Chinese emperor painting Stock Photos and Images
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Chinese emperor painting Stock Photos and Images
A Chinese painting of Wang Zhaojun's bridal procession, Black and white ink on paper, drawing in Baimiao style depicting the bridal procession of the concubine Wang Zhaojun heading to meet her future husband. Slightly stained, paper backing and white contrasting mounts loose. With a text by the painter Qu Junzai dating from 1908 who ascribes the painting either to Li Gonglin (1049 - 1106), Northern Song Dynasty, or to Ding Yunpeng (1547 - 1628). Wang Zhaojun was a concubine of the Emperor Han Yuandi (75 - 33 B.C.) who married her for political re, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-chinese-painting-of-wang-zhaojuns-bridal-procession-black-and-white-ink-on-paper-drawing-in-baimiao-style-depicting-the-bridal-procession-of-the-concubine-wang-zhaojun-heading-to-meet-her-future-husband-slightly-stained-paper-backing-and-white-contrasting-mounts-loose-with-a-text-by-the-painter-qu-junzai-dating-from-1908-who-ascribes-the-painting-either-to-li-gonglin-1049-1106-northern-song-dynasty-or-to-ding-yunpeng-1547-1628-wang-zhaojun-was-a-concubine-of-the-emperor-han-yuandi-75-33-bc-who-married-her-for-political-re-additional-rights-clearance-info-not-available-image247878879.htmlRMTB7T13–A Chinese painting of Wang Zhaojun's bridal procession, Black and white ink on paper, drawing in Baimiao style depicting the bridal procession of the concubine Wang Zhaojun heading to meet her future husband. Slightly stained, paper backing and white contrasting mounts loose. With a text by the painter Qu Junzai dating from 1908 who ascribes the painting either to Li Gonglin (1049 - 1106), Northern Song Dynasty, or to Ding Yunpeng (1547 - 1628). Wang Zhaojun was a concubine of the Emperor Han Yuandi (75 - 33 B.C.) who married her for political re, Additional-Rights-Clearance-Info-Not-Available
The Emperor Daoguang Reviewing his Guards, Palace of Peking, China, 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-emperor-daoguang-reviewing-his-guards-palace-of-peking-china-19th-80627552.htmlRMEK4W7C–The Emperor Daoguang Reviewing his Guards, Palace of Peking, China, 19th Century
The Summer Palace (Chinese: 頤和園), is a vast ensemble of lakes, gardens and palaces in Beijing. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-summer-palace-chinese-is-a-vast-ensemble-of-lakes-gardens-and-palaces-in-beijing-image231129024.htmlRMRC0RC0–The Summer Palace (Chinese: 頤和園), is a vast ensemble of lakes, gardens and palaces in Beijing.
Flower Painting, late 18th century, Mianyi, Chinese, 1764 - 1815, 5 1/2 x 14 3/16 in. (13.97 x 36.04 cm), Ink and color on paper, China, 18th century, These delicate flower studies were painted by Mianyi, an imperial prince who lived in Beijing during the late eighteenth and early nineteenth centuries. The four double leaves originally formed an album that was once in the imperial collection. The frontispiece, in fact, bears the seal of the Jia Jing emperor who reigned from 1796 to 1821. Like most of the educated elite, Mianyi was well versed in classical literature, music, and calligraphy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flower-painting-late-18th-century-mianyi-chinese-1764-1815-5-12-x-14-316-in-1397-x-3604-cm-ink-and-color-on-paper-china-18th-century-these-delicate-flower-studies-were-painted-by-mianyi-an-imperial-prince-who-lived-in-beijing-during-the-late-eighteenth-and-early-nineteenth-centuries-the-four-double-leaves-originally-formed-an-album-that-was-once-in-the-imperial-collection-the-frontispiece-in-fact-bears-the-seal-of-the-jia-jing-emperor-who-reigned-from-1796-to-1821-like-most-of-the-educated-elite-mianyi-was-well-versed-in-classical-literature-music-and-calligraphy-image573481787.htmlRM2T909TB–Flower Painting, late 18th century, Mianyi, Chinese, 1764 - 1815, 5 1/2 x 14 3/16 in. (13.97 x 36.04 cm), Ink and color on paper, China, 18th century, These delicate flower studies were painted by Mianyi, an imperial prince who lived in Beijing during the late eighteenth and early nineteenth centuries. The four double leaves originally formed an album that was once in the imperial collection. The frontispiece, in fact, bears the seal of the Jia Jing emperor who reigned from 1796 to 1821. Like most of the educated elite, Mianyi was well versed in classical literature, music, and calligraphy
The details of (Chinese) corridor architecture with colorful painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-details-of-chinese-corridor-architecture-with-colorful-painting-103319551.htmlRMG02H3Y–The details of (Chinese) corridor architecture with colorful painting
China Beijing Outside The Forbidden City Chinese Tourists Pausing Under The Emperor Umbrella Inside The Duanmen Gate Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-beijing-outside-the-forbidden-city-chinese-tourists-pausing-image2206067.htmlRMA7P974–China Beijing Outside The Forbidden City Chinese Tourists Pausing Under The Emperor Umbrella Inside The Duanmen Gate
Art inspired by 明 劉俊 納諫圖 軸, Remonstrating with the emperor, Ming dynasty (1368–1644), late 15th–early 16th century, China, Hanging scroll; ink and color on silk, Image: 65 1/2 x 41 3/4 in. (166.4 x 106 cm), Paintings, Liu Jun (Chinese, active ca. 1475–ca. 1505), Depicting a loyal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-remonstrating-with-the-emperor-ming-dynasty-13681644-late-15thearly-16th-century-china-hanging-scroll-ink-and-color-on-silk-image-65-12-x-41-34-in-1664-x-106-cm-paintings-liu-jun-chinese-active-ca-1475ca-1505-depicting-a-loyal-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462908258.htmlRF2HW385P–Art inspired by 明 劉俊 納諫圖 軸, Remonstrating with the emperor, Ming dynasty (1368–1644), late 15th–early 16th century, China, Hanging scroll; ink and color on silk, Image: 65 1/2 x 41 3/4 in. (166.4 x 106 cm), Paintings, Liu Jun (Chinese, active ca. 1475–ca. 1505), Depicting a loyal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Chinese - The Twenty-Four Ministers of the Tang -T'ang- Dynasty Emperor Taizong -T'ai-Tsung- - Walters 3557 - View C Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chinese-the-twenty-four-ministers-of-the-tang-tang-dynasty-emperor-132668562.htmlRMHKRG2X–Chinese - The Twenty-Four Ministers of the Tang -T'ang- Dynasty Emperor Taizong -T'ai-Tsung- - Walters 3557 - View C
Kublai Khan Chinese portrait from c1262 of the Mongol leader and grandson of Genghis Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-kublai-khan-chinese-portrait-from-c1262-of-the-mongol-leader-and-grandson-15196381.htmlRMAM9WYX–Kublai Khan Chinese portrait from c1262 of the Mongol leader and grandson of Genghis
. English: Diku, one of the mythical Five Sovereigns.Inscription reads: 'The God Ku, Gao Xin, was the great grandson of the Yellow Emperor (Birrell, Chinese Mythology, ISBN 0-8018-6183-7, p.48) 中文: 帝俈（喾），高辛者，黄帝之曾孙也 . Ad 151. mural painting from Han Dynasty 163 Diku Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-diku-one-of-the-mythical-five-sovereignsinscription-reads-the-god-ku-gao-xin-was-the-great-grandson-of-the-yellow-emperor-birrell-chinese-mythology-isbn-0-8018-6183-7-p48-ad-151-mural-painting-from-han-dynasty-163-diku-image187741608.htmlRMMWCA9C–. English: Diku, one of the mythical Five Sovereigns.Inscription reads: 'The God Ku, Gao Xin, was the great grandson of the Yellow Emperor (Birrell, Chinese Mythology, ISBN 0-8018-6183-7, p.48) 中文: 帝俈（喾），高辛者，黄帝之曾孙也 . Ad 151. mural painting from Han Dynasty 163 Diku
Chen Juzhong (1195-1224) Lady Wenji's Return to China. Cai Wenji (162-229), daughter of Cai Yong from the Eastern Han period, was abducted by northern tribesmen on horseback during the chaos of the Xingping era, married to King Zuoxian of the Southern Xiongnu, and later rescued by Cao Cao after payment of a large ransom. This painting had been attributed to Chen Juzhong during the Jiatai reign (1201-1204) of Emperor Ningzong of the Song dynasty. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chen-juzhong-1195-1224-lady-wenjis-return-to-china-cai-wenji-162-229-daughter-of-cai-yong-from-the-eastern-han-period-was-abducted-by-northern-tribesmen-on-horseback-during-the-chaos-of-the-xingping-era-married-to-king-zuoxian-of-the-southern-xiongnu-and-later-rescued-by-cao-cao-after-payment-of-a-large-ransom-this-painting-had-been-attributed-to-chen-juzhong-during-the-jiatai-reign-1201-1204-of-emperor-ningzong-of-the-song-dynasty-image482123049.htmlRM2K0AGT9–Chen Juzhong (1195-1224) Lady Wenji's Return to China. Cai Wenji (162-229), daughter of Cai Yong from the Eastern Han period, was abducted by northern tribesmen on horseback during the chaos of the Xingping era, married to King Zuoxian of the Southern Xiongnu, and later rescued by Cao Cao after payment of a large ransom. This painting had been attributed to Chen Juzhong during the Jiatai reign (1201-1204) of Emperor Ningzong of the Song dynasty.
The Emperor of China with a plough. (The Chinese Emperor ploughs the first furrow to honour agricult Artist: Rode, Christian Bernhard (1725-1797) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-emperor-of-china-with-a-plough-the-chinese-emperor-ploughs-the-135271694.htmlRMHT24BX–The Emperor of China with a plough. (The Chinese Emperor ploughs the first furrow to honour agricult Artist: Rode, Christian Bernhard (1725-1797)
Ancient Painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ancient-painting-15730007.htmlRFAPAJ4T–Ancient Painting
Qin Shi Huang (259 BC-210 BC). Portrait of the founder of the Qin dynasty and the first emperor of a unified China, 19th century illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/qin-shi-huang-259-bc-210-bc-portrait-of-the-founder-of-the-qin-dynasty-and-the-first-emperor-of-a-unified-china-19th-century-illustration-image379193484.htmlRM2D0WN4C–Qin Shi Huang (259 BC-210 BC). Portrait of the founder of the Qin dynasty and the first emperor of a unified China, 19th century illustration
Emperor of China, engraving by Athanasius Kircher (1602 - 1680) in the 17th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/emperor-of-china-engraving-by-athanasius-kircher-1602-1680-in-the-17th-century-image261991583.htmlRMW66MX7–Emperor of China, engraving by Athanasius Kircher (1602 - 1680) in the 17th century.
Scenes from the life of the Chinese Emperor Xuanzong of Tang (685-762), and his Concubine Yang Guifei (719-756), painting by Kano Mitsunobu, 1580-1608 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scenes-from-the-life-of-the-chineseemperor-xuanzong-of-tang-685-762-and-his-concubine-yang-guifei-719-756-painting-by-kano-mitsunobu-1580-1608-image425453227.htmlRM2FM51X3–Scenes from the life of the Chinese Emperor Xuanzong of Tang (685-762), and his Concubine Yang Guifei (719-756), painting by Kano Mitsunobu, 1580-1608
Quatrain on Snow-covered West Lake. Artist: Emperor Lizong (Chinese, 1205-64, r. 1224-64). Culture: China. Dimensions: Image: 9 7/8 × 9 7/8 in. (25.1 × 25.1 cm) Mat: 15 1/2 × 14 1/2 in. (39.4 × 36.8 cm). Date: ca. 1250-60. This fan is not dated, but the style of the writing is very close to that of Lizong's inscription accompanying Landscape at Sunset (Nezu Museum, Tokyo), a painting by the court artist Ma Lin (active ca. 1180-after 1256) that is dated 1254. The poem probably describes the scenery around West Lake in Hangzhou, the capital of the Southern Song dynasty: On the lake, a bright Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quatrain-on-snow-covered-west-lake-artist-emperor-lizong-chinese-1205-64-r-1224-64-culture-china-dimensions-image-9-78-9-78-in-251-251-cm-mat-15-12-14-12-in-394-368-cm-date-ca-1250-60-this-fan-is-not-dated-but-the-style-of-the-writing-is-very-close-to-that-of-lizongs-inscription-accompanying-landscape-at-sunset-nezu-museum-tokyo-a-painting-by-the-court-artist-ma-lin-active-ca-1180-after-1256-that-is-dated-1254-the-poem-probably-describes-the-scenery-around-west-lake-in-hangzhou-the-capital-of-the-southern-song-dynasty-on-the-lake-a-bright-image212915373.htmlRMPAB3MD–Quatrain on Snow-covered West Lake. Artist: Emperor Lizong (Chinese, 1205-64, r. 1224-64). Culture: China. Dimensions: Image: 9 7/8 × 9 7/8 in. (25.1 × 25.1 cm) Mat: 15 1/2 × 14 1/2 in. (39.4 × 36.8 cm). Date: ca. 1250-60. This fan is not dated, but the style of the writing is very close to that of Lizong's inscription accompanying Landscape at Sunset (Nezu Museum, Tokyo), a painting by the court artist Ma Lin (active ca. 1180-after 1256) that is dated 1254. The poem probably describes the scenery around West Lake in Hangzhou, the capital of the Southern Song dynasty: On the lake, a bright
China: 'The Yellow Emperor of Peace and One Qi in the North' of the Daoist pantheon. Hanging scroll painting, 20th century. Huangdi or Huangshen, also known as Xuanyuan, Xuanyuanshi and Zhongyuedadi, was the Yellow Deity/Emperor and one of the fivefold manifestations ('Wufang Shangdi') of the supreme God of Heaven, Tian. The Yellow Emperor, as a mortal, was a legendary sovereign from the late Warring States and early Han Dynasty, and is regarded as the initiator of Chinese culture. He is the god of light and thunder. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-the-yellow-emperor-of-peace-and-one-qi-in-the-north-of-the-daoist-pantheon-hanging-scroll-painting-20th-century-huangdi-or-huangshen-also-known-as-xuanyuan-xuanyuanshi-and-zhongyuedadi-was-the-yellow-deityemperor-and-one-of-the-fivefold-manifestations-wufang-shangdi-of-the-supreme-god-of-heaven-tian-the-yellow-emperor-as-a-mortal-was-a-legendary-sovereign-from-the-late-warring-states-and-early-han-dynasty-and-is-regarded-as-the-initiator-of-chinese-culture-he-is-the-god-of-light-and-thunder-image344232624.htmlRM2B01468–China: 'The Yellow Emperor of Peace and One Qi in the North' of the Daoist pantheon. Hanging scroll painting, 20th century. Huangdi or Huangshen, also known as Xuanyuan, Xuanyuanshi and Zhongyuedadi, was the Yellow Deity/Emperor and one of the fivefold manifestations ('Wufang Shangdi') of the supreme God of Heaven, Tian. The Yellow Emperor, as a mortal, was a legendary sovereign from the late Warring States and early Han Dynasty, and is regarded as the initiator of Chinese culture. He is the god of light and thunder.
Heritage of Chinese culture. Publication of the book 'Meyers Konversations-Lexikon', Volume 2, Leipzig, Germany, 1910 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heritage-of-chinese-culture-publication-of-the-book-meyers-konversations-lexikon-volume-2-leipzig-germany-1910-image471431264.htmlRF2JAYFAT–Heritage of Chinese culture. Publication of the book 'Meyers Konversations-Lexikon', Volume 2, Leipzig, Germany, 1910
fine arts, painting, Emperor Temur on the hunt, 308 x 42 cm, detail, scroll painting on silk, circa 1300, private collection, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fine-arts-painting-emperor-temur-on-the-hunt-308-x-42-cm-detail-scroll-111302798.htmlRMGD27RX–fine arts, painting, Emperor Temur on the hunt, 308 x 42 cm, detail, scroll painting on silk, circa 1300, private collection, Artist's Copyright has not to be cleared
An imperial dragon with the sacred pearl of wisdom: a Chinese mythological creature Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-imperial-dragon-with-the-sacred-pearl-of-wisdom-a-chinese-mythological-image8431970.htmlRFAJK3J3–An imperial dragon with the sacred pearl of wisdom: a Chinese mythological creature
The Summer Palace (Chinese: 頤和園), is a vast ensemble of lakes, gardens and palaces in Beijing. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-summer-palace-chinese-is-a-vast-ensemble-of-lakes-gardens-and-palaces-in-beijing-image231129023.htmlRMRC0RBY–The Summer Palace (Chinese: 頤和園), is a vast ensemble of lakes, gardens and palaces in Beijing.
Flower Painting, late 18th century, Mianyi, Chinese, 1764 - 1815, 5 1/2 x 14 3/16 in. (13.97 x 36.04 cm), Ink and color on paper, China, 18th century, These delicate flower studies were painted by Mianyi, an imperial prince who lived in Beijing during the late eighteenth and early nineteenth centuries. The four double leaves originally formed an album that was once in the imperial collection. The frontispiece, in fact, bears the seal of the Jia Jing emperor who reigned from 1796 to 1821. Like most of the educated elite, Mianyi was well versed in classical literature, music, and calligraphy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flower-painting-late-18th-century-mianyi-chinese-1764-1815-5-12-x-14-316-in-1397-x-3604-cm-ink-and-color-on-paper-china-18th-century-these-delicate-flower-studies-were-painted-by-mianyi-an-imperial-prince-who-lived-in-beijing-during-the-late-eighteenth-and-early-nineteenth-centuries-the-four-double-leaves-originally-formed-an-album-that-was-once-in-the-imperial-collection-the-frontispiece-in-fact-bears-the-seal-of-the-jia-jing-emperor-who-reigned-from-1796-to-1821-like-most-of-the-educated-elite-mianyi-was-well-versed-in-classical-literature-music-and-calligraphy-image573481803.htmlRM2T909TY–Flower Painting, late 18th century, Mianyi, Chinese, 1764 - 1815, 5 1/2 x 14 3/16 in. (13.97 x 36.04 cm), Ink and color on paper, China, 18th century, These delicate flower studies were painted by Mianyi, an imperial prince who lived in Beijing during the late eighteenth and early nineteenth centuries. The four double leaves originally formed an album that was once in the imperial collection. The frontispiece, in fact, bears the seal of the Jia Jing emperor who reigned from 1796 to 1821. Like most of the educated elite, Mianyi was well versed in classical literature, music, and calligraphy
Chinese Imari porcelain vases of the Kangxi period (1662-1722) Porcelain Museum in the Art Collection, Dresden, Germany Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chinese-imari-porcelain-vases-of-the-kangxi-period-1662-1722-porcelain-29844964.htmlRMBMFFFG–Chinese Imari porcelain vases of the Kangxi period (1662-1722) Porcelain Museum in the Art Collection, Dresden, Germany
Wu Chiang-Hsien/ Consort Xiao. Imperial consort/concubine of Emperor Yang of Sui (569- 618). From a Chinese handpainted album on silk, c. late 19th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wu-chiang-hsien-consort-xiao-imperial-consortconcubine-of-emperor-83345882.htmlRMERGMEJ–Wu Chiang-Hsien/ Consort Xiao. Imperial consort/concubine of Emperor Yang of Sui (569- 618). From a Chinese handpainted album on silk, c. late 19th century.
A visitor appreciates at a Chinese painting collected by Qianlong Emperor during the exhibition of All Complete Qianlong: a Special Exhibition on the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-visitor-appreciates-at-a-chinese-painting-collected-by-qianlong-emperor-during-the-exhibition-of-all-complete-qianlong-a-special-exhibition-on-the-image263721512.htmlRMW91FDC–A visitor appreciates at a Chinese painting collected by Qianlong Emperor during the exhibition of All Complete Qianlong: a Special Exhibition on the
Chinese - The Twenty-Four Ministers of the Tang -T'ang- Dynasty Emperor Taizong -T'ai-Tsung- - Walters 3557 - Li Xiaogong Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chinese-the-twenty-four-ministers-of-the-tang-tang-dynasty-emperor-132668573.htmlRMHKRG39–Chinese - The Twenty-Four Ministers of the Tang -T'ang- Dynasty Emperor Taizong -T'ai-Tsung- - Walters 3557 - Li Xiaogong
A Chinese Emperor With his Concubines Inspecting his Fantasy Fishing Fleet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-chinese-emperor-with-his-concubines-inspecting-his-fantasy-fishing-139468909.htmlRMJ2WA0D–A Chinese Emperor With his Concubines Inspecting his Fantasy Fishing Fleet
. English: Diku, one of the mythical Five Sovereigns.Inscription reads: 'The God Ku, Gao Xin, was the great grandson of the Yellow Emperor (Birrell, Chinese Mythology, ISBN 0-8018-6183-7, p.48) 中文: 帝俈（喾），高辛者，黄帝之曾孙也 . Ad 151. mural painting from Han Dynasty 164 Diku Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-diku-one-of-the-mythical-five-sovereignsinscription-reads-the-god-ku-gao-xin-was-the-great-grandson-of-the-yellow-emperor-birrell-chinese-mythology-isbn-0-8018-6183-7-p48-ad-151-mural-painting-from-han-dynasty-164-diku-image188269758.htmlRMMX8BYX–. English: Diku, one of the mythical Five Sovereigns.Inscription reads: 'The God Ku, Gao Xin, was the great grandson of the Yellow Emperor (Birrell, Chinese Mythology, ISBN 0-8018-6183-7, p.48) 中文: 帝俈（喾），高辛者，黄帝之曾孙也 . Ad 151. mural painting from Han Dynasty 164 Diku
Chen Juzhong (1195-1224) Lady Wenji's Return to China. Cai Wenji (162-229), daughter of Cai Yong from the Eastern Han period, was abducted by northern tribesmen on horseback during the chaos of the Xingping era, married to King Zuoxian of the Southern Xiongnu, and later rescued by Cao Cao after payment of a large ransom. This painting had been attributed to Chen Juzhong during the Jiatai reign (1201-1204) of Emperor Ningzong of the Song dynasty. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chen-juzhong-1195-1224-lady-wenjis-return-to-china-cai-wenji-162-229-daughter-of-cai-yong-from-the-eastern-han-period-was-abducted-by-northern-tribesmen-on-horseback-during-the-chaos-of-the-xingping-era-married-to-king-zuoxian-of-the-southern-xiongnu-and-later-rescued-by-cao-cao-after-payment-of-a-large-ransom-this-painting-had-been-attributed-to-chen-juzhong-during-the-jiatai-reign-1201-1204-of-emperor-ningzong-of-the-song-dynasty-image634142199.htmlRM2YRKJRK–Chen Juzhong (1195-1224) Lady Wenji's Return to China. Cai Wenji (162-229), daughter of Cai Yong from the Eastern Han period, was abducted by northern tribesmen on horseback during the chaos of the Xingping era, married to King Zuoxian of the Southern Xiongnu, and later rescued by Cao Cao after payment of a large ransom. This painting had been attributed to Chen Juzhong during the Jiatai reign (1201-1204) of Emperor Ningzong of the Song dynasty.
The Hermit Xu You Resting by a Stream, 1400s. The subject of this painting, Xu You, is an ancient worthy and reclusive figure who, when offered the throne by the legendary emperor Yao, refused it and became a farmer under Mount Ji. And when the emperor offered him a post overseeing the Nine Territories (as China was known in ancient times), he went to the River Ying to cleanse his ears from such an unwelcome proposition. This painting portrays Xu You by the side of a river, calm and composed. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-hermit-xu-you-resting-by-a-stream-1400s-the-subject-of-this-painting-xu-you-is-an-ancient-worthy-and-reclusive-figure-who-when-offered-the-throne-by-the-legendary-emperor-yao-refused-it-and-became-a-farmer-under-mount-ji-and-when-the-emperor-offered-him-a-post-overseeing-the-nine-territories-as-china-was-known-in-ancient-times-he-went-to-the-river-ying-to-cleanse-his-ears-from-such-an-unwelcome-proposition-this-painting-portrays-xu-you-by-the-side-of-a-river-calm-and-composed-image330128093.htmlRM2A52HN1–The Hermit Xu You Resting by a Stream, 1400s. The subject of this painting, Xu You, is an ancient worthy and reclusive figure who, when offered the throne by the legendary emperor Yao, refused it and became a farmer under Mount Ji. And when the emperor offered him a post overseeing the Nine Territories (as China was known in ancient times), he went to the River Ying to cleanse his ears from such an unwelcome proposition. This painting portrays Xu You by the side of a river, calm and composed.
Ancient Painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ancient-painting-15729996.htmlRFAPAJ3W–Ancient Painting
Wu Zetian. Portrait of the Empress Wu Ze Tian (alternatively named Wu Zhao or Wu Hou, 624- 705), 18th century illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wu-zetian-portrait-of-the-empress-wu-ze-tian-alternatively-named-wu-zhao-or-wu-hou-624-705-18th-century-illustration-image383156438.htmlRM2D7A7XE–Wu Zetian. Portrait of the Empress Wu Ze Tian (alternatively named Wu Zhao or Wu Hou, 624- 705), 18th century illustration
Portrait of Emperor Qianlong, sitting on a chair. Engraving by William Alexander and published in 1774 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-emperor-qianlong-sitting-on-a-chair-engraving-by-william-alexander-and-published-in-1774-image261991441.htmlRMW66MN5–Portrait of Emperor Qianlong, sitting on a chair. Engraving by William Alexander and published in 1774
Chinese Emperor, Xuanzong of Tang (685-762), flight to Shu, hanging scroll, circa 1150 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chineseemperor-xuanzong-of-tang-685-762-flight-to-shu-hanging-scroll-circa-1150-image425922802.htmlRM2FMXCTJ–Chinese Emperor, Xuanzong of Tang (685-762), flight to Shu, hanging scroll, circa 1150
Quatrain on Late Spring. Artist: Emperor Lizong (Chinese, 1205-64, r. 1224-64). Culture: China. Dimensions: Image: 9 5/8 × 9 1/4 in. (24.4 × 23.5 cm). A Song palace seal impressed on the left-hand side of this writing reads: 'Treasure of imperial writing.' In his poem, the emperor laments the coming of old age: How spring makes me sad! Timidly I bear the passing of spring. The young lady has no feeling for me, She treats my love merely as that of a waning spring. (Wen C. Fong, trans., in Beyond Representation: Chinese Painting and Calligraphy, 8th-14th Century [New York: Metropolitan Mu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quatrain-on-late-spring-artist-emperor-lizong-chinese-1205-64-r-1224-64-culture-china-dimensions-image-9-58-9-14-in-244-235-cm-a-song-palace-seal-impressed-on-the-left-hand-side-of-this-writing-reads-treasure-of-imperial-writing-in-his-poem-the-emperor-laments-the-coming-of-old-age-how-spring-makes-me-sad!-timidly-i-bear-the-passing-of-spring-the-young-lady-has-no-feeling-for-me-she-treats-my-love-merely-as-that-of-a-waning-spring-wen-c-fong-trans-in-beyond-representation-chinese-painting-and-calligraphy-8th-14th-century-new-york-metropolitan-mu-image212877920.htmlRMPA9BXT–Quatrain on Late Spring. Artist: Emperor Lizong (Chinese, 1205-64, r. 1224-64). Culture: China. Dimensions: Image: 9 5/8 × 9 1/4 in. (24.4 × 23.5 cm). A Song palace seal impressed on the left-hand side of this writing reads: 'Treasure of imperial writing.' In his poem, the emperor laments the coming of old age: How spring makes me sad! Timidly I bear the passing of spring. The young lady has no feeling for me, She treats my love merely as that of a waning spring. (Wen C. Fong, trans., in Beyond Representation: Chinese Painting and Calligraphy, 8th-14th Century [New York: Metropolitan Mu
China: 'The Red Emperor of Trueness and Three Qi in the South' of the Daoist pantheon. Hanging scroll painting, 20th century. Chidi or Chishen, also known as Nandi or Nanyuedadi, was the Red Deity/Emperor and one of the fivefold manifestations ('Wufang Shangdi') of the supreme God of Heaven, Tian. He was once mortal and known as Yandi, the Flame Emperor; sometimes he is also connected to Shennong and Chiyou, two other ancient Chinese rulers. Associated with fire, Chidi is the god of agriculture, animal husbandry and medicinal plants, broadly seen as the god of science and craft. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-the-red-emperor-of-trueness-and-three-qi-in-the-south-of-the-daoist-pantheon-hanging-scroll-painting-20th-century-chidi-or-chishen-also-known-as-nandi-or-nanyuedadi-was-the-red-deityemperor-and-one-of-the-fivefold-manifestations-wufang-shangdi-of-the-supreme-god-of-heaven-tian-he-was-once-mortal-and-known-as-yandi-the-flame-emperor-sometimes-he-is-also-connected-to-shennong-and-chiyou-two-other-ancient-chinese-rulers-associated-with-fire-chidi-is-the-god-of-agriculture-animal-husbandry-and-medicinal-plants-broadly-seen-as-the-god-of-science-and-craft-image344232622.htmlRM2B01466–China: 'The Red Emperor of Trueness and Three Qi in the South' of the Daoist pantheon. Hanging scroll painting, 20th century. Chidi or Chishen, also known as Nandi or Nanyuedadi, was the Red Deity/Emperor and one of the fivefold manifestations ('Wufang Shangdi') of the supreme God of Heaven, Tian. He was once mortal and known as Yandi, the Flame Emperor; sometimes he is also connected to Shennong and Chiyou, two other ancient Chinese rulers. Associated with fire, Chidi is the god of agriculture, animal husbandry and medicinal plants, broadly seen as the god of science and craft.
Art inspired by Chinese Lady Playing a Flute, Edo period (1615–1868), 17th–18th century, Japan, Hanging scroll; ink and color on silk, 35 3/4 x 13 in. (90.8 x 33 cm), Paintings, Attributed to Kano Tsunenobu (Japanese, 1636–1713), Academic painters in the Edo period also sought to, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-chinese-lady-playing-a-flute-edo-period-16151868-17th18th-century-japan-hanging-scroll-ink-and-color-on-silk-35-34-x-13-in-908-x-33-cm-paintings-attributed-to-kano-tsunenobu-japanese-16361713-academic-painters-in-the-edo-period-also-sought-to-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462910708.htmlRF2HW3B98–Art inspired by Chinese Lady Playing a Flute, Edo period (1615–1868), 17th–18th century, Japan, Hanging scroll; ink and color on silk, 35 3/4 x 13 in. (90.8 x 33 cm), Paintings, Attributed to Kano Tsunenobu (Japanese, 1636–1713), Academic painters in the Edo period also sought to, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
fine arts, painting, Emperor Temur on the hunt, 308 x 42 cm, detail, scroll painting on silk, circa 1300, private collection, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fine-arts-painting-emperor-temur-on-the-hunt-308-x-42-cm-detail-scroll-111302817.htmlRMGD27TH–fine arts, painting, Emperor Temur on the hunt, 308 x 42 cm, detail, scroll painting on silk, circa 1300, private collection, Artist's Copyright has not to be cleared
AS Tiger logo Blue Design. Vector logo design for business. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/as-tiger-logo-blue-design-vector-logo-design-for-business-image590908949.htmlRF2W9A6B1–AS Tiger logo Blue Design. Vector logo design for business.
The Summer Palace (Chinese: 頤和園), is a vast ensemble of lakes, gardens and palaces in Beijing. It was an imperial garden in the Qing Dynasty. Mainly d Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-summer-palace-chinese-is-a-vast-ensemble-of-lakes-gardens-and-palaces-in-beijing-it-was-an-imperial-garden-in-the-qing-dynasty-mainly-d-image231129022.htmlRMRC0RBX–The Summer Palace (Chinese: 頤和園), is a vast ensemble of lakes, gardens and palaces in Beijing. It was an imperial garden in the Qing Dynasty. Mainly d
Flower Painting, late 18th century, Mianyi, Chinese, 1764 - 1815, 5 1/2 x 14 3/16 in. (13.97 x 36.04 cm), Ink and color on paper, China, 18th century, These delicate flower studies were painted by Mianyi, an imperial prince who lived in Beijing during the late eighteenth and early nineteenth centuries. The four double leaves originally formed an album that was once in the imperial collection. The frontispiece, in fact, bears the seal of the Jia Jing emperor who reigned from 1796 to 1821. Like most of the educated elite, Mianyi was well versed in classical literature, music, and calligraphy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flower-painting-late-18th-century-mianyi-chinese-1764-1815-5-12-x-14-316-in-1397-x-3604-cm-ink-and-color-on-paper-china-18th-century-these-delicate-flower-studies-were-painted-by-mianyi-an-imperial-prince-who-lived-in-beijing-during-the-late-eighteenth-and-early-nineteenth-centuries-the-four-double-leaves-originally-formed-an-album-that-was-once-in-the-imperial-collection-the-frontispiece-in-fact-bears-the-seal-of-the-jia-jing-emperor-who-reigned-from-1796-to-1821-like-most-of-the-educated-elite-mianyi-was-well-versed-in-classical-literature-music-and-calligraphy-image573481795.htmlRM2T909TK–Flower Painting, late 18th century, Mianyi, Chinese, 1764 - 1815, 5 1/2 x 14 3/16 in. (13.97 x 36.04 cm), Ink and color on paper, China, 18th century, These delicate flower studies were painted by Mianyi, an imperial prince who lived in Beijing during the late eighteenth and early nineteenth centuries. The four double leaves originally formed an album that was once in the imperial collection. The frontispiece, in fact, bears the seal of the Jia Jing emperor who reigned from 1796 to 1821. Like most of the educated elite, Mianyi was well versed in classical literature, music, and calligraphy
Chinese porcelain with blue and white glaze of Kangxi period (1662-1722) Porcelain Museum, Art Collection, Dresden, Germany Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chinese-porcelain-with-blue-and-white-glaze-of-kangxi-period-1662-29844829.htmlRMBMFFAN–Chinese porcelain with blue and white glaze of Kangxi period (1662-1722) Porcelain Museum, Art Collection, Dresden, Germany
South East Asia, Singapore, Chinatown, Thian Hock Keng Temple, door painting detail Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-south-east-asia-singapore-chinatown-thian-hock-keng-temple-door-painting-103632673.htmlRMG0GTEW–South East Asia, Singapore, Chinatown, Thian Hock Keng Temple, door painting detail
A visitor appreciates at a Chinese painting collected by Qianlong Emperor during the exhibition of All Complete Qianlong: a Special Exhibition on the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-visitor-appreciates-at-a-chinese-painting-collected-by-qianlong-emperor-during-the-exhibition-of-all-complete-qianlong-a-special-exhibition-on-the-image263721390.htmlRMW91F92–A visitor appreciates at a Chinese painting collected by Qianlong Emperor during the exhibition of All Complete Qianlong: a Special Exhibition on the
Chinese - The Twenty-Four Ministers of the Tang -T'ang- Dynasty Emperor Taizong -T'ai-Tsung- - Walters 3557 - View G Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chinese-the-twenty-four-ministers-of-the-tang-tang-dynasty-emperor-132668557.htmlRMHKRG2N–Chinese - The Twenty-Four Ministers of the Tang -T'ang- Dynasty Emperor Taizong -T'ai-Tsung- - Walters 3557 - View G
-Chinese lacquer covers containing calligraphy by the Quianlong Emperor (1711-99)- - Upper cover (Or.6682) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chinese-lacquer-covers-containing-calligraphy-by-the-quianlong-emperor-141293227.htmlRMJ5TCXK–-Chinese lacquer covers containing calligraphy by the Quianlong Emperor (1711-99)- - Upper cover (Or.6682)
. English: Diku, one of the mythical Five Sovereigns.Inscription reads: 'The God Ku, Gao Xin, was the great grandson of the Yellow Emperor (Birrell, Chinese Mythology, ISBN 0-8018-6183-7, p.48) 中文: 帝俈（喾），高辛者，黄帝之曾孙也 . Ad 151. mural painting from Han Dynasty 140 Diku Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-diku-one-of-the-mythical-five-sovereignsinscription-reads-the-god-ku-gao-xin-was-the-great-grandson-of-the-yellow-emperor-birrell-chinese-mythology-isbn-0-8018-6183-7-p48-ad-151-mural-painting-from-han-dynasty-140-diku-image188968050.htmlRMMYC6JX–. English: Diku, one of the mythical Five Sovereigns.Inscription reads: 'The God Ku, Gao Xin, was the great grandson of the Yellow Emperor (Birrell, Chinese Mythology, ISBN 0-8018-6183-7, p.48) 中文: 帝俈（喾），高辛者，黄帝之曾孙也 . Ad 151. mural painting from Han Dynasty 140 Diku
Portrait of Emperor Van Ta Gin, engraved by T. Medland From the book Travels in China : containing descriptions, observations, and comparisons, made and collected in the course of a short residence at the imperial palace of Yuen-Min-Yuen, and on a subsequent journey through the country from Pekin to Canton By Sir John Barrow, Published in London : T. Cadell and W. Davies 1806 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-emperor-van-ta-gin-engraved-by-t-medland-from-the-book-travels-in-china-containing-descriptions-observations-and-comparisons-made-and-collected-in-the-course-of-a-short-residence-at-the-imperial-palace-of-yuen-min-yuen-and-on-a-subsequent-journey-through-the-country-from-pekin-to-canton-by-sir-john-barrow-published-in-london-t-cadell-and-w-davies-1806-image442430292.htmlRF2GKPC9T–Portrait of Emperor Van Ta Gin, engraved by T. Medland From the book Travels in China : containing descriptions, observations, and comparisons, made and collected in the course of a short residence at the imperial palace of Yuen-Min-Yuen, and on a subsequent journey through the country from Pekin to Canton By Sir John Barrow, Published in London : T. Cadell and W. Davies 1806
Morning Sun over the Heavenly Citadel Peak, 1614. Clouds rise from Mt. Xuanhu, where the waters flow into the Luo River; the morning sun is over the Heavenly Citadel Peak of Mt. Huang. This alluring landscape with mythical connotations and auspicious meanings was intended as a birthday gift to its recipient. The mountains here are associated with the legendary Yellow Emperor and the Daoist idea of immortality. It was also believed that a numinous turtle emerged from the Luo River, transmitting the Luo shu to Cangjie, who invented Chinese writing. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/morning-sun-over-the-heavenly-citadel-peak-1614-clouds-rise-from-mt-xuanhu-where-the-waters-flow-into-the-luo-river-the-morning-sun-is-over-the-heavenly-citadel-peak-of-mt-huang-this-alluring-landscape-with-mythical-connotations-and-auspicious-meanings-was-intended-as-a-birthday-gift-to-its-recipient-the-mountains-here-are-associated-with-the-legendary-yellow-emperor-and-the-daoist-idea-of-immortality-it-was-also-believed-that-a-numinous-turtle-emerged-from-the-luo-river-transmitting-the-luo-shu-to-cangjie-who-invented-chinese-writing-image330107508.htmlRM2A51KDT–Morning Sun over the Heavenly Citadel Peak, 1614. Clouds rise from Mt. Xuanhu, where the waters flow into the Luo River; the morning sun is over the Heavenly Citadel Peak of Mt. Huang. This alluring landscape with mythical connotations and auspicious meanings was intended as a birthday gift to its recipient. The mountains here are associated with the legendary Yellow Emperor and the Daoist idea of immortality. It was also believed that a numinous turtle emerged from the Luo River, transmitting the Luo shu to Cangjie, who invented Chinese writing.
Ancient Painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ancient-painting-15730001.htmlRFAPAJ4J–Ancient Painting
Wu Zetian. Portrait of the Empress Wu Ze Tian (alternatively named Wu Zhao or Wu Hou, 624- 705), 18th century illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wu-zetian-portrait-of-the-empress-wu-ze-tian-alternatively-named-wu-zhao-or-wu-hou-624-705-18th-century-illustration-image404954830.htmlRM2EER80E–Wu Zetian. Portrait of the Empress Wu Ze Tian (alternatively named Wu Zhao or Wu Hou, 624- 705), 18th century illustration
Heungseon Daewongun was regent for his son, Emperor Gojong of Korea (born 1852) from 1863 to 1873. Heungseon Daewongun kept the Hermit Kingdom isolated from all outsiders except the Chinese. In the 1860s he supported the executions of 6 French missionaries and thousands of Korean converts to Christianity (BSLOC 2017 18 60) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-heungseon-daewongun-was-regent-for-his-son-emperor-gojong-of-korea-170560141.htmlRMKWDK5H–Heungseon Daewongun was regent for his son, Emperor Gojong of Korea (born 1852) from 1863 to 1873. Heungseon Daewongun kept the Hermit Kingdom isolated from all outsiders except the Chinese. In the 1860s he supported the executions of 6 French missionaries and thousands of Korean converts to Christianity (BSLOC 2017 18 60)
Wu Zetian (624-705), Chinese Empress of the Tang Dynasty (665-705), portrait painting, before 1799 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wu-zetian-624-705-chinese-empress-of-the-tang-dynasty-665-705-portrait-painting-before-1799-image544714154.htmlRM2PJ5TCX–Wu Zetian (624-705), Chinese Empress of the Tang Dynasty (665-705), portrait painting, before 1799
The Kangxi Emperor. Museum: Palace Museum, Beijing. Author: Chinese Master. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-kangxi-emperor-museum-palace-museum-beijing-author-chinese-master-image231701675.htmlRMRCXWRR–The Kangxi Emperor. Museum: Palace Museum, Beijing. Author: Chinese Master.
China: 'The Green Emperor of Beginning and Nine Qi in the East' of the Daoist pantheon. Hanging scroll painting, 20th century. Cangdi or Cangshen, also known as Qingdi or Qingshen, was the Bluegreen Deity/Emperor and one of the fivefold manifestations ('Wufang Shangdi') of the supreme God of Heaven, Tian. Cangdi is associated with wood and spring, and is worshipped as a fertility god. The Five Emperors of the Cardinal Directions and the Centre are immortals of the Daoist pantheon. In traditional Chinese culture, qi (also chi or ch'i) is an active principle forming part of any living thing. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-the-green-emperor-of-beginning-and-nine-qi-in-the-east-of-the-daoist-pantheon-hanging-scroll-painting-20th-century-cangdi-or-cangshen-also-known-as-qingdi-or-qingshen-was-the-bluegreen-deityemperor-and-one-of-the-fivefold-manifestations-wufang-shangdi-of-the-supreme-god-of-heaven-tian-cangdi-is-associated-with-wood-and-spring-and-is-worshipped-as-a-fertility-god-the-five-emperors-of-the-cardinal-directions-and-the-centre-are-immortals-of-the-daoist-pantheon-in-traditional-chinese-culture-qi-also-chi-or-chi-is-an-active-principle-forming-part-of-any-living-thing-image344232619.htmlRM2B01463–China: 'The Green Emperor of Beginning and Nine Qi in the East' of the Daoist pantheon. Hanging scroll painting, 20th century. Cangdi or Cangshen, also known as Qingdi or Qingshen, was the Bluegreen Deity/Emperor and one of the fivefold manifestations ('Wufang Shangdi') of the supreme God of Heaven, Tian. Cangdi is associated with wood and spring, and is worshipped as a fertility god. The Five Emperors of the Cardinal Directions and the Centre are immortals of the Daoist pantheon. In traditional Chinese culture, qi (also chi or ch'i) is an active principle forming part of any living thing.
Portrait of Yongle Emperor (1360–1424) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-yongle-emperor-13601424-image482646626.htmlRM2K16CKE–Portrait of Yongle Emperor (1360–1424)
China Guilin Yangshuo Chinese art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-china-guilin-yangshuo-chinese-art-24212944.htmlRMBBAYT0–China Guilin Yangshuo Chinese art
Chinese temple in Hong Kong Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chinese-temple-in-hong-kong-53304274.htmlRFD2M642–Chinese temple in Hong Kong
Chinese Dragon of power and flames wisdom flying cartoon illustration Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chinese-dragon-of-power-and-flames-wisdom-flying-cartoon-illustration-image222646847.htmlRFPX6C93–Chinese Dragon of power and flames wisdom flying cartoon illustration
Flower Painting, late 18th century, Mianyi, Chinese, 1764 - 1815, 5 1/2 x 14 3/16 in. (13.97 x 36.04 cm), Ink and color on paper, China, 18th century, These delicate flower studies were painted by Mianyi, an imperial prince who lived in Beijing during the late eighteenth and early nineteenth centuries. The four double leaves originally formed an album that was once in the imperial collection. The frontispiece, in fact, bears the seal of the Jia Jing emperor who reigned from 1796 to 1821. Like most of the educated elite, Mianyi was well versed in classical literature, music, and calligraphy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flower-painting-late-18th-century-mianyi-chinese-1764-1815-5-12-x-14-316-in-1397-x-3604-cm-ink-and-color-on-paper-china-18th-century-these-delicate-flower-studies-were-painted-by-mianyi-an-imperial-prince-who-lived-in-beijing-during-the-late-eighteenth-and-early-nineteenth-centuries-the-four-double-leaves-originally-formed-an-album-that-was-once-in-the-imperial-collection-the-frontispiece-in-fact-bears-the-seal-of-the-jia-jing-emperor-who-reigned-from-1796-to-1821-like-most-of-the-educated-elite-mianyi-was-well-versed-in-classical-literature-music-and-calligraphy-image573504051.htmlRM2T91A7F–Flower Painting, late 18th century, Mianyi, Chinese, 1764 - 1815, 5 1/2 x 14 3/16 in. (13.97 x 36.04 cm), Ink and color on paper, China, 18th century, These delicate flower studies were painted by Mianyi, an imperial prince who lived in Beijing during the late eighteenth and early nineteenth centuries. The four double leaves originally formed an album that was once in the imperial collection. The frontispiece, in fact, bears the seal of the Jia Jing emperor who reigned from 1796 to 1821. Like most of the educated elite, Mianyi was well versed in classical literature, music, and calligraphy
Chinese Famille verte porcelain vases Kangxi period (1662-1722) Porcelain Museum in the Art Collection, Dresden, Germany Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chinese-famille-verte-porcelain-vases-kangxi-period-1662-1722-porcelain-29844860.htmlRMBMFFBT–Chinese Famille verte porcelain vases Kangxi period (1662-1722) Porcelain Museum in the Art Collection, Dresden, Germany
South East Asia, Singapore, Chinatown, Thian Hock Keng Temple, door painting detail Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-south-east-asia-singapore-chinatown-thian-hock-keng-temple-door-painting-103964584.htmlRMG13YTT–South East Asia, Singapore, Chinatown, Thian Hock Keng Temple, door painting detail
Large Red Lantern Prince Gong's Mansion, Beijing, China. Built during Emperor Qianlong Reign. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-large-red-lantern-prince-gongs-mansion-beijing-china-built-during-168780797.htmlRFKPGHHH–Large Red Lantern Prince Gong's Mansion, Beijing, China. Built during Emperor Qianlong Reign.
Chinese - The Twenty-Four Ministers of the Tang -T'ang- Dynasty Emperor Taizong -T'ai-Tsung- - Walters 3557 - View A Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chinese-the-twenty-four-ministers-of-the-tang-tang-dynasty-emperor-132668530.htmlRMHKRG1P–Chinese - The Twenty-Four Ministers of the Tang -T'ang- Dynasty Emperor Taizong -T'ai-Tsung- - Walters 3557 - View A
A Chinese emperor with attendants Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-chinese-emperor-with-attendants-image154599814.htmlRMJYEHHX–A Chinese emperor with attendants
. English: Zhuanxu, one of the mythical Five Sovereigns. Inscription reads: 'The God Zhuanxu, Gao Yang, was the grandson of the Yellow Emperor and the son of Chang Yi' (Birrell, Chinese Mythology, ISBN 0-8018-6183-7, p.48) 中文: 帝顓頊，高陽者，黄帝之孫而昌意之子 . AD 151. mural painting from Han dynasty 186 EmperorZhuanxu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-zhuanxu-one-of-the-mythical-five-sovereigns-inscription-reads-the-god-zhuanxu-gao-yang-was-the-grandson-of-the-yellow-emperor-and-the-son-of-chang-yi-birrell-chinese-mythology-isbn-0-8018-6183-7-p48-ad-151-mural-painting-from-han-dynasty-186-emperorzhuanxu-image187746050.htmlRMMWCG02–. English: Zhuanxu, one of the mythical Five Sovereigns. Inscription reads: 'The God Zhuanxu, Gao Yang, was the grandson of the Yellow Emperor and the son of Chang Yi' (Birrell, Chinese Mythology, ISBN 0-8018-6183-7, p.48) 中文: 帝顓頊，高陽者，黄帝之孫而昌意之子 . AD 151. mural painting from Han dynasty 186 EmperorZhuanxu
The Emperor of Japan and the Royal princes and military commanders of the royal court From the book 'Scenes from the Japan-China War' by Inouye, Jukichi, 1862-1929; Yamamoto, Eiki, illustrator. Published in Tokyo in 1895 with English Text. The First Sino-Japanese War (25 July 1894 – 17 April 1895) was a conflict between the Qing dynasty of China and the Empire of Japan primarily over influence in Joseon Korea. After more than six months of unbroken successes by Japanese land and naval forces and the loss of the port of Weihaiwei, the Qing government sued for peace in February 1895. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-emperor-of-japan-and-the-royal-princes-and-military-commanders-of-the-royal-court-from-the-book-scenes-from-the-japan-china-war-by-inouye-jukichi-1862-1929-yamamoto-eiki-illustrator-published-in-tokyo-in-1895-with-english-text-the-first-sino-japanese-war-25-july-1894-17-april-1895-was-a-conflict-between-the-qing-dynasty-of-china-and-the-empire-of-japan-primarily-over-influence-in-joseon-korea-after-more-than-six-months-of-unbroken-successes-by-japanese-land-and-naval-forces-and-the-loss-of-the-port-of-weihaiwei-the-qing-government-sued-for-peace-in-february-1895-image389266927.htmlRF2DH8HX7–The Emperor of Japan and the Royal princes and military commanders of the royal court From the book 'Scenes from the Japan-China War' by Inouye, Jukichi, 1862-1929; Yamamoto, Eiki, illustrator. Published in Tokyo in 1895 with English Text. The First Sino-Japanese War (25 July 1894 – 17 April 1895) was a conflict between the Qing dynasty of China and the Empire of Japan primarily over influence in Joseon Korea. After more than six months of unbroken successes by Japanese land and naval forces and the loss of the port of Weihaiwei, the Qing government sued for peace in February 1895.
![Portraits of the Qianlong Emperor and His Twelve Consorts, 1736 - c. 1770s. Formal portraiture contributed to the affirmation of status and construction of role and identity. This scroll served as both familial documentation and a "mind picture" of the Qianlong emperor, suggesting that his constructed image of emperorship was inseparable from concepts of self and family. It was stored in a carved red lacquer box bearing the original painting title Mind Picture of a Well-Governed and Tranquil Reign. Qianlong's portrait is inscribed with a date of 1736, the year he ascended the thron Stock Photo](https://c8.alamy.com/comp/2A51YXW/portraits-of-the-qianlong-emperor-and-his-twelve-consorts-1736-c-1770s-formal-portraiture-contributed-to-the-affirmation-of-status-and-construction-of-role-and-identity-this-scroll-served-as-both-familial-documentation-and-a-quotmind-picturequot-of-the-qianlong-emperor-suggesting-that-his-constructed-image-of-emperorship-was-inseparable-from-concepts-of-self-and-family-it-was-stored-in-a-carved-red-lacquer-box-bearing-the-original-painting-title-mind-picture-of-a-well-governed-and-tranquil-reign-qianlongs-portrait-is-inscribed-with-a-date-of-1736-the-year-he-ascended-the-thron-2A51YXW.jpg "Portraits of the Qianlong Emperor and His Twelve Consorts, 1736 - c. 1770s. Formal portraiture contributed to the affirmation of status and construction of role and identity. This scroll served as both familial documentation and a "mind picture" of the Qianlong emperor, suggesting that his constructed image of emperorship was inseparable from concepts of self and family. It was stored in a carved red lacquer box bearing the original painting title Mind Picture of a Well-Governed and Tranquil Reign. Qianlong's portrait is inscribed with a date of 1736, the year he ascended the thron Stock Photo")
Portraits of the Qianlong Emperor and His Twelve Consorts, 1736 - c. 1770s. Formal portraiture contributed to the affirmation of status and construction of role and identity. This scroll served as both familial documentation and a "mind picture" of the Qianlong emperor, suggesting that his constructed image of emperorship was inseparable from concepts of self and family. It was stored in a carved red lacquer box bearing the original painting title Mind Picture of a Well-Governed and Tranquil Reign. Qianlong's portrait is inscribed with a date of 1736, the year he ascended the thron Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portraits-of-the-qianlong-emperor-and-his-twelve-consorts-1736-c-1770s-formal-portraiture-contributed-to-the-affirmation-of-status-and-construction-of-role-and-identity-this-scroll-served-as-both-familial-documentation-and-a-quotmind-picturequot-of-the-qianlong-emperor-suggesting-that-his-constructed-image-of-emperorship-was-inseparable-from-concepts-of-self-and-family-it-was-stored-in-a-carved-red-lacquer-box-bearing-the-original-painting-title-mind-picture-of-a-well-governed-and-tranquil-reign-qianlongs-portrait-is-inscribed-with-a-date-of-1736-the-year-he-ascended-the-thron-image330114145.htmlRM2A51YXW–Portraits of the Qianlong Emperor and His Twelve Consorts, 1736 - c. 1770s. Formal portraiture contributed to the affirmation of status and construction of role and identity. This scroll served as both familial documentation and a "mind picture" of the Qianlong emperor, suggesting that his constructed image of emperorship was inseparable from concepts of self and family. It was stored in a carved red lacquer box bearing the original painting title Mind Picture of a Well-Governed and Tranquil Reign. Qianlong's portrait is inscribed with a date of 1736, the year he ascended the thron
Ancient Painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ancient-painting-15729987.htmlRFAPAJ3G–Ancient Painting
fine arts - China, Dshau Tse Nag (1265 - 1307), painting, 'Emperor Tomor hunting', silk painting, detail, Yuan Dynasty, circa 1300 AD, private collection, , Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fine-arts-china-dshau-tse-nag-1265-1307-painting-emperor-tomor-hunting-19749300.htmlRMB43JC4–fine arts - China, Dshau Tse Nag (1265 - 1307), painting, 'Emperor Tomor hunting', silk painting, detail, Yuan Dynasty, circa 1300 AD, private collection, , Artist's Copyright has not to be cleared
Avatar of a China Emperor. Chinese man with mustache and tradition hat. Vector illustration. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/avatar-of-a-china-emperor-chinese-man-with-mustache-and-tradition-hat-vector-illustration-image439105045.htmlRF2GEAXY1–Avatar of a China Emperor. Chinese man with mustache and tradition hat. Vector illustration.
Chinese Emperor, The Hongxi Emperor, (b.1378-d.1425), portrait on hanging scroll, 1800-1899 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chinese-emperor-the-hongxi-emperor-b1378-d1425-portrait-on-hanging-scroll-1800-1899-image425922800.htmlRM2FMXCTG–Chinese Emperor, The Hongxi Emperor, (b.1378-d.1425), portrait on hanging scroll, 1800-1899
Five-colored parakeet on a blossoming apricot tree. Date/Period: 1110 - 1119. Painting. Ink and color on silk. Height: 533 mm (20.98 in); Width: 1,251 mm (49.25 in). Author: Emperor Huizong. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/five-colored-parakeet-on-a-blossoming-apricot-tree-dateperiod-1110-1119-painting-ink-and-color-on-silk-height-533-mm-2098-in-width-1251-mm-4925-in-author-emperor-huizong-image219738880.htmlRMPNDY54–Five-colored parakeet on a blossoming apricot tree. Date/Period: 1110 - 1119. Painting. Ink and color on silk. Height: 533 mm (20.98 in); Width: 1,251 mm (49.25 in). Author: Emperor Huizong.
China: Emperor Kangxi (1654 - 1722), birth name Xuanye and temple name Shengzu. Hanging scroll painting, early 18th century. The Kangxi Emperor (4 May 1654 –20 December 1722) was the third emperor of the Qing Dynasty and the second Qing emperor to rule over China proper, from 1661 to 1722. He is considered one of China's greatest emperors. Kangxi's reign of 61 years makes him the longest-reigning Chinese emperor in history (although his grandson, the Qianlong Emperor, had the longest period of de facto power) and one of the longest-reigning rulers in the world. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-emperor-kangxi-1654-1722-birth-name-xuanye-and-temple-name-shengzu-hanging-scroll-painting-early-18th-century-the-kangxi-emperor-4-may-1654-20-december-1722-was-the-third-emperor-of-the-qing-dynasty-and-the-second-qing-emperor-to-rule-over-china-proper-from-1661-to-1722-he-is-considered-one-of-chinas-greatest-emperors-kangxis-reign-of-61-years-makes-him-the-longest-reigning-chinese-emperor-in-history-although-his-grandson-the-qianlong-emperor-had-the-longest-period-of-de-facto-power-and-one-of-the-longest-reigning-rulers-in-the-world-image344228948.htmlRM2B00YF0–China: Emperor Kangxi (1654 - 1722), birth name Xuanye and temple name Shengzu. Hanging scroll painting, early 18th century. The Kangxi Emperor (4 May 1654 –20 December 1722) was the third emperor of the Qing Dynasty and the second Qing emperor to rule over China proper, from 1661 to 1722. He is considered one of China's greatest emperors. Kangxi's reign of 61 years makes him the longest-reigning Chinese emperor in history (although his grandson, the Qianlong Emperor, had the longest period of de facto power) and one of the longest-reigning rulers in the world.
Portrait of Yongle Emperor (1360–1424) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-yongle-emperor-13601424-image460399794.htmlRM2HN10HP–Portrait of Yongle Emperor (1360–1424)
Beijing, China. 14th Sep, 2021. A painter works on a painting at Temple of Heaven in Beijing, China on 14/09/2021 An imperial complex of religious buildings is on of the landmarks of Chinese capital by Wiktor Dabkowski Credit: dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beijing-china-14th-sep-2021-a-painter-works-on-a-painting-at-temple-of-heaven-in-beijing-china-on-14092021-an-imperial-complex-of-religious-buildings-is-on-of-the-landmarks-of-chinese-capital-by-wiktor-dabkowski-credit-dpaalamy-live-news-image442197477.htmlRM2GKBRB1–Beijing, China. 14th Sep, 2021. A painter works on a painting at Temple of Heaven in Beijing, China on 14/09/2021 An imperial complex of religious buildings is on of the landmarks of Chinese capital by Wiktor Dabkowski Credit: dpa/Alamy Live News
Gold red and blue painting on the beam of ancient building, Summer Palace, Beijing, People's republic of China. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gold-red-and-blue-painting-on-the-beam-of-ancient-building-summer-palace-beijing-peoples-republic-of-china-image229921964.htmlRMRA1RPM–Gold red and blue painting on the beam of ancient building, Summer Palace, Beijing, People's republic of China.
Chinese Dragon of power and wisdom flying cartoon illustration Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chinese-dragon-of-power-and-wisdom-flying-cartoon-illustration-image222359563.htmlRFPWN9TY–Chinese Dragon of power and wisdom flying cartoon illustration
Landscape with Summer Villa, c. 1730, Yuan Jiang, Chinese, active c. 1690 – c. 1746, 73 1/4 × 39 1/2 in. (186.1 × 100.3 cm) (image)130 3/4 × 50 7/8 in. (332.1 × 129.2 cm) (mount, with roller), Ink and light colors on silk, China, 18th century, The first emperor of the Qin dynasty (221–207 BCE) has escaped the summer heat at his palace in Mount Li in Xi’an, the capital of the Qin. The painting is dominated by the atmospheric mountain, but look closely to see the emperor sitting in his palace surrounded by a large number of female courtesans. The realistic portrayal of these figures Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-summer-villa-c-1730-yuan-jiang-chinese-active-c-1690-c-1746-73-14-39-12-in-1861-1003-cm-image130-34-50-78-in-3321-1292-cm-mount-with-roller-ink-and-light-colors-on-silk-china-18th-century-the-first-emperor-of-the-qin-dynasty-221207-bce-has-escaped-the-summer-heat-at-his-palace-in-mount-li-in-xian-the-capital-of-the-qin-the-painting-is-dominated-by-the-atmospheric-mountain-but-look-closely-to-see-the-emperor-sitting-in-his-palace-surrounded-by-a-large-number-of-female-courtesans-the-realistic-portrayal-of-these-figures-image573490692.htmlRM2T90N6C–Landscape with Summer Villa, c. 1730, Yuan Jiang, Chinese, active c. 1690 – c. 1746, 73 1/4 × 39 1/2 in. (186.1 × 100.3 cm) (image)130 3/4 × 50 7/8 in. (332.1 × 129.2 cm) (mount, with roller), Ink and light colors on silk, China, 18th century, The first emperor of the Qin dynasty (221–207 BCE) has escaped the summer heat at his palace in Mount Li in Xi’an, the capital of the Qin. The painting is dominated by the atmospheric mountain, but look closely to see the emperor sitting in his palace surrounded by a large number of female courtesans. The realistic portrayal of these figures
Chinese porcelain with iron-red glaze of Kangxi period (1662-1722) Porcelain Museum in the Art Collection, Dresden, Germany Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chinese-porcelain-with-iron-red-glaze-of-kangxi-period-1662-1722-porcelain-29844848.htmlRMBMFFBC–Chinese porcelain with iron-red glaze of Kangxi period (1662-1722) Porcelain Museum in the Art Collection, Dresden, Germany
South East Asia, Singapore, Chinatown, Thian Hock Keng Temple, door painting detail Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-south-east-asia-singapore-chinatown-thian-hock-keng-temple-door-painting-103633044.htmlRMG0GW04–South East Asia, Singapore, Chinatown, Thian Hock Keng Temple, door painting detail
Yin Luan Din Great Hall Prince Gong's Mansion, Beijing, China. Built during Emperor Qianlong Reign. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-yin-luan-din-great-hall-prince-gongs-mansion-beijing-china-built-during-168780798.htmlRFKPGHHJ–Yin Luan Din Great Hall Prince Gong's Mansion, Beijing, China. Built during Emperor Qianlong Reign.
Chinese - The Twenty-Four Ministers of the Tang -T'ang- Dynasty Emperor Taizong -T'ai-Tsung- - Walters 3557 - Du Ruhui Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chinese-the-twenty-four-ministers-of-the-tang-tang-dynasty-emperor-132668570.htmlRMHKRG36–Chinese - The Twenty-Four Ministers of the Tang -T'ang- Dynasty Emperor Taizong -T'ai-Tsung- - Walters 3557 - Du Ruhui
The Imperial Portrait of a Chinese Emperor called Guangxu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-imperial-portrait-of-a-chinese-emperor-called-guangxu-147686623.htmlRMJG7KP7–The Imperial Portrait of a Chinese Emperor called Guangxu
. English: Emperor Yao, one of the mythical Five Sovereigns. Inscription reads: The God Yao, Fang Xun, was humane like Heaven itself, and wise like a divine being; to be near him was like approaching the sun, to look at him was like gazing into clouds'(Birrell, Chinese Mythology, ISBN 0-8018-6183-7, p.71) 中文: 帝堯，放勲（勋），其仁如天，其知如神，就之如日，望之如雲 . AD 151. mural painting from Han dynasty 186 EmperorYao Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-emperor-yao-one-of-the-mythical-five-sovereigns-inscription-reads-the-god-yao-fang-xun-was-humane-like-heaven-itself-and-wise-like-a-divine-being-to-be-near-him-was-like-approaching-the-sun-to-look-at-him-was-like-gazing-into-cloudsbirrell-chinese-mythology-isbn-0-8018-6183-7-p71-ad-151-mural-painting-from-han-dynasty-186-emperoryao-image187746052.htmlRMMWCG04–. English: Emperor Yao, one of the mythical Five Sovereigns. Inscription reads: The God Yao, Fang Xun, was humane like Heaven itself, and wise like a divine being; to be near him was like approaching the sun, to look at him was like gazing into clouds'(Birrell, Chinese Mythology, ISBN 0-8018-6183-7, p.71) 中文: 帝堯，放勲（勋），其仁如天，其知如神，就之如日，望之如雲 . AD 151. mural painting from Han dynasty 186 EmperorYao
Beijing every emperor temple - JingDe door Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beijing-every-emperor-temple-jingde-door-image459869611.htmlRF2HM4TAK–Beijing every emperor temple - JingDe door
A procession during the Vegetarian Festival (Nine Emperor Gods Festival) in Phuket Town, Thailand Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-procession-during-the-vegetarian-festival-nine-emperor-gods-festival-in-phuket-town-thailand-image328447152.htmlRF2A2A1KC–A procession during the Vegetarian Festival (Nine Emperor Gods Festival) in Phuket Town, Thailand
Ancient Painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ancient-painting-15729984.htmlRFAPAJ2W–Ancient Painting
Illuminated portrait of Chairman Mao Zedong on the Gate of Heavenly Peace at night, Tiananmen Square, Beijing, The People’s Republic of China. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-illuminated-portrait-of-chairman-mao-zedong-on-the-gate-of-heavenly-26519091.htmlRFBF41AB–Illuminated portrait of Chairman Mao Zedong on the Gate of Heavenly Peace at night, Tiananmen Square, Beijing, The People’s Republic of China.
Dragon bright illustration. Dragon flying in the clouds. Acrylic handmade painting and drawing. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dragon-bright-illustration-dragon-flying-in-the-clouds-acrylic-handmade-painting-and-drawing-image338782648.htmlRF2AK4TM8–Dragon bright illustration. Dragon flying in the clouds. Acrylic handmade painting and drawing.
Chinese Emperor, The Qianlong Emperor (1711-1799), portrait, hanging scroll by Giuseppe Castiglione, 1736- c. 1770 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chinese-emperor-the-qianlong-emperor-1711-1799-portrait-hanging-scroll-by-giuseppe-castiglione-1736-c-1770-image426566292.htmlRM2FNYNJC–Chinese Emperor, The Qianlong Emperor (1711-1799), portrait, hanging scroll by Giuseppe Castiglione, 1736- c. 1770
The Chinese emperor Ming Huang and Yang Kuei-fei. Date: early 17th century. Origin: Japan. Period: Edo period. Color and gold on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-chinese-emperor-ming-huang-and-yang-kuei-fei-date-early-17th-century-origin-japan-period-edo-period-color-and-gold-on-paper-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554743958.htmlRM2R6ENG6–The Chinese emperor Ming Huang and Yang Kuei-fei. Date: early 17th century. Origin: Japan. Period: Edo period. Color and gold on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
China/Italy: The young Qianlong Emperor during the first year of his reign. Handscroll painting by Giuseppe Castiglione (1688-1766), 1736. The Qianlong Emperor (Chinese pinyin: Qianlong Di; Wade–Giles: Chien-lung Ti), born Hongli (25 September 1711 – 7 February 1799), was the fifth emperor of the Manchu-led Qing Dynasty, and the fourth Qing emperor to rule over China proper. The fourth son of the Yongzheng Emperor, he reigned officially from 11 October 1736 to 7 February 1795. On 8 February (the first day of that lunar year), he abdicated in favor of his son, the Jiaqing Emperor. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chinaitaly-the-young-qianlong-emperor-during-the-first-year-of-his-reign-handscroll-painting-by-giuseppe-castiglione-1688-1766-1736-the-qianlong-emperor-chinese-pinyin-qianlong-di-wadegiles-chien-lung-ti-born-hongli-25-september-1711-7-february-1799-was-the-fifth-emperor-of-the-manchu-led-qing-dynasty-and-the-fourth-qing-emperor-to-rule-over-china-proper-the-fourth-son-of-the-yongzheng-emperor-he-reigned-officially-from-11-october-1736-to-7-february-1795-on-8-february-the-first-day-of-that-lunar-year-he-abdicated-in-favor-of-his-son-the-jiaqing-emperor-image344225808.htmlRM2B00RET–China/Italy: The young Qianlong Emperor during the first year of his reign. Handscroll painting by Giuseppe Castiglione (1688-1766), 1736. The Qianlong Emperor (Chinese pinyin: Qianlong Di; Wade–Giles: Chien-lung Ti), born Hongli (25 September 1711 – 7 February 1799), was the fifth emperor of the Manchu-led Qing Dynasty, and the fourth Qing emperor to rule over China proper. The fourth son of the Yongzheng Emperor, he reigned officially from 11 October 1736 to 7 February 1795. On 8 February (the first day of that lunar year), he abdicated in favor of his son, the Jiaqing Emperor.
Portrait of Emperor Huizong of Song (1082 - 1135) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-emperor-huizong-of-song-1082-1135-image328085375.htmlRM2A1NG6R–Portrait of Emperor Huizong of Song (1082 - 1135)
Man painting calligraphy signs with a brush and water at the historic tourist location The Summer Palace in Beijing, China. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-man-painting-calligraphy-signs-with-a-brush-and-water-at-the-historic-29043803.htmlRMBK71JK–Man painting calligraphy signs with a brush and water at the historic tourist location The Summer Palace in Beijing, China.
Bianzhong, an ancient Chinese musical instrument consisting of a set of bronze bells. Chime Bells. The Grand stage, Summer Palace, Beijing, China. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bianzhong-an-ancient-chinese-musical-instrument-consisting-of-a-set-of-bronze-bells-chime-bells-the-grand-stage-summer-palace-beijing-china-image229922018.htmlRMRA1RTJ–Bianzhong, an ancient Chinese musical instrument consisting of a set of bronze bells. Chime Bells. The Grand stage, Summer Palace, Beijing, China.
Xi'an. 27th Feb, 2015. Photo taken on Feb. 27, 2015 shows terracotta warriors wrapped in cling film for color fixing at the Emperor Qinshihuang's Mausoleum Site Museum in Xi'an, capital of northwest China's Shaanxi Province. According to experts at the Museum, wrapping terracotta warriors, a set of lifesize ancient Chinese army sculptures from the 3rd century B.C., in cling film has been in routine use for protection of remnant painting on these cultural relics. © Ding Haitao/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-xian-27th-feb-2015-photo-taken-on-feb-27-2015-shows-terracotta-warriors-79135137.htmlRMEGMWJW–Xi'an. 27th Feb, 2015. Photo taken on Feb. 27, 2015 shows terracotta warriors wrapped in cling film for color fixing at the Emperor Qinshihuang's Mausoleum Site Museum in Xi'an, capital of northwest China's Shaanxi Province. According to experts at the Museum, wrapping terracotta warriors, a set of lifesize ancient Chinese army sculptures from the 3rd century B.C., in cling film has been in routine use for protection of remnant painting on these cultural relics. © Ding Haitao/Xinhua/Alamy Live News
Commemorative Ink Cake, 1844, Wang Chin-sheng, Chinese, active early 19th century, 5/8 x 5-5/8 x 5-5/8 in. (1.6 x 14.3 x 14.3 cm), Lampblack and organic binders, China, 19th century, This finely detailed ink cake designed by Wang Chin-sheng is decorated with a low relief landscape painting and poem after the great literatus Wen Zhengming (1470-1559) on one side and with cavorting dragons and a poetic inscription by the Qianlong emperor (r. 1736-95) on the reverse Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/commemorative-ink-cake-1844-wang-chin-sheng-chinese-active-early-19th-century-58-x-5-58-x-5-58-in-16-x-143-x-143-cm-lampblack-and-organic-binders-china-19th-century-this-finely-detailed-ink-cake-designed-by-wang-chin-sheng-is-decorated-with-a-low-relief-landscape-painting-and-poem-after-the-great-literatus-wen-zhengming-1470-1559-on-one-side-and-with-cavorting-dragons-and-a-poetic-inscription-by-the-qianlong-emperor-r-1736-95-on-the-reverse-image573505790.htmlRM2T91CDJ–Commemorative Ink Cake, 1844, Wang Chin-sheng, Chinese, active early 19th century, 5/8 x 5-5/8 x 5-5/8 in. (1.6 x 14.3 x 14.3 cm), Lampblack and organic binders, China, 19th century, This finely detailed ink cake designed by Wang Chin-sheng is decorated with a low relief landscape painting and poem after the great literatus Wen Zhengming (1470-1559) on one side and with cavorting dragons and a poetic inscription by the Qianlong emperor (r. 1736-95) on the reverse
An Emperor with Two Ladies. Formerly Attributed to Gu Kaizhi (344-405) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-emperor-with-two-ladies-formerly-attributed-to-gu-kaizhi-344-405-image336851915.htmlRM2AG0X1F–An Emperor with Two Ladies. Formerly Attributed to Gu Kaizhi (344-405)
