Collis huntington hi-res stock photography and images

Collis P Huntington, founder of the South Pacific Railway. Stock Photo

RM2M98PCA–Collis P Huntington, founder of the South Pacific Railway.

RMWH8KYW–Collis Potter Huntington

Engraved portraits of the representative men of the Central Pacific railroad, Edwin B. Crocker, Collis Potter Huntington, Leland Stanford, Charles Crocker, and Mark Hopkins, from the book 'The Pacific tourist', 1877. Courtesy Internet Archive. () Stock Photo

RMPPDXTG–Engraved portraits of the representative men of the Central Pacific railroad, Edwin B. Crocker, Collis Potter Huntington, Leland Stanford, Charles Crocker, and Mark Hopkins, from the book 'The Pacific tourist', 1877. Courtesy Internet Archive. ()

Collis P Huntington by Stephen W Shaw Stock Photo

RMJ39673–Collis P Huntington by Stephen W Shaw

Residence of Collis P. Huntington; ESQ Southeast Corner Fifth Avenue and Fifty-seventh Street Stock Photo

RFT2FEPT–Residence of Collis P. Huntington; ESQ Southeast Corner Fifth Avenue and Fifty-seventh Street

Portrait of the American industrialist and railway magnate, Collis Potter Huntington (1821-1900) by Francis Augustus Lathrop, oil on canvas, 1900 Stock Photo

RM2HX989K–Portrait of the American industrialist and railway magnate, Collis Potter Huntington (1821-1900) by Francis Augustus Lathrop, oil on canvas, 1900

RFT2F171–Residence of Collis P. Huntington, ESQ; Southeast Corner Fifth Avenue and Fifty-seventh Street

Terpsichore (recto), and Dancing Female Figure (verso), Mural Studies for Drawing Room Ceiling, Residence of Collis P. Huntington, now Yale University Art Gallery, c. 1894, Edwin Howland Blashfield, American, 1848-1936, United States, Charcoal with stumping and erasing, heightened with white chalk (recto), and charcoal with touches of white chalk (verso), on folded cream wove paper with blue fibers, tipped on gray wood-pulp laminate board, 491 x 459 mm Stock Photo

RM2A2HPE9–Terpsichore (recto), and Dancing Female Figure (verso), Mural Studies for Drawing Room Ceiling, Residence of Collis P. Huntington, now Yale University Art Gallery, c. 1894, Edwin Howland Blashfield, American, 1848-1936, United States, Charcoal with stumping and erasing, heightened with white chalk (recto), and charcoal with touches of white chalk (verso), on folded cream wove paper with blue fibers, tipped on gray wood-pulp laminate board, 491 x 459 mm

Blue Trail, Collis P Huntington State Park, Connecticut Stock Photo

RFMC306D–Blue Trail, Collis P Huntington State Park, Connecticut

RM2HT8B8Y–Terpsichore (recto), and Dancing Female Figure (verso), Mural Studies for Drawing Room Ceiling, Residence of Collis P. Huntington, now Yale University Art Gallery, c. 1894.

Collis Potter Huntington. oil on canvas. Date: 1900. Museum: NATIONAL PORTRAIT GALLERY. Stock Photo

RM2R6EKY6–Collis Potter Huntington. oil on canvas. Date: 1900. Museum: NATIONAL PORTRAIT GALLERY.

Cabanel Alexandre - Mrs Collis Potter Huntington - French School - 19th Century Stock Photo

RM2CECACC–Cabanel Alexandre - Mrs Collis Potter Huntington - French School - 19th Century

Tuskegee Institute students digging the foundations for Collis P. Huntington Memorial building, 1902. While working, they learned construction trade skills and erected the college building at a modest cost of $50,000. Huntington was one of the American philanthropists that contributed to the African American college. Photo by Frances Benjamin Johnston (BSLOC 2017 20 130) Stock Photo

RMKWD243–Tuskegee Institute students digging the foundations for Collis P. Huntington Memorial building, 1902. While working, they learned construction trade skills and erected the college building at a modest cost of $50,000. Huntington was one of the American philanthropists that contributed to the African American college. Photo by Frances Benjamin Johnston (BSLOC 2017 20 130)

Cabanel Alexandre - Mrs Collis Potter Huntington Stock Photo

RMPRF3PG–Cabanel Alexandre - Mrs Collis Potter Huntington

Collis P Huntington in Puck Magazine 1884. Stock Photo

RMW3P19B–Collis P Huntington in Puck Magazine 1884.

336 Collis P. Huntington as an octopus - San Francisco Examiner Stock Photo

RMP9TCKF–336 Collis P. Huntington as an octopus - San Francisco Examiner

Collis Potter Huntington, 1821-1900, head and shoulders portrait, facing left Stock Photo

RMWAB959–Collis Potter Huntington, 1821-1900, head and shoulders portrait, facing left

Collis Potter Huntington 1900 Stock Photo

RM2R7M6PR–Collis Potter Huntington 1900

The statue of Collis Potter Huntington, which stands at the restored Chesapeake & Ohio (now CSX) depot in Huntington, West Virginia Stock Photo

RM2A4E1AJ–The statue of Collis Potter Huntington, which stands at the restored Chesapeake & Ohio (now CSX) depot in Huntington, West Virginia

RM2R7JJPC–Collis Potter Huntington 1900

Edwin Howland Blashfield. Terpsichore (recto), and Dancing Female Figure (verso), Mural Studies for Drawing Room Ceiling, Residence of Collis P. Huntington, now Yale University Art Gallery. 1892–1894. United States. Charcoal with stumping and erasing, heightened with white chalk (recto), and charcoal with touches of white chalk (verso), on folded cream wove paper with blue fibers, tipped on gray wood-pulp laminate board Stock Photo

RM2AHNTN9–Edwin Howland Blashfield. Terpsichore (recto), and Dancing Female Figure (verso), Mural Studies for Drawing Room Ceiling, Residence of Collis P. Huntington, now Yale University Art Gallery. 1892–1894. United States. Charcoal with stumping and erasing, heightened with white chalk (recto), and charcoal with touches of white chalk (verso), on folded cream wove paper with blue fibers, tipped on gray wood-pulp laminate board

RMKWD2CA–Tuskegee Institute students digging the foundations for Collis P. Huntington Memorial building, 1902. While working, they learned construction trade skills and erected the college building at a modest cost of $50,000. Huntington was one of the American philanthropists that contributed to the African American college. Photo by Frances Benjamin Johnston (BSLOC 2017 20 130)

RMJ946RY–Collis P Huntington by Stephen W Shaw

Detail, Fountain of the Turtles, Huntington Park, Nob Hill, San Francisco, California, USA (Grace Cathedral in background) Stock Photo

RM2RDHJGH–Detail, Fountain of the Turtles, Huntington Park, Nob Hill, San Francisco, California, USA (Grace Cathedral in background)

The Collis P. Huntington Memorial Building, Tuskegee Institute, Ala., 'G 3650' and '50' on negative., Detroit Publishing Co. no. 019462., Gift; State Historical Society of Colorado; 1949, Universities & colleges. , Educational facilities. , African Americans, Education. , United States, Alabama, Tuskegee. Stock Photo

RM2X73B9H–The Collis P. Huntington Memorial Building, Tuskegee Institute, Ala., 'G 3650' and '50' on negative., Detroit Publishing Co. no. 019462., Gift; State Historical Society of Colorado; 1949, Universities & colleges. , Educational facilities. , African Americans, Education. , United States, Alabama, Tuskegee.

The Huntington waterfalls at Strawberry Hill, Golden Gate Park CA Stock Photo

RMCW0B3E–The Huntington waterfalls at Strawberry Hill, Golden Gate Park CA

The Nicaragua Canal. Would it pay the United States to construct it? Remarks of C.P. Huntington at the seventh annual banquet of the Chamber of Commerce of Galveston, Texas, March 16, 1900 : Huntington, Collis Potter, 1821-1900 Stock Photo

RMW58PKW–The Nicaragua Canal. Would it pay the United States to construct it? Remarks of C.P. Huntington at the seventh annual banquet of the Chamber of Commerce of Galveston, Texas, March 16, 1900 : Huntington, Collis Potter, 1821-1900

RF2W9HXKP–Blue Trail, Collis P Huntington State Park, Connecticut

The Grizzly Giant, Mariposa Grove, Yosemite 1861 Carleton E. Watkins American When he was twenty-one Carleton Watkins left Oneonta, New York, for California, following the example of Collis P. Huntington, another Oneonta native who had moved to California to make his fortune. After a stint in Huntington's store in Sacramento, Watkins moved to San Francisco where he chanced into an apprenticeship with Robert Vance, the famous daguerreotypist. By l858 Watkins had established an independent practice, photographing mining operations and land claims for financiers who were building their careers in Stock Photo

RM2HHA7GT–The Grizzly Giant, Mariposa Grove, Yosemite 1861 Carleton E. Watkins American When he was twenty-one Carleton Watkins left Oneonta, New York, for California, following the example of Collis P. Huntington, another Oneonta native who had moved to California to make his fortune. After a stint in Huntington's store in Sacramento, Watkins moved to San Francisco where he chanced into an apprenticeship with Robert Vance, the famous daguerreotypist. By l858 Watkins had established an independent practice, photographing mining operations and land claims for financiers who were building their careers in

The Grisly Giant, Mariposa Grove, Yosemite. Artist: Carleton E. Watkins (American, 1829-1916). Dimensions: Image: 52.3 x 40.7; Mount: 61.4 x 54.1. Date: 1861. When he was twenty-one Carleton Watkins left Oneonta, New York, for California, following the example of Collis P. Huntington, another Oneonta native who had moved to California to make his fortune. After a stint in Huntington's store in Sacramento, Watkins moved to San Francisco where he chanced into an apprenticeship with Robert Vance, the famous daguerreotypist. By l858 Watkins had established an independent practice, photographing m Stock Photo

RMPAB0DJ–The Grisly Giant, Mariposa Grove, Yosemite. Artist: Carleton E. Watkins (American, 1829-1916). Dimensions: Image: 52.3 x 40.7; Mount: 61.4 x 54.1. Date: 1861. When he was twenty-one Carleton Watkins left Oneonta, New York, for California, following the example of Collis P. Huntington, another Oneonta native who had moved to California to make his fortune. After a stint in Huntington's store in Sacramento, Watkins moved to San Francisco where he chanced into an apprenticeship with Robert Vance, the famous daguerreotypist. By l858 Watkins had established an independent practice, photographing m

Chandelier 1881–82 Possibly George A. Schastey & Co. In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham’s quest to fashion her identity as a wealthy, prominent woman of taste. When Worsham married Huntington in 1884, she sold the house, fully furnished, to John D. and Laura Spelman Rockefeller, who made few subsequent Stock Photo

RM2HJ09F2–Chandelier 1881–82 Possibly George A. Schastey & Co. In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham’s quest to fashion her identity as a wealthy, prominent woman of taste. When Worsham married Huntington in 1884, she sold the house, fully furnished, to John D. and Laura Spelman Rockefeller, who made few subsequent

Fountain of the Turtles and Grace Cathedral, Huntington Park, Nob Hill, San Francisco, California USA Stock Photo

RM2RD5HXJ–Fountain of the Turtles and Grace Cathedral, Huntington Park, Nob Hill, San Francisco, California USA

History of the United States from the earliest discovery of America to the end of 1902 . Collis P. Huntington. igo2] THE RISE OF ROOSEVELT 391 Atlantic Coast Line, the Plant System, and atlast even the Louisville and Nashville. TheNew York Central dominated the other Van-derbilt roads. The Pennsylvania secureddecisive amounts of Baltimore and Ohiostock, as well asweighty interests inthe Chesapeake andOhio and the Nor-folk and Western,and so on. Great bankingestablishments, fore-most among themthe house of J. P.Morgan & Co., tookto financing these schemes. Morgan reorganized the NorthernPacific Stock Photo

RM2AJEXK4–History of the United States from the earliest discovery of America to the end of 1902 . Collis P. Huntington. igo2] THE RISE OF ROOSEVELT 391 Atlantic Coast Line, the Plant System, and atlast even the Louisville and Nashville. TheNew York Central dominated the other Van-derbilt roads. The Pennsylvania secureddecisive amounts of Baltimore and Ohiostock, as well asweighty interests inthe Chesapeake andOhio and the Nor-folk and Western,and so on. Great bankingestablishments, fore-most among themthe house of J. P.Morgan & Co., tookto financing these schemes. Morgan reorganized the NorthernPacific

RMW3P195–Collis Potter Huntington, 1821-1900, head and shoulders portrait, facing left

N/A. English: Mrs. Collis P. Huntington by Alexandre Cabanel, 1882, oil on canvas, California Palace of the Legion of Honor . 1882. Alexandre Cabanel 261 Mrs. Collis P. Huntington by Alexandre Cabanel, 1882 Stock Photo

RMP5RDD0–N/A. English: Mrs. Collis P. Huntington by Alexandre Cabanel, 1882, oil on canvas, California Palace of the Legion of Honor . 1882. Alexandre Cabanel 261 Mrs. Collis P. Huntington by Alexandre Cabanel, 1882

The Grisly Giant, Mariposa Grove, Yosemite, Carleton E. Watkins, 1861 Stock Photo

RMKC6PAN–The Grisly Giant, Mariposa Grove, Yosemite, Carleton E. Watkins, 1861

The Flood Fountain in Huntington Park, Nob Hill, San Francisco, CA, Stock Photo

RFBKRKR4–The Flood Fountain in Huntington Park, Nob Hill, San Francisco, CA,

Side chair, 1881–82, Made in New York, New York, United States, American, Satinwood, purpleheart, brass castors Stock Photo

RMKC7XA6–Side chair, 1881–82, Made in New York, New York, United States, American, Satinwood, purpleheart, brass castors

The Flood Fountain in Huntington Park, Nob Hill, San Francisco, CA, with a view of Grace Cathedral. Stock Photo

RFBKRKRM–The Flood Fountain in Huntington Park, Nob Hill, San Francisco, CA, with a view of Grace Cathedral.

Art inspired by The Grisly Giant, Mariposa Grove, Yosemite, 1861, Albumen silver print from glass negative, Image: 52.3 x 40.7; Mount: 61.4 x 54.1, Photographs, Carleton E. Watkins (American, 1829–1916), When he was twenty-one Carleton Watkins left Oneonta, New York, for California, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW4K42–Art inspired by The Grisly Giant, Mariposa Grove, Yosemite, 1861, Albumen silver print from glass negative, Image: 52.3 x 40.7; Mount: 61.4 x 54.1, Photographs, Carleton E. Watkins (American, 1829–1916), When he was twenty-one Carleton Watkins left Oneonta, New York, for California, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMC13MR1–THE LAST SPIKE 1881 a painting by Thomas Hill depicts the ceremony held at Promontory Point Utah on May 10 1869 marking the completion of the transcontinental railroad. Among the crowd of notables Leland Stanford in center with hammer F.L. Vandenberg kneeling with gold spike Collis Potter Huntington behind and to right of Stanford and Charles Crocker in profile holding his hat standing to the right on two women.

Collis Potter Huntington by William Keith c1900 Stock Photo

RMJFX1MN–Collis Potter Huntington by William Keith c1900

Art inspired by Chandelier, 1881–82, Made in New York, New York, United States, American, Brass, mother-of-pearl, glass shades, and semi-precious stones, 75 in. (190.5 cm), Metal, Possibly George A. Schastey & Co. (1873–97), George A. Schastey (1839–1894), In 1881, Arabella Worsham, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9JTG–Art inspired by Chandelier, 1881–82, Made in New York, New York, United States, American, Brass, mother-of-pearl, glass shades, and semi-precious stones, 75 in. (190.5 cm), Metal, Possibly George A. Schastey & Co. (1873–97), George A. Schastey (1839–1894), In 1881, Arabella Worsham, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RF2W9HXMH–Blue Trail, Collis P Huntington State Park, Connecticut

Chandelier. Culture: American. Dimensions: 75 in. (190.5 cm). Maker: George A. Schastey (1839-1894); Possibly George A. Schastey & Co. (1873-97). Date: 1881-82. In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham's quest to fashion her identity as a wealthy, prominent woman of taste. When Worsham married Huntington in Stock Photo

RMPAPNB6–Chandelier. Culture: American. Dimensions: 75 in. (190.5 cm). Maker: George A. Schastey (1839-1894); Possibly George A. Schastey & Co. (1873-97). Date: 1881-82. In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham's quest to fashion her identity as a wealthy, prominent woman of taste. When Worsham married Huntington in

Architectural woodwork and paneling 1881–82 George A. Schastey & Co. In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham’s quest to fashion her identity as a wealthy, prominent woman of taste. When Worsham married Huntington in 1884, she sold the house, fully furnished, to John D. and Laura Spelman Rockefeller, who made Stock Photo

RM2HJ0AD5–Architectural woodwork and paneling 1881–82 George A. Schastey & Co. In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham’s quest to fashion her identity as a wealthy, prominent woman of taste. When Worsham married Huntington in 1884, she sold the house, fully furnished, to John D. and Laura Spelman Rockefeller, who made

. Review of reviews and world's work. er Grand Vizier of Turkey. August 11.—Santiago Perez, former President of the Republic of Colombia, 70 Prof. Charles Scott Vena- ble, of the University of Virginia, 73 Samuel M. Clark, editor of the Keokuk (la.) Oate City, and form-erly a member of Congress, 58. August 12.—William Steinitz, the chess-player, 63 Maj. Frederick E. Prime, Corps of Engineers, U. S. A., 71. August 13.—Collis P. Huntington, president of the Southern Pacific Railroad Company, 79 Prof. James E. Keeler, director of the Lick Observatory, 43 C. Morton Stewart, a prominent Baltimore m Stock Photo

RM2AGB2BT–. Review of reviews and world's work. er Grand Vizier of Turkey. August 11.—Santiago Perez, former President of the Republic of Colombia, 70 Prof. Charles Scott Vena- ble, of the University of Virginia, 73 Samuel M. Clark, editor of the Keokuk (la.) Oate City, and form-erly a member of Congress, 58. August 12.—William Steinitz, the chess-player, 63 Maj. Frederick E. Prime, Corps of Engineers, U. S. A., 71. August 13.—Collis P. Huntington, president of the Southern Pacific Railroad Company, 79 Prof. James E. Keeler, director of the Lick Observatory, 43 C. Morton Stewart, a prominent Baltimore m

Collis Potter Huntington portrait with signature. Stock Photo

RM2YRX8J3–Collis Potter Huntington portrait with signature.

. English: Arabella Duval Huntington (c.1850-1924) — once known as the richest woman in America, and co-fouder, with Henry E. Huntington, of the trust to establish the Huntington Library, Art Collections, and Gardens in San Marino, California. The second wife of American railway tycoon Collis P. Huntington (m. 1884-1900), and then the second wife of Henry E. Huntington (m. 1913-1924). . circa 1870. Unknown 54 Arabella Huntington Stock Photo

RMMW7HN2–. English: Arabella Duval Huntington (c.1850-1924) — once known as the richest woman in America, and co-fouder, with Henry E. Huntington, of the trust to establish the Huntington Library, Art Collections, and Gardens in San Marino, California. The second wife of American railway tycoon Collis P. Huntington (m. 1884-1900), and then the second wife of Henry E. Huntington (m. 1913-1924). . circa 1870. Unknown 54 Arabella Huntington

Side chair, 1881–82, Made in New York, New York, United States, American, Satinwood, purpleheart, brass castors, reproduction Stock Photo

RMKC89B9–Side chair, 1881–82, Made in New York, New York, United States, American, Satinwood, purpleheart, brass castors, reproduction

Pasadena CA - Collis P. & Howard Huntington Memorial Hospital (NBY 430533) Stock Photo

RMM76H1H–Pasadena CA - Collis P. & Howard Huntington Memorial Hospital (NBY 430533)

Art inspired by Architectural woodwork and paneling, 1881–82, Made in New York, New York, United States, American, Satinwood, purpleheart, mother-of-pearl, silver-plated brass, mirrored glass, marble, and reproduction upholstery, Architecture, George A. Schastey & Co. (1873–97), George, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9JPP–Art inspired by Architectural woodwork and paneling, 1881–82, Made in New York, New York, United States, American, Satinwood, purpleheart, mother-of-pearl, silver-plated brass, mirrored glass, marble, and reproduction upholstery, Architecture, George A. Schastey & Co. (1873–97), George, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Frieze and ceiling, 1881–82, Made in New York, New York, United States, American, Oil on canvas, .19a: 29 1/2 in. × 12 ft. 9 1/4 in. (74.9 × 389.3 cm), Architecture, George A. Schastey (1839–1894), Attributed to Virgilio Tojetti (Italian, Rome 1849–1901 New York, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2TAF–Art inspired by Frieze and ceiling, 1881–82, Made in New York, New York, United States, American, Oil on canvas, .19a: 29 1/2 in. × 12 ft. 9 1/4 in. (74.9 × 389.3 cm), Architecture, George A. Schastey (1839–1894), Attributed to Virgilio Tojetti (Italian, Rome 1849–1901 New York, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Rockwork ruins, Collis P Huntington State Park, Connecticut Stock Photo

RFEK2A7W–Rockwork ruins, Collis P Huntington State Park, Connecticut

Art inspired by Dressing table, 1881–82, Made in New York, New York, United States, American, Satinwood, purpleheart, mother-of-pearl, brass, silver-plated brass, and original upholstery, 30 1/2 × 30 5/8 × 22 1/2 in. (77.5 × 77.8 × 57.2 cm), Furniture, George A. Schastey (1839–1894, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2RMX–Art inspired by Dressing table, 1881–82, Made in New York, New York, United States, American, Satinwood, purpleheart, mother-of-pearl, brass, silver-plated brass, and original upholstery, 30 1/2 × 30 5/8 × 22 1/2 in. (77.5 × 77.8 × 57.2 cm), Furniture, George A. Schastey (1839–1894, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Wall bracket. Culture: American. Dimensions: 37 x 21 in. (94 x 53.3 cm). Maker: George A. Schastey & Co. (1873-97); George A. Schastey (1839-1894). Date: 1881-82. In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham's quest to fashion her identity as a wealthy, prominent woman of taste. When Worsham married Huntington i Stock Photo

RMPB18R5–Wall bracket. Culture: American. Dimensions: 37 x 21 in. (94 x 53.3 cm). Maker: George A. Schastey & Co. (1873-97); George A. Schastey (1839-1894). Date: 1881-82. In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham's quest to fashion her identity as a wealthy, prominent woman of taste. When Worsham married Huntington i

Dressing table 1881–82 George A. Schastey In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham’s quest to fashion her identity as a wealthy, prominent woman of taste. When Worsham married Huntington in 1884, she sold the house, fully furnished, to John D. and Laura Spelman Rockefeller, who made few subsequent changes to Stock Photo

RM2HHWMMW–Dressing table 1881–82 George A. Schastey In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham’s quest to fashion her identity as a wealthy, prominent woman of taste. When Worsham married Huntington in 1884, she sold the house, fully furnished, to John D. and Laura Spelman Rockefeller, who made few subsequent changes to

Catalogue of the Hampton Normal & Agricultural Institute, at Hampton, Virginia, for the academical year .. . 2> «DG> TRUSTEES ROBERT C. OGDEN. Present, New York City COL. THOMAS TABB. Vic Present, Hampton Va *. H B. FRISSELL. D. D. SecrUary. Hampton. Va R«v. ALEXANDER McKENZIE, D. D, Cambridge Mass GEORGE FOSTER PEABODY, New York City REv. C. H. PARKHURST, D. D, New York City. Rt. Rev. w. N. McVickar. D. D, Providence. R 1 Rev. FRANCIS G. PEABODY, Cambridge, Mass. COLLIS P. HUNTINGTON, New York City. Rev. D. H. GREER, D. D, New York City. CHARLES E. B1GELOW, New York City. ARTHUR CURTISS Stock Photo

RM2AXBG3F–Catalogue of the Hampton Normal & Agricultural Institute, at Hampton, Virginia, for the academical year .. . 2> «DG> TRUSTEES ROBERT C. OGDEN. Present, New York City COL. THOMAS TABB. Vic Present, Hampton Va *. H B. FRISSELL. D. D. SecrUary. Hampton. Va R«v. ALEXANDER McKENZIE, D. D, Cambridge Mass GEORGE FOSTER PEABODY, New York City REv. C. H. PARKHURST, D. D, New York City. Rt. Rev. w. N. McVickar. D. D, Providence. R 1 Rev. FRANCIS G. PEABODY, Cambridge, Mass. COLLIS P. HUNTINGTON, New York City. Rev. D. H. GREER, D. D, New York City. CHARLES E. B1GELOW, New York City. ARTHUR CURTISS

Francis Lathrop - Collis Potter Huntington (1821-1900) Stock Photo

RM2S2WC3C–Francis Lathrop - Collis Potter Huntington (1821-1900)

RMMMMW4P–. English: Arabella Duval Huntington (c.1850-1924) — once known as the richest woman in America, and co-fouder, with Henry E. Huntington, of the trust to establish the Huntington Library, Art Collections, and Gardens in San Marino, California. The second wife of American railway tycoon Collis P. Huntington (m. 1884-1900), and then the second wife of Henry E. Huntington (m. 1913-1924). . circa 1870. Unknown 54 Arabella Huntington

Architectural woodwork and paneling, George A. Schastey & Co., 1881–82 Stock Photo

RMKC89B7–Architectural woodwork and paneling, George A. Schastey & Co., 1881–82

Pasadena CA - Collis P. & Howard Huntington Memorial Hospital (NBY 430534) Stock Photo

RMM76H1J–Pasadena CA - Collis P. & Howard Huntington Memorial Hospital (NBY 430534)

Collis P. Huntington MET AW 09 12 4 14655 Stock Photo

RMKNCWEX–Collis P. Huntington MET AW 09 12 4 14655

RFMC308Y–Blue Trail, Collis P Huntington State Park, Connecticut

Art inspired by Sconce, 1881–82, Made in New York, New York, United States, American, Brass, mother-of-pearl, glass shades, and semi-precious stones, 15 x 10 in. (38.1 x 25.4 cm), Metal, Possibly George A. Schastey & Co. (1873–97), George A. Schastey & Co. (1873–97), George A. Schastey, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2RNJ–Art inspired by Sconce, 1881–82, Made in New York, New York, United States, American, Brass, mother-of-pearl, glass shades, and semi-precious stones, 15 x 10 in. (38.1 x 25.4 cm), Metal, Possibly George A. Schastey & Co. (1873–97), George A. Schastey & Co. (1873–97), George A. Schastey, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Sconce. Culture: American. Dimensions: 15 x 10 in. (38.1 x 25.4 cm). Maker: George A. Schastey & Co. (1873-97); George A. Schastey (1839-1894); Possibly George A. Schastey & Co. (1873-97). Date: 1881-82. In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham's quest to fashion her identity as a wealthy, prominent woman of Stock Photo

RMPB152W–Sconce. Culture: American. Dimensions: 15 x 10 in. (38.1 x 25.4 cm). Maker: George A. Schastey & Co. (1873-97); George A. Schastey (1839-1894); Possibly George A. Schastey & Co. (1873-97). Date: 1881-82. In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham's quest to fashion her identity as a wealthy, prominent woman of

Frieze and ceiling 1881–82 Virgilio Tojetti Italian In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham’s quest to fashion her identity as a wealthy, prominent woman of taste. When Worsham married Huntington in 1884, she sold the house, fully furnished, to John D. and Laura Spelman Rockefeller, who made few subsequent c Stock Photo

RM2HHWJ52–Frieze and ceiling 1881–82 Virgilio Tojetti Italian In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham’s quest to fashion her identity as a wealthy, prominent woman of taste. When Worsham married Huntington in 1884, she sold the house, fully furnished, to John D. and Laura Spelman Rockefeller, who made few subsequent c

. Rembrandt; des meisters gemälde in 643 abbildungen . New York, Mrs. Collis P. Huntington Virgil (?) Virgil (?)1653B. 385 Auf Leinwand, H. 1,392, B. 1,33 Virgile (?) 426. M ?o ?- 3 n CQ o Stock Photo

RM2CDE4B8–. Rembrandt; des meisters gemälde in 643 abbildungen . New York, Mrs. Collis P. Huntington Virgil (?) Virgil (?)1653B. 385 Auf Leinwand, H. 1,392, B. 1,33 Virgile (?) 426. M ?o ?- 3 n CQ o

RMMX4DH0–. English: Arabella Duval Huntington (c.1850-1924) — once known as the richest woman in America, and co-fouder, with Henry E. Huntington, of the trust to establish the Huntington Library, Art Collections, and Gardens in San Marino, California. The second wife of American railway tycoon Collis P. Huntington (m. 1884-1900), and then the second wife of Henry E. Huntington (m. 1913-1924). . circa 1870. Unknown 54 Arabella Huntington

Chandelier, Possibly George A. Schastey & Co., 1881–82 Stock Photo

RMKC7GBP–Chandelier, Possibly George A. Schastey & Co., 1881–82

RFMC3072–Blue Trail, Collis P Huntington State Park, Connecticut

Art inspired by Wall bracket, 1881–82, Made in New York, New York, United States, American, Brass, mother-of-pearl, glass shades, and semi-precious stones, 37 x 21 in. (94 x 53.3 cm), Architecture, George A. Schastey & Co. (1873–97), George A. Schastey (1839–1894), In 1881, Arabella, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2RMW–Art inspired by Wall bracket, 1881–82, Made in New York, New York, United States, American, Brass, mother-of-pearl, glass shades, and semi-precious stones, 37 x 21 in. (94 x 53.3 cm), Architecture, George A. Schastey & Co. (1873–97), George A. Schastey (1839–1894), In 1881, Arabella, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Dressing glass. Culture: American. Dimensions: 23 1/4 × 15 3/4 × 10 1/2 in. (59.1 × 40 × 26.7 cm). Maker: George A. Schastey & Co. (1873-97); George A. Schastey (1839-1894). Date: 1881-82. In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham's quest to fashion her identity as a wealthy, prominent woman of taste. When Wo Stock Photo

RMPAJKEN–Dressing glass. Culture: American. Dimensions: 23 1/4 × 15 3/4 × 10 1/2 in. (59.1 × 40 × 26.7 cm). Maker: George A. Schastey & Co. (1873-97); George A. Schastey (1839-1894). Date: 1881-82. In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham's quest to fashion her identity as a wealthy, prominent woman of taste. When Wo

Dressing glass 1881–82 George A. Schastey & Co. In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham’s quest to fashion her identity as a wealthy, prominent woman of taste. When Worsham married Huntington in 1884, she sold the house, fully furnished, to John D. and Laura Spelman Rockefeller, who made few subsequent chang Stock Photo

RM2HHWM8D–Dressing glass 1881–82 George A. Schastey & Co. In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham’s quest to fashion her identity as a wealthy, prominent woman of taste. When Worsham married Huntington in 1884, she sold the house, fully furnished, to John D. and Laura Spelman Rockefeller, who made few subsequent chang

. Rembrandt; des meisters gemälde in 643 abbildungen . — — - - <u u « ffl i i Di io co — o PO - .- i = Uu 2: 423 XVIII. BILDNISSE UND STUDIENKÖPFE - - STILLEBEN 1653-1660 PORTRAITS AND STUDY-HEADS PORTRAITS ET TETES DETUDE STILL-LIFES NATURES MORTES 1653—1660 1653 ä 1660 425. New York, Mrs. Collis P. Huntington Virgil (?) Virgil (?)1653B. 385 Auf Leinwand, H. 1,392, B. 1,33 Virgile (?) 426 Stock Photo

RM2CDE4D3–. Rembrandt; des meisters gemälde in 643 abbildungen . — — - - <u u « ffl i i Di io co — o PO - .- i = Uu 2: 423 XVIII. BILDNISSE UND STUDIENKÖPFE - - STILLEBEN 1653-1660 PORTRAITS AND STUDY-HEADS PORTRAITS ET TETES DETUDE STILL-LIFES NATURES MORTES 1653—1660 1653 ä 1660 425. New York, Mrs. Collis P. Huntington Virgil (?) Virgil (?)1653B. 385 Auf Leinwand, H. 1,392, B. 1,33 Virgile (?) 426

RMMY9EK7–. English: Arabella Duval Huntington (c.1850-1924) — once known as the richest woman in America, and co-fouder, with Henry E. Huntington, of the trust to establish the Huntington Library, Art Collections, and Gardens in San Marino, California. The second wife of American railway tycoon Collis P. Huntington (m. 1884-1900), and then the second wife of Henry E. Huntington (m. 1913-1924). . circa 1870. Unknown 47 Arabella Huntington

Wall bracket, 1881–82, Made in New York, New York, United States, American, Brass, mother-of-pearl, glass shades Stock Photo

RMKC7GBR–Wall bracket, 1881–82, Made in New York, New York, United States, American, Brass, mother-of-pearl, glass shades

RFMC3074–Rockwork ruins, Collis P Huntington State Park, Connecticut

Art inspired by Side chair, 1881–82, Made in New York, New York, United States, American, Satinwood, purpleheart, brass castors, reproduction upholstery, Seat height: 20 1/4 (51.4 cm), Furniture, George A. Schastey & Co. (1873–97), George A. Schastey (1839–1894), In 1881, Arabella, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2T09–Art inspired by Side chair, 1881–82, Made in New York, New York, United States, American, Satinwood, purpleheart, brass castors, reproduction upholstery, Seat height: 20 1/4 (51.4 cm), Furniture, George A. Schastey & Co. (1873–97), George A. Schastey (1839–1894), In 1881, Arabella, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Side chair. Culture: American. Dimensions: Seat height: 20 1/4 (51.4 cm) Front-to-back: 23 in. (58.4 cm) Crest rail to floor: 36 7/8' (93.7 cm) Seat front s/s: 19 ¼' (48.9 cm) Seat back s/s:13 ½' (33 cm). Maker: George A. Schastey & Co. (1873-97); George A. Schastey (1839-1894). Date: 1881-82. In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s Stock Photo

RMPB14KB–Side chair. Culture: American. Dimensions: Seat height: 20 1/4 (51.4 cm) Front-to-back: 23 in. (58.4 cm) Crest rail to floor: 36 7/8' (93.7 cm) Seat front s/s: 19 ¼' (48.9 cm) Seat back s/s:13 ½' (33 cm). Maker: George A. Schastey & Co. (1873-97); George A. Schastey (1839-1894). Date: 1881-82. In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s

Side chair 1881–82 George A. Schastey & Co. In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham’s quest to fashion her identity as a wealthy, prominent woman of taste. When Worsham married Huntington in 1884, she sold the house, fully furnished, to John D. and Laura Spelman Rockefeller, who made few subsequent changes t Stock Photo

RM2HHWKNN–Side chair 1881–82 George A. Schastey & Co. In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham’s quest to fashion her identity as a wealthy, prominent woman of taste. When Worsham married Huntington in 1884, she sold the house, fully furnished, to John D. and Laura Spelman Rockefeller, who made few subsequent changes t

N/A. Collis P. Huntington; Gelatin silver print . circa 1900. William Keith (1838–1911) Alternative names w. keith; Keith Description Scottish-American painter Date of birth/death 18 November 1838 13 April 1911 Location of birth/death Oldmeldrum, Aberdeenshire, Scotland Berkeley, CA Work location New York City (1850–1863); San Francisco (1863–1870); Düsseldorf (1870–1872); San Francisco (1872–1911) Authority control : Q3688068 VIAF:95742728 ISNI:0000 0001 1690 3894 ULAN:500010110 LCCN:n88156083 Open Library:OL6560187A WorldCat 367 Collis Potter Huntington by William Keith, c1900 Stock Photo

RMP5XRAD–N/A. Collis P. Huntington; Gelatin silver print . circa 1900. William Keith (1838–1911) Alternative names w. keith; Keith Description Scottish-American painter Date of birth/death 18 November 1838 13 April 1911 Location of birth/death Oldmeldrum, Aberdeenshire, Scotland Berkeley, CA Work location New York City (1850–1863); San Francisco (1863–1870); Düsseldorf (1870–1872); San Francisco (1872–1911) Authority control : Q3688068 VIAF:95742728 ISNI:0000 0001 1690 3894 ULAN:500010110 LCCN:n88156083 Open Library:OL6560187A WorldCat 367 Collis Potter Huntington by William Keith, c1900

Sconce, 1881–82, Made in New York, New York, United States, American, Brass, mother-of-pearl, glass shades, and semi-precious Stock Photo

RMKC7GB2–Sconce, 1881–82, Made in New York, New York, United States, American, Brass, mother-of-pearl, glass shades, and semi-precious

Frieze and ceiling, 1881–82, Made in New York, New York, United States, American, Oil on canvas, .19a: 29 1/2 in. × 12 ft. 9 1/4 Stock Photo

RMKCDR42–Frieze and ceiling, 1881–82, Made in New York, New York, United States, American, Oil on canvas, .19a: 29 1/2 in. × 12 ft. 9 1/4

Dressing glass, 1881–82, Made in New York, New York, United States, American, Satinwood, purpleheart, mother-of-pearl, brass Stock Photo

RMKC7FG0–Dressing glass, 1881–82, Made in New York, New York, United States, American, Satinwood, purpleheart, mother-of-pearl, brass

RF2W9HXMB–Blue Trail, Collis P Huntington State Park, Connecticut

Art inspired by Dressing glass, 1881–82, Made in New York, New York, United States, American, Satinwood, purpleheart, mother-of-pearl, brass, and mirror glass, 23 1/4 × 15 3/4 × 10 1/2 in. (59.1 × 40 × 26.7 cm), Furniture, George A. Schastey & Co. (1873–97), George A. Schastey (1839–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2RNH–Art inspired by Dressing glass, 1881–82, Made in New York, New York, United States, American, Satinwood, purpleheart, mother-of-pearl, brass, and mirror glass, 23 1/4 × 15 3/4 × 10 1/2 in. (59.1 × 40 × 26.7 cm), Furniture, George A. Schastey & Co. (1873–97), George A. Schastey (1839–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Collis P. Huntington. Artist: Victor David Brenner (American (born Lithuania), Kaunas 1871-1924 New York). Dimensions: 4 3/4 x 3 7/8 in. (12.1 x 9.8 cm). Date: 1904. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB5TWA–Collis P. Huntington. Artist: Victor David Brenner (American (born Lithuania), Kaunas 1871-1924 New York). Dimensions: 4 3/4 x 3 7/8 in. (12.1 x 9.8 cm). Date: 1904. Museum: Metropolitan Museum of Art, New York, USA.

Wall bracket 1881–82 George A. Schastey & Co. In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham’s quest to fashion her identity as a wealthy, prominent woman of taste. When Worsham married Huntington in 1884, she sold the house, fully furnished, to John D. and Laura Spelman Rockefeller, who made few subsequent changes Stock Photo

RM2HJ0987–Wall bracket 1881–82 George A. Schastey & Co. In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham’s quest to fashion her identity as a wealthy, prominent woman of taste. When Worsham married Huntington in 1884, she sold the house, fully furnished, to John D. and Laura Spelman Rockefeller, who made few subsequent changes

Dressing table, 1881–82, Made in New York, New York, United States, American, Satinwood, purpleheart, mother-of-pearl, brass Stock Photo

RMKC7XA5–Dressing table, 1881–82, Made in New York, New York, United States, American, Satinwood, purpleheart, mother-of-pearl, brass

RFMC305M–Blue Trail, Collis P Huntington State Park, Connecticut

Art inspired by Side chair, 1881–82, Made in New York, New York, United States, American, Satinwood, purpleheart, brass castors, and reproduction upholstery, Seat height: 20 1/4 (51.4 cm), Furniture, George A. Schastey & Co. (1873–97), George A. Schastey (1839–1894), In 1881, Arabella, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2T02–Art inspired by Side chair, 1881–82, Made in New York, New York, United States, American, Satinwood, purpleheart, brass castors, and reproduction upholstery, Seat height: 20 1/4 (51.4 cm), Furniture, George A. Schastey & Co. (1873–97), George A. Schastey (1839–1894), In 1881, Arabella, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMRX5JMT–Terpsichore (recto), and Dancing Female Figure (verso), Mural Studies for Drawing Room Ceiling, Residence of Collis P. Huntington, now Yale University Art Gallery. Edwin Howland Blashfield; American, 1848-1936. Date: 1892-1894. Dimensions: 491 x 459 mm. Charcoal with stumping and erasing, heightened with white chalk (recto), and charcoal with touches of white chalk (verso), on folded cream wove paper with blue fibers, tipped on gray wood-pulp laminate board. Origin: United States. Museum: The Chicago Art Institute.

Sconce 1881–82 Possibly George A. Schastey & Co. In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham’s quest to fashion her identity as a wealthy, prominent woman of taste. When Worsham married Huntington in 1884, she sold the house, fully furnished, to John D. and Laura Spelman Rockefeller, who made few subsequent chan Stock Photo

RM2HJ097X–Sconce 1881–82 Possibly George A. Schastey & Co. In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham’s quest to fashion her identity as a wealthy, prominent woman of taste. When Worsham married Huntington in 1884, she sold the house, fully furnished, to John D. and Laura Spelman Rockefeller, who made few subsequent chan

RF2W9HXM5–Blue Trail, Collis P Huntington State Park, Connecticut

Architectural woodwork and paneling. Culture: American. Maker: George A. Schastey & Co. (1873-97); George A. Schastey (1839-1894). Date: 1881-82. In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham's quest to fashion her identity as a wealthy, prominent woman of taste. When Worsham married Huntington in 1884, she sold Stock Photo

RMPAB2F1–Architectural woodwork and paneling. Culture: American. Maker: George A. Schastey & Co. (1873-97); George A. Schastey (1839-1894). Date: 1881-82. In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham's quest to fashion her identity as a wealthy, prominent woman of taste. When Worsham married Huntington in 1884, she sold

RM2HJ077B–Side chair 1881–82 George A. Schastey & Co. In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham’s quest to fashion her identity as a wealthy, prominent woman of taste. When Worsham married Huntington in 1884, she sold the house, fully furnished, to John D. and Laura Spelman Rockefeller, who made few subsequent changes t

Park road, Collis P Huntington State Park, Connecticut Stock Photo

RF2W9HXHP–Park road, Collis P Huntington State Park, Connecticut

Sequoia Gigantea - 'Grizzly Giant' - Mariposa Grove. Date/Period: Negative 1861; print ca. 1866. Print. Albumen silver. Height: 521 mm (20.51 in); Width: 381 mm (15 in). Author: Carleton Watkins. Stock Photo

RMPND919–Sequoia Gigantea - 'Grizzly Giant' - Mariposa Grove. Date/Period: Negative 1861; print ca. 1866. Print. Albumen silver. Height: 521 mm (20.51 in); Width: 381 mm (15 in). Author: Carleton Watkins.

RFMC307D–Rockwork ruins, Collis P Huntington State Park, Connecticut

Collis huntington Stock Photos and Images

Collis huntington Stock Photos and Images

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