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D 1492 Stock Photos and Images
Ring, Indigenous American (Pre-Columbian), 2300 B.C.–A.D. 1492, Indigenous American (Pre-Columbian), bone Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ring-indigenous-american-pre-columbian-2300-bcad-1492-indigenous-american-pre-columbian-bone-image344594996.htmlRM2B0HJC4–Ring, Indigenous American (Pre-Columbian), 2300 B.C.–A.D. 1492, Indigenous American (Pre-Columbian), bone
Inspired by Border Drawings and Page from a Manuscript of 'Yusuf and Zulaykha' by Jami, d. 1492, Ink and gold on paper, Balkh, Afghanistan, 1557, Safavid Dynasty, Safavid Period, 10 1/8 x 6 in., 25.7 x 15.2 cm, calligraphy, gold, golden, paper, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-border-drawings-and-page-from-a-manuscript-of-yusuf-and-zulaykha-by-jami-d-1492-ink-and-gold-on-paper-balkh-afghanistan-1557-safavid-dynasty-safavid-period-10-18-x-6-in-257-x-152-cm-calligraphy-gold-golden-paper-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459262907.htmlRF2HK56EK–Inspired by Border Drawings and Page from a Manuscript of 'Yusuf and Zulaykha' by Jami, d. 1492, Ink and gold on paper, Balkh, Afghanistan, 1557, Safavid Dynasty, Safavid Period, 10 1/8 x 6 in., 25.7 x 15.2 cm, calligraphy, gold, golden, paper, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Landing of Christopher Columbus in America, at San Salvador, October 12th A.D. 1492. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-landing-of-christopher-columbus-in-america-at-san-salvador-october-83145041.htmlRMER7G9N–Landing of Christopher Columbus in America, at San Salvador, October 12th A.D. 1492.
884 Landing of Christopher Columbus in America, at San Salvador, October 12th A.D. 1492 LCCN2003670399 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/884-landing-of-christopher-columbus-in-america-at-san-salvador-october-12th-ad-1492-lccn2003670399-image213424381.htmlRMPB68Y9–884 Landing of Christopher Columbus in America, at San Salvador, October 12th A.D. 1492 LCCN2003670399
Persian verses (recto) from a Haft Awrang (Seven Thrones) of Jami (d. 1492), mid 1500s. A suite of five poems, the Khamsa (khamsa is five in Arabic), written in the 1100s, was, like the earlier Shahnama, concerned with the history and legends of pre-Islamic Iran. But Nizami's interest was with love rather than war. In this, the second of the poems, he tells the story of these two famous star-crossed lovers. It is difficult to assign the illustrations here to specific episodes, but they may be concerned with Khusro's stay at the court of Shirin's aunt, the Queen of Azarbaijan. Shirin serves pom Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/persian-verses-recto-from-a-haft-awrang-seven-thrones-of-jami-d-1492-mid-1500s-a-suite-of-five-poems-the-khamsa-khamsa-is-five-in-arabic-written-in-the-1100s-was-like-the-earlier-shahnama-concerned-with-the-history-and-legends-of-pre-islamic-iran-but-nizamis-interest-was-with-love-rather-than-war-in-this-the-second-of-the-poems-he-tells-the-story-of-these-two-famous-star-crossed-lovers-it-is-difficult-to-assign-the-illustrations-here-to-specific-episodes-but-they-may-be-concerned-with-khusros-stay-at-the-court-of-shirins-aunt-the-queen-of-azarbaijan-shirin-serves-pom-image330111923.htmlRM2A51W3F–Persian verses (recto) from a Haft Awrang (Seven Thrones) of Jami (d. 1492), mid 1500s. A suite of five poems, the Khamsa (khamsa is five in Arabic), written in the 1100s, was, like the earlier Shahnama, concerned with the history and legends of pre-Islamic Iran. But Nizami's interest was with love rather than war. In this, the second of the poems, he tells the story of these two famous star-crossed lovers. It is difficult to assign the illustrations here to specific episodes, but they may be concerned with Khusro's stay at the court of Shirin's aunt, the Queen of Azarbaijan. Shirin serves pom
Folio from a Haft awrang (Seven thrones) by Jami (d.1492) verso: the Aziz and Zulaykha enter the capital of Egypt and the Egyptians come out to greet them. Date/Period: Before 1565. Painting / watercolor painting. Opaque watercolor, ink and gold on paper. Height: 34.2 cm (13.4 in); Width: 23.2 cm (9.1 in). Author: Artist Unknown. Iranian master. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/folio-from-a-haft-awrang-seven-thrones-by-jami-d1492-verso-the-aziz-and-zulaykha-enter-the-capital-of-egypt-and-the-egyptians-come-out-to-greet-them-dateperiod-before-1565-painting-watercolor-painting-opaque-watercolor-ink-and-gold-on-paper-height-342-cm-134-in-width-232-cm-91-in-author-artist-unknown-iranian-master-image219742672.htmlRMPNE40G–Folio from a Haft awrang (Seven thrones) by Jami (d.1492) verso: the Aziz and Zulaykha enter the capital of Egypt and the Egyptians come out to greet them. Date/Period: Before 1565. Painting / watercolor painting. Opaque watercolor, ink and gold on paper. Height: 34.2 cm (13.4 in); Width: 23.2 cm (9.1 in). Author: Artist Unknown. Iranian master.
Landing of Christopher Columbus in America, at San Salvador, October 12th A.D. 1492 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landing-of-christopher-columbus-in-america-at-san-salvador-october-12th-ad-1492-image271832746.htmlRMWP71CA–Landing of Christopher Columbus in America, at San Salvador, October 12th A.D. 1492
Landing of Christopher Columbus in America, at San Salvador, October 12th A.D. 1492 LCCN2003670399 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-landing-of-christopher-columbus-in-america-at-san-salvador-october-176702718.htmlRMM7DE3A–Landing of Christopher Columbus in America, at San Salvador, October 12th A.D. 1492 LCCN2003670399
Folio from a Haft awrang (Seven thrones) by Jami (d.1492) verso: the Aziz and Zulaykha enter the capital of Egypt and the Egyptians come out to greet them before 1565 by Jami Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/folio-from-a-haft-awrang-seven-thrones-by-jami-d1492-verso-the-aziz-and-zulaykha-enter-the-capital-of-egypt-and-the-egyptians-come-out-to-greet-them-before-1565-by-jami-image545523220.htmlRM2PKEMC4–Folio from a Haft awrang (Seven thrones) by Jami (d.1492) verso: the Aziz and Zulaykha enter the capital of Egypt and the Egyptians come out to greet them before 1565 by Jami
Floor Tiles 1492-4 possibly by the workshop of Antonio dei Fidelli (d 1508). The tiles may have been among those laid in Isabella d'Este's study to stop mice nesting beneath the floorboards. The tiles have mottoes and emblems relating to the Gonzaga family. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-floor-tiles-1492-4-possibly-by-the-workshop-of-antonio-dei-fidelli-57407121.htmlRMD9B3A9–Floor Tiles 1492-4 possibly by the workshop of Antonio dei Fidelli (d 1508). The tiles may have been among those laid in Isabella d'Este's study to stop mice nesting beneath the floorboards. The tiles have mottoes and emblems relating to the Gonzaga family.
St. Jerome in Penitence by Meloni, Marco (fl.1504-37) (attr. to); Galleria e Museo Estense, Modena, Italy; Italian, out of copyright. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-jerome-in-penitence-by-meloni-marco-fl1504-37-attr-to-galleria-e-museo-estense-modena-italy-italian-out-of-copyright-image469650031.htmlRM2J82BBB–St. Jerome in Penitence by Meloni, Marco (fl.1504-37) (attr. to); Galleria e Museo Estense, Modena, Italy; Italian, out of copyright.
PIERO della FRANCESCA (b. 1416, Borgo San Sepolcro, d. 1492, Borgo San Sepolcro) Adoration of the Holy Wood (detail) c. 1452 Fresco, 336 x 747 cm (full painting) San Francesco, Arezzo *** Keywords: ************* Author: PIERO della FRANCESCA Title: Adoration of the Holy Wood (detail) Time-line: 1451-1500 School: Italian Form: painting Type: religious Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piero-della-francesca-b-1416-borgo-san-sepolcro-d-1492-borgo-san-sepolcro-adoration-of-the-holy-wood-detail-c-1452-fresco-336-x-747-cm-full-painting-san-francesco-arezzo-keywords-author-piero-della-francesca-title-adoration-of-the-holy-wood-detail-time-line-1451-1500-school-italian-form-painting-type-religious-image620348128.htmlRM2Y178A8–PIERO della FRANCESCA (b. 1416, Borgo San Sepolcro, d. 1492, Borgo San Sepolcro) Adoration of the Holy Wood (detail) c. 1452 Fresco, 336 x 747 cm (full painting) San Francesco, Arezzo *** Keywords: ************* Author: PIERO della FRANCESCA Title: Adoration of the Holy Wood (detail) Time-line: 1451-1500 School: Italian Form: painting Type: religious
Carracci - Mercure, D.1492. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carracci-mercure-d1492-image632839413.htmlRM2YNG93H–Carracci - Mercure, D.1492.
Border Drawings and Page from a Manuscript of 'Yusuf and Zulaykha' by Jami (d. 1492) Mahmud ibn Ishaq Al-Shihabi'. , 1557. Ink and gold on paper, 10 1/8 x 6 in. (25.7 x 15.2 cm). Arts of the Islamic World 1557 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/border-drawings-and-page-from-a-manuscript-of-yusuf-and-zulaykha-by-jami-d-1492-mahmud-ibn-ishaq-al-shihabi-1557-ink-and-gold-on-paper-10-18-x-6-in-257-x-152-cm-arts-of-the-islamic-world-1557-image504703873.htmlRM2M936X9–Border Drawings and Page from a Manuscript of 'Yusuf and Zulaykha' by Jami (d. 1492) Mahmud ibn Ishaq Al-Shihabi'. , 1557. Ink and gold on paper, 10 1/8 x 6 in. (25.7 x 15.2 cm). Arts of the Islamic World 1557
Margarete d´Angouleme Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/margarete-dangouleme-image68830557.htmlRMDYYE25–Margarete d´Angouleme
Marguerite de Navarre, 11.4.1492 - 21.12.1549, Queen of Navarra, author / writer, portrait, woodcut, circa 16th century, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-marguerite-de-navarre-1141492-21121549-queen-of-navarra-author-writer-23530816.htmlRMBA7WP8–Marguerite de Navarre, 11.4.1492 - 21.12.1549, Queen of Navarra, author / writer, portrait, woodcut, circa 16th century,
D Linderhof Palace Of Bavaria Ludwig Ii Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-d-linderhof-palace-of-bavaria-ludwig-ii-164308268.htmlRFKF8TTC–D Linderhof Palace Of Bavaria Ludwig Ii
The last council of Boabdil at The Alhambra Palace, Granada, Spain in 1492. Abu `Abdallah Muhammad XII, c. 1460 – c. 1533, aka Boabdil. Twenty-second and last Nasrid ruler of Granada in Iberia. After the painting by J.H. Valda, (d.1941). From Hutchinson's History of the Nations, published 1915. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-last-council-of-boabdil-at-the-alhambra-palace-granada-spain-in-139133571.htmlRMJ2A283–The last council of Boabdil at The Alhambra Palace, Granada, Spain in 1492. Abu `Abdallah Muhammad XII, c. 1460 – c. 1533, aka Boabdil. Twenty-second and last Nasrid ruler of Granada in Iberia. After the painting by J.H. Valda, (d.1941). From Hutchinson's History of the Nations, published 1915.
Christopher Columbus, the Night of October 11, 1492, Illustration, Ridpath's History of the World, Volume III, by John Clark Ridpath, LL. D., Merrill & Baker Publishers, New York, 1897 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christopher-columbus-the-night-of-october-11-1492-illustration-ridpaths-history-of-the-world-volume-iii-by-john-clark-ridpath-ll-d-merrill-baker-publishers-new-york-1897-image383282437.htmlRM2D7G0JD–Christopher Columbus, the Night of October 11, 1492, Illustration, Ridpath's History of the World, Volume III, by John Clark Ridpath, LL. D., Merrill & Baker Publishers, New York, 1897
Jewelry set, Indigenous South American (Sinu peoples), 2300 B.C.–A.D. 1492, Indigenous South American (Sinu peoples), gold Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jewelry-set-indigenous-south-american-sinu-peoples-2300-bcad-1492-indigenous-south-american-sinu-peoples-gold-image344595017.htmlRM2B0HJCW–Jewelry set, Indigenous South American (Sinu peoples), 2300 B.C.–A.D. 1492, Indigenous South American (Sinu peoples), gold
Art inspired by Border Drawings and Page from a Manuscript of 'Yusuf and Zulaykha' by Jami, d. 1492, Ink and gold on paper, Balkh, Afghanistan, 1557, Safavid Dynasty, Safavid Period, 10 1/8 x 6 in., 25.7 x 15.2 cm, calligraphy, gold, golden, paper, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-border-drawings-and-page-from-a-manuscript-of-yusuf-and-zulaykha-by-jami-d-1492-ink-and-gold-on-paper-balkh-afghanistan-1557-safavid-dynasty-safavid-period-10-18-x-6-in-257-x-152-cm-calligraphy-gold-golden-paper-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459572881.htmlRF2HKK9W5–Art inspired by Border Drawings and Page from a Manuscript of 'Yusuf and Zulaykha' by Jami, d. 1492, Ink and gold on paper, Balkh, Afghanistan, 1557, Safavid Dynasty, Safavid Period, 10 1/8 x 6 in., 25.7 x 15.2 cm, calligraphy, gold, golden, paper, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Festival of Insects, 1600s-1800s. Motsurin Jōtō (Japanese, d. 1492). Hanging scroll, ink on paper; image: 30.7 x 45 cm (12 1/16 x 17 11/16 in.); overall: 122.5 x 55.9 cm (48 1/4 x 22 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/festival-of-insects-1600s-1800s-motsurin-jt-japanese-d-1492-hanging-scroll-ink-on-paper-image-307-x-45-cm-12-116-x-17-1116-in-overall-1225-x-559-cm-48-14-x-22-in-image240473742.htmlRMRY6EKX–Festival of Insects, 1600s-1800s. Motsurin Jōtō (Japanese, d. 1492). Hanging scroll, ink on paper; image: 30.7 x 45 cm (12 1/16 x 17 11/16 in.); overall: 122.5 x 55.9 cm (48 1/4 x 22 in
Folio from a Haft awrang (Seven thrones) by Jami (d.1492) verso: the Aziz and Zulaykha enter the capital of Egypt and the Egyptians come out to greet them before 1565. 694 Jami - Folio from a Haft awrang (Seven thrones), verso - Google Art Project Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/folio-from-a-haft-awrang-seven-thrones-by-jami-d1492-verso-the-aziz-and-zulaykha-enter-the-capital-of-egypt-and-the-egyptians-come-out-to-greet-them-before-1565-694-jami-folio-from-a-haft-awrang-seven-thrones-verso-google-art-project-image185795412.htmlRMMP7KXC–Folio from a Haft awrang (Seven thrones) by Jami (d.1492) verso: the Aziz and Zulaykha enter the capital of Egypt and the Egyptians come out to greet them before 1565. 694 Jami - Folio from a Haft awrang (Seven thrones), verso - Google Art Project
Art inspired by Scarab, New Kingdom, Dynasty 18, ca. 1492–1479 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Tomb CC 37, Burial 59 D, Carnarvon excavations, 1911, Faience, L. 1.7 cm (11/16 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-scarab-new-kingdom-dynasty-18-ca-14921479-bc-from-egypt-upper-egypt-thebes-asasif-tomb-cc-37-burial-59-d-carnarvon-excavations-1911-faience-l-17-cm-1116-in-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462856972.htmlRF2HW0XP4–Art inspired by Scarab, New Kingdom, Dynasty 18, ca. 1492–1479 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Tomb CC 37, Burial 59 D, Carnarvon excavations, 1911, Faience, L. 1.7 cm (11/16 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jewelry box. Dimensions: H. 7.9 cm ( 3 1/8 in); w. 14 cm (5 1/2 in); d. 14 cm (5 1/2 in) measurements taken in 1990s. Dynasty: Dynasty 18. Reign: reign of Thutmose II to Early Joint reign. Date: ca. 1492-1473 B.C.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jewelry-box-dimensions-h-79-cm-3-18-in-w-14-cm-5-12-in-d-14-cm-5-12-in-measurements-taken-in-1990s-dynasty-dynasty-18-reign-reign-of-thutmose-ii-to-early-joint-reign-date-ca-1492-1473-bc-museum-metropolitan-museum-of-art-new-york-usa-image213151845.htmlRMPANW9W–Jewelry box. Dimensions: H. 7.9 cm ( 3 1/8 in); w. 14 cm (5 1/2 in); d. 14 cm (5 1/2 in) measurements taken in 1990s. Dynasty: Dynasty 18. Reign: reign of Thutmose II to Early Joint reign. Date: ca. 1492-1473 B.C.. Museum: Metropolitan Museum of Art, New York, USA.
GANASSI, Silvestro - Opera Intitulata Fontegara. Titlepage of his tutor on recorder playing (1535). Italian Theorist, 1492-d.after 1542. Woodcut shows recorder consort playing from partbooks, with singers. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-ganassi-silvestro-opera-intitulata-fontegara-titlepage-of-his-tutor-164175404.htmlRMKF2RB8–GANASSI, Silvestro - Opera Intitulata Fontegara. Titlepage of his tutor on recorder playing (1535). Italian Theorist, 1492-d.after 1542. Woodcut shows recorder consort playing from partbooks, with singers.
Clouet Francois - Portrait d' Anne Duc de Montmorency (1492 - 1567) Connetable de France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-clouet-francois-portrait-d-anne-duc-de-montmorency-1492-1567-connetable-165960859.htmlRMKJ04NF–Clouet Francois - Portrait d' Anne Duc de Montmorency (1492 - 1567) Connetable de France
GANASSI, Silvestro - Opera Intitulata Fontegara. Titlepage of his tutor on recorder playing (1535). Italian Theorist, 1492-d.after 1542. Woodcut shows recorder consort playing from partbooks, with singers. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ganassi-silvestro-opera-intitulata-fontegara-titlepage-of-his-tutor-image156726131.htmlRMK2YDNR–GANASSI, Silvestro - Opera Intitulata Fontegara. Titlepage of his tutor on recorder playing (1535). Italian Theorist, 1492-d.after 1542. Woodcut shows recorder consort playing from partbooks, with singers.
Sri Lanka: The Ceylon tea house at the World's Columbian Exposition, Chicago 1893. The World's Columbian Exposition (the official shortened name for the World's Fair: Columbian Exposition, also known as The Chicago World's Fair) was a World's Fair held in Chicago in 1893 to celebrate the 400th anniversary of Christopher Columbus's arrival in the New World in 1492. Chicago bested New York City; Washington, D.C.; and St. Louis for the honor of hosting the fair. The fair had a profound effect on architecture, the arts, Chicago's self-image, and American industrial optimism. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sri-lanka-the-ceylon-tea-house-at-the-worlds-columbian-exposition-chicago-1893-the-worlds-columbian-exposition-the-official-shortened-name-for-the-worlds-fair-columbian-exposition-also-known-as-the-chicago-worlds-fair-was-a-worlds-fair-held-in-chicago-in-1893-to-celebrate-the-400th-anniversary-of-christopher-columbuss-arrival-in-the-new-world-in-1492-chicago-bested-new-york-city-washington-dc-and-st-louis-for-the-honor-of-hosting-the-fair-the-fair-had-a-profound-effect-on-architecture-the-arts-chicagos-self-image-and-american-industrial-optimism-image344223689.htmlRM2B00MR5–Sri Lanka: The Ceylon tea house at the World's Columbian Exposition, Chicago 1893. The World's Columbian Exposition (the official shortened name for the World's Fair: Columbian Exposition, also known as The Chicago World's Fair) was a World's Fair held in Chicago in 1893 to celebrate the 400th anniversary of Christopher Columbus's arrival in the New World in 1492. Chicago bested New York City; Washington, D.C.; and St. Louis for the honor of hosting the fair. The fair had a profound effect on architecture, the arts, Chicago's self-image, and American industrial optimism.
The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting the figure of Charity in an architectural niche designed by Baccio Pontelli (d.1492), 15th century (wood); Palazzo Ducale, Urbino, Italy; out of copyright. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-study-of-federigo-da-montefeltro-duke-of-urbino-intarsia-panelling-depicting-the-figure-of-charity-in-an-architectural-niche-designed-by-baccio-pontelli-d1492-15th-century-wood-palazzo-ducale-urbino-italy-out-of-copyright-image469980262.htmlRM2J8HCHA–The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting the figure of Charity in an architectural niche designed by Baccio Pontelli (d.1492), 15th century (wood); Palazzo Ducale, Urbino, Italy; out of copyright.
PIERO della FRANCESCA (b. 1416, Borgo San Sepolcro, d. 1492, Borgo San Sepolcro) Discovery of the True Cross (detail) c. 1460 Fresco, 356 x 747 cm (full painting) San Francesco, Arezzo *** Keywords: ************* Author: PIERO della FRANCESCA Title: Discovery of the True Cross (detail) Time-line: 1451-1500 School: Italian Form: painting Type: religious Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piero-della-francesca-b-1416-borgo-san-sepolcro-d-1492-borgo-san-sepolcro-discovery-of-the-true-cross-detail-c-1460-fresco-356-x-747-cm-full-painting-san-francesco-arezzo-keywords-author-piero-della-francesca-title-discovery-of-the-true-cross-detail-time-line-1451-1500-school-italian-form-painting-type-religious-image620348619.htmlRM2Y178YR–PIERO della FRANCESCA (b. 1416, Borgo San Sepolcro, d. 1492, Borgo San Sepolcro) Discovery of the True Cross (detail) c. 1460 Fresco, 356 x 747 cm (full painting) San Francesco, Arezzo *** Keywords: ************* Author: PIERO della FRANCESCA Title: Discovery of the True Cross (detail) Time-line: 1451-1500 School: Italian Form: painting Type: religious
Matteo da Milano (Italian, active 1492 - 1523) - Initial D- Saint John the Baptist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/matteo-da-milano-italian-active-1492-1523-initial-d-saint-john-the-baptist-image398832265.htmlRM2E4TAHD–Matteo da Milano (Italian, active 1492 - 1523) - Initial D- Saint John the Baptist
Festival of Insects, c. 1615-1868. After Motsurin Jōtō (Japanese, d. 1492). Hanging scroll, ink on paper; image: 30.7 x 45 cm (12 1/16 x 17 11/16 in.); overall: 122.5 x 55.9 cm (48 1/4 x 22 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/festival-of-insects-c-1615-1868-after-motsurin-jt-japanese-d-1492-hanging-scroll-ink-on-paper-image-307-x-45-cm-12-116-x-17-1116-in-overall-1225-x-559-cm-48-14-x-22-in-image448106855.htmlRM2H110T7–Festival of Insects, c. 1615-1868. After Motsurin Jōtō (Japanese, d. 1492). Hanging scroll, ink on paper; image: 30.7 x 45 cm (12 1/16 x 17 11/16 in.); overall: 122.5 x 55.9 cm (48 1/4 x 22 in.).
Margarete d´Angouleme Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/margarete-dangouleme-image68832174.htmlRMDYYG3X–Margarete d´Angouleme
Matteo da Milano (Italian, active 1492 1523) Initial D Saint John the Baptist Google Art Project Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-matteo-da-milano-italian-active-1492-1523-initial-d-saint-john-the-137397225.htmlRMHYEYFN–Matteo da Milano (Italian, active 1492 1523) Initial D Saint John the Baptist Google Art Project
D Linderhof Palace Of Bavaria Ludwig Ii Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-d-linderhof-palace-of-bavaria-ludwig-ii-164308262.htmlRFKF8TT6–D Linderhof Palace Of Bavaria Ludwig Ii
190928-N-QD512-1492 ATLANTIC OCEAN (Sept. 28, 2019) The Royal Netherlands Navy De Seven Provinciën-class frigate HNLMS De Ruyter (F804), the Royal Navy Daring-class air-defense destroyer HMS Dragon (D35), guided-missile cruisers USS San Jacinto (CG 56) and USS Vella Gulf (CG 72), and guided-missile destroyers USS Stout (DDG 55), USS Truxtun (DDG 103) and USS James E. Williams (DDG 95), transit the Atlantic Ocean during a photo exercise with the aircraft carrier USS Dwight D. Eisenhower (CVN 69) to conclude Tailored Ship's Training Availability (TSTA) and Final Evaluation Problem (FEP) as part Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/190928-n-qd512-1492-atlantic-ocean-sept-28-2019-the-royal-netherlands-navy-de-seven-provincin-class-frigate-hnlms-de-ruyter-f804-the-royal-navy-daring-class-air-defense-destroyer-hms-dragon-d35-guided-missile-cruisers-uss-san-jacinto-cg-56-and-uss-vella-gulf-cg-72-and-guided-missile-destroyers-uss-stout-ddg-55-uss-truxtun-ddg-103-and-uss-james-e-williams-ddg-95-transit-the-atlantic-ocean-during-a-photo-exercise-with-the-aircraft-carrier-uss-dwight-d-eisenhower-cvn-69-to-conclude-tailored-ships-training-availability-tsta-and-final-evaluation-problem-fep-as-part-image328230121.htmlRM2A204T9–190928-N-QD512-1492 ATLANTIC OCEAN (Sept. 28, 2019) The Royal Netherlands Navy De Seven Provinciën-class frigate HNLMS De Ruyter (F804), the Royal Navy Daring-class air-defense destroyer HMS Dragon (D35), guided-missile cruisers USS San Jacinto (CG 56) and USS Vella Gulf (CG 72), and guided-missile destroyers USS Stout (DDG 55), USS Truxtun (DDG 103) and USS James E. Williams (DDG 95), transit the Atlantic Ocean during a photo exercise with the aircraft carrier USS Dwight D. Eisenhower (CVN 69) to conclude Tailored Ship's Training Availability (TSTA) and Final Evaluation Problem (FEP) as part
06-28-2020. Florence, Italy. People watching and shooting masteterpieces -Piero della Francesca (1416-1492), Portrait of Federico da Montefeltro the D Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/06-28-2020-florence-italy-people-watching-and-shooting-masteterpieces-piero-della-francesca-1416-1492-portrait-of-federico-da-montefeltro-the-d-image369531737.htmlRF2CD5HE1–06-28-2020. Florence, Italy. People watching and shooting masteterpieces -Piero della Francesca (1416-1492), Portrait of Federico da Montefeltro the D
210303-N-ON712-1492 ATLANTIC OCEAN (March 3, 2021) The Royal Moroccan Air Force (RMAF) and aircraft assigned to Carrier Air Wing (CVW) 3 fly over the Nimitz-Class aircraft carrier USS Dwight D. Eisenhower (CVN 69) in the Atlantic Ocean, March 3, 2021. The IKE Carrier Strike Group is participating in Lightning Handshake, a bi-lateral exercise between the U.S. and the Royal Moroccan Navy (RMN) and Royal Moroccan Air Force (RMAF). IKE is on a routine deployment in the U.S. Sixth Fleet area of operations in support of U.S. national interests and security in Europe and Africa. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/210303-n-on712-1492-atlantic-ocean-march-3-2021-the-royal-moroccan-air-force-rmaf-and-aircraft-assigned-to-carrier-air-wing-cvw-3-fly-over-the-nimitz-class-aircraft-carrier-uss-dwight-d-eisenhower-cvn-69-in-the-atlantic-ocean-march-3-2021-the-ike-carrier-strike-group-is-participating-in-lightning-handshake-a-bi-lateral-exercise-between-the-us-and-the-royal-moroccan-navy-rmn-and-royal-moroccan-air-force-rmaf-ike-is-on-a-routine-deployment-in-the-us-sixth-fleet-area-of-operations-in-support-of-us-national-interests-and-security-in-europe-and-africa-image442188298.htmlRM2GKBBK6–210303-N-ON712-1492 ATLANTIC OCEAN (March 3, 2021) The Royal Moroccan Air Force (RMAF) and aircraft assigned to Carrier Air Wing (CVW) 3 fly over the Nimitz-Class aircraft carrier USS Dwight D. Eisenhower (CVN 69) in the Atlantic Ocean, March 3, 2021. The IKE Carrier Strike Group is participating in Lightning Handshake, a bi-lateral exercise between the U.S. and the Royal Moroccan Navy (RMN) and Royal Moroccan Air Force (RMAF). IKE is on a routine deployment in the U.S. Sixth Fleet area of operations in support of U.S. national interests and security in Europe and Africa.
©Active Museu/MAXPPP - ActiveMuseum 0000969.jpg / La Vierge et l'Enfant avec Saint Jerome et Saint Jean le Baptiste, 1492 - Cima da Conegliano 1492 - / Cima da Conegliano / La Vierge et l'Enfant avec Saint Jerome et Saint Jean le Baptiste, 1492 - Cima d Active Museum / Le Pictorium Baby ,Child ,Cliff ,Cloudy sky ,Cross ,Hill ,Horizontal ,Madonna ,Man ,Nature ,Prayer ,Renaissance ,Saint ,Tree ,Virgin and Child ,Woman ,Jesus Christ ,Mary (mother of Jesus) ,Saint Jerome ,Saint John the Baptist ,XVth century ,Cima da Conegliano ,? La Vierge et l'Enfant avec Saint Jerome et Saint Jean le Baptiste Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/active-museumaxppp-activemuseum-0000969jpg-la-vierge-et-lenfant-avec-saint-jerome-et-saint-jean-le-baptiste-1492-cima-da-conegliano-1492-cima-da-conegliano-la-vierge-et-lenfant-avec-saint-jerome-et-saint-jean-le-baptiste-1492-cima-d-active-museum-le-pictorium-baby-child-cliff-cloudy-sky-cross-hill-horizontal-madonna-man-nature-prayer-renaissance-saint-tree-virgin-and-child-woman-jesus-christ-mary-mother-of-jesus-saint-jerome-saint-john-the-baptist-xvth-century-cima-da-conegliano-la-vierge-et-lenfant-avec-saint-jerome-et-saint-jean-le-baptiste-image486526593.htmlRM2K7F5HN– ©Active Museu/MAXPPP - ActiveMuseum 0000969.jpg / La Vierge et l'Enfant avec Saint Jerome et Saint Jean le Baptiste, 1492 - Cima da Conegliano 1492 - / Cima da Conegliano / La Vierge et l'Enfant avec Saint Jerome et Saint Jean le Baptiste, 1492 - Cima d Active Museum / Le Pictorium Baby ,Child ,Cliff ,Cloudy sky ,Cross ,Hill ,Horizontal ,Madonna ,Man ,Nature ,Prayer ,Renaissance ,Saint ,Tree ,Virgin and Child ,Woman ,Jesus Christ ,Mary (mother of Jesus) ,Saint Jerome ,Saint John the Baptist ,XVth century ,Cima da Conegliano ,? La Vierge et l'Enfant avec Saint Jerome et Saint Jean le Baptiste
Persian verses (recto) from a Haft Awrang (Seven Thrones) of Jami (d. 1492), mid 1500s. Iran, probably Shiraz, Safavid period (1501-1722). Opaque watercolor, ink, and gold on paper; sheet: 29.6 x 16.2 cm (11 5/8 x 6 3/8 in.); image: 21 x 13 cm (8 1/4 x 5 1/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/persian-verses-recto-from-a-haft-awrang-seven-thrones-of-jami-d-1492-mid-1500s-iran-probably-shiraz-safavid-period-1501-1722-opaque-watercolor-ink-and-gold-on-paper-sheet-296-x-162-cm-11-58-x-6-38-in-image-21-x-13-cm-8-14-x-5-18-in-image240428259.htmlRMRY4CKF–Persian verses (recto) from a Haft Awrang (Seven Thrones) of Jami (d. 1492), mid 1500s. Iran, probably Shiraz, Safavid period (1501-1722). Opaque watercolor, ink, and gold on paper; sheet: 29.6 x 16.2 cm (11 5/8 x 6 3/8 in.); image: 21 x 13 cm (8 1/4 x 5 1/8 in
. English: Detail of the book held open by St. Vincent in the 'Panel of the Prince' (third panel) of the St. Vincent panels attributed to Nuno Gonçalves (c.1465-70). The left page has been identified by historians as a passage from the Gospel of St. John (specifically, John 14: 28-31), and the right page (more framentarily) as the Preface to the Pentecost from the Roman Missal. . Late 1460s/early 1470s. Nuno Goncalves (d.1492) Gospel book from the St. Vincent panels Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-detail-of-the-book-held-open-by-st-vincent-in-the-panel-of-the-prince-third-panel-of-the-st-vincent-panels-attributed-to-nuno-gonalves-c1465-70-the-left-page-has-been-identified-by-historians-as-a-passage-from-the-gospel-of-st-john-specifically-john-14-28-31-and-the-right-page-more-framentarily-as-the-preface-to-the-pentecost-from-the-roman-missal-late-1460searly-1470s-nuno-goncalves-d1492-gospel-book-from-the-st-vincent-panels-image184995826.htmlRMMMY81P–. English: Detail of the book held open by St. Vincent in the 'Panel of the Prince' (third panel) of the St. Vincent panels attributed to Nuno Gonçalves (c.1465-70). The left page has been identified by historians as a passage from the Gospel of St. John (specifically, John 14: 28-31), and the right page (more framentarily) as the Preface to the Pentecost from the Roman Missal. . Late 1460s/early 1470s. Nuno Goncalves (d.1492) Gospel book from the St. Vincent panels
Border Drawings and Page from a Manuscript of 'Yusuf and Zulaykha' by Jami, d. 1492, Ink and gold on paper, Balkh, Afghanistan, 1557, Safavid Dynasty, Safavid Period, 10 1/8 x 6 in., 25.7 x 15.2 cm, calligraphy, gold, golden, paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/border-drawings-and-page-from-a-manuscript-of-yusuf-and-zulaykha-by-jami-d-1492-ink-and-gold-on-paper-balkh-afghanistan-1557-safavid-dynasty-safavid-period-10-18-x-6-in-257-x-152-cm-calligraphy-gold-golden-paper-image454281844.htmlRM2HB293G–Border Drawings and Page from a Manuscript of 'Yusuf and Zulaykha' by Jami, d. 1492, Ink and gold on paper, Balkh, Afghanistan, 1557, Safavid Dynasty, Safavid Period, 10 1/8 x 6 in., 25.7 x 15.2 cm, calligraphy, gold, golden, paper
Art inspired by Scaraboid, New Kingdom, Dynasty 18, ca. 1492–1479 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Tomb CC 37, Burial 59 D, Carnarvon excavations, 1911, Faience, L. 1.7 cm (11/16 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-scaraboid-new-kingdom-dynasty-18-ca-14921479-bc-from-egypt-upper-egypt-thebes-asasif-tomb-cc-37-burial-59-d-carnarvon-excavations-1911-faience-l-17-cm-1116-in-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462857036.htmlRF2HW0XTC–Art inspired by Scaraboid, New Kingdom, Dynasty 18, ca. 1492–1479 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Tomb CC 37, Burial 59 D, Carnarvon excavations, 1911, Faience, L. 1.7 cm (11/16 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Kohl Jar Inscribed for Hatshepsut as God's Wife. Dimensions: H. 6.5 cm (2 9/16 in.); W. 4.8 cm (1 7/8 in.); D. 5 cm (1 15/16 in.). Dynasty: Dynasty 18. Reign: reign of Thutmose II-Early reign of Thutmose III. Date: ca. 1492-1477 B.C.. This kohl jar imitates a bundle of reeds. A flat lid (now missing) once swiveled around a metal pin, a piece of which still remains in the hole. Inscribed with the title 'God's Wife,' the elegant vessel could not have been part of Hatshepsut's final burial equipment but must have been made during the queen's marriage to Thutmose II or during the first years of h Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kohl-jar-inscribed-for-hatshepsut-as-gods-wife-dimensions-h-65-cm-2-916-in-w-48-cm-1-78-in-d-5-cm-1-1516-in-dynasty-dynasty-18-reign-reign-of-thutmose-ii-early-reign-of-thutmose-iii-date-ca-1492-1477-bc-this-kohl-jar-imitates-a-bundle-of-reeds-a-flat-lid-now-missing-once-swiveled-around-a-metal-pin-a-piece-of-which-still-remains-in-the-hole-inscribed-with-the-title-gods-wife-the-elegant-vessel-could-not-have-been-part-of-hatshepsuts-final-burial-equipment-but-must-have-been-made-during-the-queens-marriage-to-thutmose-ii-or-during-the-first-years-of-h-image213311240.htmlRMPB14JG–Kohl Jar Inscribed for Hatshepsut as God's Wife. Dimensions: H. 6.5 cm (2 9/16 in.); W. 4.8 cm (1 7/8 in.); D. 5 cm (1 15/16 in.). Dynasty: Dynasty 18. Reign: reign of Thutmose II-Early reign of Thutmose III. Date: ca. 1492-1477 B.C.. This kohl jar imitates a bundle of reeds. A flat lid (now missing) once swiveled around a metal pin, a piece of which still remains in the hole. Inscribed with the title 'God's Wife,' the elegant vessel could not have been part of Hatshepsut's final burial equipment but must have been made during the queen's marriage to Thutmose II or during the first years of h
Holy Conversation (1492 - 1493) Macrino d'Alba (c. 1460–1465 – c. 1510–1520) Italy Italian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-holy-conversation-1492-1493-macrino-dalba-c-14601465-c-15101520-italy-77982969.htmlRMEETC21–Holy Conversation (1492 - 1493) Macrino d'Alba (c. 1460–1465 – c. 1510–1520) Italy Italian
Medieval and modern times : an introduction to the history of western Europe form the dissolution of the Roman empire to the present time . of Medici was Lorenzo theMagnificent (d. 1492) ; under his rule Florence reached theheight of its glory in art and literature. As one wanders about Florence to-day, he is impressed wdththe contradictions of the Renaissance period. The streets are Medieval Towns — their Business and Buildings 229 fNi lined with the palaces of the noble families to whose rivalriesmuch of the continual disturbance was due. The lower storiesof these build-ings are con-structed Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/medieval-and-modern-times-an-introduction-to-the-history-of-western-europe-form-the-dissolution-of-the-roman-empire-to-the-present-time-of-medici-was-lorenzo-themagnificent-d-1492-under-his-rule-florence-reached-theheight-of-its-glory-in-art-and-literature-as-one-wanders-about-florence-to-day-he-is-impressed-wdththe-contradictions-of-the-renaissance-period-the-streets-are-medieval-towns-their-business-and-buildings-229-fni-lined-with-the-palaces-of-the-noble-families-to-whose-rivalriesmuch-of-the-continual-disturbance-was-due-the-lower-storiesof-these-build-ings-are-con-structed-image338349958.htmlRM2AJD4R2–Medieval and modern times : an introduction to the history of western Europe form the dissolution of the Roman empire to the present time . of Medici was Lorenzo theMagnificent (d. 1492) ; under his rule Florence reached theheight of its glory in art and literature. As one wanders about Florence to-day, he is impressed wdththe contradictions of the Renaissance period. The streets are Medieval Towns — their Business and Buildings 229 fNi lined with the palaces of the noble families to whose rivalriesmuch of the continual disturbance was due. The lower storiesof these build-ings are con-structed
Filips van Kleef, heer van Ravenstein Koperen penning. Voorzijde: wapenschild tussen twee rozetten binnen omschrift. Keerzijde: naakte, staande vrouw met bloem in hand en naakte, geknielde man, die achterom kijkt binnen omschrift Manufacturer : anoniem Dating: 1492 Physical kenmerken: koper Material: koper Techniek: slaan Dimensions: d 2,8 cm. × g 3,80 grOnderwerpWie: heer van Ravenstein Filips van Kleef Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/filips-van-kleef-heer-van-ravenstein-koperen-penning-voorzijde-wapenschild-tussen-twee-rozetten-binnen-omschrift-keerzijde-naakte-staande-vrouw-met-bloem-in-hand-en-naakte-geknielde-man-die-achterom-kijkt-binnen-omschrift-manufacturer-anoniem-dating-1492-physical-kenmerken-koper-material-koper-techniek-slaan-dimensions-d-28-cm-g-380-gronderwerpwie-heer-van-ravenstein-filips-van-kleef-image348348325.htmlRM2B6MHRH–Filips van Kleef, heer van Ravenstein Koperen penning. Voorzijde: wapenschild tussen twee rozetten binnen omschrift. Keerzijde: naakte, staande vrouw met bloem in hand en naakte, geknielde man, die achterom kijkt binnen omschrift Manufacturer : anoniem Dating: 1492 Physical kenmerken: koper Material: koper Techniek: slaan Dimensions: d 2,8 cm. × g 3,80 grOnderwerpWie: heer van Ravenstein Filips van Kleef
The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting a reading stand in an alcove designed by Baccio Pontelli (d.1492), 15th century (wood); Palazzo Ducale, Urbino, Italy; out of copyright. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-study-of-federigo-da-montefeltro-duke-of-urbino-intarsia-panelling-depicting-a-reading-stand-in-an-alcove-designed-by-baccio-pontelli-d1492-15th-century-wood-palazzo-ducale-urbino-italy-out-of-copyright-image469980091.htmlRM2J8HCB7–The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting a reading stand in an alcove designed by Baccio Pontelli (d.1492), 15th century (wood); Palazzo Ducale, Urbino, Italy; out of copyright.
PIERO della FRANCESCA (b. 1416, Borgo San Sepolcro, d. 1492, Borgo San Sepolcro) Exaltation of the Cross: inhabitants of Jerusalem c. 1466 Fresco, 390 x 747 cm (full painting) San Francesco, Arezzo *** Keywords: ************* Author: PIERO della FRANCESCA Title: Exaltation of the Cross: inhabitants of Jerusalem Time-line: 1451-1500 School: Italian Form: painting Type: religious Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piero-della-francesca-b-1416-borgo-san-sepolcro-d-1492-borgo-san-sepolcro-exaltation-of-the-cross-inhabitants-of-jerusalem-c-1466-fresco-390-x-747-cm-full-painting-san-francesco-arezzo-keywords-author-piero-della-francesca-title-exaltation-of-the-cross-inhabitants-of-jerusalem-time-line-1451-1500-school-italian-form-painting-type-religious-image620348788.htmlRM2Y1795T–PIERO della FRANCESCA (b. 1416, Borgo San Sepolcro, d. 1492, Borgo San Sepolcro) Exaltation of the Cross: inhabitants of Jerusalem c. 1466 Fresco, 390 x 747 cm (full painting) San Francesco, Arezzo *** Keywords: ************* Author: PIERO della FRANCESCA Title: Exaltation of the Cross: inhabitants of Jerusalem Time-line: 1451-1500 School: Italian Form: painting Type: religious
Allegory of the bad times Koperen penning. Voorzijde: naakte vrouw met lier in linkerhand, staande tussen zonnebloemen, naast vogel binnen omschrift. Keerzijde: Dood houdt in geheven rechterhand drie pijlen en onder linkerarm doodkist binnen omschrift Manufacturer : anoniemPlaats manufacture: Nederland Dating: 1492 Physical kenmerken: koper Material: koper Techniek: slaan Dimensions: d 2,9 cm. × g 3,50 gr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-the-bad-times-koperen-penning-voorzijde-naakte-vrouw-met-lier-in-linkerhand-staande-tussen-zonnebloemen-naast-vogel-binnen-omschrift-keerzijde-dood-houdt-in-geheven-rechterhand-drie-pijlen-en-onder-linkerarm-doodkist-binnen-omschrift-manufacturer-anoniemplaats-manufacture-nederland-dating-1492-physical-kenmerken-koper-material-koper-techniek-slaan-dimensions-d-29-cm-g-350-gr-image348124741.htmlRM2B6ACJD–Allegory of the bad times Koperen penning. Voorzijde: naakte vrouw met lier in linkerhand, staande tussen zonnebloemen, naast vogel binnen omschrift. Keerzijde: Dood houdt in geheven rechterhand drie pijlen en onder linkerarm doodkist binnen omschrift Manufacturer : anoniemPlaats manufacture: Nederland Dating: 1492 Physical kenmerken: koper Material: koper Techniek: slaan Dimensions: d 2,9 cm. × g 3,50 gr
Persian verses from a Haft Awrang (Seven Thrones) of Jami (d. 1492) (recto), mid-1500s. Iran, probably Shiraz, Safavid period (1501-1722). Opaque watercolor, ink, and gold on paper; sheet: 29.6 x 16.2 cm (11 5/8 x 6 3/8 in.); image: 21 x 13 cm (8 1/4 x 5 1/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/persian-verses-from-a-haft-awrang-seven-thrones-of-jami-d-1492-recto-mid-1500s-iran-probably-shiraz-safavid-period-1501-1722-opaque-watercolor-ink-and-gold-on-paper-sheet-296-x-162-cm-11-58-x-6-38-in-image-21-x-13-cm-8-14-x-5-18-in-image448124778.htmlRM2H11RMA–Persian verses from a Haft Awrang (Seven Thrones) of Jami (d. 1492) (recto), mid-1500s. Iran, probably Shiraz, Safavid period (1501-1722). Opaque watercolor, ink, and gold on paper; sheet: 29.6 x 16.2 cm (11 5/8 x 6 3/8 in.); image: 21 x 13 cm (8 1/4 x 5 1/8 in.).
Portrait of Battista Sforza (From the Paired portraits of Federico da Montefeltro and his wife, the Duke and Duchess of Urbino), 1472. Artist: Piero d Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-battista-sforza-from-the-paired-portraits-of-federico-image60396134.htmlRMDE77TP–Portrait of Battista Sforza (From the Paired portraits of Federico da Montefeltro and his wife, the Duke and Duchess of Urbino), 1472. Artist: Piero d
Divan (Collected Works) of Jami ca. 1480 Maulana Nur al-Din `Abd al-Rahman Jami This manuscript is signed by a member of the renowned al‑Khwarazmi family of calligraphers, patronized by both Qara Quyunlu and Aq Quyunlu rulers in the cities of Baghdad, Shiraz, and Tabriz in the fifteenth century. 'Abd al-Karim al-Khwarazmi copied this collection of poetry by the popular contemporary poet Jami (d. 1492). Aq Quyunlu rulers much admired the work of this poet, who dedicated one of his works to the Aq Quyunlu sultan Ya'qub and his brother Yusuf.. Divan (Collected Works) of Jami 446542 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/divan-collected-works-of-jami-ca-1480-maulana-nur-al-din-`abd-al-rahman-jami-this-manuscript-is-signed-by-a-member-of-the-renowned-alkhwarazmi-family-of-calligraphers-patronized-by-both-qara-quyunlu-and-aq-quyunlu-rulers-in-the-cities-of-baghdad-shiraz-and-tabriz-in-the-fifteenth-century-abd-al-karim-al-khwarazmi-copied-this-collection-of-poetry-by-the-popular-contemporary-poet-jami-d-1492-aq-quyunlu-rulers-much-admired-the-work-of-this-poet-who-dedicated-one-of-his-works-to-the-aq-quyunlu-sultan-yaqub-and-his-brother-yusuf-divan-collected-works-of-jami-446542-image458580932.htmlRM2HJ24JC–Divan (Collected Works) of Jami ca. 1480 Maulana Nur al-Din `Abd al-Rahman Jami This manuscript is signed by a member of the renowned al‑Khwarazmi family of calligraphers, patronized by both Qara Quyunlu and Aq Quyunlu rulers in the cities of Baghdad, Shiraz, and Tabriz in the fifteenth century. 'Abd al-Karim al-Khwarazmi copied this collection of poetry by the popular contemporary poet Jami (d. 1492). Aq Quyunlu rulers much admired the work of this poet, who dedicated one of his works to the Aq Quyunlu sultan Ya'qub and his brother Yusuf.. Divan (Collected Works) of Jami 446542
Statue of Marguerite d Angouleme 1492 1549 by Joseph Stanislas Lescorne 1799 1872 Jardin du Luxembourg Paris France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-statue-of-marguerite-d-angouleme-1492-1549-by-joseph-stanislas-lescorne-13378108.htmlRMADCJDH–Statue of Marguerite d Angouleme 1492 1549 by Joseph Stanislas Lescorne 1799 1872 Jardin du Luxembourg Paris France
An Episode from the Story of the Sasanian King Khusrau and His Beloved Shirin, from a Khamsa (Quintet) of Nizami (1141–1209) (verso); Persian verses from a Haft Awrang (Seven Thrones) of Jami (d. 1492) (recto), 1540-70. Iran, probably Shiraz, Safavid period (1501-1722). Opaque watercolor, gold, silver, and ink on paper; double-sided; sheet: 29.6 x 16.2 cm (11 5/8 x 6 3/8 in.); image: 21 x 13 cm (8 1/4 x 5 1/8 in.). The Khamsa is a collection of five narrative poems, one of which is dedicated to the romance of Khusrau Parviz (590–628), a Sasanian king of Iran, and Shirin, his beloved Armenian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-episode-from-the-story-of-the-sasanian-king-khusrau-and-his-beloved-shirin-from-a-khamsa-quintet-of-nizami-11411209-verso-persian-verses-from-a-haft-awrang-seven-thrones-of-jami-d-1492-recto-1540-70-iran-probably-shiraz-safavid-period-1501-1722-opaque-watercolor-gold-silver-and-ink-on-paper-double-sided-sheet-296-x-162-cm-11-58-x-6-38-in-image-21-x-13-cm-8-14-x-5-18-in-the-khamsa-is-a-collection-of-five-narrative-poems-one-of-which-is-dedicated-to-the-romance-of-khusrau-parviz-590628-a-sasanian-king-of-iran-and-shirin-his-beloved-armenian-image448062755.htmlRM2H0Y0H7–An Episode from the Story of the Sasanian King Khusrau and His Beloved Shirin, from a Khamsa (Quintet) of Nizami (1141–1209) (verso); Persian verses from a Haft Awrang (Seven Thrones) of Jami (d. 1492) (recto), 1540-70. Iran, probably Shiraz, Safavid period (1501-1722). Opaque watercolor, gold, silver, and ink on paper; double-sided; sheet: 29.6 x 16.2 cm (11 5/8 x 6 3/8 in.); image: 21 x 13 cm (8 1/4 x 5 1/8 in.). The Khamsa is a collection of five narrative poems, one of which is dedicated to the romance of Khusrau Parviz (590–628), a Sasanian king of Iran, and Shirin, his beloved Armenian
Matteo da Milano (Italian, active 1492 - 1523) - Initial D- Saint John the Baptist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/matteo-da-milano-italian-active-1492-1523-initial-d-saint-john-the-baptist-image457720888.htmlRF2HGJYJG–Matteo da Milano (Italian, active 1492 - 1523) - Initial D- Saint John the Baptist
Stamp of Gösta Bodman's Philatelist Motion Collection, started in 1950.The stamp from Argentina, 1929. Motif of the Globe, Western Half. '437 year memory of America's discovery of Columbus: 1492-1929. Issued on' Journée de la Race '- Sagé D 12 October 1929'. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stamp-of-gsta-bodmans-philatelist-motion-collection-started-in-1950the-stamp-from-argentina-1929-motif-of-the-globe-western-half-437-year-memory-of-americas-discovery-of-columbus-1492-1929-issued-on-journe-de-la-race-sag-d-12-october-1929-image417569266.htmlRM2F79WT2–Stamp of Gösta Bodman's Philatelist Motion Collection, started in 1950.The stamp from Argentina, 1929. Motif of the Globe, Western Half. '437 year memory of America's discovery of Columbus: 1492-1929. Issued on' Journée de la Race '- Sagé D 12 October 1929'.
Procedures tenues de la religion du Pais Bas. Procedures tenues aÌ€ l’endroit de ceux de la religion du Pais Bas. 1568. Binding. Source: 1492.d.56 front binding. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/procedures-tenues-de-la-religion-du-pais-bas-procedures-tenues-a-lendroit-de-ceux-de-la-religion-du-pais-bas-1568-binding-source-1492d56-front-binding-image226790188.htmlRMR4Y55G–Procedures tenues de la religion du Pais Bas. Procedures tenues aÌ€ l’endroit de ceux de la religion du Pais Bas. 1568. Binding. Source: 1492.d.56 front binding.
Initial D: Saint John the Baptist. Matteo da Milano (Italian, active 1492 - 1523) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/initial-d-saint-john-the-baptist-matteo-da-milano-italian-active-1492-1523-image416612191.htmlRM2F5P92R–Initial D: Saint John the Baptist. Matteo da Milano (Italian, active 1492 - 1523)
. English: Detail of the book held open by the figure in Jewish-looking attire in the 'Panel of the Relic' (sixth panel) of the St. Vincent panels attributed to Nuno Gonçalves (c.1465-70). The script is often assumed to be or meant to look like Hebrew. Some historians speculate it might be a passage from the Old Testament (specific conjectures suggest Isaiah 66: 15-19), but most historians consider it illegible, and probably intended to be illegible. . circa 1465-70. Nuno Goncalves (d.1492) Alleged Hebrew book from St. Vincent panels Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-detail-of-the-book-held-open-by-the-figure-in-jewish-looking-attire-in-the-panel-of-the-relic-sixth-panel-of-the-st-vincent-panels-attributed-to-nuno-gonalves-c1465-70-the-script-is-often-assumed-to-be-or-meant-to-look-like-hebrew-some-historians-speculate-it-might-be-a-passage-from-the-old-testament-specific-conjectures-suggest-isaiah-66-15-19-but-most-historians-consider-it-illegible-and-probably-intended-to-be-illegible-circa-1465-70-nuno-goncalves-d1492-alleged-hebrew-book-from-st-vincent-panels-image184886346.htmlRMMMP8BP–. English: Detail of the book held open by the figure in Jewish-looking attire in the 'Panel of the Relic' (sixth panel) of the St. Vincent panels attributed to Nuno Gonçalves (c.1465-70). The script is often assumed to be or meant to look like Hebrew. Some historians speculate it might be a passage from the Old Testament (specific conjectures suggest Isaiah 66: 15-19), but most historians consider it illegible, and probably intended to be illegible. . circa 1465-70. Nuno Goncalves (d.1492) Alleged Hebrew book from St. Vincent panels
Daphne Embracing her Father, the River Peneus, n.d., Master of the Die (Italian, active c. 1530-1560), after Giulio Romano (Italian, 1492/99-1546), Italy, Engraving in black on paper, 257 x 187 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/daphne-embracing-her-father-the-river-peneus-nd-master-of-the-die-italian-active-c-1530-1560-after-giulio-romano-italian-149299-1546-italy-engraving-in-black-on-paper-257-x-187-mm-sheet-image328620493.htmlRM2A2HXP5–Daphne Embracing her Father, the River Peneus, n.d., Master of the Die (Italian, active c. 1530-1560), after Giulio Romano (Italian, 1492/99-1546), Italy, Engraving in black on paper, 257 x 187 mm (sheet
Art inspired by Scarab, New Kingdom, Dynasty 18, ca. 1492–1479 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Tomb CC 37, Burial 59 D, Carnarvon excavations, 1911, Glazed steatite, L. 1 cm (3/8 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-scarab-new-kingdom-dynasty-18-ca-14921479-bc-from-egypt-upper-egypt-thebes-asasif-tomb-cc-37-burial-59-d-carnarvon-excavations-1911-glazed-steatite-l-1-cm-38-in-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462857020.htmlRF2HW0XRT–Art inspired by Scarab, New Kingdom, Dynasty 18, ca. 1492–1479 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Tomb CC 37, Burial 59 D, Carnarvon excavations, 1911, Glazed steatite, L. 1 cm (3/8 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Helmet (Sallet). Culture: Spanish, possibly Granada. Dimensions: H. 7 7/8 in. (20 cm); W. 8 1/8 in. (20.6 cm); D. 10 1/2 in. (26.7 cm); Wt. 3 lb. 12 oz. (1701 g). Date: late 15th-early 16th century. This helmet is the only known example of armor to survive from the entire Nasrid period in Spain (1230-1492). Traditionally, it is said it belonged to Abd 'Abd Allah Muhammad, known in the West as Boabdil, the last Nasrid king of Granada (reigned 1482-83 and 1487-92) before it was reconquered by the Spanish. The helmet has the form of a typical Spanish sallet of the late fifteenth century, with c Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/helmet-sallet-culture-spanish-possibly-granada-dimensions-h-7-78-in-20-cm-w-8-18-in-206-cm-d-10-12-in-267-cm-wt-3-lb-12-oz-1701-g-date-late-15th-early-16th-century-this-helmet-is-the-only-known-example-of-armor-to-survive-from-the-entire-nasrid-period-in-spain-1230-1492-traditionally-it-is-said-it-belonged-to-abd-abd-allah-muhammad-known-in-the-west-as-boabdil-the-last-nasrid-king-of-granada-reigned-1482-83-and-1487-92-before-it-was-reconquered-by-the-spanish-the-helmet-has-the-form-of-a-typical-spanish-sallet-of-the-late-fifteenth-century-with-c-image213073276.htmlRMPAJ93T–Helmet (Sallet). Culture: Spanish, possibly Granada. Dimensions: H. 7 7/8 in. (20 cm); W. 8 1/8 in. (20.6 cm); D. 10 1/2 in. (26.7 cm); Wt. 3 lb. 12 oz. (1701 g). Date: late 15th-early 16th century. This helmet is the only known example of armor to survive from the entire Nasrid period in Spain (1230-1492). Traditionally, it is said it belonged to Abd 'Abd Allah Muhammad, known in the West as Boabdil, the last Nasrid king of Granada (reigned 1482-83 and 1487-92) before it was reconquered by the Spanish. The helmet has the form of a typical Spanish sallet of the late fifteenth century, with c
D. Brandis Frølich, Lorenz 1820 - 1908, Em. Bærentzen's lithographiske Institut 1837 - 1874 Lithograph, Print Danske portrætter i kobberstik, litografi og træsnit: en beskrivende fortegnelse, P.B.C. Westergaard, Nr. 1492, C 3997:1-2 da, 1930-1933 D. Brandis Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/d-brandis-frlich-lorenz-1820-1908-em-brentzens-lithographiske-institut-1837-1874-lithograph-print-danske-portrtter-i-kobberstik-litografi-og-trsnit-en-beskrivende-fortegnelse-pbc-westergaard-nr-1492-c-39971-2-da-1930-1933-d-brandis-image613455963.htmlRM2XJ199F–D. Brandis Frølich, Lorenz 1820 - 1908, Em. Bærentzen's lithographiske Institut 1837 - 1874 Lithograph, Print Danske portrætter i kobberstik, litografi og træsnit: en beskrivende fortegnelse, P.B.C. Westergaard, Nr. 1492, C 3997:1-2 da, 1930-1933 D. Brandis
USA - 1869: An 15 cents brown and blue postage stamp depicting Landing of Columbus by John Vanderlyn. Artistic painting from the United States Capitol rotunda, is the tall central rotunda of the United States Capitol in Washington, D.C. It has been described as the Capitol's 'symbolic and physical heart'. Columbus landed in the West Indies, on San Salvador Island (Guanahani), on October 12, 1492. In the foreground, Christopher Columbus raises the royal banner to claim the land for Kingdom of Castile, and he stands bareheaded with his hat at his feet in honor of the sanctity of the event Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/usa-1869-an-15-cents-brown-and-blue-postage-stamp-depicting-landing-of-columbus-by-john-vanderlyn-artistic-painting-from-the-united-states-capitol-rotunda-is-the-tall-central-rotunda-of-the-united-states-capitol-in-washington-dc-it-has-been-described-as-the-capitols-symbolic-and-physical-heart-columbus-landed-in-the-west-indies-on-san-salvador-island-guanahani-on-october-12-1492-in-the-foreground-christopher-columbus-raises-the-royal-banner-to-claim-the-land-for-kingdom-of-castile-and-he-stands-bareheaded-with-his-hat-at-his-feet-in-honor-of-the-sanctity-of-the-event-image490384371.htmlRM2KDPX7F–USA - 1869: An 15 cents brown and blue postage stamp depicting Landing of Columbus by John Vanderlyn. Artistic painting from the United States Capitol rotunda, is the tall central rotunda of the United States Capitol in Washington, D.C. It has been described as the Capitol's 'symbolic and physical heart'. Columbus landed in the West Indies, on San Salvador Island (Guanahani), on October 12, 1492. In the foreground, Christopher Columbus raises the royal banner to claim the land for Kingdom of Castile, and he stands bareheaded with his hat at his feet in honor of the sanctity of the event
Marguerite de Navarre, 11.4.1492 - 21.12.1549, Queen of Navarra, author / writer, half length with pet, drawing by Jean Clouet (circa 1480 - 1540), Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-marguerite-de-navarre-1141492-21121549-queen-of-navarra-author-writer-23532876.htmlRMBA80BT–Marguerite de Navarre, 11.4.1492 - 21.12.1549, Queen of Navarra, author / writer, half length with pet, drawing by Jean Clouet (circa 1480 - 1540),
The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panels depicting an extensive landscape seen through the arches of an arcaded terrace, designed by Baccio Pontelli (d.1492), 15th century (wood); Palazzo Ducale, Urbino, Italy; out of copyright. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-study-of-federigo-da-montefeltro-duke-of-urbino-intarsia-panels-depicting-an-extensive-landscape-seen-through-the-arches-of-an-arcaded-terrace-designed-by-baccio-pontelli-d1492-15th-century-wood-palazzo-ducale-urbino-italy-out-of-copyright-image469978487.htmlRM2J8HA9Y–The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panels depicting an extensive landscape seen through the arches of an arcaded terrace, designed by Baccio Pontelli (d.1492), 15th century (wood); Palazzo Ducale, Urbino, Italy; out of copyright.
PIERO della FRANCESCA (b. 1416, Borgo San Sepolcro, d. 1492, Borgo San Sepolcro) Exaltation of the Cross: Heraclius's followers c. 1466 Fresco, 390 x 747 cm (full painitng) San Francesco, Arezzo *** Keywords: ************* Author: PIERO della FRANCESCA Title: Exaltation of the Cross: Heraclius's followers Time-line: 1451-1500 School: Italian Form: painting Type: religious Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piero-della-francesca-b-1416-borgo-san-sepolcro-d-1492-borgo-san-sepolcro-exaltation-of-the-cross-heracliuss-followers-c-1466-fresco-390-x-747-cm-full-painitng-san-francesco-arezzo-keywords-author-piero-della-francesca-title-exaltation-of-the-cross-heracliuss-followers-time-line-1451-1500-school-italian-form-painting-type-religious-image620348717.htmlRM2Y17939–PIERO della FRANCESCA (b. 1416, Borgo San Sepolcro, d. 1492, Borgo San Sepolcro) Exaltation of the Cross: Heraclius's followers c. 1466 Fresco, 390 x 747 cm (full painitng) San Francesco, Arezzo *** Keywords: ************* Author: PIERO della FRANCESCA Title: Exaltation of the Cross: Heraclius's followers Time-line: 1451-1500 School: Italian Form: painting Type: religious
The H Joris foot George, on foot, kills the dragon with his heavy d. Princess Cleodelinde watches and keeps his horse vast. Manufacturer : printmaker Master of the Amsterdam Cabinet to draft Master of the Amsterdam Cabinet Place manufacture: Germany Date: 1488 - 1492 Physical features: drypoint material: paper Technique: drypoint Dimensions: sheet: H 141 mm b × 114 mmToelichtingGoede pressure. Two specimens preserved, others in Bibliothèque Nationale, Parijs. Subject: non-miraculous activities and events St. George Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-h-joris-foot-george-on-foot-kills-the-dragon-with-his-heavy-d-princess-cleodelinde-watches-and-keeps-his-horse-vast-manufacturer-printmaker-master-of-the-amsterdam-cabinet-to-draft-master-of-the-amsterdam-cabinet-place-manufacture-germany-date-1488-1492-physical-features-drypoint-material-paper-technique-drypoint-dimensions-sheet-h-141-mm-b-114-mmtoelichtinggoede-pressure-two-specimens-preserved-others-in-bibliothque-nationale-parijs-subject-non-miraculous-activities-and-events-st-george-image348284813.htmlRM2B6HMR9–The H Joris foot George, on foot, kills the dragon with his heavy d. Princess Cleodelinde watches and keeps his horse vast. Manufacturer : printmaker Master of the Amsterdam Cabinet to draft Master of the Amsterdam Cabinet Place manufacture: Germany Date: 1488 - 1492 Physical features: drypoint material: paper Technique: drypoint Dimensions: sheet: H 141 mm b × 114 mmToelichtingGoede pressure. Two specimens preserved, others in Bibliothèque Nationale, Parijs. Subject: non-miraculous activities and events St. George
Marguerite de Navarre, 11.4.1492 - 21.12.1549, Queen of Navarra, author / writer, portrait, ink drawing after contemporary painting, 19th century, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-marguerite-de-navarre-1141492-21121549-queen-of-navarra-author-writer-23530832.htmlRMBA7WPT–Marguerite de Navarre, 11.4.1492 - 21.12.1549, Queen of Navarra, author / writer, portrait, ink drawing after contemporary painting, 19th century, Artist's Copyright has not to be cleared
Gemaskerde optocht, voorstellende de intocht van Ferdinand en Isabella teGranada, ter ere van de stichtingsdag van de Universiteit van Leiden Zilveren penning. Voorzijde: praalwagen met Moors wapentuig; afsnede: jaartal en signatuur. Keerzijde: blanco veld binnen omschrift. Manufacturer : Johannes Petrus SchoubergPlaats manufacture: Utrecht Dating: 1835 Material: zilver Techniek: slaan Dimensions: d 3,1 cm. × g 9,25 gr Date: 1492-01-02 - 1835-02-08 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gemaskerde-optocht-voorstellende-de-intocht-van-ferdinand-en-isabella-tegranada-ter-ere-van-de-stichtingsdag-van-de-universiteit-van-leiden-zilveren-penning-voorzijde-praalwagen-met-moors-wapentuig-afsnede-jaartal-en-signatuur-keerzijde-blanco-veld-binnen-omschrift-manufacturer-johannes-petrus-schoubergplaats-manufacture-utrecht-dating-1835-material-zilver-techniek-slaan-dimensions-d-31-cm-g-925-gr-date-1492-01-02-1835-02-08-image348374060.htmlRM2B6NPJM–Gemaskerde optocht, voorstellende de intocht van Ferdinand en Isabella teGranada, ter ere van de stichtingsdag van de Universiteit van Leiden Zilveren penning. Voorzijde: praalwagen met Moors wapentuig; afsnede: jaartal en signatuur. Keerzijde: blanco veld binnen omschrift. Manufacturer : Johannes Petrus SchoubergPlaats manufacture: Utrecht Dating: 1835 Material: zilver Techniek: slaan Dimensions: d 3,1 cm. × g 9,25 gr Date: 1492-01-02 - 1835-02-08
Columbus Appealing to the Superstition of the Natives, Illustration, Ridpath's History of the World, Volume III, by John Clark Ridpath, LL. D., Merrill & Baker Publishers, New York, 1897 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/columbus-appealing-to-the-superstition-of-the-natives-illustration-ridpaths-history-of-the-world-volume-iii-by-john-clark-ridpath-ll-d-merrill-baker-publishers-new-york-1897-image383282438.htmlRM2D7G0JE–Columbus Appealing to the Superstition of the Natives, Illustration, Ridpath's History of the World, Volume III, by John Clark Ridpath, LL. D., Merrill & Baker Publishers, New York, 1897
Adolf II and Philip of Cleves, lords of Ravenstein Koperen penning. Voorzijde: wapenschild binnen cirkel, opgebouwd uit verschillende bogen en omschrift. Keerzijde: monogram van de letters C en P binnen cirkel opgebouwd uit vier versierde bogen en omschrift Manufacturer : anoniem Dating: 1492 Physical kenmerken: koper Material: koper Techniek: slaan Dimensions: d 2,8 cm. × g 3,64 grOnderwerpWie: heer Ravenstein Adolf II van Kleef en Markheer van Ravenstein Filips van Kleef Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adolf-ii-and-philip-of-cleves-lords-of-ravenstein-koperen-penning-voorzijde-wapenschild-binnen-cirkel-opgebouwd-uit-verschillende-bogen-en-omschrift-keerzijde-monogram-van-de-letters-c-en-p-binnen-cirkel-opgebouwd-uit-vier-versierde-bogen-en-omschrift-manufacturer-anoniem-dating-1492-physical-kenmerken-koper-material-koper-techniek-slaan-dimensions-d-28-cm-g-364-gronderwerpwie-heer-ravenstein-adolf-ii-van-kleef-en-markheer-van-ravenstein-filips-van-kleef-image348113621.htmlRM2B69XD9–Adolf II and Philip of Cleves, lords of Ravenstein Koperen penning. Voorzijde: wapenschild binnen cirkel, opgebouwd uit verschillende bogen en omschrift. Keerzijde: monogram van de letters C en P binnen cirkel opgebouwd uit vier versierde bogen en omschrift Manufacturer : anoniem Dating: 1492 Physical kenmerken: koper Material: koper Techniek: slaan Dimensions: d 2,8 cm. × g 3,64 grOnderwerpWie: heer Ravenstein Adolf II van Kleef en Markheer van Ravenstein Filips van Kleef
Nov 01 2020 Monterey, CA, U.S.A. Acura Team Penske, # 06 Drivers J. Montoya/D. Cameron coming out of turn 11 during the Hyundai Monterey Sports Car Championship at Weathertech Laguna Seca Monterey, CA Thurman James/CSM Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nov-01-2020-monterey-ca-usa-acura-team-penske-06-drivers-j-montoyad-cameron-coming-out-of-turn-11-during-the-hyundai-monterey-sports-car-championship-at-weathertech-laguna-seca-monterey-ca-thurman-jamescsm-image384386172.htmlRM2D9A8DG–Nov 01 2020 Monterey, CA, U.S.A. Acura Team Penske, # 06 Drivers J. Montoya/D. Cameron coming out of turn 11 during the Hyundai Monterey Sports Car Championship at Weathertech Laguna Seca Monterey, CA Thurman James/CSM
Gothic art. 15th Century. Jaume Huguet (c. 1415-1492). Catalan painter. Altarpiece of the Saints Abdon and Senen (1460-1461). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gothic-art-15th-century-jaume-huguet-c-1415-1492-catalan-painter-altarpiece-39262438.htmlRMC7TFHX–Gothic art. 15th Century. Jaume Huguet (c. 1415-1492). Catalan painter. Altarpiece of the Saints Abdon and Senen (1460-1461).
Sture Sten Svantesson d.y. 1492-1520, and Kristina Gyllenstierna, 1494-1559, c16th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sture-sten-svantesson-dy-1492-1520-and-kristina-gyllenstierna-1494-1559-c16th-century-image565255755.htmlRM2RRHHDF–Sture Sten Svantesson d.y. 1492-1520, and Kristina Gyllenstierna, 1494-1559, c16th century.
Lutherstadt Wittenberg Marktplatz 6361 links Rathaus 16 Jh davor Denkmal f Melanchton rechts Türme d Stadtkirche 13-16 Jh vorn Reformations-Jubiläums- Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lutherstadt-wittenberg-marktplatz-6361-links-rathaus-16-jh-davor-denkmal-f-melanchton-rechts-trme-d-stadtkirche-13-16-jh-vorn-reformations-jubilums-image469349176.htmlRM2J7GKJG–Lutherstadt Wittenberg Marktplatz 6361 links Rathaus 16 Jh davor Denkmal f Melanchton rechts Türme d Stadtkirche 13-16 Jh vorn Reformations-Jubiläums-
Albrecht Dürer (Workshop) Success against France 1492/93 (the honorary gate of Emperor Maximilians I., separate edition of the historical representations, C 2.12). Woodcut 1515 (Separatausgabe D, deutsch, 1559) , 1515 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/albrecht-drer-workshop-success-against-france-149293-the-honorary-gate-of-emperor-maximilians-i-separate-edition-of-the-historical-representations-c-212-woodcut-1515-separatausgabe-d-deutsch-1559-1515-image572811868.htmlRM2T7WRAM–Albrecht Dürer (Workshop) Success against France 1492/93 (the honorary gate of Emperor Maximilians I., separate edition of the historical representations, C 2.12). Woodcut 1515 (Separatausgabe D, deutsch, 1559) , 1515
. 1v: Schreiberbild (Evangelist Johannes?) 2r: Initiale D, Heilige Klara, Heiliger Franziskus Badische Landesbibliothek, Karlsruhe, Codex Tennenbach 4, Doppelseite: fol. 1v-2r. before 1492. This file is lacking author information. 137 Codex Tennenbach 4 001v-002r Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1v-schreiberbild-evangelist-johannes-2r-initiale-d-heilige-klara-heiliger-franziskus-badische-landesbibliothek-karlsruhe-codex-tennenbach-4-doppelseite-fol-1v-2r-before-1492-this-file-is-lacking-author-information-137-codex-tennenbach-4-001v-002r-image188245928.htmlRMMX79GT–. 1v: Schreiberbild (Evangelist Johannes?) 2r: Initiale D, Heilige Klara, Heiliger Franziskus Badische Landesbibliothek, Karlsruhe, Codex Tennenbach 4, Doppelseite: fol. 1v-2r. before 1492. This file is lacking author information. 137 Codex Tennenbach 4 001v-002r
Kristina Gyllenstierna and Sten Svantesson Sture d.y, Sture Sten Svantesson d.y, 1492-1520, and Kristina Gyllenstierna, 1494-1559, painting, Christina Gyllenstierna, Oil on canvas, Height, 43 cm (16.9 inches), Width, 57 cm (22.4 inches) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kristina-gyllenstierna-and-sten-svantesson-sture-dy-sture-sten-svantesson-dy-1492-1520-and-kristina-gyllenstierna-1494-1559-painting-christina-gyllenstierna-oil-on-canvas-height-43-cm-169-inches-width-57-cm-224-inches-image261307143.htmlRMW53FWY–Kristina Gyllenstierna and Sten Svantesson Sture d.y, Sture Sten Svantesson d.y, 1492-1520, and Kristina Gyllenstierna, 1494-1559, painting, Christina Gyllenstierna, Oil on canvas, Height, 43 cm (16.9 inches), Width, 57 cm (22.4 inches)
Art inspired by Scarab, New Kingdom, Dynasty 18, ca. 1492–1479 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Tomb CC 37, Burial 59 D, Carnarvon excavations, 1911, Glazed steatite, L. 1.5 cm (9/16 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-scarab-new-kingdom-dynasty-18-ca-14921479-bc-from-egypt-upper-egypt-thebes-asasif-tomb-cc-37-burial-59-d-carnarvon-excavations-1911-glazed-steatite-l-15-cm-916-in-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462856978.htmlRF2HW0XPA–Art inspired by Scarab, New Kingdom, Dynasty 18, ca. 1492–1479 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Tomb CC 37, Burial 59 D, Carnarvon excavations, 1911, Glazed steatite, L. 1.5 cm (9/16 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Garden Scene with Princes and Attendants, 15th century, 6 x 3 1/2 in. (15.24 x 8.89 cm), Ink, colors, and gold on paper, Iran or Turkey, 15th century, A beautiful arrangement of forms and richly orchestrated colors, rather than the illustration of a specific narrative, distinguishes this lovely miniature. The romantic fairyland world it depicts is drawn from the work of the well-known Persian author Sa'di. The mystical-didactic writings of Sufi poet-scholars Sa'di (13th century) and Tamu (d. 1492) were immensely popular. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/garden-scene-with-princes-and-attendants-15th-century-6-x-3-12-in-1524-x-889-cm-ink-colors-and-gold-on-paper-iran-or-turkey-15th-century-a-beautiful-arrangement-of-forms-and-richly-orchestrated-colors-rather-than-the-illustration-of-a-specific-narrative-distinguishes-this-lovely-miniature-the-romantic-fairyland-world-it-depicts-is-drawn-from-the-work-of-the-well-known-persian-author-sadi-the-mystical-didactic-writings-of-sufi-poet-scholars-sadi-13th-century-and-tamu-d-1492-were-immensely-popular-image573508527.htmlRM2T91FYB–Garden Scene with Princes and Attendants, 15th century, 6 x 3 1/2 in. (15.24 x 8.89 cm), Ink, colors, and gold on paper, Iran or Turkey, 15th century, A beautiful arrangement of forms and richly orchestrated colors, rather than the illustration of a specific narrative, distinguishes this lovely miniature. The romantic fairyland world it depicts is drawn from the work of the well-known Persian author Sa'di. The mystical-didactic writings of Sufi poet-scholars Sa'di (13th century) and Tamu (d. 1492) were immensely popular.
Canopic box of Hatnefer. Dimensions: Box: H. ca. 53 cm (20 7/8 in.) ; W. 52 cm (20 1/2 in.); D. 51.5 cm (20 1/4 in.) Lid: H. of lid 2.5 cm (1 in.); W. 51 cm (20 1/16 in.); D. 51 cm (20 1/16 in.) Overall: H. 55 cm (21 5/8 in..); L. of sledge 79 cm (31 1/8 in.). Dynasty: Dynasty 18, early. Reign: reign of Thutmose II-Early Joint reign. Date: ca. 1492-1473 B.C.. In 1936, the Museum's Egyptian Expedition discovered a rock-cut tomb on a hillside just below the offering chapel of Senenmut, one of Hatshepsut's best known officials. The tomb had been prepared for the burial of Senenmut's mother, Ha Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/canopic-box-of-hatnefer-dimensions-box-h-ca-53-cm-20-78-in-w-52-cm-20-12-in-d-515-cm-20-14-in-lid-h-of-lid-25-cm-1-in-w-51-cm-20-116-in-d-51-cm-20-116-in-overall-h-55-cm-21-58-in-l-of-sledge-79-cm-31-18-in-dynasty-dynasty-18-early-reign-reign-of-thutmose-ii-early-joint-reign-date-ca-1492-1473-bc-in-1936-the-museums-egyptian-expedition-discovered-a-rock-cut-tomb-on-a-hillside-just-below-the-offering-chapel-of-senenmut-one-of-hatshepsuts-best-known-officials-the-tomb-had-been-prepared-for-the-burial-of-senenmuts-mother-ha-image213147382.htmlRMPANKJE–Canopic box of Hatnefer. Dimensions: Box: H. ca. 53 cm (20 7/8 in.) ; W. 52 cm (20 1/2 in.); D. 51.5 cm (20 1/4 in.) Lid: H. of lid 2.5 cm (1 in.); W. 51 cm (20 1/16 in.); D. 51 cm (20 1/16 in.) Overall: H. 55 cm (21 5/8 in..); L. of sledge 79 cm (31 1/8 in.). Dynasty: Dynasty 18, early. Reign: reign of Thutmose II-Early Joint reign. Date: ca. 1492-1473 B.C.. In 1936, the Museum's Egyptian Expedition discovered a rock-cut tomb on a hillside just below the offering chapel of Senenmut, one of Hatshepsut's best known officials. The tomb had been prepared for the burial of Senenmut's mother, Ha
Three short Sufi works, Colophon, This is an illuminated manuscript comprised of three short works on Sufism by Nūr al-Dīn ʿAbd al-Raḥmān Jāmī (d. 898 AH / 1492 CE), produced in Safavid Iran. The first work is called Lavāyiḥ and consists of a collection of apophthegms. The second work is a commentary on the famous Arabic 'Wine poem' (Khamrīyah) by ʿUmar ibn Fāriḍ (d. 632 AH / 1235 CE). The third work is a commentary on the 'Song of the flute' from the beginning of the Mas̱navī of Jalāl al-Dīn Rūmī (d. 672 AH / 1273 CE) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/three-short-sufi-works-colophon-this-is-an-illuminated-manuscript-comprised-of-three-short-works-on-sufism-by-nr-al-dn-abd-al-ramn-jm-d-898-ah-1492-ce-produced-in-safavid-iran-the-first-work-is-called-lavyi-and-consists-of-a-collection-of-apophthegms-the-second-work-is-a-commentary-on-the-famous-arabic-wine-poem-khamryah-by-umar-ibn-fri-d-632-ah-1235-ce-the-third-work-is-a-commentary-on-the-song-of-the-flute-from-the-beginning-of-the-masnav-of-jall-al-dn-rm-d-672-ah-1273-ce-image573473754.htmlRM2T8YYHE–Three short Sufi works, Colophon, This is an illuminated manuscript comprised of three short works on Sufism by Nūr al-Dīn ʿAbd al-Raḥmān Jāmī (d. 898 AH / 1492 CE), produced in Safavid Iran. The first work is called Lavāyiḥ and consists of a collection of apophthegms. The second work is a commentary on the famous Arabic 'Wine poem' (Khamrīyah) by ʿUmar ibn Fāriḍ (d. 632 AH / 1235 CE). The third work is a commentary on the 'Song of the flute' from the beginning of the Mas̱navī of Jalāl al-Dīn Rūmī (d. 672 AH / 1273 CE)
Scarab ca. 1492–1479 B.C. New Kingdom. Scarab. ca. 1492–1479 B.C.. Glazed steatite. New Kingdom. From Egypt, Upper Egypt, Thebes, Asasif, Tomb CC 37, Burial 59 D, Carnarvon excavations, 1911. Dynasty 18 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scarab-ca-14921479-bc-new-kingdom-scarab-ca-14921479-bc-glazed-steatite-new-kingdom-from-egypt-upper-egypt-thebes-asasif-tomb-cc-37-burial-59-d-carnarvon-excavations-1911-dynasty-18-image458133770.htmlRM2HH9P8A–Scarab ca. 1492–1479 B.C. New Kingdom. Scarab. ca. 1492–1479 B.C.. Glazed steatite. New Kingdom. From Egypt, Upper Egypt, Thebes, Asasif, Tomb CC 37, Burial 59 D, Carnarvon excavations, 1911. Dynasty 18
The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting a display of sections of armour in a curtained cupboard, designed by Baccio Pontelli (d.1492), 15th century (wood); Palazzo Ducale, Urbino, Italy; out of copyright. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-study-of-federigo-da-montefeltro-duke-of-urbino-intarsia-panelling-depicting-a-display-of-sections-of-armour-in-a-curtained-cupboard-designed-by-baccio-pontelli-d1492-15th-century-wood-palazzo-ducale-urbino-italy-out-of-copyright-image469978494.htmlRM2J8HAA6–The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting a display of sections of armour in a curtained cupboard, designed by Baccio Pontelli (d.1492), 15th century (wood); Palazzo Ducale, Urbino, Italy; out of copyright.
PIERO della FRANCESCA (b. 1416, Borgo San Sepolcro, d. 1492, Borgo San Sepolcro) Adoration of the Holy Wood (detail) c. 1452 Fresco, 336 x 747 cm (full painting) San Francesco, Arezzo *** Keywords: ************* Author: PIERO della FRANCESCA Title: Adoration of the Holy Wood (detail) Time-line: 1451-1500 School: Italian Form: painting Type: religious Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piero-della-francesca-b-1416-borgo-san-sepolcro-d-1492-borgo-san-sepolcro-adoration-of-the-holy-wood-detail-c-1452-fresco-336-x-747-cm-full-painting-san-francesco-arezzo-keywords-author-piero-della-francesca-title-adoration-of-the-holy-wood-detail-time-line-1451-1500-school-italian-form-painting-type-religious-image620348121.htmlRM2Y178A1–PIERO della FRANCESCA (b. 1416, Borgo San Sepolcro, d. 1492, Borgo San Sepolcro) Adoration of the Holy Wood (detail) c. 1452 Fresco, 336 x 747 cm (full painting) San Francesco, Arezzo *** Keywords: ************* Author: PIERO della FRANCESCA Title: Adoration of the Holy Wood (detail) Time-line: 1451-1500 School: Italian Form: painting Type: religious
Scarab ca. 1492–1479 B.C. New Kingdom. Scarab. ca. 1492–1479 B.C.. Green glazed steatite. New Kingdom. From Egypt, Upper Egypt, Thebes, Asasif, Tomb CC 37, Burial 59 D, Carnarvon excavations, 1911. Dynasty 18 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scarab-ca-14921479-bc-new-kingdom-scarab-ca-14921479-bc-green-glazed-steatite-new-kingdom-from-egypt-upper-egypt-thebes-asasif-tomb-cc-37-burial-59-d-carnarvon-excavations-1911-dynasty-18-image458068009.htmlRM2HH6PBN–Scarab ca. 1492–1479 B.C. New Kingdom. Scarab. ca. 1492–1479 B.C.. Green glazed steatite. New Kingdom. From Egypt, Upper Egypt, Thebes, Asasif, Tomb CC 37, Burial 59 D, Carnarvon excavations, 1911. Dynasty 18
Francesco I d Este Duke of Modena his wife Maria Farnese and their children Isabella and Alfonso by Justus Sustermans Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-francesco-i-d-este-duke-of-modena-his-wife-maria-farnese-and-their-147546289.htmlRMJG18P9–Francesco I d Este Duke of Modena his wife Maria Farnese and their children Isabella and Alfonso by Justus Sustermans
David van Bourgondie, bishop of Utrecht, Anonymous, 1492 - 1496 live Copper medal. Front: coat of arms, surrounded by four tubular boxes within pearl edge and by four coat of arms interrupted inversion. Downside: portrait of standing, crowned man, representing King David, with harp and scepter between inscription; Between his feet shield with letter D inside pearl edge and reversal Utrecht copper (metal) striking (metalworking) Utrecht Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/david-van-bourgondie-bishop-of-utrecht-anonymous-1492-1496-live-copper-medal-front-coat-of-arms-surrounded-by-four-tubular-boxes-within-pearl-edge-and-by-four-coat-of-arms-interrupted-inversion-downside-portrait-of-standing-crowned-man-representing-king-david-with-harp-and-scepter-between-inscription-between-his-feet-shield-with-letter-d-inside-pearl-edge-and-reversal-utrecht-copper-metal-striking-metalworking-utrecht-image590697688.htmlRM2W90GX0–David van Bourgondie, bishop of Utrecht, Anonymous, 1492 - 1496 live Copper medal. Front: coat of arms, surrounded by four tubular boxes within pearl edge and by four coat of arms interrupted inversion. Downside: portrait of standing, crowned man, representing King David, with harp and scepter between inscription; Between his feet shield with letter D inside pearl edge and reversal Utrecht copper (metal) striking (metalworking) Utrecht
Marguerite de Navarre, 11.4.1492 - 21.12.1549, Queen of Navarra, author / writer, portrait, lithograph by Zephirin Belliard, after contemporary painting, 19th century, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-marguerite-de-navarre-1141492-21121549-queen-of-navarra-author-writer-23530828.htmlRMBA7WPM–Marguerite de Navarre, 11.4.1492 - 21.12.1549, Queen of Navarra, author / writer, portrait, lithograph by Zephirin Belliard, after contemporary painting, 19th century, Artist's Copyright has not to be cleared
David of Burgundy, bishop of Utrecht Koperen penning. Voorzijde: wapenschild, omringd door vier tondeldozen binnen parelrand en door vier wapenschild onderbroken omschrift. Keerzijde: portret van staande, gekroonde man, voorstellende koning David, met harp en scepter tussen opschrift; tussen zijn voeten schild met letter D binnen parelrand en omschrift Manufacturer : anoniemPlaats manufacture: Utrecht Dating: 1492 - 1496 Physical kenmerken: koper Material: koper Techniek: slaan Dimensions: d 2,7 cm. × g 2,42 grOnderwerp Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/david-of-burgundy-bishop-of-utrecht-koperen-penning-voorzijde-wapenschild-omringd-door-vier-tondeldozen-binnen-parelrand-en-door-vier-wapenschild-onderbroken-omschrift-keerzijde-portret-van-staande-gekroonde-man-voorstellende-koning-david-met-harp-en-scepter-tussen-opschrift-tussen-zijn-voeten-schild-met-letter-d-binnen-parelrand-en-omschrift-manufacturer-anoniemplaats-manufacture-utrecht-dating-1492-1496-physical-kenmerken-koper-material-koper-techniek-slaan-dimensions-d-27-cm-g-242-gronderwerp-image348282649.htmlRM2B6HJ21–David of Burgundy, bishop of Utrecht Koperen penning. Voorzijde: wapenschild, omringd door vier tondeldozen binnen parelrand en door vier wapenschild onderbroken omschrift. Keerzijde: portret van staande, gekroonde man, voorstellende koning David, met harp en scepter tussen opschrift; tussen zijn voeten schild met letter D binnen parelrand en omschrift Manufacturer : anoniemPlaats manufacture: Utrecht Dating: 1492 - 1496 Physical kenmerken: koper Material: koper Techniek: slaan Dimensions: d 2,7 cm. × g 2,42 grOnderwerp
The disease of the Sambi bishopric obtained in 1410, according to the illustration of Stanis Awa Durinka from Kraków from the priest of Jan D Zegosz, 'Banderia Prutenorum' from 1448; Lesser, Aleksander (1814-1884), Durink, Stanis Aw (ante 1430-ante 1492); 1830-1884 (1830-00-00-1884-00-00);Battle of Grunwald (1410), Długosz, Jan (1415-1480). Bandera Prutenorum ... (Baron - 1853-1935) - collection, banners, gift (provenance), Sambi diocese (Prussia), copies, military, lenses, banners, fabrics, military Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-disease-of-the-sambi-bishopric-obtained-in-1410-according-to-the-illustration-of-stanis-awa-durinka-from-krakw-from-the-priest-of-jan-d-zegosz-banderia-prutenorum-from-1448-lesser-aleksander-1814-1884-durink-stanis-aw-ante-1430-ante-1492-1830-1884-1830-00-00-1884-00-00battle-of-grunwald-1410-dugosz-jan-1415-1480-bandera-prutenorum-baron-1853-1935-collection-banners-gift-provenance-sambi-diocese-prussia-copies-military-lenses-banners-fabrics-military-image598706697.htmlRM2WP1CE1–The disease of the Sambi bishopric obtained in 1410, according to the illustration of Stanis Awa Durinka from Kraków from the priest of Jan D Zegosz, 'Banderia Prutenorum' from 1448; Lesser, Aleksander (1814-1884), Durink, Stanis Aw (ante 1430-ante 1492); 1830-1884 (1830-00-00-1884-00-00);Battle of Grunwald (1410), Długosz, Jan (1415-1480). Bandera Prutenorum ... (Baron - 1853-1935) - collection, banners, gift (provenance), Sambi diocese (Prussia), copies, military, lenses, banners, fabrics, military
The Holy Family in a vaulted room Mary with the Christ Child and Anna, Joseph and Joachim behind them. Spirit as pigeon in the lucht. Manufacturer : print maker, Master of the Amsterdam Cabinet To own design of Master of the Amsterdam Cabinet Place manufacture: Germany Date: 1488 - 1492 Physical characteristics: dry-point, colored with yellow-brown watercolor and heightened with opaque white (oxidized) Material : paper Technique: dry point / hand color / brush dimensions: sheet: h (cut-off lower side) 149 mm × b 95 mmToelichtingGoede pressure. Two exmplaren Save: d, other Kunsthalle, Hamburg. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-holy-family-in-a-vaulted-room-mary-with-the-christ-child-and-anna-joseph-and-joachim-behind-them-spirit-as-pigeon-in-the-lucht-manufacturer-print-maker-master-of-the-amsterdam-cabinet-to-own-design-of-master-of-the-amsterdam-cabinet-place-manufacture-germany-date-1488-1492-physical-characteristics-dry-point-colored-with-yellow-brown-watercolor-and-heightened-with-opaque-white-oxidized-material-paper-technique-dry-point-hand-color-brush-dimensions-sheet-h-cut-off-lower-side-149-mm-b-95-mmtoelichtinggoede-pressure-two-exmplaren-save-d-other-kunsthalle-hamburg-image348284895.htmlRM2B6HMX7–The Holy Family in a vaulted room Mary with the Christ Child and Anna, Joseph and Joachim behind them. Spirit as pigeon in the lucht. Manufacturer : print maker, Master of the Amsterdam Cabinet To own design of Master of the Amsterdam Cabinet Place manufacture: Germany Date: 1488 - 1492 Physical characteristics: dry-point, colored with yellow-brown watercolor and heightened with opaque white (oxidized) Material : paper Technique: dry point / hand color / brush dimensions: sheet: h (cut-off lower side) 149 mm × b 95 mmToelichtingGoede pressure. Two exmplaren Save: d, other Kunsthalle, Hamburg.
In the Sevilla Cathedral Southern Spain is the mausoleum monument and ornate tomb of Christopher Columbus where four heralds d Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-in-the-sevilla-cathedral-southern-spain-is-the-mausoleum-monument-12753867.htmlRFAB28HG–In the Sevilla Cathedral Southern Spain is the mausoleum monument and ornate tomb of Christopher Columbus where four heralds d
Lutherstadt Wittenberg Marktplatz 6360 links Rathaus 16 Jh rechts Türme d Stadtkirche 13-16 Jh auf d Platzfläche Denkmäler f Melanchton u Luther 19 Jh Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lutherstadt-wittenberg-marktplatz-6360-links-rathaus-16-jh-rechts-trme-d-stadtkirche-13-16-jh-auf-d-platzflche-denkmler-f-melanchton-u-luther-19-jh-image469349172.htmlRM2J7GKJC–Lutherstadt Wittenberg Marktplatz 6360 links Rathaus 16 Jh rechts Türme d Stadtkirche 13-16 Jh auf d Platzfläche Denkmäler f Melanchton u Luther 19 Jh
Eataly, Chef, foodstore, square, XII, October, 1492, Rome, Lazio, Italy, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eataly-chef-foodstore-square-xii-october-1492-rome-lazio-italy-europe-image415129724.htmlRM2F3AP5G–Eataly, Chef, foodstore, square, XII, October, 1492, Rome, Lazio, Italy, Europe
. 1v: Schreiberbild (Evangelist Johannes?) 2r: Initiale D, Heilige Klara, Heiliger Franziskus Badische Landesbibliothek, Karlsruhe, Codex Tennenbach 4, Doppelseite: fol. 1v-2r. before 1492. This file is lacking author information. 118 Codex Tennenbach 4 001v-002r Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1v-schreiberbild-evangelist-johannes-2r-initiale-d-heilige-klara-heiliger-franziskus-badische-landesbibliothek-karlsruhe-codex-tennenbach-4-doppelseite-fol-1v-2r-before-1492-this-file-is-lacking-author-information-118-codex-tennenbach-4-001v-002r-image188989297.htmlRMMYD5NN–. 1v: Schreiberbild (Evangelist Johannes?) 2r: Initiale D, Heilige Klara, Heiliger Franziskus Badische Landesbibliothek, Karlsruhe, Codex Tennenbach 4, Doppelseite: fol. 1v-2r. before 1492. This file is lacking author information. 118 Codex Tennenbach 4 001v-002r
Festival of Insects, 1600s-1800s. The monk-painter Bokusai is well known in Japan as a disciple of Ikkyu Sojun and an accomplished portrait artist. His sketch-portrait of Ikkyu in the Tokyo National Museum is one of the masterpieces of portraiture in the world. Here he has fashioned an amusing but enigmatic scene reminiscent of a village festival procession, complete with music, dancing, and a float. It is surely a Zen parable turned into a picture, but one as yet unrecognized by scholars or clarified in Bokusai’s lengthy inscription. The originality of the idea as well as its execution Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/festival-of-insects-1600s-1800s-the-monk-painter-bokusai-is-well-known-in-japan-as-a-disciple-of-ikkyu-sojun-and-an-accomplished-portrait-artist-his-sketch-portrait-of-ikkyu-in-the-tokyo-national-museum-is-one-of-the-masterpieces-of-portraiture-in-the-world-here-he-has-fashioned-an-amusing-but-enigmatic-scene-reminiscent-of-a-village-festival-procession-complete-with-music-dancing-and-a-float-it-is-surely-a-zen-parable-turned-into-a-picture-but-one-as-yet-unrecognized-by-scholars-or-clarified-in-bokusaix2019s-lengthy-inscription-the-originality-of-the-idea-as-well-as-its-execution-image330088877.htmlRM2A50RMD–Festival of Insects, 1600s-1800s. The monk-painter Bokusai is well known in Japan as a disciple of Ikkyu Sojun and an accomplished portrait artist. His sketch-portrait of Ikkyu in the Tokyo National Museum is one of the masterpieces of portraiture in the world. Here he has fashioned an amusing but enigmatic scene reminiscent of a village festival procession, complete with music, dancing, and a float. It is surely a Zen parable turned into a picture, but one as yet unrecognized by scholars or clarified in Bokusai’s lengthy inscription. The originality of the idea as well as its execution
