Quick filters:
Page 4 of 7
Colnaghi Stock Photos and Images
RM2CDD3E1–. Studio international . KICHMOMj CASTLE, YORKSHIRE FROM A DRY-POINT BY ALBANY E. HOWARTH,! A.R.E. (Bv fermission of Messrs. J. andD. Colnaghi and Obach, and Mess? s. Dcu-aesivells)220.
RM2ABFKKP–Mayfair, London, UK. 27th November 2019. The galleries and auction houses of London Art Week open their doors for the third LAW Winter, from 1st-6th December 2019. Image: A drawing of Lady Strauss, who stood for the Labour Party in Kensington South in the 1945 election, by Arts and Crafts artist Karl Parsons, 1933 on display at Colnaghi for London Art Week. Credit: Malcolm Park/Alamy Live News.
RM2A2TJWP–Comus, V. 12-17, Comus, 200-219, Murals with scenes from the poem 'Masque of Comus' by John Milton (Pavilion, Buckingham Palace Gardens), signed: C. Stanfield, RA; T. Uwins, RA, Taf. 11, p. 11, Stanfield, Clarkson; Uwins, Thomas, Ludwig Gruner; Anna Jameson: The decorations of the garden-pavilion in the grounds of Buckingham Palace. London: publ. by John Murray; Longman & Co.; P. & D. Colnaghi; F. G. Moon; and L. Gruner, MDCCCXLVI
RM2DEMW8R–Colnaghi Gallery, Mayfair, London, UK. 1 December 2020. With London moving into Tier 2, London Art Week Winter opens in Mayfair and St James’s on 2nd December with a chance to see 5,000 years of art in Covid secure galleries. Colnaghi Gallery features: Dreamsongs: from Medicine to Demons to Artificial Intelligence curated by Bjorn Stern, for London Art Week Digital. Image: John Robinson, Ante-Garden 1514, Oil on Canvas. Credit: Malcolm Park/Alamy Live News.
RM2DHWY1C–Miss Fanny Ayton, Print made by George H. Phillips, active 1819–1825, British, after Richard Westall, 1765–1836, British, Published by Colnaghi, established 1760, active ca. 1785–1911, Italian, active in Britain, 1828, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 13 × 10 inches (33 × 25.4 cm) and Image: 9 1/2 × 7 9/16 inches (24.1 × 19.2 cm
![VIEW IN CHUDLEIGH DEVONSHIRE. Author Hollis, George 11.66.2.f. Place of publication: [London] Publisher: Published by Colnaghi , Co Cockspur Street , G. Hollis, 58 Marchmont Streeet, Brunswick Square, London, Date of publication: Decemr 31 1817. Item type: 1 print Medium: etching and engraving on chine colleÃÅ Dimensions: platemark 24.2 x 31.5 cm, on sheet 27.3 x 37 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9G1GF/view-in-chudleigh-devonshire-author-hollis-george-11662f-place-of-publication-london-publisher-published-by-colnaghi-co-cockspur-street-g-hollis-58-marchmont-streeet-brunswick-square-london-date-of-publication-decemr-31-1817-item-type-1-print-medium-etching-and-engraving-on-chine-colle-dimensions-platemark-242-x-315-cm-on-sheet-273-x-37-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9G1GF.jpg "VIEW IN CHUDLEIGH DEVONSHIRE. Author Hollis, George 11.66.2.f. Place of publication: [London] Publisher: Published by Colnaghi , Co Cockspur Street , G. Hollis, 58 Marchmont Streeet, Brunswick Square, London, Date of publication: Decemr 31 1817. Item type: 1 print Medium: etching and engraving on chine colleÃÅ Dimensions: platemark 24.2 x 31.5 cm, on sheet 27.3 x 37 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9G1GF–VIEW IN CHUDLEIGH DEVONSHIRE. Author Hollis, George 11.66.2.f. Place of publication: [London] Publisher: Published by Colnaghi , Co Cockspur Street , G. Hollis, 58 Marchmont Streeet, Brunswick Square, London, Date of publication: Decemr 31 1817. Item type: 1 print Medium: etching and engraving on chine colleÃÅ Dimensions: platemark 24.2 x 31.5 cm, on sheet 27.3 x 37 cm. Former owner: George III, King of Great Britain, 1738-1820
RM2A2TJWM–Comus, V. 1022, Comus 910-919, Murals with scenes from the poem 'Masque of Comus' by John Milton (Pavilion, Buckingham Palace Gardens), signed: C. L. Eastlake, RA; D. Maclise, RA, Taf. 10, 9, after p. 11, Eastlake, Charles L.; Maclise, Daniel, Ludwig Gruner; Anna Jameson: The decorations of the garden-pavilion in the grounds of Buckingham Palace. London: publ. by John Murray; Longman & Co.; P. & D. Colnaghi; F. G. Moon; and L. Gruner, MDCCCXLVI
![. Portrait of the Right Honorable William Pitt Amherst (1773–1857), Lord Amherst, Governor General of India: this image came from a picture by Sir Thomas Lawrence, Principle Painter in Ordinary to His Majesty P.R.A., painted for the British Factory at Canton upon his Lordship's return from his Embassy to China. It was engraved by Charles (Chas.) Turner, Mezzotinto Engraver in Ordinary to His Majesty, and published on May 24, 1824 by Mess.rs Colnaghi Son & Co Printsellers to the King Pall Mall East.[2] . 24 May 1824. Lordamherst 1820 Stock Photo](https://c8.alamy.com/comp/MMTFXB/portrait-of-the-right-honorable-william-pitt-amherst-17731857-lord-amherst-governor-general-of-india-this-image-came-from-a-picture-by-sir-thomas-lawrence-principle-painter-in-ordinary-to-his-majesty-pra-painted-for-the-british-factory-at-canton-upon-his-lordships-return-from-his-embassy-to-china-it-was-engraved-by-charles-chas-turner-mezzotinto-engraver-in-ordinary-to-his-majesty-and-published-on-may-24-1824-by-messrs-colnaghi-son-co-printsellers-to-the-king-pall-mall-east-2-24-may-1824-lordamherst-1820-MMTFXB.jpg ". Portrait of the Right Honorable William Pitt Amherst (1773–1857), Lord Amherst, Governor General of India: this image came from a picture by Sir Thomas Lawrence, Principle Painter in Ordinary to His Majesty P.R.A., painted for the British Factory at Canton upon his Lordship's return from his Embassy to China. It was engraved by Charles (Chas.) Turner, Mezzotinto Engraver in Ordinary to His Majesty, and published on May 24, 1824 by Mess.rs Colnaghi Son & Co Printsellers to the King Pall Mall East.[2] . 24 May 1824. Lordamherst 1820 Stock Photo")
RMMMTFXB–. Portrait of the Right Honorable William Pitt Amherst (1773–1857), Lord Amherst, Governor General of India: this image came from a picture by Sir Thomas Lawrence, Principle Painter in Ordinary to His Majesty P.R.A., painted for the British Factory at Canton upon his Lordship's return from his Embassy to China. It was engraved by Charles (Chas.) Turner, Mezzotinto Engraver in Ordinary to His Majesty, and published on May 24, 1824 by Mess.rs Colnaghi Son & Co Printsellers to the King Pall Mall East.[2] . 24 May 1824. Lordamherst 1820
RM2B6JEPC–The Flight into Egypt nocturne The Flight into Egypt: Night piece object type: picture Item number: RP-P-1962-30Catalogusreferentie: New Hollstein Dutch 262-6 (10) Bartsch 53-6 (6) Hollstein Dutch 53-6 (6) Inscriptions / Brands: signature and date on reverse bottom left: 'Rembrandt f. 1651' collector's mark , verso center: Lugt 2228 collector's mark , verso left: Lugt 5 gopschrift, verso bottom center, pencil: 'C. 13635 '(Colnaghi number) Manufacture Vervaardiger: print maker: Rembrandt van Rijn (indicated on object) to his own design of Rembrandt van Rijn Date: 1651 Physical characteristics:
![The sick at Balaclava. The Seat of War in the East. [Lithographed plates,. P & D Colnaghi & Co., London, 1855, 1856. Embarkation of the sick at Balaclava'. Image taken from The Seat of War in the East. [Lithographed plates, illustrating the Crimean War.]. Originally published/produced in P & D Colnaghi & Co., London, 1855, 1856. . Source: 1780.c.6, XXIII. Author: SIMPSON, WILLIAM. WALKER E. Stock Photo](https://c8.alamy.com/comp/R5BY3T/the-sick-at-balaclava-the-seat-of-war-in-the-east-lithographed-plates-p-d-colnaghi-co-london-1855-1856-embarkation-of-the-sick-at-balaclava-image-taken-from-the-seat-of-war-in-the-east-lithographed-plates-illustrating-the-crimean-war-originally-publishedproduced-in-p-d-colnaghi-co-london-1855-1856-source-1780c6-xxiii-author-simpson-william-walker-e-R5BY3T.jpg "The sick at Balaclava. The Seat of War in the East. [Lithographed plates,. P & D Colnaghi & Co., London, 1855, 1856. Embarkation of the sick at Balaclava'. Image taken from The Seat of War in the East. [Lithographed plates, illustrating the Crimean War.]. Originally published/produced in P & D Colnaghi & Co., London, 1855, 1856. . Source: 1780.c.6, XXIII. Author: SIMPSON, WILLIAM. WALKER E. Stock Photo")
RMR5BY3T–The sick at Balaclava. The Seat of War in the East. [Lithographed plates,. P & D Colnaghi & Co., London, 1855, 1856. Embarkation of the sick at Balaclava'. Image taken from The Seat of War in the East. [Lithographed plates, illustrating the Crimean War.]. Originally published/produced in P & D Colnaghi & Co., London, 1855, 1856. . Source: 1780.c.6, XXIII. Author: SIMPSON, WILLIAM. WALKER E.
RF2B94CTT–The Lunettes, by Stanfield, R. A. and Uwins, R. A., Decorative painting by Clarkson Stanfield and Thomas Uwins in the Octagon Room of the Summer House in the Garden of Buckingham Palace, Taf. 7, p. 11, Ludwig Gruner, Anna Jameson: The decorations of the garden-pavilion in the grounds of Buckingham Palace. London: publ. by John Murray, Longman & Co., P. & D. Colnaghi, F. G. Moon, and L. Gruner, MDCCCXLVI., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic ene
RMJF55G0–London, UK. 29th June, 2017. Paintings and sculptures on display at Colnaghi. London Art Week starts runs from 30 June to July 7 which will sees a range of art, from antiquities and Old Master paintings to work by renowned contemporary artists, from over 40 galleries on display. Credit: Dinendra Haria/Alamy Live News
RMW6P6G4–Frederick Child-Villiers in costume for Queen Victoria's Bal Costumé, May 12 1842, (1843). British politician Frederick Child-Villiers (1815-1871) as Guy de la Motte. Members of the Royal Household were expected to wear dress of the Plantagenet period (c1154-1485), although other guests could wear costumes of their own choosing. The costumes were designed under the supervision of James Robinson Planché and were specifically intended to give work to the declining Spitalfields silk industry. The ball of 1842, held at Buckingham Palace in London, was the first of three costume balls hel
RMRTE9M2–London,UK. 1 March 2019. The painting known as 'Judith and Holfernes', c1607, by Caravaggio, is seen on display to the public for the first time after being discovered in an attic in Toulouse, France five years ago where it had lain forgotten for 100 years. being exhibited at the Colnaghi Gallery in London, will be shown in Paris, New York and Toulouse, before being auctioned in Toulouse on 27 June 2019. As is customary in France, no reserve has been placed on the artwork, but it has been reported that the painting may sell for in excess of £120m. Credit: Stephen Chung/Alamy Live News
RM2WAE7JP–A lady in horned headdress playing a dulcimer in front of a castle, 15th century. In escoffion with veil, necklace with heart pendant, gown with long sleeves. Lady of the reign of King Henry V. From an illuminated missal, Harley MS 2897. Coat of arms of John, Duke of Bedford. Handcoloured copperplate engraving etched by John Augustus Atkinson, aquatinted by John Hill, after an illustration by Charles Hamilton Smith from his own Selections of Ancient Costume of Great Britain and Ireland, Colnaghi and Co., London, 1814.
RM2CHNA6X–. Illustrated catalogue of the valuable paintings and sculptures by the old and modern masters forming the famous Catholina Lambert Collection removed from Belle Vista Castle, Paterson, New Jersey . 266—TIFO SAINTS Two female saints in red, gold-embroidered robes, one holding penand book and the other a small box; gold background. Panel with double arched top: Height, SSl/o inches; width, 27^ inches. Purchased from the late Mr. Martin Colnaghi, London. 1^ i T J DUTCH SCHOOL 2Q7—ADORATION OF THE MAGI Interior with numerous figures. To left the Virgin in red dresstrimmed with white, and flowing
RM2DEMW47–Colnaghi Gallery, Mayfair, London, UK. 1 December 2020. With London moving into Tier 2, London Art Week Winter opens in Mayfair and St James’s on 2nd December with a chance to see 5,000 years of art in Covid secure galleries. Colnaghi Gallery features: Dreamsongs: from Medicine to Demons to Artificial Intelligence curated by Bjorn Stern, for London Art Week Digital. Image: Flemish School, Tricephfalous Christ (The Trinity), c. 1500, Oil on panel. Credit: Malcolm Park/Alamy Live News.
![To James Byres Esqr of Tonley This View of Castle Street, Aberdeen Author Turner, Charles 49.12.b. Place of publication: London ;Aberdeen ;Edinburgh Publisher: Published April 8 1812 by Messrs Colnaghi , Co Cockspur Street, John Ewen, Aberdeen and John Steell, Edinburgh, Date of publication: [April 8 1812] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: 45.5 x 60.4 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9F285/to-james-byres-esqr-of-tonley-this-view-of-castle-street-aberdeen-author-turner-charles-4912b-place-of-publication-london-aberdeen-edinburgh-publisher-published-april-8-1812-by-messrs-colnaghi-co-cockspur-street-john-ewen-aberdeen-and-john-steell-edinburgh-date-of-publication-april-8-1812-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-455-x-604-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9F285.jpg "To James Byres Esqr of Tonley This View of Castle Street, Aberdeen Author Turner, Charles 49.12.b. Place of publication: London ;Aberdeen ;Edinburgh Publisher: Published April 8 1812 by Messrs Colnaghi , Co Cockspur Street, John Ewen, Aberdeen and John Steell, Edinburgh, Date of publication: [April 8 1812] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: 45.5 x 60.4 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9F285–To James Byres Esqr of Tonley This View of Castle Street, Aberdeen Author Turner, Charles 49.12.b. Place of publication: London ;Aberdeen ;Edinburgh Publisher: Published April 8 1812 by Messrs Colnaghi , Co Cockspur Street, John Ewen, Aberdeen and John Steell, Edinburgh, Date of publication: [April 8 1812] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: 45.5 x 60.4 cm Former owner: George III, King of Great Britain, 1738-1820
RM2A2TJTY–Comus, V. 696-705, Comus, V. 812-816, Wall Paintings with scenes from the poem 'Masque of Comus' by John Milton (Pavilion, Buckingham Palace Gardens), signed: C. Leslie, R.A, Sir William Ross, R.A., Taf. 8, p. 11, Leslie, Charles; Ross, William, Ludwig Gruner; Anna Jameson: The decorations of the garden-pavilion in the grounds of Buckingham Palace. London: publ. by John Murray; Longman & Co.; P. & D. Colnaghi; F. G. Moon; and L. Gruner, MDCCCXLVI
![. English: Print shows a large Lancaster cannon in a British artillery battery. . English: A quiet day in the diamond battery - portrait of a Lancaster 68 pounder, 15th Decr. 1854 . [London] : Published by Paul & Dominic Colnaghi & Co., 13 & 14 Pall Mall East ; Paris : Goupil & Cie., 1855 Feby. 5th (Day & Son, lithrs. to the Queen) 3 A quiet day in the diamond battery - portrait of a Lancaster 68 pounder, 15th Decr. 1854 Stock Photo](https://c8.alamy.com/comp/P09D2M/english-print-shows-a-large-lancaster-cannon-in-a-british-artillery-battery-english-a-quiet-day-in-the-diamond-battery-portrait-of-a-lancaster-68-pounder-15th-decr-1854-london-published-by-paul-dominic-colnaghi-co-13-14-pall-mall-east-paris-goupil-cie-1855-feby-5th-day-son-lithrs-to-the-queen-3-a-quiet-day-in-the-diamond-battery-portrait-of-a-lancaster-68-pounder-15th-decr-1854-P09D2M.jpg ". English: Print shows a large Lancaster cannon in a British artillery battery. . English: A quiet day in the diamond battery - portrait of a Lancaster 68 pounder, 15th Decr. 1854 . [London] : Published by Paul & Dominic Colnaghi & Co., 13 & 14 Pall Mall East ; Paris : Goupil & Cie., 1855 Feby. 5th (Day & Son, lithrs. to the Queen) 3 A quiet day in the diamond battery - portrait of a Lancaster 68 pounder, 15th Decr. 1854 Stock Photo")
RMP09D2M–. English: Print shows a large Lancaster cannon in a British artillery battery. . English: A quiet day in the diamond battery - portrait of a Lancaster 68 pounder, 15th Decr. 1854 . [London] : Published by Paul & Dominic Colnaghi & Co., 13 & 14 Pall Mall East ; Paris : Goupil & Cie., 1855 Feby. 5th (Day & Son, lithrs. to the Queen) 3 A quiet day in the diamond battery - portrait of a Lancaster 68 pounder, 15th Decr. 1854
RM2B714EG–Lachend zelfportret met muts Lachend zelfportret met muts Object Type : prent Objectnummer: RP-P-1961-1182Catalogusreferentie: New Hollstein Dutch 70-13(13)Bartsch 316-6(6)Hollstein Dutch 316-6(6) Inscriptions / Merken: monogram en datum, linksboven: ‘RHL 1630’merk, verso rechtsonder: Lugt 2228opschrift, verso linksmidden, potlood: ‘C 14784’ (Colnaghi nummer) Manufacturer : prentmaker: Rembrandt van Rijn (eigenhandig gesigneerd)naar eigen ontwerp van: Rembrandt van Rijn Dating: 1630 Physical kenmerken: ets, gedrukt met lichte plaattoon Material: Oosters papier Techniek: etsen / plaattoon Dimen
![Sebastopol. The Seat of War in the East. [Lithographed plates,. P. & D. Colnaghi & Co.: London, 1855, 56. Sebastopol from the east or extreme right of English attack'. Image taken from The Seat of War in the East. [Lithographed plates, illustrating the Crimean War.] 2 ser. Originally published/produced in P. & D. Colnaghi & Co.: London, 1855, 56. . Source: 1780.c.6,. Language: English. Stock Photo](https://c8.alamy.com/comp/R5HDE3/sebastopol-the-seat-of-war-in-the-east-lithographed-plates-p-d-colnaghi-co-london-1855-56-sebastopol-from-the-east-or-extreme-right-of-english-attack-image-taken-from-the-seat-of-war-in-the-east-lithographed-plates-illustrating-the-crimean-war-2-ser-originally-publishedproduced-in-p-d-colnaghi-co-london-1855-56-source-1780c6-language-english-R5HDE3.jpg "Sebastopol. The Seat of War in the East. [Lithographed plates,. P. & D. Colnaghi & Co.: London, 1855, 56. Sebastopol from the east or extreme right of English attack'. Image taken from The Seat of War in the East. [Lithographed plates, illustrating the Crimean War.] 2 ser. Originally published/produced in P. & D. Colnaghi & Co.: London, 1855, 56. . Source: 1780.c.6,. Language: English. Stock Photo")
RMR5HDE3–Sebastopol. The Seat of War in the East. [Lithographed plates,. P. & D. Colnaghi & Co.: London, 1855, 56. Sebastopol from the east or extreme right of English attack'. Image taken from The Seat of War in the East. [Lithographed plates, illustrating the Crimean War.] 2 ser. Originally published/produced in P. & D. Colnaghi & Co.: London, 1855, 56. . Source: 1780.c.6,. Language: English.
RF2B94CW8–Portions of the ceiling showing two different designs employed in it and the stucco-medallions in the panels, Figures from poems by John Milton in the Octagon Room of the Summer House in the Garden of Buckingham Palace, Plate., 6, p. 11, Ludwig Gruner, Anna Jameson: The decorations of the garden-pavilion in the grounds of Buckingham Palace. London: publ. by John Murray, Longman & Co., P. & D. Colnaghi, F. G. Moon, and L. Gruner, MDCCCXLVI., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspire
RMJF55H2–London, UK. 29th June, 2017. Paintings and sculptures on display at Colnaghi. London Art Week starts runs from 30 June to July 7 which will sees a range of art, from antiquities and Old Master paintings to work by renowned contemporary artists, from over 40 galleries on display. Credit: Dinendra Haria/Alamy Live News
RMW6P6FR–Guest in costume for Queen Victoria's Bal Costumé, May 12 1842, (1843). Man in ermine-trimmed plumed hat, chain mail and tabard, with a crucifix round his neck. Members of the Royal Household were expected to wear dress of the Plantagenet period (c1154-1485), although other guests could wear costumes of their own choosing. The costumes were designed under the supervision of James Robinson Planché and were specifically intended to give work to the declining Spitalfields silk industry. The ball of 1842, held at Buckingham Palace in London, was the first of three costume balls held by Q
RM2WAE5NA–Philippa of Hainault, Queen of England, regent, wife of King Edward III, 1369. In crown, gold-wire reticulated headdress with pearls, long brocade gown, blue mantle, holding a sceptre. Standing in front of an ornate carved throne with cushion. From her tomb effigy in Westminster Abbey. Handcoloured copperplate engraving etched by John Augustus Atkinson, aquatinted by Havell, after an illustration by Charles Hamilton Smith from his own Selections of Ancient Costume of Great Britain and Ireland, Colnaghi and Co., London, 1814.
RM2CHNBAE–. Illustrated catalogue of the valuable paintings and sculptures by the old and modern masters forming the famous Catholina Lambert Collection removed from Belle Vista Castle, Paterson, New Jersey . TADDKO (iADDI S( IIOOI. Italian. 266—TIFO SAINTS Two female saints in red, gold-embroidered robes, one holding penand book and the other a small box; gold background. Panel with double arched top: Height, SSl/o inches; width, 27^ inches. Purchased from the late Mr. Martin Colnaghi, London. 1^ i T J DUTCH SCHOOL 2Q7—ADORATION OF THE MAGI Interior with numerous figures. To left the Virgin in red dres
RM2DEMW6W–Colnaghi Gallery, Mayfair, London, UK. 1 December 2020. With London moving into Tier 2, London Art Week Winter opens in Mayfair and St James’s on 2nd December with a chance to see 5,000 years of art in Covid secure galleries. Colnaghi Gallery features: Dreamsongs: from Medicine to Demons to Artificial Intelligence curated by Bjorn Stern, for London Art Week Digital. Image: Monster Chetwynd, Aquatic Ape, 2018, Wood, latex, cardboard, paint and plastic. Credit: Malcolm Park/Alamy Live News.
![View of Peterhouse Chapel, and New Building, in the Eastern Court. Author Cardon, Anthony 8.60.b. Place of publication: [London] Publisher: Pub.d 1.st Jan.y 1796 by Colnaghi , C.o (late Torres) No. 132 Pall Mall London., Date of publication: [1796.] Item type: 1 print Medium: etching Dimensions: sheet 40.4 x 25.0 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FM52/view-of-peterhouse-chapel-and-new-building-in-the-eastern-court-author-cardon-anthony-860b-place-of-publication-london-publisher-pubd-1st-jany-1796-by-colnaghi-co-late-torres-no-132-pall-mall-london-date-of-publication-1796-item-type-1-print-medium-etching-dimensions-sheet-404-x-250-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FM52.jpg "View of Peterhouse Chapel, and New Building, in the Eastern Court. Author Cardon, Anthony 8.60.b. Place of publication: [London] Publisher: Pub.d 1.st Jan.y 1796 by Colnaghi , C.o (late Torres) No. 132 Pall Mall London., Date of publication: [1796.] Item type: 1 print Medium: etching Dimensions: sheet 40.4 x 25.0 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9FM52–View of Peterhouse Chapel, and New Building, in the Eastern Court. Author Cardon, Anthony 8.60.b. Place of publication: [London] Publisher: Pub.d 1.st Jan.y 1796 by Colnaghi , C.o (late Torres) No. 132 Pall Mall London., Date of publication: [1796.] Item type: 1 print Medium: etching Dimensions: sheet 40.4 x 25.0 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820
RM2JDYBHH–Portrait of printmaker Francesco Bartolozzi, Francis Bartolozzi Esqr. (title on object), Portrait of Francesco Bartolozzi in a coat with a fur collar holding an etching needle in his right hand. With his left elbow he leans on a table with a print on it., print maker: Robert Samuel Marcuard, (mentioned on object), after painting by: Joshua Reynolds, (mentioned on object), publisher: Colnaghi & Co, (mentioned on object), London, Jan-1788, paper, etching, height 321 mm × width 265 mm
![N/A. Portrait of the Right Honorable William Pitt Amherst (1773–1857), Lord Amherst, Governor General of India: this image came from a picture by Sir Thomas Lawrence, Principle Painter in Ordinary to His Majesty P.R.A., painted for the British Factory at Canton upon his Lordship's return from his Embassy to China. It was engraved by Charles (Chas.) Turner, Mezzotinto Engraver in Ordinary to His Majesty, and published on May 24, 1824 by Mess.rs Colnaghi Son & Co Printsellers to the King Pall Mall East.[2] . 24 May 1824. N/A 28 Lordamherst 1820 Stock Photo](https://c8.alamy.com/comp/P5K0NW/na-portrait-of-the-right-honorable-william-pitt-amherst-17731857-lord-amherst-governor-general-of-india-this-image-came-from-a-picture-by-sir-thomas-lawrence-principle-painter-in-ordinary-to-his-majesty-pra-painted-for-the-british-factory-at-canton-upon-his-lordships-return-from-his-embassy-to-china-it-was-engraved-by-charles-chas-turner-mezzotinto-engraver-in-ordinary-to-his-majesty-and-published-on-may-24-1824-by-messrs-colnaghi-son-co-printsellers-to-the-king-pall-mall-east-2-24-may-1824-na-28-lordamherst-1820-P5K0NW.jpg "N/A. Portrait of the Right Honorable William Pitt Amherst (1773–1857), Lord Amherst, Governor General of India: this image came from a picture by Sir Thomas Lawrence, Principle Painter in Ordinary to His Majesty P.R.A., painted for the British Factory at Canton upon his Lordship's return from his Embassy to China. It was engraved by Charles (Chas.) Turner, Mezzotinto Engraver in Ordinary to His Majesty, and published on May 24, 1824 by Mess.rs Colnaghi Son & Co Printsellers to the King Pall Mall East.[2] . 24 May 1824. N/A 28 Lordamherst 1820 Stock Photo")
RMP5K0NW–N/A. Portrait of the Right Honorable William Pitt Amherst (1773–1857), Lord Amherst, Governor General of India: this image came from a picture by Sir Thomas Lawrence, Principle Painter in Ordinary to His Majesty P.R.A., painted for the British Factory at Canton upon his Lordship's return from his Embassy to China. It was engraved by Charles (Chas.) Turner, Mezzotinto Engraver in Ordinary to His Majesty, and published on May 24, 1824 by Mess.rs Colnaghi Son & Co Printsellers to the King Pall Mall East.[2] . 24 May 1824. N/A 28 Lordamherst 1820
RM2B6MTEX–Fotoreproductie van een portret van Robert Peel Sir Robert Peel (titel op object) Photo reproduction of a portrait of Robert PeelSir Robert Peel (title object) Property Type: photomechanical print reproduction page Item number: RP-F 2001-7-394A-4 Inscriptions / Brands: name, recto, printed ' By permission of Messrs. P. & D. Colnaghi & Compy) Manufacture Creator: Photographer: anonymous printmaker: anonymous to painting by: anonymous Date: ca. 1874 - or for 1884 Material:. Paper Technique: Woodburytypie Dimensions: print: H 117 mm × W 89 mmToelichtingPrent opposite page 334. Subject: adult man
![Redan and advanced trenches. The Seat of War in the East. [Lithographed plates,. P. & D. Colnaghi & Co.: London, 1855, 56. Redan and advanced trenches of British right attack'. Image taken from The Seat of War in the East. [Lithographed plates, illustrating the Crimean War.] 2 ser. Originally published/produced in P. & D. Colnaghi & Co.: London, 1855, 56. . Source: 1780.c.6,. Language: English. Stock Photo](https://c8.alamy.com/comp/R52TJP/redan-and-advanced-trenches-the-seat-of-war-in-the-east-lithographed-plates-p-d-colnaghi-co-london-1855-56-redan-and-advanced-trenches-of-british-right-attack-image-taken-from-the-seat-of-war-in-the-east-lithographed-plates-illustrating-the-crimean-war-2-ser-originally-publishedproduced-in-p-d-colnaghi-co-london-1855-56-source-1780c6-language-english-R52TJP.jpg "Redan and advanced trenches. The Seat of War in the East. [Lithographed plates,. P. & D. Colnaghi & Co.: London, 1855, 56. Redan and advanced trenches of British right attack'. Image taken from The Seat of War in the East. [Lithographed plates, illustrating the Crimean War.] 2 ser. Originally published/produced in P. & D. Colnaghi & Co.: London, 1855, 56. . Source: 1780.c.6,. Language: English. Stock Photo")
RMR52TJP–Redan and advanced trenches. The Seat of War in the East. [Lithographed plates,. P. & D. Colnaghi & Co.: London, 1855, 56. Redan and advanced trenches of British right attack'. Image taken from The Seat of War in the East. [Lithographed plates, illustrating the Crimean War.] 2 ser. Originally published/produced in P. & D. Colnaghi & Co.: London, 1855, 56. . Source: 1780.c.6,. Language: English.
RF2B94CX9–Comus, V. 1022, Comus 910-919, Murals with scenes from the poem 'Masque of Comus' by John Milton (Pavilion, Buckingham Palace Gardens), signed: C. L. Eastlake, RA, D. Maclise, RA, Taf. 10, 9, after p. 11, Eastlake, Charles L., Maclise, Daniel, Ludwig Gruner, Anna Jameson: The decorations of the garden-pavilion in the grounds of Buckingham Palace. London: publ. by John Murray, Longman & Co., P. & D. Colnaghi, F. G. Moon, and L. Gruner, MDCCCXLVI., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography i
RMJF55FX–London, UK. 29th June, 2017. Paintings and sculptures on display at Colnaghi. London Art Week starts runs from 30 June to July 7 which will sees a range of art, from antiquities and Old Master paintings to work by renowned contemporary artists, from over 40 galleries on display. Credit: Dinendra Haria/Alamy Live News
RMW6P6GA–Prince Albert in costume as Plantagenet King Edward III for the Bal Costumé, May 12 1842, (1843). Albert (1819-1861) is dressed as Edward III (1312-1377) but is wearing the anachronistic jewelled Sword of Offering, made by Rundells for George IV's coronation in 1821. The costumes were designed under the supervision of James Robinson Planché and were specifically intended to give work to the declining Spitalfields silk industry. The royal couple's costumes were based on tomb effigies. The ball of 1842, held at Buckingham Palace in London, was the first of three costume balls held by Q
RM2WAE6PP–King Richard II of England, aged 10, with his mother, Joan, Countess of Kent, 1377. Richard in crown and armorial tabard kneeling at an altar. Joanne Plantagenet, the Fair Maid of Kent, in ducal crown, mantle and gown. From a manuscript psalter Cotton MS Domitian A xvii. Handcoloured copperplate engraving etched by John Augustus Atkinson, aquatinted by John Hill, after an illustration by Charles Hamilton Smith from his own Selections of Ancient Costume of Great Britain and Ireland, Colnaghi and Co., London, 1814.
RM2DEMW1D–Colnaghi Gallery, Mayfair, London, UK. 1 December 2020. With London moving into Tier 2, London Art Week Winter opens in Mayfair and St James’s on 2nd December with a chance to see 5,000 years of art in Covid secure galleries. Colnaghi Gallery features: Dreamsongs: from Medicine to Demons to Artificial Intelligence curated by Bjorn Stern, for London Art Week Digital. Image: Monster Chetwynd, Aquatic Ape, 2018, Wood, latex, cardboard, paint and plastic. Credit: Malcolm Park/Alamy Live News.
![A VIEW OF THE LOSS OF THE RHONE = VUE de la PERTE du RHONE Author Prestel, Maria Katharina 59.50. Place of publication: London Publisher: Pub.d as the Act directs May 1 1791 by Molteno Colnaghi , C° N° 132 Pall Mall, Date of publication: [May 1 1791] Item type: 1 print Medium: aquatint and etching Dimensions: sheet 54.9 x 72 cm (trimmed) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9F913/a-view-of-the-loss-of-the-rhone-=-vue-de-la-perte-du-rhone-author-prestel-maria-katharina-5950-place-of-publication-london-publisher-pubd-as-the-act-directs-may-1-1791-by-molteno-colnaghi-c-n-132-pall-mall-date-of-publication-may-1-1791-item-type-1-print-medium-aquatint-and-etching-dimensions-sheet-549-x-72-cm-trimmed-former-owner-george-iii-king-of-great-britain-1738-1820-2E9F913.jpg "A VIEW OF THE LOSS OF THE RHONE = VUE de la PERTE du RHONE Author Prestel, Maria Katharina 59.50. Place of publication: London Publisher: Pub.d as the Act directs May 1 1791 by Molteno Colnaghi , C° N° 132 Pall Mall, Date of publication: [May 1 1791] Item type: 1 print Medium: aquatint and etching Dimensions: sheet 54.9 x 72 cm (trimmed) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9F913–A VIEW OF THE LOSS OF THE RHONE = VUE de la PERTE du RHONE Author Prestel, Maria Katharina 59.50. Place of publication: London Publisher: Pub.d as the Act directs May 1 1791 by Molteno Colnaghi , C¬∞ N¬∞ 132 Pall Mall, Date of publication: [May 1 1791] Item type: 1 print Medium: aquatint and etching Dimensions: sheet 54.9 x 72 cm (trimmed) Former owner: George III, King of Great Britain, 1738-1820
RM2JE2WEE–Portrait of printmaker Francesco Bartolozzi, Francis Bartolozzi Esqr. (title on object), Portrait of Francesco Bartolozzi in a coat with a fur collar holding an etching needle in his right hand. With his left elbow he leans on a table with a print on it., print maker: Robert Samuel Marcuard, (mentioned on object), after painting by: Joshua Reynolds, (mentioned on object), publisher: Colnaghi & Co, (mentioned on object), London, Jan-1788, paper, etching, height 321 mm × width 265 mm
RMP01N1E–. English: 'Bacchus's and Cupid's Vintage' 'Bacchus's and Cupid's Vintage' by James Godby after Friedrich Rehberg. A young Bacchus is teaching Cupid how to tread grapes in a sculpted trough? decorated with lions' heads from which wine is pouring. Cupid's attributes are abandoned in the foreground. Nymphs holding baskets of fruits are dancing in the background. Below the image is printed a passage from the Odes of Anacreon, a Greek poet famous for his baccanalian lyrics. 'Bacchus's and Cupid's Vintage' . 2 February 1815. Friedrich Rehberg; James Godby; P and D Colnaghi and Co Ltd and Co 2 'Ba
RM2B6HYDE–The entombment The Entombment object type: picture Item number: RP-P-1962-42Catalogusreferentie: New Hollstein Dutch 284-2 (4) Bartsch 86-2 (4) Hollstein Dutch 86-2 (4) Marking / Brands: Brand , reverse top center: 'MarchEnokt1818x96'Lugt 810-811opschrift, verso bottom center, pencil: 'C. 19055 (Colnaghi number) inscription verso lower left, pen in brown: 'WK (monogram) 'Lugt 2647 A-brand, verso center below: Lugt 2228 Manufacturer : printmaker Rembrandt van Rijn to own design: Rembrandt van Rijn Date: 1652 - 1656 Physical features : etching, drypoint and burin, with plate tone material: paper
RMMP520F–by Maxim Gauci, printed by Graf & Soret, published by Colnaghi, Son & Co, after Eden Upton Eddis, lithograph, published 1833 . English: by Maxim Gauci, printed by Graf&Soret, published by Colnaghi, Son&Co, after Eden Upton Eddis, lithograph, published 1833 . 1833. Lithographer Maxim Gauci (1774–1854) Alternative names Massimo Gauci Description Maltese lithographer Date of birth/death 11 February 1774 3 November 1854 Location of birth/death Valletta London Work location London (1810 - 1846) Authority control : Q6795581 VIAF: 80804239 ULAN: 500019220 GND: 136465366 RKD: 30430
![View of the port of Belém, where sailors wait on the royal barges on the left while women, men and children watch in consternation the arrival of Dom João, his family and their retinue in three carriages on the right. Sailing ships on the Tagus River, Belém Tower, and a village in the background. His R. H. the Prince Regent of Portugal and all the Royal Family, embarking at Belem-quay for Brazil. [London] : [Colnaghi], [1813]. Source: Maps K.Top.74.67.e. Author: BARTOLOZZI, FRANCESCO. Stock Photo](https://c8.alamy.com/comp/R5G2DE/view-of-the-port-of-belm-where-sailors-wait-on-the-royal-barges-on-the-left-while-women-men-and-children-watch-in-consternation-the-arrival-of-dom-joo-his-family-and-their-retinue-in-three-carriages-on-the-right-sailing-ships-on-the-tagus-river-belm-tower-and-a-village-in-the-background-his-r-h-the-prince-regent-of-portugal-and-all-the-royal-family-embarking-at-belem-quay-for-brazil-london-colnaghi-1813-source-maps-ktop7467e-author-bartolozzi-francesco-R5G2DE.jpg "View of the port of Belém, where sailors wait on the royal barges on the left while women, men and children watch in consternation the arrival of Dom João, his family and their retinue in three carriages on the right. Sailing ships on the Tagus River, Belém Tower, and a village in the background. His R. H. the Prince Regent of Portugal and all the Royal Family, embarking at Belem-quay for Brazil. [London] : [Colnaghi], [1813]. Source: Maps K.Top.74.67.e. Author: BARTOLOZZI, FRANCESCO. Stock Photo")
RMR5G2DE–View of the port of Belém, where sailors wait on the royal barges on the left while women, men and children watch in consternation the arrival of Dom João, his family and their retinue in three carriages on the right. Sailing ships on the Tagus River, Belém Tower, and a village in the background. His R. H. the Prince Regent of Portugal and all the Royal Family, embarking at Belem-quay for Brazil. [London] : [Colnaghi], [1813]. Source: Maps K.Top.74.67.e. Author: BARTOLOZZI, FRANCESCO.
RMP5K03G–N/A. Portrait of Nancy Storace (1765–1817), English soprano. Printed in April 12, 1788 by Moltens Colnaghi & Co No. 32 Pall Mall, and in Paris by chez Tessari Zanna et Ce. Quay de Augustins No 42. This is a retouched picture, which means that it has been digitally altered from its original version. Modifications: There was a lot of staining to the paper, and one or two bits where either the hand-tinting hadn't been done very well, or water damage had occured. As the hand-tinting was generally done as a batch, and not by the artist who made the original engraving, I decided to try and make i
RMJF55GN–London, UK. 29th June, 2017. Paintings and sculptures on display at Colnaghi. London Art Week starts runs from 30 June to July 7 which will sees a range of art, from antiquities and Old Master paintings to work by renowned contemporary artists, from over 40 galleries on display. Credit: Dinendra Haria/Alamy Live News
RF2B94CX8–Comus, V. 12-17, Comus, 200-219, Murals with scenes from the poem 'Masque of Comus' by John Milton (Pavilion, Buckingham Palace Gardens), signed: C. Stanfield, RA, T. Uwins, RA, Taf. 11, p. 11, Stanfield, Clarkson, Uwins, Thomas, Ludwig Gruner, Anna Jameson: The decorations of the garden-pavilion in the grounds of Buckingham Palace. London: publ. by John Murray, Longman & Co., P. & D. Colnaghi, F. G. Moon, and L. Gruner, MDCCCXLVI., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by fut
RMW6P6FW–James Innes-Ker in Plantagenet costume for Queen Victoria's Bal Costume, May 12 1842, (1843). British peer James Innes-Ker, 6th Duke of Roxburghe (1816-1879) in chain mail and crown. Members of the Royal Household were expected to wear dress of the Plantagenet period (c1154-1485), although other guests could wear costumes of their own choosing. The costumes were designed under the supervision of James Robinson Planché and were specifically intended to give work to the declining Spitalfields silk industry. The ball of 1842, held at Buckingham Palace in London, was the first of three costum
RM2WAE6GG–Edward of Woodstock, the Black Prince, Prince of Aquitain and Wales, Duke of Cornwall, Earl of Chester, 1330-1376. In skullcap with coronet, chainmail gorget, suit of plate armour and emblazoned surcoat, great helm with three plumes and armorial shield. From his copper effigy in Canterbury Cathedral. In the background, two soldiers and Rochester Castle. Handcoloured copperplate engraving aquatinted by John Hill after an illustration by Charles Hamilton Smith from his own Selections of Ancient Costume of Great Britain and Ireland, Colnaghi and Co., London, 1814.
RM2DEMW4H–Colnaghi Gallery, Mayfair, London, UK. 1 December 2020. With London moving into Tier 2, London Art Week Winter opens in Mayfair and St James’s on 2nd December with a chance to see 5,000 years of art in Covid secure galleries. Colnaghi Gallery features: Dreamsongs: from Medicine to Demons to Artificial Intelligence curated by Bjorn Stern, for London Art Week Digital. Image: Flemish School, Tricephfalous Christ (The Trinity), c. 1500, Oil on panel. Credit: Malcolm Park/Alamy Live News.
![VIEW IN CHUDLEIGH DEVONSHIRE. Author Hollis, George 11.66.2.g. Place of publication: [London] Publisher: Published by Colnaghi , Co Cockspur Street , G. Hollis, 58 Marchmont Streeet, Brunswick Square, London, Date of publication: Decemr 31 1817. Item type: 1 print Medium: etching and engraving on chine colleÃÅ Dimensions: platemark 24 x 31.5 cm, on sheet 27.4 x 36.2 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9G1GW/view-in-chudleigh-devonshire-author-hollis-george-11662g-place-of-publication-london-publisher-published-by-colnaghi-co-cockspur-street-g-hollis-58-marchmont-streeet-brunswick-square-london-date-of-publication-decemr-31-1817-item-type-1-print-medium-etching-and-engraving-on-chine-colle-dimensions-platemark-24-x-315-cm-on-sheet-274-x-362-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9G1GW.jpg "VIEW IN CHUDLEIGH DEVONSHIRE. Author Hollis, George 11.66.2.g. Place of publication: [London] Publisher: Published by Colnaghi , Co Cockspur Street , G. Hollis, 58 Marchmont Streeet, Brunswick Square, London, Date of publication: Decemr 31 1817. Item type: 1 print Medium: etching and engraving on chine colleÃÅ Dimensions: platemark 24 x 31.5 cm, on sheet 27.4 x 36.2 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9G1GW–VIEW IN CHUDLEIGH DEVONSHIRE. Author Hollis, George 11.66.2.g. Place of publication: [London] Publisher: Published by Colnaghi , Co Cockspur Street , G. Hollis, 58 Marchmont Streeet, Brunswick Square, London, Date of publication: Decemr 31 1817. Item type: 1 print Medium: etching and engraving on chine colleÃÅ Dimensions: platemark 24 x 31.5 cm, on sheet 27.4 x 36.2 cm. Former owner: George III, King of Great Britain, 1738-1820
RM2A2TJWG–Comus, V. 68-71, Comus, V. 968-975, Wall Paintings with scenes from the poem 'Masque of Comus' by John Milton (Pavilion, Buckingham Palace Gardens), signed: E. Landseer, R.A, W. Dyce, A.R.A., (Taf., 9, after p. 11, Landseer, Edwin; Dyce, William, Ludwig Gruner; Anna Jameson: The decorations of the garden-pavilion in the grounds of Buckingham Palace. London: publ. by John Murray; Longman & Co.; P. & D. Colnaghi; F. G. Moon; and L. Gruner, MDCCCXLVI
RM2B6E5H6–Flowers Saleswoman Two bunches a penny primroses (title object) Street London Calling (series title) Cries of London (series title) a young woman with a basket full of flowers, walking on the street in the company of two young children. Left a dog and a seated figure in the background. Title ondermarge. Manufacturer : printmaker Luigi Schiavonetti (listed property) to painting by Francis Wheatley (listed building) publisher: Colnaghi & Co (listed property) Place manufacture: London Date: 1793 Physical features: car dotted work à la poupée in brown and pink; colored in yellow, blue and brown ma
![Three travellers and their dog stand in the foreground contemplating the River Kander and the Kander glacier beyond, with the Bernese Alps in the background . VIEW of the GLACIERS and of the LAKE of KANDERSTEIG. [London] : Published 16 May 1801. by Messrs. G. & W. Nicol Pall Mall, J. White, Fleet Street and Colnaghi & Co. Cockspur Street, [May 16 1801]. Hand-coloured aquatint and etching. Source: Maps K.Top.85.65.1. Language: English and French. Author: Châtelet, Claude-Louis. Stock Photo](https://c8.alamy.com/comp/R505NK/three-travellers-and-their-dog-stand-in-the-foreground-contemplating-the-river-kander-and-the-kander-glacier-beyond-with-the-bernese-alps-in-the-background-view-of-the-glaciers-and-of-the-lake-of-kandersteig-london-published-16-may-1801-by-messrs-g-w-nicol-pall-mall-j-white-fleet-street-and-colnaghi-co-cockspur-street-may-16-1801-hand-coloured-aquatint-and-etching-source-maps-ktop85651-language-english-and-french-author-chtelet-claude-louis-R505NK.jpg "Three travellers and their dog stand in the foreground contemplating the River Kander and the Kander glacier beyond, with the Bernese Alps in the background . VIEW of the GLACIERS and of the LAKE of KANDERSTEIG. [London] : Published 16 May 1801. by Messrs. G. & W. Nicol Pall Mall, J. White, Fleet Street and Colnaghi & Co. Cockspur Street, [May 16 1801]. Hand-coloured aquatint and etching. Source: Maps K.Top.85.65.1. Language: English and French. Author: Châtelet, Claude-Louis. Stock Photo")
RMR505NK–Three travellers and their dog stand in the foreground contemplating the River Kander and the Kander glacier beyond, with the Bernese Alps in the background . VIEW of the GLACIERS and of the LAKE of KANDERSTEIG. [London] : Published 16 May 1801. by Messrs. G. & W. Nicol Pall Mall, J. White, Fleet Street and Colnaghi & Co. Cockspur Street, [May 16 1801]. Hand-coloured aquatint and etching. Source: Maps K.Top.85.65.1. Language: English and French. Author: Châtelet, Claude-Louis.
![. English: Print shows a distant view of bell tents at British military camps, as well as hospital tents, soldiers and a wagon hauling supplies toward the camps, the skeletal remains of an animal on the roadside, and men standing in the foreground, during winter. . English: The camp of the 1st Division, looking north towards the camp of the 2nd Division - the heights of Inkermann in the distance . [London] : Published by Paul & Dominic Colnaghi & Co., 13 & 14 Pall Mall East ; Paris : Goupil & Cie., 1855 March 19th (Day & Son, lithrs. to the Queen) 23 The camp of the 1st Division, looking no Stock Photo](https://c8.alamy.com/comp/P09D8P/english-print-shows-a-distant-view-of-bell-tents-at-british-military-camps-as-well-as-hospital-tents-soldiers-and-a-wagon-hauling-supplies-toward-the-camps-the-skeletal-remains-of-an-animal-on-the-roadside-and-men-standing-in-the-foreground-during-winter-english-the-camp-of-the-1st-division-looking-north-towards-the-camp-of-the-2nd-division-the-heights-of-inkermann-in-the-distance-london-published-by-paul-dominic-colnaghi-co-13-14-pall-mall-east-paris-goupil-cie-1855-march-19th-day-son-lithrs-to-the-queen-23-the-camp-of-the-1st-division-looking-no-P09D8P.jpg ". English: Print shows a distant view of bell tents at British military camps, as well as hospital tents, soldiers and a wagon hauling supplies toward the camps, the skeletal remains of an animal on the roadside, and men standing in the foreground, during winter. . English: The camp of the 1st Division, looking north towards the camp of the 2nd Division - the heights of Inkermann in the distance . [London] : Published by Paul & Dominic Colnaghi & Co., 13 & 14 Pall Mall East ; Paris : Goupil & Cie., 1855 March 19th (Day & Son, lithrs. to the Queen) 23 The camp of the 1st Division, looking no Stock Photo")
RMP09D8P–. English: Print shows a distant view of bell tents at British military camps, as well as hospital tents, soldiers and a wagon hauling supplies toward the camps, the skeletal remains of an animal on the roadside, and men standing in the foreground, during winter. . English: The camp of the 1st Division, looking north towards the camp of the 2nd Division - the heights of Inkermann in the distance . [London] : Published by Paul & Dominic Colnaghi & Co., 13 & 14 Pall Mall East ; Paris : Goupil & Cie., 1855 March 19th (Day & Son, lithrs. to the Queen) 23 The camp of the 1st Division, looking no
RMJF55FW–London, UK. 29th June, 2017. Paintings and sculptures on display at Colnaghi. London Art Week starts runs from 30 June to July 7 which will sees a range of art, from antiquities and Old Master paintings to work by renowned contemporary artists, from over 40 galleries on display. Credit: Dinendra Haria/Alamy Live News
RF2B94CXM–The lunettes from the Novels, St. Velantine's Eve, The Pirate, Kenilworth, Quentin Durward, Ivanhoe, The Abbot, The Monastery, The Talisman, signed: H.J., Townsend Pinx, James Doyle pinx, Rich., Doyle pinx, Ch. Stonhouse pinx, Jos, Severn pinx, Taf. 18, 13, after p. 11, Townsend, H. J. (pinx.), Doyle, James (pinx.), Doyle, Rich. (pinx.), Stonhouse, Ch. (pinx.), Severn, Jos. (pinx.), Ludwig Gruner, Anna Jameson: The decorations of the garden-pavilion in the grounds of Buckingham Palace. London: publ. by John Murray, Longman & Co., P. & D. Colnaghi, F. G. Moon, and L. Gruner, MDCCCXLVI., Reimagi
RM2WAEAF0–Costumes of pages and valets, reign of King Edward IV, 1475. Foppish noble youths in plumed cap, doublet, hose, holding water ewers. Figures in front from British Museum MS 15 D i, and figure in portico from Royal MS 15 D i. Blazon of Rivers. Handcoloured copperplate engraving etched by John Augustus Atkinson, aquatinted by John Hill, after an illustration by Charles Hamilton Smith from his own Selections of Ancient Costume of Great Britain and Ireland, Colnaghi and Co., London, 1814.
RM2DEN02D–Colnaghi Gallery, Mayfair, London, UK. 1 December 2020. With London moving into Tier 2, London Art Week Winter opens in Mayfair and St James’s on 2nd December with a chance to see 5,000 years of art in Covid secure galleries. Colnaghi Gallery features: Dreamsongs: from Medicine to Demons to Artificial Intelligence curated by Bjorn Stern, for London Art Week Digital. Image: (top) Adolfo Wildt, La Vergine (The Virgin Cream), c. 1925. Credit: Malcolm Park/Alamy Live News.
![VIEW IN CHUDLEIGH DEVONSHIRE. Author Hollis, George 11.66.2.e. Place of publication: [London] Publisher: Published by Colnaghi , Co Cockspur Street , G. Hollis, 58 Marchmont Streeet, Brunswick Square, London, Date of publication: Decemr 31 1817. Item type: 1 print Medium: etching and engraving on chine colleÃÅ Dimensions: platemark 23.6 x 31 cm, on sheet 27.4 x 36 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9G1H2/view-in-chudleigh-devonshire-author-hollis-george-11662e-place-of-publication-london-publisher-published-by-colnaghi-co-cockspur-street-g-hollis-58-marchmont-streeet-brunswick-square-london-date-of-publication-decemr-31-1817-item-type-1-print-medium-etching-and-engraving-on-chine-colle-dimensions-platemark-236-x-31-cm-on-sheet-274-x-36-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9G1H2.jpg "VIEW IN CHUDLEIGH DEVONSHIRE. Author Hollis, George 11.66.2.e. Place of publication: [London] Publisher: Published by Colnaghi , Co Cockspur Street , G. Hollis, 58 Marchmont Streeet, Brunswick Square, London, Date of publication: Decemr 31 1817. Item type: 1 print Medium: etching and engraving on chine colleÃÅ Dimensions: platemark 23.6 x 31 cm, on sheet 27.4 x 36 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9G1H2–VIEW IN CHUDLEIGH DEVONSHIRE. Author Hollis, George 11.66.2.e. Place of publication: [London] Publisher: Published by Colnaghi , Co Cockspur Street , G. Hollis, 58 Marchmont Streeet, Brunswick Square, London, Date of publication: Decemr 31 1817. Item type: 1 print Medium: etching and engraving on chine colleÃÅ Dimensions: platemark 23.6 x 31 cm, on sheet 27.4 x 36 cm. Former owner: George III, King of Great Britain, 1738-1820
RM2A2TJX2–Low-reliefs from the summer house Buckingham Palace Gardens, Aros Castle; Lady of the Lake C.V, Windermere, Melrose Abbey; Marmion C. VI, Abbotsford, Dryburgh Abbey; Lord of the Isles C.V, Hole Etive; Hole awe; Lay of the last Minstrel C.II, Craignethan Castle, Taf. 19, 14, after p. 11, Bell, John (sc.); Timbrell, Henry (sc.), Ludwig Gruner; Anna Jameson: The decorations of the garden-pavilion in the grounds of Buckingham Palace. London: publ. by John Murray; Longman & Co.; P. & D. Colnaghi; F. G. Moon; and L. Gruner, MDCCCXLVI
RM2B71M9R–Landschap met visser Het melkboertje Landscape with visserHet milk farmer object type: picture Item number: RP-P-1962-81Catalogusreferentie: New Hollstein Dutch 255-1 (3) Bartsch 213-1 (2) Hollstein Dutch 213-1 (2) Marking / Brands : brand, verso right: Lugt 2228opschrift, verso bottom right, pencil: 'C. 13263 (Colnaghi number) inscription, bottom right, pencil: 'C. 1389-7500 (Colnaghi number?) Manufacture Creator: printmaker Rembrandt van Rijn to own design: Rembrandt van Rijn Date: 1648 - 1652 Physical features: etching and drypoint on Oriental paper material: Oriental paper Technique: etchi
RMR5DH6W–Scutari hospital ward. The Seat of War in the East (Lithographed plates,. P & D Colnaghi & Co.: London, 1855, 1866. One of the wards of the hospital at Scutari. Florence Nightingale. Image taken from The Seat of War in the East (Lithographed plates, illustrating the Crimean War.). Originally published/produced in P & D Colnaghi & Co.: London, 1855, 1866. . Source: 1780.c.6, XXXIV. Language: English. Author: SIMPSON, WILLIAM. WALKER E.
RMP5K03J–N/A. Portrait of Nancy Storace (1765–1817), English soprano. Printed in April 12, 1788 by Moltens Colnaghi & Co No. 32 Pall Mall, and in Paris by chez Tessari Zanna et Ce. Quay de Augustins No 42. This is a retouched picture, which means that it has been digitally altered from its original version. Modifications: There was a lot of staining to the paper, and one or two bits where either the hand-tinting hadn't been done very well, or water damage had occured. As the hand-tinting was generally done as a batch, and not by the artist who made the original engraving, I decided to try and make i
RF2B94CX6–Comus, V. 68-71, Comus, V. 968-975, Wall Paintings with scenes from the poem 'Masque of Comus' by John Milton (Pavilion, Buckingham Palace Gardens), signed: E. Landseer, R.A, W. Dyce, A.R.A., (Taf., 9, after p. 11, Landseer, Edwin, Dyce, William, Ludwig Gruner, Anna Jameson: The decorations of the garden-pavilion in the grounds of Buckingham Palace. London: publ. by John Murray, Longman & Co., P. & D. Colnaghi, F. G. Moon, and L. Gruner, MDCCCXLVI., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photograph
RM2WAE5W0–Dancing jester in motley fringed with bells, holding a bladder on a stick and piece of paper from Cotton MS Nero C v. Another fool from Harley MS 2840. 15th century jester with marotte from a manuscript Froissart, Harley MS 4380. Handcoloured copperplate engraving etched by John Augustus Atkinson, aquatinted by John Hill, after an illustration by Charles Hamilton Smith from his own Selections of Ancient Costume of Great Britain and Ireland, Colnaghi and Co., London, 1814.
RM2DEMW59–Colnaghi Gallery, Mayfair, London, UK. 1 December 2020. With London moving into Tier 2, London Art Week Winter opens in Mayfair and St James’s on 2nd December with a chance to see 5,000 years of art in Covid secure galleries. Colnaghi Gallery features: Dreamsongs: from Medicine to Demons to Artificial Intelligence curated by Bjorn Stern, for London Art Week Digital. Image: Flemish School, Tricephfalous Christ (The Trinity), c. 1500, Oil on panel. Credit: Malcolm Park/Alamy Live News.
![View of the Senate House Public Library and Kings College Chapel. Author Testolini, Gaetano 8.68.e. Place of publication: [London] Publisher: Pub.d 1.st Jan.y 1796 by Colnaghi , C.o (late Torres) No. 132 Pall Mall London., Date of publication: [1796.] Item type: 1 print Medium: etching Dimensions: sheet 41.6 x 23.5 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FM60/view-of-the-senate-house-public-library-and-kings-college-chapel-author-testolini-gaetano-868e-place-of-publication-london-publisher-pubd-1st-jany-1796-by-colnaghi-co-late-torres-no-132-pall-mall-london-date-of-publication-1796-item-type-1-print-medium-etching-dimensions-sheet-416-x-235-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FM60.jpg "View of the Senate House Public Library and Kings College Chapel. Author Testolini, Gaetano 8.68.e. Place of publication: [London] Publisher: Pub.d 1.st Jan.y 1796 by Colnaghi , C.o (late Torres) No. 132 Pall Mall London., Date of publication: [1796.] Item type: 1 print Medium: etching Dimensions: sheet 41.6 x 23.5 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9FM60–View of the Senate House Public Library and Kings College Chapel. Author Testolini, Gaetano 8.68.e. Place of publication: [London] Publisher: Pub.d 1.st Jan.y 1796 by Colnaghi , C.o (late Torres) No. 132 Pall Mall London., Date of publication: [1796.] Item type: 1 print Medium: etching Dimensions: sheet 41.6 x 23.5 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820
RM2A2TJX1–The lunettes from the Novels, St. Velantine's Eve; The Pirate; Kenilworth, Quentin Durward; Ivanhoe, The Abbot; The Monastery; The Talisman, signed: H.J., Townsend Pinx, James Doyle pinx, Rich., Doyle pinx, Ch. Stonhouse pinx, Jos, Severn pinx, Taf. 18, 13, after p. 11, Townsend, H. J. (pinx.); Doyle, James (pinx.); Doyle, Rich. (pinx.); Stonhouse, Ch. (pinx.); Severn, Jos. (pinx.), Ludwig Gruner; Anna Jameson: The decorations of the garden-pavilion in the grounds of Buckingham Palace. London: publ. by John Murray; Longman & Co.; P. & D. Colnaghi; F. G. Moon; and L. Gruner, MDCCCXLVI
RM2DJ485E–Daniel Maclise, Print made by Charles Baugniet, 1814–1886, Belgian, Printed by M & N Hanhart, active 1841–1852, Published by Ernest Gambart, 1814–1902, French, active in London (after 1840), Published by P. & D. Colnaghi, established 1760, active ca. 1785–1911, Italian, active in Britain, 1857, Lithograph on moderately thick, slightly textured, cream wove paper with gray chine collé, Sheet: 20 7/8 x 14 13/16 inches (53 x 37.6 cm) and Image: 13 3/4 x 11 inches (35 x 28 cm), artist, cravat, man, oval, painter, portrait
RM2B6H9XK–Costume of the reign of King Henry 3, Anno 1250, 1 March 1814 Costume of the reign of King Henry 3, Anno 1250, 1 March 1814 Object Type : picture Item number: RP-P-2009-4154 Inscriptions / Brands: signature, bottom center of the margin, engraved 'Costume of the reign of King Henry 3. Anno 1250.'adres middle in the bottom margin, engraved: 'Pub. March 1, 1814, by Colnaghi & Co. 23 Cochspur Street London.' Manufacturer : printmaker John Augustus Atkinson (listed building) printmaker: Hill (listed property) to drawing of Charles Hamilton Smith (listed building) publisher: Colnaghi & Co (listed bu
![Army supplies. The Seat of War in the East. [Lithographed plates,. P & D Colnaghi & Co., London, 1855, 1856. Huts and warm clothing for the army'. A winter camp during the Crimean war. Image taken from The Seat of War in the East. [Lithographed plates, illustrating the Crimean War.]. Originally published/produced in P & D Colnaghi & Co., London, 1855, 1856. . Source: 1780.c.6, XVI. Language: English. Author: SIMPSON, WILLIAM. WALKER E. Stock Photo](https://c8.alamy.com/comp/R513MW/army-supplies-the-seat-of-war-in-the-east-lithographed-plates-p-d-colnaghi-co-london-1855-1856-huts-and-warm-clothing-for-the-army-a-winter-camp-during-the-crimean-war-image-taken-from-the-seat-of-war-in-the-east-lithographed-plates-illustrating-the-crimean-war-originally-publishedproduced-in-p-d-colnaghi-co-london-1855-1856-source-1780c6-xvi-language-english-author-simpson-william-walker-e-R513MW.jpg "Army supplies. The Seat of War in the East. [Lithographed plates,. P & D Colnaghi & Co., London, 1855, 1856. Huts and warm clothing for the army'. A winter camp during the Crimean war. Image taken from The Seat of War in the East. [Lithographed plates, illustrating the Crimean War.]. Originally published/produced in P & D Colnaghi & Co., London, 1855, 1856. . Source: 1780.c.6, XVI. Language: English. Author: SIMPSON, WILLIAM. WALKER E. Stock Photo")
RMR513MW–Army supplies. The Seat of War in the East. [Lithographed plates,. P & D Colnaghi & Co., London, 1855, 1856. Huts and warm clothing for the army'. A winter camp during the Crimean war. Image taken from The Seat of War in the East. [Lithographed plates, illustrating the Crimean War.]. Originally published/produced in P & D Colnaghi & Co., London, 1855, 1856. . Source: 1780.c.6, XVI. Language: English. Author: SIMPSON, WILLIAM. WALKER E.
RMP5K03K–N/A. Portrait of Nancy Storace (1765-1817), English soprano. Printed in April 12, 1788 by Moltens Colnaghi & Co No. 32 Pall Mall, and in Paris by chez Tessari Zanna et Ce. Quay de Augustins No 42. This is a retouched picture, which means that it has been digitally altered from its original version. Modifications: There was a lot of staining to the paper, and one or two bits where either the hand-tinting hadn't been done very well, or water damage had occured. As the hand-tinting was generally done as a batch, and not by the artist who made the original engraving, I decided to try and make i
RF2B94CX7–Comus, V. 696-705, Comus, V. 812-816, Wall Paintings with scenes from the poem 'Masque of Comus' by John Milton (Pavilion, Buckingham Palace Gardens), signed: C. Leslie, R.A, Sir William Ross, R.A., Taf. 8, p. 11, Leslie, Charles, Ross, William, Ludwig Gruner, Anna Jameson: The decorations of the garden-pavilion in the grounds of Buckingham Palace. London: publ. by John Murray, Longman & Co., P. & D. Colnaghi, F. G. Moon, and L. Gruner, MDCCCXLVI., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography
RM2WAE4G9–Anglo Saxon woman of the 9th century. Lady in double veil, mantle, embroidered tunic, and long gown from Harley BM MS 2908. Carriage with hammock suspended from poles from the Hexateuch, Cotton MS Claudius B iv, signet ring and bracelet from Tiberius C vi. Handcoloured copperplate engraving etched by John Augustus Atkinson, aquatinted by John Hill, after an illustration by Charles Hamilton Smith from his own Selections of Ancient Costume of Great Britain and Ireland, Colnaghi and Co., London, 1814.
RM2DEMW79–Colnaghi Gallery, Mayfair, London, UK. 1 December 2020. With London moving into Tier 2, London Art Week Winter opens in Mayfair and St James’s on 2nd December with a chance to see 5,000 years of art in Covid secure galleries. Colnaghi Gallery features: Dreamsongs: from Medicine to Demons to Artificial Intelligence curated by Bjorn Stern, for London Art Week Digital. Image: Monster Chetwynd, Aquatic Ape, 2018, Wood, latex, cardboard, paint and plastic. Credit: Malcolm Park/Alamy Live News.
![THE EMBANKMENT, TRAETH MAWER, TRE MADOC, NORTH WALES as it appeared in the autumn of 1810 Author Dubourg, Matthew 46.61.b. Place of publication: London Publisher: Published Augst 12th 1811 for the Proprietor by Boydell , Co Cheapside and Colnaghi , Co Cockspur Street Pall Mall., Date of publication: [August 12 1811] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 45.2 x 60.6 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9F00R/the-embankment-traeth-mawer-tre-madoc-north-wales-as-it-appeared-in-the-autumn-of-1810-author-dubourg-matthew-4661b-place-of-publication-london-publisher-published-augst-12th-1811-for-the-proprietor-by-boydell-co-cheapside-and-colnaghi-co-cockspur-street-pall-mall-date-of-publication-august-12-1811-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-sheet-452-x-606-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9F00R.jpg "THE EMBANKMENT, TRAETH MAWER, TRE MADOC, NORTH WALES as it appeared in the autumn of 1810 Author Dubourg, Matthew 46.61.b. Place of publication: London Publisher: Published Augst 12th 1811 for the Proprietor by Boydell , Co Cheapside and Colnaghi , Co Cockspur Street Pall Mall., Date of publication: [August 12 1811] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 45.2 x 60.6 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9F00R–THE EMBANKMENT, TRAETH MAWER, TRE MADOC, NORTH WALES as it appeared in the autumn of 1810 Author Dubourg, Matthew 46.61.b. Place of publication: London Publisher: Published Augst 12th 1811 for the Proprietor by Boydell , Co Cheapside and Colnaghi , Co Cockspur Street Pall Mall., Date of publication: [August 12 1811] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 45.2 x 60.6 cm Former owner: George III, King of Great Britain, 1738-1820
RM2DHWRAR–A View of Petersham & Twickenham Meadows from Richmond Hill, Print made by John Jones, ca. 1745–1797, British, after Sir Joshua Reynolds RA, 1723–1792, British, Published by Colnaghi & Co., established 1760, active ca. 1785–1911, Italian, active in Britain, published 1800, Mezzotint and etching on medium, slightly textured, cream laid paper, Sheet: 20 5/8 × 23 1/8 inches (52.4 × 58.7 cm), Plate: 20 1/8 × 22 5/8 inches (51.1 × 57.5 cm), and Image: 17 3/4 × 22 5/8 inches (45.1 × 57.5 cm
RM2B6GHFG–Christ and the scribes a sketch Christ and the scribes: a sketch object type: picture Item number: RP-P-1962-34Catalogusreferentie: New Hollstein Dutch 267-1 (2) Bartsch 65-1 (3) Hollstein Dutch 65-1 (3) inscriptions / marking: signature and date bottom left: 'Rembrandt.f.1654' collector's mark , verso upper left: Lugt 2228opschrift, verso center:' C. 11945 '(Colnaghi number) Manufacture Vervaardiger: print maker: Rembrandt van Rijn (indicated on object) to his own design of Rembrandt van Rijn Date: 1652 Physical characteristics: etching and dry point material: paper Technique: etching / dry p
![A view in Rockbridge County, crossing Cedar Creek, in Virginia, with two figures standing on the banks of a river admiring a high arch of natural rock through which a turbulent current runs among the rocks, with trees above and a valley seen in the background. THE NATURAL BRIDGE. [London] : Pub.d as the Act Directs By Messrs. Colnaghi & Co. Cockspur Street, [1808]. Hand-coloured aquatint and etching. Source: Maps K.Top.122.48. Language: English. Author: Stadler, Joseph C. Stock Photo](https://c8.alamy.com/comp/R52B20/a-view-in-rockbridge-county-crossing-cedar-creek-in-virginia-with-two-figures-standing-on-the-banks-of-a-river-admiring-a-high-arch-of-natural-rock-through-which-a-turbulent-current-runs-among-the-rocks-with-trees-above-and-a-valley-seen-in-the-background-the-natural-bridge-london-pubd-as-the-act-directs-by-messrs-colnaghi-co-cockspur-street-1808-hand-coloured-aquatint-and-etching-source-maps-ktop12248-language-english-author-stadler-joseph-c-R52B20.jpg "A view in Rockbridge County, crossing Cedar Creek, in Virginia, with two figures standing on the banks of a river admiring a high arch of natural rock through which a turbulent current runs among the rocks, with trees above and a valley seen in the background. THE NATURAL BRIDGE. [London] : Pub.d as the Act Directs By Messrs. Colnaghi & Co. Cockspur Street, [1808]. Hand-coloured aquatint and etching. Source: Maps K.Top.122.48. Language: English. Author: Stadler, Joseph C. Stock Photo")
RMR52B20–A view in Rockbridge County, crossing Cedar Creek, in Virginia, with two figures standing on the banks of a river admiring a high arch of natural rock through which a turbulent current runs among the rocks, with trees above and a valley seen in the background. THE NATURAL BRIDGE. [London] : Pub.d as the Act Directs By Messrs. Colnaghi & Co. Cockspur Street, [1808]. Hand-coloured aquatint and etching. Source: Maps K.Top.122.48. Language: English. Author: Stadler, Joseph C.
RF2B94CXT–Low-reliefs from the summer house Buckingham Palace Gardens, Aros Castle, Lady of the Lake C.V, Windermere, Melrose Abbey, Marmion C. VI, Abbotsford, Dryburgh Abbey, Lord of the Isles C.V, Hole Etive, Hole awe, Lay of the last Minstrel C.II, Craignethan Castle, Taf. 19, 14, after p. 11, Bell, John (sc.), Timbrell, Henry (sc.), Ludwig Gruner, Anna Jameson: The decorations of the garden-pavilion in the grounds of Buckingham Palace. London: publ. by John Murray, Longman & Co., P. & D. Colnaghi, F. G. Moon, and L. Gruner, MDCCCXLVI., Reimagined by Gibon, design of warm cheerful glowing of brightne
RM2WAE6KB–King Edward III of England and France, Lord of Ireland, surnamed of Windsor, 1377. In crown, fur-lined regal mantle and tunic, holding a sceptre. From his tomb effigy in Westminster Abbey. Throne and scribe writing on paper from Cotton MS Nero E II. Handcoloured copperplate engraving etched by John Augustus Atkinson, aquatinted by Robert and Daniel Havell, after an illustration by Charles Hamilton Smith from his own Selections of Ancient Costume of Great Britain and Ireland, Colnaghi and Co., London, 1814.
RM2DEMW5F–Colnaghi Gallery, Mayfair, London, UK. 1 December 2020. With London moving into Tier 2, London Art Week Winter opens in Mayfair and St James’s on 2nd December with a chance to see 5,000 years of art in Covid secure galleries. Colnaghi Gallery features: Dreamsongs: from Medicine to Demons to Artificial Intelligence curated by Bjorn Stern, for London Art Week Digital. Image: Flemish School, Tricephfalous Christ (The Trinity), c. 1500, Oil on panel. Credit: Malcolm Park/Alamy Live News.
![VEDUTA DELLA FACCIATA DEL DUOMO DI MILANO Author Rados, Luigi 77.39.f. Place of publication: Milan Publisher: dalli Fratelli Bettalli in Contrada del Cappello N° 4031, In Londra se vende dalli Sig.ri Colnaghi e Compagni, Date of publication: [between 1814 and 1820] Item type: 1 print Medium: hand-coloured etching Dimensions: sheet 45.9 x 60.5 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FJ12/veduta-della-facciata-del-duomo-di-milano-author-rados-luigi-7739f-place-of-publication-milan-publisher-dalli-fratelli-bettalli-in-contrada-del-cappello-n-4031-in-londra-se-vende-dalli-sigri-colnaghi-e-compagni-date-of-publication-between-1814-and-1820-item-type-1-print-medium-hand-coloured-etching-dimensions-sheet-459-x-605-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FJ12.jpg "VEDUTA DELLA FACCIATA DEL DUOMO DI MILANO Author Rados, Luigi 77.39.f. Place of publication: Milan Publisher: dalli Fratelli Bettalli in Contrada del Cappello N° 4031, In Londra se vende dalli Sig.ri Colnaghi e Compagni, Date of publication: [between 1814 and 1820] Item type: 1 print Medium: hand-coloured etching Dimensions: sheet 45.9 x 60.5 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9FJ12–VEDUTA DELLA FACCIATA DEL DUOMO DI MILANO Author Rados, Luigi 77.39.f. Place of publication: Milan Publisher: dalli Fratelli Bettalli in Contrada del Cappello N¬∞ 4031, In Londra se vende dalli Sig.ri Colnaghi e Compagni, Date of publication: [between 1814 and 1820] Item type: 1 print Medium: hand-coloured etching Dimensions: sheet 45.9 x 60.5 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820
RM2DHY1JY–The Source of the Arveron in the Valley of Chamouni, Savoy, Print made by Thomas Goff Lupton, 1791–1873, British, after Joseph Mallord William Turner, 1775–1851, British, Published by Colnaghi, established 1760, active ca. 1785–1911, Italian, active in Britain, 1860, Etching and mezzotint, printed in brown ink Finished state on medium, slightly textured, cream laid paper, Sheet: 13 3/8 × 17 7/8 inches (34 × 45.4 cm), Plate: 8 3/8 × 11 3/8 inches (21.3 × 28.9 cm), and Image: 7 3/8 × 10 1/2 inches (18.7 × 26.7 cm
RM2B6HXAY–The Three Crosses The Three Crosses The three intersecting three Cross Object Type: picture Item number: RP-P-1962-39Catalogusreferentie: New Hollstein Dutch 274-3 (5) Bartsch 78-3 (5) Hollstein Dutch 78-3 (5) Marking / brands: signature and date, bottom center, 'Rembrandt f 1653'Lugtopschrift, verso upper right, pen and brown,' J: Barnard 1747'opschrift, verso bottom right, pencil, 'C. 13209 '(Colnaghi number) mark, verso bottom left: 2228 Manufacturer : print maker: Rembrandt van Rijn (indicated on object) to his own design of Rembrandt van Rijn Date: 1653 Physical characteristics: dry point
![Two travellers stand on a rock by the Lütschine River in the foreground, with waterfalls, forests and the Bernese Alps in the background. VIEW of the TORRENT of the LUTSCHINEN, and of the GLACIERS where it takes its Source. [London] : Published by Messrs. G. & W. Nicol Pall Mall, J. White, Fleet Street, Colnaghi, Sala & Co. Cockspur Street, & C. Geisweiler 42 Parliament Street; May 1 1800, [May 1 1800]. Hand-coloured aquatint and etching. Source: Maps K.Top.85.65.3. Language: English and French. Author: Belanger, L. Stock Photo](https://c8.alamy.com/comp/R5CBKR/two-travellers-stand-on-a-rock-by-the-ltschine-river-in-the-foreground-with-waterfalls-forests-and-the-bernese-alps-in-the-background-view-of-the-torrent-of-the-lutschinen-and-of-the-glaciers-where-it-takes-its-source-london-published-by-messrs-g-w-nicol-pall-mall-j-white-fleet-street-colnaghi-sala-co-cockspur-street-c-geisweiler-42-parliament-street-may-1-1800-may-1-1800-hand-coloured-aquatint-and-etching-source-maps-ktop85653-language-english-and-french-author-belanger-l-R5CBKR.jpg "Two travellers stand on a rock by the Lütschine River in the foreground, with waterfalls, forests and the Bernese Alps in the background. VIEW of the TORRENT of the LUTSCHINEN, and of the GLACIERS where it takes its Source. [London] : Published by Messrs. G. & W. Nicol Pall Mall, J. White, Fleet Street, Colnaghi, Sala & Co. Cockspur Street, & C. Geisweiler 42 Parliament Street; May 1 1800, [May 1 1800]. Hand-coloured aquatint and etching. Source: Maps K.Top.85.65.3. Language: English and French. Author: Belanger, L. Stock Photo")
RMR5CBKR–Two travellers stand on a rock by the Lütschine River in the foreground, with waterfalls, forests and the Bernese Alps in the background. VIEW of the TORRENT of the LUTSCHINEN, and of the GLACIERS where it takes its Source. [London] : Published by Messrs. G. & W. Nicol Pall Mall, J. White, Fleet Street, Colnaghi, Sala & Co. Cockspur Street, & C. Geisweiler 42 Parliament Street; May 1 1800, [May 1 1800]. Hand-coloured aquatint and etching. Source: Maps K.Top.85.65.3. Language: English and French. Author: Belanger, L.
RFRARAM2–Head of the harbour, Sebastopol / W. Simpson, del., T. Picken, lith., Day & Son, Lithrs. to the Queen., Day & Son reimagined
RM2WAEA00–English military costumes, reign of King Henry VI, 1447. Motley soldiers in armour, dagged surcoats, armed with battle-axe, gisarme and spear in front of campaign tents. Enemy soldiers in turbans with halberd and banner. From a manuscript life of St. Edmund, Harley MS 2278. Handcoloured copperplate engraving etched by John Augustus Atkinson, aquatinted by John Hill, after an illustration by Charles Hamilton Smith from his own Selections of Ancient Costume of Great Britain and Ireland, Colnaghi and Co., London, 1814.
RM2DEN06H–Colnaghi Gallery, Mayfair, London, UK. 1 December 2020. With London moving into Tier 2, London Art Week Winter opens in Mayfair and St James’s on 2nd December with a chance to see 5,000 years of art in Covid secure galleries. Colnaghi Gallery features: Dreamsongs: from Medicine to Demons to Artificial Intelligence curated by Bjorn Stern, for London Art Week Digital. Image: Follower of Hieronymus Bosch, ’s-Hertogenbosch 1450-1516, The Harrowing of Hell, c.1500, Oil on Panel. Credit: Malcolm Park/Alamy Live News.
![VEDUTA DELL'INTERNO DEL DUOMO DI MILANO Author Rados, Luigi 77.39.g. Place of publication: Milan Publisher: dalli Fratelli Bettalli in Contrada del Cappello N° 4031 ; Se vende anche in Londra dalli Sig.ri Colnaghi e Compagni, Date of publication: [between 1814 and 1820] Item type: 1 print Medium: hand-coloured etching Dimensions: sheet 45.8 x 60.4 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FJ0X/veduta-dellinterno-del-duomo-di-milano-author-rados-luigi-7739g-place-of-publication-milan-publisher-dalli-fratelli-bettalli-in-contrada-del-cappello-n-4031-se-vende-anche-in-londra-dalli-sigri-colnaghi-e-compagni-date-of-publication-between-1814-and-1820-item-type-1-print-medium-hand-coloured-etching-dimensions-sheet-458-x-604-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FJ0X.jpg "VEDUTA DELL'INTERNO DEL DUOMO DI MILANO Author Rados, Luigi 77.39.g. Place of publication: Milan Publisher: dalli Fratelli Bettalli in Contrada del Cappello N° 4031 ; Se vende anche in Londra dalli Sig.ri Colnaghi e Compagni, Date of publication: [between 1814 and 1820] Item type: 1 print Medium: hand-coloured etching Dimensions: sheet 45.8 x 60.4 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9FJ0X–VEDUTA DELL'INTERNO DEL DUOMO DI MILANO Author Rados, Luigi 77.39.g. Place of publication: Milan Publisher: dalli Fratelli Bettalli in Contrada del Cappello N¬∞ 4031 ; Se vende anche in Londra dalli Sig.ri Colnaghi e Compagni, Date of publication: [between 1814 and 1820] Item type: 1 print Medium: hand-coloured etching Dimensions: sheet 45.8 x 60.4 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820
RM2DJ04J5–Cries of London, Turnips and Carrots, Thomas Gaugain, 1748–1812, French, after Francis Wheatley, 1747–1801, British, Published by Colnaghi, established 1760, active ca. 1785–1911, Italian, active in Britain, 1797, Colored stipple engraving and etching on moderately thick, slightly textured, cream laid paper, Sheet: 15 5/8 x 11 9/16 inches (39.7 x 29.3 cm) and Image: 14 1/4 x 11 1/4 inches (36.2 x 28.5 cm), baskets, bonnet, carrots, cobblestones, donkey, dress, food, genre subject, labor, man, merchant, peasants, selling, steps, street, turnips, vegetables, woman, working, England, Europe
RM2B6GHGB–Christ and the scribes small plate RP-P-1961-1021 Christ and the scribes: small plate object type: picture Item number: RP-P-1961-1021Catalogusreferentie: New Hollstein Dutch 53-3 (7) Bartsch 66-3 (3) Hollstein Dutch 66-3 (3) Labeling / brand: brand, verso right: Lugt 2228opschrift, verso bottom right, pencil: 'C. 11946 '(Colnaghi number) Manufacture Vervaardiger: print maker: Rembrandt van Rijn To own design of Rembrandt van Rijn Date: 1630 Physical characteristics: etching material: paper Technique: etching dimensions: h 89 mm × b 68 mm Subject: Christ explaining his doctrine
![A man carrying a basket walks with his dog by the River Arveriron in the foreground, with two fishermen standing on a rock behind on the right and the Montanvert glacier, waterfalls and mountains in the background. VIEW of the SOURCE of the ARVEIRON. [London] : Published by Mess.rs G. and W. Nicol, Pall Mall, J. White, Fleet Street, Colnaghi, Sala & Co. Cockspur Street; & G. Geisweiler, 42 Parliament Street, May 1 1800. Hand-coloured aquatint and etching. Source: Maps K.Top.76.84.b. Language: English and French. Author: Belanger, L. Stock Photo](https://c8.alamy.com/comp/R5EK15/a-man-carrying-a-basket-walks-with-his-dog-by-the-river-arveriron-in-the-foreground-with-two-fishermen-standing-on-a-rock-behind-on-the-right-and-the-montanvert-glacier-waterfalls-and-mountains-in-the-background-view-of-the-source-of-the-arveiron-london-published-by-messrs-g-and-w-nicol-pall-mall-j-white-fleet-street-colnaghi-sala-co-cockspur-street-g-geisweiler-42-parliament-street-may-1-1800-hand-coloured-aquatint-and-etching-source-maps-ktop7684b-language-english-and-french-author-belanger-l-R5EK15.jpg "A man carrying a basket walks with his dog by the River Arveriron in the foreground, with two fishermen standing on a rock behind on the right and the Montanvert glacier, waterfalls and mountains in the background. VIEW of the SOURCE of the ARVEIRON. [London] : Published by Mess.rs G. and W. Nicol, Pall Mall, J. White, Fleet Street, Colnaghi, Sala & Co. Cockspur Street; & G. Geisweiler, 42 Parliament Street, May 1 1800. Hand-coloured aquatint and etching. Source: Maps K.Top.76.84.b. Language: English and French. Author: Belanger, L. Stock Photo")
RMR5EK15–A man carrying a basket walks with his dog by the River Arveriron in the foreground, with two fishermen standing on a rock behind on the right and the Montanvert glacier, waterfalls and mountains in the background. VIEW of the SOURCE of the ARVEIRON. [London] : Published by Mess.rs G. and W. Nicol, Pall Mall, J. White, Fleet Street, Colnaghi, Sala & Co. Cockspur Street; & G. Geisweiler, 42 Parliament Street, May 1 1800. Hand-coloured aquatint and etching. Source: Maps K.Top.76.84.b. Language: English and French. Author: Belanger, L.
RFRARAMF–Excavated church in the caverns at Inkermann, looking west / W. Simpson, del., Day & Son, Lithrs. to the Queen., Day reimagined
RM2WAEA36–Margaret of Anjou, Queen of King Henry VI of England, 1450. In coronet headdress and veil studded with pearls, gown in cloth of gold, hanging sleeves lined with ermine. Attended by several ladies of the court in gable headdresses in a cathedral. Adapted from the tapestry in St. Mary's Guildhall, Coventry. Handcoloured copperplate engraving etched by John Augustus Atkinson, aquatinted by Robert Havell, after an illustration by Charles Hamilton Smith from his own Selections of Ancient Costume of Great Britain and Ireland, Colnaghi and Co., London, 1814.
RM2DEN05E–Colnaghi Gallery, Mayfair, London, UK. 1 December 2020. With London moving into Tier 2, London Art Week Winter opens in Mayfair and St James’s on 2nd December with a chance to see 5,000 years of art in Covid secure galleries. Colnaghi Gallery features: Dreamsongs: from Medicine to Demons to Artificial Intelligence curated by Bjorn Stern, for London Art Week Digital. Image: (left) Evelyn Dunbar, Joseph in Prison, 1949-50; (right) John Minton, London, 1941. Credit: Malcolm Park/Alamy Live News.
![View of the RIO COBRE in the Parish of St. Thomas in the Vale, JAMAICA. Author MeÃÅrigot, J. 123.55.a. Place of publication: London Publisher: Pub.d by Mess.rs Colnaghi, Sala , Co. April 20th. 1800, Cockspur Street, Charing Cross, Date of publication: [April 20 1800] Item type: 1 print Medium: hand-coloured aquatint and etching Dimensions: platemark 49 x 69.7 cm, on sheet 54.3 x 73 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9GR1W/view-of-the-rio-cobre-in-the-parish-of-st-thomas-in-the-vale-jamaica-author-merigot-j-12355a-place-of-publication-london-publisher-pubd-by-messrs-colnaghi-sala-co-april-20th-1800-cockspur-street-charing-cross-date-of-publication-april-20-1800-item-type-1-print-medium-hand-coloured-aquatint-and-etching-dimensions-platemark-49-x-697-cm-on-sheet-543-x-73-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9GR1W.jpg "View of the RIO COBRE in the Parish of St. Thomas in the Vale, JAMAICA. Author MeÃÅrigot, J. 123.55.a. Place of publication: London Publisher: Pub.d by Mess.rs Colnaghi, Sala , Co. April 20th. 1800, Cockspur Street, Charing Cross, Date of publication: [April 20 1800] Item type: 1 print Medium: hand-coloured aquatint and etching Dimensions: platemark 49 x 69.7 cm, on sheet 54.3 x 73 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9GR1W–View of the RIO COBRE in the Parish of St. Thomas in the Vale, JAMAICA. Author MeÃÅrigot, J. 123.55.a. Place of publication: London Publisher: Pub.d by Mess.rs Colnaghi, Sala , Co. April 20th. 1800, Cockspur Street, Charing Cross, Date of publication: [April 20 1800] Item type: 1 print Medium: hand-coloured aquatint and etching Dimensions: platemark 49 x 69.7 cm, on sheet 54.3 x 73 cm Former owner: George III, King of Great Britain, 1738-1820
RM2DJ35DN–William Cobbett, Print made by Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), after John Raphael Smith, 1752–1812, British, Published by Colnaghi & Co., established 1760, active ca. 1785–1911, Italian, active in Britain, 1801, Etching and stipple engraving on moderately thick, moderately textured, cream wove paper, Sheet: 16 15/16 x 12 9/16 inches (43.1 x 31.9 cm), Plate: 12 7/8 x 10 5/16 inches (32.7 x 26.2 cm), and Image: 9 13/16 x 8 1/4 inches (25 x 21 cm), coat, collar, costume, cravat, drapery, man, portrait, ruffle, writer
RM2B6J64J–From predikende Christus ( 'La Petite Tombe') Hundred Guilder Print (La Petite Tombe ') Property Type: picture Item number: RP-P-1987-175Catalogusreferentie: New Hollstein Dutch 298-1 (2) Bartsch 67-1 (1) Hollstein Dutch 67- 1 (1) Labeling / Brands: brand, verso bottom left: Lugt 2228merk, verso bottom right, pen and brown, 'P. Mariette in 1678 'Lugt 1790 inscription verso lower left, pencil:' (?) C. 38542 '(Colnaghi number) Manufacture Vervaardiger: print maker: Rembrandt van Rijn To own design of Rembrandt van Rijn Date: 1650 - 1654 Physical characteristics: etching, dry point, and burijn Ma
Search Results for Colnaghi Stock Photos and Images (676)
Page 4 of 7