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Depicted on 13th century Stock Photos and Images
RMRJA22W–Virgin Mary; Jesus Christ and John the Baptist, depicted on an 13th Century, Byzantine mosaic; Hagia Sofia, Istanbul, Turkey. Hagia Sophia is a former Greek Orthodox, Christian church, later an Ottoman imperial mosque and now a museum. Built in 537 AD at the beginning of the Middle Ages, it was famous in particular for its massive dome. It was the world's largest building and an engineering marvel of its time.
RM2T91THP–Rectangular Pillow, late 13th-early 14th century, Wang Family Workshop, 6 1/8 x 16 1/4 x 6 3/4 in. (15.56 x 41.28 x 17.15 cm), Tz'u-chou ware Stoneware with iron-brown painted décor on a white slip under transparent glaze, China, 13th-14th century, The Daoist scene depicted on this headrest suggests a ritual performed in honor of Chang'e, the Goddess of the Moon. A well-attired woman is burning incense at a table in a garden. Two tall pines, a tai hu garden rock, bamboo, and a pavilion complete the scene. The front panel encloses a camellia branch with two blossoms
RF2HW8KHJ–Art inspired by Ewer base with Zodiac medallions, first half 13th century, Probably made in Iran, Brass; engraved, inlaid with silver and copper, H. 8 3/4 in. (22.2 cm), Metal, The full zodiacal cycle is depicted in the twelve medallions on the facets of this vessel. Three, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKC3M88–Kasuga Mandala, 春日曼荼羅図, Kamakura period (1185–1333), 13th century, Japan, Hanging scroll; ink, color, and gold on silk, Image
RM2J3NHJM–King Clovis I and Saint Remigius of Reims depicted from left to right on the central portal of the north facade of the Reims Cathedral (Cathédrale Notre-Dame de Reims) in Reims, France.
RM2T91BB4–Bowl, 1250-1499, 4 x 9 1/2 in. (10.16 x 24.13 cm), Ceramic, United States, 13th-15th century, Bears have long been seen among many Native cultures as beings with unusual powers. They reappear each spring after a long hibernation, so are associated with renewal and healing. Their strength and ferocity, combined with their many physical similarities to humans, made them frequently emulated by hunters and warriors. Bears often served as clan animals linking an entire extended family group. The ones depicted on this bowl could have been meant to evoke any of these meanings
RMPAKTG6–Ewer base with Zodiac medallions. Dimensions: H. 8 3/4 in. (22.2 cm) Diam. 6 7/8 in. (17.5 cm). Date: first half 13th century. The full zodiacal cycle is depicted in the twelve medallions on the facets of this vessel. Three inscriptional bands, each with a different calligraphic style, also carry traditional blessings to the owner. Museum: Metropolitan Museum of Art, New York, USA.
RMMX9PME–. English: The biblical king David as depicted on a miniature from the medieval Georgian manuscripts of The Psalters. 13th-15th century. Anonymous 241 Georgian Psalter 13-15 c
RM2B00R7W–Armenia: Archbishop Jean of Cilician Armenia, depicted in a painting from 1287 CE. In this illumination by an unknown Armenian artist, Archbishop Jean, also known as Archbishop John, stands on a carpet indicating his holiness. On his robe is the motif of a dragon, an indication of the thriving trade between Armenians and Mongols in the late 13th century. The Christian Armenians entered into agreements with the Mongol Empire (primarily the Ilkhanate) from the 1240s to around 1320. Some historians refer to this relationship as an alliance, while others refer to it as vassalage,.
RM2WK483A–Spain, Toledo. Church of San Román. Built in Mudejar style in the 13th century. Paintings on the eastern front of the Nave of the Epistle. In the upper part: Saint Matthew, Saint Mark and Saint Luke, three of the evangelists. They are depicted winged and with their faces changed by their zoomorphic symbol, as they write the Gospels. In the lower part, three Confessors of the Catholic Church: Saint Eugene, Saint Isidore and Saint Gregory.
RM2A5269W–Singers Contest on the Wartburg, c. 1853. The story of the Sängerkrieg (minstrel contest) originated from German folklore of the 13th century. According to the legend, six minstrels entered a competition in order to determine who best understood how to sing the praises of a prince. The victory of Heinrich von Ofterdingen enraged the other minstrels who contrived to have him executed. Romako depicted the dramatic moment when the young, beautiful Heinrich appeals to Countess Sophia and gains a reprieve, much to the chagrin of the bloodthirsty, jealous minstrels in the background.
RM2B01HN4–Afghanistan/Iran: The Persian poet Rumi depicted on a pony in the Turkish 'Jâmi al-siyar' by Mohammad Tahir Suhravardî, c. 1600. Jalāl ad-Dīn Muḥammad Balkhī (30 September 1207 - 17 December 1273), also known as Jalāl ad-Dīn Muḥammad Rūmī and popularly known as Mevlānā in Turkey and Mawlānā in Iran and Afghanistan but known to the English-speaking world simply as Rumi, was a 13th-century Persian Muslim poet, jurist, theologian and Sufi mystic. He was born in Balkh Province in Afghanistan at a small town located by the river Wakhsh in what is now Tajikistan.
RMF04TFA–PANAMA CITY, Panama--Dating back to 1680, La Iglesia de la Merced stands in the heart of Casco Viejo, the historic old town of Panama City. Its interior is lavishly decorated with statues and religious art. María de Cervelló was a 13th century Spanish saint. She is often depicted with ships after her legend of being seen after her death on the wings of the wind to protect ships against raging winds.
RM2B010P3–Cambodia: Kbal Spean or Valley of 1,000 Lingas, Kulen Hills. Kbal Spean (Bridge Head) is an 11th-13th century Angkorian era site on the southwest slopes of the Kulen Hills, 25 km from the main Angkor group. It consists of a series of stone carvings in and around the Stung Kbal Spean river. The motifs for the stone carvings are roughly three: myriads of lingams, depicted as neatly arranged bumps that cover the surface of a rock; lingam - yoni designs; and various Hindu mythological motifs, including depictions of gods and animals.
RF2WJ5D9M–Seal of the Knights Templar with the banner, a symbol showing two knights riding on a single horse. The Templar Seal, as depicted in the 13th century.
RMR5DT6T–Miniatures of a winged sawtail (serra) racing against a boat with two men; a whale (depicted as a large fish) with open mouth swallowing smaller fish; a man in a boat playing a musical instrument, followed by fish-like dolphins. On the right, a sword-fish with a pointed snout and two men in a boat; and a crocodille (cocodrillus) with a dog-like face and paws. Bestiary. England; 2nd or 3rd quarter of the 13th century. Source: Sloane 3544, ff.42v-43. Language: Latin.
RM2AHPH42–The Tale of Taishokan. 1635–1685. Japan. Pair of six-panel screens; ink, colors, and gold on paper This screen narrates the medieval Taishokan tale, an action-adventure story that captivated medieval and early modern audiences whether they saw it performed on the Noh, Bunraku or Kabuki stage, or depicted in paintings and prints. The many variants of the tale combine elements from early Japanese mythology and history; 14th-century Buddhist temple origin legend (engi) that reflects continuing anxiety about foreign invasion in the wake of the Mongol attacks of the late 13th century, and Noh play
RM2HHBJ7F–Bowl 12th–13th century The Sasanian hero Bahram Gur, one of the most colorful figures in Persian epic literature, is depicted on this bowl riding a camel with one of his slaves, Azadeh, here shown playing the harp. To put his hunting prowess to the test, Azadeh asked Bahram Gur to pierce the leg and the ear of the gazelle with his arrow in one hit.. Bowl 451389
RMRJA230–Virgin Mary; Jesus Christ and John the Baptist, depicted on an 13th Century, Byzantine mosaic; Hagia Sofia, Istanbul, Turkey. Hagia Sophia is a former Greek Orthodox, Christian church, later an Ottoman imperial mosque and now a museum. Built in 537 AD at the beginning of the Middle Ages, it was famous in particular for its massive dome. It was the world's largest building and an engineering marvel of its time.
RM2R5PWJ6–The 11th, 12th and 13th 'Station of the Cross' depicted by Fenwick Lawson (1986), St Joseph's Church, Wetherby, Yorkshire, UK
RMMR3P1J–gold miners depicted by Bartholomeus Anglicus (before 1203 – 1272), an early 13th-century scholastic scholar of Paris, a member of the Franciscan order. He was the author of the compendium De proprietatibus rerum ('On the Properties of Things'), dated at 1240, an early forerunner of the encyclopaedia and one of the most popular books in medieval times
RF2HW8KJ5–Art inspired by Mortar and pestle made for Abu Bakr 'Ali Malikzad al-Tabrizi, late 12th–early 13th century, Attributed to Iran, Brass; cast, chased, engraved, and inlaid with silver and black compound, Mortar, Metal, Two of the medallions on this mortar show Jauzahr, the fictitious, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2J3NJ08–Saint Remigius of Reims depicted on the central portal of the north facade of the Reims Cathedral (Cathédrale Notre-Dame de Reims) in Reims, France. Saint Remigius is depicted at the left, while the Gothic statue of an angel is seen at the right.
RM2T91ATX–Palanquin Hooks, 12th-13th century, Bronze with traces of gilding, Cambodia, 12th-13th century, At the height of the Khmer Empire (802–1437 CE), royalty and aristocracy traveled in handheld carriages, or palanquins. Transported on poles shouldered by humans, the carriage was suspended from decorative bronze hooks. Rich in imagery, the top ring consists of stylized lotuses, symbolizing purity, surmounted by a bud. Beneath is a kirtimukha, a fierce-faced monster motif intended to ward off evil spirits, which is lifted by Garuda, a mythical bird often depicted carrying the Hindu god Vishnu
RF2HTYB4X–Art inspired by Mirror, 12th–13th century, Attributed to Northwestern Iran or Turkey, Bronze; cast, chased, Diam. 8 11/16 in. (22 cm), Metal, Cast bronze mirrors were often used for divination or magical medicine. The polished metallic front provided a reflective surface. Often, the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAY8F8–Turquoise Bowl with Lute Player and Audience. Dimensions: H. 3 1/2 in. (8.9 cm) Diam. 7 3/4 in. (19.7 cm) Wt. 12.3 oz. (348.7 g). Date: late 12th-early 13th century. A large assembly with an audience of ten people, or singers, surrounding the 'ud-player is depicted on this turquoise bowl. Bowls of fruit suggest the festive nature of the event. Museum: Metropolitan Museum of Art, New York, USA.
RMMYETF7–. English: The biblical king David as depicted on a miniature from the medieval Georgian manuscripts of The Psalters. 13th-15th century. Anonymous 208 Georgian Psalter 13-15 c
RMR8PDW6–Raising of Lazarus depicted on the Golden Doors of the Cathedral of the Nativity of the Theotokos (Rozhdestvensky Cathedral) in Suzdal, Russia. The western doors of the Suzdal Cathedral dated from the 13th century are considered to be one of the masterpieces of Russian medieval applied arts.
RM2WK483H–Spain, Toledo. Church of San Román. Built in Mudejar style in the 13th century. Paintings on the eastern front of the Nave of the Epistle. In the upper part: Saint Matthew, Saint Mark and Saint Luke, three of the evangelists. They are depicted winged and with their faces changed by their zoomorphic symbol, as they write the Gospels. In the lower part, three Confessors of the Catholic Church: Saint Eugene, Saint Isidore and Saint Gregory.
RMF0B2MG–A hawker on horseback as depicted in a medieval wall painting in Easby Church, Richmond, North Yorkshire, England
RMF04TFB–PANAMA CITY, Panama--Dating back to 1680, La Iglesia de la Merced stands in the heart of Casco Viejo, the historic old town of Panama City. Its interior is lavishly decorated with statues and religious art. María de Cervelló was a 13th century Spanish saint. She is often depicted with ships after her legend of being seen after her death on the wings of the wind to protect ships against raging winds.
RM2B010P2–Cambodia: Kbal Spean or Valley of 1,000 Lingas, Kulen Hills. Kbal Spean (Bridge Head) is an 11th-13th century Angkorian era site on the southwest slopes of the Kulen Hills, 25 km from the main Angkor group. It consists of a series of stone carvings in and around the Stung Kbal Spean river. The motifs for the stone carvings are roughly three: myriads of lingams, depicted as neatly arranged bumps that cover the surface of a rock; lingam - yoni designs; and various Hindu mythological motifs, including depictions of gods and animals.
RM2NFTRBT–Louis IX King of France depicted on his regal chair tapestried in fleurs de lis. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874
RMR513PM–The four Evangelists. Mark, Matthew, Luke and John are depicted seated in front of a cradle copying their Gospels. Syriac Lectionary. Mosul (Iraq), 1216-1220. This manuscript contains passages from the Gospels in liturgical sequence that are used as readings in church services. Tempera on paper. Source: Add. 7170, f.7. Language: Syriac.
RF2T0H06P–Tomb of Konrad Kurzbold in north transept of medieval Cathedral of Saint George in Limburg-an-der-Lahn, Hesse, Germany. Kurzbold founded an earlier collegiate church on the site of the present cathedral in c.910 AD and, when he died in 948, was buried in the church he had founded. This tomb, sculpted to resemble an open coffin and with the figure of Kurzbold depicted as a young man, was made in the 1200s.
RM2HHDYM7–Mirror 13th century Cast bronze mirrors were often used for divination or magical medicine. The polished metallic front provided a reflective surface. Often, the decoration on the back depicted the zodiac or mythological themes. The trilobed crown on this handled piece is associated with Ghaznavid imagery.. Mirror. 13th century. Bronze; cast. Attributed to Iran or Central Asia. Metal
RF2H7HMMG–Tuscan hawking on horseback in May and harvesting wheat with a sickle in June: two out of 12 Labours of the Months depicted in finely carved but badly decayed medieval marble bas-reliefs, below a Zodiac sign for Cancer, in a Romanesque blind arcade flanking the central portal in the west facade of the Duomo or Cattedrale di San Martino in Piazza San Martino, Lucca, Tuscany, Italy.
RM2HH4022–Ewer Base with Zodiac Medallions first half 13th century The full zodiacal cycle is depicted in the twelve medallions on the facets of this vessel. Three inscriptional bands, each with a different calligraphic style, also carry traditional blessings to the owner.. Ewer Base with Zodiac Medallions. first half 13th century. Brass; engraved, inlaid with silver and copper. Probably made in Iran. Metal
RMMR3P1R–species of birds, depicted by Bartholomeus Anglicus (before 1203 – 1272), an early 13th-century scholastic scholar of Paris, a member of the Franciscan order. He was the author of the compendium De proprietatibus rerum ('On the Properties of Things'), dated at 1240, an early forerunner of the encyclopaedia and one of the most popular books in medieval times
RM2HHTK5B–Turquoise Bowl with Lute Player and Audience late 12th–early 13th century A large assembly with an audience of ten people, or singers, surrounding the ’ud-player is depicted on this turquoise bowl. Bowls of fruit suggest the festive nature of the event.. Turquoise Bowl with Lute Player and Audience. late 12th–early 13th century. Stonepaste; glazed (opaque monochrome), in-glaze- and overglaze-painted, gilded. Attributed to Iran. Ceramics
RF2NE51F9–Spiš Castle, a mighty medieval fortress built by the Hungarian kings, stands on a 200m-high limestone spur in the Košice Region of eastern Slovakia above ‘Sacred’, a 2008 geoglyph or land art installation by Australian sculptor Andrew Rogers inspired by a horse depicted on an ancient Celtic coin found within the castle ruins.
RM2T91MYB–Vishnu on Garuda, 12th-13th century, 7 1/8 x 3 1/8 x 1 7/16 in. (18.1 x 7.94 x 3.65 cm), Bronze, Cambodia, 12th-13th century, In Hinduism, Vishnu is the preserver and maintainer of the established order. Whereas Shiva is Lord of the Beginning and of the End, Vishnu is the deity who oversees the middle ground, avoids extremes, and maintains orthodoxy. The standard depiction of Vishnu is four-armed standing upright wearing a crown. He carries a conch shell, lotus, a club, and a discus. His vehicle is the bird Garuda depicted here in the usual form as part human, part bird
RF2HTYAD2–Art inspired by Three Mirrors, 13th century, Attributed to Iran or Central Asia, Bronze; cast, H. 5 15/16 in. (15.08 cm), Metal, Cast bronze mirrors were often used for divination or magical medicine. The polished metallic front provided a reflective surface. Often, the decoration on, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPANGY5–Model of a House with Festive Scene. Dimensions: H. 2 3/4 in. (7 cm) W. 7 1/8 in. (18.1 cm) D. 4 1/2 in. (11.4 cm). Date: 12th-early 13th century. Ceramic house models may have been wedding gifts. This turquoise model's open courtyard with pierced balustrade and corner roof projections suggests a vernacular building. A festive occasion is depicted, with seated personages holding cups and a couple dancing with raised arms. The role of the turbaned, bearded man on a high stepped stool--a figure who bears the conventional traits of older, wise, educated, or religious men--remains enigmatic. Mu
RF2HTX642–Art inspired by Figure, 13th–15th century, Dominican Republic, Caribbean, Taino, Diorite or granodiorite, Height 4-1/4 in. (10.8 cm), Stone-Sculpture, The image of a kneeling or crouching figure is a pervasive one in Taino art. Even in sculptures that are almost flat, such as this wide, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMWCCE4–. English: The biblical king David as depicted on a miniature from the medieval Georgian manuscripts of The Psalters. 13th-15th century. Anonymous 240 Georgian Psalter 13-15 c
RF2HW8N3G–Art inspired by Turquoise Bowl with Lute Player and Audience, late 12th–early 13th century, Attributed to Iran, Stonepaste; glazed (opaque monochrome), in-glaze- and overglaze-painted, gilded, H. 3 1/2 in. (8.9 cm), Ceramics, A large assembly with an audience of ten people, or singers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMR8PDW4–Descent into Limbo depicted on the Golden Doors of the Cathedral of the Nativity of the Theotokos (Rozhdestvensky Cathedral) in Suzdal, Russia. The western doors of the Suzdal Cathedral dated from the 13th century are considered to be one of the masterpieces of Russian medieval applied arts.
RM2WK4847–Spain, Toledo. Church of San Román. Built in Mudejar style in the 13th century. Paintings on the eastern front of the Nave of the Epistle. In the upper part: Saint Matthew, Saint Mark and Saint Luke, three of the evangelists. They are depicted winged and with their faces changed by their zoomorphic symbol, as they write the Gospels. In the lower part, three Confessors of the Catholic Church: Saint Eugene, Saint Isidore and Saint Gregory.
RM2C0MY66–Flight into Egypt depicted in the Romanesque double capital dated from the second half of the 13th century on display in the National Art Museum of Catalonia (Museu Nacional d'Art de Catalunya) in Barcelona, Catalonia, Spain.
RM2B010P4–Cambodia: Vishnu, Kbal Spean or Valley of 1,000 Lingas, Kulen Hills. Kbal Spean (Bridge Head) is an 11th-13th century Angkorian era site on the southwest slopes of the Kulen Hills, 25 km from the main Angkor group. It consists of a series of stone carvings in and around the Stung Kbal Spean river. The motifs for the stone carvings are roughly three: myriads of lingams, depicted as neatly arranged bumps that cover the surface of a rock; lingam - yoni designs; and various Hindu mythological motifs, including depictions of gods and animals.
RMR8PDW5–Protection of the Theotokos (Intercession of the Holy Virgin) depicted on the Golden Doors of the Cathedral of the Nativity of the Theotokos (Rozhdestvensky Cathedral) in Suzdal, Russia. The western doors of the Suzdal Cathedral dated from the 13th century are considered to be one of the masterpieces of Russian medieval applied arts.
RM2HH9DN6–Incense Burner late 13th–early 14th century Damascus was producing luxury‑quality inlaid metalwork by the early thirteenth century. Many of these objects were made by artists trained in the Mosul tradition and share characteristics with Jaziran works, such as the use of the T‑fret background and the Z‑shaped whorl motif. An emphasis on princely imagery, is demonstrated by the formal enthronement scenes depicted here. The inclusion of gold as an inlay material is thought to indicate Damascus manufacture.. Incense Burner 447008
RM2C0MY4K–Visitation depicted in the Romanesque antependium (altar frontal), known as the Antependium from Mosoll dated from the first third of the 13th century originally from the church of Santa Maria de Mosoll in the town of Das (Baixa Cerdanya) in Girona province in Catalonia, Spain, now on display in the National Art Museum of Catalonia (Museu Nacional d'Art de Catalunya) in Barcelona, Catalonia, Spain.
RM2HJ2KFH–Mirror 12th–13th century Cast bronze mirrors were often used for divination or magical medicine. The polished metallic front provided a reflective surface. Often, the decoration on the back depicted the zodiac or mythological themes. The scene on this mirror is interpreted as Solomon and his demons. Listen to experts illuminate this artwork's story Listen Play or pause #6686. Mirror Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Mirror 452852
RMBG8JY1–Auto de Fe chaired by St. Dominic de Guzman (1170-1221). Oil on canvas depicted in 1490 by spanish painter Pedro Berruguete.
RM2HH8150–Bowl with Central Fish Motif 13th century Here, the radial blue stripes are bounded by two calligraphic bands painted on the stonepaste body in black pigment. The letters, etched through the pigment to reveal the white body‑fabric below, form an illegible pseudo‑inscription that may have had associations with magic. The motif of swimming fish, frequently depicted on Chinese wares, gained popularity in Kashan ceramics. The juxtaposition of fish with magical letters reinforces the idea that the bowl had talismanic properties. Listen to experts illuminate this artwork's story Listen Play or pause
RMMR3P1P–Infant children with teachers, depicted by Bartholomeus Anglicus (before 1203 – 1272), an early 13th-century scholastic scholar of Paris, a member of the Franciscan order. He was the author of the compendium De proprietatibus rerum ('On the Properties of Things'), dated at 1240, an early forerunner of the encyclopaedia and one of the most popular books in medieval times
RM2HJ4M5R–Textile Fragment late 12th–early 13th century The decoration on this textile fragment consists of circular medallions with images of addorsed quadrupeds standing on their hind legs. The void between the animals’ bodies contains a plant-like form, suggesting the tree of life. Alternating with the medallions, a row of eight-pointed starts is depicted- a traditional Spanish motif. Depictions of animal forms within framing devices were also common decorative motifs in objects produced around the Mediterranean in the medieval period, and can be found ornamenting wood, textiles, ivory, metalwork and
RM2MD4WWG–Louis IX King of France depicted on his regal chair tapestried in fleurs de lis. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874
RM2T90CA9–Piṇḍolabbaradvāja, the First of the Sixteen Arhats, 13th - early 14th century, Unknown Japanese, 37 3/4 × 15 3/4 in. (95.89 × 40.01 cm) (image)68 × 22 1/2 in. (172.72 × 57.15 cm) (mount), Ink, color, and gold leaf on silk, Japan, 13th-14th century, Buddhist 'achievers' or rakan strive for 'awakening'—enlightenment—and the attaining of nirvana. Rakan could be depicted in a more natural, life-like manner or with grotesquely distorted features. The image of the running waterfall in the background and a deer standing next to a seated rakan figure might depict the third rakan, Kanaka
RF2NE5179–Spiš Castle, a formidable fortress built by medieval Hungarian kings, stands on a 200m-high limestone spur in the Košice Region of eastern Slovakia above ‘Sacred’, a 2008 geoglyph or land art installation by Australian sculptor Andrew Rogers inspired by a horse depicted on an ancient Celtic coin found within the castle ruins.
RM2WKM86D–Spain, Toledo. Church of San Román. Built in Mudejar style in the 13th century. Paintings on the eastern front of the Nave of the Epistle. In the upper part: Saint Matthew, Saint Mark and Saint Luke, three of the evangelists. They are depicted winged and with their faces changed by their zoomorphic symbol, as they write the Gospels. In the lower part, three Confessors of the Catholic Church: Saint Eugene, Saint Isidore and Saint Gregory.
RF2M7MJKD–Female saints Barbara (left) and Margherita or Margaret of Cortona depicted in damaged Renaissance fresco, painted in 1512, on west front of deconsecrated Cappella di San Grato (Chapel of St Gratus) in Via Jean-Baptiste De Tillier in the historic centre of Aosta, regional capital of the Valle d’Aosta in northwest Italy. Saint Barbara holds a three-windowed tower. The tower symbolises Barbara’s imprisonment by her father. The three windows - which she ordered be inserted in her prison - symbolise the Holy Trinity.
RMMNP3AN–. English: St Osyth depicted on folio 134v of British Library MS Additional 70513. 4th quarter of the 13th century or 1st quarter of the 14th century. Unknown 948 Osyth (British Library MS Additional 70513, folio 134v)
RF2HW8N7M–Art inspired by Model of a House with Festive Scene, 12th–early 13th century, Attributed to Iran, Stonepaste; molded, modeled, glazed in transparent turquoise, H. 2 3/4 in. (7 cm), Ceramics, Ceramic house models may have been wedding gifts. This turquoise model’s open courtyard with, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMP5BFW4–N/A. English: Princesses Adela, Cecilia and Constance, daughters of William the Conqueror and Matilda of Flanders, are depicted on the family tree of English rulers. Hrvatski: Grofica Adela, opatica Cecilija i vojvotkinja Konstanca, keri Vilima Osvajaa i Matilde Flandrijske, prikazane su na obiteljskom stablu engleskih kraljeva. 13th century. Unknown 285 Cecilia and her sisters
RMMPB051–. English: Part of the Murasaki Shikibu Diary Emaki. The text and painting correspond to the third scene (第3段絵,第3段詞) of the Hinohara (日野原); the former Hisamatsu edition (旧久松家本). The scene depicted shows Fujiwara no Michinaga visiting Murasaki Shikibu in the night, knocking on her door. 13th century. Unknown 912 Murasaki Shikibu Nikki Emaki (Hinohara - scene 3)
RM2B010P1–Cambodia: Vishnu, Kbal Spean or Valley of 1,000 Lingas, Kulen Hills. Kbal Spean (Bridge Head) is an 11th-13th century Angkorian era site on the southwest slopes of the Kulen Hills, 25 km from the main Angkor group. It consists of a series of stone carvings in and around the Stung Kbal Spean river. The motifs for the stone carvings are roughly three: myriads of lingams, depicted as neatly arranged bumps that cover the surface of a rock; lingam - yoni designs; and various Hindu mythological motifs, including depictions of gods and animals.
RM2C0MY40–Three Kings on horseback depicted in the Romanesque antependium (altar frontal), known as the Antependium from Mosoll dated from the first third of the 13th century originally from the church of Santa Maria de Mosoll in the town of Das (Baixa Cerdanya) in Girona province in Catalonia, Spain, now on display in the National Art Museum of Catalonia (Museu Nacional d'Art de Catalunya) in Barcelona, Catalonia, Spain.
RMMR3P1T–Creation of the world, depicted by Bartholomeus Anglicus (before 1203 – 1272), an early 13th-century scholastic scholar of Paris, a member of the Franciscan order. He was the author of the compendium De proprietatibus rerum ('On the Properties of Things'), dated at 1240, an early forerunner of the encyclopaedia and one of the most popular books in medieval times
RM2HHET8X–Mortar and Pestle made for Abu Bakr 'Ali Malikzad al-Tabrizi late 12th–early 13th century Two of the medallions on this mortar show Jauzahr, the fictitious eighth planet believed responsible for the eclipse of the sun and the moon. Although described in texts as a dragon monster, Jauzahr is depicted here as a seated figure flanked by snakes with dragon heads.. Mortar and Pestle made for Abu Bakr 'Ali Malikzad al-Tabrizi. late 12th–early 13th century. Brass; cast, chased, engraved, and inlaid with silver and black compound. Attributed to Iran. Metal
RM2T90DBC–Miroku, the Bodhisattva of the Future, second half 13th century, Unknown Japanese, 11 1/2 × 7 1/2 × 6 5/8 in. (29.21 × 19.05 × 16.83 cm), Wood with metal, cut gold leaf (kirikane), polychrome, and inlaid crystal eyes, Japan, 13th century, Miroku Bosatsu is seated on a lotus throne perched on a struggling demon, holding a pagoda in his upturned palms. The statue retains its original metal raiments, as well as the gold leaf decoration on the draped robes. The figure’s princely attire indicates that Miroku is being depicted in his incarnation as a bodhisattva, an enlightened being
RM2WKM848–Spain, Toledo. Church of San Román. Built in Mudejar style in the 13th century. Paintings on the eastern front of the Nave of the Epistle. In the upper part: Saint Matthew, Saint Mark and Saint Luke, three of the evangelists. They are depicted winged and with their faces changed by their zoomorphic symbol, as they write the Gospels. In the lower part, three Confessors of the Catholic Church: Saint Eugene, Saint Isidore and Saint Gregory.
RF2M7MJM6–Saint Barbara (left) and Saint Margherita or Margaret of Cortona depicted in damaged Renaissance fresco, painted in 1512, on west front of deconsecrated Cappella di San Grato (Chapel of St Gratus) in Via Jean-Baptiste De Tillier in the historic centre of Aosta, regional capital of the Valle d’Aosta in northwest Italy. Saint Barbara holds a three-windowed tower. The tower symbolises Barbara’s imprisonment by her father. The three windows - which she ordered be inserted in her prison - symbolise the Holy Trinity.
RF2HTY89M–Art inspired by Textile Fragment, 13th century, Attributed to Spain, Silk, gilt animal substrate around a silk core; lampas, Textile: H. 4 1/16 in. (10.3 cm), Textiles-Woven, The main decorative elements of this silk fragment are a row of large roundels enclosing two seated female, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2T0H05R–Figure of Saint Nicholas sits above sculpted capitals on left side of main portal of medieval Cathedral of Saint George in Limburg-an-der-Lahn, Hesse, Germany. Depicted on the capitals are a bird pecking at a bunch of blue grapes (left) and a human face surrounded by green foliage, against a background of vivid orange-red and yellow. This Late Romanesque / Early Gothic cathedral, built in the late 1100s / early 1200s AD, was given back its original exuberant and colourful appearance through restoration work in the 1960s and ‘70s, with colours determined by traces of original paint.
RF2HW37TG–Art inspired by Top of a Bell in the Form of a Demon King or Guardian, Eastern Javanese period, ca. second half of the 12th–early 13th century, Indonesia (Java), Bronze, H. 4 15/16 in. (12.5 cm), Sculpture, This finial from a hanging bell takes the form of an unusually lively and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMMJRR0–. English: Fishing village in the evening glow (紙本墨画漁村夕照図, shihon bokuga gyoson sekishōzu). Hanging scroll. Ink on paper. 33.0cm x 112.6cm. The scene depicted is one of the Eight Selected Scenes of Xiaoxiang. The scroll has been designated as National Treasure of Japan in the category paintings. . 13th century. Fishing village in the evening glow
RF2HW39HN–Art inspired by Vase in Meiping Shape, Southern Song (1127–1279)–Yuan (1271–1368) dynasty, late 13th–first half of the 14th century, China, Porcelain with incised and carved design under celadon glaze (Jingdezhen Qingbai ware), H. 12 3/8 in. (31.4 cm), Ceramics, The lively design of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B010P5–Cambodia: Vishnu, Kbal Spean or Valley of 1,000 Lingas, Kulen Hills. Kbal Spean (Bridge Head) is an 11th-13th century Angkorian era site on the southwest slopes of the Kulen Hills, 25 km from the main Angkor group. It consists of a series of stone carvings in and around the Stung Kbal Spean river. The motifs for the stone carvings are roughly three: myriads of lingams, depicted as neatly arranged bumps that cover the surface of a rock; lingam - yoni designs; and various Hindu mythological motifs, including depictions of gods and animals.
RM2C0MXX8–Nativity scene (L) and the Annunciation of the Shepherds (R) depicted in the Romanesque antependium (altar frontal), known as the Antependium from Cardet dated from the second half of the 13th century originally from the church of Santa Maria de Cardet in the area of Vall de Boí in Alta Ribagorça in Catalonia, Spain, now on display in the National Art Museum of Catalonia (Museu Nacional d'Art de Catalunya) in Barcelona, Catalonia, Spain.
RM2B0336D–The Ebstorf Map is an example of a mappa mundi (a Medieval European map of the world). It was made by Gervase of Ebstorf some time in the thirteenth century. The map was found in a convent in Ebstorf, in northern Germany, in 1843. It was a very large map, painted on 30 goatskins sewn together and measuring around 3.6 by 3.6 metres (12 ft × 12 ft)—a greatly elaborated version of the common medieval tripartite, or T and O, map, centered on Jerusalem with east at the top. The head of Christ was depicted at the top of the map, with his hands on either side and his feet at the bottom. Rome is repr
RM2B018HF–Iran: A Simurgh (the Persian phoenix) as depicted in 'Manafi al-Hayawan' (On the Usefulness of Animals) by Ibn Bakhtishu (-1058), Maragheh, c. 1294-1299 (Ilkhanid Era). Abu Said Ubaud Allah Ibn Bakhtishu's 'Manafi al-Hayawan' is an illustrated bestiary in the Persian language. The Bakhtshooa Gondishapoori (also spelled Bukhtishu and Bukht-Yishu) were Assyrian Nestorian Christian physicians from the 7th, 8th, and 9th centuries, spanning 6 generations and 250 years. Some of them served as the personal physicians of Caliphs.
RM2B018J6–Iran: A Simurgh (the Persian phoenix) as depicted in 'Manafi al-Hayawan' (On the Usefulness of Animals) by Ibn Bakhtishu (-1058), Maragheh, c. 1294-1299 (Ilkhanid Era). Abu Said Ubaud Allah Ibn Bakhtishu's 'Manafi al-Hayawan' is an illustrated bestiary in the Persian language. The Bakhtshooa Gondishapoori (also spelled Bukhtishu and Bukht-Yishu) were Assyrian Nestorian Christian physicians from the 7th, 8th, and 9th centuries, spanning 6 generations and 250 years. Some of them served as the personal physicians of Caliphs.
RM2HJ3PF9–Bowl with Bahram Gur and Azada late 12th–early 13th century Bahram Gur, challenged by his concubine Azada in a series of dares to show his mastery in archery, here pins together with a single arrow the ear and hoof of a gazelle, while Azada plays the harp. The tragic epilogue of this story from the Persian epic Shahnama, in which a camel tramples Azada after she disparages the prince for his cruel feats, is portrayed at the bottom of the bowl. This popular episode was depicted on ceramics and metalware.. Bowl with Bahram Gur and Azada. late 12th–early 13th century. Stonepaste; glazed (opaque m
RM2T90BPC–Sakyamuni, one of a pair, 13th century, Attributed to Yan Hui, Chinese, 68 × 21 1/8 in. (172.72 × 53.66 cm) (includes roller ends)37 11/16 × 14 5/8 in. (95.73 × 37.15 cm) (sheet), Ink and color on silk, China, 13th century, A professional painter, Yan Hui was especially known for his figure paintings of religious subjects. Here he depicted Sakyamuni (left), an Indian prince from the 400s BCE, whose teaching forms the underpinnings of Buddhism; and Bodhidharma (right), an Indian sage from the 500s CE, who advocated practicing meditation as a means of achieving spiritual enlightenment.
RM2B036TD–Fuxi, alongside his wife/sister Nuwa, was an important deity in Chinese mythology and folk religion. Like his sister, he is often depicted with serpentine qualities, sometimes with the upper body of a man and the lower body of a snake or just a human head on a snake's body. He is counted as the first of the Three Sovereigns at the beginning of the Chinese dynastic period. After Pangu created the universe and the world, he birthed a powerful being known as Hua Hsu, who in turn birthed the twins Fuxi and Nuwa. They were said to be the 'original humans', and together they forged humanity out of
RM2WKM892–Spain, Toledo. Church of San Román. Built in Mudejar style in the 13th century. Paintings on the eastern front of the Nave of the Epistle. In the upper part: Saint Matthew, Saint Mark and Saint Luke, three of the evangelists. They are depicted winged and with their faces changed by their zoomorphic symbol, as they write the Gospels. In the lower part, three Confessors of the Catholic Church: Saint Eugene, Saint Isidore and Saint Gregory.
RF2T0H06M–Detail of fresco, dating from the Late Gothic period and restored in the 1600s, in the north transept of the medieval Cathedral of Saint George in Limburg-an-der-Lahn, Hesse, Germany, The Blessed Virgin Mary with the Infant Jesus is depicted with other saints. The complete mural shows a Tree of Jesse (genealogy of Christ) above the saints.
RF2HW30KJ–Art inspired by Quiver (mda' shubs) with Accessory, late 13th–15th century, Tibetan or Mongolian, Leather, iron, copper alloy, wicker (bamboo or cane), wood, L. 32 1/2 in. (82.6 cm); W. 8 7/8 in. (22.5 cm), Archery Equipment-Bows, This quiver represents a very rare type, the basic form, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2C0MXXD–Flight into Egypt (R) and the Massacre of the Innocents (L) depicted in the Romanesque antependium (altar frontal), known as the Antependium from Cardet dated from the second half of the 13th century originally from the church of Santa Maria de Cardet in the area of Vall de Boí in Alta Ribagorça in Catalonia, Spain, now on display in the National Art Museum of Catalonia (Museu Nacional d'Art de Catalunya) in Barcelona, Catalonia, Spain.
RM2HJ2NMG–Vase in Meiping Shape late 13th–first half of the 14th century China The lively design of cloudlike scrolls on this vase is also depicted in metalwork and lacquer, particularly from the twelfth to the fourteenth century. Vases in this shape became popular after the tenth century due to the growing domestic demand for ceramics for dining and display. Often described as a vase for plum blossom, or meiping, this shape was most likely originally intended as a bottle to hold plum wine.. Vase in Meiping Shape. China. late 13th–first half of the 14th century. Porcelain with incised and carved design
RM2T91DGR–Leaf from a Gandavyuha Manuscript, late 11th-early 12th century, 2 x 21 13/16 in. (5.08 x 55.4 cm), Ink and opaque watercolor on palm leaf, Nepal, 11th-12th century, This palm leaf manuscript page was once part of a larger manuscript called the Gandavyuha, which told the tale of Sudhana, a young pilgrim who seeks out multiple teachers in an effort to attain enlightenment. Sudhana is depicted by a tree against a stippled blue background on his way to visit a guru. The painting style reveals connections with northeast India, likely indexing the migration of Indian monks to monasteries
RM2HJ0DG7–Model of a House with Festive Scene 12th–early 13th century Ceramic house models may have been wedding gifts. This turquoise model’s open courtyard with pierced balustrade and corner roof projections suggests a vernacular building. A festive occasion is depicted, with seated personages holding cups and a couple dancing with raised arms. The role of the turbaned, bearded man on a high stepped stool—a figure who bears the conventional traits of older, wise, educated, or religious men—remains enigmatic.. Model of a House with Festive Scene. 12th–early 13th century. Stonepaste; molded, modeled, gl
RMPB0M3E–Bowl. Dimensions: Ht. 3 3/4 in. (9.5 cm) Lip diameter: 8 1/16 in. (20.5 cm). Date: 13th century. This bowl combines the most distinctive features of lusterware produced in Kashan: moon-faced figures; poetry in <i>naskhi</i> calligraphy; and a covering of spiral marks that fill the areas between the decorative motifs. In addition, the outermost decorative band includes medallions with all twelve signs of the Zodiac. Capricorn (<i>al-jady</i>, 'the kid'), is depicted as a small goat in profile. Like the other Zodiac signs that are represented as animals, such as Aries and Taurus, when shown wi
RF2HTTH0D–Art inspired by Kasuga Mandala, 春日曼荼羅図, Kamakura period (1185–1333), 13th century, Japan, Hanging scroll; ink, color, and gold on silk, Image: 35 1/2 × 16 3/4 in. (90.2 × 42.5 cm), Paintings, The area of Kasuga was chosen by Fujiwara Fuhito (659–720) to enshrine his ancestral clan, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2C0MY5Y–Shooting of the Bull on Mount Gargano depicted in the Gothic tablet dated from the end of the 13th century painted by Master of Soriguerola (Mestre de Soriguerola) originally from the parish church of Sant Miquel de Soriguerola in the village of Fontanals de Cerdanya (Baixa Cerdanya) in Girona province in Catalonia, Spain, now on display in the National Art Museum of Catalonia (Museu Nacional d'Art de Catalunya) in Barcelona, Catalonia, Spain.
Search Results for Depicted on 13th century Stock Photos and Images (151)
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