting a piece of paper in their kitchen at home.
Senior woman giving a piece of cake to a friend during meeting in common room Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/senior-woman-giving-a-piece-of-cake-to-a-friend-during-meeting-in-common-room-image185799277.htmlRFMP7TTD–Senior woman giving a piece of cake to a friend during meeting in common room
Conversation Piece. Artist: Lilly Martin Spencer (1822-1902). Dimensions: 28 5/16 x 22 5/8 in. (71.9 x 57.5 cm). Date: ca. 1851-52. The only American woman painter of note in the antebellum period, Spencer specialized in domestic scenes. She used herself and her husband as models in many of her narrative works, including this one. The setting for the family group is likely the artist's parlor. Many of the small objects decorating her room, such as the Limoges compote and the Carcel lamp, illustrate the taste of the time as well as Spencer's French heritage. Museum: Metropolitan Museum of Art, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/conversation-piece-artist-lilly-martin-spencer-1822-1902-dimensions-28-516-x-22-58-in-719-x-575-cm-date-ca-1851-52-the-only-american-woman-painter-of-note-in-the-antebellum-period-spencer-specialized-in-domestic-scenes-she-used-herself-and-her-husband-as-models-in-many-of-her-narrative-works-including-this-one-the-setting-for-the-family-group-is-likely-the-artists-parlor-many-of-the-small-objects-decorating-her-room-such-as-the-limoges-compote-and-the-carcel-lamp-illustrate-the-taste-of-the-time-as-well-as-spencers-french-heritage-museum-metropolitan-museum-of-art-image212913984.htmlRMPAB1XT–Conversation Piece. Artist: Lilly Martin Spencer (1822-1902). Dimensions: 28 5/16 x 22 5/8 in. (71.9 x 57.5 cm). Date: ca. 1851-52. The only American woman painter of note in the antebellum period, Spencer specialized in domestic scenes. She used herself and her husband as models in many of her narrative works, including this one. The setting for the family group is likely the artist's parlor. Many of the small objects decorating her room, such as the Limoges compote and the Carcel lamp, illustrate the taste of the time as well as Spencer's French heritage. Museum: Metropolitan Museum of Art,
A Family Conversation Piece, Joseph Highmore, 1692-1780, British. Reimagined by Gibon. Classic art with a modern reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-family-conversation-piece-joseph-highmore-1692-1780-british-reimagined-by-gibon-classic-art-with-a-modern-reimagined-image230453292.htmlRFRAX1EM–A Family Conversation Piece, Joseph Highmore, 1692-1780, British. Reimagined by Gibon. Classic art with a modern reimagined
Joyful man enjoying game of chess and conversation with senior father Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joyful-man-enjoying-game-of-chess-and-conversation-with-senior-father-image517920179.htmlRF2N2H8D7–Joyful man enjoying game of chess and conversation with senior father
Cecilia in conversation with Mr. and Mrs. Delvile, Daniel Nikolaus Chodowiecki, 1787 print Berlin paper etching Literature. interior of the house. conversation, dialogue; conversation piece. family lineage, pedigree, genealogical tree or table Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cecilia-in-conversation-with-mr-and-mrs-delvile-daniel-nikolaus-chodowiecki-1787-print-berlin-paper-etching-literature-interior-of-the-house-conversation-dialogue-conversation-piece-family-lineage-pedigree-genealogical-tree-or-table-image594756860.htmlRM2WFHECC–Cecilia in conversation with Mr. and Mrs. Delvile, Daniel Nikolaus Chodowiecki, 1787 print Berlin paper etching Literature. interior of the house. conversation, dialogue; conversation piece. family lineage, pedigree, genealogical tree or table
senior mother and adult sun eating cake at home Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/senior-mother-and-adult-sun-eating-cake-at-home-image261324471.htmlRFW54A0R–senior mother and adult sun eating cake at home
Unknown artist, eighteenth century, A Family Group Called 'The Stafford Family', ca. 1730. Oil on canvas. boy , children , conversation piece , daughters , family , girls , house , man , portrait , river , son , stream , water Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-artist-eighteenth-century-a-family-group-called-the-stafford-family-ca-1730-oil-on-canvas-boy-children-conversation-piece-daughters-family-girls-house-man-portrait-river-son-stream-water-image398360091.htmlRM2E42TA3–Unknown artist, eighteenth century, A Family Group Called 'The Stafford Family', ca. 1730. Oil on canvas. boy , children , conversation piece , daughters , family , girls , house , man , portrait , river , son , stream , water
Advisor showing her client a work-life balance diagram on a piece of paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/advisor-showing-her-client-a-work-life-balance-diagram-on-a-piece-of-paper-image181645611.htmlRFMFEJR7–Advisor showing her client a work-life balance diagram on a piece of paper
Frau von Schmerling tries to let Fritz join the nobility, Daniel Nikolaus Chodowiecki, 1781 print Numbered at the top right: 5. paper etching conversation, dialogue; conversation piece. family lineage, pedigree, genealogical tree or table Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frau-von-schmerling-tries-to-let-fritz-join-the-nobility-daniel-nikolaus-chodowiecki-1781-print-numbered-at-the-top-right-5-paper-etching-conversation-dialogue-conversation-piece-family-lineage-pedigree-genealogical-tree-or-table-image594118270.htmlRM2WEGBWJ–Frau von Schmerling tries to let Fritz join the nobility, Daniel Nikolaus Chodowiecki, 1781 print Numbered at the top right: 5. paper etching conversation, dialogue; conversation piece. family lineage, pedigree, genealogical tree or table
Businessmen, two, riverside, standing, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/businessmen-two-riverside-standing-image332811304.htmlRM2A9CT60–Businessmen, two, riverside, standing,
Portrait of a Family, Probably that of Richard Streatfeild, William Dobson, 1611–1646, British, ca. 1645, Oil on canvas, Support (PTG): 42 x 49 inches (106.7 x 124.5 cm), black, cap, children, collar, conversation piece, couple, curtain, family, husband, man, portrait, skulls (skeleton components), wife, woman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-family-probably-that-of-richard-streatfeild-william-dobson-16111646-british-ca-1645-oil-on-canvas-support-ptg-42-x-49-inches-1067-x-1245-cm-black-cap-children-collar-conversation-piece-couple-curtain-family-husband-man-portrait-skulls-skeleton-components-wife-woman-image389782604.htmlRM2DJ43K8–Portrait of a Family, Probably that of Richard Streatfeild, William Dobson, 1611–1646, British, ca. 1645, Oil on canvas, Support (PTG): 42 x 49 inches (106.7 x 124.5 cm), black, cap, children, collar, conversation piece, couple, curtain, family, husband, man, portrait, skulls (skeleton components), wife, woman
Conversation Piece: Three Heads, 1872. The rough, rustic style that Ribot developed was perfectly suited to the subject matter he favored. As a member of the Realist movement, Ribot was drawn to depicting the poor in a manner that did not disguise the reality of their circumstances. Using individuals from his own circle of family and friends as models, Ribot produced small paintings based on themes from the daily life of the Parisian working class, particularly the activities of musicians, cooks, servant girls, and tradesmen. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/conversation-piece-three-heads-1872-the-rough-rustic-style-that-ribot-developed-was-perfectly-suited-to-the-subject-matter-he-favored-as-a-member-of-the-realist-movement-ribot-was-drawn-to-depicting-the-poor-in-a-manner-that-did-not-disguise-the-reality-of-their-circumstances-using-individuals-from-his-own-circle-of-family-and-friends-as-models-ribot-produced-small-paintings-based-on-themes-from-the-daily-life-of-the-parisian-working-class-particularly-the-activities-of-musicians-cooks-servant-girls-and-tradesmen-image575142656.htmlRM2TBM094–Conversation Piece: Three Heads, 1872. The rough, rustic style that Ribot developed was perfectly suited to the subject matter he favored. As a member of the Realist movement, Ribot was drawn to depicting the poor in a manner that did not disguise the reality of their circumstances. Using individuals from his own circle of family and friends as models, Ribot produced small paintings based on themes from the daily life of the Parisian working class, particularly the activities of musicians, cooks, servant girls, and tradesmen.
Francis Wheatley, 1747–1801, British, The Oliver and Ward Families, ca. 1778. Oil on canvas. child , conversation piece , costume , dinghy , family , garden , girl , group portrait , men , party , portrait , rowboat , shawls , water , women Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/francis-wheatley-17471801-british-the-oliver-and-ward-families-ca-1778-oil-on-canvas-child-conversation-piece-costume-dinghy-family-garden-girl-group-portrait-men-party-portrait-rowboat-shawls-water-women-image398349957.htmlRM2E42BC5–Francis Wheatley, 1747–1801, British, The Oliver and Ward Families, ca. 1778. Oil on canvas. child , conversation piece , costume , dinghy , family , garden , girl , group portrait , men , party , portrait , rowboat , shawls , water , women
Tate Britain, London, UK. 16th December, 2016. Alex Farquharson, Director, Tate Britain in front of John Singleton Copley’s The Fountaine Family 1776, which has been accepted for the nation through Arts Council England’s Cultural Gift Scheme and allocated to Tate. This is the only conversation piece by this important American artist to enter a public collection in the UK and is a rare example of work from the beginning of the artist’s career in England. The painting is accompanied by two preparatory drawings, all on display for the very first time. © artsimages/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tate-britain-london-uk-16th-december-2016-alex-farquharson-director-129081509.htmlRMHE04NW–Tate Britain, London, UK. 16th December, 2016. Alex Farquharson, Director, Tate Britain in front of John Singleton Copley’s The Fountaine Family 1776, which has been accepted for the nation through Arts Council England’s Cultural Gift Scheme and allocated to Tate. This is the only conversation piece by this important American artist to enter a public collection in the UK and is a rare example of work from the beginning of the artist’s career in England. The painting is accompanied by two preparatory drawings, all on display for the very first time. © artsimages/Alamy Live News.
Old Man talks to young man about his daughter, Paul Gavarni, 1853 print Print is part of an album. Paris paper parents with their children. father and daughter(s) (family group) (with NUMBER of daughters). old man. conversation, dialogue; conversation piece Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-man-talks-to-young-man-about-his-daughter-paul-gavarni-1853-print-print-is-part-of-an-album-paris-paper-parents-with-their-children-father-and-daughters-family-group-with-number-of-daughters-old-man-conversation-dialogue-conversation-piece-image593016763.htmlRM2WCP6X3–Old Man talks to young man about his daughter, Paul Gavarni, 1853 print Print is part of an album. Paris paper parents with their children. father and daughter(s) (family group) (with NUMBER of daughters). old man. conversation, dialogue; conversation piece
A girl being carried by her mother outdoors and looking at each other Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-girl-being-carried-by-her-mother-outdoors-and-looking-at-each-other-image630858095.htmlRF2YJA1X7–A girl being carried by her mother outdoors and looking at each other
first piece of meat for the head of family, focus on the turkey Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/first-piece-of-meat-for-the-head-of-family-focus-on-the-turkey-image368167274.htmlRF2CAYD36–first piece of meat for the head of family, focus on the turkey
Talk by breakfast Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/talk-by-breakfast-image181068063.htmlRFMEGA4F–Talk by breakfast
A disabled woman in a wheelchair gazes at a piece of paper, her husband by her side, in their kitchen at home. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-disabled-woman-in-a-wheelchair-gazes-at-a-piece-of-paper-her-husband-by-her-side-in-their-kitchen-at-home-image604520129.htmlRF2X3E7GH–A disabled woman in a wheelchair gazes at a piece of paper, her husband by her side, in their kitchen at home.
Happy couple with wine glasses in kitchen having a conversation. Appetizer with assorted cheese. Bottle of wine on table top. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/happy-couple-with-wine-glasses-in-kitchen-having-a-conversation-appetizer-with-assorted-cheese-bottle-of-wine-on-table-top-image370559720.htmlRF2CETCKM–Happy couple with wine glasses in kitchen having a conversation. Appetizer with assorted cheese. Bottle of wine on table top.
The Wedding of Stephen Beckingham and Mary Cox. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: 50 1/2 x 40 1/2 in. (128.3 x 102.9 cm). Date: 1729. This wedding group is one of the artist's first essays in the fashionable genre of the conversation piece. Beckingham, a London lawyer, and his bride are flanked by members of their families. The marriage took place at St. Benet's but the setting is based on the church of St. Martin-in-the-Fields in Trafalgar Square. Although Hogarth was sought after for his ability to capture a likeness, the solemn event depicted here seem Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-wedding-of-stephen-beckingham-and-mary-cox-artist-william-hogarth-british-london-1697-1764-london-dimensions-50-12-x-40-12-in-1283-x-1029-cm-date-1729-this-wedding-group-is-one-of-the-artists-first-essays-in-the-fashionable-genre-of-the-conversation-piece-beckingham-a-london-lawyer-and-his-bride-are-flanked-by-members-of-their-families-the-marriage-took-place-at-st-benets-but-the-setting-is-based-on-the-church-of-st-martin-in-the-fields-in-trafalgar-square-although-hogarth-was-sought-after-for-his-ability-to-capture-a-likeness-the-solemn-event-depicted-here-seem-image213259774.htmlRMPAXR0E–The Wedding of Stephen Beckingham and Mary Cox. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: 50 1/2 x 40 1/2 in. (128.3 x 102.9 cm). Date: 1729. This wedding group is one of the artist's first essays in the fashionable genre of the conversation piece. Beckingham, a London lawyer, and his bride are flanked by members of their families. The marriage took place at St. Benet's but the setting is based on the church of St. Martin-in-the-Fields in Trafalgar Square. Although Hogarth was sought after for his ability to capture a likeness, the solemn event depicted here seem
A Family Being Served with Tea, unknown artist, 18th century, British. Reimagined by Gibon. Classic art with a modern reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-family-being-served-with-tea-unknown-artist-18th-century-british-reimagined-by-gibon-classic-art-with-a-modern-reimagined-image230446650.htmlRFRAWN1E–A Family Being Served with Tea, unknown artist, 18th century, British. Reimagined by Gibon. Classic art with a modern reimagined
Friend drinking coffee and giving sugar cubes sitting on a couch in the living room at home Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/friend-drinking-coffee-and-giving-sugar-cubes-sitting-on-a-couch-in-the-living-room-at-home-image207235555.htmlRFP14B1R–Friend drinking coffee and giving sugar cubes sitting on a couch in the living room at home
Smiling curious little child pointing on piece of paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/smiling-curious-little-child-pointing-on-piece-of-paper-image237535236.htmlRFRPCJH8–Smiling curious little child pointing on piece of paper
senior mother and adult son eating cake at home Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/senior-mother-and-adult-son-eating-cake-at-home-image261335086.htmlRFW54RFX–senior mother and adult son eating cake at home
Young couple having a playful cooking moment in a cozy kitchen, eating the same piece of spaghetti Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/young-couple-having-a-playful-cooking-moment-in-a-cozy-kitchen-eating-the-same-piece-of-spaghetti-image624219232.htmlRF2Y7FJ00–Young couple having a playful cooking moment in a cozy kitchen, eating the same piece of spaghetti
A young blonde caucasian woman in a living room making a phone call while examining a piece of paper, with a chihuahua dog curiously inspecting a card Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-young-blonde-caucasian-woman-in-a-living-room-making-a-phone-call-while-examining-a-piece-of-paper-with-a-chihuahua-dog-curiously-inspecting-a-card-image608808286.htmlRF2XADH52–A young blonde caucasian woman in a living room making a phone call while examining a piece of paper, with a chihuahua dog curiously inspecting a card
Set of various poses of blue one piece old women travel Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/set-of-various-poses-of-blue-one-piece-old-women-travel-image185884811.htmlRFMPBNY7–Set of various poses of blue one piece old women travel
Friend drinking coffee and giving sugar cubes sitting on a couch in the living room at home Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/friend-drinking-coffee-and-giving-sugar-cubes-sitting-on-a-couch-in-the-living-room-at-home-image358237021.htmlRF2BPR2Y9–Friend drinking coffee and giving sugar cubes sitting on a couch in the living room at home
Portrait of a Family, Traditionally Known as the Swaine Family of Fencroft, Cambridgeshire, Arthur Devis, 1712–1787, British, 1749, Oil on canvas, Support (PTG): 25 1/4 x 40 3/4 inches (64.1 x 103.5 cm), book, boy, children, conversation piece, dog (animal), family, fence, fichu, fish, fishing, girl, hat, mantua, men, petticoat, portrait, reading, water, women Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-family-traditionally-known-as-the-swaine-family-of-fencroft-cambridgeshire-arthur-devis-17121787-british-1749-oil-on-canvas-support-ptg-25-14-x-40-34-inches-641-x-1035-cm-book-boy-children-conversation-piece-dog-animal-family-fence-fichu-fish-fishing-girl-hat-mantua-men-petticoat-portrait-reading-water-women-image389790608.htmlRM2DJ4DW4–Portrait of a Family, Traditionally Known as the Swaine Family of Fencroft, Cambridgeshire, Arthur Devis, 1712–1787, British, 1749, Oil on canvas, Support (PTG): 25 1/4 x 40 3/4 inches (64.1 x 103.5 cm), book, boy, children, conversation piece, dog (animal), family, fence, fichu, fish, fishing, girl, hat, mantua, men, petticoat, portrait, reading, water, women
Mother and daughter eat pizza cheese four. Close up of young woman eating pizza and chewing in outdoor restaurant. Girl hands taking pieces slices of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mother-and-daughter-eat-pizza-cheese-four-close-up-of-young-woman-eating-pizza-and-chewing-in-outdoor-restaurant-girl-hands-taking-pieces-slices-of-image463752052.htmlRF2HXDMD8–Mother and daughter eat pizza cheese four. Close up of young woman eating pizza and chewing in outdoor restaurant. Girl hands taking pieces slices of
Couple hot springs Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-couple-hot-springs-114949530.htmlRFGK0B8A–Couple hot springs
Tate Britain, London, UK. 16th December, 2016. Alex Farquharson, Director, Tate Britain in front of John Singleton Copley’s The Fountaine Family 1776, which has been accepted for the nation through Arts Council England’s Cultural Gift Scheme and allocated to Tate. This is the only conversation piece by this important American artist to enter a public collection in the UK and is a rare example of work from the beginning of the artist’s career in England. The painting is accompanied by two preparatory drawings, all on display for the very first time. © artsimages/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tate-britain-london-uk-16th-december-2016-alex-farquharson-director-129081539.htmlRMHE04PY–Tate Britain, London, UK. 16th December, 2016. Alex Farquharson, Director, Tate Britain in front of John Singleton Copley’s The Fountaine Family 1776, which has been accepted for the nation through Arts Council England’s Cultural Gift Scheme and allocated to Tate. This is the only conversation piece by this important American artist to enter a public collection in the UK and is a rare example of work from the beginning of the artist’s career in England. The painting is accompanied by two preparatory drawings, all on display for the very first time. © artsimages/Alamy Live News.
Father and Son in conversation, Alexander Ver Huell, 1876 print Father and son are sitting at the table. Father gives the young man good advice. Netherlands paper conversation, dialogue; conversation piece. father and son(s) (family group) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/father-and-son-in-conversation-alexander-ver-huell-1876-print-father-and-son-are-sitting-at-the-table-father-gives-the-young-man-good-advice-netherlands-paper-conversation-dialogue-conversation-piece-father-and-sons-family-group-image594761306.htmlRM2WFHM36–Father and Son in conversation, Alexander Ver Huell, 1876 print Father and son are sitting at the table. Father gives the young man good advice. Netherlands paper conversation, dialogue; conversation piece. father and son(s) (family group)
Mother and girl sitting next to each other and looking at each other in the park Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mother-and-girl-sitting-next-to-each-other-and-looking-at-each-other-in-the-park-image630858079.htmlRF2YJA1WK–Mother and girl sitting next to each other and looking at each other in the park
Conceptual caption Couple S Therapy. Business overview treat relationship distress for individuals and couples Hand Holding Jigsaw Puzzle Piece Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/conceptual-caption-couple-s-therapy-business-overview-treat-relationship-distress-for-individuals-and-couples-hand-holding-jigsaw-puzzle-piece-image442337078.htmlRF2GKJ5CP–Conceptual caption Couple S Therapy. Business overview treat relationship distress for individuals and couples Hand Holding Jigsaw Puzzle Piece
Man talking to wife Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/man-talking-to-wife-image181068195.htmlRFMEGA97–Man talking to wife
An English Family in Macao. Date/Period: Ca. 1835. Painting. Oil on canvas. Height: 730 mm (28.74 in); Width: 587 mm (23.11 in). Author: George Chinnery. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-english-family-in-macao-dateperiod-ca-1835-painting-oil-on-canvas-height-730-mm-2874-in-width-587-mm-2311-in-author-george-chinnery-image219712318.htmlRMPNCN8E–An English Family in Macao. Date/Period: Ca. 1835. Painting. Oil on canvas. Height: 730 mm (28.74 in); Width: 587 mm (23.11 in). Author: George Chinnery.
Mrs. Barclay and Her Children Mrs. Barclay and her daughters, Francis Wheatley, 1747-1801, British. Reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mrs-barclay-and-her-children-mrs-barclay-and-her-daughters-francis-wheatley-1747-1801-british-reimagined-image230445323.htmlRFRAWKA3–Mrs. Barclay and Her Children Mrs. Barclay and her daughters, Francis Wheatley, 1747-1801, British. Reimagined
senior mother and adult son eating cake at home Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/senior-mother-and-adult-son-eating-cake-at-home-image273673311.htmlRFWW6W2R–senior mother and adult son eating cake at home
old mother and adult daughter eating cake at home Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-mother-and-adult-daughter-eating-cake-at-home-image474338956.htmlRF2JFM050–old mother and adult daughter eating cake at home
The Drummond Family, Johan Joseph Zoffany RA, 1733–1810, German, active in Britain (from 1760), ca. 1769, Oil on canvas, Support (PTG): 41 x 63 inches (104.1 x 160 cm), banker, bench, cane, children, children, conversation piece, costume, daughter, dog (animal), eggs, eggs, family, father, goldsmith, group portrait, hat, horses (animals), husband, men, portrait, snuffbox, son, wife, women Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-drummond-family-johan-joseph-zoffany-ra-17331810-german-active-in-britain-from-1760-ca-1769-oil-on-canvas-support-ptg-41-x-63-inches-1041-x-160-cm-banker-bench-cane-children-children-conversation-piece-costume-daughter-dog-animal-eggs-eggs-family-father-goldsmith-group-portrait-hat-horses-animals-husband-men-portrait-snuffbox-son-wife-women-image389765205.htmlRM2DJ39DW–The Drummond Family, Johan Joseph Zoffany RA, 1733–1810, German, active in Britain (from 1760), ca. 1769, Oil on canvas, Support (PTG): 41 x 63 inches (104.1 x 160 cm), banker, bench, cane, children, children, conversation piece, costume, daughter, dog (animal), eggs, eggs, family, father, goldsmith, group portrait, hat, horses (animals), husband, men, portrait, snuffbox, son, wife, women
Couple hot springs Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-couple-hot-springs-114949532.htmlRFGK0B8C–Couple hot springs
Tate Britain, London, UK. 16th December, 2016. Alex Farquharson, Director, Tate Britain in front of John Singleton Copley’s The Fountaine Family 1776, which has been accepted for the nation through Arts Council England’s Cultural Gift Scheme and allocated to Tate. This is the only conversation piece by this important American artist to enter a public collection in the UK and is a rare example of work from the beginning of the artist’s career in England. The painting is accompanied by two preparatory drawings, all on display for the very first time. © artsimages/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tate-britain-london-uk-16th-december-2016-alex-farquharson-director-129081538.htmlRMHE04PX–Tate Britain, London, UK. 16th December, 2016. Alex Farquharson, Director, Tate Britain in front of John Singleton Copley’s The Fountaine Family 1776, which has been accepted for the nation through Arts Council England’s Cultural Gift Scheme and allocated to Tate. This is the only conversation piece by this important American artist to enter a public collection in the UK and is a rare example of work from the beginning of the artist’s career in England. The painting is accompanied by two preparatory drawings, all on display for the very first time. © artsimages/Alamy Live News.
Frau von Schmerling tries to let Fritz join the nobility, Daniel Nikolaus Chodowiecki, 1781 print Numbered at the top right: 5. With caption in German. paper etching conversation, dialogue; conversation piece. family lineage, pedigree, genealogical tree or table Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frau-von-schmerling-tries-to-let-fritz-join-the-nobility-daniel-nikolaus-chodowiecki-1781-print-numbered-at-the-top-right-5-with-caption-in-german-paper-etching-conversation-dialogue-conversation-piece-family-lineage-pedigree-genealogical-tree-or-table-image594116763.htmlRM2WEG9YR–Frau von Schmerling tries to let Fritz join the nobility, Daniel Nikolaus Chodowiecki, 1781 print Numbered at the top right: 5. With caption in German. paper etching conversation, dialogue; conversation piece. family lineage, pedigree, genealogical tree or table
Mother and girl sitting next to each other and looking at each other in the park Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mother-and-girl-sitting-next-to-each-other-and-looking-at-each-other-in-the-park-image630858082.htmlRF2YJA1WP–Mother and girl sitting next to each other and looking at each other in the park
unknown artist, eighteenth century, A Family Being Served with Tea, ca. 1745. Oil on canvas. biscuit , conversation piece , family , food , interior , man , music , painting (visual work) , piano , pianoforte , portrait , servant , table , tea , tea set , teapot , window , women Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-artist-eighteenth-century-a-family-being-served-with-tea-ca-1745-oil-on-canvas-biscuit-conversation-piece-family-food-interior-man-music-painting-visual-work-piano-pianoforte-portrait-servant-table-tea-tea-set-teapot-window-women-image398347580.htmlRM2E428B8–unknown artist, eighteenth century, A Family Being Served with Tea, ca. 1745. Oil on canvas. biscuit , conversation piece , family , food , interior , man , music , painting (visual work) , piano , pianoforte , portrait , servant , table , tea , tea set , teapot , window , women
John Feary, ca. 1745–1788, British, One Tree Hill, Greenwich, with London in the Distance, 1779. Oil on panel. conversation piece , deer , family , hats , hill , landscape , men , people , tree , view , women. England , Greater London , Greenwich , London , Thames , United Kingdom Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-feary-ca-17451788-british-one-tree-hill-greenwich-with-london-in-the-distance-1779-oil-on-panel-conversation-piece-deer-family-hats-hill-landscape-men-people-tree-view-women-england-greater-london-greenwich-london-thames-united-kingdom-image398342384.htmlRM2E421NM–John Feary, ca. 1745–1788, British, One Tree Hill, Greenwich, with London in the Distance, 1779. Oil on panel. conversation piece , deer , family , hats , hill , landscape , men , people , tree , view , women. England , Greater London , Greenwich , London , Thames , United Kingdom
unknown artist, eighteenth century, The Buckley-Boar Family, between 1758 and 1760. Oil on canvas. boy , chair , children , conversation piece , family , girls , house , interior , man , paintings , portrait , red , room , rug , table , toy , wallpaper , white (color) , woman , writing (processes) , yellow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-artist-eighteenth-century-the-buckley-boar-family-between-1758-and-1760-oil-on-canvas-boy-chair-children-conversation-piece-family-girls-house-interior-man-paintings-portrait-red-room-rug-table-toy-wallpaper-white-color-woman-writing-processes-yellow-image398339412.htmlRM2E41WYG–unknown artist, eighteenth century, The Buckley-Boar Family, between 1758 and 1760. Oil on canvas. boy , chair , children , conversation piece , family , girls , house , interior , man , paintings , portrait , red , room , rug , table , toy , wallpaper , white (color) , woman , writing (processes) , yellow
A Family Group Called 'The Stafford Family'. Date/Period: Ca. 1730. Painting. Oil on canvas. Height: 965 mm (37.99 in); Width: 1,384 mm (54.48 in). Author: UNKNOWN ARTIST. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-family-group-called-the-stafford-family-dateperiod-ca-1730-painting-oil-on-canvas-height-965-mm-3799-in-width-1384-mm-5448-in-author-unknown-artist-image233342360.htmlRMRFHJFM–A Family Group Called 'The Stafford Family'. Date/Period: Ca. 1730. Painting. Oil on canvas. Height: 965 mm (37.99 in); Width: 1,384 mm (54.48 in). Author: UNKNOWN ARTIST.
Francis Wheatley, 1747–1801, British, Portrait of a Sportsman with His Son, 1779. Oil on canvas. animals , boots , breeches , conversation piece , dead , dogs (animals) , family , father , figure study , handkerchief , hounds (dogs) , hunter , hunting , rabbit , rifle , son , sporting art , sportsman , stockings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/francis-wheatley-17471801-british-portrait-of-a-sportsman-with-his-son-1779-oil-on-canvas-animals-boots-breeches-conversation-piece-dead-dogs-animals-family-father-figure-study-handkerchief-hounds-dogs-hunter-hunting-rabbit-rifle-son-sporting-art-sportsman-stockings-image398346610.htmlRM2E4274J–Francis Wheatley, 1747–1801, British, Portrait of a Sportsman with His Son, 1779. Oil on canvas. animals , boots , breeches , conversation piece , dead , dogs (animals) , family , father , figure study , handkerchief , hounds (dogs) , hunter , hunting , rabbit , rifle , son , sporting art , sportsman , stockings
The Buckley-Boar Family, unknown artist, 18th century, British. Reimagined by Gibon. Classic art with a modern twist reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-buckley-boar-family-unknown-artist-18th-century-british-reimagined-by-gibon-classic-art-with-a-modern-twist-reimagined-image230446625.htmlRFRAWN0H–The Buckley-Boar Family, unknown artist, 18th century, British. Reimagined by Gibon. Classic art with a modern twist reimagined
John Ferneley, 1782–1860, British, Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer, 1827. Oil on canvas. boys , children , conversation piece , donkey , family , girls , horse (animal) , portrait , woman , woods. Herrick, Catherine Palmer, Reverend Henry Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-ferneley-17821860-british-miss-catherine-herrick-with-her-nieces-and-nephews-the-five-elder-children-of-the-rev-and-mrs-henry-palmer-1827-oil-on-canvas-boys-children-conversation-piece-donkey-family-girls-horse-animal-portrait-woman-woods-herrick-catherine-palmer-reverend-henry-image398423091.htmlRM2E45MM3–John Ferneley, 1782–1860, British, Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer, 1827. Oil on canvas. boys , children , conversation piece , donkey , family , girls , horse (animal) , portrait , woman , woods. Herrick, Catherine Palmer, Reverend Henry
Father and Son in conversation, Alexander Ver Huell, 1851 - 1897 print Father and son are sitting at the table and are talking about the trips that the son (thanks to father's money) has made. On the right is a servant. Leiden paper letterpress printing conversation, dialogue; conversation piece. father and son(s) (family group) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/father-and-son-in-conversation-alexander-ver-huell-1851-1897-print-father-and-son-are-sitting-at-the-table-and-are-talking-about-the-trips-that-the-son-thanks-to-fathers-money-has-made-on-the-right-is-a-servant-leiden-paper-letterpress-printing-conversation-dialogue-conversation-piece-father-and-sons-family-group-image592881903.htmlRM2WCG2WK–Father and Son in conversation, Alexander Ver Huell, 1851 - 1897 print Father and son are sitting at the table and are talking about the trips that the son (thanks to father's money) has made. On the right is a servant. Leiden paper letterpress printing conversation, dialogue; conversation piece. father and son(s) (family group)
old mother and adult daughter eating cake at home Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-mother-and-adult-daughter-eating-cake-at-home-image474336544.htmlRF2JFKW2T–old mother and adult daughter eating cake at home
Arthur Devis, 1712–1787, British, Portrait of a Family, Traditionally Known as the Swaine Family of Fencroft, Cambridgeshire, 1749. Oil on canvas. book , boy , children , conversation piece , dog (animal) , family , fence , fichu , fish , fishing , girl , hat , mantua , men , petticoat , portrait , reading , water , women Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arthur-devis-17121787-british-portrait-of-a-family-traditionally-known-as-the-swaine-family-of-fencroft-cambridgeshire-1749-oil-on-canvas-book-boy-children-conversation-piece-dog-animal-family-fence-fichu-fish-fishing-girl-hat-mantua-men-petticoat-portrait-reading-water-women-image398460812.htmlRM2E47CR8–Arthur Devis, 1712–1787, British, Portrait of a Family, Traditionally Known as the Swaine Family of Fencroft, Cambridgeshire, 1749. Oil on canvas. book , boy , children , conversation piece , dog (animal) , family , fence , fichu , fish , fishing , girl , hat , mantua , men , petticoat , portrait , reading , water , women
The Buckley-Boar Family, unknown artist, eighteenth century, Formerly attributed to Arthur Devis, 1712–1787, British, between 1758 and 1760, Oil on canvas, Support (PTG): 38 3/4 x 43 1/2 inches (98.4 x 110.5 cm), boy, chair, children, conversation piece, family, girls, house, interior, man, paintings, portrait, red, room, rug, table, toy, wallpaper, white (color), woman, writing (processes), yellow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-buckley-boar-family-unknown-artist-eighteenth-century-formerly-attributed-to-arthur-devis-17121787-british-between-1758-and-1760-oil-on-canvas-support-ptg-38-34-x-43-12-inches-984-x-1105-cm-boy-chair-children-conversation-piece-family-girls-house-interior-man-paintings-portrait-red-room-rug-table-toy-wallpaper-white-color-woman-writing-processes-yellow-image389836814.htmlRM2DJ6GRA–The Buckley-Boar Family, unknown artist, eighteenth century, Formerly attributed to Arthur Devis, 1712–1787, British, between 1758 and 1760, Oil on canvas, Support (PTG): 38 3/4 x 43 1/2 inches (98.4 x 110.5 cm), boy, chair, children, conversation piece, family, girls, house, interior, man, paintings, portrait, red, room, rug, table, toy, wallpaper, white (color), woman, writing (processes), yellow
Ramsay Richard Reinagle, 1775–1862, British, Francis Noel Clarke Mundy and His Grandson, William Mundy, 1809. Oil on canvas. books , boy , chair , conversation piece , costume , desk , family , ink , man , papers , pen , portrait , quill , reading , spectacles. Mundy, Francis Noel Clarke Mundy, William Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ramsay-richard-reinagle-17751862-british-francis-noel-clarke-mundy-and-his-grandson-william-mundy-1809-oil-on-canvas-books-boy-chair-conversation-piece-costume-desk-family-ink-man-papers-pen-portrait-quill-reading-spectacles-mundy-francis-noel-clarke-mundy-william-image398429369.htmlRM2E460M9–Ramsay Richard Reinagle, 1775–1862, British, Francis Noel Clarke Mundy and His Grandson, William Mundy, 1809. Oil on canvas. books , boy , chair , conversation piece , costume , desk , family , ink , man , papers , pen , portrait , quill , reading , spectacles. Mundy, Francis Noel Clarke Mundy, William
Tate Britain, London, UK. 16th December, 2016. Alex Farquharson, Director, Tate Britain in front of John Singleton Copley’s The Fountaine Family 1776, which has been accepted for the nation through Arts Council England’s Cultural Gift Scheme and allocated to Tate. This is the only conversation piece by this important American artist to enter a public collection in the UK and is a rare example of work from the beginning of the artist’s career in England. The painting is accompanied by two preparatory drawings, all on display for the very first time. © artsimages/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tate-britain-london-uk-16th-december-2016-alex-farquharson-director-129081561.htmlRMHE04RN–Tate Britain, London, UK. 16th December, 2016. Alex Farquharson, Director, Tate Britain in front of John Singleton Copley’s The Fountaine Family 1776, which has been accepted for the nation through Arts Council England’s Cultural Gift Scheme and allocated to Tate. This is the only conversation piece by this important American artist to enter a public collection in the UK and is a rare example of work from the beginning of the artist’s career in England. The painting is accompanied by two preparatory drawings, all on display for the very first time. © artsimages/Alamy Live News.
Thomas Gainsborough RA, 1727–1788, British, Lady Lloyd and Her Son, Richard Savage Lloyd, of Hintlesham Hall, Suffolk, between 1745 and 1746. Oil on canvas. bench , conversation piece , family , hat , portrait , shawls , sitting , son , woman. Lloyd, Sir Richard (1696/7–1761), judge, Lloyd, Elizabeth Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thomas-gainsborough-ra-17271788-british-lady-lloyd-and-her-son-richard-savage-lloyd-of-hintlesham-hall-suffolk-between-1745-and-1746-oil-on-canvas-bench-conversation-piece-family-hat-portrait-shawls-sitting-son-woman-lloyd-sir-richard-169671761-judge-lloyd-elizabeth-image398343064.htmlRM2E422J0–Thomas Gainsborough RA, 1727–1788, British, Lady Lloyd and Her Son, Richard Savage Lloyd, of Hintlesham Hall, Suffolk, between 1745 and 1746. Oil on canvas. bench , conversation piece , family , hat , portrait , shawls , sitting , son , woman. Lloyd, Sir Richard (1696/7–1761), judge, Lloyd, Elizabeth
