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New Creative Relevant Search filters Chimneypiece Stock Photos and Images  (924) Narrow your search: Vectors | Black & white | Cut Outs Page 1 of 10 Corner Chimneypiece most likely from the house of one of William III's courtiers in the Hague. Dated 18th Century Corner Chimneypiece most likely from the house of one of William III's courtiers in the Hague. Dated 18th Centuryhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-corner-chimneypiece-most-likely-from-the-house-of-one-of-william-iiis-76397635.html The chimneypiece in the Stone Gallery, The Vyne, Hampshire. The terracotta medallion above the chimneypiece is of the Roman Emperor Probus. The chimneypiece in the Stone Gallery, The Vyne, Hampshire. The terracotta medallion above the chimneypiece is of the Roman Emperor Probus.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-chimneypiece-in-the-stone-gallery-the-vyne-hampshire-the-terracotta-94467336.html Musée de Cluny. Stone chimneypiece dating from 1562. Plan. Measured & drawn by Howard W. Germann (1921) Musée de Cluny. Stone chimneypiece dating from 1562. Plan. Measured & drawn by Howard W. Germann (1921)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/muse-de-cluny-stone-chimneypiece-dating-from-1562-plan-measured-drawn-by-howard-w-germann-1921-image350152553.html Corner Chimneypiece most likely from the house of one of Williem III's courtiers in the Hague. Dated 18th Century Corner Chimneypiece most likely from the house of one of Williem III's courtiers in the Hague. Dated 18th Centuryhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-corner-chimneypiece-most-likely-from-the-house-of-one-of-williem-iiis-76397633.html View towards the teak chimneypiece in the Great Hall at Knightshayes Court, Devon. View towards the teak chimneypiece in the Great Hall at Knightshayes Court, Devon.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-view-towards-the-teak-chimneypiece-in-the-great-hall-at-knightshayes-92389868.html Musée de Cluny. Stone chimneypiece dating from 1562. Plan. Measured & drawn by Howard W. Germann (1921) Musée de Cluny. Stone chimneypiece dating from 1562. Plan. Measured & drawn by Howard W. Germann (1921)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/muse-de-cluny-stone-chimneypiece-dating-from-1562-plan-measured-drawn-by-howard-w-germann-1921-image350152546.html Ottoman, tilework Chimneypiece; from Turkey, probably Istanbul. Dated 1731. Fritware with under-glaze decoration Ottoman, tilework Chimneypiece; from Turkey, probably Istanbul. Dated 1731. Fritware with under-glaze decorationhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-ottoman-tilework-chimneypiece-from-turkey-probably-istanbul-dated-162591160.html The carved wooden coat of arms above the chimneypiece in the Tapestry Room, The Vyne, Hampshire. The chimneypiece was formerly in the Dining Parlour. The carved wooden coat of arms above the chimneypiece in the Tapestry Room, The Vyne, Hampshire. The chimneypiece was formerly in the Dining Parlour.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-carved-wooden-coat-of-arms-above-the-chimneypiece-in-the-tapestry-94467354.html Design for a Chimneypiece, Sir William Chambers, 1740–96 Design for a Chimneypiece, Sir William Chambers, 1740–96https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-174096-162463497.html Ottoman, tilework Chimneypiece; from Turkey, probably Istanbul. Dated 1731. Fritware with under-glaze decoration Ottoman, tilework Chimneypiece; from Turkey, probably Istanbul. Dated 1731. Fritware with under-glaze decorationhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-ottoman-tilework-chimneypiece-from-turkey-probably-istanbul-dated-162591162.html The Great Hall looking towards the chimneypiece and screens passage and gallery above at Knightshayes Court, Devon. The Great Hall looking towards the chimneypiece and screens passage and gallery above at Knightshayes Court, Devon.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-great-hall-looking-towards-the-chimneypiece-and-screens-passage-92389747.html Chimneypiece Design with Mirror, Anonymous, British, 19th century, 19th century Chimneypiece Design with Mirror, Anonymous, British, 19th century, 19th centuryhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-chimneypiece-design-with-mirror-anonymous-british-19th-century-19th-162463892.html Ottoman, tilework Chimneypiece; from Turkey, probably Istanbul. Dated 1731. Fritware with under-glaze decoration Ottoman, tilework Chimneypiece; from Turkey, probably Istanbul. Dated 1731. Fritware with under-glaze decorationhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-ottoman-tilework-chimneypiece-from-turkey-probably-istanbul-dated-162591163.html Chimneypiece in the Inner Hall, carved with William Bankes's coat of arms quartered with those of Wynne and Brune, at Kingston Lacy, Dorset. Chimneypiece in the Inner Hall, carved with William Bankes's coat of arms quartered with those of Wynne and Brune, at Kingston Lacy, Dorset.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-chimneypiece-in-the-inner-hall-carved-with-william-bankess-coat-of-94494454.html Design for a Chimneypiece, Sir William Chambers, 1740–1800 Design for a Chimneypiece, Sir William Chambers, 1740–1800https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-17401800-162463525.html Ottoman, tilework Chimneypiece; from Turkey, probably Istanbul. Dated 1731. The names around the hood are those of the Seven Sleepers. Persecuted under the Roman emperor Decius, these Christian men took refuge in a cave. They fell asleep, waking centuries later under Christian rule. The Seven Sleepers are mentioned in the Qur'an as an example of God's protection of the righteous. Their names were therefore used to invoke that protection. Fritware with under-glaze decoration Ottoman, tilework Chimneypiece; from Turkey, probably Istanbul. Dated 1731. The names around the hood are those of the Seven Sleepers. Persecuted under the Roman emperor Decius, these Christian men took refuge in a cave. They fell asleep, waking centuries later under Christian rule. The Seven Sleepers are mentioned in the Qur'an as an example of God's protection of the righteous. Their names were therefore used to invoke that protection. Fritware with under-glaze decorationhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-ottoman-tilework-chimneypiece-from-turkey-probably-istanbul-dated-162591120.html Detail of alabaster slab on the chimneypiece in the Hall bearing the Vernon motto - Vernon semper viret 'Vernon always flourishes' at Hanbury Hall, Worcestershire. Detail of alabaster slab on the chimneypiece in the Hall bearing the Vernon motto - Vernon semper viret 'Vernon always flourishes' at Hanbury Hall, Worcestershire.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-detail-of-alabaster-slab-on-the-chimneypiece-in-the-hall-bearing-the-94459891.html Design for a Chimneypiece, Sir William Chambers, 1740–1800 Design for a Chimneypiece, Sir William Chambers, 1740–1800https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-17401800-162463527.html Ottoman, tilework Chimneypiece; from Turkey, probably Istanbul. Dated 1731. The names around the hood are those of the Seven Sleepers. Persecuted under the Roman emperor Decius, these Christian men took refuge in a cave. They fell asleep, waking centuries later under Christian rule. The Seven Sleepers are mentioned in the Qur'an as an example of God's protection of the righteous. Their names were therefore used to invoke that protection. Fritware with under-glaze decoration Ottoman, tilework Chimneypiece; from Turkey, probably Istanbul. Dated 1731. The names around the hood are those of the Seven Sleepers. Persecuted under the Roman emperor Decius, these Christian men took refuge in a cave. They fell asleep, waking centuries later under Christian rule. The Seven Sleepers are mentioned in the Qur'an as an example of God's protection of the righteous. Their names were therefore used to invoke that protection. Fritware with under-glaze decorationhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-ottoman-tilework-chimneypiece-from-turkey-probably-istanbul-dated-162591118.html Scagliola chimneypiece and hearthstone by Baldassare Artima in the Queen's Closet at Ham House, Richmond-upon-Thames. Scagliola chimneypiece and hearthstone by Baldassare Artima in the Queen's Closet at Ham House, Richmond-upon-Thames.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-scagliola-chimneypiece-and-hearthstone-by-baldassare-artima-in-the-94457835.html Design for a Chimneypiece, Sir William Chambers, 1740–1800 Design for a Chimneypiece, Sir William Chambers, 1740–1800https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-17401800-162463500.html Ottoman, tilework Chimneypiece; from Turkey, probably Istanbul. Dated 1731. The names around the hood are those of the Seven Sleepers. Persecuted under the Roman emperor Decius, these Christian men took refuge in a cave. They fell asleep, waking centuries later under Christian rule. The Seven Sleepers are mentioned in the Qur'an as an example of God's protection of the righteous. Their names were therefore used to invoke that protection. Fritware with under-glaze decoration Ottoman, tilework Chimneypiece; from Turkey, probably Istanbul. Dated 1731. The names around the hood are those of the Seven Sleepers. Persecuted under the Roman emperor Decius, these Christian men took refuge in a cave. They fell asleep, waking centuries later under Christian rule. The Seven Sleepers are mentioned in the Qur'an as an example of God's protection of the righteous. Their names were therefore used to invoke that protection. Fritware with under-glaze decorationhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-ottoman-tilework-chimneypiece-from-turkey-probably-istanbul-dated-162591119.html Painted stone chimneypiece in the Entrance Hall at Saltram, Devon. The chimneypiece by Thomas Carter the Elder has an inset eighteenth-century bust and a seventeenth-century plasterwork overmantel. Painted stone chimneypiece in the Entrance Hall at Saltram, Devon. The chimneypiece by Thomas Carter the Elder has an inset eighteenth-century bust and a seventeenth-century plasterwork overmantel.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-painted-stone-chimneypiece-in-the-entrance-hall-at-saltram-devon-the-94460365.html Design for a Chimneypiece, Sir William Chambers, 1740–1800 Design for a Chimneypiece, Sir William Chambers, 1740–1800https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-17401800-162463529.html Chimneypiece detail in the Servants' Hall in the basement at Ham House, Surrey. Chimneypiece detail in the Servants' Hall in the basement at Ham House, Surrey.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-chimneypiece-detail-in-the-servants-hall-in-the-basement-at-ham-house-92379118.html Library chimneypiece by Trollope and Sons on show at The Great International Exhibition Exhibition Road Kensington London England UK. Victorian woodcut engraving circa 1862 Library chimneypiece by Trollope and Sons on show at The Great International Exhibition Exhibition Road Kensington London England UK. Victorian woodcut engraving circa 1862https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/library-chimneypiece-by-trollope-and-sons-on-show-at-the-great-international-image65308568.html Design for a Chimneypiece, Sir William Chambers, 1740–1800 Design for a Chimneypiece, Sir William Chambers, 1740–1800https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-17401800-162463514.html Chimneypiece in the Servants' Hall in the basement at Ham House, Surrey. Chimneypiece in the Servants' Hall in the basement at Ham House, Surrey.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-chimneypiece-in-the-servants-hall-in-the-basement-at-ham-house-surrey-92379089.html Chimneypiece by The Royal Saxon China Manufactory on show at The Great International Exhibition Exhibition Road Kensington London England UK. Victorian woodcut engraving circa 1862 Chimneypiece by The Royal Saxon China Manufactory on show at The Great International Exhibition Exhibition Road Kensington London England UK. Victorian woodcut engraving circa 1862https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chimneypiece-by-the-royal-saxon-china-manufactory-on-show-at-the-great-image65308151.html Design for a Chimneypiece, Sir William Chambers, 1740–1800 Design for a Chimneypiece, Sir William Chambers, 1740–1800https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-17401800-162463506.html Detail of the decoration on the chimneypiece in the Servants' Hall in the basement at Ham House, Surrey. Detail of the decoration on the chimneypiece in the Servants' Hall in the basement at Ham House, Surrey.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-detail-of-the-decoration-on-the-chimneypiece-in-the-servants-hall-92379090.html Ancient Marble Chimneypiece, Henry Taylor (British, 1800 - 1886), Brittany, France, about 1859, Albumen silver print, 7.1 × 13.2 cm (2 13/16 × 5 3/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Ancient Marble Chimneypiece, Henry Taylor (British, 1800 - 1886), Brittany, France, about 1859, Albumen silver print, 7.1 × 13.2 cm (2 13/16 × 5 3/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-marble-chimneypiece-henry-taylor-british-1800-1886-brittany-france-about-1859-albumen-silver-print-71-132-cm-2-1316-5-316-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349923896.html Design for a Chimneypiece, Sir William Chambers, 1740–1800 Design for a Chimneypiece, Sir William Chambers, 1740–1800https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-17401800-162463515.html Chimneypiece in the Inner Hall, carved with William Bankes's coat of arms quartered with those of Wynne and Brune, at Kingston Lacy, Dorset. Chimneypiece in the Inner Hall, carved with William Bankes's coat of arms quartered with those of Wynne and Brune, at Kingston Lacy, Dorset.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-chimneypiece-in-the-inner-hall-carved-with-william-bankess-coat-of-92390787.html Wainscoting with chimneypiece, wall panels and a portico Wainscoting with chimneypiece, wall panels and a portico Paneling, consisting of a mantelpiece, wall compartments and a portico, 1617, Paneling consisting of a mantelpiece, wall boxes and a portico. The porch that forms part of this paneling dates from 1617. The mantelpiece of oak, decorated with ebony and other types of wood, is supported on two consoles supported by sandstone gray-painted caryatids on a pedestal. The paneling consists of wall sections and a porch., anonymous, Northern Netherlands, wood (plant material), maple (wood), o Wainscoting with chimneypiece, wall panels and a portico Wainscoting with chimneypiece, wall panels and a portico Paneling, consisting of a mantelpiece, wall compartments and a portico, 1617, Paneling consisting of a mantelpiece, wall boxes and a portico. The porch that forms part of this paneling dates from 1617. The mantelpiece of oak, decorated with ebony and other types of wood, is supported on two consoles supported by sandstone gray-painted caryatids on a pedestal. The paneling consists of wall sections and a porch., anonymous, Northern Netherlands, wood (plant material), maple (wood), ohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wainscoting-with-chimneypiece-wall-panels-and-a-portico-wainscoting-with-chimneypiece-wall-panels-and-a-portico-paneling-consisting-of-a-mantelpiece-wall-compartments-and-a-portico-1617-paneling-consisting-of-a-mantelpiece-wall-boxes-and-a-portico-the-porch-that-forms-part-of-this-paneling-dates-from-1617-the-mantelpiece-of-oak-decorated-with-ebony-and-other-types-of-wood-is-supported-on-two-consoles-supported-by-sandstone-gray-painted-caryatids-on-a-pedestal-the-paneling-consists-of-wall-sections-and-a-porch-anonymous-northern-netherlands-wood-plant-material-maple-wood-o-image349974720.html Design for a Chimneypiece, Sir William Chambers, 1740–1800 Design for a Chimneypiece, Sir William Chambers, 1740–1800https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-17401800-162463504.html The plasterwork chimneypiece panel bearing the Phelips arms and motto 'Pro aris et focis' (for homes and hearths), dated 1599, in the Dining Room at Montacute House, Somerset. The plaster cartouche bearing the head of a woman is probably late seventeenth The plasterwork chimneypiece panel bearing the Phelips arms and motto 'Pro aris et focis' (for homes and hearths), dated 1599, in the Dining Room at Montacute House, Somerset. The plaster cartouche bearing the head of a woman is probably late seventeenthhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-plasterwork-chimneypiece-panel-bearing-the-phelips-arms-and-motto-94450968.html Chimneypiece Chimneypiece Mantelpiece, Sculptured Mantelpiece. The whole consists of four elements, the two styles in the form of hermes with their satyr heads and thyrs staff, the horizontal connecting piece of frieze and architrave, and a cover plate, mask, mascaron, ornament, festoon, garland, Pavilion Welgelegen, Giovanni Battista Piranesi, Rome, 1761 - 1769, marble (rock), h 133 cm × w 193 cm × w 524 kg, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic Chimneypiece Chimneypiece Mantelpiece, Sculptured Mantelpiece. The whole consists of four elements, the two styles in the form of hermes with their satyr heads and thyrs staff, the horizontal connecting piece of frieze and architrave, and a cover plate, mask, mascaron, ornament, festoon, garland, Pavilion Welgelegen, Giovanni Battista Piranesi, Rome, 1761 - 1769, marble (rock), h 133 cm × w 193 cm × w 524 kg, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamichttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chimneypiece-chimneypiece-mantelpiece-sculptured-mantelpiece-the-whole-consists-of-four-elements-the-two-styles-in-the-form-of-hermes-with-their-satyr-heads-and-thyrs-staff-the-horizontal-connecting-piece-of-frieze-and-architrave-and-a-cover-plate-mask-mascaron-ornament-festoon-garland-pavilion-welgelegen-giovanni-battista-piranesi-rome-1761-1769-marble-rock-h-133-cm-w-193-cm-w-524-kg-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-image349946464.html Design for a Chimneypiece, Sir William Chambers, 1740–1800 Design for a Chimneypiece, Sir William Chambers, 1740–1800https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-17401800-162463516.html Chimneypiece in Ashford Castle, member of Leading Hotels of the World, Cong, Co. Mayo; Ireland Chimneypiece in Ashford Castle, member of Leading Hotels of the World, Cong, Co. Mayo; Irelandhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-chimneypiece-in-ashford-castle-member-of-leading-hotels-of-the-world-41311907.html Chimneypiece from the Leprozenhuis, Amsterdam Chimney with marble columns and marbled mantle. Frisian painted with lobes and flowers between which three coats of arms resp. from Clara Abba, Elisabeth van Duynen and Agatha Munter, Chimney with freestanding marble columns and a marbled mantle of oak and pine. The columns have Tuscan capitals. The cap has the shape of a main frame, marbled in gray, with a white painted frieze (in linden wood) of lobes with flowers, between which three coats of arms hang. These are from Clara Abba, Elisabeth van Duynen and Agatha Munter. This includes a chimney pi Chimneypiece from the Leprozenhuis, Amsterdam Chimney with marble columns and marbled mantle. Frisian painted with lobes and flowers between which three coats of arms resp. from Clara Abba, Elisabeth van Duynen and Agatha Munter, Chimney with freestanding marble columns and a marbled mantle of oak and pine. The columns have Tuscan capitals. The cap has the shape of a main frame, marbled in gray, with a white painted frieze (in linden wood) of lobes with flowers, between which three coats of arms hang. These are from Clara Abba, Elisabeth van Duynen and Agatha Munter. This includes a chimney pihttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chimneypiece-from-the-leprozenhuis-amsterdam-chimney-with-marble-columns-and-marbled-mantle-frisian-painted-with-lobes-and-flowers-between-which-three-coats-of-arms-resp-from-clara-abba-elisabeth-van-duynen-and-agatha-munter-chimney-with-freestanding-marble-columns-and-a-marbled-mantle-of-oak-and-pine-the-columns-have-tuscan-capitals-the-cap-has-the-shape-of-a-main-frame-marbled-in-gray-with-a-white-painted-frieze-in-linden-wood-of-lobes-with-flowers-between-which-three-coats-of-arms-hang-these-are-from-clara-abba-elisabeth-van-duynen-and-agatha-munter-this-includes-a-chimney-pi-image349962619.html Design for a Chimneypiece, Sir William Chambers, 1740–1800 Design for a Chimneypiece, Sir William Chambers, 1740–1800https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-17401800-162463509.html Detail of the elaborate wooden chimneypiece (c.1629) in Henry Ferrer's Bedroom, Baddesley Clinton, Warwickshire. The carving includes the arms of the Ferrers of Groby quartering Hampden (Henry's grandmother's family) and a shield of pretence in the centre Detail of the elaborate wooden chimneypiece (c.1629) in Henry Ferrer's Bedroom, Baddesley Clinton, Warwickshire. The carving includes the arms of the Ferrers of Groby quartering Hampden (Henry's grandmother's family) and a shield of pretence in the centrehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-detail-of-the-elaborate-wooden-chimneypiece-c1629-in-henry-ferrers-90860169.html Wainscoting with chimneypiece, wall panels and a portico Wainscoting with chimneypiece, wall panels and a portico Paneling, consisting of wall sections a mantelpiece and box bed, 1626, Paneling of oak, decorated with intarsia of ebony, boxwood maple wood and rosewood., anonymous, Dordrecht, wood (plant material), oak (wood), ebony (wood), rosewood (wood), maple (wood), boxwood, padouk (wood), marble (rock), h 251 cm × w 840 cm, l 189 cm w 132.5 cm l 176 cm w 133.5 cm l 166 cm w 60 cm × d 11 cm h 250 cm w 110 cm × d 5 cm h 250 cm w 173 cm × d 5 cm h 250 cm w 73 cm × d 5 cm h 80 cm w 250 cm × d Wainscoting with chimneypiece, wall panels and a portico Wainscoting with chimneypiece, wall panels and a portico Paneling, consisting of wall sections a mantelpiece and box bed, 1626, Paneling of oak, decorated with intarsia of ebony, boxwood maple wood and rosewood., anonymous, Dordrecht, wood (plant material), oak (wood), ebony (wood), rosewood (wood), maple (wood), boxwood, padouk (wood), marble (rock), h 251 cm × w 840 cm, l 189 cm w 132.5 cm l 176 cm w 133.5 cm l 166 cm w 60 cm × d 11 cm h 250 cm w 110 cm × d 5 cm h 250 cm w 173 cm × d 5 cm h 250 cm w 73 cm × d 5 cm h 80 cm w 250 cm × dhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wainscoting-with-chimneypiece-wall-panels-and-a-portico-wainscoting-with-chimneypiece-wall-panels-and-a-portico-paneling-consisting-of-wall-sections-a-mantelpiece-and-box-bed-1626-paneling-of-oak-decorated-with-intarsia-of-ebony-boxwood-maple-wood-and-rosewood-anonymous-dordrecht-wood-plant-material-oak-wood-ebony-wood-rosewood-wood-maple-wood-boxwood-padouk-wood-marble-rock-h-251-cm-w-840-cm-l-189-cm-w-1325-cm-l-176-cm-w-1335-cm-l-166-cm-w-60-cm-d-11-cm-h-250-cm-w-110-cm-d-5-cm-h-250-cm-w-173-cm-d-5-cm-h-250-cm-w-73-cm-d-5-cm-h-80-cm-w-250-cm-d-image349974725.html Design for a Chimneypiece, Sir William Chambers, 1740–1800 Design for a Chimneypiece, Sir William Chambers, 1740–1800https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-17401800-162463503.html Detail of the elaborate wooden chimneypiece (c.1629) in Henry Ferrer's Bedroom, Baddesley Clinton, Warwickshire. The carving includes the arms of the Ferrers of Groby quartering Hampden (Henry's grandmother's family) and a shield of pretence in the centre Detail of the elaborate wooden chimneypiece (c.1629) in Henry Ferrer's Bedroom, Baddesley Clinton, Warwickshire. The carving includes the arms of the Ferrers of Groby quartering Hampden (Henry's grandmother's family) and a shield of pretence in the centrehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-detail-of-the-elaborate-wooden-chimneypiece-c1629-in-henry-ferrers-90860171.html Chimneypiece decorated for Christmas with advent calender made of little xmas stockings with room for small gifts for each day of advent - Chimneypiece decorated for Christmas with advent calender made of little xmas stockings with room for small gifts for each day of advent -https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chimneypiece-decorated-for-christmas-with-advent-calender-made-of-little-xmas-stockings-with-room-for-small-gifts-for-each-day-of-advent-image355283141.html Design for a Chimneypiece, Sir William Chambers, 1740–1800 Design for a Chimneypiece, Sir William Chambers, 1740–1800https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-17401800-162463517.html Detail of the elaborate wooden chimneypiece (c.1629) in Henry Ferrer's Bedroom, Baddesley Clinton, Warwickshire. The carving includes the arms of the Ferrers of Groby quartering Hampden (Henry's grandmother's family) and a shield of pretence in the centre Detail of the elaborate wooden chimneypiece (c.1629) in Henry Ferrer's Bedroom, Baddesley Clinton, Warwickshire. The carving includes the arms of the Ferrers of Groby quartering Hampden (Henry's grandmother's family) and a shield of pretence in the centrehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-detail-of-the-elaborate-wooden-chimneypiece-c1629-in-henry-ferrers-90850658.html 'Chimneypiece', c1895, (1897). Artist: George Washington Jack. 'Chimneypiece', c1895, (1897). Artist: George Washington Jack.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-chimneypiece-c1895-1897-artist-george-washington-jack-135280701.html Design for a Chimneypiece, Sir William Chambers, 1740–1800 Design for a Chimneypiece, Sir William Chambers, 1740–1800https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-17401800-162463507.html Detail of the elaborate wooden chimneypiece (c.1629) in Henry Ferrer's Bedroom, Baddesley Clinton, Warwickshire. The carving includes the arms of the Ferrers of Groby quartering Hampden (Henry's grandmother's family) and a shield of pretence in the centre Detail of the elaborate wooden chimneypiece (c.1629) in Henry Ferrer's Bedroom, Baddesley Clinton, Warwickshire. The carving includes the arms of the Ferrers of Groby quartering Hampden (Henry's grandmother's family) and a shield of pretence in the centrehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-detail-of-the-elaborate-wooden-chimneypiece-c1629-in-henry-ferrers-90850654.html Chimneypiece executed by Cox & Sons; designed by S.J. Nicholl, Architect, 1875 Chimneypiece executed by Cox & Sons; designed by S.J. Nicholl, Architect, 1875https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-chimneypiece-executed-by-cox-sons-designed-by-sj-nicholl-architect-115142260.html Design for a Chimneypiece, Sir William Chambers, 1740–1800 Design for a Chimneypiece, Sir William Chambers, 1740–1800https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-17401800-162463519.html White marble chimneypiece in the Dining Room salvaged from the former house in 1820 at Arlington Court, Devon. White marble chimneypiece in the Dining Room salvaged from the former house in 1820 at Arlington Court, Devon.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-white-marble-chimneypiece-in-the-dining-room-salvaged-from-the-former-94453138.html Design for a chimneypiece by Thomas Chippendale Design for a chimneypiece by Thomas Chippendalehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-chimneypiece-by-thomas-chippendale-image268809934.html Design for a Chimneypiece, Sir William Chambers, 1740–1800 Design for a Chimneypiece, Sir William Chambers, 1740–1800https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-17401800-162463524.html The heraldic stone chimneypiece in the Great Hall at Baddesley Clinton, West Midlands. It dates from the very early 1600s and the shields on the overmantel commemorate the Ferrers' faimly marriages around a central achievement with the arms of the Ferrers The heraldic stone chimneypiece in the Great Hall at Baddesley Clinton, West Midlands. It dates from the very early 1600s and the shields on the overmantel commemorate the Ferrers' faimly marriages around a central achievement with the arms of the Ferrershttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-heraldic-stone-chimneypiece-in-the-great-hall-at-baddesley-clinton-94453221.html Close view of part of a fireplace The South Bedroom at Avebury Manor, Wiltshire, Close view of part of a fireplace The South Bedroom at Avebury Manor, Wiltshire,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-close-view-of-part-of-a-fireplace-the-south-bedroom-at-avebury-manor-126566454.html Design for a Chimneypiece, Sir William Chambers, 1740–1800 Design for a Chimneypiece, Sir William Chambers, 1740–1800https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-17401800-162463520.html The carved stone chimneypiece in the Great Chamber at Chastleton House, Oxfordshire. The house was built between 1607 and 1612 and the Great Chamber would only have been used for entertaining the most important guests. The carved stone chimneypiece in the Great Chamber at Chastleton House, Oxfordshire. The house was built between 1607 and 1612 and the Great Chamber would only have been used for entertaining the most important guests.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-carved-stone-chimneypiece-in-the-great-chamber-at-chastleton-house-94489253.html Banquet Still Life by Adriaen van Utrecht (1599-1651/52) oil on canvas, 1644. The Fleming Adriaen van Utrecht here demonstrated that he could paint virtually anything, from costly tableware to glass, fruit, an enormous lobster on a Chinese plate, a cut-open pasty and much more. Given its striking low vantage point, this large painting was most likely meant to hang above a chimneypiece. Banquet Still Life by Adriaen van Utrecht (1599-1651/52) oil on canvas, 1644. The Fleming Adriaen van Utrecht here demonstrated that he could paint virtually anything, from costly tableware to glass, fruit, an enormous lobster on a Chinese plate, a cut-open pasty and much more. Given its striking low vantage point, this large painting was most likely meant to hang above a chimneypiece.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/banquet-still-life-by-adriaen-van-utrecht-1599-165152-oil-on-canvas-image68542958.html Design for a Chimneypiece, Sir William Chambers, 1740–1800 Design for a Chimneypiece, Sir William Chambers, 1740–1800https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-17401800-162463510.html Close view of a caryatid on the chimneypiece in the Saloon at Hatchlands Park, Surrey. The marble chimneypiece was designed by Robert Adam. Close view of a caryatid on the chimneypiece in the Saloon at Hatchlands Park, Surrey. The marble chimneypiece was designed by Robert Adam.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-close-view-of-a-caryatid-on-the-chimneypiece-in-the-saloon-at-hatchlands-92369446.html Interior with a Company by Bartholomeus van Bassen (c. 1590-1652) Esaias van de Velde (1587-1630) oil on panel, 1622-1624. Van Bassen painted the Interior, and his colleague Van de Velde the figures. The composition represents an elegant company in a grand, stylish residence with paintings on the walls, decorated cabinets, a monumental chimneypiece and an elaborate wooden coffered ceiling. The decorations were inspired by designs by the architect Hans Vredeman de Vries. This interior never actually existed - it is an idealized image. Interior with a Company by Bartholomeus van Bassen (c. 1590-1652) Esaias van de Velde (1587-1630) oil on panel, 1622-1624. Van Bassen painted the Interior, and his colleague Van de Velde the figures. The composition represents an elegant company in a grand, stylish residence with paintings on the walls, decorated cabinets, a monumental chimneypiece and an elaborate wooden coffered ceiling. The decorations were inspired by designs by the architect Hans Vredeman de Vries. This interior never actually existed - it is an idealized image.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/interior-with-a-company-by-bartholomeus-van-bassen-c-1590-1652-esaias-image68542963.html Design for a Chimneypiece, Sir William Chambers, 1740–1800 Design for a Chimneypiece, Sir William Chambers, 1740–1800https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-17401800-162463531.html Part of the chimney piece in the Saloon at Wallington showing cherub like figures eating grapes from the vines Part of the chimney piece in the Saloon at Wallington showing cherub like figures eating grapes from the vineshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-part-of-the-chimney-piece-in-the-saloon-at-wallington-showing-cherub-22742681.html Islamic art. Tilework Chimneypiece, Turkey, probably Istanbul, 1731. Geometric design. Victoria and Albert Museum. London. England. United Kingdom. Islamic art. Tilework Chimneypiece, Turkey, probably Istanbul, 1731. Geometric design. Victoria and Albert Museum. London. England. United Kingdom.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-islamic-art-tilework-chimneypiece-turkey-probably-istanbul-1731-geometric-78797368.html Design for a Chimneypiece, Sir William Chambers, 1740–1800 Design for a Chimneypiece, Sir William Chambers, 1740–1800https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-17401800-162463505.html A detailed close up of part of the C18th chimney piece in the Saloon attributed to Sir Henry Cheere 1703 to 81 at Wallington A detailed close up of part of the C18th chimney piece in the Saloon attributed to Sir Henry Cheere 1703 to 81 at Wallingtonhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-detailed-close-up-of-part-of-the-c18th-chimney-piece-in-the-saloon-22742683.html The Great Hall at Mentmore The Great Hall at Mentmorehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-great-hall-at-mentmore-image230694457.html Design for a Chimneypiece, Sir William Chambers, 1740–1800 Design for a Chimneypiece, Sir William Chambers, 1740–1800https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-17401800-162463523.html Chimneypiece in Michel Guérard's ravishing rustic restaurant 'La Ferme aux Grives' among his hotels in Eugénie-les-Bains France Chimneypiece in Michel Guérard's ravishing rustic restaurant 'La Ferme aux Grives' among his hotels in Eugénie-les-Bains Francehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-chimneypiece-in-michel-gurards-ravishing-rustic-restaurant-la-ferme-23677493.html The Orangery, Wrest Park House and Gardens, Silsoe, Bedfordshire, c2000s(?). Artist: Unknown. The Orangery, Wrest Park House and Gardens, Silsoe, Bedfordshire, c2000s(?). Artist: Unknown.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-orangery-wrest-park-house-and-gardens-silsoe-bedfordshire-c2000s-135277426.html Design for a Chimneypiece, Sir William Chambers, 1740–1800 Design for a Chimneypiece, Sir William Chambers, 1740–1800https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-17401800-162463532.html Decorative chimneypiece above fireplace with chess table Decorative chimneypiece above fireplace with chess tablehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/decorative-chimneypiece-above-fireplace-with-chess-table-image220998943.html Servants' bell-pull next to a figure of Pomona on the chimneypiece in the Library at Belton House, Lincolnshire. Servants' bell-pull next to a figure of Pomona on the chimneypiece in the Library at Belton House, Lincolnshire.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-servants-bell-pull-next-to-a-figure-of-pomona-on-the-chimneypiece-94488531.html Design for a Chimneypiece, Sir William Chambers, 1740–1800 Design for a Chimneypiece, Sir William Chambers, 1740–1800https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-17401800-162463518.html The Tapestry Room, The Vyne, Hampshire. The chinoiserie tapestries in wool and silk are English, Soho Factory, c.1720. The wooden chimneypiece was formerly in the Dining Parlour. The Tapestry Room, The Vyne, Hampshire. The chinoiserie tapestries in wool and silk are English, Soho Factory, c.1720. The wooden chimneypiece was formerly in the Dining Parlour.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-tapestry-room-the-vyne-hampshire-the-chinoiserie-tapestries-in-94467351.html Queen's Gallery, Hampton Court Palace, East Molesey, Surrey, England, Great Britain, United Kingdom, UK, Europe Queen's Gallery, Hampton Court Palace, East Molesey, Surrey, England, Great Britain, United Kingdom, UK, Europehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/queens-gallery-hampton-court-palace-east-molesey-surrey-england-great-britain-united-kingdom-uk-europe-image266072884.html Design for a Chimneypiece, Sir William Chambers, 1740–1800 Design for a Chimneypiece, Sir William Chambers, 1740–1800https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-17401800-162463530.html The Tapestry Room, The Vyne, Hampshire. The chinoiserie tapestries in wool and silk are English, Soho Factory, c.1720. The wooden chimneypiece was formerly in the Dining Parlour. The Tapestry Room, The Vyne, Hampshire. The chinoiserie tapestries in wool and silk are English, Soho Factory, c.1720. The wooden chimneypiece was formerly in the Dining Parlour.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-tapestry-room-the-vyne-hampshire-the-chinoiserie-tapestries-in-94467353.html Design for a Chimneypiece with a Personification of Virtue, 1616. Design for a Chimneypiece with a Personification of Virtue, 1616.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-chimneypiece-with-a-personification-of-virtue-1616-image374694100.html Design for a Chimneypiece, Anonymous, British, 19th century, 19th century Design for a Chimneypiece, Anonymous, British, 19th century, 19th centuryhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-anonymous-british-19th-century-19th-century-162463907.html Victorian kitchen range set into an 18th-century chimneypiece, Oxburgh Hall, Norfolk. Formerly Oxburgh's kitchen, the room now houses the tea-rooms. 18th-century fireplace may have been removed from the Great Hall prior to its demolition. Victorian kitchen range set into an 18th-century chimneypiece, Oxburgh Hall, Norfolk. Formerly Oxburgh's kitchen, the room now houses the tea-rooms. 18th-century fireplace may have been removed from the Great Hall prior to its demolition.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-victorian-kitchen-range-set-into-an-18th-century-chimneypiece-oxburgh-92375946.html Design for a Chimneypiece, Sir William Chambers, 1740–96 Design for a Chimneypiece, Sir William Chambers, 1740–96https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-174096-162454218.html Chimneypiece in the Saloon at Wallington, Northumberland Chimneypiece in the Saloon at Wallington, Northumberlandhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-chimneypiece-in-the-saloon-at-wallington-northumberland-22742685.html Chimneypiece and table in coloured Florentine mosaic, 1910. Artist: Edwin Foley Chimneypiece and table in coloured Florentine mosaic, 1910. Artist: Edwin Foleyhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chimneypiece-and-table-in-coloured-florentine-mosaic-1910-artist-edwin-foley-image262762834.html Design for a Chimneypiece, After Sir William Chambers, 1743–1800 Design for a Chimneypiece, After Sir William Chambers, 1743–1800https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-after-sir-william-chambers-17431800-162454234.html A carving by Grinling Gibbons in the Drawing Room over the chimneypiece It depicts several varieties of fish A carving by Grinling Gibbons in the Drawing Room over the chimneypiece It depicts several varieties of fishhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-carving-by-grinling-gibbons-in-the-drawing-room-over-the-chimneypiece-22737623.html Design for a Chimneypiece, late 18th-early 19th century. Design for a Chimneypiece, late 18th-early 19th century.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-chimneypiece-late-18th-early-19th-century-image365763638.html Design for a Chimneypiece, After Sir William Chambers, 1740–1800 Design for a Chimneypiece, After Sir William Chambers, 1740–1800https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-after-sir-william-chambers-17401800-162454256.html Close view of one of the caryatids on the Carrara marble chimneypiece in the Drawing Room at Berrington Hall, Herefordshire Close view of one of the caryatids on the Carrara marble chimneypiece in the Drawing Room at Berrington Hall, Herefordshirehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-close-view-of-one-of-the-caryatids-on-the-carrara-marble-chimneypiece-94452939.html Design for a Chimneypiece, late 18th-early 19th century. Design for a Chimneypiece, late 18th-early 19th century.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-chimneypiece-late-18th-early-19th-century-image365763632.html Design for a Chimneypiece, After Sir William Chambers, 1743–1800 Design for a Chimneypiece, After Sir William Chambers, 1743–1800https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-after-sir-william-chambers-17431800-162454252.html The Entrance Hall at Saltram, Devon. The painted stone chimneypiece is by Thomas Carter the Elder with a seventeenth-century plasterwork overmantel. The Entrance Hall at Saltram, Devon. The painted stone chimneypiece is by Thomas Carter the Elder with a seventeenth-century plasterwork overmantel.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-entrance-hall-at-saltram-devon-the-painted-stone-chimneypiece-94460363.html Design for a Chimneypiece, late 18th-early 19th century. Design for a Chimneypiece, late 18th-early 19th century.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-chimneypiece-late-18th-early-19th-century-image365763627.html Design for a Chimneypiece, John Yenn, late 18th–early 19th century Design for a Chimneypiece, John Yenn, late 18th–early 19th centuryhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-john-yenn-late-18thearly-19th-century-162480168.html Design for a chimneypiece, 1750s, (1929). Artist: Matthias Lock Design for a chimneypiece, 1750s, (1929). Artist: Matthias Lockhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-chimneypiece-1750s-1929-artist-matthias-lock-image262756604.html Design for a Chimneypiece, late 18th-early 19th century. Design for a Chimneypiece, late 18th-early 19th century.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-chimneypiece-late-18th-early-19th-century-image365763602.html Next page Recent searches: Search Results for Chimneypiece Stock Photos and Images  (924) Page 1 of 10 12345678910