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England 1615 painting Stock Photos and Images
Francis Beaumont : Actor , oil painting 1615 . Among the later dramatists of Shakespeares time he and John Fletcher were the most popular team . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/francis-beaumont-actor-oil-painting-1615-among-the-later-dramatists-of-shakespeares-time-he-and-john-fletcher-were-the-most-popular-team-image268856167.htmlRMWHBCNY–Francis Beaumont : Actor , oil painting 1615 . Among the later dramatists of Shakespeares time he and John Fletcher were the most popular team .
England, London, Portrait of Frances Howard, Countess of Somerset (1590-1632) by William Larkin dated 1615 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/england-london-portrait-of-frances-howard-countess-of-somerset-1590-1632-by-william-larkin-dated-1615-image575239693.htmlRM2TBTC2N–England, London, Portrait of Frances Howard, Countess of Somerset (1590-1632) by William Larkin dated 1615
Frances Carr, Countess of Somerset (1590-1632). English noblewoman. Portrait. Studio of Willliam Larkin (ca.1580-1619). Oil on panel (57,5 x 43,8 cm), ca. 1615. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frances-carr-countess-of-somerset-1590-1632-english-noblewoman-portrait-studio-of-willliam-larkin-ca1580-1619-oil-on-panel-575-x-438-cm-ca-1615-national-portrait-gallery-london-england-united-kingdom-image435475377.htmlRM2G8DH81–Frances Carr, Countess of Somerset (1590-1632). English noblewoman. Portrait. Studio of Willliam Larkin (ca.1580-1619). Oil on panel (57,5 x 43,8 cm), ca. 1615. National Portrait Gallery. London, England, United Kingdom.
Robert Carr, Earl of Somerset, and Frances Howard, Countess of Somerset, notorious murderous English aristocrats. Sir Thomas Overbury was poisoned in prison by Howard's maid Anne Turner. In the trial in 1615, Frances and Robert were found guilty, but later pardoned by King James I. Copperplate engraving by Gerard Vandergucht, published for William Granger, 18th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/robert-carr-earl-of-somerset-and-frances-howard-countess-of-somerset-notorious-murderous-english-aristocrats-sir-thomas-overbury-was-poisoned-in-prison-by-howards-maid-anne-turner-in-the-trial-in-1615-frances-and-robert-were-found-guilty-but-later-pardoned-by-king-james-i-copperplate-engraving-by-gerard-vandergucht-published-for-william-granger-18th-century-image377003173.htmlRM2CW9YB1–Robert Carr, Earl of Somerset, and Frances Howard, Countess of Somerset, notorious murderous English aristocrats. Sir Thomas Overbury was poisoned in prison by Howard's maid Anne Turner. In the trial in 1615, Frances and Robert were found guilty, but later pardoned by King James I. Copperplate engraving by Gerard Vandergucht, published for William Granger, 18th century.
Charles, Prince of Wales (later Charles I) as a young man in 1615, Isaac Oliver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-prince-of-wales-later-charles-i-as-a-young-man-in-1615-isaac-oliver-image242091798.htmlRMT1T6FJ–Charles, Prince of Wales (later Charles I) as a young man in 1615, Isaac Oliver
Richard Neville (1615-1676), portrait by William Dobson, oil on canvas, c.1643. Neville was a Royalist commander in the English Civil War, who came to prominence in the First Battle of Newbury (1643). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/richard-neville-1615-1676-portrait-by-william-dobson-oil-on-canvas-c1643-neville-was-a-royalist-commander-in-the-english-civil-war-who-came-to-prominence-in-the-first-battle-of-newbury-1643-image359208760.htmlRM2BTBAC8–Richard Neville (1615-1676), portrait by William Dobson, oil on canvas, c.1643. Neville was a Royalist commander in the English Civil War, who came to prominence in the First Battle of Newbury (1643).
View of Derry or Londonderry City on the River Foyle, Northern Ireland. The Walls were built in 1613–1619 as defences for early 17th-century settlers from England and Scotland. The painting is by Joris Cornelisz van der Haagen (1615-1669), a Dutch Golden Age landscape painter. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-derry-or-londonderry-city-on-the-river-foyle-northern-ireland-the-walls-were-built-in-16131619-as-defences-for-early-17th-century-settlers-from-england-and-scotland-the-painting-is-by-joris-cornelisz-van-der-haagen-1615-1669-a-dutch-golden-age-landscape-painter-image618200080.htmlRM2XWNCE8–View of Derry or Londonderry City on the River Foyle, Northern Ireland. The Walls were built in 1613–1619 as defences for early 17th-century settlers from England and Scotland. The painting is by Joris Cornelisz van der Haagen (1615-1669), a Dutch Golden Age landscape painter.
The Entombment of Christ, Peter Paul Rubens, 1615-1616, Courtauld Gallery, London, England, UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-entombment-of-christ-peter-paul-rubens-1615-1616-courtauld-gallery-london-england-uk-image458238380.htmlRM2HHEFMC–The Entombment of Christ, Peter Paul Rubens, 1615-1616, Courtauld Gallery, London, England, UK
'Old Mr Cartwright'. Date/Period: Ca. 1615. Painting. Oil on oak panel. Height: 785 mm (30.90 in); Width: 625 mm (24.60 in). Author: British School. ANONYMOUS. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-mr-cartwright-dateperiod-ca-1615-painting-oil-on-oak-panel-height-785-mm-3090-in-width-625-mm-2460-in-author-british-school-anonymous-image219714249.htmlRMPNCRND–'Old Mr Cartwright'. Date/Period: Ca. 1615. Painting. Oil on oak panel. Height: 785 mm (30.90 in); Width: 625 mm (24.60 in). Author: British School. ANONYMOUS.
England, London, Portrait of Frances Howard, Countess of Somerset (1590-1632) by William Larkin dated 1615 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/england-london-portrait-of-frances-howard-countess-of-somerset-1590-1632-by-william-larkin-dated-1615-image566808971.htmlRM2RX4AHF–England, London, Portrait of Frances Howard, Countess of Somerset (1590-1632) by William Larkin dated 1615
Karel Stuart (1600-49), Prince of Wales. The later King Charles I of England, Peter Oliver (Attributed To), 1615 - 1647 miniature (painting) Portrait of Karel Stuart (1600-49), Prince of Wales. The later King Charles I of England. Bust, slightly to the left, the viewer regarded. Part of the portrait miniatures collection. cardboard. gold (metal). glass Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/karel-stuart-1600-49-prince-of-wales-the-later-king-charles-i-of-england-peter-oliver-attributed-to-1615-1647-miniature-painting-portrait-of-karel-stuart-1600-49-prince-of-wales-the-later-king-charles-i-of-england-bust-slightly-to-the-left-the-viewer-regarded-part-of-the-portrait-miniatures-collection-cardboard-gold-metal-glass-image595537952.htmlRM2WGW2MG–Karel Stuart (1600-49), Prince of Wales. The later King Charles I of England, Peter Oliver (Attributed To), 1615 - 1647 miniature (painting) Portrait of Karel Stuart (1600-49), Prince of Wales. The later King Charles I of England. Bust, slightly to the left, the viewer regarded. Part of the portrait miniatures collection. cardboard. gold (metal). glass
National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/national-gallery-london-uk-19-december-2018-in-july-2017-the-national-gallery-london-acquired-a-recently-discovered-rare-self-portrait-by-the-most-celebrated-female-artist-of-the-italian-baroque-artemisia-gentileschi-on-wednesday-19-december-2018-self-portrait-as-saint-catherine-of-alexandria-an-oil-painting-from-about-161517-goes-on-public-display-in-central-hall-of-the-national-gallery-following-5-months-of-conservation-treatment-credit-malcolm-parkalamy-live-news-image229327421.htmlRMR92ND1–National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News.
Sir Charles Scarborough and Edward Arris, c1810. By George Perfect Harding (1780-1853), after Richard Greenbury (c1600-1670). A portrait of Sir Charles Scarborough and Edward Arris, his assistant, at work during an anatomy lecture. Sir Charles Scarborough (1615-1694), was an English physician and mathematician. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-charles-scarborough-and-edward-arris-c1810-by-george-perfect-harding-1780-1853-after-richard-greenbury-c1600-1670-a-portrait-of-sir-charles-scarborough-and-edward-arris-his-assistant-at-work-during-an-anatomy-lecture-sir-charles-scarborough-1615-1694-was-an-english-physician-and-mathematician-image479356633.htmlRM2JRTG7N–Sir Charles Scarborough and Edward Arris, c1810. By George Perfect Harding (1780-1853), after Richard Greenbury (c1600-1670). A portrait of Sir Charles Scarborough and Edward Arris, his assistant, at work during an anatomy lecture. Sir Charles Scarborough (1615-1694), was an English physician and mathematician.
Portrait of a Man, c. 1610. The style of the costume indicates that this portrait probably depicts an Englishman, painted in England, most likely by an artist from the Netherlands. Details of the clothing and the hilt of the sword suggest the picture was painted between 1610 and 1615. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-man-c-1610-the-style-of-the-costume-indicates-that-this-portrait-probably-depicts-an-englishman-painted-in-england-most-likely-by-an-artist-from-the-netherlands-details-of-the-clothing-and-the-hilt-of-the-sword-suggest-the-picture-was-painted-between-1610-and-1615-image330113367.htmlRM2A51XY3–Portrait of a Man, c. 1610. The style of the costume indicates that this portrait probably depicts an Englishman, painted in England, most likely by an artist from the Netherlands. Details of the clothing and the hilt of the sword suggest the picture was painted between 1610 and 1615.
The Long Gallery created from three smaller rooms in the alterations of 1927-9. The painting over the fireplace is A CHILD HOLDING A DOG by Govert Flink (1615-1660), at Upton House, Warwickshire. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-long-gallery-created-from-three-smaller-rooms-in-the-alterations-94453995.htmlRMFDJN0Y–The Long Gallery created from three smaller rooms in the alterations of 1927-9. The painting over the fireplace is A CHILD HOLDING A DOG by Govert Flink (1615-1660), at Upton House, Warwickshire.
Sir Thomas Winne by an unknown artist. ca. 1615. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-thomas-winne-by-an-unknown-artist-ca-1615-image468770705.htmlRM2J6J9PW–Sir Thomas Winne by an unknown artist. ca. 1615.
Richard Baxter Statue 12 November 1615 8 December 1691 English Puritan church leader poet writer theologian controversialist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-richard-baxter-statue-12-november-1615-8-december-1691-english-puritan-77584522.htmlRMEE67RP–Richard Baxter Statue 12 November 1615 8 December 1691 English Puritan church leader poet writer theologian controversialist
Joachim Wtewael, The Judgement of Paris, 1615, oil on canvas, National Gallery, London, England, Great Britain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joachim-wtewael-the-judgement-of-paris-1615-oil-on-canvas-national-gallery-london-england-great-britain-image595829332.htmlRM2WHAAB0–Joachim Wtewael, The Judgement of Paris, 1615, oil on canvas, National Gallery, London, England, Great Britain
Birmingham, England. 17 October 2022 A dozen other versions of Two Peasants binding Firewood exist and three of them are featured in the exhibition alongside the Barber version. These generous loans will be travelling to Birmingham from a private collection in Belgium (c.1604-16), the Rijksmuseum Twenthe, Enschede (c.1616-38), and the National Gallery, Prague (a copy of c.1615, or later). By displaying these alongside the Barber painting, and using the insights gleaned from recent conservation work and technical analysis, the exhibition and accompanying catalogue will explore how Brueghel the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/birmingham-england-17-october-2022a-dozen-other-versions-of-two-peasants-binding-firewood-exist-and-three-of-them-are-featured-in-the-exhibition-alongside-the-barber-version-these-generous-loans-will-be-travelling-to-birmingham-from-a-private-collection-in-belgium-c1604-16-the-rijksmuseum-twenthe-enschede-c1616-38-and-the-national-gallery-prague-a-copy-of-c1615-or-later-by-displaying-these-alongside-the-barber-painting-and-using-the-insights-gleaned-from-recent-conservation-work-and-technical-analysis-the-exhibition-and-accompanying-catalogue-will-explore-how-brueghel-the-image486272220.htmlRM2K73H50–Birmingham, England. 17 October 2022 A dozen other versions of Two Peasants binding Firewood exist and three of them are featured in the exhibition alongside the Barber version. These generous loans will be travelling to Birmingham from a private collection in Belgium (c.1604-16), the Rijksmuseum Twenthe, Enschede (c.1616-38), and the National Gallery, Prague (a copy of c.1615, or later). By displaying these alongside the Barber painting, and using the insights gleaned from recent conservation work and technical analysis, the exhibition and accompanying catalogue will explore how Brueghel the
A Country Lane - c.1632. by A. van Dyck. in the British Museum. Sir Anthony (Anton) van Dyck (22 March 1599 - 9 December 1641) was a Flemish painter (mainly of portraits) who became the leading court painter in England. He was also a master of etching. Van Dyck was born in Antwerp and became an independent painter in 1615.. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-country-lane-c1632-by-a-van-dyck-in-the-british-museum-sir-anthony-anton-van-dyck-22-march-1599-9-december-1641-was-a-flemish-painter-mainly-of-portraits-who-became-the-leading-court-painter-in-england-he-was-also-a-master-of-etching-van-dyck-was-born-in-antwerp-and-became-an-independent-painter-in-1615-image268846347.htmlRMWHB077–A Country Lane - c.1632. by A. van Dyck. in the British Museum. Sir Anthony (Anton) van Dyck (22 March 1599 - 9 December 1641) was a Flemish painter (mainly of portraits) who became the leading court painter in England. He was also a master of etching. Van Dyck was born in Antwerp and became an independent painter in 1615..
Mrs Anne Turner (1576 - 1615), companion to Frances Howard, Countess of Somerset. Mrs Turner ran 'houses of ill-repute' (brothels), and had connections in aristocratic, apothecary and business circles. She supplied the arsenic and mercury when Howard murdered Sir Thomas Overbury in 1613. Executed at Tiburne (Tyburn) 14 November 1615. Copperplate engraving from a very rare print in the collection of Irish writer Robert Stearne Tighe, published in London, 1790s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mrs-anne-turner-1576-1615-companion-to-frances-howard-countess-of-somerset-mrs-turner-ran-houses-of-ill-repute-brothels-and-had-connections-in-aristocratic-apothecary-and-business-circles-she-supplied-the-arsenic-and-mercury-when-howard-murdered-sir-thomas-overbury-in-1613-executed-at-tiburne-tyburn-14-november-1615-copperplate-engraving-from-a-very-rare-print-in-the-collection-of-irish-writer-robert-stearne-tighe-published-in-london-1790s-image377003168.htmlRM2CW9YAT–Mrs Anne Turner (1576 - 1615), companion to Frances Howard, Countess of Somerset. Mrs Turner ran 'houses of ill-repute' (brothels), and had connections in aristocratic, apothecary and business circles. She supplied the arsenic and mercury when Howard murdered Sir Thomas Overbury in 1613. Executed at Tiburne (Tyburn) 14 November 1615. Copperplate engraving from a very rare print in the collection of Irish writer Robert Stearne Tighe, published in London, 1790s.
Descent from the Cross, Peter Paul Rubens, 1615-1616, Courtauld Gallery, London, England, UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/descent-from-the-cross-peter-paul-rubens-1615-1616-courtauld-gallery-london-england-uk-image546844479.htmlRM2PNJWKY–Descent from the Cross, Peter Paul Rubens, 1615-1616, Courtauld Gallery, London, England, UK
Jahangir Preferring a Sufi Shaikh to Kings, from the St. Petersburg album. Date/Period: From 1615 until 1618. Painting / watercolor painting. Opaque watercolor, gold and ink on paper. Height: 25.3 cm (9.9 in); Width: 18 cm (7 in). Author: Bichitr. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jahangir-preferring-a-sufi-shaikh-to-kings-from-the-st-petersburg-album-dateperiod-from-1615-until-1618-painting-watercolor-painting-opaque-watercolor-gold-and-ink-on-paper-height-253-cm-99-in-width-18-cm-7-in-author-bichitr-image219757636.htmlRMPNER30–Jahangir Preferring a Sufi Shaikh to Kings, from the St. Petersburg album. Date/Period: From 1615 until 1618. Painting / watercolor painting. Opaque watercolor, gold and ink on paper. Height: 25.3 cm (9.9 in); Width: 18 cm (7 in). Author: Bichitr.
Joachim Wtewael, The Judgement of Paris, 1615, oil on canvas, National Gallery, London, England, Great Britain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joachim-wtewael-the-judgement-of-paris-1615-oil-on-canvas-national-gallery-london-england-great-britain-image463805791.htmlRM2HXG50F–Joachim Wtewael, The Judgement of Paris, 1615, oil on canvas, National Gallery, London, England, Great Britain.
National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/national-gallery-london-uk-19-december-2018-in-july-2017-the-national-gallery-london-acquired-a-recently-discovered-rare-self-portrait-by-the-most-celebrated-female-artist-of-the-italian-baroque-artemisia-gentileschi-on-wednesday-19-december-2018-self-portrait-as-saint-catherine-of-alexandria-an-oil-painting-from-about-161517-goes-on-public-display-in-central-hall-of-the-national-gallery-following-5-months-of-conservation-treatment-credit-malcolm-parkalamy-live-news-image229327422.htmlRMR92ND2–National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News.
Lady Arabella Stuart (1575-1615), Unknown date. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lady-arabella-stuart-1575-1615-unknown-date-image565258783.htmlRM2RRHN9K–Lady Arabella Stuart (1575-1615), Unknown date.
A Young Girl. Paul van Somer. ca. 1615. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-young-girl-paul-van-somer-ca-1615-image478769756.htmlRM2JPWRKT–A Young Girl. Paul van Somer. ca. 1615.
Joachim Wtewael, The Judgement of Paris, 1615, oil on canvas, National Gallery, London, England, Great Britain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joachim-wtewael-the-judgement-of-paris-1615-oil-on-canvas-national-gallery-london-england-great-britain-image463423641.htmlRM2HWXNG9–Joachim Wtewael, The Judgement of Paris, 1615, oil on canvas, National Gallery, London, England, Great Britain
Birmingham, England. 17 October 2022 A dozen other versions of Two Peasants binding Firewood exist and three of them are featured in the exhibition alongside the Barber version. These generous loans will be travelling to Birmingham from a private collection in Belgium (c.1604-16), the Rijksmuseum Twenthe, Enschede (c.1616-38), and the National Gallery, Prague (a copy of c.1615, or later). By displaying these alongside the Barber painting, and using the insights gleaned from recent conservation work and technical analysis, the exhibition and accompanying catalogue will explore how Brueghel the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/birmingham-england-17-october-2022a-dozen-other-versions-of-two-peasants-binding-firewood-exist-and-three-of-them-are-featured-in-the-exhibition-alongside-the-barber-version-these-generous-loans-will-be-travelling-to-birmingham-from-a-private-collection-in-belgium-c1604-16-the-rijksmuseum-twenthe-enschede-c1616-38-and-the-national-gallery-prague-a-copy-of-c1615-or-later-by-displaying-these-alongside-the-barber-painting-and-using-the-insights-gleaned-from-recent-conservation-work-and-technical-analysis-the-exhibition-and-accompanying-catalogue-will-explore-how-brueghel-the-image486272221.htmlRM2K73H51–Birmingham, England. 17 October 2022 A dozen other versions of Two Peasants binding Firewood exist and three of them are featured in the exhibition alongside the Barber version. These generous loans will be travelling to Birmingham from a private collection in Belgium (c.1604-16), the Rijksmuseum Twenthe, Enschede (c.1616-38), and the National Gallery, Prague (a copy of c.1615, or later). By displaying these alongside the Barber painting, and using the insights gleaned from recent conservation work and technical analysis, the exhibition and accompanying catalogue will explore how Brueghel the
Portrait of the Infanta Isabel, Studio of Peter Paul Rubens, 1615, oil on canvas, National Gallery, London, England, Great Britain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-the-infanta-isabel-studio-of-peter-paul-rubens-1615-oil-on-canvas-national-gallery-london-england-great-britain-image463805755.htmlRM2HXG4Y7–Portrait of the Infanta Isabel, Studio of Peter Paul Rubens, 1615, oil on canvas, National Gallery, London, England, Great Britain.
National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/national-gallery-london-uk-19-december-2018-in-july-2017-the-national-gallery-london-acquired-a-recently-discovered-rare-self-portrait-by-the-most-celebrated-female-artist-of-the-italian-baroque-artemisia-gentileschi-on-wednesday-19-december-2018-self-portrait-as-saint-catherine-of-alexandria-an-oil-painting-from-about-161517-goes-on-public-display-in-central-hall-of-the-national-gallery-following-5-months-of-conservation-treatment-credit-malcolm-parkalamy-live-news-image229327414.htmlRMR92NCP–National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News.
Portrait of Frances Theresa, Duchess of Richmond (1648-1702). Richard Gibson; English, 1615--1690. Date: 1670-1680. Dimensions: Portrait: 9.4 × 7.5 cm (3 11/16 × 2 15/16 in.) Frame: 10.3 × 7.9 cm (4 1/16 × 3 1/8 in.). Opaque watercolor on paper. Origin: England. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-frances-theresa-duchess-of-richmond-1648-1702-richard-gibson-english-1615-1690-date-1670-1680-dimensions-portrait-94-75-cm-3-1116-2-1516-in-frame-103-79-cm-4-116-3-18-in-opaque-watercolor-on-paper-origin-england-museum-the-chicago-art-institute-image240108333.htmlRMRXHTHH–Portrait of Frances Theresa, Duchess of Richmond (1648-1702). Richard Gibson; English, 1615--1690. Date: 1670-1680. Dimensions: Portrait: 9.4 × 7.5 cm (3 11/16 × 2 15/16 in.) Frame: 10.3 × 7.9 cm (4 1/16 × 3 1/8 in.). Opaque watercolor on paper. Origin: England. Museum: The Chicago Art Institute.
Portrait of Sir Horace Vere (1565-1635), c.1615-c.1633. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-sir-horace-vere-1565-1635-c1615-c1633-image556255390.htmlRM2R8YHBX–Portrait of Sir Horace Vere (1565-1635), c.1615-c.1633.
Portrait of a Woman, possibly Elizabeth Pope. Robert Peake the Elder. ca. 1615. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-woman-possibly-elizabeth-pope-robert-peake-the-elder-ca-1615-image470239957.htmlRM2J917T5–Portrait of a Woman, possibly Elizabeth Pope. Robert Peake the Elder. ca. 1615.
Portrait of the Infanta Isabel, Studio of Peter Paul Rubens, 1615, oil on canvas, National Gallery, London, England, Great Britain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-the-infanta-isabel-studio-of-peter-paul-rubens-1615-oil-on-canvas-national-gallery-london-england-great-britain-image595829409.htmlRM2WHAADN–Portrait of the Infanta Isabel, Studio of Peter Paul Rubens, 1615, oil on canvas, National Gallery, London, England, Great Britain
National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Image: Letizia Treves, Curator, studies the painting. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/national-gallery-london-uk-19-december-2018-in-july-2017-the-national-gallery-london-acquired-a-recently-discovered-rare-self-portrait-by-the-most-celebrated-female-artist-of-the-italian-baroque-artemisia-gentileschi-on-wednesday-19-december-2018-self-portrait-as-saint-catherine-of-alexandria-an-oil-painting-from-about-161517-goes-on-public-display-in-central-hall-of-the-national-gallery-following-5-months-of-conservation-treatment-image-letizia-treves-curator-studies-the-painting-credit-malcolm-parkalamy-live-news-image229327420.htmlRMR92ND0–National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Image: Letizia Treves, Curator, studies the painting. Credit: Malcolm Park/Alamy Live News.
'Catherine of Braganza', 17th century, Oil on canvas, 102 x 88 cm, P02409. Author: Jean Nocret (1615-1672). Location: MUSEO DEL PRADO-PINTURA, MADRID, SPAIN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/catherine-of-braganza-17th-century-oil-on-canvas-102-x-88-cm-p02409-author-jean-nocret-1615-1672-location-museo-del-prado-pintura-madrid-spain-image209287786.htmlRMP4DTKP–'Catherine of Braganza', 17th century, Oil on canvas, 102 x 88 cm, P02409. Author: Jean Nocret (1615-1672). Location: MUSEO DEL PRADO-PINTURA, MADRID, SPAIN.
Portrait of Elizabeth Morrison, Lady Capell of Hadham, c. 1650. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-elizabeth-morrison-lady-capell-of-hadham-c-1650-image330113696.htmlRM2A51YAT–Portrait of Elizabeth Morrison, Lady Capell of Hadham, c. 1650.
Portrait of an Unknown Man. William Larkin, c.1615. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-an-unknown-man-william-larkin-c1615-image487066677.htmlRM2K8BPED–Portrait of an Unknown Man. William Larkin, c.1615.
Portrait of the Infanta Isabel, Studio of Peter Paul Rubens, 1615, oil on canvas, National Gallery, London, England, Great Britain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-the-infanta-isabel-studio-of-peter-paul-rubens-1615-oil-on-canvas-national-gallery-london-england-great-britain-image463423736.htmlRM2HWXNKM–Portrait of the Infanta Isabel, Studio of Peter Paul Rubens, 1615, oil on canvas, National Gallery, London, England, Great Britain
National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Image: Letizia Treves, Curator, studies the painting. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/national-gallery-london-uk-19-december-2018-in-july-2017-the-national-gallery-london-acquired-a-recently-discovered-rare-self-portrait-by-the-most-celebrated-female-artist-of-the-italian-baroque-artemisia-gentileschi-on-wednesday-19-december-2018-self-portrait-as-saint-catherine-of-alexandria-an-oil-painting-from-about-161517-goes-on-public-display-in-central-hall-of-the-national-gallery-following-5-months-of-conservation-treatment-image-letizia-treves-curator-studies-the-painting-credit-malcolm-parkalamy-live-news-image229327419.htmlRMR92NCY–National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Image: Letizia Treves, Curator, studies the painting. Credit: Malcolm Park/Alamy Live News.
Flowers in a Basket and a Vase. Dated: 1615. Dimensions: overall: 55.2 x 89.1 cm (21 3/4 x 35 1/16 in.) framed: 73.8 x 107.6 x 9.5 cm (29 1/16 x 42 3/8 x 3 3/4 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Brueghel the Elder, jan. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flowers-in-a-basket-and-a-vase-dated-1615-dimensions-overall-552-x-891-cm-21-34-x-35-116-in-framed-738-x-1076-x-95-cm-29-116-x-42-38-x-3-34-in-medium-oil-on-panel-museum-national-gallery-of-art-washington-dc-author-brueghel-the-elder-jan-image225816164.htmlRMR3APR0–Flowers in a Basket and a Vase. Dated: 1615. Dimensions: overall: 55.2 x 89.1 cm (21 3/4 x 35 1/16 in.) framed: 73.8 x 107.6 x 9.5 cm (29 1/16 x 42 3/8 x 3 3/4 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Brueghel the Elder, jan.
Portrait of Gray Brydges, fifth Baron Chandos, of Sudeley Castle, Gloucestershire (1579–1621) by William Larkin. ca. 1615 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-gray-brydges-fifth-baron-chandos-of-sudeley-castle-gloucestershire-15791621-by-william-larkin-ca-1615-image490113545.htmlRM2KDAGR5–Portrait of Gray Brydges, fifth Baron Chandos, of Sudeley Castle, Gloucestershire (1579–1621) by William Larkin. ca. 1615
National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Image: Larry Keith, Head of Conservation, studies the painting. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/national-gallery-london-uk-19-december-2018-in-july-2017-the-national-gallery-london-acquired-a-recently-discovered-rare-self-portrait-by-the-most-celebrated-female-artist-of-the-italian-baroque-artemisia-gentileschi-on-wednesday-19-december-2018-self-portrait-as-saint-catherine-of-alexandria-an-oil-painting-from-about-161517-goes-on-public-display-in-central-hall-of-the-national-gallery-following-5-months-of-conservation-treatment-image-larry-keith-head-of-conservation-studies-the-painting-credit-malcolm-parkalamy-live-news-image229327416.htmlRMR92NCT–National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Image: Larry Keith, Head of Conservation, studies the painting. Credit: Malcolm Park/Alamy Live News.
Watch. Culture: British, probably London. Dimensions: Overall: 1 7/8 × 1 3/8 in. (4.8 × 3.5 cm). Enameler: Plaques by I. R. (probably Jean Reymond) (active ca. 1615-32) of Limoges. Maker: Watchmaker: David Ramsay (working 1600, died 1660). Date: ca. 1620-25. In the first quarter of the seventeenth century a small group of enamelers in Limoges produced polychrome painted enamels for watchcases. Most of the surviving enamels, including the one displayed here, were adapted from the woodcut illustrations by Bernard Salomon (1505/1510-ca. 1561) for the editions of Ovid's Metamorphoses published in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/watch-culture-british-probably-london-dimensions-overall-1-78-1-38-in-48-35-cm-enameler-plaques-by-i-r-probably-jean-reymond-active-ca-1615-32-of-limoges-maker-watchmaker-david-ramsay-working-1600-died-1660-date-ca-1620-25-in-the-first-quarter-of-the-seventeenth-century-a-small-group-of-enamelers-in-limoges-produced-polychrome-painted-enamels-for-watchcases-most-of-the-surviving-enamels-including-the-one-displayed-here-were-adapted-from-the-woodcut-illustrations-by-bernard-salomon-15051510-ca-1561-for-the-editions-of-ovids-metamorphoses-published-in-image212914776.htmlRMPAB2Y4–Watch. Culture: British, probably London. Dimensions: Overall: 1 7/8 × 1 3/8 in. (4.8 × 3.5 cm). Enameler: Plaques by I. R. (probably Jean Reymond) (active ca. 1615-32) of Limoges. Maker: Watchmaker: David Ramsay (working 1600, died 1660). Date: ca. 1620-25. In the first quarter of the seventeenth century a small group of enamelers in Limoges produced polychrome painted enamels for watchcases. Most of the surviving enamels, including the one displayed here, were adapted from the woodcut illustrations by Bernard Salomon (1505/1510-ca. 1561) for the editions of Ovid's Metamorphoses published in
National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/national-gallery-london-uk-19-december-2018-in-july-2017-the-national-gallery-london-acquired-a-recently-discovered-rare-self-portrait-by-the-most-celebrated-female-artist-of-the-italian-baroque-artemisia-gentileschi-on-wednesday-19-december-2018-self-portrait-as-saint-catherine-of-alexandria-an-oil-painting-from-about-161517-goes-on-public-display-in-central-hall-of-the-national-gallery-following-5-months-of-conservation-treatment-credit-malcolm-parkalamy-live-news-image229327547.htmlRMR92NHF–National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News.
National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/national-gallery-london-uk-19-december-2018-in-july-2017-the-national-gallery-london-acquired-a-recently-discovered-rare-self-portrait-by-the-most-celebrated-female-artist-of-the-italian-baroque-artemisia-gentileschi-on-wednesday-19-december-2018-self-portrait-as-saint-catherine-of-alexandria-an-oil-painting-from-about-161517-goes-on-public-display-in-central-hall-of-the-national-gallery-following-5-months-of-conservation-treatment-credit-malcolm-parkalamy-live-news-image229327556.htmlRMR92NHT–National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News.
National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/national-gallery-london-uk-19-december-2018-in-july-2017-the-national-gallery-london-acquired-a-recently-discovered-rare-self-portrait-by-the-most-celebrated-female-artist-of-the-italian-baroque-artemisia-gentileschi-on-wednesday-19-december-2018-self-portrait-as-saint-catherine-of-alexandria-an-oil-painting-from-about-161517-goes-on-public-display-in-central-hall-of-the-national-gallery-following-5-months-of-conservation-treatment-credit-malcolm-parkalamy-live-news-image229327533.htmlRMR92NH1–National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News.
National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/national-gallery-london-uk-19-december-2018-in-july-2017-the-national-gallery-london-acquired-a-recently-discovered-rare-self-portrait-by-the-most-celebrated-female-artist-of-the-italian-baroque-artemisia-gentileschi-on-wednesday-19-december-2018-self-portrait-as-saint-catherine-of-alexandria-an-oil-painting-from-about-161517-goes-on-public-display-in-central-hall-of-the-national-gallery-following-5-months-of-conservation-treatment-credit-malcolm-parkalamy-live-news-image229327552.htmlRMR92NHM–National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News.
National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/national-gallery-london-uk-19-december-2018-in-july-2017-the-national-gallery-london-acquired-a-recently-discovered-rare-self-portrait-by-the-most-celebrated-female-artist-of-the-italian-baroque-artemisia-gentileschi-on-wednesday-19-december-2018-self-portrait-as-saint-catherine-of-alexandria-an-oil-painting-from-about-161517-goes-on-public-display-in-central-hall-of-the-national-gallery-following-5-months-of-conservation-treatment-credit-malcolm-parkalamy-live-news-image229327562.htmlRMR92NJ2–National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News.
National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/national-gallery-london-uk-19-december-2018-in-july-2017-the-national-gallery-london-acquired-a-recently-discovered-rare-self-portrait-by-the-most-celebrated-female-artist-of-the-italian-baroque-artemisia-gentileschi-on-wednesday-19-december-2018-self-portrait-as-saint-catherine-of-alexandria-an-oil-painting-from-about-161517-goes-on-public-display-in-central-hall-of-the-national-gallery-following-5-months-of-conservation-treatment-credit-malcolm-parkalamy-live-news-image229327540.htmlRMR92NH8–National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News.
National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/national-gallery-london-uk-19-december-2018-in-july-2017-the-national-gallery-london-acquired-a-recently-discovered-rare-self-portrait-by-the-most-celebrated-female-artist-of-the-italian-baroque-artemisia-gentileschi-on-wednesday-19-december-2018-self-portrait-as-saint-catherine-of-alexandria-an-oil-painting-from-about-161517-goes-on-public-display-in-central-hall-of-the-national-gallery-following-5-months-of-conservation-treatment-credit-malcolm-parkalamy-live-news-image229327535.htmlRMR92NH3–National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News.
National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/national-gallery-london-uk-19-december-2018-in-july-2017-the-national-gallery-london-acquired-a-recently-discovered-rare-self-portrait-by-the-most-celebrated-female-artist-of-the-italian-baroque-artemisia-gentileschi-on-wednesday-19-december-2018-self-portrait-as-saint-catherine-of-alexandria-an-oil-painting-from-about-161517-goes-on-public-display-in-central-hall-of-the-national-gallery-following-5-months-of-conservation-treatment-credit-malcolm-parkalamy-live-news-image229327876.htmlRMR92P18–National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News.
National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/national-gallery-london-uk-19-december-2018-in-july-2017-the-national-gallery-london-acquired-a-recently-discovered-rare-self-portrait-by-the-most-celebrated-female-artist-of-the-italian-baroque-artemisia-gentileschi-on-wednesday-19-december-2018-self-portrait-as-saint-catherine-of-alexandria-an-oil-painting-from-about-161517-goes-on-public-display-in-central-hall-of-the-national-gallery-following-5-months-of-conservation-treatment-credit-malcolm-parkalamy-live-news-image229327522.htmlRMR92NGJ–National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News.
National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/national-gallery-london-uk-19-december-2018-in-july-2017-the-national-gallery-london-acquired-a-recently-discovered-rare-self-portrait-by-the-most-celebrated-female-artist-of-the-italian-baroque-artemisia-gentileschi-on-wednesday-19-december-2018-self-portrait-as-saint-catherine-of-alexandria-an-oil-painting-from-about-161517-goes-on-public-display-in-central-hall-of-the-national-gallery-following-5-months-of-conservation-treatment-credit-malcolm-parkalamy-live-news-image229327870.htmlRMR92P12–National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News.
National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/national-gallery-london-uk-19-december-2018-in-july-2017-the-national-gallery-london-acquired-a-recently-discovered-rare-self-portrait-by-the-most-celebrated-female-artist-of-the-italian-baroque-artemisia-gentileschi-on-wednesday-19-december-2018-self-portrait-as-saint-catherine-of-alexandria-an-oil-painting-from-about-161517-goes-on-public-display-in-central-hall-of-the-national-gallery-following-5-months-of-conservation-treatment-credit-malcolm-parkalamy-live-news-image229327828.htmlRMR92NYG–National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News.
National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/national-gallery-london-uk-19-december-2018-in-july-2017-the-national-gallery-london-acquired-a-recently-discovered-rare-self-portrait-by-the-most-celebrated-female-artist-of-the-italian-baroque-artemisia-gentileschi-on-wednesday-19-december-2018-self-portrait-as-saint-catherine-of-alexandria-an-oil-painting-from-about-161517-goes-on-public-display-in-central-hall-of-the-national-gallery-following-5-months-of-conservation-treatment-credit-malcolm-parkalamy-live-news-image229327879.htmlRMR92P1B–National Gallery, London, UK. 19 December, 2018. In July 2017, the National Gallery, London acquired a recently discovered, rare self-portrait by the most celebrated female artist of the Italian Baroque – Artemisia Gentileschi. On Wednesday 19 December 2018, Self Portrait as Saint Catherine of Alexandria, an oil painting from about 1615–17, goes on public display in Central Hall of the National Gallery, following 5-months of conservation treatment. Credit: Malcolm Park/Alamy Live News.
