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The Totenheer, facsimile of a copper engraving in, Philander von Sittenwald, Das Totenheer, Faksimile eines Kupferstichs, Geschichte Philanders von Sittenwaldt, The Wild Hunt is a European folk myth involving a ghostly or supernatural group of huntsmen passing in wild pursuit. The hunters may be either elves or fairies or the dead, woodcut from the year 1885, digital improved Stock Photo

RFHFT757–The Totenheer, facsimile of a copper engraving in, Philander von Sittenwald, Das Totenheer, Faksimile eines Kupferstichs, Geschichte Philanders von Sittenwaldt, The Wild Hunt is a European folk myth involving a ghostly or supernatural group of huntsmen passing in wild pursuit. The hunters may be either elves or fairies or the dead, woodcut from the year 1885, digital improved

architecture, details, stairs, colourted copper engraving, 'Perspectiva' by Hans Vredeman de Vries, printed by Hendrik Hondius, Leiden, 1604, private collection, Artist's Copyright has not to be cleared Stock Photo

RMB2J6JW–architecture, details, stairs, colourted copper engraving, 'Perspectiva' by Hans Vredeman de Vries, printed by Hendrik Hondius, Leiden, 1604, private collection, Artist's Copyright has not to be cleared

PLATE 19. The Invention of Copper Engraving. Nineteenth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of men making copper engravings. Stock Photo

RMT966GF–PLATE 19. The Invention of Copper Engraving. Nineteenth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of men making copper engravings.

Copper engraving of Arnswalde (Choszczno), 1915 Stock Photo

RMDYYPX5–Copper engraving of Arnswalde (Choszczno), 1915

Jean Duvet, The Apocalyptic Vision of God's Majesty, copper engraving, 1545-1555 Stock Photo

RM2PFFH64–Jean Duvet, The Apocalyptic Vision of God's Majesty, copper engraving, 1545-1555

The Sorrows of Young Werther, copper engraving by D. Chodowiecki Stock Photo

RMHPX9PR–The Sorrows of Young Werther, copper engraving by D. Chodowiecki

India: A Hindu temple at Kanchipuram, Tamil Nadu. Copper engraving by James Sargant Storer (1771-1853) after a picture by Henry Salt (1780-1827), 1811. Kanchipuram, Kanchi, or Kancheepuram (also known as Conjeveram/Conjeevaram) is a temple city and a municipality in Kanchipuram district in the Indian state of Tamil Nadu. It is a temple town and the headquarters of Kanchipuram district. In ancient times it was called Kanchi and Kanchiampathi. There are several large temples (including some of the greatest Vishnu Temples and Shiva Temples of Tamil Nadu), including Varadharaja Perumal Temple. Stock Photo

RM2B019T5–India: A Hindu temple at Kanchipuram, Tamil Nadu. Copper engraving by James Sargant Storer (1771-1853) after a picture by Henry Salt (1780-1827), 1811. Kanchipuram, Kanchi, or Kancheepuram (also known as Conjeveram/Conjeevaram) is a temple city and a municipality in Kanchipuram district in the Indian state of Tamil Nadu. It is a temple town and the headquarters of Kanchipuram district. In ancient times it was called Kanchi and Kanchiampathi. There are several large temples (including some of the greatest Vishnu Temples and Shiva Temples of Tamil Nadu), including Varadharaja Perumal Temple.

Franz Anton Mesmer copper engraving by Meyer. Famous hypnotist, 1734-1815. The word 'mesmerize' comes from his name. Friend of Stock Photo

RMERHD8F–Franz Anton Mesmer copper engraving by Meyer. Famous hypnotist, 1734-1815. The word 'mesmerize' comes from his name. Friend of

Oval portrait of Nostradamus, detatched from a seventeenth century copper engraving by J. Boulanger. There are several variants of this print. From the library of David Ovason. Stock Photo

RMMC84PW–Oval portrait of Nostradamus, detatched from a seventeenth century copper engraving by J. Boulanger. There are several variants of this print. From the library of David Ovason.

Antique 1813 copper engraving, Michael Boyle. Michael Boyle, the younger (1609-1702) was a Church of Ireland bishop who served as Archbishop of Dublin from 1663 to 1679 and Archbishop of Armagh from 1679 to his death. SOURCE: ORIGINAL ENGRAVING Stock Photo

RMMAK13D–Antique 1813 copper engraving, Michael Boyle. Michael Boyle, the younger (1609-1702) was a Church of Ireland bishop who served as Archbishop of Dublin from 1663 to 1679 and Archbishop of Armagh from 1679 to his death. SOURCE: ORIGINAL ENGRAVING

crafts, copper, engraving, craft, coppers Stock Photo

RF2HDFAM6–crafts, copper, engraving, craft, coppers

Iceland, hand coloured copper engraving by Johannes Cloppenburg, 1632, Iceland Stock Photo

RMRYT40P–Iceland, hand coloured copper engraving by Johannes Cloppenburg, 1632, Iceland

copper engraving , copper engraver making gopura kalasam , Kumbakonam ; Tamil Nadu ; India , asia Stock Photo

RMET0CH1–copper engraving , copper engraver making gopura kalasam , Kumbakonam ; Tamil Nadu ; India , asia

dracontium more, Copper Engraving, Dragonroot, p. 424, Besler, Basilius; Jungermann, Ludwig, 1713, Basilius Besler: Hortus Eystettensis (...). Nürnberg, 1713 Stock Photo

RM2A2RYE2–dracontium more, Copper Engraving, Dragonroot, p. 424, Besler, Basilius; Jungermann, Ludwig, 1713, Basilius Besler: Hortus Eystettensis (...). Nürnberg, 1713

Treatment by a hypnotist. Copper engraving by D Chodowecki Stock Photo

RMWHA91E–Treatment by a hypnotist. Copper engraving by D Chodowecki

Copper Engraving of a Whirling Dervish in Ottoman Turkey by Dutch Artist & Engraver Jean-Baptiste Vanmour (1712-13) Stock Photo

RMBXA54C–Copper Engraving of a Whirling Dervish in Ottoman Turkey by Dutch Artist & Engraver Jean-Baptiste Vanmour (1712-13)

The White Horse, line illustration of copper engraving by P Dupont from 1913 Studio Magazine Stock Photo

RMHADNNJ–The White Horse, line illustration of copper engraving by P Dupont from 1913 Studio Magazine

Paul Furst, Copper Engraving of Doctor Schnabel / Dr. Beak, a Plague Doctor in 17th Century Rome, Circa 1656, Print. Stock Photo

RMPYJ89N–Paul Furst, Copper Engraving of Doctor Schnabel / Dr. Beak, a Plague Doctor in 17th Century Rome, Circa 1656, Print.

Demonstration of traditional copper engraving, at Arg of Karim Khan(citadel), city center, Shiraz, Fars Province, Iran, Persia, Western Asia, Asia Stock Photo

RM2G626CP–Demonstration of traditional copper engraving, at Arg of Karim Khan(citadel), city center, Shiraz, Fars Province, Iran, Persia, Western Asia, Asia

The makeover, copper engraving by Crispin de Passe, circa 1600 Stock Photo

RFDF3907–The makeover, copper engraving by Crispin de Passe, circa 1600

lady circa 1700, copper engraving, cutted, Additional-Rights-Clearance-Info-Not-Available Stock Photo

RMTRH7EK–lady circa 1700, copper engraving, cutted, Additional-Rights-Clearance-Info-Not-Available

Button Island, Near Woollya. Copper engraving from 1838 by Thomas Landseer, art by Conrad Martens, published by Henry Colburn in Robert Fitzroy's 'Narrative of the Surveying Voyages of HMS Adventure and Beagle', Volume II, 1839. Fitzroy's own agenda on the Voyage of the Beagle with Darwin was to return some native Fuegians he had taken on a previous voyage and tried to 'civilize' in Britain. One of them was Jemmy Button (traded for a button) after whom this island is presumably named. Stock Photo

RMT96MN1–Button Island, Near Woollya. Copper engraving from 1838 by Thomas Landseer, art by Conrad Martens, published by Henry Colburn in Robert Fitzroy's 'Narrative of the Surveying Voyages of HMS Adventure and Beagle', Volume II, 1839. Fitzroy's own agenda on the Voyage of the Beagle with Darwin was to return some native Fuegians he had taken on a previous voyage and tried to 'civilize' in Britain. One of them was Jemmy Button (traded for a button) after whom this island is presumably named.

Photo after a copper engraving from 'Seeon inferioris Bavariae monasterium' by C. Stengelius. Stock Photo

RMTA3AKN–Photo after a copper engraving from 'Seeon inferioris Bavariae monasterium' by C. Stengelius.

The Horse, by William Blake, tempera with pen and black ink on a copper engraving plate, circa 1805 Stock Photo

RMRY92N8–The Horse, by William Blake, tempera with pen and black ink on a copper engraving plate, circa 1805

RMHPX9R5–The Sorrows of Young Werther, copper engraving by D. Chodowiecki

Vietnam: 'Dress of the Tonkinese'. Copper engraving by John Hamilton Moore (1738-1807), c. 1778. A coloured copper engraving purporting to show the dress of the people of Tonkin in northern Vietnam, published in Moore's 'Voyages and Travels' (London, 1778). The blonde hair is difficult to explain except as artistic licence on the part of the engraver in London, who had doubtless never been to Vietnam. Stock Photo

RM2B01BBD–Vietnam: 'Dress of the Tonkinese'. Copper engraving by John Hamilton Moore (1738-1807), c. 1778. A coloured copper engraving purporting to show the dress of the people of Tonkin in northern Vietnam, published in Moore's 'Voyages and Travels' (London, 1778). The blonde hair is difficult to explain except as artistic licence on the part of the engraver in London, who had doubtless never been to Vietnam.

Bodensee - 15th century map, copper engraving showing the landscapes surrounding Lake Constance (Bodensee) Stock Photo

RMHHW3HF–Bodensee - 15th century map, copper engraving showing the landscapes surrounding Lake Constance (Bodensee)

Detail of oval portrait, detatched from a seventeenth century copper engraving by J. Boulanger, seemingly sold as a separate print, in several variations. From the library of David Ovason. Stock Photo

RMMC84PT–Detail of oval portrait, detatched from a seventeenth century copper engraving by J. Boulanger, seemingly sold as a separate print, in several variations. From the library of David Ovason.

View at Graz from the south; Copper engraving around 1626/1627, Laurenz van de Sype/Wenzel Hollar. 17th century Stock Photo

RM2A00425–View at Graz from the south; Copper engraving around 1626/1627, Laurenz van de Sype/Wenzel Hollar. 17th century

Basil Besler (1561–1629) - Polygonatum maius - Ornithogalum hispanicum spicatum - Polygonatum vulgatius, Copper Engraving Stock Photo

RF2H9PEX1–Basil Besler (1561–1629) - Polygonatum maius - Ornithogalum hispanicum spicatum - Polygonatum vulgatius, Copper Engraving

Marigold (Tagetes), hand coloured copper engraving by Basilius Besler, from Hortus Eystettensis, 1613 Stock Photo

RFM9PB8D–Marigold (Tagetes), hand coloured copper engraving by Basilius Besler, from Hortus Eystettensis, 1613

RMET0CH2–copper engraving , copper engraver making gopura kalasam , Kumbakonam ; Tamil Nadu ; India , asia

A Gothic Temple ..., Copper engraving, Gothic temple, Fig. 1, 1759, P. Decker: Chinese architecture [...]. London: [s.n.], 1759 Stock Photo

RM2A2T2M3–A Gothic Temple ..., Copper engraving, Gothic temple, Fig. 1, 1759, P. Decker: Chinese architecture [...]. London: [s.n.], 1759

Art inspired by Integer Vitae...', from the series Vom Tode Zweiter Teil, 1878, later edition, Copper engraving, Plate: 15 15/16 × 12 1/2 in. (40.5 × 31.8 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW6FA4–Art inspired by Integer Vitae...', from the series Vom Tode Zweiter Teil, 1878, later edition, Copper engraving, Plate: 15 15/16 × 12 1/2 in. (40.5 × 31.8 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Achille III de Harlay comte de Beaumont (1639-1712). Stock Photo

RMW7CBT9–Achille III de Harlay comte de Beaumont (1639-1712).

Gasparo Pachiarotti - (born Fabriano) Italian mezzo-soprano castrato, 21 May 1740 - 28 October 1821. After copper engraving. Stock Photo

RMKF2R0B–Gasparo Pachiarotti - (born Fabriano) Italian mezzo-soprano castrato, 21 May 1740 - 28 October 1821. After copper engraving.

Palace of Whitehall from the River Thames, London (1719) Hand-Coloured Copper Engraving by Alain Manesson Mallet Stock Photo

RMBXRB3R–Palace of Whitehall from the River Thames, London (1719) Hand-Coloured Copper Engraving by Alain Manesson Mallet

RM2G626DT–Demonstration of traditional copper engraving, at Arg of Karim Khan(citadel), city center, Shiraz, Fars Province, Iran, Persia, Western Asia, Asia

The confession, Dutch copper engraving, 1754 Stock Photo

RFDJHCYA–The confession, Dutch copper engraving, 1754

Maria Theresa, Infanta of Spain, copper engraving, Additional-Rights-Clearance-Info-Not-Available Stock Photo

RMTTWY46–Maria Theresa, Infanta of Spain, copper engraving, Additional-Rights-Clearance-Info-Not-Available

RMG89M73–Sokrates

The engraving by the copper engraver Jacques Lagniet shows the workshop of a turner. The two proverbs right above: 'If you are willing to work, the smallest handwork will support its man' and 'Nobody attacks a poor man, he is abandoned by all'. Stock Photo

RM2B2B6R2–The engraving by the copper engraver Jacques Lagniet shows the workshop of a turner. The two proverbs right above: 'If you are willing to work, the smallest handwork will support its man' and 'Nobody attacks a poor man, he is abandoned by all'.

Book with copper engraving on wooden table Stock Photo

RMF08YCW–Book with copper engraving on wooden table

Napoli View by Stopendael 1653 - copper engraving Stock Photo

RMMDG8NY–Napoli View by Stopendael 1653 - copper engraving

RM2B01BBH–Vietnam: 'Dress of the Tonkinese'. Copper engraving by John Hamilton Moore (1738-1807), c. 1778. A coloured copper engraving purporting to show the dress of the people of Tonkin in northern Vietnam, published in Moore's 'Voyages and Travels' (London, 1778). The blonde hair is difficult to explain except as artistic licence on the part of the engraver in London, who had doubtless never been to Vietnam.

Goldsmith's workshop, 15th century, copper engraving Stock Photo

RMHHW3J9–Goldsmith's workshop, 15th century, copper engraving

. Membership-card for Johann Friedrich Krigar, signed 'Beuth'. 1821. Copper-engraving by Schmidt 83 Beuth Mitgliedskarte Stock Photo

RMMX5MN5–. Membership-card for Johann Friedrich Krigar, signed 'Beuth'. 1821. Copper-engraving by Schmidt 83 Beuth Mitgliedskarte

View of Lyon; Copper engraving, circa 1570 Stock Photo

RMTC9DX2–View of Lyon; Copper engraving, circa 1570

Copper plate engraving depicting the Prophet Isaiah shown holding a saw, the implement with which he was killed. Dated 19th century Stock Photo

RMMR6J6P–Copper plate engraving depicting the Prophet Isaiah shown holding a saw, the implement with which he was killed. Dated 19th century

Giraffe (Giraffa), copper engraving by Benard after Martinet from Histoire Naturelle in the encyclopedia by Diderot and Stock Photo

RMRTFBEW–Giraffe (Giraffa), copper engraving by Benard after Martinet from Histoire Naturelle in the encyclopedia by Diderot and

Portrait of William Shakespeare (1564-1616) from the title page of ‘Mr. William Shakespeares comedies, histories, & tragedies’ published in 1623. Copper engraving by Martin Droeshout (1601-1650). Stock Photo

RMHG3PKA–Portrait of William Shakespeare (1564-1616) from the title page of ‘Mr. William Shakespeares comedies, histories, & tragedies’ published in 1623. Copper engraving by Martin Droeshout (1601-1650).

Indian pepper half, Pepper, Copper Engraving, p. 728, Besler, Basilius; Jungermann, Ludwig, 1713, Basilius Besler: Hortus Eystettensis (...). Nürnberg, 1713 Stock Photo

RM2A2RYP7–Indian pepper half, Pepper, Copper Engraving, p. 728, Besler, Basilius; Jungermann, Ludwig, 1713, Basilius Besler: Hortus Eystettensis (...). Nürnberg, 1713

A coloured early 19th century copper engraving of a group dancing a quadrille. .The term quadrille originated in 17th-century military parades where four mounted horsemen formed square formations. As a dance it became popular in the 18th and 19th centuries both in Europe and the European colonies. It became a craze in Britain after Lady Jersey (Sarah Sophia Child Villiers, Countess of Jersey 1785 – 1867) introduced the dance to high society gatherings.(She was born Lady Sarah Fane) Stock Photo

RM2JRKP62–A coloured early 19th century copper engraving of a group dancing a quadrille. .The term quadrille originated in 17th-century military parades where four mounted horsemen formed square formations. As a dance it became popular in the 18th and 19th centuries both in Europe and the European colonies. It became a craze in Britain after Lady Jersey (Sarah Sophia Child Villiers, Countess of Jersey 1785 – 1867) introduced the dance to high society gatherings.(She was born Lady Sarah Fane)

Portrait of François Rabelais (1494-1553). Stock Photo

RMW7CC7W–Portrait of François Rabelais (1494-1553).

The Death, historical copper engraving from the 19th Century Stock Photo

RMDCKH97–The Death, historical copper engraving from the 19th Century

The Semper Gallery in Dresden. Date/Period: Ca. 1860. Copper engraving. Height: 75 mm (2.95 in); Width: 108 mm (4.25 in). Author: Saxon. Stock Photo

RMPMBJE7–The Semper Gallery in Dresden. Date/Period: Ca. 1860. Copper engraving. Height: 75 mm (2.95 in); Width: 108 mm (4.25 in). Author: Saxon.

RM2G626CW–Demonstration of traditional copper engraving, at Arg of Karim Khan(citadel), city center, Shiraz, Fars Province, Iran, Persia, Western Asia, Asia

Maid at work, copper engraving circa 1725 Stock Photo

RFDJHD9C–Maid at work, copper engraving circa 1725

Claudius, Saint, copper engraving by Claude de Isaac, Additional-Rights-Clearance-Info-Not-Available Stock Photo

RMTTWRJ6–Claudius, Saint, copper engraving by Claude de Isaac, Additional-Rights-Clearance-Info-Not-Available

The title page of William Shakespeare's First Folio of collected works, published in 1623, with copper engraving by Martin Droeshout Stock Photo

RMFBP774–The title page of William Shakespeare's First Folio of collected works, published in 1623, with copper engraving by Martin Droeshout

This engraving by Sebastien Le Clerc shows a lanterna magica. Stock Photo

RMTA36KR–This engraving by Sebastien Le Clerc shows a lanterna magica.

Dish with lady and gentleman, Dish with Cavalier and Dish with Rider by Anonymous. Copper engraving decorated with enamel and silver. Dated 13th Century Stock Photo

RMTXGBY6–Dish with lady and gentleman, Dish with Cavalier and Dish with Rider by Anonymous. Copper engraving decorated with enamel and silver. Dated 13th Century

Napoli View by Stopendael 1653 - copper engraving - Promontory of Pizzofalcone Stock Photo

RMMDG8NG–Napoli View by Stopendael 1653 - copper engraving - Promontory of Pizzofalcone

Indonesia: The Dutch imposed waterboarding and torture with fire on English merchants and Japanese mercenaries in Amboyna in the Spice Islands in 1623. Copper engraving from a pamphlet, c. 1700. The Amboyna Massacre of 1623 occurred on Ambon Island (modern-day Ambon, Maluku), when twenty-one men, including ten Englishmen in service of the East India Trading Company and nine Japanese ronin mercenaries, were violently tortured and executed by agents of the Dutch East India Company (VOC) on accusations of treason and plotting to overthrow local Dutch rulers. Stock Photo

RM2B014YY–Indonesia: The Dutch imposed waterboarding and torture with fire on English merchants and Japanese mercenaries in Amboyna in the Spice Islands in 1623. Copper engraving from a pamphlet, c. 1700. The Amboyna Massacre of 1623 occurred on Ambon Island (modern-day Ambon, Maluku), when twenty-one men, including ten Englishmen in service of the East India Trading Company and nine Japanese ronin mercenaries, were violently tortured and executed by agents of the Dutch East India Company (VOC) on accusations of treason and plotting to overthrow local Dutch rulers.

Joseph II (1741-1790). Holy Roman Emperor. Portrait after a copper engraving by J. Adam. The Universal History, 1885. Stock Photo

RMDHBHCF–Joseph II (1741-1790). Holy Roman Emperor. Portrait after a copper engraving by J. Adam. The Universal History, 1885.

RMMW8DDA–. Membership-card for Johann Friedrich Krigar, signed 'Beuth'. 1821. Copper-engraving by Schmidt 83 Beuth Mitgliedskarte

Tittle copper engraving - Index librorum prohibitorum (List of Prohibited Books, 1711) Stock Photo

RMRKN9YX–Tittle copper engraving - Index librorum prohibitorum (List of Prohibited Books, 1711)

Dish with rider by Anonymous. Copper engraving decorated with enamel. Dated 13th Century Stock Photo

RMF7P0E9–Dish with rider by Anonymous. Copper engraving decorated with enamel. Dated 13th Century

Lilies (Lilium), coloured copper engraving from Phytanthoza Iconographia by Johann Wilhelm Weinmann, 1737, Germany Stock Photo

RMRTFBFE–Lilies (Lilium), coloured copper engraving from Phytanthoza Iconographia by Johann Wilhelm Weinmann, 1737, Germany

Der Salzburgischen Emigranten Wanderschaft mit Karte und 6 kolorierten Kupferstichen - The Saltzburgian emigrant's wandering with map and 6 colored copper engraving Author Johann Heinrich Baum 1732 German Germany Stock Photo

RMH3MP1N–Der Salzburgischen Emigranten Wanderschaft mit Karte und 6 kolorierten Kupferstichen - The Saltzburgian emigrant's wandering with map and 6 colored copper engraving Author Johann Heinrich Baum 1732 German Germany

Flos Solis major, Sunflower, Copper Engraving, p. 450, Besler, Basilius; Jungermann, Ludwig, 1713, Basilius Besler: Hortus Eystettensis (...). Nürnberg, 1713 Stock Photo

RM2A2RYFJ–Flos Solis major, Sunflower, Copper Engraving, p. 450, Besler, Basilius; Jungermann, Ludwig, 1713, Basilius Besler: Hortus Eystettensis (...). Nürnberg, 1713

France, Aisne, Château-Thierry, Jean de La Fontaine Museum - city of Chateau-Thierry, illustrations from La Fontaine's Fables, The Rooster and the Pearl fable XX from book I, prints by Marc Chagall, 1927-1930 (copper engraving), published by Tériade in 1952, etching on wove paper, heightened with gouache and watercolor Stock Photo

RM2F781RY–France, Aisne, Château-Thierry, Jean de La Fontaine Museum - city of Chateau-Thierry, illustrations from La Fontaine's Fables, The Rooster and the Pearl fable XX from book I, prints by Marc Chagall, 1927-1930 (copper engraving), published by Tériade in 1952, etching on wove paper, heightened with gouache and watercolor

Portrait of Jean-Baptiste Bourguignon d’Anville (1697-1782). Stock Photo

RMW7CEEH–Portrait of Jean-Baptiste Bourguignon d’Anville (1697-1782).

Balthasar Hacquet - Linderer, Kohl (1777) - copper engraving. Stock Photo

RMPJ3NG4–Balthasar Hacquet - Linderer, Kohl (1777) - copper engraving.

Madonna with Angel Giving Roses. Date/Period: 1420 - 1468. Copper engraving. Height: 210 mm (8.26 in); Width: 156 mm (6.14 in). Author: Master E. S. Stock Photo

RMPNCW6B–Madonna with Angel Giving Roses. Date/Period: 1420 - 1468. Copper engraving. Height: 210 mm (8.26 in); Width: 156 mm (6.14 in). Author: Master E. S.

RM2G626D1–Demonstration of traditional copper engraving, at Arg of Karim Khan(citadel), city center, Shiraz, Fars Province, Iran, Persia, Western Asia, Asia

In a brothel, copper engraving by Matham, 1530 Stock Photo

RFDJHCKW–In a brothel, copper engraving by Matham, 1530

Mozart, Leopold, copper engraving and etching without artist's signature, Additional-Rights-Clearance-Info-Not-Available Stock Photo

RMTTX2K1–Mozart, Leopold, copper engraving and etching without artist's signature, Additional-Rights-Clearance-Info-Not-Available

Shakespeare, Portrait. Copper engraving of William Shakespeare by Martin Droeshout from the title page of the First Folio, published in 1623 Stock Photo

RMFBWWH3–Shakespeare, Portrait. Copper engraving of William Shakespeare by Martin Droeshout from the title page of the First Folio, published in 1623

The copper engraving by Raphael Custos and his brother Jacob from the year 1634 shows the reception of Gustav Adolf at the wine market in Augsburg on 24.04.1632 and the homage of the Augsburg citizens to the Swedish king. Stock Photo

RMTA32NN–The copper engraving by Raphael Custos and his brother Jacob from the year 1634 shows the reception of Gustav Adolf at the wine market in Augsburg on 24.04.1632 and the homage of the Augsburg citizens to the Swedish king.

The Engravers' Workshop, Engraving and Printing on Copper Stock Photo

RM2RGCY83–The Engravers' Workshop, Engraving and Printing on Copper

Napoli View by Stopendael 1653 - copper engraving overall view Stock Photo

RMMDG8N7–Napoli View by Stopendael 1653 - copper engraving overall view

Netherlands: 'Job with Two Musicians'. Copper engraving print with the monogram 'BOS', c. 1500-1525. Job is the central character of the Book of Job in the Hebrew Bible. Job is also recognised as a prophet of God in the Qur'an. The Book of Job begins with an introduction to Job's character. He is described as a blessed man who lives righteously. God's praise of Job prompts Satan to challenge Job's integrity and suggesting that Job serves God simply because he protects him. God removes Job's protection, allowing Satan to take his wealth, his children and his physical health. Stock Photo

RM2B01KP6–Netherlands: 'Job with Two Musicians'. Copper engraving print with the monogram 'BOS', c. 1500-1525. Job is the central character of the Book of Job in the Hebrew Bible. Job is also recognised as a prophet of God in the Qur'an. The Book of Job begins with an introduction to Job's character. He is described as a blessed man who lives righteously. God's praise of Job prompts Satan to challenge Job's integrity and suggesting that Job serves God simply because he protects him. God removes Job's protection, allowing Satan to take his wealth, his children and his physical health.

Joseph II (1741-1790). Holy Roman Emperor. Portrait after a copper engraving by J. Adam. The Universal History, 1885. Colored. Stock Photo

RMDW81H8–Joseph II (1741-1790). Holy Roman Emperor. Portrait after a copper engraving by J. Adam. The Universal History, 1885. Colored.

. Membership-card for Johann Friedrich Krigar, signed 'Beuth'. 1821. Copper-engraving by Schmidt 73 Beuth Mitgliedskarte Stock Photo

RMMYB4GM–. Membership-card for Johann Friedrich Krigar, signed 'Beuth'. 1821. Copper-engraving by Schmidt 73 Beuth Mitgliedskarte

Syntagma Anatomicum, 1647. Copper engraving. From the work by Niclas Lauremberg and Jacob Calcar, edited by Johannes Vesling. 49 x 57 cm. Antique Stock Photo

RM2RJKP0M–Syntagma Anatomicum, 1647. Copper engraving. From the work by Niclas Lauremberg and Jacob Calcar, edited by Johannes Vesling. 49 x 57 cm. Antique

Dish with Cavalier by Anonymous. Copper engraving decorated with enamel and silver. Dated 13th Century Stock Photo

RMF7P0EC–Dish with Cavalier by Anonymous. Copper engraving decorated with enamel and silver. Dated 13th Century

Seahorse, handcoloured copper engraving from Friedrich Justin Bertuch Picture book for children, Weimar 1792 Stock Photo

RFK07RMD–Seahorse, handcoloured copper engraving from Friedrich Justin Bertuch Picture book for children, Weimar 1792

Engraving Copper Plate by Artisan Stock Photo

RMECPJEE–Engraving Copper Plate by Artisan

Flos Solis prolifer, Sunflower, Copper Engraving, p. 452, Besler, Basilius; Jungermann, Ludwig, 1713, Basilius Besler: Hortus Eystettensis (...). Nürnberg, 1713 Stock Photo

RM2A2RYFK–Flos Solis prolifer, Sunflower, Copper Engraving, p. 452, Besler, Basilius; Jungermann, Ludwig, 1713, Basilius Besler: Hortus Eystettensis (...). Nürnberg, 1713

France, Aisne, Château-Thierry, Jean de La Fontaine Museum - city of Chateau-Thierry, illustrations from La Fontaine's Fables, The Raven and the Fox fable II from book I, prints by Marc Chagall, 1927-1930 (copper engraving), published by Tériade in 1952, etching on wove paper, heightened with gouache and watercolor Stock Photo

RM2F781WM–France, Aisne, Château-Thierry, Jean de La Fontaine Museum - city of Chateau-Thierry, illustrations from La Fontaine's Fables, The Raven and the Fox fable II from book I, prints by Marc Chagall, 1927-1930 (copper engraving), published by Tériade in 1952, etching on wove paper, heightened with gouache and watercolor

Portrait of Miguel de Cervantes Saavedra (1547-1615). Stock Photo

RMW7CEJC–Portrait of Miguel de Cervantes Saavedra (1547-1615).

Barfus, Hans Albrecht von (1635-1704) copper engraving. Stock Photo

RMPJ5177–Barfus, Hans Albrecht von (1635-1704) copper engraving.

The State Bedroom during the reception of the bride at Dresden Palace. Date/Period: B. 1728. Copper engraving. Height: 226 mm (8.89 in); Width: 369 mm (14.52 in). Author: Quirijn Fonbonne. Stock Photo

RMPNE028–The State Bedroom during the reception of the bride at Dresden Palace. Date/Period: B. 1728. Copper engraving. Height: 226 mm (8.89 in); Width: 369 mm (14.52 in). Author: Quirijn Fonbonne.

RM2G626DM–Demonstration of traditional copper engraving, at Arg of Karim Khan(citadel), city center, Shiraz, Fars Province, Iran, Persia, Western Asia, Asia