Charles i silver iinkstand or standish Stock Photos and Images
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Charles i silver iinkstand or standish Stock Photos and Images
Now I lay me., Charles A. Beckford (American, active 1870s), 1870s, Hand-colored albumen silver print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/now-i-lay-me-charles-a-beckford-american-active-1870s-1870s-hand-colored-albumen-silver-print-image261274816.htmlRMW522KC–Now I lay me., Charles A. Beckford (American, active 1870s), 1870s, Hand-colored albumen silver print
![Vintage 1800s Paris Rue de Bievre (du bould. [i.e. boulevard] St. Germain) Entrance of narrow winding street, clothing shop with wares displayed on path on right. Rue de Bièvre, Paris, France. Date circa 1853 –70 albumen silver print by Photographer Charles Marville Stock Photo](https://c8.alamy.com/comp/2NGX8P5/vintage-1800s-paris-rue-de-bievre-du-bould-ie-boulevard-st-germain-entrance-of-narrow-winding-street-clothing-shop-with-wares-displayed-on-path-on-right-rue-de-bivre-paris-france-date-circa-1853-70-albumen-silver-print-by-photographer-charles-marville-2NGX8P5.jpg "Vintage 1800s Paris Rue de Bievre (du bould. [i.e. boulevard] St. Germain) Entrance of narrow winding street, clothing shop with wares displayed on path on right. Rue de Bièvre, Paris, France. Date circa 1853 –70 albumen silver print by Photographer Charles Marville Stock Photo")
Vintage 1800s Paris Rue de Bievre (du bould. [i.e. boulevard] St. Germain) Entrance of narrow winding street, clothing shop with wares displayed on path on right. Rue de Bièvre, Paris, France. Date circa 1853 –70 albumen silver print by Photographer Charles Marville Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-1800s-paris-rue-de-bievre-du-bould-ie-boulevard-st-germain-entrance-of-narrow-winding-street-clothing-shop-with-wares-displayed-on-path-on-right-rue-de-bivre-paris-france-date-circa-1853-70-albumen-silver-print-by-photographer-charles-marville-image526723181.htmlRM2NGX8P5–Vintage 1800s Paris Rue de Bievre (du bould. [i.e. boulevard] St. Germain) Entrance of narrow winding street, clothing shop with wares displayed on path on right. Rue de Bièvre, Paris, France. Date circa 1853 –70 albumen silver print by Photographer Charles Marville
Christie’s, London, UK. 5 July 2021. Preview of Christie’s Classic Week is a marquee series of 9 auctions featuring art from antiquity to the 20th century. Image: Christie’s The Exceptional Sale. Image: A Charles I Silver Iinkstand or Standish. Mark of Alexander Jackson, London, 1639, Design & Chasing attributed to Christiaen van Vianen, estimate: £1,000,000-1,500,000. Credit: Malcolm Park/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christies-london-uk-5-july-2021-preview-of-christies-classic-week-is-a-marquee-series-of-9-auctions-featuring-art-from-antiquity-to-the-20th-century-image-christies-the-exceptional-sale-image-a-charles-i-silver-iinkstand-or-standish-mark-of-alexander-jackson-london-1639-design-chasing-attributed-to-christiaen-van-vianen-estimate-1000000-1500000-credit-malcolm-parkalamy-live-news-image434219083.htmlRM2G6CATB–Christie’s, London, UK. 5 July 2021. Preview of Christie’s Classic Week is a marquee series of 9 auctions featuring art from antiquity to the 20th century. Image: Christie’s The Exceptional Sale. Image: A Charles I Silver Iinkstand or Standish. Mark of Alexander Jackson, London, 1639, Design & Chasing attributed to Christiaen van Vianen, estimate: £1,000,000-1,500,000. Credit: Malcolm Park/Alamy Live News
Charles V (1500-1558). Holy Roman Emperor and Archduke of Austria (1519-1556), king of Spain (1516-1556) and Lord of the Netherlands as titular Duke of Burgundy (1506-1555). Obverse of the medal of the proclamation of Charles V, minted in silver in 1521 in Nuremberg. It features the youthful effigy of Charles V. Designed by Albrecht Dürer (1471-1528) and executed by the engraver Hans Krafft (1481-ca. 1542). Diameter: 72 mm. The city of Nuremberg commissioned this medal in honour of the Emperor to commemorate his first Imperial Diet, which was to be held there in 1521, although it was eventuall Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-v-1500-1558-holy-roman-emperor-and-archduke-of-austria-1519-1556-king-of-spain-1516-1556-and-lord-of-the-netherlands-as-titular-duke-of-burgundy-1506-1555-obverse-of-the-medal-of-the-proclamation-of-charles-v-minted-in-silver-in-1521-in-nuremberg-it-features-the-youthful-effigy-of-charles-v-designed-by-albrecht-drer-1471-1528-and-executed-by-the-engraver-hans-krafft-1481-ca-1542-diameter-72-mm-the-city-of-nuremberg-commissioned-this-medal-in-honour-of-the-emperor-to-commemorate-his-first-imperial-diet-which-was-to-be-held-there-in-1521-although-it-was-eventuall-image630501325.htmlRM2YHNPTD–Charles V (1500-1558). Holy Roman Emperor and Archduke of Austria (1519-1556), king of Spain (1516-1556) and Lord of the Netherlands as titular Duke of Burgundy (1506-1555). Obverse of the medal of the proclamation of Charles V, minted in silver in 1521 in Nuremberg. It features the youthful effigy of Charles V. Designed by Albrecht Dürer (1471-1528) and executed by the engraver Hans Krafft (1481-ca. 1542). Diameter: 72 mm. The city of Nuremberg commissioned this medal in honour of the Emperor to commemorate his first Imperial Diet, which was to be held there in 1521, although it was eventuall
Art inspired by The Earl Canning, K.G., K.S.I., G.C.B., Calcutta, 1858–61, Albumen silver print from glass negative, Image: 26.5 x 21.7 cm (10 7/16 x 8 9/16 in.), Photographs, Bourne and Shephard, Samuel Bourne (British, 1834–1912), Charles Shepherd (British, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-earl-canning-kg-ksi-gcb-calcutta-185861-albumen-silver-print-from-glass-negative-image-265-x-217-cm-10-716-x-8-916-in-photographs-bourne-and-shephard-samuel-bourne-british-18341912-charles-shepherd-british-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462940334.htmlRF2HW4N3A–Art inspired by The Earl Canning, K.G., K.S.I., G.C.B., Calcutta, 1858–61, Albumen silver print from glass negative, Image: 26.5 x 21.7 cm (10 7/16 x 8 9/16 in.), Photographs, Bourne and Shephard, Samuel Bourne (British, 1834–1912), Charles Shepherd (British, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Oxford Crown of Charles I of England. 1663. Black and White Illustration from the Connoisseur, an Illustrated Magazine for Collectors Voll 3 (May-Aug 1902) published in London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-oxford-crown-of-charles-i-of-england-1663-black-and-white-illustration-from-the-connoisseur-an-illustrated-magazine-for-collectors-voll-3-may-aug-1902-published-in-london-image596359599.htmlRM2WJ6EN3–The Oxford Crown of Charles I of England. 1663. Black and White Illustration from the Connoisseur, an Illustrated Magazine for Collectors Voll 3 (May-Aug 1902) published in London.
Art inspired by Charles I Dominion of the Seas medal, 1630, French, Silver, Diam.: 60 mm., Medals and Plaquettes, Medalist: Nicholas Briot (French, 1579–1646, active England after 1633, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-charles-i-dominion-of-the-seas-medal-1630-french-silver-diam-60-mm-medals-and-plaquettes-medalist-nicholas-briot-french-15791646-active-england-after-1633-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462923575.htmlRF2HW3YMR–Art inspired by Charles I Dominion of the Seas medal, 1630, French, Silver, Diam.: 60 mm., Medals and Plaquettes, Medalist: Nicholas Briot (French, 1579–1646, active England after 1633, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
hammered silver shilling of Charles I Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hammered-silver-shilling-of-charles-i-56388668.htmlRFD7MM90–hammered silver shilling of Charles I
Art inspired by Coin (Crown) Showing Charles I, 1625, British, Silver, gold, Diam. 1 11/16 in. (4.2 cm); thickness 1/8 in. (0.3 cm); Wt. 1.1 oz. (31.2 g), Miscellaneous-Coins and Medals, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-coin-crown-showing-charles-i-1625-british-silver-gold-diam-1-1116-in-42-cm-thickness-18-in-03-cm-wt-11-oz-312-g-miscellaneous-coins-and-medals-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462755651.htmlRF2HTT9FF–Art inspired by Coin (Crown) Showing Charles I, 1625, British, Silver, gold, Diam. 1 11/16 in. (4.2 cm); thickness 1/8 in. (0.3 cm); Wt. 1.1 oz. (31.2 g), Miscellaneous-Coins and Medals, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
King Charles I (1600 - 1649), a miniature box, England, middle of the 18th century Oval snuffbox, silver, gilded. There is an enamel miniature on the lid portraying King Charles I in armour, wearing the lesser decoration of the Order of the Garter. Very fine painting. Unsigned. Diameter 56 mm. Box dimensions 80 x 66 x 17 mm., people, 17th century, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, man, men, male, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-king-charles-i-1600-1649-a-miniature-box-england-middle-of-the-18th-31708729.htmlRMBRGCPH–King Charles I (1600 - 1649), a miniature box, England, middle of the 18th century Oval snuffbox, silver, gilded. There is an enamel miniature on the lid portraying King Charles I in armour, wearing the lesser decoration of the Order of the Garter. Very fine painting. Unsigned. Diameter 56 mm. Box dimensions 80 x 66 x 17 mm., people, 17th century, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, man, men, male,
World's largest coin to be sold in London. A silver coin which is said to be the largest in the world, a Siamese 80 ticals piece, weighing 39 ounces, has been sentenced to London by Baron S VanMoylan of Llangattock, Wales, to be sold by auction. The coin is around Bahr bent into a kind of sphere. It's metal value is about £8. It ranks as a giant in comparison with England's largest silver place, the 4 ounce coin which Charles I issued in Oxford, after gives a silver plate from the University. 6 December 1937 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/worlds-largest-coin-to-be-sold-in-london-a-silver-coin-which-is-said-to-be-the-largest-in-the-world-a-siamese-80-ticals-piece-weighing-39-ounces-has-been-sentenced-to-london-by-baron-s-vanmoylan-of-llangattock-wales-to-be-sold-by-auction-the-coin-is-around-bahr-bent-into-a-kind-of-sphere-its-metal-value-is-about-8-it-ranks-as-a-giant-in-comparison-with-englands-largest-silver-place-the-4-ounce-coin-which-charles-i-issued-in-oxford-after-gives-a-silver-plate-from-the-university-6-december-1937-image359625145.htmlRM2BW29F5–World's largest coin to be sold in London. A silver coin which is said to be the largest in the world, a Siamese 80 ticals piece, weighing 39 ounces, has been sentenced to London by Baron S VanMoylan of Llangattock, Wales, to be sold by auction. The coin is around Bahr bent into a kind of sphere. It's metal value is about £8. It ranks as a giant in comparison with England's largest silver place, the 4 ounce coin which Charles I issued in Oxford, after gives a silver plate from the University. 6 December 1937
Portrait of Emperor Napoleon I in coronation robes, tapestry, after a painting by Baron Francois Gerard, circa 1808 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-emperor-napoleon-i-in-coronation-robes-tapestry-after-a-painting-by-baron-francois-gerard-circa-1808-image238158159.htmlRMRRD14F–Portrait of Emperor Napoleon I in coronation robes, tapestry, after a painting by Baron Francois Gerard, circa 1808
For our aviators, Send us something to melt or sell, Gold, Silver, Plate, Treasure and Trinket Fund, National Special Aid (1917) American World War I era poster by Charles Buckles Falls Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/for-our-aviators-send-us-something-to-melt-or-sell-gold-silver-plate-treasure-and-trinket-fund-national-special-aid-1917-american-world-war-i-era-poster-by-charles-buckles-falls-image477610132.htmlRF2JN10GM–For our aviators, Send us something to melt or sell, Gold, Silver, Plate, Treasure and Trinket Fund, National Special Aid (1917) American World War I era poster by Charles Buckles Falls
Charles 1st silver coins Threepence and Groat four pence found whilst metal detecting and declared as treasure Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-charles-1st-silver-coins-threepence-and-groat-four-pence-found-whilst-37324823.htmlRMC4M85B–Charles 1st silver coins Threepence and Groat four pence found whilst metal detecting and declared as treasure
King Charles I's Pocket Watch Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-charles-is-pocket-watch-image501364804.htmlRM2M3K3WT–King Charles I's Pocket Watch
COINS: Charles I: Scarborough, Beeston, Colchester, antique print 1845 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-coins-charles-i-scarborough-beeston-colchester-antique-print-1845-94674602.htmlRFFE0PBP–COINS: Charles I: Scarborough, Beeston, Colchester, antique print 1845
![[Interior of the Crystal Throne in the Dewan-i-Khas]. Date/Period: 1858. Print. Albumen silver. Height: 278 mm (10.94 in); Width: 367 mm (14.44 in). Author: Charles Moravia. Stock Photo](https://c8.alamy.com/comp/PNDJER/interior-of-the-crystal-throne-in-the-dewan-i-khas-dateperiod-1858-print-albumen-silver-height-278-mm-1094-in-width-367-mm-1444-in-author-charles-moravia-PNDJER.jpg "[Interior of the Crystal Throne in the Dewan-i-Khas]. Date/Period: 1858. Print. Albumen silver. Height: 278 mm (10.94 in); Width: 367 mm (14.44 in). Author: Charles Moravia. Stock Photo")
[Interior of the Crystal Throne in the Dewan-i-Khas]. Date/Period: 1858. Print. Albumen silver. Height: 278 mm (10.94 in); Width: 367 mm (14.44 in). Author: Charles Moravia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/interior-of-the-crystal-throne-in-the-dewan-i-khas-dateperiod-1858-print-albumen-silver-height-278-mm-1094-in-width-367-mm-1444-in-author-charles-moravia-image219732095.htmlRMPNDJER–[Interior of the Crystal Throne in the Dewan-i-Khas]. Date/Period: 1858. Print. Albumen silver. Height: 278 mm (10.94 in); Width: 367 mm (14.44 in). Author: Charles Moravia.
Silver one Franc coin depicting Napoleon I. Minted in Limoges, France in 1813. The coin was given to Charles Lindbergh by Mrs. Teny, 15 bis, Rue Almelie, Paris. Title: 1815 5 Francs Coin . 1813. Tiolier, Pierre Joseph, 1763��9 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/silver-one-franc-coin-depicting-napoleon-i-minted-in-limoges-france-in-1813-the-coin-was-given-to-charles-lindbergh-by-mrs-teny-15-bis-rue-almelie-paris-title-1815-5-francs-coin-1813-tiolier-pierre-joseph-17639-image178681325.htmlRMMAKHRW–Silver one Franc coin depicting Napoleon I. Minted in Limoges, France in 1813. The coin was given to Charles Lindbergh by Mrs. Teny, 15 bis, Rue Almelie, Paris. Title: 1815 5 Francs Coin . 1813. Tiolier, Pierre Joseph, 1763��9
Voisin Type 8. Single-engine, two-seat French World War I pusher biplane bomber aircraft; 220 horsepower Peugeot 8Aa engine. Silver finish overall.Gabriel and Charles Voisin were among Europe's leading pioneer aviators. NASM2018-10173 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/voisin-type-8-single-engine-two-seat-french-world-war-i-pusher-biplane-bomber-aircraft-220-horsepower-peugeot-8aa-engine-silver-finish-overallgabriel-and-charles-voisin-were-among-europes-leading-pioneer-aviators-nasm2018-10173-image352225718.htmlRM2BD17DX–Voisin Type 8. Single-engine, two-seat French World War I pusher biplane bomber aircraft; 220 horsepower Peugeot 8Aa engine. Silver finish overall.Gabriel and Charles Voisin were among Europe's leading pioneer aviators. NASM2018-10173
Charles Frederick Kandler I, British, born 1695; first mark entered 1727, Spoon Tray, 1729/30, Silver, 9/16 x 7 1/8 x 4 in. (1.4 x 18.1 x 10.2 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-frederick-kandler-i-british-born-1695-first-mark-entered-1727-spoon-tray-172930-silver-916-x-7-18-x-4-in-14-x-181-x-102-cm-image344581056.htmlRM2B0H0J8–Charles Frederick Kandler I, British, born 1695; first mark entered 1727, Spoon Tray, 1729/30, Silver, 9/16 x 7 1/8 x 4 in. (1.4 x 18.1 x 10.2 cm
Helmet from a suit of armour of the time of King Charles I, breastplate, tassets and pouldron 3, ancient pertuisan 4, sword with silver hilt 5 and hammer of arms from the Tower of London 6. Copperplate engraving by J. Hamilton from Francis Grose's Military Antiquities respecting a History of the English Army, Stockdale, London, 1812. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/helmet-from-a-suit-of-armour-of-the-time-of-king-charles-i-breastplate-tassets-and-pouldron-3-ancient-pertuisan-4-sword-with-silver-hilt-5-and-hammer-of-arms-from-the-tower-of-london-6-copperplate-engraving-by-j-hamilton-from-francis-groses-military-antiquities-respecting-a-history-of-the-english-army-stockdale-london-1812-image241035515.htmlRMT04377–Helmet from a suit of armour of the time of King Charles I, breastplate, tassets and pouldron 3, ancient pertuisan 4, sword with silver hilt 5 and hammer of arms from the Tower of London 6. Copperplate engraving by J. Hamilton from Francis Grose's Military Antiquities respecting a History of the English Army, Stockdale, London, 1812.
Charles Frederick Kandler I, British, born 1695; first mark entered 1727, Coffeepot, c. 1730, Silver and wood, 9 3/8 x 7 1/2 x 4 5/16 in. (23.8 x 19.1 x 11 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-frederick-kandler-i-british-born-1695-first-mark-entered-1727-coffeepot-c-1730-silver-and-wood-9-38-x-7-12-x-4-516-in-238-x-191-x-11-cm-image344572858.htmlRM2B0GJ5E–Charles Frederick Kandler I, British, born 1695; first mark entered 1727, Coffeepot, c. 1730, Silver and wood, 9 3/8 x 7 1/2 x 4 5/16 in. (23.8 x 19.1 x 11 cm
Oval portrait of Charles, Prince of Wales, later King Charles I of England, 1600-1649. On horseback, in hat, ruff collar, embroidered doublet, breeches, boots, with baton. Carolus Princeps. From an original silver plate by Simon van de Pass. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oval-portrait-of-charles-prince-of-wales-later-king-charles-i-of-england-1600-1649-on-horseback-in-hat-ruff-collar-embroidered-doublet-breeches-boots-with-baton-carolus-princeps-from-an-original-silver-plate-by-simon-van-de-pass-copperplate-engraving-from-samuel-woodburns-gallery-of-rare-portraits-consisting-of-original-plates-george-jones-102-st-martins-lane-london-1816-image475840326.htmlRM2JJ4B5A–Oval portrait of Charles, Prince of Wales, later King Charles I of England, 1600-1649. On horseback, in hat, ruff collar, embroidered doublet, breeches, boots, with baton. Carolus Princeps. From an original silver plate by Simon van de Pass. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816.
Charles V and Anna, Silver Medal. Front: man and woman bust piece inside laurel wreath. Reverse: inscription laurel wreath, Anna (German Empress), Ferdinand I of Habsburg (German Emperor), Charles V of Habsburg (German Emperor and King of Spain), anonymous, Germany, 1532, silver (metal), founding, d 3 cm × w 17.69 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-v-and-anna-silver-medal-front-man-and-woman-bust-piece-inside-laurel-wreath-reverse-inscription-laurel-wreath-anna-german-empress-ferdinand-i-of-habsburg-german-emperor-charles-v-of-habsburg-german-emperor-and-king-of-spain-anonymous-germany-1532-silver-metal-founding-d-3-cm-w-1769-image261385130.htmlRMW573B6–Charles V and Anna, Silver Medal. Front: man and woman bust piece inside laurel wreath. Reverse: inscription laurel wreath, Anna (German Empress), Ferdinand I of Habsburg (German Emperor), Charles V of Habsburg (German Emperor and King of Spain), anonymous, Germany, 1532, silver (metal), founding, d 3 cm × w 17.69
Santa Catarina Fort of Figueira da Foz, Portugal. It is believed that the foundations of this fortification date back to the reign of King John I (13 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/santa-catarina-fort-of-figueira-da-foz-portugal-it-is-believed-that-the-foundations-of-this-fortification-date-back-to-the-reign-of-king-john-i-13-image530730401.htmlRF2NRCT15–Santa Catarina Fort of Figueira da Foz, Portugal. It is believed that the foundations of this fortification date back to the reign of King John I (13
Armour of King Charles I Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/armour-of-king-charles-i-image578622180.htmlRM2THAEDT–Armour of King Charles I
In the Amsterdam Concertgebouw, the cadets of the Salvation Army take place from the course The Warriors I. Commissioner Mrs Durman gives to the mothers of the cadets the so-called Silver Star out. They receive this badge as a thank you for giving up their child for the work of the Salvation Army. Date: 24 February 1947 Location: Amsterdam, Noord-Holland Keywords: religion Person name: Durman, Durman, Charles H. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/in-the-amsterdam-concertgebouw-the-cadets-of-the-salvation-army-take-place-from-the-course-the-warriors-i-commissioner-mrs-durman-gives-to-the-mothers-of-the-cadets-the-so-called-silver-star-out-they-receive-this-badge-as-a-thank-you-for-giving-up-their-child-for-the-work-of-the-salvation-army-date-24-february-1947-location-amsterdam-noord-holland-keywords-religion-person-name-durman-durman-charles-h-image340987513.htmlRM2APN91D–In the Amsterdam Concertgebouw, the cadets of the Salvation Army take place from the course The Warriors I. Commissioner Mrs Durman gives to the mothers of the cadets the so-called Silver Star out. They receive this badge as a thank you for giving up their child for the work of the Salvation Army. Date: 24 February 1947 Location: Amsterdam, Noord-Holland Keywords: religion Person name: Durman, Durman, Charles H.
Art inspired by Memorial Medal for Charles I, 1649, late 17th century, British, Silver, gold, Diam. 2 5/16 in. (5.9 cm); thickness 1/4 in. (0.6 cm); Wt. 4.1 oz. (116.2 g), Miscellaneous-Coins and Medals, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-memorial-medal-for-charles-i-1649-late-17th-century-british-silver-gold-diam-2-516-in-59-cm-thickness-14-in-06-cm-wt-41-oz-1162-g-miscellaneous-coins-and-medals-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462903062.htmlRF2HW31G6–Art inspired by Memorial Medal for Charles I, 1649, late 17th century, British, Silver, gold, Diam. 2 5/16 in. (5.9 cm); thickness 1/4 in. (0.6 cm); Wt. 4.1 oz. (116.2 g), Miscellaneous-Coins and Medals, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
King Charles I (1600 - 1649), a miniature box, England, middle of the 18th century Oval snuffbox, silver, gilded. There is an enamel miniature on the lid portraying King Charles I in armour, wearing the lesser decoration of the Order of the Garter. Very fine painting. Unsigned. Diameter 56 mm. Box dimensions 80 x 66 x 17 mm., historic, historical,, 17th century, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-king-charles-i-1600-1649-a-miniature-box-england-middle-of-the-18th-31708800.htmlRMBRGCW4–King Charles I (1600 - 1649), a miniature box, England, middle of the 18th century Oval snuffbox, silver, gilded. There is an enamel miniature on the lid portraying King Charles I in armour, wearing the lesser decoration of the Order of the Garter. Very fine painting. Unsigned. Diameter 56 mm. Box dimensions 80 x 66 x 17 mm., historic, historical,, 17th century, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, Additional-Rights-Clearences-Not Available
Art inspired by The Walnut Tree of Emperor Charles V, Yuste, 1858, Albumen silver print from glass negative, Image: 41.6 × 30 cm (16 3/8 × 11 13/16 in.), Photographs, Charles Clifford (Welsh, 1819–1863), In May 1858, Clifford accompanied the Duke of Frías on a trip to Toledo and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-walnut-tree-of-emperor-charles-v-yuste-1858-albumen-silver-print-from-glass-negative-image-416-30-cm-16-38-11-1316-in-photographs-charles-clifford-welsh-18191863-in-may-1858-clifford-accompanied-the-duke-of-fras-on-a-trip-to-toledo-and-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462938732.htmlRF2HW4K24–Art inspired by The Walnut Tree of Emperor Charles V, Yuste, 1858, Albumen silver print from glass negative, Image: 41.6 × 30 cm (16 3/8 × 11 13/16 in.), Photographs, Charles Clifford (Welsh, 1819–1863), In May 1858, Clifford accompanied the Duke of Frías on a trip to Toledo and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait of Emperor Napoleon I in coronation robes, tapestry, after a painting by Baron Francois Gerard, circa 1808 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-emperor-napoleon-i-in-coronation-robes-tapestry-after-a-painting-by-baron-francois-gerard-circa-1808-image238158163.htmlRMRRD14K–Portrait of Emperor Napoleon I in coronation robes, tapestry, after a painting by Baron Francois Gerard, circa 1808
Art inspired by Grande Salle du Conseil d'Etat, May 1871, Albumen silver print from glass negative, Image: 19 x 24.9 cm (7 1/2 x 9 13/16 in.), Photographs, Charles Soulier (French, 1840–1875), Soulier's photograph shows the charred remains of the once lavish audience hall of the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-grande-salle-du-conseil-detat-may-1871-albumen-silver-print-from-glass-negative-image-19-x-249-cm-7-12-x-9-1316-in-photographs-charles-soulier-french-18401875-souliers-photograph-shows-the-charred-remains-of-the-once-lavish-audience-hall-of-the-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462941245.htmlRF2HW4P7W–Art inspired by Grande Salle du Conseil d'Etat, May 1871, Albumen silver print from glass negative, Image: 19 x 24.9 cm (7 1/2 x 9 13/16 in.), Photographs, Charles Soulier (French, 1840–1875), Soulier's photograph shows the charred remains of the once lavish audience hall of the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Charles Frederick Kandler I, Coffeepot, c. 1730, silver and wood. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-frederick-kandler-i-coffeepot-c-1730-silver-and-wood-image537408183.htmlRM2P691HB–Charles Frederick Kandler I, Coffeepot, c. 1730, silver and wood.
Art inspired by Return of Charles I to London after the Coronation at Edinburgh, Nicholas Briot (French, 1579–1646, active England after 1633), 1633, British, Silver, Diameter: 42 mm, Medals and Plaquettes, Nicholas Briot (French, 1579–1646, active England after 1633, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-return-of-charles-i-to-london-after-the-coronation-at-edinburgh-nicholas-briot-french-15791646-active-england-after-1633-1633-british-silver-diameter-42-mm-medals-and-plaquettes-nicholas-briot-french-15791646-active-england-after-1633-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462922891.htmlRF2HW3XTB–Art inspired by Return of Charles I to London after the Coronation at Edinburgh, Nicholas Briot (French, 1579–1646, active England after 1633), 1633, British, Silver, Diameter: 42 mm, Medals and Plaquettes, Nicholas Briot (French, 1579–1646, active England after 1633, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Coins minted by Kings of Madrid. Philip V, Louis I, Ferdinand VI, Charles III, Charles IV, Ferdin… Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coins-minted-by-kings-of-madrid-philip-v-louis-i-ferdinand-vi-charles-iii-charles-iv-ferdin-image212421942.htmlRMP9GJ9X–Coins minted by Kings of Madrid. Philip V, Louis I, Ferdinand VI, Charles III, Charles IV, Ferdin…
![[Exterior of the Crystal Throne in the Dewan-i-Khas]. Date/Period: 1858. Print. Albumen silver. Height: 284 mm (11.18 in); Width: 373 mm (14.68 in). Author: Charles Moravia. Stock Photo](https://c8.alamy.com/comp/PNCHH0/exterior-of-the-crystal-throne-in-the-dewan-i-khas-dateperiod-1858-print-albumen-silver-height-284-mm-1118-in-width-373-mm-1468-in-author-charles-moravia-PNCHH0.jpg "[Exterior of the Crystal Throne in the Dewan-i-Khas]. Date/Period: 1858. Print. Albumen silver. Height: 284 mm (11.18 in); Width: 373 mm (14.68 in). Author: Charles Moravia. Stock Photo")
[Exterior of the Crystal Throne in the Dewan-i-Khas]. Date/Period: 1858. Print. Albumen silver. Height: 284 mm (11.18 in); Width: 373 mm (14.68 in). Author: Charles Moravia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/exterior-of-the-crystal-throne-in-the-dewan-i-khas-dateperiod-1858-print-albumen-silver-height-284-mm-1118-in-width-373-mm-1468-in-author-charles-moravia-image219709420.htmlRMPNCHH0–[Exterior of the Crystal Throne in the Dewan-i-Khas]. Date/Period: 1858. Print. Albumen silver. Height: 284 mm (11.18 in); Width: 373 mm (14.68 in). Author: Charles Moravia.
Art inspired by Galerie des Glaces at Versailles, 1684, Etching; fourth state, Plate: 6 1/8 x 4 in. (15.5 x 10.2 cm), Prints, Sébastien Leclerc I (French, Metz 1637–1714 Paris), This work shows the interior of the Hall of Mirrors shortly after its painted ceiling celebrating Louis XIV', Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-galerie-des-glaces-at-versailles-1684-etching-fourth-state-plate-6-18-x-4-in-155-x-102-cm-prints-sbastien-leclerc-i-french-metz-16371714-paris-this-work-shows-the-interior-of-the-hall-of-mirrors-shortly-after-its-painted-ceiling-celebrating-louis-xiv-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462985275.htmlRF2HW6PCB–Art inspired by Galerie des Glaces at Versailles, 1684, Etching; fourth state, Plate: 6 1/8 x 4 in. (15.5 x 10.2 cm), Prints, Sébastien Leclerc I (French, Metz 1637–1714 Paris), This work shows the interior of the Hall of Mirrors shortly after its painted ceiling celebrating Louis XIV', Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Cartoon King Charles the First in the crown, with the sword and Globus cruciger Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cartoon-king-charles-the-first-in-the-crown-with-the-sword-and-globus-image66171637.htmlRFDRJAGN–Cartoon King Charles the First in the crown, with the sword and Globus cruciger
. Silver Cliff mine. Coverage: 1870?-1900?. Source Imprint: 1870?-1900?. Digital item published 10-24-2005; updated 2-13-2009. 272 Silver Cliff mine, by Emery, C. E. (Charles E.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/silver-cliff-mine-coverage-1870-1900-source-imprint-1870-1900-digital-item-published-10-24-2005-updated-2-13-2009-272-silver-cliff-mine-by-emery-c-e-charles-e-image208676188.htmlRMP3E0H0–. Silver Cliff mine. Coverage: 1870?-1900?. Source Imprint: 1870?-1900?. Digital item published 10-24-2005; updated 2-13-2009. 272 Silver Cliff mine, by Emery, C. E. (Charles E.)
Presentation piece to the Emperor Charles V., 1861. '...an ornament in silver, quaint in design but beautiful exceedingly in workmanship, which is supposed to have been given to Charles V. in commemoration of the stupendous victory obtained by his forces over Francis I., at the battle of Pavia, in 1526. The original forms part of the celebrated Ambras Collection, in the Belvidere at Vienna. This collection takes its name from the Castle of Ambras, near Inspruck, in the Tyrol, which belonged to the Archduke Ferdinand..., a Prince who, full of the revived spirit of learning which arose in the si Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/presentation-piece-to-the-emperor-charles-v-1861-an-ornament-in-silver-quaint-in-design-but-beautiful-exceedingly-in-workmanship-which-is-supposed-to-have-been-given-to-charles-v-in-commemoration-of-the-stupendous-victory-obtained-by-his-forces-over-francis-i-at-the-battle-of-pavia-in-1526-the-original-forms-part-of-the-celebrated-ambras-collection-in-the-belvidere-at-vienna-this-collection-takes-its-name-from-the-castle-of-ambras-near-inspruck-in-the-tyrol-which-belonged-to-the-archduke-ferdinand-a-prince-who-full-of-the-revived-spirit-of-learning-which-arose-in-the-si-image575130678.htmlRM2TBKD1A–Presentation piece to the Emperor Charles V., 1861. '...an ornament in silver, quaint in design but beautiful exceedingly in workmanship, which is supposed to have been given to Charles V. in commemoration of the stupendous victory obtained by his forces over Francis I., at the battle of Pavia, in 1526. The original forms part of the celebrated Ambras Collection, in the Belvidere at Vienna. This collection takes its name from the Castle of Ambras, near Inspruck, in the Tyrol, which belonged to the Archduke Ferdinand..., a Prince who, full of the revived spirit of learning which arose in the si
Shilling of King Charles I Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shilling-of-king-charles-i-image242499323.htmlRMT2EPA3–Shilling of King Charles I
Oval portrait of Charles, Prince of Wales, later King Charles I of England, 1600-1649. In ruff collar, doublet, order on ribbon. Princ. Carolus Magnae Britanniae et Hiberniae. From an original silver plate by Simon van de Pass with inscription. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oval-portrait-of-charles-prince-of-wales-later-king-charles-i-of-england-1600-1649-in-ruff-collar-doublet-order-on-ribbon-princ-carolus-magnae-britanniae-et-hiberniae-from-an-original-silver-plate-by-simon-van-de-pass-with-inscription-copperplate-engraving-from-samuel-woodburns-gallery-of-rare-portraits-consisting-of-original-plates-george-jones-102-st-martins-lane-london-1816-image475840324.htmlRM2JJ4B58–Oval portrait of Charles, Prince of Wales, later King Charles I of England, 1600-1649. In ruff collar, doublet, order on ribbon. Princ. Carolus Magnae Britanniae et Hiberniae. From an original silver plate by Simon van de Pass with inscription. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816.
Double Thaler by Maximilian I, Charles V and Ferdinand I, German Emperors, Silver Medal. Obverse: bust of three men with crown inside inscription. Reverse: double-headed eagle with a coat of arms inscribed, Maximilian I of Habsburg (Emperor of the Holy Roman Empire), Charles V of Habsburg (German Emperor and King of Spain), Ferdinand I of Habsburg (German Emperor), anonymous, 1590, silver (metal), striking (metalworking), d 4.2 cm × w 58.30 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/double-thaler-by-maximilian-i-charles-v-and-ferdinand-i-german-emperors-silver-medal-obverse-bust-of-three-men-with-crown-inside-inscription-reverse-double-headed-eagle-with-a-coat-of-arms-inscribed-maximilian-i-of-habsburg-emperor-of-the-holy-roman-empire-charles-v-of-habsburg-german-emperor-and-king-of-spain-ferdinand-i-of-habsburg-german-emperor-anonymous-1590-silver-metal-striking-metalworking-d-42-cm-w-5830-image261386862.htmlRMW575H2–Double Thaler by Maximilian I, Charles V and Ferdinand I, German Emperors, Silver Medal. Obverse: bust of three men with crown inside inscription. Reverse: double-headed eagle with a coat of arms inscribed, Maximilian I of Habsburg (Emperor of the Holy Roman Empire), Charles V of Habsburg (German Emperor and King of Spain), Ferdinand I of Habsburg (German Emperor), anonymous, 1590, silver (metal), striking (metalworking), d 4.2 cm × w 58.30
Charlemagne (742814) was King of the Franks from 768 to his death. He is also known as Charles I, Karl der Grosse of Germany and Carolus Magnus of the Holy Roman Empire. The ordinary clothes of Charlemagne consisted of a shirt, tunic, breeches (culottes), ribbons tied around the calves, shoes, belt and sword. He wore in winter a thorax, which covered the chest, and a garment called the Venetian mantle. Charlemagne never appeared in public without his sword; the belt and hilt were of silver or gold. For ceremonial wear, he carried a sword enriched with precious stones. Handcolored copperplate Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charlemagne-742814-was-king-of-the-franks-from-768-to-his-death-he-is-also-known-as-charles-i-karl-der-grosse-of-germany-and-carolus-magnus-of-the-holy-roman-empire-the-ordinary-clothes-of-charlemagne-consisted-of-a-shirt-tunic-breeches-culottes-ribbons-tied-around-the-calves-shoes-belt-and-sword-he-wore-in-winter-a-thorax-which-covered-the-chest-and-a-garment-called-the-venetian-mantle-charlemagne-never-appeared-in-public-without-his-sword-the-belt-and-hilt-were-of-silver-or-gold-for-ceremonial-wear-he-carried-a-sword-enriched-with-precious-stones-handcolored-copperplate-image392695431.htmlRM2DPTR0R–Charlemagne (742814) was King of the Franks from 768 to his death. He is also known as Charles I, Karl der Grosse of Germany and Carolus Magnus of the Holy Roman Empire. The ordinary clothes of Charlemagne consisted of a shirt, tunic, breeches (culottes), ribbons tied around the calves, shoes, belt and sword. He wore in winter a thorax, which covered the chest, and a garment called the Venetian mantle. Charlemagne never appeared in public without his sword; the belt and hilt were of silver or gold. For ceremonial wear, he carried a sword enriched with precious stones. Handcolored copperplate
Santa Catarina Fort of Figueira da Foz, Portugal. It is believed that the foundations of this fortification date back to the reign of King John I (138 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/santa-catarina-fort-of-figueira-da-foz-portugal-it-is-believed-that-the-foundations-of-this-fortification-date-back-to-the-reign-of-king-john-i-138-image530730963.htmlRF2NRCTN7–Santa Catarina Fort of Figueira da Foz, Portugal. It is believed that the foundations of this fortification date back to the reign of King John I (138
I see trouble and an unexpected visitor the seeress told from After the ball :a romance of youth today ; illustrated with scenes from the photoplay 'After the ball' as produced by Renco Film Company ; from the widely popular song-story of the same name by Charle adapted by Colwell, James Publication date 1924 Publisher Los Angeles, Calif. : The Times-Mirror Press Storyline - A fun-loving husband is mistaken for a bandit and sent to prison. He allows everyone, including his wife, to think he has died. Years later, he escapes prison and is reunited with his wife and child after the real criminal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/i-see-trouble-and-an-unexpected-visitor-the-seeress-told-from-after-the-ball-a-romance-of-youth-today-illustrated-with-scenes-from-the-photoplay-after-the-ball-as-produced-by-renco-film-company-from-the-widely-popular-song-story-of-the-same-name-by-charle-adapted-by-colwell-james-publication-date-1924-publisher-los-angeles-calif-the-times-mirror-press-storyline-a-fun-loving-husband-is-mistaken-for-a-bandit-and-sent-to-prison-he-allows-everyone-including-his-wife-to-think-he-has-died-years-later-he-escapes-prison-and-is-reunited-with-his-wife-and-child-after-the-real-criminal-image592090179.htmlRF2WB811R–I see trouble and an unexpected visitor the seeress told from After the ball :a romance of youth today ; illustrated with scenes from the photoplay 'After the ball' as produced by Renco Film Company ; from the widely popular song-story of the same name by Charle adapted by Colwell, James Publication date 1924 Publisher Los Angeles, Calif. : The Times-Mirror Press Storyline - A fun-loving husband is mistaken for a bandit and sent to prison. He allows everyone, including his wife, to think he has died. Years later, he escapes prison and is reunited with his wife and child after the real criminal
Art inspired by Basket-hilted Sword, blade dated 1662, hilt, British; blade, German, Steel, wood, silver, L. 39 7/8 in. (101.3 cm); L. of blade 34 1/4 in. (87 cm); W. 5 in. (12.7 cm); Wt. 2 lb. 6 oz. (1077 g), Swords, English hilts of this type, with chiseled ornament featuring, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-basket-hilted-sword-blade-dated-1662-hilt-british-blade-german-steel-wood-silver-l-39-78-in-1013-cm-l-of-blade-34-14-in-87-cm-w-5-in-127-cm-wt-2-lb-6-oz-1077-g-swords-english-hilts-of-this-type-with-chiseled-ornament-featuring-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462899202.htmlRF2HW2TJA–Art inspired by Basket-hilted Sword, blade dated 1662, hilt, British; blade, German, Steel, wood, silver, L. 39 7/8 in. (101.3 cm); L. of blade 34 1/4 in. (87 cm); W. 5 in. (12.7 cm); Wt. 2 lb. 6 oz. (1077 g), Swords, English hilts of this type, with chiseled ornament featuring, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Charles I, 6.3.1823 - 6.10.1891, King of Wuerttemberg 1864 - 1891, portrait, with his wife Olga, wood engraving, made on occasion of their 25th wedding anniversary on 13.7.1871, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-i-631823-6101891-king-of-wuerttemberg-1864-1891-portrait-with-his-wife-olga-wood-engraving-made-on-occasion-of-their-25th-wedding-anniversary-on-1371871-additional-rights-clearance-info-not-available-image238317593.htmlRMRRM8EH–Charles I, 6.3.1823 - 6.10.1891, King of Wuerttemberg 1864 - 1891, portrait, with his wife Olga, wood engraving, made on occasion of their 25th wedding anniversary on 13.7.1871, Additional-Rights-Clearance-Info-Not-Available
Single-engine, two-seat French World War I pusher biplane bomber aircraft; 220 horsepower Peugeot 8Aa engine. Silver finish overall. Gabriel and Charles Voisin were among Europe's leading pioneer aviators. Their classic 1907 pusher biplane was one of the most significant aircraft of the pre-World War I era. In 1912, they developed a military version. Thereafter they built aircraft almost exclusively for military contracts. The Voisin 1912 Type, as it was referred to by the French military, also called the Type 1, launched the standard configuration of almost all Voisin aircraft throughout the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/single-engine-two-seat-french-world-war-i-pusher-biplane-bomber-aircraft-220-horsepower-peugeot-8aa-engine-silver-finish-overall-gabriel-and-charles-voisin-were-among-europes-leading-pioneer-aviators-their-classic-1907-pusher-biplane-was-one-of-the-most-significant-aircraft-of-the-pre-world-war-i-era-in-1912-they-developed-a-military-version-thereafter-they-built-aircraft-almost-exclusively-for-military-contracts-the-voisin-1912-type-as-it-was-referred-to-by-the-french-military-also-called-the-type-1-launched-the-standard-configuration-of-almost-all-voisin-aircraft-throughout-the-image440352398.htmlRM2GGBNYA–Single-engine, two-seat French World War I pusher biplane bomber aircraft; 220 horsepower Peugeot 8Aa engine. Silver finish overall. Gabriel and Charles Voisin were among Europe's leading pioneer aviators. Their classic 1907 pusher biplane was one of the most significant aircraft of the pre-World War I era. In 1912, they developed a military version. Thereafter they built aircraft almost exclusively for military contracts. The Voisin 1912 Type, as it was referred to by the French military, also called the Type 1, launched the standard configuration of almost all Voisin aircraft throughout the
Remains North Tower Gateway at Aberystwyth Castle Ceredigion Mid Wales Grade I listed Edwardian fortress 1637 Charles I turned castle into Royal Mint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-remains-north-tower-gateway-at-aberystwyth-castle-ceredigion-mid-wales-103519917.htmlRMG0BMKW–Remains North Tower Gateway at Aberystwyth Castle Ceredigion Mid Wales Grade I listed Edwardian fortress 1637 Charles I turned castle into Royal Mint
SILVER SPOON FOR PRINCE CHARLES -' NO MEDICINE ' THE DUKE PROMISES . The Duke of Edinburgh holding a Charles I Silver Spoon for their infant son, Prince Charles presented to him when he opened a new recreation ground at the Oxfordshire village of Combe today. The spoon is a gift from the children and the village of Combe. In his reply, the Duke promised that the spoon would never be used to administer medicine to the young prince. The national playing fields Association, of which the Duke is president, has contributed to the cost of the recreation ground. July 19 1949 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/silver-spoon-for-prince-charles-no-medicine-the-duke-promises-the-duke-of-edinburgh-holding-a-charles-i-silver-spoon-for-their-infant-son-prince-charles-presented-to-him-when-he-opened-a-new-recreation-ground-at-the-oxfordshire-village-of-combe-today-the-spoon-is-a-gift-from-the-children-and-the-village-of-combe-in-his-reply-the-duke-promised-that-the-spoon-would-never-be-used-to-administer-medicine-to-the-young-prince-the-national-playing-fields-association-of-which-the-duke-is-president-has-contributed-to-the-cost-of-the-recreation-ground-july-19-1949-image623892569.htmlRM2Y70N9D–SILVER SPOON FOR PRINCE CHARLES -' NO MEDICINE ' THE DUKE PROMISES . The Duke of Edinburgh holding a Charles I Silver Spoon for their infant son, Prince Charles presented to him when he opened a new recreation ground at the Oxfordshire village of Combe today. The spoon is a gift from the children and the village of Combe. In his reply, the Duke promised that the spoon would never be used to administer medicine to the young prince. The national playing fields Association, of which the Duke is president, has contributed to the cost of the recreation ground. July 19 1949
Charles Frederick Kandler I, Spoon Tray, 1729/30, silver. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-frederick-kandler-i-spoon-tray-172930-silver-image537407569.htmlRM2P690RD–Charles Frederick Kandler I, Spoon Tray, 1729/30, silver.
A lot of old silver coins with portraits of kings on a white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-lot-of-old-silver-coins-with-portraits-of-kings-on-a-white-background-86493268.htmlRFF0M318–A lot of old silver coins with portraits of kings on a white background
Boat-Lavoir, quai du Louvre. Paris (1 arr.). Photograph by Charles Berroux. Gelatino-silver-bromide draw, November 22, 1903. Paris, Carnavalet museum. 123612-7 IER IE I 1ER 1E 1 ARRONDISSEMENT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/boat-lavoir-quai-du-louvre-paris-1-arr-photograph-by-charles-berroux-gelatino-silver-bromide-draw-november-22-1903-paris-carnavalet-museum-123612-7-ier-ie-i-1er-1e-1-arrondissement-image596739151.htmlRM2WJRPTF–Boat-Lavoir, quai du Louvre. Paris (1 arr.). Photograph by Charles Berroux. Gelatino-silver-bromide draw, November 22, 1903. Paris, Carnavalet museum. 123612-7 IER IE I 1ER 1E 1 ARRONDISSEMENT
Heraldic Panel with Arms of the House of Hapsburg. Culture: South Netherlandish. Dimensions: Overall: 34 x 21 in. (86.4 x 53.3 cm). Date: ca. 1504-6. The Gravensteen (Castle of the Count) at Ghent was the principal domain of the Hapsburgs in South Flanders. This stained-glass panel, thought to have come from this imperial residence, is part of a larger series ordered either by Maximilian I or Charles V. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heraldic-panel-with-arms-of-the-house-of-hapsburg-culture-south-netherlandish-dimensions-overall-34-x-21-in-864-x-533-cm-date-ca-1504-6-the-gravensteen-castle-of-the-count-at-ghent-was-the-principal-domain-of-the-hapsburgs-in-south-flanders-this-stained-glass-panel-thought-to-have-come-from-this-imperial-residence-is-part-of-a-larger-series-ordered-either-by-maximilian-i-or-charles-v-museum-metropolitan-museum-of-art-new-york-usa-image213209315.htmlRMPATEJB–Heraldic Panel with Arms of the House of Hapsburg. Culture: South Netherlandish. Dimensions: Overall: 34 x 21 in. (86.4 x 53.3 cm). Date: ca. 1504-6. The Gravensteen (Castle of the Count) at Ghent was the principal domain of the Hapsburgs in South Flanders. This stained-glass panel, thought to have come from this imperial residence, is part of a larger series ordered either by Maximilian I or Charles V. Museum: Metropolitan Museum of Art, New York, USA.
King James I of England (James VI of Scotland), James Charles Stuart, (1566-1625), portrait miniature by Lawrence Hilliard, 1600-1625 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-james-i-of-england-james-vi-of-scotland-james-charles-stuart-1566-1625-portrait-miniature-by-lawrence-hilliard-1600-1625-image431730146.htmlRM2G2B05P–King James I of England (James VI of Scotland), James Charles Stuart, (1566-1625), portrait miniature by Lawrence Hilliard, 1600-1625
LONDON, UNITED KINGDOM - JULY 05, 2021: A staff member poses with The Seven Liberal Arts Inkstand, a Charles I silver inkstand, the design and chasing attributed to Christiaen van Vianen, estimate £1,000,000-1,500,000 during a photo call for Classic Week at Christie's auction house, a marquee series of nine auctions which feature works of art from antiquity to the 20th century on July 05, 2021 in London, England. (Photo by WIktor Szymanowicz/NurPhoto) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-united-kingdom-july-05-2021-a-staff-member-poses-with-the-seven-liberal-arts-inkstand-a-charles-i-silver-inkstand-the-design-and-chasing-attributed-to-christiaen-van-vianen-estimate-1000000-1500000-during-a-photo-call-for-classic-week-at-christies-auction-house-a-marquee-series-of-nine-auctions-which-feature-works-of-art-from-antiquity-to-the-20th-century-on-july-05-2021-in-london-england-photo-by-wiktor-szymanowicznurphoto-image489637537.htmlRM2KCGWJW–LONDON, UNITED KINGDOM - JULY 05, 2021: A staff member poses with The Seven Liberal Arts Inkstand, a Charles I silver inkstand, the design and chasing attributed to Christiaen van Vianen, estimate £1,000,000-1,500,000 during a photo call for Classic Week at Christie's auction house, a marquee series of nine auctions which feature works of art from antiquity to the 20th century on July 05, 2021 in London, England. (Photo by WIktor Szymanowicz/NurPhoto)
. Silver Cliff houses. Coverage: 1870?-1900?. Source Imprint: 1870?-1900?. Digital item published 10-24-2005; updated 2-13-2009. 272 Silver Cliff houses, by Emery, C. E. (Charles E.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/silver-cliff-houses-coverage-1870-1900-source-imprint-1870-1900-digital-item-published-10-24-2005-updated-2-13-2009-272-silver-cliff-houses-by-emery-c-e-charles-e-image208676186.htmlRMP3E0GX–. Silver Cliff houses. Coverage: 1870?-1900?. Source Imprint: 1870?-1900?. Digital item published 10-24-2005; updated 2-13-2009. 272 Silver Cliff houses, by Emery, C. E. (Charles E.)
Goodwood Races: the Steward's Cup, 1862. 'The Stewards' Cup, which was run for on the first day, and won by Captain Christie's Lady Clifden, is a silver vase from the manufactory of Mr. C. F. Hancock...in imitation of an ancient one in majolica-ware, the property of A. Barker, Esq. The form is triangular: three richly-chased grotesque masks form the handles, and on the body of the vase are three bas-reliefs representing ancient battles. The foot is composed of lions' claws and classical ornaments, and the stand of the cup on which it is raised is also ornamented with masks, shields, &c., i Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/goodwood-races-the-stewards-cup-1862-the-stewards-cup-which-was-run-for-on-the-first-day-and-won-by-captain-christies-lady-clifden-is-a-silver-vase-from-the-manufactory-of-mr-c-f-hancockin-imitation-of-an-ancient-one-in-majolica-ware-the-property-of-a-barker-esq-the-form-is-triangular-three-richly-chased-grotesque-masks-form-the-handles-and-on-the-body-of-the-vase-are-three-bas-reliefs-representing-ancient-battles-the-foot-is-composed-of-lions-claws-and-classical-ornaments-and-the-stand-of-the-cup-on-which-it-is-raised-is-also-ornamented-with-masks-shields-ampc-i-image595001617.htmlRM2WG0JHN–Goodwood Races: the Steward's Cup, 1862. 'The Stewards' Cup, which was run for on the first day, and won by Captain Christie's Lady Clifden, is a silver vase from the manufactory of Mr. C. F. Hancock...in imitation of an ancient one in majolica-ware, the property of A. Barker, Esq. The form is triangular: three richly-chased grotesque masks form the handles, and on the body of the vase are three bas-reliefs representing ancient battles. The foot is composed of lions' claws and classical ornaments, and the stand of the cup on which it is raised is also ornamented with masks, shields, &c., i
Shilling of King Charles I Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shilling-of-king-charles-i-image242499322.htmlRMT2EPA2–Shilling of King Charles I
English Silver half crown c 1644, Charles I Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-silver-half-crown-c-1644-charles-i-image381674079.htmlRM2D4XN53–English Silver half crown c 1644, Charles I
Four Habsburg emperors: Frederick III, Maximilian I, Charles V and Ferdinand I, Silver Medal. Front: man's chest piece with crown inside inscription. Reverse: bust of three men in a circle, Frederick III of Habsburg (emperor of the Holy Roman Empire), Maximilian I of Habsburg (emperor of the Holy Roman Empire), Charles V of Habsburg (German emperor and king of Spain), Ferdinand I of Habsburg (German Emperor), anonymous, Austria, c. 1400 - c. 1885, silver (metal), striking (metalworking), d 3.5 cm × t 0.7 cm × w 61.67 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/four-habsburg-emperors-frederick-iii-maximilian-i-charles-v-and-ferdinand-i-silver-medal-front-mans-chest-piece-with-crown-inside-inscription-reverse-bust-of-three-men-in-a-circle-frederick-iii-of-habsburg-emperor-of-the-holy-roman-empire-maximilian-i-of-habsburg-emperor-of-the-holy-roman-empire-charles-v-of-habsburg-german-emperor-and-king-of-spain-ferdinand-i-of-habsburg-german-emperor-anonymous-austria-c-1400-c-1885-silver-metal-striking-metalworking-d-35-cm-t-07-cm-w-6167-image261387305.htmlRMW5764W–Four Habsburg emperors: Frederick III, Maximilian I, Charles V and Ferdinand I, Silver Medal. Front: man's chest piece with crown inside inscription. Reverse: bust of three men in a circle, Frederick III of Habsburg (emperor of the Holy Roman Empire), Maximilian I of Habsburg (emperor of the Holy Roman Empire), Charles V of Habsburg (German emperor and king of Spain), Ferdinand I of Habsburg (German Emperor), anonymous, Austria, c. 1400 - c. 1885, silver (metal), striking (metalworking), d 3.5 cm × t 0.7 cm × w 61.67
Rare Coin, Great Britain, Silver Oxford Crown, King Charles I, Struck at Oxford 1644 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rare-coin-great-britain-silver-oxford-crown-king-charles-i-struck-at-oxford-1644-image381673256.htmlRM2D4XM3M–Rare Coin, Great Britain, Silver Oxford Crown, King Charles I, Struck at Oxford 1644
Coin (Crown) Showing Charles I, 1625, British, Silver, gold, Diam. 1 11/16 in. (4.2 cm); thickness 1/8 in. (0.3 cm); Wt. 1.1 oz Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-coin-crown-showing-charles-i-1625-british-silver-gold-diam-1-1116-162360853.htmlRMKC44WW–Coin (Crown) Showing Charles I, 1625, British, Silver, gold, Diam. 1 11/16 in. (4.2 cm); thickness 1/8 in. (0.3 cm); Wt. 1.1 oz
Santa Catarina Fort of Figueira da Foz, Portugal. It is believed that the foundations of this fortification date back to the reign of King John I (138 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/santa-catarina-fort-of-figueira-da-foz-portugal-it-is-believed-that-the-foundations-of-this-fortification-date-back-to-the-reign-of-king-john-i-138-image530730870.htmlRF2NRCTHX–Santa Catarina Fort of Figueira da Foz, Portugal. It is believed that the foundations of this fortification date back to the reign of King John I (138
Thornicroft's Statue of Charles I, Roger Fenton (English, 1819 - 1869), London, England, about 1857–1860, Albumen silver print, 7.4 × 14.1 cm (2 15/16 × 5 9/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thornicrofts-statue-of-charles-i-roger-fenton-english-1819-1869-london-england-about-18571860-albumen-silver-print-74-141-cm-2-1516-5-916-in-image261296847.htmlRMW532P7–Thornicroft's Statue of Charles I, Roger Fenton (English, 1819 - 1869), London, England, about 1857–1860, Albumen silver print, 7.4 × 14.1 cm (2 15/16 × 5 9/16 in
Coins of the time of Oliver Cromwell, currency of the Commonwealth of England, Scotland. and Ireland Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coins-of-the-time-of-oliver-cromwell-currency-of-the-commonwealth-of-england-scotland-and-ireland-image178422224.htmlRMMA7RA8–Coins of the time of Oliver Cromwell, currency of the Commonwealth of England, Scotland. and Ireland
1890: Aberystwyth Castle is an Edwardian fortress located in Aberystwyth, Ceredigion, Mid Wales, built in response to the First Welsh War in the late 13th century. During a national uprising by Owain Glyndŵr, the Welsh captured the castle in 1404, but it was recaptured by the English four years later. In 1637 it became a Royal mint by Charles I and produced silver shillings. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-1890-aberystwyth-castle-is-an-edwardian-fortress-located-in-aberystwyth-164188513.htmlRMKF3C3D–1890: Aberystwyth Castle is an Edwardian fortress located in Aberystwyth, Ceredigion, Mid Wales, built in response to the First Welsh War in the late 13th century. During a national uprising by Owain Glyndŵr, the Welsh captured the castle in 1404, but it was recaptured by the English four years later. In 1637 it became a Royal mint by Charles I and produced silver shillings.
Now I lay me., Charles A. Beckford (American, active 1870s), 1870s, Hand-colored albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/now-i-lay-me-charles-a-beckford-american-active-1870s-1870s-hand-colored-albumen-silver-print-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349906201.htmlRF2B97GX1–Now I lay me., Charles A. Beckford (American, active 1870s), 1870s, Hand-colored albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
13th century panel from the Silver Shrine shows Charlemagne in the upper right corner leading his knights. Charlemagne (742-814 AD) was King of the Franks from 768 and Emperor of the Romans (Imperator Romanorum) from 800 to his death in 814. He expanded Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-13th-century-panel-from-the-silver-shrine-shows-charlemagne-in-the-104002410.htmlRMG15M3P–13th century panel from the Silver Shrine shows Charlemagne in the upper right corner leading his knights. Charlemagne (742-814 AD) was King of the Franks from 768 and Emperor of the Romans (Imperator Romanorum) from 800 to his death in 814. He expanded
Milton. Richard Blond. James II. Lewote Baa. James Hayes. Charles I 1792 print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/milton-richard-blond-james-ii-lewote-baa-james-hayes-charles-i-1792-print-image364016945.htmlRF2C46B95–Milton. Richard Blond. James II. Lewote Baa. James Hayes. Charles I 1792 print
Maj. Gen. Charles M. Gurganus, commanding general of I Marine Expeditionary Force (Forward), presents and congratulates Petty Officer 1st Class Benny Flores, a corpsman serving with Air Naval Gunfire Liaison Company, with the Silver Star during a ceremony at Camp Pendleton, May 3. Flores was recognized for his actions on April 28, 2012, while serving with Regional Command Southwest providing medical support on a mission to Zaranj, Nimroz province, Afghanistan. Guam native awarded Silver Star 130503-M-BZ222-001 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-maj-gen-charles-m-gurganus-commanding-general-of-i-marine-expeditionary-129721574.htmlRMHF195A–Maj. Gen. Charles M. Gurganus, commanding general of I Marine Expeditionary Force (Forward), presents and congratulates Petty Officer 1st Class Benny Flores, a corpsman serving with Air Naval Gunfire Liaison Company, with the Silver Star during a ceremony at Camp Pendleton, May 3. Flores was recognized for his actions on April 28, 2012, while serving with Regional Command Southwest providing medical support on a mission to Zaranj, Nimroz province, Afghanistan. Guam native awarded Silver Star 130503-M-BZ222-001
Office of granting, quai du Louvre. View taken on July 26, 1903. Paris (1 arr.). Photograph by Charles Berroux. Gelatino-silver-bromide draw. Paris, Carnavalet museum. 123611-29 IER IE I 1ER 1E 1 ARRONDISSEMENT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/office-of-granting-quai-du-louvre-view-taken-on-july-26-1903-paris-1-arr-photograph-by-charles-berroux-gelatino-silver-bromide-draw-paris-carnavalet-museum-123611-29-ier-ie-i-1er-1e-1-arrondissement-image596739144.htmlRM2WJRPT8–Office of granting, quai du Louvre. View taken on July 26, 1903. Paris (1 arr.). Photograph by Charles Berroux. Gelatino-silver-bromide draw. Paris, Carnavalet museum. 123611-29 IER IE I 1ER 1E 1 ARRONDISSEMENT
Heraldic Panel with Arms of the House of Hapsburg. Culture: South Netherlandish. Dimensions: Overall: 34 x 21 in. (86.4 x 53.3 cm). Date: ca. 1504-6. The Gravensteen at Ghent was the principal domain of the Hapsburgs in South Flanders. These stained-glass panels, thought to have come from this imperial residence, are part of a larger series ordered either by Maximilian I or Charles V. From left to right the arms are those of Maximilian I, Philip the Fair, Charles V, and Henry, count of Nassau. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heraldic-panel-with-arms-of-the-house-of-hapsburg-culture-south-netherlandish-dimensions-overall-34-x-21-in-864-x-533-cm-date-ca-1504-6-the-gravensteen-at-ghent-was-the-principal-domain-of-the-hapsburgs-in-south-flanders-these-stained-glass-panels-thought-to-have-come-from-this-imperial-residence-are-part-of-a-larger-series-ordered-either-by-maximilian-i-or-charles-v-from-left-to-right-the-arms-are-those-of-maximilian-i-philip-the-fair-charles-v-and-henry-count-of-nassau-museum-metropolitan-museum-of-art-new-york-usa-image213109141.htmlRMPAKXTN–Heraldic Panel with Arms of the House of Hapsburg. Culture: South Netherlandish. Dimensions: Overall: 34 x 21 in. (86.4 x 53.3 cm). Date: ca. 1504-6. The Gravensteen at Ghent was the principal domain of the Hapsburgs in South Flanders. These stained-glass panels, thought to have come from this imperial residence, are part of a larger series ordered either by Maximilian I or Charles V. From left to right the arms are those of Maximilian I, Philip the Fair, Charles V, and Henry, count of Nassau. Museum: Metropolitan Museum of Art, New York, USA.
Jasper Cup with Gilded-Silver Mounts, Bohemian, ca. 1350-80. Product of the imperial court of Charles IV (crowned at Rome 1355; d. 1378). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jasper-cup-with-gilded-silver-mounts-bohemian-ca-1350-80-product-of-the-imperial-court-of-charles-iv-crowned-at-rome-1355-d-1378-image397473529.htmlRM2E2JDF5–Jasper Cup with Gilded-Silver Mounts, Bohemian, ca. 1350-80. Product of the imperial court of Charles IV (crowned at Rome 1355; d. 1378).
LONDON, UNITED KINGDOM - JULY 05, 2021: A staff member adjusts The Seven Liberal Arts Inkstand, a Charles I silver inkstand, the design and chasing attributed to Christiaen van Vianen, estimate £1,000,000-1,500,000 during a photo call for Classic Week at Christie's auction house, a marquee series of nine auctions which feature works of art from antiquity to the 20th century on July 05, 2021 in London, England. (Photo by WIktor Szymanowicz/NurPhoto) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-united-kingdom-july-05-2021-a-staff-member-adjusts-the-seven-liberal-arts-inkstand-a-charles-i-silver-inkstand-the-design-and-chasing-attributed-to-christiaen-van-vianen-estimate-1000000-1500000-during-a-photo-call-for-classic-week-at-christies-auction-house-a-marquee-series-of-nine-auctions-which-feature-works-of-art-from-antiquity-to-the-20th-century-on-july-05-2021-in-london-england-photo-by-wiktor-szymanowicznurphoto-image489637527.htmlRM2KCGWJF–LONDON, UNITED KINGDOM - JULY 05, 2021: A staff member adjusts The Seven Liberal Arts Inkstand, a Charles I silver inkstand, the design and chasing attributed to Christiaen van Vianen, estimate £1,000,000-1,500,000 during a photo call for Classic Week at Christie's auction house, a marquee series of nine auctions which feature works of art from antiquity to the 20th century on July 05, 2021 in London, England. (Photo by WIktor Szymanowicz/NurPhoto)
. Silver Plume. Alternate Title: Stereoscopic views of Colorado scenery. 198. Coverage: 1865?-1905?. Source Imprint: 1865?-1905?. Digital item published 10-24-2005; updated 2-12-2009. 272 Silver Plume, by Weitfle, Charles, 1836-1921 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/silver-plume-alternate-title-stereoscopic-views-of-colorado-scenery-198-coverage-1865-1905-source-imprint-1865-1905-digital-item-published-10-24-2005-updated-2-12-2009-272-silver-plume-by-weitfle-charles-1836-1921-image208676234.htmlRMP3E0JJ–. Silver Plume. Alternate Title: Stereoscopic views of Colorado scenery. 198. Coverage: 1865?-1905?. Source Imprint: 1865?-1905?. Digital item published 10-24-2005; updated 2-12-2009. 272 Silver Plume, by Weitfle, Charles, 1836-1921
The Bible used by Charles I, 17th century, (1850). Bible used by Charles I '...on the scaffold, on the day of his martyrdom, January 30, 1649'. It was '...traditionally said to have been used by Charles I. just previous to his death...It will be observed that the cover of the volume is decorated with the badge of the Principality within the Garter, surmounted by a Royal coronet in silver gilt, enclosed by an embroidered border: the initials C.P., apparently improperly altered to an R., and the badges of the Rose and Thistle upon a ground of blue velvet; and the book was, therefore, bound betwe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-bible-used-by-charles-i-17th-century-1850-bible-used-by-charles-i-on-the-scaffold-on-the-day-of-his-martyrdom-january-30-1649-it-was-traditionally-said-to-have-been-used-by-charles-i-just-previous-to-his-deathit-will-be-observed-that-the-cover-of-the-volume-is-decorated-with-the-badge-of-the-principality-within-the-garter-surmounted-by-a-royal-coronet-in-silver-gilt-enclosed-by-an-embroidered-border-the-initials-cp-apparently-improperly-altered-to-an-r-and-the-badges-of-the-rose-and-thistle-upon-a-ground-of-blue-velvet-and-the-book-was-therefore-bound-betwe-image462358161.htmlRM2HT66FD–The Bible used by Charles I, 17th century, (1850). Bible used by Charles I '...on the scaffold, on the day of his martyrdom, January 30, 1649'. It was '...traditionally said to have been used by Charles I. just previous to his death...It will be observed that the cover of the volume is decorated with the badge of the Principality within the Garter, surmounted by a Royal coronet in silver gilt, enclosed by an embroidered border: the initials C.P., apparently improperly altered to an R., and the badges of the Rose and Thistle upon a ground of blue velvet; and the book was, therefore, bound betwe
Creampot MET DP154614 2607 Maker: Marked by I. T., Creampot, 1765?85, Silver, Overall: 4 1/16 x 4 1/2 in. (10.3 x 11.4 cm); 4 oz. 2 dwt. (126.8 g) Foot: Diam. 2 3/8 in. (6 cm). The Metropolitan Museum of Art, New York. Bequest of Charles Allen Munn, 1924 (24.109.25) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-creampot-met-dp154614-2607-maker-marked-by-i-t-creampot-176585-silver-168177105.htmlRMKNH3H5–Creampot MET DP154614 2607 Maker: Marked by I. T., Creampot, 1765?85, Silver, Overall: 4 1/16 x 4 1/2 in. (10.3 x 11.4 cm); 4 oz. 2 dwt. (126.8 g) Foot: Diam. 2 3/8 in. (6 cm). The Metropolitan Museum of Art, New York. Bequest of Charles Allen Munn, 1924 (24.109.25)
Aachen, Germany. 27th Jan, 2017. Silver smith Lothar Schmitt cleans the arm reliquiary of Charles the Great in Aachen, Germany, 27 January 2017. The golden arm reliquiary containing bones of Charles I will be erected next to the altar during the ceremony on the day of death of Charlemagne. Photo: Federico Gambarini/dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-aachen-germany-27th-jan-2017-silver-smith-lothar-schmitt-cleans-the-132401107.htmlRMHKBAXY–Aachen, Germany. 27th Jan, 2017. Silver smith Lothar Schmitt cleans the arm reliquiary of Charles the Great in Aachen, Germany, 27 January 2017. The golden arm reliquiary containing bones of Charles I will be erected next to the altar during the ceremony on the day of death of Charlemagne. Photo: Federico Gambarini/dpa/Alamy Live News
Creampot MET DP154612 2607 Maker: Marked by I. T., Creampot, 1765?85, Silver, Overall: 4 1/16 x 4 1/2 in. (10.3 x 11.4 cm); 4 oz. 2 dwt. (126.8 g) Foot: Diam. 2 3/8 in. (6 cm). The Metropolitan Museum of Art, New York. Bequest of Charles Allen Munn, 1924 (24.109.25) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-creampot-met-dp154612-2607-maker-marked-by-i-t-creampot-176585-silver-168176105.htmlRMKNH29D–Creampot MET DP154612 2607 Maker: Marked by I. T., Creampot, 1765?85, Silver, Overall: 4 1/16 x 4 1/2 in. (10.3 x 11.4 cm); 4 oz. 2 dwt. (126.8 g) Foot: Diam. 2 3/8 in. (6 cm). The Metropolitan Museum of Art, New York. Bequest of Charles Allen Munn, 1924 (24.109.25)
Rare Coin, Great Britain, Silver Oxford Crown, King Charles I, Struck at Oxford 1644 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rare-coin-great-britain-silver-oxford-crown-king-charles-i-struck-at-oxford-1644-image381673603.htmlRM2D4XMG3–Rare Coin, Great Britain, Silver Oxford Crown, King Charles I, Struck at Oxford 1644
Double beaker MET SF2008 543 4ab marks 236507 Maker: Nicholaus I Emmerling, active 1587?1606, Double beaker, 1603?9, Silver-gilt, Overall (confirmed): 4 7/16 ? 2 9/16 ? 2 9/16 in., 6.243oz. (11.3 ? 6.5 ? 6.5 cm, 177.006g). The Metropolitan Museum of Art, New York. Gift of Mrs. Charles Wrightsman, 2008 (2008.543.4a, b) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-double-beaker-met-sf2008-543-4ab-marks-236507-maker-nicholaus-i-emmerling-168453460.htmlRMKP1M30–Double beaker MET SF2008 543 4ab marks 236507 Maker: Nicholaus I Emmerling, active 1587?1606, Double beaker, 1603?9, Silver-gilt, Overall (confirmed): 4 7/16 ? 2 9/16 ? 2 9/16 in., 6.243oz. (11.3 ? 6.5 ? 6.5 cm, 177.006g). The Metropolitan Museum of Art, New York. Gift of Mrs. Charles Wrightsman, 2008 (2008.543.4a, b)
London, UK. 30th Nov 2018. Sir Anthony van Dyck, Portrait of Princess Mary (1631-1660), daughter of King Charles I of England, full-length, in a pink dress decorated with silver embroidery and ribbons, 1641, which is offered from a Distinguished Private Collection (estimate: £5,000,000-8,000,000) - Classic week at Christies King Street. Credit: Guy Bell/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-30th-nov-2018-sir-anthony-van-dyck-portrait-of-princess-mary-1631-1660-daughter-of-king-charles-i-of-england-full-length-in-a-pink-dress-decorated-with-silver-embroidery-and-ribbons-1641-which-is-offered-from-a-distinguished-private-collection-estimate-5000000-8000000-classic-week-at-christies-king-street-credit-guy-bellalamy-live-news-image227012992.htmlRMR599AT–London, UK. 30th Nov 2018. Sir Anthony van Dyck, Portrait of Princess Mary (1631-1660), daughter of King Charles I of England, full-length, in a pink dress decorated with silver embroidery and ribbons, 1641, which is offered from a Distinguished Private Collection (estimate: £5,000,000-8,000,000) - Classic week at Christies King Street. Credit: Guy Bell/Alamy Live News
Children of Charles I, by van Dyck, Caldesi & Montecchi (British, active 1850s), London, England, 1858, Albumen silver print, 20 × 24.7 cm (7 7/8 × 9 3/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/children-of-charles-i-by-van-dyck-caldesi-montecchi-british-active-1850s-london-england-1858-albumen-silver-print-20-247-cm-7-78-9-34-in-image261295291.htmlRMW530PK–Children of Charles I, by van Dyck, Caldesi & Montecchi (British, active 1850s), London, England, 1858, Albumen silver print, 20 × 24.7 cm (7 7/8 × 9 3/4 in
Ruins inner gatehouse keep of Aberystwyth Castle Ceredigion Mid Wales Grade I listed Edwardian fortress 1637 Charles I turned castle into Royal Mint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ruins-inner-gatehouse-keep-of-aberystwyth-castle-ceredigion-mid-wales-103519919.htmlRMG0BMKY–Ruins inner gatehouse keep of Aberystwyth Castle Ceredigion Mid Wales Grade I listed Edwardian fortress 1637 Charles I turned castle into Royal Mint
LONDON 5 July 2021. A CHARLES I SILVER INKSTAND OR STANDISH MARK OF ALEXANDER JACKSON, LONDON, 1639, THE DESIGN AND CHASING ATTRIBUTED TO CHRISTIAEN VAN VIANEN. Estimate: GBP 1,000,000 - GBP 1,500,000 Offered at The Exceptional Sale at Christie's King Street as part of classic week. Credit amer ghazzal/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-5-july-2021-a-charles-i-silver-inkstand-or-standish-mark-of-alexander-jackson-london-1639-the-design-and-chasing-attributed-to-christiaen-van-vianen-estimate-gbp-1000000-gbp-1500000-offered-at-the-exceptional-sale-at-christies-king-street-as-part-of-classic-week-credit-amer-ghazzalalamy-live-news-image434211423.htmlRM2G6C12R–LONDON 5 July 2021. A CHARLES I SILVER INKSTAND OR STANDISH MARK OF ALEXANDER JACKSON, LONDON, 1639, THE DESIGN AND CHASING ATTRIBUTED TO CHRISTIAEN VAN VIANEN. Estimate: GBP 1,000,000 - GBP 1,500,000 Offered at The Exceptional Sale at Christie's King Street as part of classic week. Credit amer ghazzal/Alamy Live News
Drawing by Charles Genty published in the French satirical weekly magazine 'La Baïonnette' n°31, on February 3, 1916. Special issue entitled 'La Vie chère' (The Cost of Living). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-by-charles-genty-published-in-the-french-satirical-weekly-magazine-la-baonnette-n31-on-february-3-1916-special-issue-entitled-la-vie-chre-the-cost-of-living-image612845643.htmlRM2XH1ETB–Drawing by Charles Genty published in the French satirical weekly magazine 'La Baïonnette' n°31, on February 3, 1916. Special issue entitled 'La Vie chère' (The Cost of Living).
13th century panel from the Silver Shrine shows Charlemagne besieging a city. Charlemagne (742-814 AD) was King of the Franks from 768 and Emperor of the Romans (Imperator Romanorum) from 800 to his death in 814. He expanded the Frankish kingdom into an e Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-13th-century-panel-from-the-silver-shrine-shows-charlemagne-besieging-104002409.htmlRMG15M3N–13th century panel from the Silver Shrine shows Charlemagne besieging a city. Charlemagne (742-814 AD) was King of the Franks from 768 and Emperor of the Romans (Imperator Romanorum) from 800 to his death in 814. He expanded the Frankish kingdom into an e
MEDALS,SIEGE-PIECES, OTHER MEMORIALS OF CHARLES 1. The shown arc sisc of originals. 1417 1313 16 and! (acrymis Drawn and Engraved by 7. L. several objects. 3, a. Bristol Siege-piece 2. Silver-gilt Medal: Portrait Charles I. and Houses of Parliament. 1. Coronation Medal of Gold. 8—9, 10—11. Fourpenny Siege-pieces (silver: 6, 7. Newark Half-crown (silver). 5. Pontefract Siege-piece (silver). (copper). 13. One Shilling Piece (siege of 12. One Shilling and fourpence (siccme of Bceston Castle). where coined not known). 16. Gold Ten-shilling 15. Sevenpenny Piece (Beeston Castle), 14. Fourpenny piece Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/medalssiege-pieces-other-memorials-of-charles-1-the-shown-arc-sisc-of-originals-1417-1313-16-and!-acrymis-drawn-and-engraved-by-7-l-several-objects-3-a-bristol-siege-piece-2-silver-gilt-medal-portrait-charles-i-and-houses-of-parliament-1-coronation-medal-of-gold-89-1011-fourpenny-siege-pieces-silver-6-7-newark-half-crown-silver-5-pontefract-siege-piece-silver-copper-13-one-shilling-piece-siege-of-12-one-shilling-and-fourpence-siccme-of-bceston-castle-where-coined-not-known-16-gold-ten-shilling-15-sevenpenny-piece-beeston-castle-14-fourpenny-piece-image459886051.htmlRF2HM5H9R–MEDALS,SIEGE-PIECES, OTHER MEMORIALS OF CHARLES 1. The shown arc sisc of originals. 1417 1313 16 and! (acrymis Drawn and Engraved by 7. L. several objects. 3, a. Bristol Siege-piece 2. Silver-gilt Medal: Portrait Charles I. and Houses of Parliament. 1. Coronation Medal of Gold. 8—9, 10—11. Fourpenny Siege-pieces (silver: 6, 7. Newark Half-crown (silver). 5. Pontefract Siege-piece (silver). (copper). 13. One Shilling Piece (siege of 12. One Shilling and fourpence (siccme of Bceston Castle). where coined not known). 16. Gold Ten-shilling 15. Sevenpenny Piece (Beeston Castle), 14. Fourpenny piece
Petty Officer 1st Class Benny Flores, a corpsman serving with Air Naval Gunfire Liaison Company, listens to Maj. Gen. Charles M. Gurganus, commanding general of I Marine Expeditionary Force (Forward), after receiving the Silver Star during a ceremony at Camp Pendleton, May 3. Flores was recognized for his actions on April 28, 2012, while serving with Regional Command Southwest providing medical support on a mission to Zaranj, Nimroz province, Afghanistan. Guam native awarded Silver Star 130503-M-BZ222-003 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-petty-officer-1st-class-benny-flores-a-corpsman-serving-with-air-naval-129721572.htmlRMHF1958–Petty Officer 1st Class Benny Flores, a corpsman serving with Air Naval Gunfire Liaison Company, listens to Maj. Gen. Charles M. Gurganus, commanding general of I Marine Expeditionary Force (Forward), after receiving the Silver Star during a ceremony at Camp Pendleton, May 3. Flores was recognized for his actions on April 28, 2012, while serving with Regional Command Southwest providing medical support on a mission to Zaranj, Nimroz province, Afghanistan. Guam native awarded Silver Star 130503-M-BZ222-003
Pont Royal and Pavillon du Louvre, view of the banks of the Quai d'Orsay. Paris (1 arr.). Photograph by Charles Berroux. Gelatino-silver-bromide draw, July 26, 1903 Paris, Carnavalet museum. 123612-4 IER IE I 1ER 1E 1 ARRONDISSEMENT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pont-royal-and-pavillon-du-louvre-view-of-the-banks-of-the-quai-dorsay-paris-1-arr-photograph-by-charles-berroux-gelatino-silver-bromide-draw-july-26-1903-paris-carnavalet-museum-123612-4-ier-ie-i-1er-1e-1-arrondissement-image596739143.htmlRM2WJRPT7–Pont Royal and Pavillon du Louvre, view of the banks of the Quai d'Orsay. Paris (1 arr.). Photograph by Charles Berroux. Gelatino-silver-bromide draw, July 26, 1903 Paris, Carnavalet museum. 123612-4 IER IE I 1ER 1E 1 ARRONDISSEMENT
Grande Salle du Conseil d'Etat. Artist: Charles Soulier (French, 1840-1875). Dimensions: Image: 19 x 24.9 cm (7 1/2 x 9 13/16 in.) Mount: 34.7 x 47.2 cm (13 11/16 x 18 9/16 in.). Date: May 1871. Soulier's photograph shows the charred remains of the once lavish audience hall of the Council of State in the Palais d'Orsay, a building begun by Napoleon I, completed in 1840 under King Louis-Philippe, and burned by the Communards on May 23, 1871. In the last years of the nineteenth century, these ruins were replaced by a new railway station, the Gare d'Orsay, which, in turn, was transformed in the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/grande-salle-du-conseil-detat-artist-charles-soulier-french-1840-1875-dimensions-image-19-x-249-cm-7-12-x-9-1316-in-mount-347-x-472-cm-13-1116-x-18-916-in-date-may-1871-souliers-photograph-shows-the-charred-remains-of-the-once-lavish-audience-hall-of-the-council-of-state-in-the-palais-dorsay-a-building-begun-by-napoleon-i-completed-in-1840-under-king-louis-philippe-and-burned-by-the-communards-on-may-23-1871-in-the-last-years-of-the-nineteenth-century-these-ruins-were-replaced-by-a-new-railway-station-the-gare-dorsay-which-in-turn-was-transformed-in-the-image213145225.htmlRMPANGWD–Grande Salle du Conseil d'Etat. Artist: Charles Soulier (French, 1840-1875). Dimensions: Image: 19 x 24.9 cm (7 1/2 x 9 13/16 in.) Mount: 34.7 x 47.2 cm (13 11/16 x 18 9/16 in.). Date: May 1871. Soulier's photograph shows the charred remains of the once lavish audience hall of the Council of State in the Palais d'Orsay, a building begun by Napoleon I, completed in 1840 under King Louis-Philippe, and burned by the Communards on May 23, 1871. In the last years of the nineteenth century, these ruins were replaced by a new railway station, the Gare d'Orsay, which, in turn, was transformed in the
![The Toilet of Helen, 1895. 'Before a toilet that shone like the altar of Notre Dame des Victoires, Helen was seated in a little dressing-gown of black and heliotrope. The coiffeur Cosmé was caring for her scented chevelure, and with tiny silver tongs, warm from the caresses of the flame, made delicious intelligent curls that fell as lightly as a breath about her forehead and over her eyebrows, and clustered like tendrils round her neck'. Illustration for Beardsley's novel "Under the Hill". 'From The Savoy No. I'. Published in "The Best of Beardsley" edited by R. A. Wal Stock Photo](https://c8.alamy.com/comp/2HFK2BJ/the-toilet-of-helen-1895-before-a-toilet-that-shone-like-the-altar-of-notre-dame-des-victoires-helen-was-seated-in-a-little-dressing-gown-of-black-and-heliotrope-the-coiffeur-cosmxe9-was-caring-for-her-scented-chevelure-and-with-tiny-silver-tongs-warm-from-the-caresses-of-the-flame-made-delicious-intelligent-curls-that-fell-as-lightly-as-a-breath-about-her-forehead-and-over-her-eyebrows-and-clustered-like-tendrils-round-her-neck-illustration-for-beardsleys-novel-quotunder-the-hillquot-from-the-savoy-no-i-published-in-quotthe-best-of-beardsleyquot-edited-by-r-a-wal-2HFK2BJ.jpg "The Toilet of Helen, 1895. 'Before a toilet that shone like the altar of Notre Dame des Victoires, Helen was seated in a little dressing-gown of black and heliotrope. The coiffeur Cosmé was caring for her scented chevelure, and with tiny silver tongs, warm from the caresses of the flame, made delicious intelligent curls that fell as lightly as a breath about her forehead and over her eyebrows, and clustered like tendrils round her neck'. Illustration for Beardsley's novel "Under the Hill". 'From The Savoy No. I'. Published in "The Best of Beardsley" edited by R. A. Wal Stock Photo")
The Toilet of Helen, 1895. 'Before a toilet that shone like the altar of Notre Dame des Victoires, Helen was seated in a little dressing-gown of black and heliotrope. The coiffeur Cosmé was caring for her scented chevelure, and with tiny silver tongs, warm from the caresses of the flame, made delicious intelligent curls that fell as lightly as a breath about her forehead and over her eyebrows, and clustered like tendrils round her neck'. Illustration for Beardsley's novel "Under the Hill". 'From The Savoy No. I'. Published in "The Best of Beardsley" edited by R. A. Wal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-toilet-of-helen-1895-before-a-toilet-that-shone-like-the-altar-of-notre-dame-des-victoires-helen-was-seated-in-a-little-dressing-gown-of-black-and-heliotrope-the-coiffeur-cosmxe9-was-caring-for-her-scented-chevelure-and-with-tiny-silver-tongs-warm-from-the-caresses-of-the-flame-made-delicious-intelligent-curls-that-fell-as-lightly-as-a-breath-about-her-forehead-and-over-her-eyebrows-and-clustered-like-tendrils-round-her-neck-illustration-for-beardsleys-novel-quotunder-the-hillquot-from-the-savoy-no-i-published-in-quotthe-best-of-beardsleyquot-edited-by-r-a-wal-image457108390.htmlRM2HFK2BJ–The Toilet of Helen, 1895. 'Before a toilet that shone like the altar of Notre Dame des Victoires, Helen was seated in a little dressing-gown of black and heliotrope. The coiffeur Cosmé was caring for her scented chevelure, and with tiny silver tongs, warm from the caresses of the flame, made delicious intelligent curls that fell as lightly as a breath about her forehead and over her eyebrows, and clustered like tendrils round her neck'. Illustration for Beardsley's novel "Under the Hill". 'From The Savoy No. I'. Published in "The Best of Beardsley" edited by R. A. Wal
Charles V and Anna, Silver Medal. Front: man and woman bust piece inside laurel wreath. Reverse: inscription laurel wreath, Anna (German Empress), Ferdinand I of Habsburg (German Emperor), Charles V of Habsburg (German Emperor and King of Spain), anonymous, Germany, 1532, silver (metal), founding, d 3 cm × w 17.69 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-v-and-anna-silver-medal-front-man-and-woman-bust-piece-inside-laurel-wreath-reverse-inscription-laurel-wreath-anna-german-empress-ferdinand-i-of-habsburg-german-emperor-charles-v-of-habsburg-german-emperor-and-king-of-spain-anonymous-germany-1532-silver-metal-founding-d-3-cm-w-1769-gr-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349988069.htmlRF2B9B99W–Charles V and Anna, Silver Medal. Front: man and woman bust piece inside laurel wreath. Reverse: inscription laurel wreath, Anna (German Empress), Ferdinand I of Habsburg (German Emperor), Charles V of Habsburg (German Emperor and King of Spain), anonymous, Germany, 1532, silver (metal), founding, d 3 cm × w 17.69 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
![. A group posed in front of 'The Capitol' at Silver Creek. Coverage: 1870?-1900?. Source Imprint: 1870?-1900?. Digital item published 10-24-2005; updated 2-13-2009. 11 A group posed in front of "The Capitol" at Silver Creek, by Emery, C. E. (Charles E.) Stock Photo](https://c8.alamy.com/comp/P37840/a-group-posed-in-front-of-the-capitol-at-silver-creek-coverage-1870-1900-source-imprint-1870-1900-digital-item-published-10-24-2005-updated-2-13-2009-11-a-group-posed-in-front-of-quotthe-capitolquot-at-silver-creek-by-emery-c-e-charles-e-P37840.jpg ". A group posed in front of 'The Capitol' at Silver Creek. Coverage: 1870?-1900?. Source Imprint: 1870?-1900?. Digital item published 10-24-2005; updated 2-13-2009. 11 A group posed in front of "The Capitol" at Silver Creek, by Emery, C. E. (Charles E.) Stock Photo")
. A group posed in front of 'The Capitol' at Silver Creek. Coverage: 1870?-1900?. Source Imprint: 1870?-1900?. Digital item published 10-24-2005; updated 2-13-2009. 11 A group posed in front of "The Capitol" at Silver Creek, by Emery, C. E. (Charles E.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-group-posed-in-front-of-the-capitol-at-silver-creek-coverage-1870-1900-source-imprint-1870-1900-digital-item-published-10-24-2005-updated-2-13-2009-11-a-group-posed-in-front-of-quotthe-capitolquot-at-silver-creek-by-emery-c-e-charles-e-image208528432.htmlRMP37840–. A group posed in front of 'The Capitol' at Silver Creek. Coverage: 1870?-1900?. Source Imprint: 1870?-1900?. Digital item published 10-24-2005; updated 2-13-2009. 11 A group posed in front of "The Capitol" at Silver Creek, by Emery, C. E. (Charles E.)
King Charles I House of Stuart EDITORIAL USE ONLY Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-king-charles-i-house-of-stuart-editorial-use-only-10469848.htmlRMA2BEXH–King Charles I House of Stuart EDITORIAL USE ONLY
Promotional photography of Maxime Desjardins as Charles I in Vingt Ans Après (1922) - Silent movie era Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/promotional-photography-of-maxime-desjardins-as-charles-i-in-vingt-ans-aprs-1922-silent-movie-era-image241640241.htmlRMT13JGH–Promotional photography of Maxime Desjardins as Charles I in Vingt Ans Après (1922) - Silent movie era
Aachen, Germany. 27th Jan, 2017. Silver smith Lothar Schmitt cleans the arm reliquiary of Charles the Great in Aachen, Germany, 27 January 2017. The golden arm reliquiary containing bones of Charles I will be erected next to the altar during the ceremony on the day of death of Charlemagne. Photo: Federico Gambarini/dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-aachen-germany-27th-jan-2017-silver-smith-lothar-schmitt-cleans-the-132401205.htmlRMHKBB2D–Aachen, Germany. 27th Jan, 2017. Silver smith Lothar Schmitt cleans the arm reliquiary of Charles the Great in Aachen, Germany, 27 January 2017. The golden arm reliquiary containing bones of Charles I will be erected next to the altar during the ceremony on the day of death of Charlemagne. Photo: Federico Gambarini/dpa/Alamy Live News
Image taken from page 75 of 'The Posthumous Papers of the Pickwick Club ... with notes and numerous illustrations. Edited by Charles Dickens, the younger. (The Jubilee edition.)' Image taken from page 75 of 'The Posthumous Papers of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-75-of-the-posthumous-papers-of-the-pickwick-127793801.htmlRMHBWE89–Image taken from page 75 of 'The Posthumous Papers of the Pickwick Club ... with notes and numerous illustrations. Edited by Charles Dickens, the younger. (The Jubilee edition.)' Image taken from page 75 of 'The Posthumous Papers of
