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End cut Stock Photos and Images
Beef loin boneless end cut strip steak close view. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beef-loin-boneless-end-cut-strip-steak-close-view-image416867834.htmlRF2F65Y4X–Beef loin boneless end cut strip steak close view.
End cut showing grain of large beech tree after felling. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-end-cut-showing-grain-of-large-beech-tree-after-felling-11891575.htmlRMA7PJ7M–End cut showing grain of large beech tree after felling.
Cucumis sativius, two short, thick Cucumbers, top end cut away Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cucumis-sativius-two-short-thick-cucumbers-top-end-cut-away-image216123461.htmlRMPFH7K1–Cucumis sativius, two short, thick Cucumbers, top end cut away
The Netherlands Middle Ages, part of fibula, end cut away, copper alloy, 3.0 x 1.7 cm, x, the Netherlands, Utrecht, Wijk bij Duurstede, Wijk bij Duurstede, Dorestad Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-netherlands-middle-ages-part-of-fibula-end-cut-away-copper-alloy-30-x-17-cm-x-the-netherlands-utrecht-wijk-bij-duurstede-wijk-bij-duurstede-dorestad-image344501214.htmlRM2B0DAPP–The Netherlands Middle Ages, part of fibula, end cut away, copper alloy, 3.0 x 1.7 cm, x, the Netherlands, Utrecht, Wijk bij Duurstede, Wijk bij Duurstede, Dorestad
Feb. 24, 2012 - End Of The Days At The Seaside Sees Cut Prices Of Sun Hats: There are only a few left unsold as the Seas on nears its end. These are on offer to the wise who want to shop for next years at cut prices. The End Of The Season At The Holiday Resort: Or What It Looks Like Now: Johnny is back at school. You are behind the office desk or factory bench. The Misaus is behind the washtub or making the beds - or perhaps having an afternoon's Whist The holiday by the sea is now but a recent pleasant memory. Do you ever wish you could slip back and have a look at what it's like now Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/feb-24-2012-end-of-the-days-at-the-seaside-sees-cut-prices-of-sun-image69516674.htmlRME12N6A–Feb. 24, 2012 - End Of The Days At The Seaside Sees Cut Prices Of Sun Hats: There are only a few left unsold as the Seas on nears its end. These are on offer to the wise who want to shop for next years at cut prices. The End Of The Season At The Holiday Resort: Or What It Looks Like Now: Johnny is back at school. You are behind the office desk or factory bench. The Misaus is behind the washtub or making the beds - or perhaps having an afternoon's Whist The holiday by the sea is now but a recent pleasant memory. Do you ever wish you could slip back and have a look at what it's like now
Close up of the end of a rope. Isolated on white. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-close-up-of-the-end-of-a-rope-isolated-on-white-29989341.htmlRFBMP3KW–Close up of the end of a rope. Isolated on white.
Jennifer Aniston with a cut/bruise on her finger, as she arrives at the UK film premiere of The Break Up, at the Vue West End cinema, central London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jennifer-aniston-with-a-cutbruise-on-her-finger-as-she-arrives-at-109067921.htmlRMG9CD6W–Jennifer Aniston with a cut/bruise on her finger, as she arrives at the UK film premiere of The Break Up, at the Vue West End cinema, central London.
carpenter examines the end cut of a wooden board, the texture of wood Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carpenter-examines-the-end-cut-of-a-wooden-board-the-texture-of-wood-image530408579.htmlRF2NPX5FF–carpenter examines the end cut of a wooden board, the texture of wood
A Persian kard with cut and gold-inlaid decoration, end of the 18th century A heavy wootz-Damascus blade with a cut back and reinforced point. Chiselled floral designs and gold-inlaid Koranic surahs on both sides at the base of the blade. The reverse side bears the signature, 'Bâqir's work.' Wootz-Damascus ferrule and grip frame with alternating cut and gold-inlaid Koranic surahs. Intact crystalline walrus ivory grip scales. Length 37.7 cm. An almost identical kard, signed 'Bâqir' was published in the catalogue for the 'Morgenländische Pracht', Exhibition of th, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-persian-kard-with-cut-and-gold-inlaid-decoration-end-of-the-18th-31664367.htmlRMBREC67–A Persian kard with cut and gold-inlaid decoration, end of the 18th century A heavy wootz-Damascus blade with a cut back and reinforced point. Chiselled floral designs and gold-inlaid Koranic surahs on both sides at the base of the blade. The reverse side bears the signature, 'Bâqir's work.' Wootz-Damascus ferrule and grip frame with alternating cut and gold-inlaid Koranic surahs. Intact crystalline walrus ivory grip scales. Length 37.7 cm. An almost identical kard, signed 'Bâqir' was published in the catalogue for the 'Morgenländische Pracht', Exhibition of th,
Work and writing table (table en chiffonière). Culture: French. Dimensions: Overall: 26 1/8 × 16 1/4 × 12 1/2 in. (66.4 × 41.3 × 31.8 cm). Maker: Bernard II van Risenburgh (ca. 1696-ca. 1767). Date: ca. 1760. This diminutive, multipurpose table is similar in scale and style to another model by van Risenburgh in the museum's collection (1977.102.7). The top is decorated in floral marquetry of veneered tulipwood and end-cut kingwood, and is hinged at the back and opens to reveal three compartments. A separate drawer on the right contains three metal receptacles for writing equipment. This table Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/work-and-writing-table-table-en-chiffonire-culture-french-dimensions-overall-26-18-16-14-12-12-in-664-413-318-cm-maker-bernard-ii-van-risenburgh-ca-1696-ca-1767-date-ca-1760-this-diminutive-multipurpose-table-is-similar-in-scale-and-style-to-another-model-by-van-risenburgh-in-the-museums-collection-19771027-the-top-is-decorated-in-floral-marquetry-of-veneered-tulipwood-and-end-cut-kingwood-and-is-hinged-at-the-back-and-opens-to-reveal-three-compartments-a-separate-drawer-on-the-right-contains-three-metal-receptacles-for-writing-equipment-this-table-image213296760.htmlRMPB0E5C–Work and writing table (table en chiffonière). Culture: French. Dimensions: Overall: 26 1/8 × 16 1/4 × 12 1/2 in. (66.4 × 41.3 × 31.8 cm). Maker: Bernard II van Risenburgh (ca. 1696-ca. 1767). Date: ca. 1760. This diminutive, multipurpose table is similar in scale and style to another model by van Risenburgh in the museum's collection (1977.102.7). The top is decorated in floral marquetry of veneered tulipwood and end-cut kingwood, and is hinged at the back and opens to reveal three compartments. A separate drawer on the right contains three metal receptacles for writing equipment. This table
The ends of cut logs in a pile; Rothbury, Northumberland, England Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ends-of-cut-logs-in-a-pile-rothbury-northumberland-england-image366370416.htmlRF2C81H5M–The ends of cut logs in a pile; Rothbury, Northumberland, England
Mug. Research in ProgressVery heavy, straight-sided body, looped and notched handle with turned up end cut with tall swirling loops of diamonds above a row of field diamonds, hatching at side near handle, on the bottom star pattern. Mug Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mug-research-in-progressvery-heavy-straight-sided-body-looped-and-notched-handle-with-turned-up-end-cut-with-tall-swirling-loops-of-diamonds-above-a-row-of-field-diamonds-hatching-at-side-near-handle-on-the-bottom-star-pattern-mug-image352192469.htmlRM2BCYN2D–Mug. Research in ProgressVery heavy, straight-sided body, looped and notched handle with turned up end cut with tall swirling loops of diamonds above a row of field diamonds, hatching at side near handle, on the bottom star pattern. Mug
Art inspired by Slant-top desk (secrétaire en pente), ca. 1745–49, French, Oak veneered with bois satiné and end cut wood, leather, gilt bronze, Overall, at widest points: 31 3/8 x 34 1/2 x 19 3/4 in. (79.7 x 87.6 x 50.2 cm), Woodwork-Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-slant-top-desk-secrtaire-en-pente-ca-174549-french-oak-veneered-with-bois-satin-and-end-cut-wood-leather-gilt-bronze-overall-at-widest-points-31-38-x-34-12-x-19-34-in-797-x-876-x-502-cm-woodwork-furniture-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462778955.htmlRF2HTWB7R–Art inspired by Slant-top desk (secrétaire en pente), ca. 1745–49, French, Oak veneered with bois satiné and end cut wood, leather, gilt bronze, Overall, at widest points: 31 3/8 x 34 1/2 x 19 3/4 in. (79.7 x 87.6 x 50.2 cm), Woodwork-Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
cut end of tree log Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cut-end-of-tree-log-image375274288.htmlRF2CPF654–cut end of tree log
Front end loader moving freshly cut logs at Kane Hardwoods, Kane, McKean County, Pennsylvania, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-front-end-loader-moving-freshly-cut-logs-at-kane-hardwoods-kane-mckean-21095875.htmlRMB69003–Front end loader moving freshly cut logs at Kane Hardwoods, Kane, McKean County, Pennsylvania, USA
word end cut from newspaper on yellow paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-word-end-cut-from-newspaper-on-yellow-paper-54752505.htmlRFD525AH–word end cut from newspaper on yellow paper
End of Cut Log Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/end-of-cut-log-image1658384.htmlRFAT4E11–End of Cut Log
Heart with pink flowers against cut logs background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heart-with-pink-flowers-against-cut-logs-background-image311017755.htmlRMS2028Y–Heart with pink flowers against cut logs background
The end slice of a seedless watermelon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-end-slice-of-a-seedless-watermelon-84470237.htmlRMEWBXJ5–The end slice of a seedless watermelon
Beef loin boneless end cut strip steak on a foam tray top view. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beef-loin-boneless-end-cut-strip-steak-on-a-foam-tray-top-view-image416867878.htmlRF2F65Y6E–Beef loin boneless end cut strip steak on a foam tray top view.
End cut showing grain of large beech tree after felling. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-end-cut-showing-grain-of-large-beech-tree-after-felling-11891606.htmlRMA7PJ9Y–End cut showing grain of large beech tree after felling.
Bracket fungi showing sporocarp (fruiting bodies) on end of cut off branch on tree Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bracket-fungi-showing-sporocarp-fruiting-bodies-on-end-of-cut-off-branch-on-tree-image216265094.htmlRMPFRM9A–Bracket fungi showing sporocarp (fruiting bodies) on end of cut off branch on tree
Mug, Glass, Very heavy, straight-sided body, looped and notched handle with turned up end cut with tall swirling loops of diamonds above a row of field diamonds, hatching at side near handle, on the bottom star pattern., England or Ireland, ca. 1820–30, glasswares, Decorative Arts, Mug Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mug-glass-very-heavy-straight-sided-body-looped-and-notched-handle-with-turned-up-end-cut-with-tall-swirling-loops-of-diamonds-above-a-row-of-field-diamonds-hatching-at-side-near-handle-on-the-bottom-star-pattern-england-or-ireland-ca-182030-glasswares-decorative-arts-mug-image391247743.htmlRM2DMETDK–Mug, Glass, Very heavy, straight-sided body, looped and notched handle with turned up end cut with tall swirling loops of diamonds above a row of field diamonds, hatching at side near handle, on the bottom star pattern., England or Ireland, ca. 1820–30, glasswares, Decorative Arts, Mug
Seamless end grain wood texture. Cross cut lumber blocks. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-seamless-end-grain-wood-texture-cross-cut-lumber-blocks-120970576.htmlRFH0PK5M–Seamless end grain wood texture. Cross cut lumber blocks.
Close up of the end of a rope. Isolated on white. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-close-up-of-the-end-of-a-rope-isolated-on-white-30121997.htmlRFBN04WH–Close up of the end of a rope. Isolated on white.
Pine log resin age rings cut end timber forest tree trees annular ring rings plant plants growth annual age nature Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pine-log-resin-age-rings-cut-end-timber-forest-tree-trees-annular-33115640.htmlRMBWTF9C–Pine log resin age rings cut end timber forest tree trees annular ring rings plant plants growth annual age nature
Close up of end view of cut fiber optic cable containing 250 micron fibers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-close-up-of-end-view-of-cut-fiber-optic-cable-containing-250-micron-176789600.htmlRMM7HCX8–Close up of end view of cut fiber optic cable containing 250 micron fibers
A Persian kard with cut and gold-inlaid decoration, end of the 18th century A heavy wootz-Damascus blade with a cut back and reinforced point. Chiselled floral designs and gold-inlaid Koranic surahs on both sides at the base of the blade. The reverse side bears the signature, 'Bâqir's work.' Wootz-Damascus ferrule and grip frame with alternating cut and gold-inlaid Koranic surahs. Intact crystalline walrus ivory grip scales. Length 37.7 cm. An almost identical kard, signed 'Bâqir' was published in the catalogue for the 'Morgenländische Pracht', Exhibition of th, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-persian-kard-with-cut-and-gold-inlaid-decoration-end-of-the-18th-31664437.htmlRMBREC8N–A Persian kard with cut and gold-inlaid decoration, end of the 18th century A heavy wootz-Damascus blade with a cut back and reinforced point. Chiselled floral designs and gold-inlaid Koranic surahs on both sides at the base of the blade. The reverse side bears the signature, 'Bâqir's work.' Wootz-Damascus ferrule and grip frame with alternating cut and gold-inlaid Koranic surahs. Intact crystalline walrus ivory grip scales. Length 37.7 cm. An almost identical kard, signed 'Bâqir' was published in the catalogue for the 'Morgenländische Pracht', Exhibition of th,
Macro, high magnified image of oak log end cut. Shows wood layers and fine texture detail Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/macro-high-magnified-image-of-oak-log-end-cut-shows-wood-layers-and-image150259023.htmlRMJMCTWK–Macro, high magnified image of oak log end cut. Shows wood layers and fine texture detail
Eyes drawn with marker on the end of a cut log with holes to resemble a happy face, Smuggler Cove Marine Provincial Park; British Columbia, Canada Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eyes-drawn-with-marker-on-the-end-of-a-cut-log-with-holes-to-resemble-a-happy-face-smuggler-cove-marine-provincial-park-british-columbia-canada-image466962369.htmlRF2J3KY7D–Eyes drawn with marker on the end of a cut log with holes to resemble a happy face, Smuggler Cove Marine Provincial Park; British Columbia, Canada
Bernard van Risenburgh II (French, active c. 1730 - 1765/1766), Lean-to Writing Desk (secrétaire en pente), c. 1750, veneered on oak (stained purple on the underside of the top) with tulipwood cut on the quarter, root-cut kingwood, and other end-cut woods; gilded bronze mounts, Widener Collection 1942.9.419 Bernard Vanrisamburgh II, Lean-to Writing Desk (secrétaire en pente), c 1750 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bernard-van-risenburgh-ii-french-active-c-1730-17651766-lean-to-writing-desk-secrtaire-en-pente-c-1750-veneered-on-oak-stained-purple-on-the-underside-of-the-top-with-tulipwood-cut-on-the-quarter-root-cut-kingwood-and-other-end-cut-woods-gilded-bronze-mounts-widener-collection-19429419-bernard-vanrisamburgh-ii-lean-to-writing-desk-secretaire-en-pente-c-1750-image335767498.htmlRM2AE7ETA–Bernard van Risenburgh II (French, active c. 1730 - 1765/1766), Lean-to Writing Desk (secrétaire en pente), c. 1750, veneered on oak (stained purple on the underside of the top) with tulipwood cut on the quarter, root-cut kingwood, and other end-cut woods; gilded bronze mounts, Widener Collection 1942.9.419 Bernard Vanrisamburgh II, Lean-to Writing Desk (secrétaire en pente), c 1750
Navel end rot (Alternaria citri) shown in orange fruit section Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-navel-end-rot-alternaria-citri-shown-in-orange-fruit-section-27614922.htmlRMBGWY36–Navel end rot (Alternaria citri) shown in orange fruit section
Cut tree at city square. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cut-tree-at-city-square-102629228.htmlRMFXY4HG–Cut tree at city square.
Front end loader moving freshly cut logs at Kane Hardwoods, Kane, McKean County, Pennsylvania, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-front-end-loader-moving-freshly-cut-logs-at-kane-hardwoods-kane-mckean-21095685.htmlRMB68YN9–Front end loader moving freshly cut logs at Kane Hardwoods, Kane, McKean County, Pennsylvania, USA
Hackney Furnishing Co. Ltd. - West End Premises - Corner of Oxford Street and Great Chapel Street. Pioneers of cut-price furnishings. Building designed by Philip E Pilditch. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hackney-furnishing-co-ltd-west-end-premises-corner-of-oxford-street-and-great-chapel-street-pioneers-of-cut-price-furnishings-building-designed-by-philip-e-pilditch-image560857654.htmlRM2RGD7JE–Hackney Furnishing Co. Ltd. - West End Premises - Corner of Oxford Street and Great Chapel Street. Pioneers of cut-price furnishings. Building designed by Philip E Pilditch.
Sean Connery, making his West End debut as a director, indicates the action he wants from his wife, Diane Cilento and Robert Hardy in a scene from 'I've Seen You Cut Lemons', at the Fortune Theatre, Drury Lane. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sean-connery-making-his-west-end-debut-as-a-director-indicates-the-106124126.htmlRMG4JABA–Sean Connery, making his West End debut as a director, indicates the action he wants from his wife, Diane Cilento and Robert Hardy in a scene from 'I've Seen You Cut Lemons', at the Fortune Theatre, Drury Lane.
Catalan wood terminal, cut from the end of a medieval house beam. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/catalan-wood-terminal-cut-from-the-end-of-a-medieval-house-beam-spain-image68560176.htmlRMDYF55M–Catalan wood terminal, cut from the end of a medieval house beam. Spain.
The end slice of a seedless watermelon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-end-slice-of-a-seedless-watermelon-84470235.htmlRMEWBXJ3–The end slice of a seedless watermelon
Beef loin boneless end cut strip steak top view on a white background. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beef-loin-boneless-end-cut-strip-steak-top-view-on-a-white-background-image416867870.htmlRF2F65Y66–Beef loin boneless end cut strip steak top view on a white background.
End cut showing grain of large beech tree after felling. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-end-cut-showing-grain-of-large-beech-tree-after-felling-11891698.htmlRMA7PJHR–End cut showing grain of large beech tree after felling.
Pine Timber Logs Stacked in Forest Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pine-timber-logs-stacked-in-forest-36144775.htmlRFC2PF0R–Pine Timber Logs Stacked in Forest
Bronze ring, rounded in diameter, open on one side. One end is provided with a conical protrusion, which fits into the equally end-cut other end. Children's neck ring ?, neck ring, metal, bronze, Diam. 10.3 cm, prehistory 400-600, the Netherlands, Gelderland, Tiel, Tiel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bronze-ring-rounded-in-diameter-open-on-one-side-one-end-is-provided-with-a-conical-protrusion-which-fits-into-the-equally-end-cut-other-end-childrens-neck-ring-neck-ring-metal-bronze-diam-103-cm-prehistory-400-600-the-netherlands-gelderland-tiel-tiel-image344558721.htmlRM2B0G04H–Bronze ring, rounded in diameter, open on one side. One end is provided with a conical protrusion, which fits into the equally end-cut other end. Children's neck ring ?, neck ring, metal, bronze, Diam. 10.3 cm, prehistory 400-600, the Netherlands, Gelderland, Tiel, Tiel
End grain wood background. Cross cut oak texture close up. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-end-grain-wood-background-cross-cut-oak-texture-close-up-120970787.htmlRFH0PKD7–End grain wood background. Cross cut oak texture close up.
A loaf of freshly-baked homemade bread with the end cut from it to show the texture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-loaf-of-freshly-baked-homemade-bread-with-the-end-cut-from-it-to-52962812.htmlRFD24JH0–A loaf of freshly-baked homemade bread with the end cut from it to show the texture
forest cut end timber age rings resin log Pine bark tree trees annular ring rings plant plants growth annual age nature Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-forest-cut-end-timber-age-rings-resin-log-pine-bark-tree-trees-annular-33115629.htmlRMBWTF91–forest cut end timber age rings resin log Pine bark tree trees annular ring rings plant plants growth annual age nature
End of the Road Yellow Warning Sign - Last Final Failure Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-end-of-the-road-yellow-warning-sign-last-final-failure-116725975.htmlRFGNW94R–End of the Road Yellow Warning Sign - Last Final Failure
A Persian kard with cut and gold-inlaid decoration, end of the 18th century A heavy wootz-Damascus blade with a cut back and reinforced point. Chiselled floral designs and gold-inlaid Koranic surahs on both sides at the base of the blade. The reverse side bears the signature, 'Bâqir's work.' Wootz-Damascus ferrule and grip frame with alternating cut and gold-inlaid Koranic surahs. Intact crystalline walrus ivory grip scales. Length 37.7 cm. An almost identical kard, signed 'Bâqir' was published in the catalogue for the 'Morgenländische Pracht', Exhibition of th, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-persian-kard-with-cut-and-gold-inlaid-decoration-end-of-the-18th-31664372.htmlRMBREC6C–A Persian kard with cut and gold-inlaid decoration, end of the 18th century A heavy wootz-Damascus blade with a cut back and reinforced point. Chiselled floral designs and gold-inlaid Koranic surahs on both sides at the base of the blade. The reverse side bears the signature, 'Bâqir's work.' Wootz-Damascus ferrule and grip frame with alternating cut and gold-inlaid Koranic surahs. Intact crystalline walrus ivory grip scales. Length 37.7 cm. An almost identical kard, signed 'Bâqir' was published in the catalogue for the 'Morgenländische Pracht', Exhibition of th,
Macro, high magnified image of oak log end cut. Shows wood layers and fine texture detail Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/macro-high-magnified-image-of-oak-log-end-cut-shows-wood-layers-and-image150259027.htmlRMJMCTWR–Macro, high magnified image of oak log end cut. Shows wood layers and fine texture detail
Ends of cut wood in a pile; Potton, Quebec, Canada Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ends-of-cut-wood-in-a-pile-potton-quebec-canada-image207641256.htmlRFP1PTF4–Ends of cut wood in a pile; Potton, Quebec, Canada
Closeup of end cut wood tree section. Old wooden rain tree cut surface. Detailed warm brown and orange tones of a felled tree trunk or stump. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/closeup-of-end-cut-wood-tree-section-old-wooden-rain-tree-cut-surface-detailed-warm-brown-and-orange-tones-of-a-felled-tree-trunk-or-stump-image327672401.htmlRF2A12NDN–Closeup of end cut wood tree section. Old wooden rain tree cut surface. Detailed warm brown and orange tones of a felled tree trunk or stump.
Nov. 11, 1954 - Jet's Roar Is Penned And Silenced: To cut down the deafening when jet engines are tesi the British firm of Vickers-A come up with an open pen and a muffler South Marston, England. The plane is moved into the pen by tractor, with the end of the jet exhaust centered in the opening of the muffler which is located in the middle of the back wall. With the muffler, the noise level is so reduced that it causes no annoyance at 1,000 yards and, in many directions, no noise at all at that distance Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nov-11-1954-jets-roar-is-penned-and-silenced-to-cut-down-the-deafening-image69291849.htmlRME0MECW–Nov. 11, 1954 - Jet's Roar Is Penned And Silenced: To cut down the deafening when jet engines are tesi the British firm of Vickers-A come up with an open pen and a muffler South Marston, England. The plane is moved into the pen by tractor, with the end of the jet exhaust centered in the opening of the muffler which is located in the middle of the back wall. With the muffler, the noise level is so reduced that it causes no annoyance at 1,000 yards and, in many directions, no noise at all at that distance
End view of cut sawn pine logs Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-end-view-of-cut-sawn-pine-logs-100748525.htmlRMFRWDNH–End view of cut sawn pine logs
show profile Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/show-profile-image225351557.htmlRFR2HJ5W–show profile
A close up of a cigar with its end cut off Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-close-up-of-a-cigar-with-its-end-cut-off-20116310.htmlRMB4MAFJ–A close up of a cigar with its end cut off
Leader of the Labour Party Ed Miliband during a visit to shops and meet shoppers in Crouch End, north London, where he later addressed people on his party's policy to cut energy bills. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-leader-of-the-labour-party-ed-miliband-during-a-visit-to-shops-and-107335302.htmlRMG6HF7J–Leader of the Labour Party Ed Miliband during a visit to shops and meet shoppers in Crouch End, north London, where he later addressed people on his party's policy to cut energy bills.
Scapolite. This group of minerals is a series whose end members are marialite and melonite. In gemology they are usually fashioned into cat's-eye cabochons but occasionally clear stones suitable for faceting are found. This superb mixed cut stone from Mogok, Myanmar (Burma), weighs 245 carats. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-scapolite-this-group-of-minerals-is-a-series-whose-end-members-are-57406391.htmlRMD9B2C7–Scapolite. This group of minerals is a series whose end members are marialite and melonite. In gemology they are usually fashioned into cat's-eye cabochons but occasionally clear stones suitable for faceting are found. This superb mixed cut stone from Mogok, Myanmar (Burma), weighs 245 carats.
The end slice of a seedless watermelon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-end-slice-of-a-seedless-watermelon-84470238.htmlRMEWBXJ6–The end slice of a seedless watermelon
Beef loin boneless end cut strip steak on a foam tray side view. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beef-loin-boneless-end-cut-strip-steak-on-a-foam-tray-side-view-image415192813.htmlRF2F3DJJN–Beef loin boneless end cut strip steak on a foam tray side view.
End grain and saw cut marks on tree trunks. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/end-grain-and-saw-cut-marks-on-tree-trunks-image261767486.htmlRMW5TF2P–End grain and saw cut marks on tree trunks.
Stack of cut tree trunks end on view Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-stack-of-cut-tree-trunks-end-on-view-35308686.htmlRFC1CCGE–Stack of cut tree trunks end on view
Slant-top desk (secrétaire en pente), ca. 1745–49, French, Oak veneered with bois satiné and end cut wood, leather, gilt bronze Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-slant-top-desk-secrtaire-en-pente-ca-174549-french-oak-veneered-with-162580072.htmlRMKCE4F4–Slant-top desk (secrétaire en pente), ca. 1745–49, French, Oak veneered with bois satiné and end cut wood, leather, gilt bronze
End of the Rope Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/end-of-the-rope-image3335755.htmlRFA1CP4C–End of the Rope
Art inspired by Obsidian furniture attachment, Early Imperial, Augustan, ca. 25 B.C.–A.D. 10, Roman, Obsidian, Length: 8 1/16in. (20.4cm), Glass, Very deep purple, appearing black. Solid block, with flat back; convex sides curving outward to flat, recessed band at front; top end cut, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-obsidian-furniture-attachment-early-imperial-augustan-ca-25-bcad-10-roman-obsidian-length-8-116in-204cm-glass-very-deep-purple-appearing-black-solid-block-with-flat-back-convex-sides-curving-outward-to-flat-recessed-band-at-front-top-end-cut-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462783592.htmlRF2HTWH5C–Art inspired by Obsidian furniture attachment, Early Imperial, Augustan, ca. 25 B.C.–A.D. 10, Roman, Obsidian, Length: 8 1/16in. (20.4cm), Glass, Very deep purple, appearing black. Solid block, with flat back; convex sides curving outward to flat, recessed band at front; top end cut, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
End grain pine timber pile Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-end-grain-pine-timber-pile-27863714.htmlRMBH98CJ–End grain pine timber pile
End grain wood rings texture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-end-grain-wood-rings-texture-120970476.htmlRFH0PK24–End grain wood rings texture
A Persian kard with cut and gold-inlaid decoration, end of the 18th century A heavy wootz-Damascus blade with a cut back and reinforced point. Chiselled floral designs and gold-inlaid Koranic surahs on both sides at the base of the blade. The reverse side bears the signature, 'Bâqir's work.' Wootz-Damascus ferrule and grip frame with alternating cut and gold-inlaid Koranic surahs. Intact crystalline walrus ivory grip scales. Length 37.7 cm. An almost identical kard, signed 'Bâqir' was published in the catalogue for the 'Morgenländische Pracht', Exhibition of th, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-persian-kard-with-cut-and-gold-inlaid-decoration-end-of-the-18th-31664442.htmlRMBREC8X–A Persian kard with cut and gold-inlaid decoration, end of the 18th century A heavy wootz-Damascus blade with a cut back and reinforced point. Chiselled floral designs and gold-inlaid Koranic surahs on both sides at the base of the blade. The reverse side bears the signature, 'Bâqir's work.' Wootz-Damascus ferrule and grip frame with alternating cut and gold-inlaid Koranic surahs. Intact crystalline walrus ivory grip scales. Length 37.7 cm. An almost identical kard, signed 'Bâqir' was published in the catalogue for the 'Morgenländische Pracht', Exhibition of th,
Macro, high magnified image of oak log end cut. Shows wood layers and fine texture detail Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/macro-high-magnified-image-of-oak-log-end-cut-shows-wood-layers-and-image150259026.htmlRMJMCTWP–Macro, high magnified image of oak log end cut. Shows wood layers and fine texture detail
Pile of cut wood at Mount Vapec, Kleine Fatra; Karpaten, Horna Poruba, Slovakia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pile-of-cut-wood-at-mount-vapec-kleine-fatra-karpaten-horna-poruba-slovakia-image436472664.htmlRF2GA319C–Pile of cut wood at Mount Vapec, Kleine Fatra; Karpaten, Horna Poruba, Slovakia
UNCOMMON UNIQUE UPKEEP VARIOUS VAST NURTURE VIBRANT PASTO ZACATE CORTAUNAS CORTAR SERVICIO GARDNER TIJERAS MANTENIMIENTO VERDE DESASTRE DESTRUIDO ODD Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-uncommon-unique-upkeep-various-vast-nurture-vibrant-pasto-zacate-cortaunas-39795038.htmlRFC8MPYA–UNCOMMON UNIQUE UPKEEP VARIOUS VAST NURTURE VIBRANT PASTO ZACATE CORTAUNAS CORTAR SERVICIO GARDNER TIJERAS MANTENIMIENTO VERDE DESASTRE DESTRUIDO ODD
board cut end Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-board-cut-end-127329702.htmlRMHB4A9A–board cut end
a rifle bullet cut in half peace an end to war Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-rifle-bullet-cut-in-half-peace-an-end-to-war-image7013683.htmlRMA978K4–a rifle bullet cut in half peace an end to war
Covid-19 mask cut into two pieces with a scissor, end of pandemic, back to normal, epidemic Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/covid-19-mask-cut-into-two-pieces-with-a-scissor-end-of-pandemic-back-to-normal-epidemic-image612329099.htmlRF2XG600B–Covid-19 mask cut into two pieces with a scissor, end of pandemic, back to normal, epidemic
Covid-19 mask cut into two pieces with a scissor, end of pandemic, back to normal, epidemic Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/covid-19-mask-cut-into-two-pieces-with-a-scissor-end-of-pandemic-back-to-normal-epidemic-image483416740.htmlRF2K2DEYG–Covid-19 mask cut into two pieces with a scissor, end of pandemic, back to normal, epidemic
The badly cut face of Vitali Klitschko after corner doctor stops the fight at the end of the 6th round due cuts around the left eye and Lennox Lewis retaining his WBC and IBO World Heavyweight boxing titles at the Staples Centre Arena in Los Angeles. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-badly-cut-face-of-vitali-klitschko-after-corner-doctor-stops-the-107753208.htmlRMG78G8T–The badly cut face of Vitali Klitschko after corner doctor stops the fight at the end of the 6th round due cuts around the left eye and Lennox Lewis retaining his WBC and IBO World Heavyweight boxing titles at the Staples Centre Arena in Los Angeles.
Closeup macro view of end cut wood tree section with cracks and annual tree rings. Natural organic texture with cracked and rough surface. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/closeup-macro-view-of-end-cut-wood-tree-section-with-cracks-and-annual-tree-rings-natural-organic-texture-with-cracked-and-rough-surface-image371274590.htmlRF2CG10EP–Closeup macro view of end cut wood tree section with cracks and annual tree rings. Natural organic texture with cracked and rough surface.
The end slice of a seedless watermelon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-end-slice-of-a-seedless-watermelon-84470236.htmlRMEWBXJ4–The end slice of a seedless watermelon
Beef loin boneless end cut strip steak side view on a white background. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beef-loin-boneless-end-cut-strip-steak-side-view-on-a-white-background-image415192789.htmlRF2F3DJHW–Beef loin boneless end cut strip steak side view on a white background.
End grain and saw cut marks on tree trunks. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/end-grain-and-saw-cut-marks-on-tree-trunks-image261766429.htmlRMW5TDN1–End grain and saw cut marks on tree trunks.
Closeup macro view of end cut wood tree section with cracks and annual rings. Natural organic texture with cracked and rough surface. Flat wooden surf Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/closeup-macro-view-of-end-cut-wood-tree-section-with-cracks-and-annual-rings-natural-organic-texture-with-cracked-and-rough-surface-flat-wooden-surf-image351982348.htmlRF2BCJ524–Closeup macro view of end cut wood tree section with cracks and annual rings. Natural organic texture with cracked and rough surface. Flat wooden surf
Bernard Vanrisamburgh II, (cabinetmaker), French, active c. 1730 - 1765/1766, Lean-to Writing Desk (secrétaire en pente), c. 1750, veneered on oak (stained purple on the underside of the top) with tulipwood cut on the quarter, root-cut kingwood, and other end-cut woods; gilded bronze mounts, overall: 80 x 53.3 x 35.8 cm (31 1/2 x 21 x 14 1/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bernard-vanrisamburgh-ii-cabinetmaker-french-active-c-1730-17651766-lean-to-writing-desk-secrtaire-en-pente-c-1750-veneered-on-oak-stained-purple-on-the-underside-of-the-top-with-tulipwood-cut-on-the-quarter-root-cut-kingwood-and-other-end-cut-woods-gilded-bronze-mounts-overall-80-x-533-x-358-cm-31-12-x-21-x-14-18-in-image386254644.htmlRM2DCBBMM–Bernard Vanrisamburgh II, (cabinetmaker), French, active c. 1730 - 1765/1766, Lean-to Writing Desk (secrétaire en pente), c. 1750, veneered on oak (stained purple on the underside of the top) with tulipwood cut on the quarter, root-cut kingwood, and other end-cut woods; gilded bronze mounts, overall: 80 x 53.3 x 35.8 cm (31 1/2 x 21 x 14 1/8 in
Man using penknife to cut lower end of scion to narrow wedge shape for grafting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/man-using-penknife-to-cut-lower-end-of-scion-to-narrow-wedge-shape-for-grafting-image216246719.htmlRMPFPTW3–Man using penknife to cut lower end of scion to narrow wedge shape for grafting
Art inspired by Commode, Roger Vandercruse, called Lacroix (French, 1727–1799), ca. 1755–60, French, Paris, Oak veneered with tulip-, rose-, and end cut kingwood, gilt bronze, rouge griotte marble, 32 1/4 x 28 1/4 x 16 3/4 in. (81.9 x 71.8 x 42.5cm), Woodwork-Furniture, Roger, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-commode-roger-vandercruse-called-lacroix-french-17271799-ca-175560-french-paris-oak-veneered-with-tulip-rose-and-end-cut-kingwood-gilt-bronze-rouge-griotte-marble-32-14-x-28-14-x-16-34-in-819-x-718-x-425cm-woodwork-furniture-roger-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462922200.htmlRF2HW3WYM–Art inspired by Commode, Roger Vandercruse, called Lacroix (French, 1727–1799), ca. 1755–60, French, Paris, Oak veneered with tulip-, rose-, and end cut kingwood, gilt bronze, rouge griotte marble, 32 1/4 x 28 1/4 x 16 3/4 in. (81.9 x 71.8 x 42.5cm), Woodwork-Furniture, Roger, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
End grain pine timber pile Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-end-grain-pine-timber-pile-27864194.htmlRFBH991P–End grain pine timber pile
End grain wood rings texture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-end-grain-wood-rings-texture-120970488.htmlRFH0PK2G–End grain wood rings texture
A Persian kard with cut and gold-inlaid decoration, end of the 18th century A heavy wootz-Damascus blade with a cut back and reinforced point. Chiselled floral designs and gold-inlaid Koranic surahs on both sides at the base of the blade. The reverse side bears the signature, 'Bâqir's work.' Wootz-Damascus ferrule and grip frame with alternating cut and gold-inlaid Koranic surahs. Intact crystalline walrus ivory grip scales. Length 37.7 cm. An almost identical kard, signed 'Bâqir' was published in the catalogue for the 'Morgenländische Pracht', Exhibition of th, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-persian-kard-with-cut-and-gold-inlaid-decoration-end-of-the-18th-31664377.htmlRMBREC6H–A Persian kard with cut and gold-inlaid decoration, end of the 18th century A heavy wootz-Damascus blade with a cut back and reinforced point. Chiselled floral designs and gold-inlaid Koranic surahs on both sides at the base of the blade. The reverse side bears the signature, 'Bâqir's work.' Wootz-Damascus ferrule and grip frame with alternating cut and gold-inlaid Koranic surahs. Intact crystalline walrus ivory grip scales. Length 37.7 cm. An almost identical kard, signed 'Bâqir' was published in the catalogue for the 'Morgenländische Pracht', Exhibition of th,
Macro, high magnified image of oak log end cut. Shows wood layers and fine texture detail Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/macro-high-magnified-image-of-oak-log-end-cut-shows-wood-layers-and-image150259029.htmlRMJMCTWW–Macro, high magnified image of oak log end cut. Shows wood layers and fine texture detail
Cut trees in a log pile at a storage area; Spessart, Bavaria, Germany Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cut-trees-in-a-log-pile-at-a-storage-area-spessart-bavaria-germany-image450968803.htmlRF2H5KB8K–Cut trees in a log pile at a storage area; Spessart, Bavaria, Germany
Exposed cut log end Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/exposed-cut-log-end-image1926477.htmlRMA1X54E–Exposed cut log end
Felled logs uneven cut end of tree close up, wooden background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/felled-logs-uneven-cut-end-of-tree-close-up-wooden-background-image388722923.htmlRM2DGBT1F–Felled logs uneven cut end of tree close up, wooden background
Writing table (part of a set) ca. 1770 Joseph Baumhauer French This beautiful marquetry writing table of unusual shape, with a rounded edge at the back and sides tapering slightly to the front, must have originally been intended to stand against the curving wall of a room. The back of the apron, which was not intended to be seen, was veneered with plain purplewood, while the panels of the side and front are marquetried with trailing stylized flowers and end-cut kingwood on a tulipwood ground. This type of marquetry is known to occur on other pieces of furniture signed by Joseph Baumhauer, as w Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/writing-table-part-of-a-set-ca-1770-joseph-baumhauer-french-this-beautiful-marquetry-writing-table-of-unusual-shape-with-a-rounded-edge-at-the-back-and-sides-tapering-slightly-to-the-front-must-have-originally-been-intended-to-stand-against-the-curving-wall-of-a-room-the-back-of-the-apron-which-was-not-intended-to-be-seen-was-veneered-with-plain-purplewood-while-the-panels-of-the-side-and-front-are-marquetried-with-trailing-stylized-flowers-and-end-cut-kingwood-on-a-tulipwood-ground-this-type-of-marquetry-is-known-to-occur-on-other-pieces-of-furniture-signed-by-joseph-baumhauer-as-w-image458266993.htmlRM2HHFT69–Writing table (part of a set) ca. 1770 Joseph Baumhauer French This beautiful marquetry writing table of unusual shape, with a rounded edge at the back and sides tapering slightly to the front, must have originally been intended to stand against the curving wall of a room. The back of the apron, which was not intended to be seen, was veneered with plain purplewood, while the panels of the side and front are marquetried with trailing stylized flowers and end-cut kingwood on a tulipwood ground. This type of marquetry is known to occur on other pieces of furniture signed by Joseph Baumhauer, as w
Covid-19 mask cut into two pieces with a scissor, end of pandemic, back to normal, epidemic Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/covid-19-mask-cut-into-two-pieces-with-a-scissor-end-of-pandemic-back-to-normal-epidemic-image612329059.htmlRF2XG5YXY–Covid-19 mask cut into two pieces with a scissor, end of pandemic, back to normal, epidemic
Covid-19 mask cut into two pieces with a scissor, end of pandemic, back to normal, epidemic Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/covid-19-mask-cut-into-two-pieces-with-a-scissor-end-of-pandemic-back-to-normal-epidemic-image483416748.htmlRF2K2DEYT–Covid-19 mask cut into two pieces with a scissor, end of pandemic, back to normal, epidemic
A very tired and with a badly cut left eye Vitali Klitschko (left) rest his head on the shoulder of Lennox Lewis before the corner doctor stops the fight at the end of the 6th round. Lewis retained his WBC and IBO World Heavyweight boxing titles at the Staples Centre Arena in Los Angeles. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-very-tired-and-with-a-badly-cut-left-eye-vitali-klitschko-left-rest-107753200.htmlRMG78G8G–A very tired and with a badly cut left eye Vitali Klitschko (left) rest his head on the shoulder of Lennox Lewis before the corner doctor stops the fight at the end of the 6th round. Lewis retained his WBC and IBO World Heavyweight boxing titles at the Staples Centre Arena in Los Angeles.
Closeup macro view of end cut wood tree section with cracks and annual tree rings. Natural organic texture with cracked and rough surface. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/closeup-macro-view-of-end-cut-wood-tree-section-with-cracks-and-annual-tree-rings-natural-organic-texture-with-cracked-and-rough-surface-image371274053.htmlRF2CG0YRH–Closeup macro view of end cut wood tree section with cracks and annual tree rings. Natural organic texture with cracked and rough surface.
The end slice of a seedless watermelon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-end-slice-of-a-seedless-watermelon-84470239.htmlRMEWBXJ7–The end slice of a seedless watermelon
Close up of the end of a rope. Isolated on white. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-close-up-of-the-end-of-a-rope-isolated-on-white-30123129.htmlRFBN06A1–Close up of the end of a rope. Isolated on white.
End grain and saw cut marks on tree trunks. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/end-grain-and-saw-cut-marks-on-tree-trunks-image261767764.htmlRMW5TFCM–End grain and saw cut marks on tree trunks.
Fresh cut end of felled tree trunk Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fresh-cut-end-of-felled-tree-trunk-image339066715.htmlRM2AKHR1F–Fresh cut end of felled tree trunk
Textile, Medium: wool, cotton Technique: slit tapestry with wrapping; weft-faced plain weave; SLIT TAPESTRY: limited use of non-horizontal welts, sometimes between color areas only; two-faced; long slits are sewn together; SIDES: remains of attached fabric; ENDS: warp selvage on one end, turned udner and sewn down; other end cut, turned under, and sewn., Strip patterned by narrow bands containing bird heads (?) with tassels on backgrounds of varying colors including shades of red, pink, light brown, orange and yellow. A triangular stepped or toothed border on four sides Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/textile-medium-wool-cotton-technique-slit-tapestry-with-wrapping-weft-faced-plain-weave-slit-tapestry-limited-use-of-non-horizontal-welts-sometimes-between-color-areas-only-two-faced-long-slits-are-sewn-together-sides-remains-of-attached-fabric-ends-warp-selvage-on-one-end-turned-udner-and-sewn-down-other-end-cut-turned-under-and-sewn-strip-patterned-by-narrow-bands-containing-bird-heads-with-tassels-on-backgrounds-of-varying-colors-including-shades-of-red-pink-light-brown-orange-and-yellow-a-triangular-stepped-or-toothed-border-on-four-sides-image391325932.htmlRM2DMJC64–Textile, Medium: wool, cotton Technique: slit tapestry with wrapping; weft-faced plain weave; SLIT TAPESTRY: limited use of non-horizontal welts, sometimes between color areas only; two-faced; long slits are sewn together; SIDES: remains of attached fabric; ENDS: warp selvage on one end, turned udner and sewn down; other end cut, turned under, and sewn., Strip patterned by narrow bands containing bird heads (?) with tassels on backgrounds of varying colors including shades of red, pink, light brown, orange and yellow. A triangular stepped or toothed border on four sides
Skinning a salmon fillet, making a cut between the flesh and skin at the tail end Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/skinning-a-salmon-fillet-making-a-cut-between-the-flesh-and-skin-at-the-tail-end-image216241018.htmlRMPFPHHE–Skinning a salmon fillet, making a cut between the flesh and skin at the tail end
