Jan. 21, 1966 - 21.1.66 Charles de Temple finds his Golden Princess - Sculptor Charles de Temple's world-wide search for the living face of Prinoess Medina, daughter of King Midas of Phrygia, ended recently in Greece. For eighteen months Charles de Temple has searched receiving more than 6,000 photographs, and interviewing 500 young women of many nationalities, hoping to find the mysterious beauty of the legendary princess who was turned to gold by her father’s touch and whose features he will Immortalise in gold as an everlasting symbol of the moment when women, in her full beauty, is Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-21-1966-21166-charles-de-temple-finds-his-golden-princess-sculptor-image69421183.html
RME0XBBY–Jan. 21, 1966 - 21.1.66 Charles de Temple finds his Golden Princess - Sculptor Charles de Temple's world-wide search for the living face of Prinoess Medina, daughter of King Midas of Phrygia, ended recently in Greece. For eighteen months Charles de Temple has searched receiving more than 6,000 photographs, and interviewing 500 young women of many nationalities, hoping to find the mysterious beauty of the legendary princess who was turned to gold by her father’s touch and whose features he will Immortalise in gold as an everlasting symbol of the moment when women, in her full beauty, is
After Charles François Grenier de Lacroix, View of the Remains of the Temple of Venus on the Isle of Nisida Close to Pouzzol on the Gulf of Naples, After Charles François Grenier de Lacroix (French, Marseille 1700?–1782 Berlin), Noël Le Mire (French, Rouen 1724–1801 Paris), 1761, Engraving, Sheet (Trimmed): 13 3/8 × 17 5/16 in. (34 × 44 cm), Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/after-charles-franois-grenier-de-lacroix-view-of-the-remains-of-the-temple-of-venus-on-the-isle-of-nisida-close-to-pouzzol-on-the-gulf-of-naples-after-charles-franois-grenier-de-lacroix-french-marseille-17001782-berlin-nol-le-mire-french-rouen-17241801-paris-1761-engraving-sheet-trimmed-13-38-17-516-in-34-44-cm-prints-image344652070.html
RM2B0M76E–After Charles François Grenier de Lacroix, View of the Remains of the Temple of Venus on the Isle of Nisida Close to Pouzzol on the Gulf of Naples, After Charles François Grenier de Lacroix (French, Marseille 1700?–1782 Berlin), Noël Le Mire (French, Rouen 1724–1801 Paris), 1761, Engraving, Sheet (Trimmed): 13 3/8 × 17 5/16 in. (34 × 44 cm), Prints
Jan. 01, 1966 - Charles de Temple Finds His Golden Princess: Sculptor Charles de Temple's world wide search for the living face Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-01-1966-charles-de-temple-finds-his-golden-princess-sculptor-charles-image69420472.html
RME0XAEG–Jan. 01, 1966 - Charles de Temple Finds His Golden Princess: Sculptor Charles de Temple's world wide search for the living face
Louis XVII (Louis Charles) (1785-1795). Claimant King of France. He died at the age of ten in the Prison of the Temple in Paris during the French Revolution. The Dauphin in captivity in the Temple Prison, 1792. Drawing by Hippolyte de la Charlerie. Engraving by Meyer-Heine. 'History of the French Revolution'. Volume I, 1876. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-xvii-louis-charles-1785-1795-claimant-king-of-france-he-died-at-the-age-of-ten-in-the-prison-of-the-temple-in-paris-during-the-french-revolution-the-dauphin-in-captivity-in-the-temple-prison-1792-drawing-by-hippolyte-de-la-charlerie-engraving-by-meyer-heine-history-of-the-french-revolution-volume-i-1876-image608936227.html
RM2XAKCAB–Louis XVII (Louis Charles) (1785-1795). Claimant King of France. He died at the age of ten in the Prison of the Temple in Paris during the French Revolution. The Dauphin in captivity in the Temple Prison, 1792. Drawing by Hippolyte de la Charlerie. Engraving by Meyer-Heine. 'History of the French Revolution'. Volume I, 1876.
Jun. 06, 1966 - Reception To Model For Gold Statue Of Princess Medina: A reception was held today at the Dorchster Hotel, to meet Miss Rica Diallina, the Greek actress, whom sculptor Charles de Teple chose to be the model, after a world - wide search, for his forthcoming sculpture in pure gold of Princess Medina, daughter of Kind Mides of Phrygia, who turned everything he touched into gold. Charles de Temple hopes in complete the sclpture early in 1967 when, together with an important collection of his works, Princess Madina will be exhibited in all major cities of the world Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jun-06-1966-reception-to-model-for-gold-statue-of-princess-medina-image69422297.html
RME0XCRN–Jun. 06, 1966 - Reception To Model For Gold Statue Of Princess Medina: A reception was held today at the Dorchster Hotel, to meet Miss Rica Diallina, the Greek actress, whom sculptor Charles de Teple chose to be the model, after a world - wide search, for his forthcoming sculpture in pure gold of Princess Medina, daughter of Kind Mides of Phrygia, who turned everything he touched into gold. Charles de Temple hopes in complete the sclpture early in 1967 when, together with an important collection of his works, Princess Madina will be exhibited in all major cities of the world
Embellishment of the Puerta del Sol on the occasion of the entry into Madrid of Charles III, ca.1760. Attributed to Lorenzo de Quiros (1717-1789). History Museum. Madrid. Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/embellishment-of-the-puerta-del-sol-on-the-occasion-of-the-entry-into-madrid-of-charles-iii-ca1760-attributed-to-lorenzo-de-quiros-1717-1789-history-museum-madrid-spain-on-loan-san-fernando-royal-academy-of-fine-arts-madrid-image333253244.html
RM2AA4YWG–Embellishment of the Puerta del Sol on the occasion of the entry into Madrid of Charles III, ca.1760. Attributed to Lorenzo de Quiros (1717-1789). History Museum. Madrid. Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid).
Sep. 09, 1964 - Honor Blackman attends ''Goldfinger'' premiere £10,000 bauble.: When star of the Ian Fleming film ''Goldfinger'' Honor Blackman arrived at the Odeon, Leicester Square last evening for the premiere of the film she was ofcourse dressed in Gold. She also wore a £10,000 ''Goldfinger'' around her neck with diamonds dropping from it. It was the creation of American sculptor Charles De Temple. Photo shows Honor Blackman with the £10,000 look arrives for the premiere last evening. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sep-09-1964-honor-blackman-attends-goldfinger-premiere-pound10000-image69412298.html
RME0X02J–Sep. 09, 1964 - Honor Blackman attends ''Goldfinger'' premiere £10,000 bauble.: When star of the Ian Fleming film ''Goldfinger'' Honor Blackman arrived at the Odeon, Leicester Square last evening for the premiere of the film she was ofcourse dressed in Gold. She also wore a £10,000 ''Goldfinger'' around her neck with diamonds dropping from it. It was the creation of American sculptor Charles De Temple. Photo shows Honor Blackman with the £10,000 look arrives for the premiere last evening.
A late 19th Century illustration of the Boulevard du Temple, running from the Place de la République to the Place Pasdeloup, Paris, France. Its name refers to the nearby Knights Templars' Temple where they established their Paris priory. The boulevard, lined with trees, was built between 1656 and 1705 and follows the path of the city wall constructed by Charles V, constructed between 1356 and 1383, and demolished under Louis XIV. From the time of Louis XVI (1774–1792) until the July Monarchy in 1830, the Boulevard du Temple was popular and fashionable for walking and recreation. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-late-19th-century-illustration-of-the-boulevard-du-temple-running-from-the-place-de-la-rpublique-to-the-place-pasdeloup-paris-france-its-name-refers-to-the-nearby-knights-templars-temple-where-they-established-their-paris-priory-the-boulevard-lined-with-trees-was-built-between-1656-and-1705-and-follows-the-path-of-the-city-wall-constructed-by-charles-v-constructed-between-1356-and-1383-and-demolished-under-louis-xiv-from-the-time-of-louis-xvi-17741792-until-the-july-monarchy-in-1830-the-boulevard-du-temple-was-popular-and-fashionable-for-walking-and-recreation-image452476954.html
RM2H842Y6–A late 19th Century illustration of the Boulevard du Temple, running from the Place de la République to the Place Pasdeloup, Paris, France. Its name refers to the nearby Knights Templars' Temple where they established their Paris priory. The boulevard, lined with trees, was built between 1656 and 1705 and follows the path of the city wall constructed by Charles V, constructed between 1356 and 1383, and demolished under Louis XIV. From the time of Louis XVI (1774–1792) until the July Monarchy in 1830, the Boulevard du Temple was popular and fashionable for walking and recreation.
Feb. 02, 1965 - £30,000 Gold Exhibits - for display in Geneva.: About £30,000 worth of gold is being taken from Britain to the Gallerie Difar in Geneva next month - to form part of the exhibition valued at £40,000 which 34 year old Mr. Charles de Temple (34) American artist is holding there. Among the works on show will be the gold 'finger' worn by Heneur Blackman at the ''Goldfinger'' film premiere. valued at £10,000 Photo shows Mr. Charles de Temple at work on one of his exhibits entitled ''Head of Nails'' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/feb-02-1965-pound30000-gold-exhibits-for-display-in-geneva-about-pound30000-image69415580.html
RME0X47T–Feb. 02, 1965 - £30,000 Gold Exhibits - for display in Geneva.: About £30,000 worth of gold is being taken from Britain to the Gallerie Difar in Geneva next month - to form part of the exhibition valued at £40,000 which 34 year old Mr. Charles de Temple (34) American artist is holding there. Among the works on show will be the gold 'finger' worn by Heneur Blackman at the ''Goldfinger'' film premiere. valued at £10,000 Photo shows Mr. Charles de Temple at work on one of his exhibits entitled ''Head of Nails''
The Temple of Vesta in Tivoli 1764 Charles François Grenier de Lacroix (1720–1782) Lacroix de Marseille French painter France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-temple-of-vesta-in-tivoli-1764-charles-franois-grenier-de-lacroix-125358739.html
RMH7XG9R–The Temple of Vesta in Tivoli 1764 Charles François Grenier de Lacroix (1720–1782) Lacroix de Marseille French painter France
Temple bells, Smithiantha cinnibarina (Gesneria cinnabarina). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1857. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-temple-bells-smithiantha-cinnibarina-gesneria-cinnabarina-handcoloured-91129903.html
RMF8793B–Temple bells, Smithiantha cinnibarina (Gesneria cinnabarina). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1857.
20th century illustration showing the Parc des Buttes-Chaumont in Paris, opened in 1867, was built by Jean-Charles Alphand, who created all the major parks of Napoleon III. The most famous feature of the park is the Temple de la Sibylle, inspired by the Temple of Vesta in Tivoli, Italy, perched at the top of a cliff fifty metres above the waters of the artificial lake. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/20th-century-illustration-showing-the-parc-des-buttes-chaumont-in-paris-opened-in-1867-was-built-by-jean-charles-alphand-who-created-all-the-major-parks-of-napoleon-iii-the-most-famous-feature-of-the-park-is-the-temple-de-la-sibylle-inspired-by-the-temple-of-vesta-in-tivoli-italy-perched-at-the-top-of-a-cliff-fifty-metres-above-the-waters-of-the-artificial-lake-image235034154.html
RMRJAMCX–20th century illustration showing the Parc des Buttes-Chaumont in Paris, opened in 1867, was built by Jean-Charles Alphand, who created all the major parks of Napoleon III. The most famous feature of the park is the Temple de la Sibylle, inspired by the Temple of Vesta in Tivoli, Italy, perched at the top of a cliff fifty metres above the waters of the artificial lake.
Portrait de Louis XVII (1785-1795), à la prison du Temple - Portrait de Louis XVII (1785-1795), Louis Charles de Normandie devint dauphin a la mort de son frere aine en 1789 Huile sur toile de Joseph Marie Vien le jeune (1762-1848), musee Carnavalet, Paris. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-de-louis-xvii-1785-1795-la-prison-du-temple-portrait-de-louis-xvii-1785-1795-louis-charles-de-normandie-devint-dauphin-a-la-mort-de-son-frere-aine-en-1789-huile-sur-toile-de-joseph-marie-vien-le-jeune-1762-1848-musee-carnavalet-paris-image544452790.html
RM2PHNY2E–Portrait de Louis XVII (1785-1795), à la prison du Temple - Portrait de Louis XVII (1785-1795), Louis Charles de Normandie devint dauphin a la mort de son frere aine en 1789 Huile sur toile de Joseph Marie Vien le jeune (1762-1848), musee Carnavalet, Paris.
Ruins of a temple on the island of Oahu. Hawaii, United States. Trip to the Hawaiian Islands 1855 by Charles de Varigny, French adventurer, diplomat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ruins-of-a-temple-on-the-island-of-oahu-hawaii-united-states-trip-to-the-hawaiian-islands-1855-by-charles-de-varigny-french-adventurer-diplomat-image350711781.html
RM2BAG8CN–Ruins of a temple on the island of Oahu. Hawaii, United States. Trip to the Hawaiian Islands 1855 by Charles de Varigny, French adventurer, diplomat
The Temple of Jerusalem with columns and drapes. Four allegorial evangelists at top: angel Matthew, bull Luke, lion Mark, and eagle John. Figure de l'Eglise, France, VIIIe siecle. Taken from a manuscript formerly kept at the Abbey of Saint-Medard de Soissons. MS 686 Sup. Latin, Bibliotheque Imperiale. Chromolithograph after an illustration by Mathieu from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-temple-of-jerusalem-with-columns-and-drapes-four-allegorial-evangelists-at-top-angel-matthew-bull-luke-lion-mark-and-eagle-john-figure-de-leglise-france-viiie-siecle-taken-from-a-manuscript-formerly-kept-at-the-abbey-of-saint-medard-de-soissons-ms-686-sup-latin-bibliotheque-imperiale-chromolithograph-after-an-illustration-by-mathieu-from-charles-louandres-les-arts-somptuaires-the-sumptuary-arts-hangard-mauge-paris-1858-image499274204.html
RM2M07W9G–The Temple of Jerusalem with columns and drapes. Four allegorial evangelists at top: angel Matthew, bull Luke, lion Mark, and eagle John. Figure de l'Eglise, France, VIIIe siecle. Taken from a manuscript formerly kept at the Abbey of Saint-Medard de Soissons. MS 686 Sup. Latin, Bibliotheque Imperiale. Chromolithograph after an illustration by Mathieu from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
Augusto and Livia temple. Vienne, France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/augusto-and-livia-temple-vienne-france-image330960091.html
RM2A6CEY7–Augusto and Livia temple. Vienne, France
Woman with her hair tied up on the right temple. She wears a mandille corset with ruffles, bias-cut sleeves, and carries an embroidered shawl. Fichu-Guimple, Manches Drapees en Biais. Handcoloured copperplate engraving from Pierre de la Mesangere’s Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, An 12, January 1804. Illustrations by Carle Vernet, Jean-Francois Bosio, Dominique Bosio and Philibert Louis Debucourt, engraved by Pierre-Charles Baquoy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-with-her-hair-tied-up-on-the-right-temple-she-wears-a-mandille-corset-with-ruffles-bias-cut-sleeves-and-carries-an-embroidered-shawl-fichu-guimple-manches-drapees-en-biais-handcoloured-copperplate-engraving-from-pierre-de-la-mesangeres-journal-des-dames-et-des-modes-magazine-of-women-and-fashion-paris-an-12-january-1804-illustrations-by-carle-vernet-jean-francois-bosio-dominique-bosio-and-philibert-louis-debucourt-engraved-by-pierre-charles-baquoy-image412251967.html
RM2EXKKGF–Woman with her hair tied up on the right temple. She wears a mandille corset with ruffles, bias-cut sleeves, and carries an embroidered shawl. Fichu-Guimple, Manches Drapees en Biais. Handcoloured copperplate engraving from Pierre de la Mesangere’s Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, An 12, January 1804. Illustrations by Carle Vernet, Jean-Francois Bosio, Dominique Bosio and Philibert Louis Debucourt, engraved by Pierre-Charles Baquoy.
Montesquieu, Charles Baron de, 18.1.1689 - 10.2.1755, French philosopher, side-face, allegorical copper engraving by Mire, after drawing by Eisen, Paris, France, 1772, part of 'Temple de Guide', Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-montesquieu-charles-baron-de-1811689-1021755-french-philosopher-side-19744618.html
RMB43CCX–Montesquieu, Charles Baron de, 18.1.1689 - 10.2.1755, French philosopher, side-face, allegorical copper engraving by Mire, after drawing by Eisen, Paris, France, 1772, part of 'Temple de Guide', Artist's Copyright has not to be cleared
Heliodorus, a courtier of the Syrian king Philipator, whipped to death by three angels for looting the Temple of Jerusalem, 175 BC. The whip or knout has three leather straps and metal hooks. Depicted in tunic and particolor hose, Italian fashions of the 14th century. Heliodore Flagelee. From Italian MS T.L. 42 B, Bibliotheque de l'Arsenal. Italie XIVe Siecle. Chromolithograph by Moulin after an illustration by Claudius Joseph Ciappori from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heliodorus-a-courtier-of-the-syrian-king-philipator-whipped-to-death-by-three-angels-for-looting-the-temple-of-jerusalem-175-bc-the-whip-or-knout-has-three-leather-straps-and-metal-hooks-depicted-in-tunic-and-particolor-hose-italian-fashions-of-the-14th-century-heliodore-flagelee-from-italian-ms-tl-42-b-bibliotheque-de-larsenal-italie-xive-siecle-chromolithograph-by-moulin-after-an-illustration-by-claudius-joseph-ciappori-from-charles-louandres-les-arts-somptuaires-the-sumptuary-arts-hangard-mauge-paris-1858-image500006466.html
RM2M1D79P–Heliodorus, a courtier of the Syrian king Philipator, whipped to death by three angels for looting the Temple of Jerusalem, 175 BC. The whip or knout has three leather straps and metal hooks. Depicted in tunic and particolor hose, Italian fashions of the 14th century. Heliodore Flagelee. From Italian MS T.L. 42 B, Bibliotheque de l'Arsenal. Italie XIVe Siecle. Chromolithograph by Moulin after an illustration by Claudius Joseph Ciappori from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
Louis (XVII) Charles, 27.3.1785 - 8.6.1795, Dauphin de Viennois 4.6.1789 - 8.6.1795, Duke of Normandy, and his guard the cobbler Antoine Simon, Le Temple, Paris, 1793 - 1794, wood engraving, 19th century, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-louis-xvii-charles-2731785-861795-dauphin-de-viennois-461789-861795-33373360.html
RMBX881M–Louis (XVII) Charles, 27.3.1785 - 8.6.1795, Dauphin de Viennois 4.6.1789 - 8.6.1795, Duke of Normandy, and his guard the cobbler Antoine Simon, Le Temple, Paris, 1793 - 1794, wood engraving, 19th century, ,
Courtyard facade, Hôtel Charles du Tillet de la Bussière, 104 rue Vieille-du-Temple, 3rd arrondissement, Paris, Atget, Eugène (Jean Eugène Auguste Atget), Photographer, Photography, Graphic arts, Albumen print, Dimensions - Work: Height: 17.5 cm, Width: 22.1 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/courtyard-facade-htel-charles-du-tillet-de-la-bussire-104-rue-vieille-du-temple-3rd-arrondissement-paris-atget-eugne-jean-eugne-auguste-atget-photographer-photography-graphic-arts-albumen-print-dimensions-work-height-175-cm-width-221-cm-image573227277.html
RM2T8GN6N–Courtyard facade, Hôtel Charles du Tillet de la Bussière, 104 rue Vieille-du-Temple, 3rd arrondissement, Paris, Atget, Eugène (Jean Eugène Auguste Atget), Photographer, Photography, Graphic arts, Albumen print, Dimensions - Work: Height: 17.5 cm, Width: 22.1 cm
Laura bringing a disarmed Cupid on a chariot to the Temple of Chastity. Laura holds a shield, a palm of victory and triumphal column. Laure conduit l'amour au Temple de Chastete. In French costumes of the late 15th century. France, XVe siecle (fin). Taken from an illustrated manuscript of Petrarch's Triumphs, Les Triomphes, anc. F.F. MS 7079 R (Folio 102r, Francais 594), 1500, Bibliotheque Imperiale. Chromolithograph by Giare after an illustration by Claudius Joseph Ciappori from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/laura-bringing-a-disarmed-cupid-on-a-chariot-to-the-temple-of-chastity-laura-holds-a-shield-a-palm-of-victory-and-triumphal-column-laure-conduit-lamour-au-temple-de-chastete-in-french-costumes-of-the-late-15th-century-france-xve-siecle-fin-taken-from-an-illustrated-manuscript-of-petrarchs-triumphs-les-triomphes-anc-ff-ms-7079-r-folio-102r-francais-594-1500-bibliotheque-imperiale-chromolithograph-by-giare-after-an-illustration-by-claudius-joseph-ciappori-from-charles-louandres-les-arts-somptuaires-the-sumptuary-arts-hangard-mauge-paris-1858-image487817905.html
RM2K9J0M1–Laura bringing a disarmed Cupid on a chariot to the Temple of Chastity. Laura holds a shield, a palm of victory and triumphal column. Laure conduit l'amour au Temple de Chastete. In French costumes of the late 15th century. France, XVe siecle (fin). Taken from an illustrated manuscript of Petrarch's Triumphs, Les Triomphes, anc. F.F. MS 7079 R (Folio 102r, Francais 594), 1500, Bibliotheque Imperiale. Chromolithograph by Giare after an illustration by Claudius Joseph Ciappori from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
Temple d’Auguste et de Livie, Place du Palais Charles de Gaulle, Vienne France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/temple-dauguste-et-de-livie-place-du-palais-charles-de-gaulle-vienne-image66405268.html
RMDT10GM–Temple d’Auguste et de Livie, Place du Palais Charles de Gaulle, Vienne France
French Revolution. King Louis XVI (1754-1793) and the royal family taken to the Temple prison in Paris, 13 August 1792. Drawing by Hippolyte de la Charlerie. Engraving by Blanpain. 'History of the French Revolution'. Volume I, 1876. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-revolution-king-louis-xvi-1754-1793-and-the-royal-family-taken-to-the-temple-prison-in-paris-13-august-1792-drawing-by-hippolyte-de-la-charlerie-engraving-by-blanpain-history-of-the-french-revolution-volume-i-1876-image606362083.html
RM2X6E50K–French Revolution. King Louis XVI (1754-1793) and the royal family taken to the Temple prison in Paris, 13 August 1792. Drawing by Hippolyte de la Charlerie. Engraving by Blanpain. 'History of the French Revolution'. Volume I, 1876.
Illustration to the novel The Temple of Gnidos (Le Temple de Gnide) by Montesquieu, 1794. Artist: Eisen, Charles (1720-1778) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-illustration-to-the-novel-the-temple-of-gnidos-le-temple-de-gnide-135245923.html
RMHT0YFF–Illustration to the novel The Temple of Gnidos (Le Temple de Gnide) by Montesquieu, 1794. Artist: Eisen, Charles (1720-1778)
Virgin Mary Presentation Temple stained glass, Basilica Notre-Dame De Nice, Cote d'Azur, France. Constructed 1860's by Charles Champigneulle. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/virgin-mary-presentation-temple-stained-glass-basilica-notre-dame-de-nice-cote-dazur-france-constructed-1860s-by-charles-champigneulle-image605845153.html
RF2X5JHJW–Virgin Mary Presentation Temple stained glass, Basilica Notre-Dame De Nice, Cote d'Azur, France. Constructed 1860's by Charles Champigneulle.
Leaving for the temple in Marken, Zuiderzee , Holland. Europe. Netherlands 1878 by Charles de Coster (1827 - 1879) Old 19th century engraving from Le Tour du Monde 1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leaving-for-the-temple-in-marken-zuiderzee-holland-europe-netherlands-1878-by-charles-de-coster-1827-1879-old-19th-century-engraving-from-le-tour-du-monde-1880-image591333268.html
RM2WA1FH8–Leaving for the temple in Marken, Zuiderzee , Holland. Europe. Netherlands 1878 by Charles de Coster (1827 - 1879) Old 19th century engraving from Le Tour du Monde 1880
Feb. 02, 1965 - 30,000 Gold Exhibits - for display on the continent; About 30,000 worth of gold is being taken from Britain for exhibition at the Galleries Difar'' in Geneva- next month. It forms the major part of a 40,000 art exhibition which Mr. Charles de Temple - 34 year old American artist is holding there. Among the works on show will be the gold ''finger'' worth about 10,000 worn by Honour Blackman at the ''Goldfinger'' film premier. Photo Shows Mr. Charles de Temple at work on one of his exhibits entitled ''Head of Nails'' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/feb-02-1965-30000-gold-exhibits-for-display-on-the-continent-about-image69415582.html
RME0X47X–Feb. 02, 1965 - 30,000 Gold Exhibits - for display on the continent; About 30,000 worth of gold is being taken from Britain for exhibition at the Galleries Difar'' in Geneva- next month. It forms the major part of a 40,000 art exhibition which Mr. Charles de Temple - 34 year old American artist is holding there. Among the works on show will be the gold ''finger'' worth about 10,000 worn by Honour Blackman at the ''Goldfinger'' film premier. Photo Shows Mr. Charles de Temple at work on one of his exhibits entitled ''Head of Nails''
Interior of the Havre masonic temple Watercolour (17 cm x 22 cm) with the quote 'Honourably presented by F. Charles de Molina to RL L'Aménité in 1830.' Paris, musée de la Franc-Maçonnerie Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/interior-of-the-havre-masonic-temple-watercolour-17-cm-x-22-cm-with-the-quote-honourably-presented-by-f-charles-de-molina-to-rl-lamnit-in-1830-paris-muse-de-la-franc-maonnerie-image257279329.html
RMTXG2BD–Interior of the Havre masonic temple Watercolour (17 cm x 22 cm) with the quote 'Honourably presented by F. Charles de Molina to RL L'Aménité in 1830.' Paris, musée de la Franc-Maçonnerie
Feb. 02, 1963 - 30,000 Gold Exhibits - for display on the continent; About 30,000 worth of gold is being taken from Britain for exhibition at the Galleries Difar'' in Geneva- next month. It forms the major part of a 40,000 art exhibition which Mr. Charles de Temple - 34 year old American artist is holding there. Among the works on show will be the gold ''finger'' worth about 10,000 worn by Honour Blackman at the ''Goldfinger'' film premier. Photo Shows Mr. Charles de Temple at work on one of his exhibits entitled ''Head of Nails'' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/feb-02-1963-30000-gold-exhibits-for-display-on-the-continent-about-image69404117.html
RME0WHJD–Feb. 02, 1963 - 30,000 Gold Exhibits - for display on the continent; About 30,000 worth of gold is being taken from Britain for exhibition at the Galleries Difar'' in Geneva- next month. It forms the major part of a 40,000 art exhibition which Mr. Charles de Temple - 34 year old American artist is holding there. Among the works on show will be the gold ''finger'' worth about 10,000 worn by Honour Blackman at the ''Goldfinger'' film premier. Photo Shows Mr. Charles de Temple at work on one of his exhibits entitled ''Head of Nails''
Napoleon Joseph Charles Paul Bonaparte, Prince Napoleon (1822-1891) dit Plon-Plon, fils de Jerome Bonaparte, cousin de Napoleon III - Franc-maconnerie : Napoleon Joseph Charles Paul Bonaparte, surnomme le prince Jerome ou Plonplon se faisant identifier a l'entree du Temple du Faubourg Saint Marcel. Gravure in 'Histoire Pittoresque de la Franc Maconnerie et des Societes secretes anciennes et modernes' par Clavel. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/napoleon-joseph-charles-paul-bonaparte-prince-napoleon-1822-1891-dit-plon-plon-fils-de-jerome-bonaparte-cousin-de-napoleon-iii-franc-maconnerie-napoleon-joseph-charles-paul-bonaparte-surnomme-le-prince-jerome-ou-plonplon-se-faisant-identifier-a-lentree-du-temple-du-faubourg-saint-marcel-gravure-in-histoire-pittoresque-de-la-franc-maconnerie-et-des-societes-secretes-anciennes-et-modernes-par-clavel-image491034797.html
RM2KETFW1–Napoleon Joseph Charles Paul Bonaparte, Prince Napoleon (1822-1891) dit Plon-Plon, fils de Jerome Bonaparte, cousin de Napoleon III - Franc-maconnerie : Napoleon Joseph Charles Paul Bonaparte, surnomme le prince Jerome ou Plonplon se faisant identifier a l'entree du Temple du Faubourg Saint Marcel. Gravure in 'Histoire Pittoresque de la Franc Maconnerie et des Societes secretes anciennes et modernes' par Clavel.
Jun. 06, 1966 - The Third Day on the Royal Ascot Meeting She ''Golden Girl'' arrives at Ascot: Greck actress, Miss Rica Diallina, whom sculptor Charles de Temple has chosen to be the model for his future sculpture in pure gold of Princess Madina (daughter of King Midas, who turned everything he touched into gold) which is to be exhibited in all the major cities of the world, went to the Ascot meeting today. Picture Shows: Greck actress Miss Rica Diallina,is assisted over an puddle by sculptor, Charles de Temple, when today attended the Ascot meeting today. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jun-06-1966-the-third-day-on-the-royal-ascot-meeting-she-golden-girl-image69422591.html
RME0XD67–Jun. 06, 1966 - The Third Day on the Royal Ascot Meeting She ''Golden Girl'' arrives at Ascot: Greck actress, Miss Rica Diallina, whom sculptor Charles de Temple has chosen to be the model for his future sculpture in pure gold of Princess Madina (daughter of King Midas, who turned everything he touched into gold) which is to be exhibited in all the major cities of the world, went to the Ascot meeting today. Picture Shows: Greck actress Miss Rica Diallina,is assisted over an puddle by sculptor, Charles de Temple, when today attended the Ascot meeting today.
Illustration to the novel The Temple of Gnidos (Le Temple de Gnide) by Montesquieu. Museum: PRIVATE COLLECTION. Author: EISEN, CHARLES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-to-the-novel-the-temple-of-gnidos-le-temple-de-gnide-by-montesquieu-museum-private-collection-author-eisen-charles-image231957563.html
RMRDAG6K–Illustration to the novel The Temple of Gnidos (Le Temple de Gnide) by Montesquieu. Museum: PRIVATE COLLECTION. Author: EISEN, CHARLES.
Feb. 02, 1965 - £30,000 Gold Exhibits - for display in Geneva.: About £30,000 worth of gold is being taken from Britain to the Gallerie Difar in Geneva next month - to form part of the exhibition valued at £40,000 which 34 year old Mr. Charles de Temple (34) American artist is holding there. Among the works on show will be the gold 'finger' worn by Heneur Blackman at the ''Goldfinger'' film premiere. valued at £10,000 Photo shows A miniature gold sculpture entitled ''The Performer'' - By Mr. Charles de Temple. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/feb-02-1965-pound30000-gold-exhibits-for-display-in-geneva-about-pound30000-image69415579.html
RME0X47R–Feb. 02, 1965 - £30,000 Gold Exhibits - for display in Geneva.: About £30,000 worth of gold is being taken from Britain to the Gallerie Difar in Geneva next month - to form part of the exhibition valued at £40,000 which 34 year old Mr. Charles de Temple (34) American artist is holding there. Among the works on show will be the gold 'finger' worn by Heneur Blackman at the ''Goldfinger'' film premiere. valued at £10,000 Photo shows A miniature gold sculpture entitled ''The Performer'' - By Mr. Charles de Temple.
Karnak', Egypt, 1863. Artist: Charles Emile de Tournemine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-karnak-egypt-1863-artist-charles-emile-de-tournemine-11067787.html
RMA4K2EM–Karnak', Egypt, 1863. Artist: Charles Emile de Tournemine
Embellishment of the Puerta del Sol on the occasion of the entry into Madrid of Charles III, ca.1760. Attributed to Lorenzo de Quiros (1717-1789). History Museum, Madrid, Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/embellishment-of-the-puerta-del-sol-on-the-occasion-of-the-entry-into-madrid-of-charles-iii-ca1760-attributed-to-lorenzo-de-quiros-1717-1789-history-museum-madrid-spain-on-loan-san-fernando-royal-academy-of-fine-arts-madrid-image561317242.html
RM2RH65TA–Embellishment of the Puerta del Sol on the occasion of the entry into Madrid of Charles III, ca.1760. Attributed to Lorenzo de Quiros (1717-1789). History Museum, Madrid, Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid).
FRONT ON COURT HOTEL THE CHARLES DE LA BUSSIERE TILLET, 104 RUE DU TEMPLE OLD, 3RD DISTRICT, PARIS Façade sur cour, Hôtel Charles du Tillet de la Bussière, 104 rue Vieille-du-Temple, Paris (IIIème arr.), juin 1901. Photographie d'Eugène Atget (1857-1927). Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/front-on-court-hotel-the-charles-de-la-bussiere-tillet-104-rue-du-temple-old-3rd-district-paris-faade-sur-cour-htel-charles-du-tillet-de-la-bussire-104-rue-vieille-du-temple-paris-iiime-arr-juin-1901-photographie-deugne-atget-1857-1927-paris-muse-carnavalet-image349888195.html
RM2B96NXY–FRONT ON COURT HOTEL THE CHARLES DE LA BUSSIERE TILLET, 104 RUE DU TEMPLE OLD, 3RD DISTRICT, PARIS Façade sur cour, Hôtel Charles du Tillet de la Bussière, 104 rue Vieille-du-Temple, Paris (IIIème arr.), juin 1901. Photographie d'Eugène Atget (1857-1927). Paris, musée Carnavalet.
Guillaume-Chretien de Lamoignon de Malesherbes, French statesman, Ministre d'Etat, 1721-1794. Vignette shows him working on his defense of Louis XVI in the Tour de Temple. Mezzotint drawn and engraved by Jean Duplessis-Bertaux from his Collection Complete de 60 Portraits des Personnages qui ont le plus Figure dans la Revolution Francaise, Auber, Pairs, 1800. Portrait engraved by Charles Francois Gabriel Levachez. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/guillaume-chretien-de-lamoignon-de-malesherbes-french-statesman-ministre-detat-1721-1794-vignette-shows-him-working-on-his-defense-of-louis-xvi-in-the-tour-de-temple-mezzotint-drawn-and-engraved-by-jean-duplessis-bertaux-from-his-collection-complete-de-60-portraits-des-personnages-qui-ont-le-plus-figure-dans-la-revolution-francaise-auber-pairs-1800-portrait-engraved-by-charles-francois-gabriel-levachez-image206875820.html
RMP0G064–Guillaume-Chretien de Lamoignon de Malesherbes, French statesman, Ministre d'Etat, 1721-1794. Vignette shows him working on his defense of Louis XVI in the Tour de Temple. Mezzotint drawn and engraved by Jean Duplessis-Bertaux from his Collection Complete de 60 Portraits des Personnages qui ont le plus Figure dans la Revolution Francaise, Auber, Pairs, 1800. Portrait engraved by Charles Francois Gabriel Levachez.
Louis (XVII) Charles, 27.3.1785 - 8.6.1795, Dauphin de Viennois 4.6.1789 - 8.6.1795, Duke of Normandy, under costody of the cobbler Antoine Simon, Le Temple, Paris, 1793 - 1794, wood engraving, 19th century, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-louis-xvii-charles-2731785-861795-dauphin-de-viennois-461789-861795-33343173.html
RMBX6WFH–Louis (XVII) Charles, 27.3.1785 - 8.6.1795, Dauphin de Viennois 4.6.1789 - 8.6.1795, Duke of Normandy, under costody of the cobbler Antoine Simon, Le Temple, Paris, 1793 - 1794, wood engraving, 19th century, ,
Charles Maurand, (artist), French, 1824 - 1904, Honoré Daumier, (artist after), French, 1808 - 1879, Boulevard du Temple a minuit, H. Daumier, tirage unique de trente-six bois, (series), 1862, wood engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-maurand-artist-french-1824-1904-honor-daumier-artist-after-french-1808-1879-boulevard-du-temple-a-minuit-h-daumier-tirage-unique-de-trente-six-bois-series-1862-wood-engraving-image386357423.html
RM2DCG2RB–Charles Maurand, (artist), French, 1824 - 1904, Honoré Daumier, (artist after), French, 1808 - 1879, Boulevard du Temple a minuit, H. Daumier, tirage unique de trente-six bois, (series), 1862, wood engraving
rear centre: Janet Baker (Alceste) in ALCESTE by Gluck at The Royal Opera, Covent Garden, London WC2 26/11/1981 music: Christoph Willibald Gluck French libretto: Marie François Louis Gand Leblanc Roullet after the Italian libretto by Ranieri de' Calzabigi conductor: Charles Mackerras set design: Roger Butlin costumes: Michael Stennett lighting: Robert Bryan choreographer: Ronald Hynd director: John Copley Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rear-centre-janet-baker-alceste-in-alceste-by-gluck-at-the-royal-opera-covent-garden-london-wc2-26111981-music-christoph-willibald-gluck-french-libretto-marie-franois-louis-gand-leblanc-roullet-after-the-italian-libretto-by-ranieri-de-calzabigi-conductor-charles-mackerras-set-design-roger-butlin-costumes-michael-stennett-lighting-robert-bryan-choreographer-ronald-hynd-director-john-copley-image440348421.html
RM2GGBGW9–rear centre: Janet Baker (Alceste) in ALCESTE by Gluck at The Royal Opera, Covent Garden, London WC2 26/11/1981 music: Christoph Willibald Gluck French libretto: Marie François Louis Gand Leblanc Roullet after the Italian libretto by Ranieri de' Calzabigi conductor: Charles Mackerras set design: Roger Butlin costumes: Michael Stennett lighting: Robert Bryan choreographer: Ronald Hynd director: John Copley
Environs de Rome, Charles Melchoir Descourtis, 1753–1820, Pierre Antoine Demachy, French, 1723 - 1807, Charles Melchoir Descourtis, 1753–1820, Engraving in color ink on paper, In foreground at right, ruins of an Ionic temple with three girls, a boy and a horse in front of it. In distance, left, a pyramid and colliseum., France, 1784, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/environs-de-rome-charles-melchoir-descourtis-17531820-pierre-antoine-demachy-french-1723-1807-charles-melchoir-descourtis-17531820-engraving-in-color-ink-on-paper-in-foreground-at-right-ruins-of-an-ionic-temple-with-three-girls-a-boy-and-a-horse-in-front-of-it-in-distance-left-a-pyramid-and-colliseum-france-1784-print-image391147642.html
RM2DMA8PJ–Environs de Rome, Charles Melchoir Descourtis, 1753–1820, Pierre Antoine Demachy, French, 1723 - 1807, Charles Melchoir Descourtis, 1753–1820, Engraving in color ink on paper, In foreground at right, ruins of an Ionic temple with three girls, a boy and a horse in front of it. In distance, left, a pyramid and colliseum., France, 1784, Print
French Revolution. On 13 August 1792 King Louis XVI (1754-1793) and the royal family were taken prisoners at the Temple in Paris. Occupations of the royal family in the Temple prison. Drawing by Hippolyte de la Charlerie. Engraving by Jonnard. 'History of the French Revolution'. Volume I, 1876. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-revolution-on-13-august-1792-king-louis-xvi-1754-1793-and-the-royal-family-were-taken-prisoners-at-the-temple-in-paris-occupations-of-the-royal-family-in-the-temple-prison-drawing-by-hippolyte-de-la-charlerie-engraving-by-jonnard-history-of-the-french-revolution-volume-i-1876-image606362121.html
RM2X6E521–French Revolution. On 13 August 1792 King Louis XVI (1754-1793) and the royal family were taken prisoners at the Temple in Paris. Occupations of the royal family in the Temple prison. Drawing by Hippolyte de la Charlerie. Engraving by Jonnard. 'History of the French Revolution'. Volume I, 1876.
Knights Templars. Effigy of a Ros in the Temple Church London, Tomb of Robert de Roos at Temple Church in London, signed: Drawn & Etched by C.A. Stothard Jun, Published by C.A. Stothard Jun, Fig. 41, 38, after p. 34, Stothard, Charles Alfred Jun. (drawn, etched and publ.), Charles Alfred Stothard, Alfred John Kempe: The monumental effigies of Great Britain: selected from our cathedrals and churches, for the purpose of bringing together, and preserving correct representations of the best historical illustrations extant, from the Norman conquest to the reign of Henry the Eighth: dedicated by Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/knights-templars-effigy-of-a-ros-in-the-temple-church-london-tomb-of-robert-de-roos-at-temple-church-in-london-signed-drawn-etched-by-ca-stothard-jun-published-by-ca-stothard-jun-fig-41-38-after-p-34-stothard-charles-alfred-jun-drawn-etched-and-publ-charles-alfred-stothard-alfred-john-kempe-the-monumental-effigies-of-great-britain-selected-from-our-cathedrals-and-churches-for-the-purpose-of-bringing-together-and-preserving-correct-representations-of-the-best-historical-illustrations-extant-from-the-norman-conquest-to-the-reign-of-henry-the-eighth-dedicated-by-image328769729.html
RM2A2TN41–Knights Templars. Effigy of a Ros in the Temple Church London, Tomb of Robert de Roos at Temple Church in London, signed: Drawn & Etched by C.A. Stothard Jun, Published by C.A. Stothard Jun, Fig. 41, 38, after p. 34, Stothard, Charles Alfred Jun. (drawn, etched and publ.), Charles Alfred Stothard, Alfred John Kempe: The monumental effigies of Great Britain: selected from our cathedrals and churches, for the purpose of bringing together, and preserving correct representations of the best historical illustrations extant, from the Norman conquest to the reign of Henry the Eighth: dedicated by
Spain, Basque Country, Alava province, Vitoria-Gasteiz. Maria Inmaculada Cathedral or the New Cathedral. Built between 1907 and 1969 in Neogothic style by Francisco Javier de Luque (1871-1941) and Julián Apraiz Arias (1876-1962). Sculptures at the beginning of the archivolts of the facade. From left to right: Saint Charles Borromeo, Saint Anastasia, Saint Bernard and Saint Ambrose. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spain-basque-country-alava-province-vitoria-gasteiz-maria-inmaculada-cathedral-or-the-new-cathedral-built-between-1907-and-1969-in-neogothic-style-by-francisco-javier-de-luque-1871-1941-and-julin-apraiz-arias-1876-1962-sculptures-at-the-beginning-of-the-archivolts-of-the-facade-from-left-to-right-saint-charles-borromeo-saint-anastasia-saint-bernard-and-saint-ambrose-image433911567.html
RM2G5XAHK–Spain, Basque Country, Alava province, Vitoria-Gasteiz. Maria Inmaculada Cathedral or the New Cathedral. Built between 1907 and 1969 in Neogothic style by Francisco Javier de Luque (1871-1941) and Julián Apraiz Arias (1876-1962). Sculptures at the beginning of the archivolts of the facade. From left to right: Saint Charles Borromeo, Saint Anastasia, Saint Bernard and Saint Ambrose.
. Français : Versailles, Trianon, Le Temple de l'Amour - eau-forte de Charles Pinet . 16 November 2013, 16:48:01. Charles Pinet 614 Trianon - Le Temple de l'Amour Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-versailles-trianon-le-temple-de-lamour-eau-forte-de-charles-pinet-16-november-2013-164801-charles-pinet-614-trianon-le-temple-de-lamour-image187573910.html
RMMW4MC6–. Français : Versailles, Trianon, Le Temple de l'Amour - eau-forte de Charles Pinet . 16 November 2013, 16:48:01. Charles Pinet 614 Trianon - Le Temple de l'Amour
Charles X (1757-1836). King of France and Navarre. Consecration of Charles X of France in the Cathedral of Reims. May 29, 1825. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-charles-x-1757-1836-king-of-france-and-navarre-consecration-of-charles-55216537.html
RMD5R975–Charles X (1757-1836). King of France and Navarre. Consecration of Charles X of France in the Cathedral of Reims. May 29, 1825.
Stained glass windows made in 1872 representing the presentation of Jesus in the Temple inside the Church of Notre-Dame-de-Bonsecours of Nancy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stained-glass-windows-made-in-1872-representing-the-presentation-of-jesus-in-the-temple-inside-the-church-of-notre-dame-de-bonsecours-of-nancy-image605528924.html
RF2X54690–Stained glass windows made in 1872 representing the presentation of Jesus in the Temple inside the Church of Notre-Dame-de-Bonsecours of Nancy.
Charles Bridge. Tourist touches for goodluck the relief that has in the feet the statue of St John de Nepomuk.Prague. Czech Republic Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-charles-bridge-tourist-touches-for-goodluck-the-relief-that-has-in-134439163.html
RFHPM6EK–Charles Bridge. Tourist touches for goodluck the relief that has in the feet the statue of St John de Nepomuk.Prague. Czech Republic
The Temple of Augustus at Vienne, converted into a church under the title of Notre Dame de Vie Texier Charles 1864 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-temple-of-augustus-at-vienne-converted-into-a-church-under-the-140715177.html
RMJ4X3J1–The Temple of Augustus at Vienne, converted into a church under the title of Notre Dame de Vie Texier Charles 1864
Grand Théâtre de Genève located by Place Neuve in Geneva. It is an opera house officially opened in 1876. Canton of Geneva, Switzerland. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/grand-thtre-de-genve-located-by-place-neuve-in-geneva-it-is-an-opera-house-officially-opened-in-1876-canton-of-geneva-switzerland-image569313940.html
RF2T26DMM–Grand Théâtre de Genève located by Place Neuve in Geneva. It is an opera house officially opened in 1876. Canton of Geneva, Switzerland.
Temple bells, Smithiantha cinnibarina (Gesneria cinnabarina). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1857. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/temple-bells-smithiantha-cinnibarina-gesneria-cinnabarina-handcoloured-lithograph-from-louis-van-houtte-and-charles-lemaires-flowers-of-the-gardens-and-hothouses-of-europe-flore-des-serres-et-des-jardins-de-leurope-ghent-belgium-1857-image211127226.html
RMP7DJX2–Temple bells, Smithiantha cinnibarina (Gesneria cinnabarina). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1857.
Coupe du Temple et Statue de Jupiter - Pouqueville François Charles Hugues Laurent - 1835. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coupe-du-temple-et-statue-de-jupiter-pouqueville-franois-charles-hugues-laurent-1835-image261204602.html
RMW4XW3P–Coupe du Temple et Statue de Jupiter - Pouqueville François Charles Hugues Laurent - 1835.
The Temple of Augustus at Vienne, converted into a church under the title of Notre Dame de Vie Texier Charles 1864 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-temple-of-augustus-at-vienne-converted-into-a-church-under-the-132515090.html
RMHKGG9P–The Temple of Augustus at Vienne, converted into a church under the title of Notre Dame de Vie Texier Charles 1864
Charles de La Fosse - La Présentation au temple - Musée des Augustins - 2004 1 237. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-de-la-fosse-la-prsentation-au-temple-muse-des-augustins-2004-1-237-image259727219.html
RMW2FGM3–Charles de La Fosse - La Présentation au temple - Musée des Augustins - 2004 1 237.
VERTBOIS STREET, TO THE TEMPLE STREET, 3RD DISTRICT, PARIS Rue du Vertbois, vers la rue du Temple. Paris (IIIème arr.), 1865-1868. Photographie de Charles Marville (1813-1879). Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vertbois-street-to-the-temple-street-3rd-district-paris-rue-du-vertbois-vers-la-rue-du-temple-paris-iiime-arr-1865-1868-photographie-de-charles-marville-1813-1879-paris-muse-carnavalet-image350127554.html
RM2B9HK7E–VERTBOIS STREET, TO THE TEMPLE STREET, 3RD DISTRICT, PARIS Rue du Vertbois, vers la rue du Temple. Paris (IIIème arr.), 1865-1868. Photographie de Charles Marville (1813-1879). Paris, musée Carnavalet.
Heures de Charles VIII 045V Présentation au temple. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heures-de-charles-viii-045v-prsentation-au-temple-image354408421.html
RM2BGGKFH–Heures de Charles VIII 045V Présentation au temple.
Louis (XVII) Charles, 27.3.1785 - 8.6.1795, Dauphin de Viennois 4.6.1789 - 8.6.1795, Duke of Normandy, under costody of the cobbler Antoine Simon, Le Temple, Paris, 1793 - 1794, wood engraving, 19th century, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-louis-xvii-charles-2731785-861795-dauphin-de-viennois-461789-861795-33373352.html
RMBX881C–Louis (XVII) Charles, 27.3.1785 - 8.6.1795, Dauphin de Viennois 4.6.1789 - 8.6.1795, Duke of Normandy, under costody of the cobbler Antoine Simon, Le Temple, Paris, 1793 - 1794, wood engraving, 19th century, ,
Augusto and Livia temple, Vienne France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-augusto-and-livia-temple-vienne-france-175912909.html
RMM65EKW–Augusto and Livia temple, Vienne France
FRENCH PRESIDENT CHARLES DE GAULLE AT THE TEMPLE OF NEPTUNE IN ATHENS / ; 20 MAY 1963 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-president-charles-de-gaulle-at-the-temple-of-neptune-in-athens-20-may-1963-image623558983.html
RM2Y6DFRK–FRENCH PRESIDENT CHARLES DE GAULLE AT THE TEMPLE OF NEPTUNE IN ATHENS / ; 20 MAY 1963
Place de la Republique, Paris, France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-place-de-la-republique-paris-france-16642687.html
RMAWRJDM–Place de la Republique, Paris, France
Temple d'Auguste et de Livie, Place du Palais Charles du Gaulle, Vienne, France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/temple-dauguste-et-de-livie-place-du-palais-charles-du-gaulle-vienne-france-image262592793.html
RMW763P1–Temple d'Auguste et de Livie, Place du Palais Charles du Gaulle, Vienne, France
Geoffrey de Magnaville, Earl of Essex, In the Temple Church, London, Grave of Geoffrey de Mandeville, 1st Earl of Essex, at Temple Church in London, signed: Drawn & Etched by C.A. Stothard; Published by C.A. Stothard, Fig. 13, 10, after p. 2 12, Stothard, Charles Alfred (drawn, etched and publ.), Charles Alfred Stothard, Alfred John Kempe: The monumental effigies of Great Britain: selected from our cathedrals and churches, for the purpose of bringing together, and preserving correct representations of the best historical illustrations extant, from the Norman conquest to the reign of Henry the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/geoffrey-de-magnaville-earl-of-essex-in-the-temple-church-london-grave-of-geoffrey-de-mandeville-1st-earl-of-essex-at-temple-church-in-london-signed-drawn-etched-by-ca-stothard-published-by-ca-stothard-fig-13-10-after-p-2-12-stothard-charles-alfred-drawn-etched-and-publ-charles-alfred-stothard-alfred-john-kempe-the-monumental-effigies-of-great-britain-selected-from-our-cathedrals-and-churches-for-the-purpose-of-bringing-together-and-preserving-correct-representations-of-the-best-historical-illustrations-extant-from-the-norman-conquest-to-the-reign-of-henry-the-image328769689.html
RM2A2TN2H–Geoffrey de Magnaville, Earl of Essex, In the Temple Church, London, Grave of Geoffrey de Mandeville, 1st Earl of Essex, at Temple Church in London, signed: Drawn & Etched by C.A. Stothard; Published by C.A. Stothard, Fig. 13, 10, after p. 2 12, Stothard, Charles Alfred (drawn, etched and publ.), Charles Alfred Stothard, Alfred John Kempe: The monumental effigies of Great Britain: selected from our cathedrals and churches, for the purpose of bringing together, and preserving correct representations of the best historical illustrations extant, from the Norman conquest to the reign of Henry the
'La mort de Louis-Charles de France dit Louis XVII (1785-1795) prisonnier au temple et malade de tuberculose le 8 juin 1795' (death of Louis XVII ( Louis Charles, Duke of Normandy) son of Louis XVI and marie Antoinette 1795) gravure tiree de 'Causes celebres' Collection privee Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/la-mort-de-louis-charles-de-france-dit-louis-xvii-1785-1795-prisonnier-au-temple-et-malade-de-tuberculose-le-8-juin-1795-death-of-louis-xvii-louis-charles-duke-of-normandy-son-of-louis-xvi-and-marie-antoinette-1795-gravure-tiree-de-causes-celebres-collection-privee-image467479427.html
RM2J4FENR–'La mort de Louis-Charles de France dit Louis XVII (1785-1795) prisonnier au temple et malade de tuberculose le 8 juin 1795' (death of Louis XVII ( Louis Charles, Duke of Normandy) son of Louis XVI and marie Antoinette 1795) gravure tiree de 'Causes celebres' Collection privee
. Français : Versailles, Trianon, Le Temple de l'Amour - eau-forte de Charles Pinet . 16 November 2013, 16:48:01. Charles Pinet 615 Trianon - Le Temple de l'Amour Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-versailles-trianon-le-temple-de-lamour-eau-forte-de-charles-pinet-16-november-2013-164801-charles-pinet-615-trianon-le-temple-de-lamour-image188135495.html
RMMX28MR–. Français : Versailles, Trianon, Le Temple de l'Amour - eau-forte de Charles Pinet . 16 November 2013, 16:48:01. Charles Pinet 615 Trianon - Le Temple de l'Amour
Charles X (1757-1836). King of France and Navarre. Consecration of Charles X of France in the Cathedral of Reims. May 29, 1825. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-x-1757-1836-king-of-france-and-navarre-consecration-of-charles-image62904540.html
RMDJ9FAM–Charles X (1757-1836). King of France and Navarre. Consecration of Charles X of France in the Cathedral of Reims. May 29, 1825.
A Ruined Temple from 1620 until 38 by Charles Cornelisz. de Hooch Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-ruined-temple-from-1620-until-38-by-charles-cornelisz-de-hooch-image563602603.html
RM2RMX8TB–A Ruined Temple from 1620 until 38 by Charles Cornelisz. de Hooch
Charles Bridge. Tourist touches for goodluck the relief that has in the feet the statue of St John de Nepomuk.Prague. Czech Republic Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-charles-bridge-tourist-touches-for-goodluck-the-relief-that-has-in-134439165.html
RFHPM6EN–Charles Bridge. Tourist touches for goodluck the relief that has in the feet the statue of St John de Nepomuk.Prague. Czech Republic
The Temple of Augustus at Vienne, converted into a church under the title of Notre Dame de Vie Texier Charles 1864 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-temple-of-augustus-at-vienne-converted-into-a-church-under-the-163710325.html
RMKE9J59–The Temple of Augustus at Vienne, converted into a church under the title of Notre Dame de Vie Texier Charles 1864
Young Jesus Teaching stained glass, Basilica Notre-Dame De Nice, Cote d'Azur, France. Constructed 1860's by Charles Champigneulle. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/young-jesus-teaching-stained-glass-basilica-notre-dame-de-nice-cote-dazur-france-constructed-1860s-by-charles-champigneulle-image605845452.html
RF2X5JJ1G–Young Jesus Teaching stained glass, Basilica Notre-Dame De Nice, Cote d'Azur, France. Constructed 1860's by Charles Champigneulle.
A Ruined Temple. Date/Period: From 1620 until 38. Painting. Oil on panel Oil. Height: 162 mm (6.37 in); Width: 237 mm (9.33 in). Author: Charles Cornelisz. de Hooch. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-ruined-temple-dateperiod-from-1620-until-38-painting-oil-on-panel-oil-height-162-mm-637-in-width-237-mm-933-in-author-charles-cornelisz-de-hooch-image219742263.html
RMPNE3DY–A Ruined Temple. Date/Period: From 1620 until 38. Painting. Oil on panel Oil. Height: 162 mm (6.37 in); Width: 237 mm (9.33 in). Author: Charles Cornelisz. de Hooch.
Presentation Baby Jesus stained glass, Basilica Notre-Dame De Nice, Cote d'Azur, France. Constructed 1860's by Charles Champigneulle. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/presentation-baby-jesus-stained-glass-basilica-notre-dame-de-nice-cote-dazur-france-constructed-1860s-by-charles-champigneulle-image605087637.html
RF2X4C3CN–Presentation Baby Jesus stained glass, Basilica Notre-Dame De Nice, Cote d'Azur, France. Constructed 1860's by Charles Champigneulle.
'City of Tombs, Looking towards Sakkara, Cairo', Egypt, 1863. Artist: Charles Emile de Tournemine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-city-of-tombs-looking-towards-sakkara-cairo-egypt-1863-artist-charles-11067790.html
RMA4K2ER–'City of Tombs, Looking towards Sakkara, Cairo', Egypt, 1863. Artist: Charles Emile de Tournemine
France, Isere, Vienne, Palace Square Charles de Gaulle, Temple of Augustus and Livia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-france-isere-vienne-palace-square-charles-de-gaulle-temple-of-augustus-136065545.html
RFHWA8YN–France, Isere, Vienne, Palace Square Charles de Gaulle, Temple of Augustus and Livia
TEMPLE STREET VIEW TAKING THE Dupetit THOUARS STREET, 3RD DISTRICT, PARIS Rue du Temple, vue prise de la rue Dupetit-Thouars. Paris (IIIème arr.), 1865-1868. Photographie de Charles Marville (1813-1879). Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/temple-street-view-taking-the-dupetit-thouars-street-3rd-district-paris-rue-du-temple-vue-prise-de-la-rue-dupetit-thouars-paris-iiime-arr-1865-1868-photographie-de-charles-marville-1813-1879-paris-muse-carnavalet-image350128818.html
RM2B9HMTJ–TEMPLE STREET VIEW TAKING THE Dupetit THOUARS STREET, 3RD DISTRICT, PARIS Rue du Temple, vue prise de la rue Dupetit-Thouars. Paris (IIIème arr.), 1865-1868. Photographie de Charles Marville (1813-1879). Paris, musée Carnavalet.
Coronation of Charlemagne depicted in the mural painting by French painter Henri-Léopold Lévy (1874) in the Panthéon in Paris, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coronation-of-charlemagne-depicted-in-the-mural-painting-by-french-painter-henri-lopold-lvy-1874-in-the-panthon-in-paris-france-image468398671.html
RM2J61B7Y–Coronation of Charlemagne depicted in the mural painting by French painter Henri-Léopold Lévy (1874) in the Panthéon in Paris, France.
View of the rotunda and isometric view of the Temple of the market Michel Charles Fichot (1817-1903). 'Vue de la Rotonde et vue cavalière du marché du Temple' (Carreau du Temple). Paris (IIIème arr.). Bois gravé. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-rotunda-and-isometric-view-of-the-temple-of-the-market-michel-charles-fichot-1817-1903-vue-de-la-rotonde-et-vue-cavalire-du-march-du-temple-carreau-du-temple-paris-iiime-arr-bois-grav-paris-muse-carnavalet-image350103082.html
RM2B9GG1E–View of the rotunda and isometric view of the Temple of the market Michel Charles Fichot (1817-1903). 'Vue de la Rotonde et vue cavalière du marché du Temple' (Carreau du Temple). Paris (IIIème arr.). Bois gravé. Paris, musée Carnavalet.
View of the effigy of Geoffrey de Mandeville, Earl of Essex, from Temple Church, London, 1840. Artist: Charles Alfred Stothard Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-effigy-of-geoffrey-de-mandeville-earl-of-essex-from-temple-image60093830.html
RMDDNE86–View of the effigy of Geoffrey de Mandeville, Earl of Essex, from Temple Church, London, 1840. Artist: Charles Alfred Stothard
PARIS - BARRICADE IN THE SUBURB OF THE TEMPLE Révolution française de 1848. Barricades avant l'attaque, rue Saint-Maur, le 25 juin 1848 à 7 heures 30 du matin. Paris (XIème arr.). Daguerréotype de Charles-François Thibault. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paris-barricade-in-the-suburb-of-the-temple-rvolution-franaise-de-1848-barricades-avant-lattaque-rue-saint-maur-le-25-juin-1848-7-heures-30-du-matin-paris-xime-arr-daguerrotype-de-charles-franois-thibault-paris-muse-carnavalet-image350139404.html
RM2B9J6AM–PARIS - BARRICADE IN THE SUBURB OF THE TEMPLE Révolution française de 1848. Barricades avant l'attaque, rue Saint-Maur, le 25 juin 1848 à 7 heures 30 du matin. Paris (XIème arr.). Daguerréotype de Charles-François Thibault. Paris, musée Carnavalet.
Spain, Basque Country, Vitoria-Gasteiz. Maria Inmaculada Cathedral or the New Cathedral. Sculptures at the beginning of the archivolts of the facade. From left to right: Saint Charles Borromeo, Saint Anastasia, Saint Bernard and Saint Ambrose. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spain-basque-country-vitoria-gasteiz-maria-inmaculada-cathedral-or-the-new-cathedral-sculptures-at-the-beginning-of-the-archivolts-of-the-facade-from-left-to-right-saint-charles-borromeo-saint-anastasia-saint-bernard-and-saint-ambrose-image469986798.html
RM2J8HMXP–Spain, Basque Country, Vitoria-Gasteiz. Maria Inmaculada Cathedral or the New Cathedral. Sculptures at the beginning of the archivolts of the facade. From left to right: Saint Charles Borromeo, Saint Anastasia, Saint Bernard and Saint Ambrose.
Leaving for the temple in Marken, Zuiderzee , Holland. Europe. Netherlands 1878 by Charles de Coster (1827 - 1879) Old 19th century engraving from Le Tour du Monde 1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leaving-for-the-temple-in-marken-zuiderzee-holland-europe-netherlands-1878-by-charles-de-coster-1827-1879-old-19th-century-engraving-from-le-tour-du-monde-1880-image593072857.html
RM2WCTPDD–Leaving for the temple in Marken, Zuiderzee , Holland. Europe. Netherlands 1878 by Charles de Coster (1827 - 1879) Old 19th century engraving from Le Tour du Monde 1880
Structures with circular and octagonal plan 3, Temple of Hercule Gardien, à Rome, Temple of Vesta, à Tivoli, Temple of Vesta, à Rome, Chapelle dite temple de Bramante, à Rome, Eglise de la Madona of Campagna, près de Rome, Baptistère de, Constantin, à Rome, Tombeau de sainte Constance, près de Rome, Baptistère de Nocera, Eglise de Saint-Etienne, à Bologne, Baptistère de Pise, Eglise Saint-Ange, à Perugia, signed: E. Isabelle mens., & del, Hibon sc, A. Lévy fils Editeur, Pl. 3, p. 32, Isabell, Charles Édouard (mens et del.); Hibon, Auguste (sc.); Lévy, A fils (ed.), Charles Édouard Isabelle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/structures-with-circular-and-octagonal-plan-3-temple-of-hercule-gardien-rome-temple-of-vesta-tivoli-temple-of-vesta-rome-chapelle-dite-temple-de-bramante-rome-eglise-de-la-madona-of-campagna-prs-de-rome-baptistre-de-constantin-rome-tombeau-de-sainte-constance-prs-de-rome-baptistre-de-nocera-eglise-de-saint-etienne-bologne-baptistre-de-pise-eglise-saint-ange-perugia-signed-e-isabelle-mens-del-hibon-sc-a-lvy-fils-editeur-pl-3-p-32-isabell-charles-douard-mens-et-del-hibon-auguste-sc-lvy-a-fils-ed-charles-douard-isabelle-image328768101.html
RM2A2TK1W–Structures with circular and octagonal plan 3, Temple of Hercule Gardien, à Rome, Temple of Vesta, à Tivoli, Temple of Vesta, à Rome, Chapelle dite temple de Bramante, à Rome, Eglise de la Madona of Campagna, près de Rome, Baptistère de, Constantin, à Rome, Tombeau de sainte Constance, près de Rome, Baptistère de Nocera, Eglise de Saint-Etienne, à Bologne, Baptistère de Pise, Eglise Saint-Ange, à Perugia, signed: E. Isabelle mens., & del, Hibon sc, A. Lévy fils Editeur, Pl. 3, p. 32, Isabell, Charles Édouard (mens et del.); Hibon, Auguste (sc.); Lévy, A fils (ed.), Charles Édouard Isabelle
Revolution francaise : 'La reine Marie Antoinette est separee de son fils Louis Charles (Louis XVII) le 13 juillet 1793 qui sera confie au savetier Simon' (Queen Marie Antoinette being separated of his son Louis XVII (Louis Charles, Duke of Normandy) the prison of the temple 13th july 1793) Gravure tiree de 'Causes celebres' de Fouquier 1861 Collection privee Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/revolution-francaise-la-reine-marie-antoinette-est-separee-de-son-fils-louis-charles-louis-xvii-le-13-juillet-1793-qui-sera-confie-au-savetier-simon-queen-marie-antoinette-being-separated-of-his-son-louis-xvii-louis-charles-duke-of-normandy-the-prison-of-the-temple-13th-july-1793-gravure-tiree-de-causes-celebres-de-fouquier-1861-collection-privee-image469244058.html
RM2J7BWGA–Revolution francaise : 'La reine Marie Antoinette est separee de son fils Louis Charles (Louis XVII) le 13 juillet 1793 qui sera confie au savetier Simon' (Queen Marie Antoinette being separated of his son Louis XVII (Louis Charles, Duke of Normandy) the prison of the temple 13th july 1793) Gravure tiree de 'Causes celebres' de Fouquier 1861 Collection privee
View of the mosque near Bantam, Javanese temple near Bantam / Temple Javanais près de Bantam (title on object), Views of the Dutch East Indies (series title), Views from the Dutch East Indies (series title), Java (series title on object), Numbered top left: Pl.XIII., print maker: Paulus Lauters, after design by: Charles William Meredith van de Velde, publisher: Frans Buffa en Zonen, Amsterdam, c. 1847, paper, height 350 mm × width 544 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-mosque-near-bantam-javanese-temple-near-bantam-temple-javanais-prs-de-bantam-title-on-object-views-of-the-dutch-east-indies-series-title-views-from-the-dutch-east-indies-series-title-java-series-title-on-object-numbered-top-left-plxiii-print-maker-paulus-lauters-after-design-by-charles-william-meredith-van-de-velde-publisher-frans-buffa-en-zonen-amsterdam-c-1847-paper-height-350-mm-width-544-mm-print-image599456021.html
RM2WR7G7H–View of the mosque near Bantam, Javanese temple near Bantam / Temple Javanais près de Bantam (title on object), Views of the Dutch East Indies (series title), Views from the Dutch East Indies (series title), Java (series title on object), Numbered top left: Pl.XIII., print maker: Paulus Lauters, after design by: Charles William Meredith van de Velde, publisher: Frans Buffa en Zonen, Amsterdam, c. 1847, paper, height 350 mm × width 544 mm, print
. Français : Versailles, Trianon, Le Temple de l'Amour - eau-forte de Charles Pinet . 16 November 2013, 16:48:01. Charles Pinet 536 Trianon - Le Temple de l'Amour Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-versailles-trianon-le-temple-de-lamour-eau-forte-de-charles-pinet-16-november-2013-164801-charles-pinet-536-trianon-le-temple-de-lamour-image188851313.html
RMMY6WNN–. Français : Versailles, Trianon, Le Temple de l'Amour - eau-forte de Charles Pinet . 16 November 2013, 16:48:01. Charles Pinet 536 Trianon - Le Temple de l'Amour
View of the mosque near Bantam, Javanese temple near Bantam / Temple Javanais près de Bantam (title on object), Views of the Dutch East Indies (series title), Views from the Dutch East Indies (series title), Java (series title on object), Numbered top left: Pl.XIII., print, print maker: Paulus Lauters, (mentioned on object), after design by: Charles William Meredith van de Velde, (mentioned on object), publisher: Frans Buffa en Zonen, (mentioned on object), Amsterdam, c. 1847, paper, height, 350 mm × width, 544 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-mosque-near-bantam-javanese-temple-near-bantam-temple-javanais-prs-de-bantam-title-on-object-views-of-the-dutch-east-indies-series-title-views-from-the-dutch-east-indies-series-title-java-series-title-on-object-numbered-top-left-plxiii-print-print-maker-paulus-lauters-mentioned-on-object-after-design-by-charles-william-meredith-van-de-velde-mentioned-on-object-publisher-frans-buffa-en-zonen-mentioned-on-object-amsterdam-c-1847-paper-height-350-mm-width-544-mm-image606638730.html
RM2X6XNTX–View of the mosque near Bantam, Javanese temple near Bantam / Temple Javanais près de Bantam (title on object), Views of the Dutch East Indies (series title), Views from the Dutch East Indies (series title), Java (series title on object), Numbered top left: Pl.XIII., print, print maker: Paulus Lauters, (mentioned on object), after design by: Charles William Meredith van de Velde, (mentioned on object), publisher: Frans Buffa en Zonen, (mentioned on object), Amsterdam, c. 1847, paper, height, 350 mm × width, 544 mm
Boulevard du Temple à minuit, from Tirage Unique de Trente-Six Bois, 1863, printed 1920. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/boulevard-du-temple-xe0-minuit-from-tirage-unique-de-trente-six-bois-1863-printed-1920-image462403730.html
RM2HT88JX–Boulevard du Temple à minuit, from Tirage Unique de Trente-Six Bois, 1863, printed 1920.
Temple de Teos - Texier Charles Félix Marie - 1882 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-temple-de-teos-texier-charles-flix-marie-1882-171795166.html
RMKYDXDJ–Temple de Teos - Texier Charles Félix Marie - 1882
LOUIS XVI. CONVEYED PRISONER TO THE TEMPLE. TABLEAUX HISTORIQUES DE LA RÉVOLUTION FRANÇAISE. - Image taken from 'The Popular History Of England: An Illustrated History Of Society And Government From The Earliest Period To Our OwnTimes By Charles KNIGHT - London. Bradbury and Evans. 1856-1862 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-xvi-conveyed-prisoner-to-the-temple-tableaux-historiques-de-la-rvolution-franaise-image-taken-from-the-popular-history-of-england-an-illustrated-history-of-society-and-government-from-the-earliest-period-to-our-owntimes-by-charles-knight-london-bradbury-and-evans-1856-1862-image593301757.html
RM2WD76CD–LOUIS XVI. CONVEYED PRISONER TO THE TEMPLE. TABLEAUX HISTORIQUES DE LA RÉVOLUTION FRANÇAISE. - Image taken from 'The Popular History Of England: An Illustrated History Of Society And Government From The Earliest Period To Our OwnTimes By Charles KNIGHT - London. Bradbury and Evans. 1856-1862
Sketch portrait of Louis Charles, Louis XVII, imprisoned at the Temple. Dessine au temple dapres nature par Lavit. Lithograph after a sketch from nature by Lavit from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sketch-portrait-of-louis-charles-louis-xvii-imprisoned-at-the-temple-dessine-au-temple-dapres-nature-par-lavit-lithograph-after-a-sketch-from-nature-by-lavit-from-fashions-and-customs-of-marie-antoinette-and-her-times-by-le-comte-de-reiset-paris-1885-the-journal-of-madame-eloffe-dressmaker-and-linen-merchant-to-the-queen-and-ladies-of-the-court-image359080018.html
RM2BT5E6A–Sketch portrait of Louis Charles, Louis XVII, imprisoned at the Temple. Dessine au temple dapres nature par Lavit. Lithograph after a sketch from nature by Lavit from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Le suicide de Jean-Charles (Jean Charles) Pichegru (1761-1804) dans la prison du temple (Suicide of jean Charles Pichegru in prison, 1804) Gravure tir Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/le-suicide-de-jean-charles-jean-charles-pichegru-1761-1804-dans-la-prison-du-temple-suicide-of-jean-charles-pichegru-in-prison-1804-gravure-tir-image353626585.html
RM2BF928W–Le suicide de Jean-Charles (Jean Charles) Pichegru (1761-1804) dans la prison du temple (Suicide of jean Charles Pichegru in prison, 1804) Gravure tir
'The Cat's Paw', 1832. Charles Maurice de Talleyrand-Perigord, French ambassador to the United Kingdom, grapples with British prime minister Lord Palmerston, depicted as a cat. Talleyrand, who appears to have a rat's tail, holds the cat's paw over a hot stove, with the words 'Belgium' and 'Antwerp' written on hot coals. To make a cat's paw of someone means to use them as a tool or instrument to accomplish one's purpose. Satirical cartoon by 'H.B.' (John Doyle). [Thomas McLean, London, 1832] Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-cats-paw-1832-charles-maurice-de-talleyrand-perigord-french-ambassador-to-the-united-kingdom-grapples-with-british-prime-minister-lord-palmerston-depicted-as-a-cat-talleyrand-who-appears-to-have-a-rats-tail-holds-the-cats-paw-over-a-hot-stove-with-the-words-belgium-and-antwerp-written-on-hot-coals-to-make-a-cats-paw-of-someone-means-to-use-them-as-a-tool-or-instrument-to-accomplish-ones-purpose-satirical-cartoon-by-hb-john-doyle-thomas-mclean-london-1832-image332227076.html
RM2A8E70M–'The Cat's Paw', 1832. Charles Maurice de Talleyrand-Perigord, French ambassador to the United Kingdom, grapples with British prime minister Lord Palmerston, depicted as a cat. Talleyrand, who appears to have a rat's tail, holds the cat's paw over a hot stove, with the words 'Belgium' and 'Antwerp' written on hot coals. To make a cat's paw of someone means to use them as a tool or instrument to accomplish one's purpose. Satirical cartoon by 'H.B.' (John Doyle). [Thomas McLean, London, 1832]
France, Isere, Vienne, Palace Square Charles de Gaulle, Temple of Augustus and Livia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-france-isere-vienne-palace-square-charles-de-gaulle-temple-of-augustus-136065495.html
RFHWA8WY–France, Isere, Vienne, Palace Square Charles de Gaulle, Temple of Augustus and Livia
Virgin Mary Presentation Temple Stained Glass Basilica Notre Dame de Nice Catholic Church Nice Cote d'Azur France Constructed 1860s Glass by Charles C Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/virgin-mary-presentation-temple-stained-glass-basilica-notre-dame-de-nice-catholic-church-nice-cote-dazur-france-constructed-1860s-glass-by-charles-c-image507905148.html
RF2ME925G–Virgin Mary Presentation Temple Stained Glass Basilica Notre Dame de Nice Catholic Church Nice Cote d'Azur France Constructed 1860s Glass by Charles C
'Philae', Egypt, 1863. Artist: Charles Emile de Tournemine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-philae-egypt-1863-artist-charles-emile-de-tournemine-11067808.html
RMA4K2GH–'Philae', Egypt, 1863. Artist: Charles Emile de Tournemine
France, Isere, Vienne, Palace Square Charles de Gaulle, Temple of Augustus and Livia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/france-isere-vienne-palace-square-charles-de-gaulle-temple-of-augustus-and-livia-image546150279.html
RM2PMF873–France, Isere, Vienne, Palace Square Charles de Gaulle, Temple of Augustus and Livia
Temple de Teos - Texier Charles Félix Marie - 1882 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/temple-de-teos-texier-charles-flix-marie-1882-image477842381.html
RM2JNBGR9–Temple de Teos - Texier Charles Félix Marie - 1882
Construction of the railway metropolitan city of Paris: implementation of part of the Hotel de Ville station, shooting Temple Street, 4th district, Paris. Métro parisien. 'Construction du chemin de fer métropolitain municipal de Paris : mise en place d'une partie de la station Hôtel-de-ville, vue prise de la rue du Temple, Paris (IVème arr.)'. Photographie de Charles Maindron (1861-1940). Tirage au gélatino-chlorure d’argent développé. 18 avril 1899. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/construction-of-the-railway-metropolitan-city-of-paris-implementation-of-part-of-the-hotel-de-ville-station-shooting-temple-street-4th-district-paris-mtro-parisien-construction-du-chemin-de-fer-mtropolitain-municipal-de-paris-mise-en-place-dune-partie-de-la-station-htel-de-ville-vue-prise-de-la-rue-du-temple-paris-ivme-arr-photographie-de-charles-maindron-1861-1940-tirage-au-glatino-chlorure-dargent-dvelopp-18-avril-1899-paris-muse-carnavalet-image349803031.html
RM2B92W9B–Construction of the railway metropolitan city of Paris: implementation of part of the Hotel de Ville station, shooting Temple Street, 4th district, Paris. Métro parisien. 'Construction du chemin de fer métropolitain municipal de Paris : mise en place d'une partie de la station Hôtel-de-ville, vue prise de la rue du Temple, Paris (IVème arr.)'. Photographie de Charles Maindron (1861-1940). Tirage au gélatino-chlorure d’argent développé. 18 avril 1899. Paris, musée Carnavalet.
France, Isere, Vienne, Palace Square Charles de Gaulle, Temple of Augustus and Livia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/france-isere-vienne-palace-square-charles-de-gaulle-temple-of-augustus-and-livia-image546150293.html
RM2PMF87H–France, Isere, Vienne, Palace Square Charles de Gaulle, Temple of Augustus and Livia
Charles de Wailly View of the 'Temple de l'amitié' in Laeken with a dedication to Archduchess Marie Christine. Feder in black, watercolor 1782 , 1782 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-de-wailly-view-of-the-temple-de-lamiti-in-laeken-with-a-dedication-to-archduchess-marie-christine-feder-in-black-watercolor-1782-1782-image572652783.html
RM2T7JGD3–Charles de Wailly View of the 'Temple de l'amitié' in Laeken with a dedication to Archduchess Marie Christine. Feder in black, watercolor 1782 , 1782
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