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American Civil War allegory: Triumph by Morris Traubel, 1820-1897.Published c1861: A large, elaborate allegory predicting the triumph of the Union over the dark forces of the Confederacy and King Cotton. A published key accompanying the print describes the secession of the South in heavily moralistic terms, as the workings of an insidious Hydra of human discord, spawner of treachery and rebellion Stock Photo

RMTXGBBR–American Civil War allegory: Triumph by Morris Traubel, 1820-1897.Published c1861: A large, elaborate allegory predicting the triumph of the Union over the dark forces of the Confederacy and King Cotton. A published key accompanying the print describes the secession of the South in heavily moralistic terms, as the workings of an insidious Hydra of human discord, spawner of treachery and rebellion

Our Heroes and Our Flags - Memorial print for the Confederacy, published 30 years after the end of the American Civil War. Portraits, clockwise from top center, of 'Jefferson Davis, Alexander H. Stephens, Lt. Gen. T.J. Stonewall Jackson, Gen. S. Price, Lt. Gen. Polk, Lt. Gen. Hardee, Gen J.E.B. Stuart, Gen. J.E. Johnston, Lt. Gen. Kirby Smith, John H. Morgan, Lt. Gen. R.S. Ewell, Gen. Wade Hampton, Gen. S. Cooper, Lt. Gen. Longstreet, Gen. Benjamin Braxtonn Bragg, Gen. Hood, Gen. A.P. Hill, and Gen. P. T. Beauregard,' surround the central image of Robert E. Lee, an equestrian statue, and four Stock Photo

RMR7GAM8–Our Heroes and Our Flags - Memorial print for the Confederacy, published 30 years after the end of the American Civil War. Portraits, clockwise from top center, of 'Jefferson Davis, Alexander H. Stephens, Lt. Gen. T.J. Stonewall Jackson, Gen. S. Price, Lt. Gen. Polk, Lt. Gen. Hardee, Gen J.E.B. Stuart, Gen. J.E. Johnston, Lt. Gen. Kirby Smith, John H. Morgan, Lt. Gen. R.S. Ewell, Gen. Wade Hampton, Gen. S. Cooper, Lt. Gen. Longstreet, Gen. Benjamin Braxtonn Bragg, Gen. Hood, Gen. A.P. Hill, and Gen. P. T. Beauregard,' surround the central image of Robert E. Lee, an equestrian statue, and four

Tecumseh rebukes General Proctor for retreating during The Battle of the Thames aka the Battle of Moraviantown which was part of The War of 1812. Tecumseh, 1768 –1813. Native American leader of the Shawnee and a large tribal confederacy, known as Tecumseh's Confederacy. Henry Patrick Procter or Proctor, 1763 – 1822. British Major-General who served in Canada during the War of 1812. Stock Photo

RMEXJ84B–Tecumseh rebukes General Proctor for retreating during The Battle of the Thames aka the Battle of Moraviantown which was part of The War of 1812. Tecumseh, 1768 –1813. Native American leader of the Shawnee and a large tribal confederacy, known as Tecumseh's Confederacy. Henry Patrick Procter or Proctor, 1763 – 1822. British Major-General who served in Canada during the War of 1812.

Memorial print for the Confederacy, published 30 years after the end of the American Civil War. Portraits, clockwise from top center, of 'Jefferson Davis, Alexander H. Stephens, Lt. Gen. T.J. [Stonewall] Jackson, Gen. S. Price, Lt. Gen. Polk, Lt. Gen. Hardee, Gen J.E.B. Stuart, Gen. J.E. Johnston, Lt. Gen. Kirby Smith, John H. Morgan, Lt. Gen. R.S. Ewell, Gen. Wade Hampton, Gen. S. Cooper, Lt. Gen. Longstreet, Gen. Benjamin [i.e., Braxton] Bragg, Gen. Hood, Gen. A.P. Hill, [and] Gen. G.F. [i.e., G.T.] Beauregard,' surround the central image of Robert E. Lee, an equestrian statue, and four Conf Stock Photo

RMRJ5N7F–Memorial print for the Confederacy, published 30 years after the end of the American Civil War. Portraits, clockwise from top center, of 'Jefferson Davis, Alexander H. Stephens, Lt. Gen. T.J. [Stonewall] Jackson, Gen. S. Price, Lt. Gen. Polk, Lt. Gen. Hardee, Gen J.E.B. Stuart, Gen. J.E. Johnston, Lt. Gen. Kirby Smith, John H. Morgan, Lt. Gen. R.S. Ewell, Gen. Wade Hampton, Gen. S. Cooper, Lt. Gen. Longstreet, Gen. Benjamin [i.e., Braxton] Bragg, Gen. Hood, Gen. A.P. Hill, [and] Gen. G.F. [i.e., G.T.] Beauregard,' surround the central image of Robert E. Lee, an equestrian statue, and four Conf

Confrontation between Tecumseh and William Harrison in August 1810. Tecumseh was demanding that the 1809 Treaty of Fort Wayne be rescinded. The treaty which Tecumseh did not recognize gave settlers in Indiana and Illinois nearly 30 million acres of Native American land and led to a three years long conflict known as Tecumseh's War or Tecumseh's Rebellion. Tecumseh, 1768 –1813. Native American leader of the Shawnee and a large tribal confederacy, known as Tecumseh's Confederacy. William Henry Harrison, 1773 - 1841, a senior Army officer at the time of the confrontation with Tecumseh and la Stock Photo

RM2H26BB5–Confrontation between Tecumseh and William Harrison in August 1810. Tecumseh was demanding that the 1809 Treaty of Fort Wayne be rescinded. The treaty which Tecumseh did not recognize gave settlers in Indiana and Illinois nearly 30 million acres of Native American land and led to a three years long conflict known as Tecumseh's War or Tecumseh's Rebellion. Tecumseh, 1768 –1813. Native American leader of the Shawnee and a large tribal confederacy, known as Tecumseh's Confederacy. William Henry Harrison, 1773 - 1841, a senior Army officer at the time of the confrontation with Tecumseh and la

Bodleian Libraries, Political chemist and German retorts or- dissolving the Rhenish confederacy Stock Photo

RMHKX8MD–Bodleian Libraries, Political chemist and German retorts or- dissolving the Rhenish confederacy

The death of Tecumseh during The Battle of the Thames, October 5, 1813. Tecumseh, 1768 –1813. Native American leader of the Shawnee and a large tribal confederacy known as Tecumseh's Confederacy. Stock Photo

RMEY8P3T–The death of Tecumseh during The Battle of the Thames, October 5, 1813. Tecumseh, 1768 –1813. Native American leader of the Shawnee and a large tribal confederacy known as Tecumseh's Confederacy.

Art inspired by Armory Square Hospital, Washington, 1863–65, Albumen silver print from glass negative, Image: 17.3 × 20 cm (6 13/16 × 7 7/8 in.), Photographs, Unknown (American), After the first land battle at Bull Run, both the Union and the Confederacy saw the need for large, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW4H7Y–Art inspired by Armory Square Hospital, Washington, 1863–65, Albumen silver print from glass negative, Image: 17.3 × 20 cm (6 13/16 × 7 7/8 in.), Photographs, Unknown (American), After the first land battle at Bull Run, both the Union and the Confederacy saw the need for large, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Calgacus addressing his army before the Battle of Mons Grampius, c. A.D.84. Calgacus, aka Calgacos or Galgacus. Chieftain of the Caledonian Confederacy. From Hutchinson's History of the Nations, published 1915. Stock Photo

RMJBX984–Calgacus addressing his army before the Battle of Mons Grampius, c. A.D.84. Calgacus, aka Calgacos or Galgacus. Chieftain of the Caledonian Confederacy. From Hutchinson's History of the Nations, published 1915.

Art inspired by Summer Scene, 1866, Albumen silver print from glass negative, Image: 5.7 x 9.2 cm (2 1/4 x 3 5/8 in.), Photographs, G. Gable, Harry Stephens was a former house servant of Alexander Hamilton Stephens, vice-president of the Confederacy and, after the war, U.S. senator, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTX1AE–Art inspired by Summer Scene, 1866, Albumen silver print from glass negative, Image: 5.7 x 9.2 cm (2 1/4 x 3 5/8 in.), Photographs, G. Gable, Harry Stephens was a former house servant of Alexander Hamilton Stephens, vice-president of the Confederacy and, after the war, U.S. senator, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The death of Tecumseh in The Battle of the Thames, October, 1813, during the War of 1812. Tecumseh, c. 1768 –1813. Native American leader of the Shawnee and a large tribal confederacy known as Tecumseh's Confederacy. After a 19th century work by Currier & Ives. Stock Photo

RM2HTP72D–The death of Tecumseh in The Battle of the Thames, October, 1813, during the War of 1812. Tecumseh, c. 1768 –1813. Native American leader of the Shawnee and a large tribal confederacy known as Tecumseh's Confederacy. After a 19th century work by Currier & Ives.

Triumph. A large, elaborate allegory predicting the triumph of the Union over the dark forces of the Confederacy and King Cotton. A published key accompanying the print describes the secession of the South in heavily moralistic terms, as the workings of a Stock Photo

RMER7M03–Triumph. A large, elaborate allegory predicting the triumph of the Union over the dark forces of the Confederacy and King Cotton. A published key accompanying the print describes the secession of the South in heavily moralistic terms, as the workings of a

John Skenandoa, also known as Shenandoah, c. 1706 - 1816. A chief of the Oneida tribe, one of the five founding nations of the Iroquois Confederacy. He supported the British during the Seven Years War, also known as the French and Indian War, and during the Revolutionary War he supported the colonials. It is thought that George Washington named the Shenandoah River in his honour. After a work by an unidentified artist. Stock Photo

RM2H26BB1–John Skenandoa, also known as Shenandoah, c. 1706 - 1816. A chief of the Oneida tribe, one of the five founding nations of the Iroquois Confederacy. He supported the British during the Seven Years War, also known as the French and Indian War, and during the Revolutionary War he supported the colonials. It is thought that George Washington named the Shenandoah River in his honour. After a work by an unidentified artist.

Summer Scene, 1866, Albumen silver print from glass negative, Image: 5.7 x 9.2 cm (2 1/4 x 3 5/8 in.), Photographs, G. Gable Stock Photo

RMKC740J–Summer Scene, 1866, Albumen silver print from glass negative, Image: 5.7 x 9.2 cm (2 1/4 x 3 5/8 in.), Photographs, G. Gable

RMF7NNDW–American Civil War allegory: Triumph by Morris Traubel, 1820-1897.Published c1861: A large, elaborate allegory predicting the triumph of the Union over the dark forces of the Confederacy and King Cotton. A published key accompanying the print describes the secession of the South in heavily moralistic terms, as the workings of an insidious Hydra of human discord, spawner of treachery and rebellion

Nassau is the capital, largest city and commercial centre of the Commonwealth of the Bahamas. During the American Civil War, it served as a port for blockade runners making their way to and from ports along the southern Atlantic Coast for continued trade with the Confederacy. Stock Photo

RMH3W1PA–Nassau is the capital, largest city and commercial centre of the Commonwealth of the Bahamas. During the American Civil War, it served as a port for blockade runners making their way to and from ports along the southern Atlantic Coast for continued trade with the Confederacy.

Jefferson Davis, President of the Confederacy 1808 1889 First only President Confederate States America Stock Photo

RMCF83P6–Jefferson Davis, President of the Confederacy 1808 1889 First only President Confederate States America

Ulysses S. Grant (1822 – 1885) was the 18th President of the United States (1869–77). As Commanding General of the United States Army, Grant worked closely with President Abraham Lincoln to lead the Union Army to victory over the Confederacy in the American Civil War. Stock Photo

RMH3W1TE–Ulysses S. Grant (1822 – 1885) was the 18th President of the United States (1869–77). As Commanding General of the United States Army, Grant worked closely with President Abraham Lincoln to lead the Union Army to victory over the Confederacy in the American Civil War.

Art inspired by Grand Army Review, Pennsylvania Avenue, Washington, May 23 or 24, 1865, Albumen silver print from glass negative, 8.5 × 10.1 cm (3 3/8 × 4 in.), irregularly trimmed, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C.), On May 23 and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW4RG9–Art inspired by Grand Army Review, Pennsylvania Avenue, Washington, May 23 or 24, 1865, Albumen silver print from glass negative, 8.5 × 10.1 cm (3 3/8 × 4 in.), irregularly trimmed, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C.), On May 23 and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Triumph by Morris H Traubel (1820-1897). Print on wove paper : lithograph printed in pale green, buff and black. A large, elaborate allegory predicting the triumph of the Union over the dark forces of the Confederacy and 'King Cotton'. A published key accompanying the print describes the secession of the South in heavily moralistic terms, as the working of an insidious 'Hydra of human discord', spawner of treachery and rebellion. Stock Photo

RM2A6032Y–Triumph by Morris H Traubel (1820-1897). Print on wove paper : lithograph printed in pale green, buff and black. A large, elaborate allegory predicting the triumph of the Union over the dark forces of the Confederacy and 'King Cotton'. A published key accompanying the print describes the secession of the South in heavily moralistic terms, as the working of an insidious 'Hydra of human discord', spawner of treachery and rebellion.

The Battle of Assaye was a major battle of the Second Anglo-Maratha War fought between the Maratha Confederacy and the British East India Company. It occurred on 23 September 1803 near Assaye in western India where an outnumbered Indian and British force under the command of Major General Arthur Wellesley (who later became the Duke of Wellington) defeated a combined Confederacy army of Daulat Scindia and the Raja of Berar. Stock Photo

RMF389GY–The Battle of Assaye was a major battle of the Second Anglo-Maratha War fought between the Maratha Confederacy and the British East India Company. It occurred on 23 September 1803 near Assaye in western India where an outnumbered Indian and British force under the command of Major General Arthur Wellesley (who later became the Duke of Wellington) defeated a combined Confederacy army of Daulat Scindia and the Raja of Berar.

Group portrait of General in Chief of the Armies of the Confederate States, Robert E. Lee, with the generals of his army. After a work issued in 1907. Stock Photo

RM2F3E924–Group portrait of General in Chief of the Armies of the Confederate States, Robert E. Lee, with the generals of his army. After a work issued in 1907.

RM2DE4KMD–Memorial print for the Confederacy, published 30 years after the end of the American Civil War. Portraits, clockwise from top center, of 'Jefferson Davis, Alexander H. Stephens, Lt. Gen. T.J. [Stonewall] Jackson, Gen. S. Price, Lt. Gen. Polk, Lt. Gen. Hardee, Gen J.E.B. Stuart, Gen. J.E. Johnston, Lt. Gen. Kirby Smith, John H. Morgan, Lt. Gen. R.S. Ewell, Gen. Wade Hampton, Gen. S. Cooper, Lt. Gen. Longstreet, Gen. Benjamin [i.e., Braxton] Bragg, Gen. Hood, Gen. A.P. Hill, [and] Gen. G.F. [i.e., G.T.] Beauregard,' surround the central image of Robert E. Lee, an equestrian statue, and four Conf

John Bull makes a discovery Abstract: An anti-British satire, reflecting Northern fears of English assistance to the Confederacy. The print probably appeared in late 1862 or early 1863, when a cotton shortage caused by the Union blockade of Confederate shipping crippled the English textile industry. Strenuous diplomatic efforts were then under way by the South to win support for the Confederacy from Britain. The artist here predicts British abandonment of its humanitarian antislavery stance in favor of economic self-interest. In the center stands a stout John Bull feeling the hair (i.e., wool) Stock Photo

RMWKGF8H–John Bull makes a discovery Abstract: An anti-British satire, reflecting Northern fears of English assistance to the Confederacy. The print probably appeared in late 1862 or early 1863, when a cotton shortage caused by the Union blockade of Confederate shipping crippled the English textile industry. Strenuous diplomatic efforts were then under way by the South to win support for the Confederacy from Britain. The artist here predicts British abandonment of its humanitarian antislavery stance in favor of economic self-interest. In the center stands a stout John Bull feeling the hair (i.e., wool)

Bodleian Libraries, Playbill of Drury Lane Theatre, Saturday, being the 13th of December 1760, announcing The confederacy &c. Stock Photo

RMHKX8HF–Bodleian Libraries, Playbill of Drury Lane Theatre, Saturday, being the 13th of December 1760, announcing The confederacy &c.

Print shows an emotionally charged condemnation of the Copperheads or Peace Democrats and their support of reconciliation with the Confederacy. Stock Photo

RMPH6HJH–Print shows an emotionally charged condemnation of the Copperheads or Peace Democrats and their support of reconciliation with the Confederacy.

A thrilling incident during voting,--18th Ward, Philadelphia, Oct. 11 Abstract: Print shows an emotionally charged condemnation of the Copperheads or Peace Democrats and their support of reconciliation with the Confederacy. In a scene at a polling place an old man (right) is approached by a Copperhead vote distributor, who thrusts a ticket at him, saying, Here is an old Jackson Democrat who always votes a straight ticket. The older man angrily replies, I despise you more than I hate the rebel who sent his bullet through my dead son's heart! You miserable creature! Do you expect me to dishonor Stock Photo

RMW934EW–A thrilling incident during voting,--18th Ward, Philadelphia, Oct. 11 Abstract: Print shows an emotionally charged condemnation of the Copperheads or Peace Democrats and their support of reconciliation with the Confederacy. In a scene at a polling place an old man (right) is approached by a Copperhead vote distributor, who thrusts a ticket at him, saying, Here is an old Jackson Democrat who always votes a straight ticket. The older man angrily replies, I despise you more than I hate the rebel who sent his bullet through my dead son's heart! You miserable creature! Do you expect me to dishonor

Antique c1860 engraving, P. G. T. Beauregard, P. G. T. Beauregard (1818-1893) was a Southern military officer, politician, inventor, writer, civil servant, and the first prominent general of the Confederate States Army during the American Civil War. SOURCE: ORIGINAL ENGRAVING. Stock Photo

RMJABEPK–Antique c1860 engraving, P. G. T. Beauregard, P. G. T. Beauregard (1818-1893) was a Southern military officer, politician, inventor, writer, civil servant, and the first prominent general of the Confederate States Army during the American Civil War. SOURCE: ORIGINAL ENGRAVING.

'A mock coat-of-arms for the Confederacy (CSA) from a satirical northern point of view, with the two heraldic supporters for the shield being a spur-booted plantation owner or supervisor and a chained slave. The motto is Servitudo esto perpetua (Latin for may slavery be perpetual!). Title: Arms of ye Confederacie Date Created/Published: [U.S.] : G.H. Heap Inv., 1862. Medium: 1 print : engraving on off-white card stock ; 9.6 x 11.8 cm. (image) Summary: A small card bearing a vitriolic indictment of the Confederacy. The artist particularly attacks the the institution of slavery, the foundation Stock Photo

RM2BEAHCM–'A mock coat-of-arms for the Confederacy (CSA) from a satirical northern point of view, with the two heraldic supporters for the shield being a spur-booted plantation owner or supervisor and a chained slave. The motto is Servitudo esto perpetua (Latin for may slavery be perpetual!). Title: Arms of ye Confederacie Date Created/Published: [U.S.] : G.H. Heap Inv., 1862. Medium: 1 print : engraving on off-white card stock ; 9.6 x 11.8 cm. (image) Summary: A small card bearing a vitriolic indictment of the Confederacy. The artist particularly attacks the the institution of slavery, the foundation

Old engraving of Whilhelm Tell legend. W. Tell is a folk hero of Switzerland. According to the legend, Tell was an expert marksman with the crossbow w Stock Photo

RMWTCNWJ–Old engraving of Whilhelm Tell legend. W. Tell is a folk hero of Switzerland. According to the legend, Tell was an expert marksman with the crossbow w

RF2EA2MXX–Tecumseh

A print from a lithograph by Thomas Nast entitled: A Group of Butternut Prisoners, Taken From Life. Appeared in Harper's Weekly, April 25, 1863. The Rebel soldiers are poorly dressed, with and without uniforms and some are shoeless. Stock Photo

RMG15GXW–A print from a lithograph by Thomas Nast entitled: A Group of Butternut Prisoners, Taken From Life. Appeared in Harper's Weekly, April 25, 1863. The Rebel soldiers are poorly dressed, with and without uniforms and some are shoeless.

Early, 17th Century map of Virginia, New England, showing the many native villages under control of Powhatan, Chief of the Algonquian Confederacy, map by Dirck Grijp, copy after John Smith, 1618 Stock Photo

RM2EWP7TH–Early, 17th Century map of Virginia, New England, showing the many native villages under control of Powhatan, Chief of the Algonquian Confederacy, map by Dirck Grijp, copy after John Smith, 1618

RMF7PANE–Triumph by Morris H Traubel (1820-1897). Print on wove paper : lithograph printed in pale green, buff and black. A large, elaborate allegory predicting the triumph of the Union over the dark forces of the Confederacy and 'King Cotton'. A published key accompanying the print describes the secession of the South in heavily moralistic terms, as the working of an insidious 'Hydra of human discord', spawner of treachery and rebellion.

Hiawatha aka Ayenwatha, Aiionwatha or Haiëñ'wa'tha. Pre-historical Native American leader co-founder of the Iroquois confederacy Stock Photo

RMEAN6XX–Hiawatha aka Ayenwatha, Aiionwatha or Haiëñ'wa'tha. Pre-historical Native American leader co-founder of the Iroquois confederacy

Vintage print depicting the Battle of the Monitor and Merrimack in the US Civil War - first ever naval battle between ironclads. Stock Photo

RMBNRF4Y–Vintage print depicting the Battle of the Monitor and Merrimack in the US Civil War - first ever naval battle between ironclads.

Railroad Accident Caused by Rebels. Date/Period: 1862. Print. Albumen silver. Height: 235 mm (9.25 in); Width: 325 mm (12.79 in). Author: ANDREW J. RUSSELL. Stock Photo

RMPNECXF–Railroad Accident Caused by Rebels. Date/Period: 1862. Print. Albumen silver. Height: 235 mm (9.25 in); Width: 325 mm (12.79 in). Author: ANDREW J. RUSSELL.

Art inspired by Grand Army Review, Washington, May 23 or 24, 1865, Albumen silver print from glass negative, 8.2 × 10 cm (3 1/4 × 3 15/16 in.), irregularly trimmed, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C.), On May 23 and 24, 1865, two, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW4RFA–Art inspired by Grand Army Review, Washington, May 23 or 24, 1865, Albumen silver print from glass negative, 8.2 × 10 cm (3 1/4 × 3 15/16 in.), irregularly trimmed, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C.), On May 23 and 24, 1865, two, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The Fall of Richmond, Virginia on the Night of April 2nd, 1865. Publisher: Currier & Ives (American, active New York, 1857-1907); Date: 1865; Medium: Stock Photo

RMKNR81H–The Fall of Richmond, Virginia on the Night of April 2nd, 1865. Publisher: Currier & Ives (American, active New York, 1857-1907); Date: 1865; Medium:

Art inspired by Grand Army Review, Pennsylvania Avenue, Washington, May 23 or 24, 1865, Albumen silver print from glass negative, 8.8 × 9.9 cm (3 7/16 × 3 7/8 in.), irregularly trimmed, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C.), On May 23, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW4K3K–Art inspired by Grand Army Review, Pennsylvania Avenue, Washington, May 23 or 24, 1865, Albumen silver print from glass negative, 8.8 × 9.9 cm (3 7/16 × 3 7/8 in.), irregularly trimmed, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C.), On May 23, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RF2E2444W–Old engraving of Whilhelm Tell legend. W. Tell is a folk hero of Switzerland. According to the legend, Tell was an expert marksman with the crossbow w

Burgundian archer wearing chain mail and a knight in plate armor, 1470. Hand-colored print Stock Photo

RMDCY9GB–Burgundian archer wearing chain mail and a knight in plate armor, 1470. Hand-colored print

Definition of word conspiracy in dictionary Stock Photo

RFF0JNF7–Definition of word conspiracy in dictionary

Bodleian Libraries, Playbill of Drury Lane Theatre, Monday, being the 17th of November 1760, announcing The confederacy &c. Stock Photo

RMHKX8H9–Bodleian Libraries, Playbill of Drury Lane Theatre, Monday, being the 17th of November 1760, announcing The confederacy &c.

Judah P Benjamin, Secretary of State of the Confederacy, 1861-1865 (1955). Artist: Unknown Stock Photo

RMBJWAEM–Judah P Benjamin, Secretary of State of the Confederacy, 1861-1865 (1955). Artist: Unknown

Four Years in Rebel Capitals: an inside view of life in the Southern Confederacy, from birth to death. From original notes, collated in the years 1861 to 1865, by T. C. DeLeon Stock Photo

RMJ552AR–Four Years in Rebel Capitals: an inside view of life in the Southern Confederacy, from birth to death. From original notes, collated in the years 1861 to 1865, by T. C. DeLeon

RMJABET8–Antique c1860 engraving, P. G. T. Beauregard, P. G. T. Beauregard (1818-1893) was a Southern military officer, politician, inventor, writer, civil servant, and the first prominent general of the Confederate States Army during the American Civil War. SOURCE: ORIGINAL ENGRAVING.

US Civil war illustration. 5th Virginia Infantry CO. C 'Mountain Guard' 1861. US infantry. Stock Photo

RFR08A6E–US Civil war illustration. 5th Virginia Infantry CO. C 'Mountain Guard' 1861. US infantry.

Revolutionary War painting depicting the Continental Navy frigate Confederacy Stock Photo

RMW468CY–Revolutionary War painting depicting the Continental Navy frigate Confederacy

RF2EA2MG6–Tecumseh

A print from a painting by Alonzo Chappel is entitled: Battle of Antietam. Gallant Charge of General Burnside's Division at the Bridge. The Battle of Antietam also known as the Battle of Sharpsburg, in the South, was fought on September 17, 1862, near Sh Stock Photo

RMG15GXP–A print from a painting by Alonzo Chappel is entitled: Battle of Antietam. Gallant Charge of General Burnside's Division at the Bridge. The Battle of Antietam also known as the Battle of Sharpsburg, in the South, was fought on September 17, 1862, near Sh

Davis, Varina Anne, United Daughters of the Confederacy. Stock Photo

RMW612T9–Davis, Varina Anne, United Daughters of the Confederacy.

Vintage 4 August 1961 'Life' Magazine Advert, USA Stock Photo

RM2K8BNHK–Vintage 4 August 1961 'Life' Magazine Advert, USA

Antique 1854 engraving, 'Mill in the Valley of the Mohawk River, New York.' The Mohawk River is a 149-mile-long (240 km) river in the U.S. state of New York. It is the largest tributary of the Hudson River. The river is named for the Mohawk Nation of the Iroquois Confederacy. SOURCE: ORIGINAL ENGRAVING. Stock Photo

RMJ0MH61–Antique 1854 engraving, 'Mill in the Valley of the Mohawk River, New York.' The Mohawk River is a 149-mile-long (240 km) river in the U.S. state of New York. It is the largest tributary of the Hudson River. The river is named for the Mohawk Nation of the Iroquois Confederacy. SOURCE: ORIGINAL ENGRAVING.

RMBNRHXA–Vintage print depicting the Battle of the Monitor and Merrimack in the US Civil War - first ever naval battle between ironclads.

Ruins in Columbia, S.C. No. 2. Date/Period: Negative 1864; print 1866. Print. Albumen silver. Height: 257 mm (10.11 in); Width: 362 mm (14.25 in). Author: George N. Barnard. Stock Photo

RMRFH1Y3–Ruins in Columbia, S.C. No. 2. Date/Period: Negative 1864; print 1866. Print. Albumen silver. Height: 257 mm (10.11 in); Width: 362 mm (14.25 in). Author: George N. Barnard.

Antique 1872 engraving from Harper's Weekly, The Burial of the Late General Anderson at the West Point Cemetery, USMA. Robert Anderson (1805-1871) was a United States Army officer during the American Civil War. To many, he was a hero who defied the Confederacy and upheld Union honor in the first battle of the American Civil War at Fort Sumter in April 1861. Stock Photo

RMF115GM–Antique 1872 engraving from Harper's Weekly, The Burial of the Late General Anderson at the West Point Cemetery, USMA. Robert Anderson (1805-1871) was a United States Army officer during the American Civil War. To many, he was a hero who defied the Confederacy and upheld Union honor in the first battle of the American Civil War at Fort Sumter in April 1861.

CSS Shenandoah was an iron-framed, teak-planked, full-rigged ship, with auxiliary steam power registered in Liverpool, England in 1865. She was purchased by the Confederacy and secretly moved from England to the Canary Islands, to convert her into a fighting ship. Over the next six weeks, Shenandoah scoured the South Atlantic, destroying or bonding over eight Union ships, before developing a problem with her propeller shaft, off the coast of South America. To avoid patrolling Union warships she sailed to Melbourne, 9600 kilometres away. Stock Photo

RMH3W1RK–CSS Shenandoah was an iron-framed, teak-planked, full-rigged ship, with auxiliary steam power registered in Liverpool, England in 1865. She was purchased by the Confederacy and secretly moved from England to the Canary Islands, to convert her into a fighting ship. Over the next six weeks, Shenandoah scoured the South Atlantic, destroying or bonding over eight Union ships, before developing a problem with her propeller shaft, off the coast of South America. To avoid patrolling Union warships she sailed to Melbourne, 9600 kilometres away.

Fashion and Boston. Boston (1833. pedigree p.215) was the best horse in Virginia from 1836 to 1840, nearly all his races being in four-mile heats. Fashion (1837) was by imported Trustee. Trustee was third to Sir Giles in the Derby of 1832, both being owned by the confederacy of Ridsdale and Gully, and both being sold to America. (Sir Giles was a failure.) Fashion was the best horse in the North in 1840-42. When the two met at Camden in 1841, Boston was exhausted by racing and covering. no wonder Fashion won. The History of Horse Racing by Roger Longrigg, page 212. Stock Photo

RMWH8HXT–Fashion and Boston. Boston (1833. pedigree p.215) was the best horse in Virginia from 1836 to 1840, nearly all his races being in four-mile heats. Fashion (1837) was by imported Trustee. Trustee was third to Sir Giles in the Derby of 1832, both being owned by the confederacy of Ridsdale and Gully, and both being sold to America. (Sir Giles was a failure.) Fashion was the best horse in the North in 1840-42. When the two met at Camden in 1841, Boston was exhausted by racing and covering. no wonder Fashion won. The History of Horse Racing by Roger Longrigg, page 212.

View from Confederate fort, east of Peachtree Street, looking east, Atlanta, Georgia. Fortifications with cannons, confederate lookout and soldiers in tent. CREATED/PUBLISHED: [1864, printed later] SUMMARY: Fortifications with cannons, confederate lookout and soldiers in tent. MEDIUM: 1 photographic print. CREATED/PUBLISHED: [1864, printed later] CREATOR: Barnard, George N., 1819-1902, photographer. Stock Photo

RFJF65JY–View from Confederate fort, east of Peachtree Street, looking east, Atlanta, Georgia. Fortifications with cannons, confederate lookout and soldiers in tent. CREATED/PUBLISHED: [1864, printed later] SUMMARY: Fortifications with cannons, confederate lookout and soldiers in tent. MEDIUM: 1 photographic print. CREATED/PUBLISHED: [1864, printed later] CREATOR: Barnard, George N., 1819-1902, photographer.

[Summer Scene]. Artist: G. Gable; Date: 1866; Medium: Albumen silver print from glass negative; Dimensions: Image: 5.7 x 9.2 cm (2 1/4 x 3 5/8 in.); Stock Photo

RMKNG7R3–[Summer Scene]. Artist: G. Gable; Date: 1866; Medium: Albumen silver print from glass negative; Dimensions: Image: 5.7 x 9.2 cm (2 1/4 x 3 5/8 in.);

Vintage print circa 1847 entitled 'America' showing African American men women and children being grateful to their white master and his family for looking after them. Painted by Edward Williams Clay from New York an anti-abolitionist in favour of slavery An old slave says, 'God Bless you massa! you feed and clothe us. When we are sick you nurse us, and when too old to work, you provide for us!' The master says, 'These poor creatures are a sacred legacy from my ancestors and while a dollar is left me, nothing shall be spared to increase their comfort and happiness.' Stock Photo

RF2GPP8M8–Vintage print circa 1847 entitled 'America' showing African American men women and children being grateful to their white master and his family for looking after them. Painted by Edward Williams Clay from New York an anti-abolitionist in favour of slavery An old slave says, 'God Bless you massa! you feed and clothe us. When we are sick you nurse us, and when too old to work, you provide for us!' The master says, 'These poor creatures are a sacred legacy from my ancestors and while a dollar is left me, nothing shall be spared to increase their comfort and happiness.'

Bodleian Libraries, Playbill of Drury Lane Theatre, Saturday, being the 16th of May 1760, announcing The confederacy &c. Stock Photo

RMHKX8HG–Bodleian Libraries, Playbill of Drury Lane Theatre, Saturday, being the 16th of May 1760, announcing The confederacy &c.

'Maiden's Rock, Lake Pepin', 1874. Rock formation on Lake Pepin, Wisconsin, USA. 'The great tradition of death and sorrow belongs to Maiden's Rock...Winona was a young girl of that confederacy...which the French called Sioux...She loved a hunter of the same division of the confederacy, but her parents wished her to marry a warrior of the Wapesha division...The day before the union she ascended a bluff of great height, whose upper part is a sheer precipice...and threw herself...from the height, being dashed to pieces in the great buttress of rocky debris below'. From "Picturesque America; Stock Photo

RM2A8E8B1–'Maiden's Rock, Lake Pepin', 1874. Rock formation on Lake Pepin, Wisconsin, USA. 'The great tradition of death and sorrow belongs to Maiden's Rock...Winona was a young girl of that confederacy...which the French called Sioux...She loved a hunter of the same division of the confederacy, but her parents wished her to marry a warrior of the Wapesha division...The day before the union she ascended a bluff of great height, whose upper part is a sheer precipice...and threw herself...from the height, being dashed to pieces in the great buttress of rocky debris below'. From "Picturesque America;

Home of a Rebel Sharpshooter, Gettysburg, July 1863. Albumen print, pl. 41 from the album "Gardner's Photographic Sketch Book of the War, vol. 1" (1866). Stock Photo

RM2GPNY0E–Home of a Rebel Sharpshooter, Gettysburg, July 1863. Albumen print, pl. 41 from the album "Gardner's Photographic Sketch Book of the War, vol. 1" (1866).

edonian pict warrior man male tattoo Caledonians Caledonii Confederacy Scotland Iron Age Roman Britons Picts. Great Britain Stock Photo

RMBT64WT–edonian pict warrior man male tattoo Caledonians Caledonii Confederacy Scotland Iron Age Roman Britons Picts. Great Britain

Infantry of Confederate States of America, US Civil war. Illustration. Stock Photo

RFR08A77–Infantry of Confederate States of America, US Civil war. Illustration.

Robert E Lee. Civil War Confederate Army General Robert E Lee. Photo by Julian Vannerso, March 1864 Stock Photo

RMFDMY5K–Robert E Lee. Civil War Confederate Army General Robert E Lee. Photo by Julian Vannerso, March 1864

RF2EA2MFP–Tecumseh

The print is entitled: 'Siege and Capture of Vicksburg, Mississippi, July 4th, 1863. Blowing up one of the enemy's forts and desperate charge of the Union Volunteers through the breach, June 26, 1863.' The Siege of Vicksburg (May 18 - July 4, 1863) was th Stock Photo

RMG15GYN–The print is entitled: 'Siege and Capture of Vicksburg, Mississippi, July 4th, 1863. Blowing up one of the enemy's forts and desperate charge of the Union Volunteers through the breach, June 26, 1863.' The Siege of Vicksburg (May 18 - July 4, 1863) was th

Bonstetten Confederacy 1479. Stock Photo

RMPPNTP4–Bonstetten Confederacy 1479.

African American man sitting on an ox cart on a street in Savannah, Georgia, shortly after emancipation. Photo by William E Wilson, c.1867-1890 Stock Photo

RMGA65YM–African American man sitting on an ox cart on a street in Savannah, Georgia, shortly after emancipation. Photo by William E Wilson, c.1867-1890

The outbreak of the rebellion in the United States 1861 Stock Photo

RMER7M0D–The outbreak of the rebellion in the United States 1861

Print c1888 depicting the Battle of Antietam (September 17 1862) during the American Civil War. Stock Photo

RMBHMYX7–Print c1888 depicting the Battle of Antietam (September 17 1862) during the American Civil War.

View on the Appomattox River. Timothy O'Sullivan; American, born Ireland, 1840-1882. Date: 1865. Dimensions: 17.7 x 23 cm (image); 31.1 x 44 cm (album page). Albumen print, pl. 82 from the album 'Gardner's Photographic Sketch Book of the War, Volume II' (1866). Origin: United States. Museum: The Chicago Art Institute. Stock Photo

RMRXF1EY–View on the Appomattox River. Timothy O'Sullivan; American, born Ireland, 1840-1882. Date: 1865. Dimensions: 17.7 x 23 cm (image); 31.1 x 44 cm (album page). Albumen print, pl. 82 from the album 'Gardner's Photographic Sketch Book of the War, Volume II' (1866). Origin: United States. Museum: The Chicago Art Institute.

ALABAMA US civil war Inauguration Jefferson Davis as Confederate President 1861. The Illustrated London News Stock Photo

RFH3BH8E–ALABAMA US civil war Inauguration Jefferson Davis as Confederate President 1861. The Illustrated London News

Iroquois Confederacy Haudenosaunee flag in grunge brush stroke, vector image Stock Vector

RF2GFY6H5–Iroquois Confederacy Haudenosaunee flag in grunge brush stroke, vector image

Dates of admission to the Union of the States, and the alignment for the civil war, 1933. Artist: Unknown Stock Photo

RMW7CC4Y–Dates of admission to the Union of the States, and the alignment for the civil war, 1933. Artist: Unknown

RFJF65MA–View from Confederate fort, east of Peachtree Street, looking east, Atlanta, Georgia. Fortifications with cannons, confederate lookout and soldiers in tent. CREATED/PUBLISHED: [1864, printed later] SUMMARY: Fortifications with cannons, confederate lookout and soldiers in tent. MEDIUM: 1 photographic print. CREATED/PUBLISHED: [1864, printed later] CREATOR: Barnard, George N., 1819-1902, photographer.

John Brown (1807-1859) after his capture, 1859.Artist: Thomas Hovenden Stock Photo

RMW7D7BC–John Brown (1807-1859) after his capture, 1859.Artist: Thomas Hovenden

Antique c1841 engraving, “St. Clair’s Defeat” from James Wimer's Events in Indian History. St. Clair's defeat, also known as the Battle of the Wabash, was a battle fought on November 4, 1791, in the Northwest Indian War and was the American military’s largest defeat ever by Native Americans. SOURCE: ORIGINAL ENGRAVING Stock Photo

RM2DB2ABY–Antique c1841 engraving, “St. Clair’s Defeat” from James Wimer's Events in Indian History. St. Clair's defeat, also known as the Battle of the Wabash, was a battle fought on November 4, 1791, in the Northwest Indian War and was the American military’s largest defeat ever by Native Americans. SOURCE: ORIGINAL ENGRAVING

Friederike Luise Wilhelmine of Prussia (1774 – 1837) was the first wife of King William I of the Netherlands and so the first Queen consort of the Net Stock Photo

RF2AE399D–Friederike Luise Wilhelmine of Prussia (1774 – 1837) was the first wife of King William I of the Netherlands and so the first Queen consort of the Net

The Genuine Othello. Political cartoon about slavery and the American Civil War, 1861 Stock Photo

RMD02NN7–The Genuine Othello. Political cartoon about slavery and the American Civil War, 1861

Rebel Works in Front of Atlanta, GA, No. 1, 1864. Albumen print, plate 39 from the album "Photographic Views of the Sherman Campaign" (1866). Stock Photo

RM2GPP31K–Rebel Works in Front of Atlanta, GA, No. 1, 1864. Albumen print, plate 39 from the album "Photographic Views of the Sherman Campaign" (1866).

Devastation to the capital of the Confederate States during the American Civil War April 1865 Richmond, Virginia. Stock Photo

RMD43J28–Devastation to the capital of the Confederate States during the American Civil War April 1865 Richmond, Virginia.

RFR08A65–Infantry of Confederate States of America, US Civil war. Illustration.

RFCWT4N6–Charleston sea battle

RF2EA2MFG–Tecumseh

Color enhanced print of the painting entitled: The Underground Railroad by Charles T. Webber. Levi Coffin (October 28, 1798 - September 16, 1877) was an American Quaker, abolitionist, and businessman. He was deeply involved in the Underground Railroad in Stock Photo

RMG15J48–Color enhanced print of the painting entitled: The Underground Railroad by Charles T. Webber. Levi Coffin (October 28, 1798 - September 16, 1877) was an American Quaker, abolitionist, and businessman. He was deeply involved in the Underground Railroad in

Anti-Confederacy cartoon showing Southerner's reaction to Lincoln's determination Stock Photo

RMPE1XXK–Anti-Confederacy cartoon showing Southerner's reaction to Lincoln's determination

A group of African Americans picking cotton near Savannah, Georgia shortly after emancipation. Photo by Launey & Goebel, c.1867-1890 Stock Photo

RMGA6636–A group of African Americans picking cotton near Savannah, Georgia shortly after emancipation. Photo by Launey & Goebel, c.1867-1890

RMER7M0F–The emblem of the free

Lithograph colour print circa 1888 depicting the Battle of Fredericksburg during the American Civil War. Stock Photo

RMBHTJD2–Lithograph colour print circa 1888 depicting the Battle of Fredericksburg during the American Civil War.

Destruction of Hood's Ordinance Train. George N. Barnard; American, 1819-1902. Date: 1864. Dimensions: 25.5 x 35.8 cm (image/paper); 41 x 51 cm (album page). Albumen print, plate 44 from the album 'Photographic Views of the Sherman Campaign' (1866). Origin: United States. Museum: The Chicago Art Institute. Stock Photo

RMRXFGNT–Destruction of Hood's Ordinance Train. George N. Barnard; American, 1819-1902. Date: 1864. Dimensions: 25.5 x 35.8 cm (image/paper); 41 x 51 cm (album page). Albumen print, plate 44 from the album 'Photographic Views of the Sherman Campaign' (1866). Origin: United States. Museum: The Chicago Art Institute.

RFCWT562–General Robert Edward Lee

Alamo, San Antonio, Texas General Twigg, US Army, Surrendering to the Texas Militia, 1861 Civil War Stock Photo

RFT9EFDJ–Alamo, San Antonio, Texas General Twigg, US Army, Surrendering to the Texas Militia, 1861 Civil War

Grand Army Review, Washington, Alexander Gardner, May 23 or 24, 1865 Stock Photo

RMKC77G3–Grand Army Review, Washington, Alexander Gardner, May 23 or 24, 1865

RF2F3M41K–Friederike Luise Wilhelmine of Prussia (1774 – 1837) was the first wife of King William I of the Netherlands and so the first Queen consort of the Net

Inauguration of Jefferson Davis, Montgomery, Alabama, 1861 (c1880). Artist: Unknown Stock Photo

RMW7DRDG–Inauguration of Jefferson Davis, Montgomery, Alabama, 1861 (c1880). Artist: Unknown

1607 pocahontas Matoaka Rebecca Rolfe saving the life of Captain John Smith Stock Photo

RMCF82M4–1607 pocahontas Matoaka Rebecca Rolfe saving the life of Captain John Smith

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