Shard: Shoulder of Offerer with Crosshatching, Pakistan, ca. 4th–5th century, Pakistan, Painted terracotta, 2 x 2 3/4 in. (5.1 x 7.0 cm), Ceramics
Shard: Shoulder of Offerer with Crosshatching, Pakistan, ca. 4th–5th century, Pakistan, Painted terracotta, 2 x 2 3/4 in. (5.1 x 7.0 cm), Ceramics https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/shard-shoulder-of-offerer-with-crosshatching-pakistan-ca-4th5th-century-pakistan-painted-terracotta-2-x-2-34-in-51-x-70-cm-ceramics-image344592575.html
Mug with Interlocking Geometric Pattern with Zigzag Motifs and Crosshatching, A.D. 1100/1275, Ancestral Pueblo (Anasazi), Mesa Verde Black-on-white, Southwest, United States, Southwest, Ceramic and pigment, 11.4 x 9.5 cm (4 1/2 x 3 3/4 in.), Happi (Chair Cover), Meiji period (1868–1912), 1870/90, Japan, Silk, gold-leaf-over-lacquered-paper strip, warp-float faced 2:1 ‘Z’ twill weave with weft-float faced 1:2 ‘Z’ interlacings of secondary binding warps and supplementary patterning wefts, lined with silk, plain weave, 147.4 x 207 cm (58 1/4 x 81 1/2 in.), Mizuhiki (Temple Banner), late Edo per
Mug with Interlocking Geometric Pattern with Zigzag Motifs and Crosshatching, A.D. 1100/1275, Ancestral Pueblo (Anasazi), Mesa Verde Black-on-white, Southwest, United States, Southwest, Ceramic and pigment, 11.4 x 9.5 cm (4 1/2 x 3 3/4 in.), Happi (Chair Cover), Meiji period (1868–1912), 1870/90, Japan, Silk, gold-leaf-over-lacquered-paper strip, warp-float faced 2:1 ‘Z’ twill weave with weft-float faced 1:2 ‘Z’ interlacings of secondary binding warps and supplementary patterning wefts, lined with silk, plain weave, 147.4 x 207 cm (58 1/4 x 81 1/2 in.), Mizuhiki (Temple Banner), late Edo per https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mug-with-interlocking-geometric-pattern-with-zigzag-motifs-and-crosshatching-ad-11001275-ancestral-pueblo-anasazi-mesa-verde-black-on-white-southwest-united-states-southwest-ceramic-and-pigment-114-x-95-cm-4-12-x-3-34-in-happi-chair-cover-meiji-period-18681912-187090-japan-silk-gold-leaf-over-lacquered-paper-strip-warp-float-faced-21-z-twill-weave-with-weft-float-faced-12-z-interlacings-of-secondary-binding-warps-and-supplementary-patterning-wefts-lined-with-silk-plain-weave-1474-x-207-cm-58-14-x-81-12-in-mizuhiki-temple-banner-late-edo-per-image349730731.html
Yellow crosshatching on pavement outside pub door
Yellow crosshatching on pavement outside pub door https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/yellow-crosshatching-on-pavement-outside-pub-door-image364825560.html
White closeup crosshatching textured background.
White closeup crosshatching textured background. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/white-closeup-crosshatching-textured-background-image219478122.html
Painted Valentine2
Painted Valentine2 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/painted-valentine2-image397518812.html
Subtle and elegant textured vector seamless pattern background.
Subtle and elegant textured vector seamless pattern background. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/subtle-and-elegant-textured-vector-seamless-pattern-background-image343957656.html
A German National Prize for Science and Technology III Class., Awarded to Professor Kurd von Bülow in 1954. Gold. 16.36 g with the ribbon. The clasp has crosshatching and the hallmark '900' on the reverse side. In a red leather case stamped in gold. A large format presentation document with Wilhelm Pieck's original signature and with a wax seal in a gold stamped, red leather folder, and identification card for the holder of the award. Bülow was Professor of Geology at the University of Rostock, Director of the Geological-Paleontological Institute, and the autho,
A German National Prize for Science and Technology III Class., Awarded to Professor Kurd von Bülow in 1954. Gold. 16.36 g with the ribbon. The clasp has crosshatching and the hallmark '900' on the reverse side. In a red leather case stamped in gold. A large format presentation document with Wilhelm Pieck's original signature and with a wax seal in a gold stamped, red leather folder, and identification card for the holder of the award. Bülow was Professor of Geology at the University of Rostock, Director of the Geological-Paleontological Institute, and the autho, https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-a-german-national-prize-for-science-and-technology-iii-class-awarded-19833538.html
Black and white etching, executed with heavy crosshatching, depicting the shadowy figure of a man, seen from the back, wearing tails and a top hat, following an equally amorphous female figure, wearing a cloche hat and a billowing dress coat in orientalized Victorian vogue, as she climbs a flight of stairs; captioned 'Essai naturaliste: un homme suit une femme qui monte un escalier.', 1867. (Naturalism Test: A Man Follows a Woman up a Stairway); numbered, with the words 'O Naturel' etched in the upper left corner; by the illustrator Felix Bracquemond. From the New York Public Library. ()
Black and white etching, executed with heavy crosshatching, depicting the shadowy figure of a man, seen from the back, wearing tails and a top hat, following an equally amorphous female figure, wearing a cloche hat and a billowing dress coat in orientalized Victorian vogue, as she climbs a flight of stairs; captioned 'Essai naturaliste: un homme suit une femme qui monte un escalier.', 1867. (Naturalism Test: A Man Follows a Woman up a Stairway); numbered, with the words 'O Naturel' etched in the upper left corner; by the illustrator Felix Bracquemond. From the New York Public Library. () https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/black-and-white-etching-executed-with-heavy-crosshatching-depicting-the-shadowy-figure-of-a-man-seen-from-the-back-wearing-tails-and-a-top-hat-following-an-equally-amorphous-female-figure-wearing-a-cloche-hat-and-a-billowing-dress-coat-in-orientalized-victorian-vogue-as-she-climbs-a-flight-of-stairs-captioned-essai-naturaliste-un-homme-suit-une-femme-qui-monte-un-escalier-1867-naturalism-test-a-man-follows-a-woman-up-a-stairway-numbered-with-the-words-o-naturel-etched-in-the-upper-left-corner-by-the-illustrator-felix-bracquemond-from-the-new-york-public-library-image245177572.html
Handmade bamboo sieve with green crosshatching pattern. Storage basket
Handmade bamboo sieve with green crosshatching pattern. Storage basket https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/handmade-bamboo-sieve-with-green-crosshatching-pattern-storage-basket-image395904613.html
Mug with Interlocking Geometric Pattern with Zigzag Motifs and Crosshatching - A.D. 1100/1275 - Ancestral Pueblo (Anasazi), Mesa Verde Black-on-white
Mug with Interlocking Geometric Pattern with Zigzag Motifs and Crosshatching - A.D. 1100/1275 - Ancestral Pueblo (Anasazi), Mesa Verde Black-on-white https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mug-with-interlocking-geometric-pattern-with-zigzag-motifs-and-crosshatching-ad-11001275-ancestral-pueblo-anasazi-mesa-verde-black-on-white-image235964824.html
English: Early 20th century crosshatching of Railroad Executive Samuel Sloan . 1907 339 SamSloancrosshatch
English: Early 20th century crosshatching of Railroad Executive Samuel Sloan . 1907 339 SamSloancrosshatch https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-early-20th-century-crosshatching-of-railroad-executive-samuel-sloan-1907-339-samsloancrosshatch-image211349436.html
Ancestral Pueblo (Anasazi). Mug with Interlocking Geometric Pattern with Zigzag Motifs and Crosshatching. 1100–1275. Southwest. Ceramic and pigment
Ancestral Pueblo (Anasazi). Mug with Interlocking Geometric Pattern with Zigzag Motifs and Crosshatching. 1100–1275. Southwest. Ceramic and pigment https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/ancestral-pueblo-anasazi-mug-with-interlocking-geometric-pattern-with-zigzag-motifs-and-crosshatching-11001275-southwest-ceramic-and-pigment-image337923398.html
Mug with Interlocking Geometric Pattern with Zigzag Motifs and Crosshatching. Ancestral Pueblo (Anasazi), Mesa Verde Black-on-white; Southwest, United States. Date: 1100-1275. Dimensions: 11.4 x 9.5 cm (4 1/2 x 3 3/4 in.). Ceramic and pigment. Origin: Southwest. Museum: The Chicago Art Institute.
Mug with Interlocking Geometric Pattern with Zigzag Motifs and Crosshatching. Ancestral Pueblo (Anasazi), Mesa Verde Black-on-white; Southwest, United States. Date: 1100-1275. Dimensions: 11.4 x 9.5 cm (4 1/2 x 3 3/4 in.). Ceramic and pigment. Origin: Southwest. Museum: The Chicago Art Institute. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mug-with-interlocking-geometric-pattern-with-zigzag-motifs-and-crosshatching-ancestral-pueblo-anasazi-mesa-verde-black-on-white-southwest-united-states-date-1100-1275-dimensions-114-x-95-cm-4-12-x-3-34-in-ceramic-and-pigment-origin-southwest-museum-the-chicago-art-institute-image239912873.html
The Holy Trinity, 1511. The Holy Trinity represents the pinnacle of Dürer's achievement in woodcut. Using a system of parallel lines, crosshatching, and dashes of varying densities, he attained a wide range of tone and an extremely subtle representation of three-dimensional forms and spatial depth. In addition, he utilized white areas of the paper to heighten parts of the composition for an intensely dramatic effect.
The Holy Trinity, 1511. The Holy Trinity represents the pinnacle of Dürer's achievement in woodcut. Using a system of parallel lines, crosshatching, and dashes of varying densities, he attained a wide range of tone and an extremely subtle representation of three-dimensional forms and spatial depth. In addition, he utilized white areas of the paper to heighten parts of the composition for an intensely dramatic effect. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-holy-trinity-1511-the-holy-trinity-represents-the-pinnacle-of-dxfcrers-achievement-in-woodcut-using-a-system-of-parallel-lines-crosshatching-and-dashes-of-varying-densities-he-attained-a-wide-range-of-tone-and-an-extremely-subtle-representation-of-three-dimensional-forms-and-spatial-depth-in-addition-he-utilized-white-areas-of-the-paper-to-heighten-parts-of-the-composition-for-an-intensely-dramatic-effect-image330128133.html
. Bulletin. Natural history; Natural history. Fig. 215.—Distribution of Thamnopliis sauri- tus. Vertical hatching indicates the presumed range of the subspecies proximus in Illinois; crosshatching, the area of intergradation be- tween the subspecies proximus and sauritus; solid circles indicate localities represented by specimens examined during this study; open circles, localities represented by published records believed to be valid. The species may no longer occur in the middle and eastern counties. The lower map depicts the total range of the species in the United States. are believed vali
. Bulletin. Natural history; Natural history. Fig. 215.—Distribution of Thamnopliis sauri- tus. Vertical hatching indicates the presumed range of the subspecies proximus in Illinois; crosshatching, the area of intergradation be- tween the subspecies proximus and sauritus; solid circles indicate localities represented by specimens examined during this study; open circles, localities represented by published records believed to be valid. The species may no longer occur in the middle and eastern counties. The lower map depicts the total range of the species in the United States. are believed vali https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/bulletin-natural-history-natural-history-fig-215distribution-of-thamnopliis-sauri-tus-vertical-hatching-indicates-the-presumed-range-of-the-subspecies-proximus-in-illinois-crosshatching-the-area-of-intergradation-be-tween-the-subspecies-proximus-and-sauritus-solid-circles-indicate-localities-represented-by-specimens-examined-during-this-study-open-circles-localities-represented-by-published-records-believed-to-be-valid-the-species-may-no-longer-occur-in-the-middle-and-eastern-counties-the-lower-map-depicts-the-total-range-of-the-species-in-the-united-states-are-believed-vali-image234126401.html
Strips of pastry crosshatching this yummy homemade Cherry pie
Strips of pastry crosshatching this yummy homemade Cherry pie https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/strips-of-pastry-crosshatching-this-yummy-homemade-cherry-pie-image311898789.html
Here is a background image made with crosshatching and dark saturated colors.
Here is a background image made with crosshatching and dark saturated colors. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/here-is-a-background-image-made-with-crosshatching-and-dark-saturated-colors-image367812078.html
Where does the virtual reality end and our reality begin? This giant dazzling neon sign reflects the chaotic crosshatching
Where does the virtual reality end and our reality begin? This giant dazzling neon sign reflects the chaotic crosshatching https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/where-does-the-virtual-reality-end-and-our-reality-begin-this-giant-dazzling-neon-sign-reflects-the-chaotic-crosshatching-image311906349.html
Sketch Illustration of Gardening Gloves. Crosshatching Style.
Sketch Illustration of Gardening Gloves. Crosshatching Style. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/sketch-illustration-of-gardening-gloves-crosshatching-style-image231899216.html
Crosshatching Motif, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), A repeated crosshatching design in the form of a checkered board creates this geometric motif. The top left corner is damaged. The overall condition of this stencil appears to be worn down., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami
Crosshatching Motif, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), A repeated crosshatching design in the form of a checkered board creates this geometric motif. The top left corner is damaged. The overall condition of this stencil appears to be worn down., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/crosshatching-motif-mulberry-paper-kozo-washi-treated-with-fermented-persimmon-tannin-kakishibu-and-silk-threads-itoire-a-repeated-crosshatching-design-in-the-form-of-a-checkered-board-creates-this-geometric-motif-the-top-left-corner-is-damaged-the-overall-condition-of-this-stencil-appears-to-be-worn-down-japan-mid-18th-early-19th-century-textile-designs-katagami-katagami-image391412362.html
A eye-catching uniform pattern is created by the office windows of a 40-story commercial skyscraper in downtown Los Angeles, California, USA. Named Union Bank Plaza, the 516-foot-tall (157 meters) building is of international style architecture and was opened for business in 1968. It was the first building in the city's Bunker Hill redevelopment project, which was a catalyst for the growth in the downtown Los Angeles skyline through the early 1990s.
A eye-catching uniform pattern is created by the office windows of a 40-story commercial skyscraper in downtown Los Angeles, California, USA. Named Union Bank Plaza, the 516-foot-tall (157 meters) building is of international style architecture and was opened for business in 1968. It was the first building in the city's Bunker Hill redevelopment project, which was a catalyst for the growth in the downtown Los Angeles skyline through the early 1990s. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-a-eye-catching-uniform-pattern-is-created-by-the-office-windows-of-82215148.html
Unemotional Little Girl Riding a Donkey
Unemotional Little Girl Riding a Donkey https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-unemotional-little-girl-riding-a-donkey-47752599.html
Aboriginal artist Jimmy Njiminuma with his bark painting of rainbow serpent Arnhem Land
Aboriginal artist Jimmy Njiminuma with his bark painting of rainbow serpent Arnhem Land https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/aboriginal-artist-jimmy-njiminuma-with-his-bark-painting-of-rainbow-image7399269.html
Crosshatching Valentines Set
Crosshatching Valentines Set https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/crosshatching-valentines-set-image159200567.html
Jessica Alba (wearing a Rachel Comey dress) in attendance for CNN HEROES: An All-Star Tribute, Shrine Auditorium, Los Angeles,
Jessica Alba (wearing a Rachel Comey dress) in attendance for CNN HEROES: An All-Star Tribute, Shrine Auditorium, Los Angeles, https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-jessica-alba-wearing-a-rachel-comey-dress-in-attendance-for-cnn-heroes-38223223.html
A German National Prize for Science and Technology III Class., Awarded to Professor Kurd von Bülow in 1954. Gold. 16.36 g with the ribbon. The clasp has crosshatching and the hallmark '900' on the reverse side. In a red leather case stamped in gold. A large format presentation document with Wilhelm Pieck's original signature and with a wax seal in a gold stamped, red leather folder, and identification card for the holder of the award. Bülow was Professor of Geology at the University of Rostock, Director of the Geological-Paleontological Institute, and the autho,
A German National Prize for Science and Technology III Class., Awarded to Professor Kurd von Bülow in 1954. Gold. 16.36 g with the ribbon. The clasp has crosshatching and the hallmark '900' on the reverse side. In a red leather case stamped in gold. A large format presentation document with Wilhelm Pieck's original signature and with a wax seal in a gold stamped, red leather folder, and identification card for the holder of the award. Bülow was Professor of Geology at the University of Rostock, Director of the Geological-Paleontological Institute, and the autho, https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-a-german-national-prize-for-science-and-technology-iii-class-awarded-19833539.html
Tic Tac Toe
Tic Tac Toe https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/tic-tac-toe-image9653620.html
Round empty handmade bamboo sieve with green trim and crosshatching. Basket art
Round empty handmade bamboo sieve with green trim and crosshatching. Basket art https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/round-empty-handmade-bamboo-sieve-with-green-trim-and-crosshatching-basket-art-image395904608.html
Bulldog Policeman Head Drawing
Bulldog Policeman Head Drawing https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/bulldog-policeman-head-drawing-image227898515.html
Tic Tac Toe
Tic Tac Toe https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/tic-tac-toe-image281809672.html
Crosshatching Motif. A repeated crosshatching design in the form of a checkered board creates this geometric motif. The top left corner is damaged. The overall condition of this stencil appears to be worn down.
Crosshatching Motif. A repeated crosshatching design in the form of a checkered board creates this geometric motif. The top left corner is damaged. The overall condition of this stencil appears to be worn down. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/crosshatching-motif-a-repeated-crosshatching-design-in-the-form-of-a-checkered-board-creates-this-geometric-motif-the-top-left-corner-is-damaged-the-overall-condition-of-this-stencil-appears-to-be-worn-down-image353493346.html
Head of a Man. Artist: Sebald Beham (German, Nuremberg 1500-1550 Frankfurt). Dimensions: 6 x 4 1/8 in. (15.2 x 10.5 cm). Date: 1549. A miniaturist, draftsman, engraver, etcher and designer of woodcuts and stained glass, Sebald Beham (formerly known at Hans Sebald Beham) was one of the most prolific graphic artists of his time. This crude, grimacing male shares the same clear contours and broad crosshatching found in several other extant head studies by Beham in the museums of Berlin, Dresden and Vienna. The Lehman drawing may have been a preliminary sketch for a popular, profane subject, pe
Head of a Man. Artist: Sebald Beham (German, Nuremberg 1500-1550 Frankfurt). Dimensions: 6 x 4 1/8 in. (15.2 x 10.5 cm). Date: 1549. A miniaturist, draftsman, engraver, etcher and designer of woodcuts and stained glass, Sebald Beham (formerly known at Hans Sebald Beham) was one of the most prolific graphic artists of his time. This crude, grimacing male shares the same clear contours and broad crosshatching found in several other extant head studies by Beham in the museums of Berlin, Dresden and Vienna. The Lehman drawing may have been a preliminary sketch for a popular, profane subject, pe https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/head-of-a-man-artist-sebald-beham-german-nuremberg-1500-1550-frankfurt-dimensions-6-x-4-18-in-152-x-105-cm-date-1549-a-miniaturist-draftsman-engraver-etcher-and-designer-of-woodcuts-and-stained-glass-sebald-beham-formerly-known-at-hans-sebald-beham-was-one-of-the-most-prolific-graphic-artists-of-his-time-this-crude-grimacing-male-shares-the-same-clear-contours-and-broad-crosshatching-found-in-several-other-extant-head-studies-by-beham-in-the-museums-of-berlin-dresden-and-vienna-the-lehman-drawing-may-have-been-a-preliminary-sketch-for-a-popular-profane-subject-pe-image213323080.html
The Life of Christ: The Nativity, c. 1480-1490. Schongauer was the most influential graphic artist in Europe in the last quarter of the 15th century. Although the Master E. S. had employed crosshatching in the 1450s and 1460s, it was Schongauer who developed, refined, and perfected the technique. His later work betrays a classical simplicity of design and exquisite beauty that can only be fully appreciated in an exceptional impression such as The Nativity .
The Life of Christ: The Nativity, c. 1480-1490. Schongauer was the most influential graphic artist in Europe in the last quarter of the 15th century. Although the Master E. S. had employed crosshatching in the 1450s and 1460s, it was Schongauer who developed, refined, and perfected the technique. His later work betrays a classical simplicity of design and exquisite beauty that can only be fully appreciated in an exceptional impression such as The Nativity . https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-life-of-christ-the-nativity-c-1480-1490-schongauer-was-the-most-influential-graphic-artist-in-europe-in-the-last-quarter-of-the-15th-century-although-the-master-e-s-had-employed-crosshatching-in-the-1450s-and-1460s-it-was-schongauer-who-developed-refined-and-perfected-the-technique-his-later-work-betrays-a-classical-simplicity-of-design-and-exquisite-beauty-that-can-only-be-fully-appreciated-in-an-exceptional-impression-such-as-the-nativity-image330128790.html
Machine drawing; a practical guide to the standard methods of graphical representation of machines, including complete detail drawings of a duplex pump and of a direct-current generator . Fig. 6. Second Method of Showing an Objectand Its Projections in Vertical and HorizontalPlanes (Not Advised for Machine Drawing) 6 MACHINE DRAWING Crosshatching. To make a sectional view, the object is supposedto be cut open, and all the material removed between the cuttingplane and the eye. This makes visible the hidden portion, and thedrawing, therefore, consists of full lines made the same as any other,exc
Machine drawing; a practical guide to the standard methods of graphical representation of machines, including complete detail drawings of a duplex pump and of a direct-current generator . Fig. 6. Second Method of Showing an Objectand Its Projections in Vertical and HorizontalPlanes (Not Advised for Machine Drawing) 6 MACHINE DRAWING Crosshatching. To make a sectional view, the object is supposedto be cut open, and all the material removed between the cuttingplane and the eye. This makes visible the hidden portion, and thedrawing, therefore, consists of full lines made the same as any other,exc https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/machine-drawing-a-practical-guide-to-the-standard-methods-of-graphical-representation-of-machines-including-complete-detail-drawings-of-a-duplex-pump-and-of-a-direct-current-generator-fig-6-second-method-of-showing-an-objectand-its-projections-in-vertical-and-horizontalplanes-not-advised-for-machine-drawing-6-machine-drawing-crosshatching-to-make-a-sectional-view-the-object-is-supposedto-be-cut-open-and-all-the-material-removed-between-the-cuttingplane-and-the-eye-this-makes-visible-the-hidden-portion-and-thedrawing-therefore-consists-of-full-lines-made-the-same-as-any-otherexc-image343235344.html
Baby with Puff and Mirror
Baby with Puff and Mirror https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/baby-with-puff-and-mirror-image184217625.html
Here is a background image made with crosshatching and dark saturated colors.
Here is a background image made with crosshatching and dark saturated colors. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/here-is-a-background-image-made-with-crosshatching-and-dark-saturated-colors-image367811773.html
A vintage cloth book cover with a blue screen pattern and grunge background textures.
A vintage cloth book cover with a blue screen pattern and grunge background textures. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-vintage-cloth-book-cover-with-a-blue-screen-pattern-and-grunge-background-textures-image393647328.html
Coligny, Louise de
Coligny, Louise de https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-coligny-louise-de-108392834.html
Sidewall, Machine-printed and hand painted, Pattern in two closely related shades of greenish-blue. Overall configuration of continuous diamond shapes, with crosshatching and dots in fill areas bordering diamonds. Within diamonds scallop-edged shapes with stylized trefoil foliate devices in centers. Overpainted, single pink and red rose with green foliage, apparently for centers of screen panels., possibly France, 1840–60, Wallcoverings, Sidewall
Sidewall, Machine-printed and hand painted, Pattern in two closely related shades of greenish-blue. Overall configuration of continuous diamond shapes, with crosshatching and dots in fill areas bordering diamonds. Within diamonds scallop-edged shapes with stylized trefoil foliate devices in centers. Overpainted, single pink and red rose with green foliage, apparently for centers of screen panels., possibly France, 1840–60, Wallcoverings, Sidewall https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/sidewall-machine-printed-and-hand-painted-pattern-in-two-closely-related-shades-of-greenish-blue-overall-configuration-of-continuous-diamond-shapes-with-crosshatching-and-dots-in-fill-areas-bordering-diamonds-within-diamonds-scallop-edged-shapes-with-stylized-trefoil-foliate-devices-in-centers-overpainted-single-pink-and-red-rose-with-green-foliage-apparently-for-centers-of-screen-panels-possibly-france-184060-wallcoverings-sidewall-image391610839.html
Overhead view of the Oracle roundabout on the Reading IDR (Inner Distribution Road), Berkshire, UK
Overhead view of the Oracle roundabout on the Reading IDR (Inner Distribution Road), Berkshire, UK https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-overhead-view-of-the-oracle-roundabout-on-the-reading-idr-inner-distribution-17693769.html
A parking space reserved for a disabled motorist in the public car park at Melrose, Scotland.
A parking space reserved for a disabled motorist in the public car park at Melrose, Scotland. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-a-parking-space-reserved-for-a-disabled-motorist-in-the-public-car-103842052.html
Aboriginal artist Terry Yumbulul painting on Galiwinku island
Aboriginal artist Terry Yumbulul painting on Galiwinku island https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/aboriginal-artist-terry-yumbulul-painting-on-galiwinku-island-image7399266.html
Crosshatching Valentines Set
Crosshatching Valentines Set https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-crosshatching-valentines-set-160941130.html
The Field Preaching, by Richard Roland Holst, c. 1892-97, Dutch drawing with colored chalk. A Protestant minister leads a small outdoor service for peasants near a farmhouse (BSLOC_2016_2_298)
The Field Preaching, by Richard Roland Holst, c. 1892-97, Dutch drawing with colored chalk. A Protestant minister leads a small outdoor service for peasants near a farmhouse (BSLOC_2016_2_298) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-the-field-preaching-by-richard-roland-holst-c-1892-97-dutch-drawing-115905691.html
A German National Prize for Science and Technology III Class., Awarded to Professor Kurd von Bülow in 1954. Gold. 16.36 g with the ribbon. The clasp has crosshatching and the hallmark '900' on the reverse side. In a red leather case stamped in gold. A large format presentation document with Wilhelm Pieck's original signature and with a wax seal in a gold stamped, red leather folder, and identification card for the holder of the award. Bülow was Professor of Geology at the University of Rostock, Director of the Geological-Paleontological Institute, and the autho,
A German National Prize for Science and Technology III Class., Awarded to Professor Kurd von Bülow in 1954. Gold. 16.36 g with the ribbon. The clasp has crosshatching and the hallmark '900' on the reverse side. In a red leather case stamped in gold. A large format presentation document with Wilhelm Pieck's original signature and with a wax seal in a gold stamped, red leather folder, and identification card for the holder of the award. Bülow was Professor of Geology at the University of Rostock, Director of the Geological-Paleontological Institute, and the autho, https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-a-german-national-prize-for-science-and-technology-iii-class-awarded-19829074.html
Colourful background made from yellow and brown shapes
Colourful background made from yellow and brown shapes https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-colourful-background-made-from-yellow-and-brown-shapes-78786216.html
red abstract background
red abstract background https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/red-abstract-background-image185492560.html
native-american-indian-warrior-side-CIRC-DWG
native-american-indian-warrior-side-CIRC-DWG https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/native-american-indian-warrior-side-circ-dwg-image227898517.html
A disabled parking space unoccupied with symbol and sign in a tarmac car park
A disabled parking space unoccupied with symbol and sign in a tarmac car park https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-a-disabled-parking-space-unoccupied-with-symbol-and-sign-in-a-tarmac-74306136.html
Sidewall. Pattern in two closely related shades of greenish-blue. Overall configuration of continuous diamond shapes, with crosshatching and dots in fill areas bordering diamonds. Within diamonds scallop-edged shapes with stylized trefoil foliate devices in centers.
Sidewall. Pattern in two closely related shades of greenish-blue. Overall configuration of continuous diamond shapes, with crosshatching and dots in fill areas bordering diamonds. Within diamonds scallop-edged shapes with stylized trefoil foliate devices in centers. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/sidewall-pattern-in-two-closely-related-shades-of-greenish-blue-overall-configuration-of-continuous-diamond-shapes-with-crosshatching-and-dots-in-fill-areas-bordering-diamonds-within-diamonds-scallop-edged-shapes-with-stylized-trefoil-foliate-devices-in-centers-image353520749.html
black and white illustration of abstract string shapes with cross hatching
black and white illustration of abstract string shapes with cross hatching https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-black-and-white-illustration-of-abstract-string-shapes-with-cross-48116358.html
Leaf from a Book of Hours: Adam and Eve and the Fall of Man (Prefatory Miniature to the Office of the Virgin) (recto), c. 1510. Characteristic of the artist's hand, the bright orange-reds combine with deep blues, greens, and an abundance of gold wash in this leaf. He used fine parallel lines or crosshatching in gold to indicate the shading, highlights, and texture of draperies, suggesting some knowledge of printmaking, an art for which Rouen was also an important center. His figures have large, thickly outlined oval faces. This miniature also demonstrates the emerging fashion in both Rouen and
Leaf from a Book of Hours: Adam and Eve and the Fall of Man (Prefatory Miniature to the Office of the Virgin) (recto), c. 1510. Characteristic of the artist's hand, the bright orange-reds combine with deep blues, greens, and an abundance of gold wash in this leaf. He used fine parallel lines or crosshatching in gold to indicate the shading, highlights, and texture of draperies, suggesting some knowledge of printmaking, an art for which Rouen was also an important center. His figures have large, thickly outlined oval faces. This miniature also demonstrates the emerging fashion in both Rouen and https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/leaf-from-a-book-of-hours-adam-and-eve-and-the-fall-of-man-prefatory-miniature-to-the-office-of-the-virgin-recto-c-1510-characteristic-of-the-artists-hand-the-bright-orange-reds-combine-with-deep-blues-greens-and-an-abundance-of-gold-wash-in-this-leaf-he-used-fine-parallel-lines-or-crosshatching-in-gold-to-indicate-the-shading-highlights-and-texture-of-draperies-suggesting-some-knowledge-of-printmaking-an-art-for-which-rouen-was-also-an-important-center-his-figures-have-large-thickly-outlined-oval-faces-this-miniature-also-demonstrates-the-emerging-fashion-in-both-rouen-and-image330102810.html
. Bulletin. Natural history; Natural history. November, 1961 Smith: Amphibians and Reptiles of Illinois 221. Fig. 208.— Distribution of Lampropeltis tri- angulum. Vertical hatching indicates the pre- sumed range of the subspecies triangulum in Illinois; horizontal hatching, the presumed range of the subspecies syspila; crosshatching, the area of intergradation between the two subspecies; solid circles indicate localities rep- resented by specimens examined during this study; open circles, published records believed j to be valid. The lower map depicts the total range of the species in the Unit
. Bulletin. Natural history; Natural history. November, 1961 Smith: Amphibians and Reptiles of Illinois 221. Fig. 208.— Distribution of Lampropeltis tri- angulum. Vertical hatching indicates the pre- sumed range of the subspecies triangulum in Illinois; horizontal hatching, the presumed range of the subspecies syspila; crosshatching, the area of intergradation between the two subspecies; solid circles indicate localities rep- resented by specimens examined during this study; open circles, published records believed j to be valid. The lower map depicts the total range of the species in the Unit https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/bulletin-natural-history-natural-history-november-1961-smith-amphibians-and-reptiles-of-illinois-221-fig-208-distribution-of-lampropeltis-tri-angulum-vertical-hatching-indicates-the-pre-sumed-range-of-the-subspecies-triangulum-in-illinois-horizontal-hatching-the-presumed-range-of-the-subspecies-syspila-crosshatching-the-area-of-intergradation-between-the-two-subspecies-solid-circles-indicate-localities-rep-resented-by-specimens-examined-during-this-study-open-circles-published-records-believed-j-to-be-valid-the-lower-map-depicts-the-total-range-of-the-species-in-the-unit-image234126555.html
Siding and remains of roof of old barn in central Virginia
Siding and remains of roof of old barn in central Virginia https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/siding-and-remains-of-roof-of-old-barn-in-central-virginia-image229052042.html
Here is a background image made with crosshatching and dark saturated colors.
Here is a background image made with crosshatching and dark saturated colors. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/here-is-a-background-image-made-with-crosshatching-and-dark-saturated-colors-image367811769.html
A vintage cloth book cover with a blue screen pattern and grunge background textures.
A vintage cloth book cover with a blue screen pattern and grunge background textures. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-vintage-cloth-book-cover-with-a-blue-screen-pattern-and-grunge-background-textures-image393653049.html
blurred abstract black and white background
blurred abstract black and white background https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/blurred-abstract-black-and-white-background-image244883820.html
Mug with Interlocking Geometric Pattern with Zigzag Motifs and Crosshatching, A.D. 1100/1275, Ancestral Pueblo (Anasazi), Mesa Verde Black-on-white, Southwest, United States, Southwest, Ceramic and pigment, 11.4 x 9.5 cm (4 1/2 x 3 3/4 in.), Happi (Chair Cover), Meiji period (1868–1912), 1870/90, Japan, Silk, gold-leaf-over-lacquered-paper strip, warp-float faced 2:1 ‘Z’ twill weave with weft-float faced 1:2 ‘Z’ interlacings of secondary binding warps and supplementary patterning wefts, lined with silk, plain weave, 147.4 x 207 cm (58 1/4 x 81 1/2 in.), Mizuhiki (Temple Banner), late Edo
Mug with Interlocking Geometric Pattern with Zigzag Motifs and Crosshatching, A.D. 1100/1275, Ancestral Pueblo (Anasazi), Mesa Verde Black-on-white, Southwest, United States, Southwest, Ceramic and pigment, 11.4 x 9.5 cm (4 1/2 x 3 3/4 in.), Happi (Chair Cover), Meiji period (1868–1912), 1870/90, Japan, Silk, gold-leaf-over-lacquered-paper strip, warp-float faced 2:1 ‘Z’ twill weave with weft-float faced 1:2 ‘Z’ interlacings of secondary binding warps and supplementary patterning wefts, lined with silk, plain weave, 147.4 x 207 cm (58 1/4 x 81 1/2 in.), Mizuhiki (Temple Banner), late Edo https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mug-with-interlocking-geometric-pattern-with-zigzag-motifs-and-crosshatching-ad-11001275-ancestral-pueblo-anasazi-mesa-verde-black-on-white-southwest-united-states-southwest-ceramic-and-pigment-114-x-95-cm-4-12-x-3-34-in-happi-chair-cover-meiji-period-18681912-187090-japan-silk-gold-leaf-over-lacquered-paper-strip-warp-float-faced-21-z-twill-weave-with-weft-float-faced-12-z-interlacings-of-secondary-binding-warps-and-supplementary-patterning-wefts-lined-with-silk-plain-weave-1474-x-207-cm-58-14-x-81-12-in-mizuhiki-temple-banner-late-edo-image328650565.html
Ringed straw weave coated in lacquer forming the brim of a National Park Service straw flat hat.
Ringed straw weave coated in lacquer forming the brim of a National Park Service straw flat hat. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-ringed-straw-weave-coated-in-lacquer-forming-the-brim-of-a-national-39489561.html
Wire netting and snow as simple and clean minimalist abstract composition - silhouette of dark lines on white and bright background
Wire netting and snow as simple and clean minimalist abstract composition - silhouette of dark lines on white and bright background https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/wire-netting-and-snow-as-simple-and-clean-minimalist-abstract-composition-silhouette-of-dark-lines-on-white-and-bright-background-image366179996.html
Background close up of deep purple Japanese origami craft paper with cross hatched lines
Background close up of deep purple Japanese origami craft paper with cross hatched lines https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/background-close-up-of-deep-purple-japanese-origami-craft-paper-with-cross-hatched-lines-image350469582.html
Crosshatching Valentines
Crosshatching Valentines https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/crosshatching-valentines-image397573640.html
The CW Network Upfronts
The CW Network Upfronts https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-the-cw-network-upfronts-32522019.html
Red texture, background
Red texture, background https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/red-texture-background-image248620164.html
Colourful background made from yellow and brown shapes
Colourful background made from yellow and brown shapes https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-colourful-background-made-from-yellow-and-brown-shapes-78786228.html
Crosshatch pattern
Crosshatch pattern https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/crosshatch-pattern-image1645068.html
Pirate Skull Beard Diving Mask Drawing
Pirate Skull Beard Diving Mask Drawing https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/pirate-skull-beard-diving-mask-drawing-image227875332.html
Two disabled parking spaces in a tarmac car park, both unoccupied.
Two disabled parking spaces in a tarmac car park, both unoccupied. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-two-disabled-parking-spaces-in-a-tarmac-car-park-both-unoccupied-74306123.html
Sidewall. Aesthetic dense all-over pattern with stylized flowering vine reminiscent of Renaissance brocades; single-motif diamond-shaped repeat in off-set columns; design marked out in black with gold detailing; ground is black with dense gold crosshatching creating a textured effect.
Sidewall. Aesthetic dense all-over pattern with stylized flowering vine reminiscent of Renaissance brocades; single-motif diamond-shaped repeat in off-set columns; design marked out in black with gold detailing; ground is black with dense gold crosshatching creating a textured effect. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/sidewall-aesthetic-dense-all-over-pattern-with-stylized-flowering-vine-reminiscent-of-renaissance-brocades-single-motif-diamond-shaped-repeat-in-off-set-columns-design-marked-out-in-black-with-gold-detailing-ground-is-black-with-dense-gold-crosshatching-creating-a-textured-effect-image353507737.html
Very subtle leather texture in hunters green, blank with space for your text, copy, image
Very subtle leather texture in hunters green, blank with space for your text, copy, image https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/very-subtle-leather-texture-in-hunters-green-blank-with-space-for-your-text-copy-image-image366038994.html
Leaf from a Book of Hours: Adoration of the Magi (recto), c. 1510. Characteristic of the artist's hand, the bright orange-reds combine with deep blues, greens, and an abundance of gold wash in this leaf. He used fine parallel lines or crosshatching in gold to indicate the shading, highlights, and texture of draperies, suggesting some knowledge of printmaking, an art for which Rouen was also an important center. His figures have large, thickly outlined oval faces. This miniature also demonstrates the emerging fashion in both Rouen and Paris for highly involved, Italianate architectural frames:
Leaf from a Book of Hours: Adoration of the Magi (recto), c. 1510. Characteristic of the artist's hand, the bright orange-reds combine with deep blues, greens, and an abundance of gold wash in this leaf. He used fine parallel lines or crosshatching in gold to indicate the shading, highlights, and texture of draperies, suggesting some knowledge of printmaking, an art for which Rouen was also an important center. His figures have large, thickly outlined oval faces. This miniature also demonstrates the emerging fashion in both Rouen and Paris for highly involved, Italianate architectural frames: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/leaf-from-a-book-of-hours-adoration-of-the-magi-recto-c-1510-characteristic-of-the-artists-hand-the-bright-orange-reds-combine-with-deep-blues-greens-and-an-abundance-of-gold-wash-in-this-leaf-he-used-fine-parallel-lines-or-crosshatching-in-gold-to-indicate-the-shading-highlights-and-texture-of-draperies-suggesting-some-knowledge-of-printmaking-an-art-for-which-rouen-was-also-an-important-center-his-figures-have-large-thickly-outlined-oval-faces-this-miniature-also-demonstrates-the-emerging-fashion-in-both-rouen-and-paris-for-highly-involved-italianate-architectural-frames-image330102801.html
. Bulletin. Natural history; Natural history. 142 Illinois Natural History Survey Bulletin Vol. 28, Art. 1. Fig. 127.—Distribution of Chrysemys picta. Vertical hatching indicates the presumed range of the subspecies marginata in Illinois; hori- zontal lines, that of the subspecies belli; cross- hatching in the extreme southern tip of the state, the area of intergradation between mar- ginata and dorsalis; crosshatching in the northern three-fourths of the state, the area of intergradation between marginata and belli; solid circles indicate localities represented by specimens examined during thi
. Bulletin. Natural history; Natural history. 142 Illinois Natural History Survey Bulletin Vol. 28, Art. 1. Fig. 127.—Distribution of Chrysemys picta. Vertical hatching indicates the presumed range of the subspecies marginata in Illinois; hori- zontal lines, that of the subspecies belli; cross- hatching in the extreme southern tip of the state, the area of intergradation between mar- ginata and dorsalis; crosshatching in the northern three-fourths of the state, the area of intergradation between marginata and belli; solid circles indicate localities represented by specimens examined during thi https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/bulletin-natural-history-natural-history-142-illinois-natural-history-survey-bulletin-vol-28-art-1-fig-127distribution-of-chrysemys-picta-vertical-hatching-indicates-the-presumed-range-of-the-subspecies-marginata-in-illinois-hori-zontal-lines-that-of-the-subspecies-belli-cross-hatching-in-the-extreme-southern-tip-of-the-state-the-area-of-intergradation-between-mar-ginata-and-dorsalis-crosshatching-in-the-northern-three-fourths-of-the-state-the-area-of-intergradation-between-marginata-and-belli-solid-circles-indicate-localities-represented-by-specimens-examined-during-thi-image234118969.html
Terracotta stirrup jar. Period: Late Minoan IIIB; Date: ca. 1300-1200 B.C; Culture: Minoan; Medium: Terracotta; Fine painted ware; Dimensions: H. 3
Terracotta stirrup jar. Period: Late Minoan IIIB; Date: ca. 1300-1200 B.C; Culture: Minoan; Medium: Terracotta; Fine painted ware; Dimensions: H. 3 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/terracotta-stirrup-jar-period-late-minoan-iiib-date-ca-1300-1200-bc-culture-minoan-medium-terracotta-fine-painted-ware-dimensions-h-3-image283618538.html
Here is a background image made with crosshatching and dark saturated colors.
Here is a background image made with crosshatching and dark saturated colors. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/here-is-a-background-image-made-with-crosshatching-and-dark-saturated-colors-image367811780.html
Close up of red vintage fabric with colorful flowers printed on polyester
Close up of red vintage fabric with colorful flowers printed on polyester https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-close-up-of-red-vintage-fabric-with-colorful-flowers-printed-on-polyester-13421640.html
Bingley Terrier Head Drawing
Bingley Terrier Head Drawing https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/bingley-terrier-head-drawing-image343801018.html
Sidewall, Machine-printed paper, Aesthetic dense all-over pattern with stylized flowering vine reminiscent of Renaissance brocades; single-motif diamond-shaped repeat in off-set columns; design marked out in black with gold detailing; ground is black with dense gold crosshatching creating a textured effect., USA, ca. 1880, Wallcoverings, Sidewall
Sidewall, Machine-printed paper, Aesthetic dense all-over pattern with stylized flowering vine reminiscent of Renaissance brocades; single-motif diamond-shaped repeat in off-set columns; design marked out in black with gold detailing; ground is black with dense gold crosshatching creating a textured effect., USA, ca. 1880, Wallcoverings, Sidewall https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/sidewall-machine-printed-paper-aesthetic-dense-all-over-pattern-with-stylized-flowering-vine-reminiscent-of-renaissance-brocades-single-motif-diamond-shaped-repeat-in-off-set-columns-design-marked-out-in-black-with-gold-detailing-ground-is-black-with-dense-gold-crosshatching-creating-a-textured-effect-usa-ca-1880-wallcoverings-sidewall-image391256279.html
Bright red fabric background. Wallpaper. Holiday concept
Bright red fabric background. Wallpaper. Holiday concept https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/bright-red-fabric-background-wallpaper-holiday-concept-image369825984.html
mesh background textile material daylight top view rustic material
mesh background textile material daylight top view rustic material https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mesh-background-textile-material-daylight-top-view-rustic-material-image364709106.html
Background close up of seafoam green Japanese origami craft paper with crosshatched lines
Background close up of seafoam green Japanese origami craft paper with crosshatched lines https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/background-close-up-of-seafoam-green-japanese-origami-craft-paper-with-crosshatched-lines-image350469580.html
Crosshatching Valentines
Crosshatching Valentines https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/crosshatching-valentines-image397572357.html
ARRIVALS - 2008 Creative Arts Emmy Awards
ARRIVALS - 2008 Creative Arts Emmy Awards https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-arrivals-2008-creative-arts-emmy-awards-32697734.html
Red texture, background
Red texture, background https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/red-texture-background-image248620165.html
eagle devouring snake mexican emblem vector illustration
eagle devouring snake mexican emblem vector illustration https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/eagle-devouring-snake-mexican-emblem-vector-illustration-image349379536.html
A textured red background with a subtle screen pattern.
A textured red background with a subtle screen pattern. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-textured-red-background-with-a-subtle-screen-pattern-image271878488.html
Babirusa or Deer Pig Drawing
Babirusa or Deer Pig Drawing https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/babirusa-or-deer-pig-drawing-image227898514.html
vector scribble line heart hand drawn art
vector scribble line heart hand drawn art https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/vector-scribble-line-heart-hand-drawn-art-image247066332.html
Nicolas Beatrizet. Joseph of Arimathea. 1545–1560. France. Engraving on ivory laid paper Beatrizet spent most of his working life in Italy. While in Rome, he specialized in reproducing Italian paintings and views of Rome. At this time, he also studied the techniques and style of Michelangelo (Italian, 1475-1564). The fine and tight crosshatching on the body of the hooded man seen here is reminiscent of Michelangelo’s drawing style, which was textured with such vigorous crosshatchng that it often resembled marks left by chisels on stone.
Nicolas Beatrizet. Joseph of Arimathea. 1545–1560. France. Engraving on ivory laid paper Beatrizet spent most of his working life in Italy. While in Rome, he specialized in reproducing Italian paintings and views of Rome. At this time, he also studied the techniques and style of Michelangelo (Italian, 1475-1564). The fine and tight crosshatching on the body of the hooded man seen here is reminiscent of Michelangelo’s drawing style, which was textured with such vigorous crosshatchng that it often resembled marks left by chisels on stone. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/nicolas-beatrizet-joseph-of-arimathea-15451560-france-engraving-on-ivory-laid-paper-beatrizet-spent-most-of-his-working-life-in-italy-while-in-rome-he-specialized-in-reproducing-italian-paintings-and-views-of-rome-at-this-time-he-also-studied-the-techniques-and-style-of-michelangelo-italian-1475-1564-the-fine-and-tight-crosshatching-on-the-body-of-the-hooded-man-seen-here-is-reminiscent-of-michelangelos-drawing-style-which-was-textured-with-such-vigorous-crosshatchng-that-it-often-resembled-marks-left-by-chisels-on-stone-image337943045.html
Abstract metal texture background graphic, wallpaper, backdrop, with space for text, copy
Abstract metal texture background graphic, wallpaper, backdrop, with space for text, copy https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/abstract-metal-texture-background-graphic-wallpaper-backdrop-with-space-for-text-copy-image359575660.html
Leaf from a Book of Hours: Text with Illustrated Border (verso), c. 1510. Characteristic of the artist's hand, the bright orange-reds combine with deep blues, greens, and an abundance of gold wash in this leaf. He used fine parallel lines or crosshatching in gold to indicate the shading, highlights, and texture of draperies, suggesting some knowledge of printmaking, an art for which Rouen was also an important center. His figures have large, thickly outlined oval faces. This miniature also demonstrates the emerging fashion in both Rouen and Paris for highly involved, Italianate architectural f
Leaf from a Book of Hours: Text with Illustrated Border (verso), c. 1510. Characteristic of the artist's hand, the bright orange-reds combine with deep blues, greens, and an abundance of gold wash in this leaf. He used fine parallel lines or crosshatching in gold to indicate the shading, highlights, and texture of draperies, suggesting some knowledge of printmaking, an art for which Rouen was also an important center. His figures have large, thickly outlined oval faces. This miniature also demonstrates the emerging fashion in both Rouen and Paris for highly involved, Italianate architectural f https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/leaf-from-a-book-of-hours-text-with-illustrated-border-verso-c-1510-characteristic-of-the-artists-hand-the-bright-orange-reds-combine-with-deep-blues-greens-and-an-abundance-of-gold-wash-in-this-leaf-he-used-fine-parallel-lines-or-crosshatching-in-gold-to-indicate-the-shading-highlights-and-texture-of-draperies-suggesting-some-knowledge-of-printmaking-an-art-for-which-rouen-was-also-an-important-center-his-figures-have-large-thickly-outlined-oval-faces-this-miniature-also-demonstrates-the-emerging-fashion-in-both-rouen-and-paris-for-highly-involved-italianate-architectural-f-image330102916.html
. Bulletin. Ethnology. both] ADDITIONAL STTJDIES OF GUIANA INDIANS 73 Two fine strips of turn are now laid over the korowa chain, which they hide, and are tied at one extremity with korowa thread. This thread is continued in a spiral over both strips and in between the teeth, to be tied again at the other extremity {(J). The two tm-u strips are next covered with a crosshatching of cotton work that has a very pretty effect and which would appear to vary mth the taste of the maker. From one end of the comb to the other the cotton thread passes in regular sequence from the top on the one half of
. Bulletin. Ethnology. both] ADDITIONAL STTJDIES OF GUIANA INDIANS 73 Two fine strips of turn are now laid over the korowa chain, which they hide, and are tied at one extremity with korowa thread. This thread is continued in a spiral over both strips and in between the teeth, to be tied again at the other extremity {(J). The two tm-u strips are next covered with a crosshatching of cotton work that has a very pretty effect and which would appear to vary mth the taste of the maker. From one end of the comb to the other the cotton thread passes in regular sequence from the top on the one half of https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/bulletin-ethnology-both-additional-sttjdies-of-guiana-indians-73-two-fine-strips-of-turn-are-now-laid-over-the-korowa-chain-which-they-hide-and-are-tied-at-one-extremity-with-korowa-thread-this-thread-is-continued-in-a-spiral-over-both-strips-and-in-between-the-teeth-to-be-tied-again-at-the-other-extremity-j-the-two-tm-u-strips-are-next-covered-with-a-crosshatching-of-cotton-work-that-has-a-very-pretty-effect-and-which-would-appear-to-vary-mth-the-taste-of-the-maker-from-one-end-of-the-comb-to-the-other-the-cotton-thread-passes-in-regular-sequence-from-the-top-on-the-one-half-of-image234179168.html
Terracotta stirrup jar. Period: Late Minoan IIIB; Date: ca. 1300-1200 B.C; Culture: Minoan; Medium: Terracotta; Fine painted ware; Dimensions: H. 3
Terracotta stirrup jar. Period: Late Minoan IIIB; Date: ca. 1300-1200 B.C; Culture: Minoan; Medium: Terracotta; Fine painted ware; Dimensions: H. 3 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-terracotta-stirrup-jar-period-late-minoan-iiib-date-ca-1300-1200-bc-168231670.html
Vintage canvas book cover with a grid pattern, red
Vintage canvas book cover with a grid pattern, red https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/vintage-canvas-book-cover-with-a-grid-pattern-red-image239546702.html
Set borders hatches and scratches. Vector element for your design
Set borders hatches and scratches. Vector element for your design https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/set-borders-hatches-and-scratches-vector-element-for-your-design-image368029433.html
Homo Habilis Face Front Drawing
Homo Habilis Face Front Drawing https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/homo-habilis-face-front-drawing-image343803496.html
Old rotten grungy fabric with a staines
Old rotten grungy fabric with a staines https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/old-rotten-grungy-fabric-with-a-staines-image255583445.html
A vintage red background with a crisscross mesh pattern and grunge stains
A vintage red background with a crisscross mesh pattern and grunge stains https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-vintage-red-background-with-a-crisscross-mesh-pattern-and-grunge-stains-image368273813.html
A vintage green background with a grunge screen pattern
A vintage green background with a grunge screen pattern https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-vintage-green-background-with-a-grunge-screen-pattern-image240698490.html
Background close up of blue Japanese origami craft paper with cross hatched lines
Background close up of blue Japanese origami craft paper with cross hatched lines https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/background-close-up-of-blue-japanese-origami-craft-paper-with-cross-hatched-lines-image350469585.html
Crosshatching Valentines
Crosshatching Valentines https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/crosshatching-valentines-image397584756.html
![. Bulletin. Ethnology. both] ADDITIONAL STTJDIES OF GUIANA INDIANS 73 Two fine strips of turn are now laid over the korowa chain, which they hide, and are tied at one extremity with korowa thread. This thread is continued in a spiral over both strips and in between the teeth, to be tied again at the other extremity {(J). The two tm-u strips are next covered with a crosshatching of cotton work that has a very pretty effect and which would appear to vary mth the taste of the maker. From one end of the comb to the other the cotton thread passes in regular sequence from the top on the one half of - Stock Image](https://c8.alamy.com/comp/RGYNWM/bulletin-ethnology-both-additional-sttjdies-of-guiana-indians-73-two-fine-strips-of-turn-are-now-laid-over-the-korowa-chain-which-they-hide-and-are-tied-at-one-extremity-with-korowa-thread-this-thread-is-continued-in-a-spiral-over-both-strips-and-in-between-the-teeth-to-be-tied-again-at-the-other-extremity-j-the-two-tm-u-strips-are-next-covered-with-a-crosshatching-of-cotton-work-that-has-a-very-pretty-effect-and-which-would-appear-to-vary-mth-the-taste-of-the-maker-from-one-end-of-the-comb-to-the-other-the-cotton-thread-passes-in-regular-sequence-from-the-top-on-the-one-half-of-RGYNWM.jpg)
