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RM2A2P42H–Diana Scultori, Italian, 1535-1587, after Giulio Romano, Italian, 1499-1546, March of Cavalry, 1575, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 6 5/8 × 12 5/8 inches (16.8 × 32.1 cm
RF2HW6DRF–Art inspired by Horatio Coclès Saving Himself by Swimming, 16th century, Engraving, 9 1/8 x 10 1/2 in. (23.2 x 26.7 cm), Prints, Diana Scultori (Italian, Mantua ca. 1535?–after 1588 Rome), After Giulio Romano (Italian, Rome 1499?–1546 Mantua, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKCCXKY–Speculum Romanae Magnificentiae: Hercules with the apples of the Hesperides, Diana Scultori, 1581
RF2HW7JPY–Art inspired by Speculum Romanae Magnificentiae: Attilius Regulus in a Barrel, late 16th century, Engraving, sheet: 14 x 17 5/16 in. (35.5 x 44 cm), Prints, Diana Scultori (Italian, Mantua ca. 1535?–after 1588 Rome), After Giulio Romano (Italian, Rome 1499?–1546 Mantua, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2C2JG2J–The Farnese Bull. Speculum Romanae Magnificentiae. Amphion and Zethus Tying Dirce to a Wild Bull. Diana Scultori Italian, Italy. Old 19th century engraved illustration, El Mundo Ilustrado 1880
RMKCCXWT–Speculum Romanae Magnificentiae: Attilius Regulus in a Barrel, Diana Scultori, late 16th century
RMR2M66F–Christ Making Saint Peter Head of the Church. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Diana Scultori after Raphael.
RM2G1335E–Diana Scultori. Virgin and Child with Saint John - 1575 - Diana Scultori (Italian, c. 1536-c. 1590) after Raffaellino da Reggio (Italian, 1550-1578).
RMMMX25K–. English: 1905 print after page of Women painters of the world, from the time of Caterina Vigri, 1413-1463, to Rosa Bonheur and the present day, by Walter Shaw Sparrow, The Art and Life Library, Hodder & Stoughton, 27 Paternoster Row, London English: The Triumph of Titus and Vespasian; the men in a horse-drawn chariot, an angel with crowns above them, a triumphal arch at right and landscape beyond Pen and black ink, brown wash, over black chalk, heightened with white (partly discoloured) . between 1642 and 1708. Diana Scultori (1547–1612) Alternative names Diana Ghisi; Diana Scultori
RM2H45AKJ–Christ in the temple with the woman taken in adultery. Engraving by Diana Scultori after Giulio Romano.
RM2PMK4E2–Print, The Entombment, ca. 1588; Print Maker: Diana Scultori (Italian); Italy; engraving on laid paper; 35.1 × 28 cm (13 13/16 in. × 11 in.); Bequest of George Campbell Cooper; 1896-3-104
RM2HYYYM0–Regina Angelorum. Diana Scultori (Italy, Mantua, before 1530-after 1588). Italy, circa 1572. Prints; engravings. Engraving
RM2PMK2J1–Print, The Archangels Michael, Gabriel, and Raphael Adoring the Madonna and Child, ca. 1588; Print Maker: Diana Scultori (Italian); After Giulio Romano (Italian, 1499–1546); Italy; engraving on laid paper; 34 × 27.5 cm (13 3/8 × 10 13/16 in.); Bequest of George Campbell Cooper; 1896-3-105
RM2CT3AY7–. Iconologia di Cesare Ripa perugino, cavre. de sti. Mauritio, e Lazzaro : nella quale si descriuono diuerse imagini di virtù, vitij, affetti, passioni humane, arti, discipline, humori, elementi, corpi celesti, prouincie d'Italia, fiumi, tutte le parti del mondo, ed altere infinite materie : opera vtile ad oratori, predicatori, poeti, pittori, scultori, disegnatori, e ad ogni studioso .. . onìi coturni, come quelli di Diana, e finalmente., perche nella parte fua Auftralc^termina in acque,e paludi, fé le fingono a piedi le cannuccic, & i giunchi, CORSICA, DONNA di afpetto rozzo fopra di eminent
RF2HW7J94–Art inspired by Speculum Romanae Magnificentiae: Hercules with the apples of the Hesperides, 1581, Engraving, plate: 13 3/4 x 9 1/4 in. (35 x 23.5 cm), Prints, Diana Scultori (Italian, Mantua ca. 1535?–after 1588 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKCCXM1–Speculum Romanae Magnificentiae: Amphion and Zethus Tying Dirce to a Wild Bull The Farnese Bull, Diana Scultori, 1581
RMPMA3KD–Latona Giving Birth to Apollo and Diana on the Island of Delos. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Diana Scultori after Giulio Romano.
RMEDPB9Y–Diana Scultori (aka Mantovana, Italian, ca. 1535-1587) after Raphael (Italian, 1483 - 1520). The Virgin and Child
RMRKY6W5–The Farnese Bull with Dirce, Zethus and Amphion - 1581 - Diana Scultori Italian, c. 1536–c. 1590 - Artist: Diana Scultori, Origin: Italy, Date: 1581,
RM2DCG7F7–Diana Scultori, (artist), Italian, c. 1535 - probably 1588, Raphael, (artist after), Marchigian, 1483 - 1520, Christ Making Saint Peter Head of the Church, engraving
RM2HYYYKG–The Birth of Apollo and Diana. Diana Scultori (Italy, Mantua, before 1530-after 1588). Italy, before 1575. Prints; engravings. Engraving
RM2HH45P0–Madonna and Child with a Bird Engraved by Diana Scultori Italian In Mariette Album, folio 71, top. Madonna and Child with a Bird 632359
RM2H46GDM–The Holy Family resting on the flight into Egypt: Saint John the Baptist offers a scroll to the Christ Child. Engraving by Diana Scultori after Raphael.
RM2J04K1K–The Naming of Peter. Diana Scultori (Italy, Mantua, before 1530-after 1588)Raphael Sanzio (Italy, 1483-1520). Italy, before 1580. Prints; engravings. Engraving
RF2HW7J9A–Art inspired by Speculum Romanae Magnificentiae: Amphion and Zethus Tying Dirce to a Wild Bull The Farnese Bull, 1581, Engraving, sheet: 18 1/8 x 13 9/16 in. (46 x 34.4 cm), Prints, Diana Scultori (Italian, Mantua ca. 1535?–after 1588 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2B93A0W–Diana Scultori, Italian, 1535-1587, after Giulio Romano, Italian, 1499-1546, March of Cavalry, 1575, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 6 5/8 × 12 5/8 inches (16.8 × 32.1 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMRX5129–Virgin and Child with Saint John. Diana Scultori (Italian, c. 1536-c. 1590); after Raffaellino da Reggio (Italian, 1550-1578). Date: 1570-1600. Dimensions: 275 x 204 mm (plate/sheet). Engraving in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute.
RMRKT9TM–Virgin and Child with Saint John - 1575 - Diana Scultori (Italian, c. 1536-c. 1590) after Raffaellino da Reggio (Italian, 1550-1578) - Artist: Diana
RM2A2HXHY–Virgin and Child with Saint John, 1575, Diana Scultori (Italian, c. 1536-c. 1590), after Raffaellino da Reggio (Italian, 1550-1578), Italy, Engraving in black on ivory laid paper, 275 x 204 mm (plate/sheet
RM2AE41E2–Christ Making Saint Peter Head of the Church Diana Scultori after Raphael, Christ Making Saint Peter Head of the Church
RMKNRMHD–Horatio Coclès Saving Himself by Swimming. Artist: Diana Scultori (Italian, Mantua ca. 1535?-after 1588 Rome); Artist: After Giulio Romano (Italian,
RMKP04W0–Speculum Romanae Magnificentiae: Attilius Regulus in a Barrel. Series/Portfolio: Speculum Romanae Magnificentiae; Artist: Diana Scultori (Italian,
RMRKNKWK–Continence of Scipio. Scultori, Diana, approximately 1545-approximately 1590 (Printmaker). Italian master prints. Date Created: 1545 - 1590
RM2GMWW69–Speculum Romanae Magnificentiae: Hercules with the apples of the Hesperides. Series/Portfolio: Speculum Romanae Magnificentiae; Artist: Diana
RM2HYYYK5–The Snakeholder. Diana Scultori (Italy, Mantua, before 1530-after 1588)Giulio Romano (Italy, Rome, circa 1499-1546). Italy, 16th century. Prints; engravings. Engraving
![Speculum Romanae Magnificentiae: Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull]. Series/Portfolio: Speculum Romanae Magnificentiae; Stock Photo](https://c8.alamy.com/comp/KNETM9/speculum-romanae-magnificentiae-amphion-and-zethus-tying-dirce-to-KNETM9.jpg "Speculum Romanae Magnificentiae: Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull]. Series/Portfolio: Speculum Romanae Magnificentiae; Stock Photo")
RMKNETM9–Speculum Romanae Magnificentiae: Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull]. Series/Portfolio: Speculum Romanae Magnificentiae;
RF2B93A0Y–Diana Scultori, Italian, 1535-1587, after Giulio Romano, Italian, 1499-1546, Bull Offered in Sacrifice to a Statue of Jupiter, between 1535 and 1587, Engraving printed in black ink on wove paper, Image: 8 1/2 × 15 1/4 inches (21.6 × 38.7 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMRX78AA–The Farnese Bull with Dirce, Zethus and Amphion. Diana Scultori; Italian, c. 1536-c. 1590. Date: 1581. Dimensions: 369 x 272 mm (image); 398 x 272 (sheet, timed within plate mark). Engraving in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute.
RM2A2KXDJ–The Farnese Bull with Dirce, Zethus and Amphion, 1581, Diana Scultori, Italian, c. 1536–c. 1590, Italy, Engraving in black on ivory laid paper, 369 x 272 mm (image), 398 x 272 (sheet, timed within plate mark
RM2AE41D1–Latona Giving Birth to Apollo and Diana on the Island of Delos Diana Scultori after Giulio Romano, Latona Giving Birth to Apollo and Diana on the Island of Delos
RM2CNJA52–Marcus Atilius Regulus in a barrel while two men are hammering in the nails, various figures throughout, 1555-77.
RM2J04JYB–Horatius Cocles. Diana Scultori (Italy, Mantua, before 1530-after 1588)Giulio Romano (Italy, Rome, circa 1499-1546). Italy, 16th century. Prints; engravings. Engraving
RM2HH0CX1–Birth of Saint John the Baptist 1555–88 Diana Scultori. Birth of Saint John the Baptist. Diana Scultori (Italian, Mantua ca. 1535?–after 1588 Rome). 1555–88. Engraving. Prints
RF2B93A0T–Diana Scultori, Italian, 1535-1587, after Giulio Romano, Italian, 1499-1546, Bull Offered in Sacrifice to a Statue of Jupiter, between 1535 and 1587, engraving printed in black ink on laid paper, Image: 8 1/2 × 15 3/8 inches (21.6 × 39.1 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMR38FPT–The Spinario. Dated: 1581. Dimensions: plate: 30.6 x 20.8 cm (12 1/16 x 8 3/16 in.) sheet: 54 x 42.9 cm (21 1/4 x 16 7/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Diana Scultori.
RM2B0M7XP–Diana Scultori, Birth of Saint John the Baptist, Diana Scultori (Italian, Mantua ca. 1535?–after 1588 Rome), After Giulio Romano (Italian, Rome 1499?–1546 Mantua), 1555–88, Engraving, Sheet (Trimmed): 18 7/16 × 11 7/8 in. (46.8 × 30.2 cm), Prints
RM2AHR8N5–Diana Scultori. The Farnese Bull with Dirce, Zethus and Amphion. 1581. Italy. Engraving in black on ivory laid paper
![The Holy Family in Egypt, with Joseph as a carpenter in the background at left [1577], republished 1774 Diana Scultori. The Holy Family in Egypt, with Joseph as a carpenter in the background at left. Diana Scultori (Italian, Mantua ca. 1535?–after 1588 Rome). [1577], republished 1774. Engraving. Carlo Losi (Italian, 1757– after 1805). Prints Stock Photo](https://c8.alamy.com/comp/2HGN7KX/the-holy-family-in-egypt-with-joseph-as-a-carpenter-in-the-background-at-left-1577-republished-1774-diana-scultori-the-holy-family-in-egypt-with-joseph-as-a-carpenter-in-the-background-at-left-diana-scultori-italian-mantua-ca-1535after-1588-rome-1577-republished-1774-engraving-carlo-losi-italian-1757-after-1805-prints-2HGN7KX.jpg "The Holy Family in Egypt, with Joseph as a carpenter in the background at left [1577], republished 1774 Diana Scultori. The Holy Family in Egypt, with Joseph as a carpenter in the background at left. Diana Scultori (Italian, Mantua ca. 1535?–after 1588 Rome). [1577], republished 1774. Engraving. Carlo Losi (Italian, 1757– after 1805). Prints Stock Photo")
RM2HGN7KX–The Holy Family in Egypt, with Joseph as a carpenter in the background at left [1577], republished 1774 Diana Scultori. The Holy Family in Egypt, with Joseph as a carpenter in the background at left. Diana Scultori (Italian, Mantua ca. 1535?–after 1588 Rome). [1577], republished 1774. Engraving. Carlo Losi (Italian, 1757– after 1805). Prints
RFRARCMB–Adamo Scultori after Giulio Romano (Italian, c. 1530-1585), The Setting of the Sun with Chariots of Apollo and Diana reimagined
RMR30DW6–The Descent from the Cross. Dated: 1570. Dimensions: plate: 32.6 x 22.1 cm (12 13/16 x 8 11/16 in.) sheet: 35 x 26.2 cm (13 3/4 x 10 5/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Diana Scultori.
RM2A2P42M–Diana Scultori, Italian, 1535-1587, after Giulio Romano, Italian, 1499-1546, Bull Offered in Sacrifice to a Statue of Jupiter, between 1535 and 1587, Engraving printed in black ink on wove paper, Image: 8 1/2 × 15 1/4 inches (21.6 × 38.7 cm
RM2AHTXKA–Diana Scultori. Virgin and Child with Saint John. 1570–1600. Italy. Engraving in black on ivory laid paper Diana Mantuano was the only female Renaissance engraver to sign her prints, as well as the only one to be mentioned by Giorgio Vasari in his 1568 Lives of the Artists. Born into an artist family, she learned printmaking by copying the paintings and prints of other artists, including her father, Giovanni Battista Mantuano. She made this engraving in Rome the same year she moved there and received a papal privilege protecting her prints from copyists. Her plates were evidently deemed valuab
RM2HGNJXH–Christ and the woman taken in adultery 1575 (republished 1613) Diana Scultori Based on a tapestry by Raphael and his workshop designed for the Sistine Chapel.. Christ and the woman taken in adultery. Diana Scultori (Italian, Mantua ca. 1535?–after 1588 Rome). 1575 (republished 1613). Engraving. Antonio Caranzano (Italian, active Rome, ca. 1577–ca. 1614). Prints
RFRA8HJ4–Adamo Scultori after Giulio Romano (Italian, c. 1530 - 1585), The Setting of the Sun with Chariots of Apollo and reimagined
RMR2K36R–Horatio Coclès Saving Himself by Swimming. Artist: After Giulio Romano (Italian, Rome 1499?-1546 Mantua); Diana Scultori (Italian, Mantua ca. 1535?-after 1588 Rome). Dimensions: 9 1/8 x 10 1/2 in. (23.2 x 26.7 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.
RM2A2P42J–Diana Scultori, Italian, 1535-1587, after Giulio Romano, Italian, 1499-1546, Bull Offered in Sacrifice to a Statue of Jupiter, between 1535 and 1587, engraving printed in black ink on laid paper, Image: 8 1/2 × 15 3/8 inches (21.6 × 39.1 cm
RM2AE693X–The Setting of the Sun with Chariots of Apollo and Diana Adamo Scultori after Giulio Romano, The Setting of the Sun with Chariots of Apollo and Diana
RM2HH0CNW–Marcus Atilius Regulus in a barrel while two men are hammering in the nails, various figures throughout 1555–77 Diana Scultori. Marcus Atilius Regulus in a barrel while two men are hammering in the nails, various figures throughout. Diana Scultori (Italian, Mantua ca. 1535?–after 1588 Rome). 1555–77. Engraving; first state of two. Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512–1577 Rome). Prints
RFRAREKE–Adamo Scultori after Giulio Romano (Italian, c. 1530 - 1585), The Setting of the Sun with Chariots of Apollo and reimagined
![Speculum Romanae Magnificentiae: Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull]. Artist: Diana Scultori (Italian, Mantua ca. 1535?-after 1588 Rome). Dimensions: sheet: 18 1/8 x 13 9/16 in. (46 x 34.4 cm) mount: 15 1/2 x 10 1/2 in. (39.4 x 26.6 cm). Publisher: Claudio Duchetti (Italian, active Venice and Rome, ca. 1565-died ca. 1585). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1581. This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antoni Stock Photo](https://c8.alamy.com/comp/PATFXE/speculum-romanae-magnificentiae-amphion-and-zethus-tying-dirce-to-a-wild-bull-the-farnese-bull-artist-diana-scultori-italian-mantua-ca-1535-after-1588-rome-dimensions-sheet-18-18-x-13-916-in-46-x-344-cm-mount-15-12-x-10-12-in-394-x-266-cm-publisher-claudio-duchetti-italian-active-venice-and-rome-ca-1565-died-ca-1585-seriesportfolio-speculum-romanae-magnificentiae-date-1581-this-print-comes-from-the-museums-copy-of-the-speculum-romanae-magnificentiae-the-mirror-of-roman-magnificence-the-speculum-found-its-origin-in-the-publishing-endeavors-of-antoni-PATFXE.jpg "Speculum Romanae Magnificentiae: Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull]. Artist: Diana Scultori (Italian, Mantua ca. 1535?-after 1588 Rome). Dimensions: sheet: 18 1/8 x 13 9/16 in. (46 x 34.4 cm) mount: 15 1/2 x 10 1/2 in. (39.4 x 26.6 cm). Publisher: Claudio Duchetti (Italian, active Venice and Rome, ca. 1565-died ca. 1585). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1581. This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antoni Stock Photo")
RMPATFXE–Speculum Romanae Magnificentiae: Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull]. Artist: Diana Scultori (Italian, Mantua ca. 1535?-after 1588 Rome). Dimensions: sheet: 18 1/8 x 13 9/16 in. (46 x 34.4 cm) mount: 15 1/2 x 10 1/2 in. (39.4 x 26.6 cm). Publisher: Claudio Duchetti (Italian, active Venice and Rome, ca. 1565-died ca. 1585). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1581. This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antoni
RM2B0M7TN–Diana Scultori, Marcus Atilius Regulus in a barrel while two men are hammering in the nails, various figures throughout, Diana Scultori (Italian, Mantua ca. 1535?–after 1588 Rome), After Giulio Romano (Italian, Rome 1499?–1546 Mantua), 1555–77, Engraving; first state of two, Sheet (Trimmed): 13 in. × 16 7/16 in. (33 × 41.8 cm), Prints
RM2B6B3GF–Apollo in his chariot and Diana as the moon goddess :. Apollo in his chariot pulled by two horses seen from below, followed by Diana as the moon goddess (Luna) pulled into a car by two paarden. Manufacturer : printmaker: Adamo Scultori (attributed to) printmaker Diana Mantuana (attributed to), designed by Giulio Romano Place manufacture: Mantua Dating: ca. 1550 - ca. 1580 Physical features: car material: paper Technique: engra (printing process) Dimensions: sheet: h 249 mm (Inner cut plate edge.) × W 540 mm ( inside cut plate edge.) Comments Post a fresco by Giulio Romano on the ceiling of the
RM2HGTX5P–Hercules with the apples of the Hesperides 1581 Diana Scultori Italian This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also p
RMPA82M7–The Immaculate Conception. Artist: Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?-1563 Venice). Date: ca. 1539-43. In Mariette Album, folio 24, bottom right. Museum: Metropolitan Museum of Art, New York, USA.
RM2DC9YGM–Diana Scultori, (artist), Italian, c. 1535 - probably 1588, Giulio Romano, (artist after), Roman, 1499 - 1546, Latona Giving Birth to Apollo and Diana on the Island of Delos, engraving on laid paper (with offset of Diana Scultori's, Snake Charmer, (B.44) on verso), plate: 25.8 × 38 cm (10 3/16 × 14 15/16 in.), sheet: 30.3 × 42.2 cm (11 15/16 × 16 5/8 in
![Speculum Romanae Magnificentiae: Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull] 1581 Diana Scultori Italian This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought i Stock Photo](https://c8.alamy.com/comp/2HGTX6C/speculum-romanae-magnificentiae-amphion-and-zethus-tying-dirce-to-a-wild-bull-the-farnese-bull-1581-diana-scultori-italian-this-print-comes-from-the-museums-copy-of-the-speculum-romanae-magnificentiae-the-mirror-of-roman-magnificence-the-speculum-found-its-origin-in-the-publishing-endeavors-of-antonio-salamanca-and-antonio-lafreri-during-their-roman-publishing-careers-the-two-foreign-publishers-who-worked-together-between-1553-and-1563-initiated-the-production-of-prints-recording-art-works-architecture-and-city-views-related-to-antique-and-modern-rome-the-prints-could-be-bought-i-2HGTX6C.jpg "Speculum Romanae Magnificentiae: Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull] 1581 Diana Scultori Italian This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought i Stock Photo")
RM2HGTX6C–Speculum Romanae Magnificentiae: Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull] 1581 Diana Scultori Italian This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought i
![Diana Scultori, The Holy Family in Egypt, with Joseph as a carpenter in the background at left, Diana Scultori (Italian, Mantua ca. 1535?–after 1588 Rome), After Correggio (Antonio Allegri) (Italian, Correggio, active by 1514–died 1534 Correggio), [1577], republished 1774, Engraving, Plate: 14 3/4 × 11 in. (37.5 × 27.9 cm), Sheet: 19 5/16 × 14 1/16 in. (49 × 35.7 cm), Prints Stock Photo](https://c8.alamy.com/comp/2B0KXC9/diana-scultori-the-holy-family-in-egypt-with-joseph-as-a-carpenter-in-the-background-at-left-diana-scultori-italian-mantua-ca-1535after-1588-rome-after-correggio-antonio-allegri-italian-correggio-active-by-1514died-1534-correggio-1577-republished-1774-engraving-plate-14-34-11-in-375-279-cm-sheet-19-516-14-116-in-49-357-cm-prints-2B0KXC9.jpg "Diana Scultori, The Holy Family in Egypt, with Joseph as a carpenter in the background at left, Diana Scultori (Italian, Mantua ca. 1535?–after 1588 Rome), After Correggio (Antonio Allegri) (Italian, Correggio, active by 1514–died 1534 Correggio), [1577], republished 1774, Engraving, Plate: 14 3/4 × 11 in. (37.5 × 27.9 cm), Sheet: 19 5/16 × 14 1/16 in. (49 × 35.7 cm), Prints Stock Photo")
RM2B0KXC9–Diana Scultori, The Holy Family in Egypt, with Joseph as a carpenter in the background at left, Diana Scultori (Italian, Mantua ca. 1535?–after 1588 Rome), After Correggio (Antonio Allegri) (Italian, Correggio, active by 1514–died 1534 Correggio), [1577], republished 1774, Engraving, Plate: 14 3/4 × 11 in. (37.5 × 27.9 cm), Sheet: 19 5/16 × 14 1/16 in. (49 × 35.7 cm), Prints
RM2HGTYPF–Speculum Romanae Magnificentiae: Attilius Regulus in a Barrel late 16th century Diana Scultori Italian This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists
RM2HHF1TD–Horatio Coclès Saving Himself by Swimming 16th century Diana Scultori Italian. Horatio Coclès Saving Himself by Swimming 383482 Artist: Diana Scultori, Italian, Mantua ca. 1535??after 1588 Rome, Artist: After Giulio Romano, Italian, Rome 1499??1546 Mantua, Horatio Cocl?s Saving Himself by Swimming, 16th century, Engraving, 9 1/8 x 10 1/2 in. (23.2 x 26.7 cm). The Metropolitan Museum of Art, New York. Purchase, Joseph Pulitzer Bequest, 1917 (17.50.16-124)
RM2CTFJPT–The Martyrdom of St. Catherine, still image, Prints, 1582, Scultori, Diana, ca. 1545-ca. 1590, Romano, Giulio, 1499-1546
RMEDT832–Adamo Scultori after Giulio Romano (Italian, c. 1530 - 1585), The Setting of the Sun with Chariots of Apollo and Diana
RMH4N40K–Adamo Scultori after Giulio Romano (Italian, c. 1530 - 1585), The Setting of the Sun with Chariots of Apollo and Diana
RMEDT2R3–Adamo Scultori after Giulio Romano (Italian, c. 1530-1585), The Setting of the Sun with Chariots of Apollo and Diana, engraving
RM2JE2EA5–Apollo in his chariot of triumph and Diana as moon goddess, Apollo in his chariot of triumph drawn by two horses seen from below, followed by Diana as moon goddess (Luna) in a chariot drawn by two horses., print maker: Adamo Scultori, (attributed to), print maker: Diana Mantuana, (attributed to), after design by: Giulio Romano, Mantua, c. 1550 - c. 1580, paper, engraving, height 249 mm × width 540 mm
RM2JE115H–Apollo in his chariot of triumph and Diana as moon goddess, Apollo in his chariot of triumph drawn by two horses seen from below, followed by Diana as moon goddess (Luna) in a chariot drawn by two horses., print maker: Adamo Scultori, (attributed to), print maker: Diana Mantuana, (attributed to), after design by: Giulio Romano, Mantua, c. 1550 - c. 1580, paper, engraving, height 249 mm × width 540 mm
RM2JDY37J–Apollo in his chariot of triumph and Diana as moon goddess, Apollo in his chariot of triumph drawn by two horses seen from below, followed by Diana as moon goddess (Luna) in a chariot drawn by two horses., print maker: Adamo Scultori, (attributed to), print maker: Diana Mantuana, (attributed to), after design by: Giulio Romano, Mantua, c. 1550 - c. 1580, paper, engraving, height 249 mm × width 540 mm
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