RMKC5B4M–Sconce, in Chippendale Drawings, Vol. I, Thomas Chippendale, ca. 1753–54
RF2HW6YAD–Art inspired by Sconce, in Chippendale Drawings, Vol. I, ca. 1753–54, Graphite, sheet: 7 1/2 x 4 in. (19.1 x 10.2 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAJ9C6–Sideboard Table, from Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). Dimensions: sheet: 8 3/16 x 12 7/16 in. (20.8 x 31.6 cm). Published in: London. Date: 1753. Museum: Metropolitan Museum of Art, New York, USA.
RMKTJCEC–Bed, in Chippendale Drawings, Vol. I MET DP104157
RMRBW9G4–390636 A Lady's Dressing Table, from Chippendale Drawings, Vol. II
RMKNRA16–Moldings for Gothic Library Bookcase, from Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire
RM2HH8ERC–Sideboard Table, from Chippendale Drawings, Vol. II 1753 Thomas Chippendale British. Sideboard Table, from Chippendale Drawings, Vol. II 390614
RMB8PN3R–One of Chippendale s design drawings for Attingham
RM2AWJ7PF–The practical book of period furniture, treating of furniture of the English, American colonial and post-colonial and principal French periods . ds of established prec-edent, he retained and constantly made use of certainfeatures employed by his predecessors. One of these was the cabriole, or bandy leg (KeyVI, 1, 2 and 9 and VII, 5 and 6), the introduction ofwhich some have mistakenly ascribed to Chippendale,while others have altogether ignored his frequent useof it,—for his more expensive chairs he used it almostaltogether, as the drawings in his book of publisheddesigns will prove,—choosing
RMKC5B4K–Sconce, in Chippendale Drawings, Vol. I, Thomas Chippendale, ca. 1753–54
RF2HW6Y92–Art inspired by Chimneypiece, in Chippendale Drawings, Vol. I, ca. 1753–54, Graphite, sheet: 5 5/8 x 4 in. (14.3 x 10.2 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAABFF–Library Table, from Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). Dimensions: sheet: 7 7/8 x 13 3/4 in. (20.1 x 34.9 cm). Published in: London. Date: 1753. Museum: Metropolitan Museum of Art, New York, USA.
RMKTM1P1–Bed, in Chippendale Drawings, Vol. I MET DP104162
RMRBW9G5–347520 A Lady's Dressing Table, from Chippendale Drawings, Vol. II
RMKP04AT–Rule for Drawing the Spiral Lines of the Volute of the Ionic Order, in Chippendale Drawings, Vol. I. Artist: Thomas Chippendale (British, baptised
RM2HH67MA–Horse Fire Screens, in Chippendale Drawings, Vol. I 1754 Thomas Chippendale British. Horse Fire Screens, in Chippendale Drawings, Vol. I 390504
RM2AWJ6G6–The practical book of period furniture, treating of furniture of the English, American colonial and post-colonial and principal French periods . ds of established prec-edent, he retained and constantly made use of certainfeatures employed by his predecessors. One of these was the cabriole, or bandy leg (KeyVI, 1, 2 and 9 and VII, 5 and 6), the introduction ofwhich some have mistakenly ascribed to Chippendale,while others have altogether ignored his frequent useof it,—for his more expensive chairs he used it almostaltogether, as the drawings in his book of publisheddesigns will prove,—choosing
RMKC6D8W–Fret, from Chippendale Drawings, Vol. II, Thomas Chippendale, ca. 1753–54
RF2HW6YAA–Art inspired by Chimneypiece, in Chippendale Drawings, Vol. I, ca. 1753–54, Graphite, sheet: 6 7/8 x 3 5/16 in. (17.5 x 8.4 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAA8T9–Sideboard Table, from Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). Dimensions: sheet: 7 13/16 x 7 5/8 in. (19.8 x 19.4 cm). Date: ca. 1760-70. Design for a Gothic table. Not published in Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Museum: Metropolitan Museum of Art, New York, USA.
RMKTJCET–Bed Pillars, in Chippendale Drawings, Vol. I MET DP104170
RMRBR899–390507 A Design for a State Bed, in Chippendale Drawings, Vol. I
RMKP04DT–Moldings for Gothic Library Bookcase, from Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire
RM2HHBCR4–Chimneypiece, in Chippendale Drawings, Vol. I ca. 1753–62 Thomas Chippendale British Design for a chimneypiece. Not published in Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'.. Chimneypiece, in Chippendale Drawings, Vol. I 344525
RM2ANH312–Modern cabinet work, furniture & fitments; an account of the theory & practice in the production of all kinds of cabinet work & furniture with chapters on the growth and progress of design and construction; illustrated by over 1000 practical workshop drawings, photographs & original designs . books of Chippendale and Sheraton, and well repay careful study.The Elizabethan types are well represented in the Victoria and Albertand Bethnal Green Museums. The very ornate character of these earlyfour-poster beds is accounted for by the social customs of the period, when the bed-chamber wasfrequently
RMKC6D60–Cabinet, from Chippendale Drawings, Vol. II, Thomas Chippendale, ca. 1753–54
RF2HW6YAC–Art inspired by Sconce, in Chippendale Drawings, Vol. I, ca. 1753–54, Graphite, sheet: 8 1/2 x 4 13/16 in. (21.5 x 12.2 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAC1CP–French Commode, from Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). Dimensions: sheet: 5 3/8 x 7 3/16 in. (13.7 x 18.3 cm). Date: ca. 1760-70. Design for a commode. Not published in Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Museum: Metropolitan Museum of Art, New York, USA.
RMKTJCFA–Bed Pillars, in Chippendale Drawings, Vol. I MET DP104171
RMKNR9X8–Plan for Library Table with Moldings, from Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire
RM2HH6BDT–Cornices, in Chippendale Drawings, Vol. I ca. 1753–62 Thomas Chippendale British Six designs for cornices. Not published in Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'.. Cornices, in Chippendale Drawings, Vol. I 390520
RM2ANJJ1P–Modern cabinet work, furniture & fitments; an account of the theory & practice in the production of all kinds of cabinet work & furniture with chapters on the growth and progress of design and construction; illustrated by over 1000 practical workshop drawings, photographs & original designs . ODERN CABINETWORK, FURNITURE, AND FITMENTS Card Tables (see next page). The first illustrations represent an uncommon method of extension in cardtables, first introduced by Chippendale. The leg is composed of two pieces formingan angle, rebated together, and completed by the addition of a foot. These legs
RMKC5B47–Cornices, in Chippendale Drawings, Vol. I, Thomas Chippendale, ca. 1753–54
RF2HW6YAF–Art inspired by Pier Glass Frame, in Chippendale Drawings, Vol. I, ca. 1753–54, Graphite, sheet: 9 3/4 x 4 in. (24.8 x 10.2 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAADAD–Library Table, from Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). Dimensions: sheet: 7 1/16 x 10 1/4 in. (17.9 x 26.1 cm). Date: ca. 1753-62. Design for a library table. Not published in Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Museum: Metropolitan Museum of Art, New York, USA.
RMM05CA6–Breakfast Tables, from Chippendale Drawings, Vol. II MET DP118195
RMKNRA0K–Moldings and Fretwork for China Case, from Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire
RM2HHAP2M–French Commode, from Chippendale Drawings, Vol. II ca. 1760–70 Thomas Chippendale British Design for a commode. Not published in Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'.. French Commode, from Chippendale Drawings, Vol. II 347520
RM2ANGW51–Modern cabinet work, furniture & fitments; an account of the theory & practice in the production of all kinds of cabinet work & furniture with chapters on the growth and progress of design and construction; illustrated by over 1000 practical workshop drawings, photographs & original designs . A Modern Grandfather Clock Case. A Chippendale Commode (see opposite). The drawings show a Chippendale commode, shaped in plan with bombe front and carved legs, and tern feet. This piece, like many ofChippendales productions, is distinctly Louis XV. in character, from which periodmany of his shapes and or
RMKC5B30–Girandoles, in Chippendale Drawings, Vol. I, Thomas Chippendale, ca. 1753–54
RF2HW7001–Art inspired by Chinese Railing, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, sheet: 8 x 10 3/8 in. (20.3 x 26.3 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAR016–Chinese Railing, from Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). Dimensions: sheet: 8 x 10 3/8 in. (20.3 x 26.3 cm). Published in: London. Date: 1754. Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate CLX in the 1754 and 1755 editions, not reprinted in the 1762 edition. Museum: Metropolitan Museum of Art, New York, USA.
RMM05C81–Candle Stands, in Chippendale Drawings, Vol. I MET DP104125
RMKP04AW–Bases and Caps of the Pedestals of Each Order, in Chippendale Drawings, Vol. I. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire
RM2HJ3P5M–French Commode, from Chippendale Drawings, Vol. II ca. 1770 Attributed to Thomas Chippendale Junior Design for a commode. Not published in Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'.. French Commode, from Chippendale Drawings, Vol. II 390632
RM2ANDTRT–Modern cabinet work, furniture & fitments; an account of the theory & practice in the production of all kinds of cabinet work & furniture with chapters on the growth and progress of design and construction; illustrated by over 1000 practical workshop drawings, photographs & original designs . 5IDE-VIEW Front View Drawing and Dining Room Chairs. CHAIRMAKING 321 legs project slightly above the rails, and an effective finish is obtained by makingthe beads converge to the centre of the leg in the form of a leaf carved ratherflatter than the bead moulding. The Chippendale dining-chair also has thes
RMKC6D5T–Cisterns, from Chippendale Drawings, Vol. II, Thomas Chippendale, ca. 1753–54
RF2HW6YP6–Art inspired by French Commode, from Chippendale Drawings, Vol. II, ca. 1753–54, Graphite, sheet: 6 x 8 5/16 in. (15.2 x 21.1 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPATC0Y–Frets, from Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). Dimensions: sheet: 8 7/16 x 9 3/4 in. (21.4 x 24.8 cm). Published in: London. Date: 1754. Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate CLV in the 1754 and 1755 editions, not reprinted in the 1762 edition. Museum: Metropolitan Museum of Art, New York, USA.
RMM05C8N–Bureau Tables, from Chippendale Drawings, Vol. II MET DP118218
RMKNH82D–Moldings for Gothic Library Bookcase, from Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire
RM2HHT2E3–Library Table, from Chippendale Drawings, Vol. II 1753 Thomas Chippendale British. Library Table, from Chippendale Drawings, Vol. II. Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London). 1753. Black ink, gray wash
RM2AWD3YY–Modern cabinet work, furniture & fitments; an account of the theory & practice in the production of all kinds of cabinet work & furniture with chapters on the growth and progress of design and construction; illustrated by over 1000 practical workshop drawings, photographs & original designs . Enlarged-detail-of- pilas-ter.- carving Alternatedetail- for. , top • • • Top. Scale- for- eleva- TION- (AND- PLAN • • 2. iter-. I I II I II I I c A Chippendale Writing Table. r2o MODERN CABINETWORK, FURNITURE, AND FITMENTS The sectional plan shows the method of framing up the ends, essential in sucha he
RMKC5B53–Mirror, in Chippendale Drawings, Vol. I, Thomas Chippendale, ca. 1753–54
RF2HW6YBF–Art inspired by Girandoles, in Chippendale Drawings, Vol. I, ca. 1753–54, Black ink, gray wash, sheet: 13 3/4 x 7 15/16 in. (35 x 20.2 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAM8YC–Library Bookcase, from Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). Dimensions: sheet: 9 x 12 5/8 in. (22.9 x 32.1 cm). Published in: London. Date: 1753. Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate LXI in the 1754 and 1755 editions, not reprinted in the 1762 edition. Museum: Metropolitan Museum of Art, New York, USA.
RMM05C83–Candle Stands, in Chippendale Drawings, Vol. I MET DP104127
RMKNH80M–The General Proportions of the Composite Order, in Chippendale Drawings, Vol. I. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire
RM2HHC1T9–Sideboard Table, from Chippendale Drawings, Vol. II ca. 1760–70 Thomas Chippendale British Design for a Gothic table. Not published in Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'.. Sideboard Table, from Chippendale Drawings, Vol. II 390657
RM2CEYW46–. Furniture for the craftsman; a manual for the student and machanic. Fig. 29. As with all who became enamored with French ornament,particularly the excessive overladen character of Louis XV styleand Roccoco, so Chippendale left behind him many drawingsand examples of his work which we would now consider decided-ly erratic and overdone, but we have evidence in drawings andexamples of so much of his better work that we readily overlookhis fancy flying to questionable heights, and his contemporaries.
RMKC5B24–Sofa, in Chippendale Drawings, Vol. I, Thomas Chippendale, ca. 1753–54
RF2HW6YXP–Art inspired by Fret, from Chippendale Drawings, Vol. II, ca. 1753–54, Brown ink, sheet: 2 1/4 x 7 3/8 in. (5.6 x 18.7 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAJMKH–Cabinet, from Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). Dimensions: sheet: 8 7/16 x 12 in. (21.4 x 30.4 cm). Published in: London. Date: 1754. Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate XCIV in the 1754 and 1755 editions, renumbered as plate CXXIV in the 1762 edition. Museum: Metropolitan Museum of Art, New York, USA.
RMM0T358–Canopy Bed, in Chippendale Drawings, Vol. I MET DP104161
RMKNH80J–The General Proportion of the Ionick [Ionic] Order, in Chippendale Drawings, Vol. I. Artist: Thomas Chippendale (British, baptised Otley, West
RM2HJ1MPK–Fret, from Chippendale Drawings, Vol. II ca. 1760–70 Thomas Chippendale British Design for a fret with a Greek motif, not published in Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'.. Fret, from Chippendale Drawings, Vol. II 347520
RMKC5B55–Overmantle, in Chippendale Drawings, Vol. I, Thomas Chippendale, ca. 1753–54
RF2HW6YAH–Art inspired by Chimneypiece, in Chippendale Drawings, Vol. I, ca. 1753–54, Graphite and sanguine chalk, sheet: 11 1/2 x 5 3/8 in. (29.1 x 13.6 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAAMCE–Breakfast Tables, from Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). Dimensions: sheet: 8 x 12 1/8 in. (20.4 x 30.7 cm). Published in: London. Date: 1754. Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate XXXIII in the 1754 and 1755 editions, renumbered as plate LIII in the 1762 edition. Museum: Metropolitan Museum of Art, New York, USA.
RMM05C82–Candle Stands, in Chippendale Drawings, Vol. I MET DP104126
RMKNH80H–The General Proportion of the Doric Order, in Chippendale Drawings, Vol. I. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire
RM2HHX7D4–Writing Table, from Chippendale Drawings, Vol. II ca. 1760–70 Thomas Chippendale British Design for a writing table. Not published in Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'.. Writing Table, from Chippendale Drawings, Vol. II 390656
RMKC5B3J–Bed, in Chippendale Drawings, Vol. I, Thomas Chippendale, ca. 1753–54
RF2HW5G6C–Art inspired by Chamber Organs, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 9 x 12 7/8 in. (22.9 x 32.6 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAKXHM–Bureau Tables, from Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). Dimensions: sheet: 8 1/8 x 13 3/4 in. (20.6 x 35 cm). Published in: London. Date: 1753. Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate XLI in the 1754 and 1755 editions, but not reprinted in the 1762 edition. Museum: Metropolitan Museum of Art, New York, USA.
RMM05C8K–Bureau Tables, from Chippendale Drawings, Vol. II MET DP118217
RMKNH80K–The General Proportions of the Corinthian Order, in Chippendale Drawings, Vol. I. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire
RM2HHACCE–Hall Chairs, in Chippendale Drawings, Vol. I 1762 Thomas Chippendale British Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate XVIII in the third edition of 1762.. Hall Chairs, in Chippendale Drawings, Vol. I 390501
RMKC5B34–Chair, in Chippendale Drawings, Vol. I, Thomas Chippendale, ca. 1753–54
RF2HW6YKX–Art inspired by Chinese Cabinet, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 7/16 x 12 in. (21.4 x 30.4 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB3KGM–Chinese Cabinet, from Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). Dimensions: sheet: 8 7/16 x 12 in. (21.4 x 30.4 cm). Published in: London. Date: 1754. Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate XCIII in the 1754 and 1755 editions, renumbered as plate CXXIII in the 1762 edition. Museum: Metropolitan Museum of Art, New York, USA.
RMM05C7G–Candle Stands, in Chippendale Drawings, Vol. I MET DP104205
RMKP04D0–Moldings for Bookcases, from Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London);
RM2HH540X–Outbuilding with Three Gears, from Chippendale Drawings, Vol. II ca. 1760–1800 Thomas Chippendale British Design for a mill or pump. Not published in Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'.. Outbuilding with Three Gears, from Chippendale Drawings, Vol. II 390685
RMKC6D8G–Frets, from Chippendale Drawings, Vol. II, Thomas Chippendale, ca. 1753–54
RF2HW6YYW–Art inspired by Chinese Railing, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, sheet: 8 3/8 x 10 9/16 in. (21.3 x 26.8 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAA5BW–French Commode, from Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). Dimensions: sheet: 5 3/4 x 6 11/16 in. (14.6 x 17 cm). Published in: London. Date: 1762. Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as the right half of plate LXVIII in the third edition of 1762. Museum: Metropolitan Museum of Art, New York, USA.
RMM05C7Y–Candle Stands, in Chippendale Drawings, Vol. I MET DP104124
RMKP04BY–Commode Table and Candlestands, in Chippendale Drawings, Vol. I. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779
RM2HH6YHK–The Bases of the Columns, in Chippendale Drawings, Vol. I 1753 Thomas Chippendale British Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate VI in the 1754, 1755, 1762 editions.. The Bases of the Columns, in Chippendale Drawings, Vol. I 344525
RMKC5B5D–Girandoles, in Chippendale Drawings, Vol. I, Thomas Chippendale, ca. 1753–54
RF2HW6YCW–Art inspired by Moldings for Bookcases, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, sheet: 7 3/4 x 11 7/8 in. (19.7 x 30.1 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPA96WX–Desk and Bookcase, from Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). Dimensions: sheet: 11 3/8 x 7 1/2 in. (28.8 x 19 cm). Published in: London. Date: 1753. Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate LXXXIV in the 1754 and 1755 editions, not reprinted in the 1762 edition. Museum: Metropolitan Museum of Art, New York, USA.
RMM05FAC–Bureau Tables, from Chippendale Drawings, Vol. II MET DP-14176-068
RMKP04CT–Moldings for Library Bookcase, from Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779
RM2HH40AN–Two French Chairs, in Chippendale Drawings, Vol. I 1762 Thomas Chippendale British Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate XIX in the 1762 edition.. Two French Chairs, in Chippendale Drawings, Vol. I 390495
RMKC6D8E–Frets, from Chippendale Drawings, Vol. II, Thomas Chippendale, ca. 1753–54
RF2HW6YPW–Art inspired by Clothes Chest, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 1/16 x 13 in. (20.5 x 33.1 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB1WHT–Frets, from Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). Dimensions: sheet: 8 3/8 x 9 5/8 in. (21.3 x 24.5 cm). Published in: London. Date: 1754. Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate CLII in the 1754 and 1755 editions, reprinted as plate CXCIII in the 1762 edition. Museum: Metropolitan Museum of Art, New York, USA.
RMM05F7X–Candle Stands, in Chippendale Drawings, Vol. I MET DP-14278-083
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