Byzantine manuscript, Portrait of Manuel II Paleologue (1391-1425) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-byzantine-manuscript-portrait-of-manuel-ii-paleologue-1391-1425-49908813.html
RMCW5F5H–Byzantine manuscript, Portrait of Manuel II Paleologue (1391-1425)
Illustration from Homilies on the Virgin, Byzantine manuscript, 12th century. Artist: James of Kokkinobaphos Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-from-homilies-on-the-virgin-byzantine-manuscript-12th-image8371228.html
RMAJ7PWD–Illustration from Homilies on the Virgin, Byzantine manuscript, 12th century. Artist: James of Kokkinobaphos
BYZANTINE ART. GREECE. Lectionary illuminated and manuscript containing the Gospel passages read during the Divine Liturgy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-byzantine-art-greece-lectionary-illuminated-and-manuscript-containing-27236801.html
RMBG8MPW–BYZANTINE ART. GREECE. Lectionary illuminated and manuscript containing the Gospel passages read during the Divine Liturgy.
Armenian Christian illustrated manuscript showing Leo I(Levon); I, the fifth lord of Armenian Cilicia. In the 12th century, he learned to exploit the open, yet restrained, hostilities between the Byzantine Empire and the Crusader principalities of Edessa and Antioch. 14th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/armenian-christian-illustrated-manuscript-showing-leo-ilevon-i-the-fifth-lord-of-armenian-cilicia-in-the-12th-century-he-learned-to-exploit-the-open-yet-restrained-hostilities-between-the-byzantine-empire-and-the-crusader-principalities-of-edessa-and-antioch-14th-century-image186362255.html
RMMR5EXR–Armenian Christian illustrated manuscript showing Leo I(Levon); I, the fifth lord of Armenian Cilicia. In the 12th century, he learned to exploit the open, yet restrained, hostilities between the Byzantine Empire and the Crusader principalities of Edessa and Antioch. 14th century
. English: The Byzantine Emperor Alexios V Doukas, nicknamed 'Mourtzouphlos', last ruler of the Byzantine Empire before its fall to the Fourth Crusade. Ελληνικά: Ο Βυζαντινός Αυτοκράτορας Αλέξιος Ε' Δούκας Μούρτζουφλος. Ανήλθε στο θρόνο κατά την πολιορκία της Κωνσταντινούπολης από την Τέταρτη Σταυροφορία. Medieval illustrated manuscript (probably 14th century). Unknown 32 Alexius V Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-byzantine-emperor-alexios-v-doukas-nicknamed-mourtzouphlos-last-ruler-of-the-byzantine-empire-before-its-fall-to-the-fourth-crusade-medieval-illustrated-manuscript-probably-14th-century-unknown-32-alexius-v-image188911257.html
RMMY9J6H–. English: The Byzantine Emperor Alexios V Doukas, nicknamed 'Mourtzouphlos', last ruler of the Byzantine Empire before its fall to the Fourth Crusade. Ελληνικά: Ο Βυζαντινός Αυτοκράτορας Αλέξιος Ε' Δούκας Μούρτζουφλος. Ανήλθε στο θρόνο κατά την πολιορκία της Κωνσταντινούπολης από την Τέταρτη Σταυροφορία. Medieval illustrated manuscript (probably 14th century). Unknown 32 Alexius V
illustrations - illuminations from the Byzantine history manuscript of John Skylitzes, 11th century A.D. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustrations-illuminations-from-the-byzantine-history-manuscript-of-john-skylitzes-11th-century-ad-image386991451.html
RF2DDGYF7–illustrations - illuminations from the Byzantine history manuscript of John Skylitzes, 11th century A.D.
Saint Matthew depicted in a mid 10th century Byzantine manuscript, Athens, Greece Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-matthew-depicted-in-a-mid-10th-century-byzantine-manuscript-athens-greece-image568543738.html
RM2T0YB9E–Saint Matthew depicted in a mid 10th century Byzantine manuscript, Athens, Greece
Byzantine Greek Soldiers Alexander Manuscript. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/byzantine-greek-soldiers-alexander-manuscript-image223175056.html
RMPY2E1M–Byzantine Greek Soldiers Alexander Manuscript.
illuminated Byzantine manuscript of The Paris Gregory or the Homilies of Gregory of Homilies of St. Gregory of Nazianzus or Greg Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-illuminated-byzantine-manuscript-of-the-paris-gregory-or-the-homilies-75585462.html
RMEAY60P–illuminated Byzantine manuscript of The Paris Gregory or the Homilies of Gregory of Homilies of St. Gregory of Nazianzus or Greg
fine arts, religious art, resurrection Christi, illuminated manuscript to a script by Gregory of Naizanz, 11th century, Jerusalem, Greek patriarchate, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fine-arts-religious-art-resurrection-christi-illuminated-manuscript-110344639.html
RMGBEHKY–fine arts, religious art, resurrection Christi, illuminated manuscript to a script by Gregory of Naizanz, 11th century, Jerusalem, Greek patriarchate,
12th century Byzantine manuscript the oath was written out in the form of a cross, relating it visually to Christian ideas from the Folio Biblioteca Vaticana. Hippocrates (460-370 BC) was a Greek physician who is considered the father of medicine. His inf Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-12th-century-byzantine-manuscript-the-oath-was-written-out-in-the-103996349.html
RMG15CB9–12th century Byzantine manuscript the oath was written out in the form of a cross, relating it visually to Christian ideas from the Folio Biblioteca Vaticana. Hippocrates (460-370 BC) was a Greek physician who is considered the father of medicine. His inf
Miniature from a Byzantine manuscript of the eleventh century ; a remarkable example of artistic decadence From the book ' Illuminated manuscripts in classical and mediaeval times : their art and their technique ' by Middleton, J. H. (John Henry), 1846-1896 Published in 1892 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/miniature-from-a-byzantine-manuscript-of-the-eleventh-century-a-remarkable-example-of-artistic-decadence-from-the-book-illuminated-manuscripts-in-classical-and-mediaeval-times-their-art-and-their-technique-by-middleton-j-h-john-henry-1846-1896-published-in-1892-image396890777.html
RF2E1KX6H–Miniature from a Byzantine manuscript of the eleventh century ; a remarkable example of artistic decadence From the book ' Illuminated manuscripts in classical and mediaeval times : their art and their technique ' by Middleton, J. H. (John Henry), 1846-1896 Published in 1892
A cropped fourteenth-century miniature Greek manuscript depicting scenes from the life of Alexander the Great, this scene shows Byzantine Greek musicians and various musical instruments. The scene depicted entirely in Byzantine fashion of the period. Late Byzantine period (1204-1453). “Alexander Romance” in S. Giorgio dei Greci in Venice. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-cropped-fourteenth-century-miniature-greek-manuscript-depicting-scenes-from-the-life-of-alexander-the-great-this-scene-shows-byzantine-greek-musicians-and-various-musical-instruments-the-scene-depicted-entirely-in-byzantine-fashion-of-the-period-late-byzantine-period-1204-1453-alexander-romance-in-s-giorgio-dei-greci-in-venice-image425367443.html
RM2FM14EB–A cropped fourteenth-century miniature Greek manuscript depicting scenes from the life of Alexander the Great, this scene shows Byzantine Greek musicians and various musical instruments. The scene depicted entirely in Byzantine fashion of the period. Late Byzantine period (1204-1453). “Alexander Romance” in S. Giorgio dei Greci in Venice.
Byzantine Mosaic of Byzantine Empress Zoe Porphyrogenita Holding a Scroll Manuscript in Hagia Sophia Church Museum, Sultanahmet, Istanbul, Turkey Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-byzantine-mosaic-of-byzantine-empress-zoe-porphyrogenita-holding-a-172320298.html
RMM09T8A–Byzantine Mosaic of Byzantine Empress Zoe Porphyrogenita Holding a Scroll Manuscript in Hagia Sophia Church Museum, Sultanahmet, Istanbul, Turkey
Egypt, manuscript, papyrus, 30 x 92 cm, Coptic Period, Byzantine Period, after 435 AD, Egypt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/egypt-manuscript-papyrus-30-x-92-cm-coptic-period-byzantine-period-after-435-ad-egypt-image344515639.html
RM2B0E15Y–Egypt, manuscript, papyrus, 30 x 92 cm, Coptic Period, Byzantine Period, after 435 AD, Egypt
Emperor Nicophorus III, ST John Chrysoslom and angel from Homites; from 11th century manuscript. Byzantine Empire. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/emperor-nicophorus-iii-st-john-chrysoslom-and-angel-from-homites-from-11th-century-manuscript-byzantine-empire-image268824154.html
RMWH9YXJ–Emperor Nicophorus III, ST John Chrysoslom and angel from Homites; from 11th century manuscript. Byzantine Empire.
Hippocrates , Byzantine manuscript 14th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hippocrates-byzantine-manuscript-14th-century-image330678820.html
RM2A5YM5T–Hippocrates , Byzantine manuscript 14th century
RMAJ7MH8–Byzantine cavalrymen overwhelming enemy cavalry and foot soldiers. Artist: Unknown
Hand drawn Vitex agnus-castus from a Byzantine manuscript Aniciae Julianae Codex ca. 512. AKA vitex, chaste tree and Abraham's balm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hand-drawn-vitex-agnus-castus-from-a-byzantine-manuscript-aniciae-julianae-codex-ca-512-aka-vitex-chaste-tree-and-abrahams-balm-image340517111.html
RM2ANYW1B–Hand drawn Vitex agnus-castus from a Byzantine manuscript Aniciae Julianae Codex ca. 512. AKA vitex, chaste tree and Abraham's balm
Hippocrates , Byzantine manuscript 14th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hippocrates-byzantine-manuscript-14th-century-90824142.html
RMF7NB3A–Hippocrates , Byzantine manuscript 14th century
Byzantine glass pin mosaic email and Manuscript Painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-byzantine-glass-pin-mosaic-email-and-manuscript-painting-50076931.html
RMCWD5HR–Byzantine glass pin mosaic email and Manuscript Painting
. Illustration from an unknown artist for Nikander of Colophon's Theriaca. Manuscript from the 10th century, Constantinople. Picture from the website of a college lecture on early Christian and Byzantine art by Professor Joe Byrne, Belmont University, Nashville, Tennessee, 2001. 10th century. Anonymous 604 Theriaca 002 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-from-an-unknown-artist-for-nikander-of-colophons-theriaca-manuscript-from-the-10th-century-constantinople-picture-from-the-website-of-a-college-lecture-on-early-christian-and-byzantine-art-by-professor-joe-byrne-belmont-university-nashville-tennessee-2001-10th-century-anonymous-604-theriaca-002-image188031478.html
RMMWWG1X–. Illustration from an unknown artist for Nikander of Colophon's Theriaca. Manuscript from the 10th century, Constantinople. Picture from the website of a college lecture on early Christian and Byzantine art by Professor Joe Byrne, Belmont University, Nashville, Tennessee, 2001. 10th century. Anonymous 604 Theriaca 002
Turkey: The Siege of Constantinople (1453). Sultan Mehmet II’s camp outside Constantinople, taken from a French manuscript by Jean Le Tavernier (-1462), c. 1455. Constantinople, the capital of Constantine XI’s Byzantine Empire, was captured by Sultan Mehmet II and his Ottoman armies after a seven-week siege. Mehmet had applied pressure on Constantinople and the Byzantines by building forts along the Dardanelles. On 5 April, he laid siege to Constantinople with an army numbering 80,000 to 200,000 men. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/turkey-the-siege-of-constantinople-1453-sultan-mehmet-iis-camp-outside-constantinople-taken-from-a-french-manuscript-by-jean-le-tavernier-1462-c-1455-constantinople-the-capital-of-constantine-xis-byzantine-empire-was-captured-by-sultan-mehmet-ii-and-his-ottoman-armies-after-a-seven-week-siege-mehmet-had-applied-pressure-on-constantinople-and-the-byzantines-by-building-forts-along-the-dardanelles-on-5-april-he-laid-siege-to-constantinople-with-an-army-numbering-80000-to-200000-men-image344228143.html
RM2B00XE7–Turkey: The Siege of Constantinople (1453). Sultan Mehmet II’s camp outside Constantinople, taken from a French manuscript by Jean Le Tavernier (-1462), c. 1455. Constantinople, the capital of Constantine XI’s Byzantine Empire, was captured by Sultan Mehmet II and his Ottoman armies after a seven-week siege. Mehmet had applied pressure on Constantinople and the Byzantines by building forts along the Dardanelles. On 5 April, he laid siege to Constantinople with an army numbering 80,000 to 200,000 men.
Byzantine Greek Alexander Manuscript 166. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/byzantine-greek-alexander-manuscript-166-image223175043.html
RMPY2E17–Byzantine Greek Alexander Manuscript 166.
Saint Gregory the Illuminator (From: Hymnal manuscript, Constantinople), 1678. Artist: Anonymous Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-saint-gregory-the-illuminator-from-hymnal-manuscript-constantinople-135252135.html
Art inspired by Manuscript Leaves from an Arabic Manuscript, 6th–14th century (?), Made in Byzantine Egypt, Arabic, Ink on paper, Overall (closed): 9 x 7 1/16 in. (22.8 x 18 cm), Manuscripts and Illuminations, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-manuscript-leaves-from-an-arabic-manuscript-6th14th-century-made-in-byzantine-egypt-arabic-ink-on-paper-overall-closed-9-x-7-116-in-228-x-18-cm-manuscripts-and-illuminations-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463035731.html
RF2HW92PB–Art inspired by Manuscript Leaves from an Arabic Manuscript, 6th–14th century (?), Made in Byzantine Egypt, Arabic, Ink on paper, Overall (closed): 9 x 7 1/16 in. (22.8 x 18 cm), Manuscripts and Illuminations, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Photography in the service of the humanities, Karl Krumbacher, 1906 Book with 15 photomechanical reproductions from a Byzantine manuscript. Leipzig paper. cardboard. leather printing / collotype Book with 15 photomechanical reproductions from a Byzantine manuscript. Leipzig paper. cardboard. leather printing / collotype Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photography-in-the-service-of-the-humanities-karl-krumbacher-1906-book-with-15-photomechanical-reproductions-from-a-byzantine-manuscript-leipzig-paper-cardboard-leather-printing-collotype-book-with-15-photomechanical-reproductions-from-a-byzantine-manuscript-leipzig-paper-cardboard-leather-printing-collotype-image576539122.html
RM2TDYHEX–Photography in the service of the humanities, Karl Krumbacher, 1906 Book with 15 photomechanical reproductions from a Byzantine manuscript. Leipzig paper. cardboard. leather printing / collotype Book with 15 photomechanical reproductions from a Byzantine manuscript. Leipzig paper. cardboard. leather printing / collotype
MISAL DE SAN ILDEFONSO RECOPILA SU OBRA - ESCUELA CLUNIACENSE - SIGLO XI. Location: BIBLIOTECA PALATINA, PARMA, ITALIA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/misal-de-san-ildefonso-recopila-su-obra-escuela-cluniacense-siglo-xi-location-biblioteca-palatina-parma-italia-image208740064.html
RMP3GX28–MISAL DE SAN ILDEFONSO RECOPILA SU OBRA - ESCUELA CLUNIACENSE - SIGLO XI. Location: BIBLIOTECA PALATINA, PARMA, ITALIA.
Hand drawn Ecballium elaterium (Squirting Cucumber) from a Byzantine manuscript Aniciae Julianae Codex ca. 512. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hand-drawn-ecballium-elaterium-squirting-cucumber-from-a-byzantine-manuscript-aniciae-julianae-codex-ca-512-image340513702.html
RM2ANYMKJ–Hand drawn Ecballium elaterium (Squirting Cucumber) from a Byzantine manuscript Aniciae Julianae Codex ca. 512.
A cropped fourteenth-century miniature Greek manuscript depicting scenes from the life of Alexander the Great, this scene shows Byzantine Greek musicians and various musical instruments. The scene depicted entirely in Byzantine fashion of the period. Late Byzantine period (1204-1453). “Alexander Romance” in S. Giorgio dei Greci in Venice. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-cropped-fourteenth-century-miniature-greek-manuscript-depicting-scenes-from-the-life-of-alexander-the-great-this-scene-shows-byzantine-greek-musicians-and-various-musical-instruments-the-scene-depicted-entirely-in-byzantine-fashion-of-the-period-late-byzantine-period-1204-1453-alexander-romance-in-s-giorgio-dei-greci-in-venice-image425367440.html
RM2FM14E8–A cropped fourteenth-century miniature Greek manuscript depicting scenes from the life of Alexander the Great, this scene shows Byzantine Greek musicians and various musical instruments. The scene depicted entirely in Byzantine fashion of the period. Late Byzantine period (1204-1453). “Alexander Romance” in S. Giorgio dei Greci in Venice.
Byzantine Mosaic or Portrait of Byzantine Empress Irene of Athens (c752-803) reigned 797-802, Holding a Scroll Manuscript in the South Gallery of Hagia Sophia Church Museum, Sultanahmet, Istanbul, Turkey Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-byzantine-mosaic-or-portrait-of-byzantine-empress-irene-of-athens-172320091.html
RMM09T0Y–Byzantine Mosaic or Portrait of Byzantine Empress Irene of Athens (c752-803) reigned 797-802, Holding a Scroll Manuscript in the South Gallery of Hagia Sophia Church Museum, Sultanahmet, Istanbul, Turkey
Acts and Epistles, Title page of the Epistle to the Colossians, This manuscript is one of the relatively few illustrated Byzantine copies of the Acts and Epistles of the Apostles. It consists of three parts produced at different dates: the New Testament text with its accompanying prefatory material (known as Euthalian apparatus, after the name of its supposed compiler Euthalius) was copied in the early twelfth century, then lists of readings were added at two stages, in the fourteenth and fifteenth centuries, to facilitate their use in church Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/acts-and-epistles-title-page-of-the-epistle-to-the-colossians-this-manuscript-is-one-of-the-relatively-few-illustrated-byzantine-copies-of-the-acts-and-epistles-of-the-apostles-it-consists-of-three-parts-produced-at-different-dates-the-new-testament-text-with-its-accompanying-prefatory-material-known-as-euthalian-apparatus-after-the-name-of-its-supposed-compiler-euthalius-was-copied-in-the-early-twelfth-century-then-lists-of-readings-were-added-at-two-stages-in-the-fourteenth-and-fifteenth-centuries-to-facilitate-their-use-in-church-image573477489.html
RM2T904AW–Acts and Epistles, Title page of the Epistle to the Colossians, This manuscript is one of the relatively few illustrated Byzantine copies of the Acts and Epistles of the Apostles. It consists of three parts produced at different dates: the New Testament text with its accompanying prefatory material (known as Euthalian apparatus, after the name of its supposed compiler Euthalius) was copied in the early twelfth century, then lists of readings were added at two stages, in the fourteenth and fifteenth centuries, to facilitate their use in church
Alexios I Komnenos, 1048 - 15.8.1118, Byzantine emperor since 1078, full length, wood engraving, 19th century, after Greek manuscript, Bibliotheca Vaticana, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-alexios-i-komnenos-1048-1581118-byzantine-emperor-since-1078-full-23531599.html
RMBA7XP7–Alexios I Komnenos, 1048 - 15.8.1118, Byzantine emperor since 1078, full length, wood engraving, 19th century, after Greek manuscript, Bibliotheca Vaticana,
Em. Tzanès Christ 1664 Byzantine art Athens, Byzantine art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-em-tzans-christ-1664-byzantine-art-athens-byzantine-art-113151651.html
RMGG2E2B–Em. Tzanès Christ 1664 Byzantine art Athens, Byzantine art
Byzantine notation in 12th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-byzantine-notation-in-12th-century-163029311.html
RMKD6HFB–Byzantine notation in 12th century
Hand drawn Rubus fruticosus (Blackberry) from a Byzantine manuscript Aniciae Julianae Codex ca. 512. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hand-drawn-rubus-fruticosus-blackberry-from-a-byzantine-manuscript-aniciae-julianae-codex-ca-512-image340517177.html
RM2ANYW3N–Hand drawn Rubus fruticosus (Blackberry) from a Byzantine manuscript Aniciae Julianae Codex ca. 512.
John VI Kantakouzenos presiding over the Council of Constantinople in 1351; Byzantine manuscript (Greek) 1370-1375 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-john-vi-kantakouzenos-presiding-over-the-council-of-constantinople-90824140.html
RMF7NB38–John VI Kantakouzenos presiding over the Council of Constantinople in 1351; Byzantine manuscript (Greek) 1370-1375
The 1906 caption reads: 'Kaiser Basileus II, the Bulgar Slayer. A miniature of one of the Kaiser's [emperor's] Book of Psalms. The origina; is in the library at San Mark's in Venice.' Basil II, (957/958—1025, known as “Slayer of the Bulgars” and Byzantine emperor (976–1025) was crowned co-emperor with his brother in 960. He exiled the grand chamberlain (985) and defeated rival generals (989) in order to gain the authority to rule. Basil became one of the strongest Byzantine emperors, winning territory in the Balkans, Mesopotamia, Armenia, and Georgia. He was noted for his victory (1014) in th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-1906-caption-reads-kaiser-basileus-ii-the-bulgar-slayer-a-miniature-of-one-of-the-kaisers-emperors-book-of-psalms-the-origina-is-in-the-library-at-san-marks-in-venice-basil-ii-9579581025-known-as-slayer-of-the-bulgars-and-byzantine-emperor-9761025-was-crowned-co-emperor-with-his-brother-in-960-he-exiled-the-grand-chamberlain-985-and-defeated-rival-generals-989-in-order-to-gain-the-authority-to-rule-basil-became-one-of-the-strongest-byzantine-emperors-winning-territory-in-the-balkans-mesopotamia-armenia-and-georgia-he-was-noted-for-his-victory-1014-in-th-image552467254.html
RF2R2R1HA–The 1906 caption reads: 'Kaiser Basileus II, the Bulgar Slayer. A miniature of one of the Kaiser's [emperor's] Book of Psalms. The origina; is in the library at San Mark's in Venice.' Basil II, (957/958—1025, known as “Slayer of the Bulgars” and Byzantine emperor (976–1025) was crowned co-emperor with his brother in 960. He exiled the grand chamberlain (985) and defeated rival generals (989) in order to gain the authority to rule. Basil became one of the strongest Byzantine emperors, winning territory in the Balkans, Mesopotamia, Armenia, and Georgia. He was noted for his victory (1014) in th
. Theodora Kantakouzene, empress-consort of Alexios III of Trebizond. (File Formerly misidentified with Maria of Amnia) . mid-14th century. anonymous, byzantine manuscript 604 Theodora Kantakouzene Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/theodora-kantakouzene-empress-consort-of-alexios-iii-of-trebizond-file-formerly-misidentified-with-maria-of-amnia-mid-14th-century-anonymous-byzantine-manuscript-604-theodora-kantakouzene-image188031326.html
RMMWWFTE–. Theodora Kantakouzene, empress-consort of Alexios III of Trebizond. (File Formerly misidentified with Maria of Amnia) . mid-14th century. anonymous, byzantine manuscript 604 Theodora Kantakouzene
Image from an illuminated manuscript, the Madrid Skylitzes, showing Greek fire in use against the fleet of the rebel Thomas the Slav. 12th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/image-from-an-illuminated-manuscript-the-madrid-skylitzes-showing-greek-fire-in-use-against-the-fleet-of-the-rebel-thomas-the-slav-12th-century-image235886257.html
RMRKNF95–Image from an illuminated manuscript, the Madrid Skylitzes, showing Greek fire in use against the fleet of the rebel Thomas the Slav. 12th Century
Turkey: Image from the Skylitzes manuscript in Madrid, showing Greek fire in use against the fleet of the Byzantine rebel Thomas the Slav, c. 820 CE. The Madrid Skylitzes is a heavily illustrated illuminated manuscript of the Synopsis of Histories by John Skylitzes, which covers the reigns of the Byzantine emperors from the death of Nicephorus I in 811 to the deposition of Michael IV in 1057. The manuscript was produced in Sicily in the 12th century, and is now at the Biblioteca Nacional de Espana in Madrid, so is known as the Madrid Skylitzes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/turkey-image-from-the-skylitzes-manuscript-in-madrid-showing-greek-fire-in-use-against-the-fleet-of-the-byzantine-rebel-thomas-the-slav-c-820-ce-the-madrid-skylitzes-is-a-heavily-illustrated-illuminated-manuscript-of-the-synopsis-of-histories-by-john-skylitzes-which-covers-the-reigns-of-the-byzantine-emperors-from-the-death-of-nicephorus-i-in-811-to-the-deposition-of-michael-iv-in-1057-the-manuscript-was-produced-in-sicily-in-the-12th-century-and-is-now-at-the-biblioteca-nacional-de-espana-in-madrid-so-is-known-as-the-madrid-skylitzes-image344227441.html
RM2B00WH5–Turkey: Image from the Skylitzes manuscript in Madrid, showing Greek fire in use against the fleet of the Byzantine rebel Thomas the Slav, c. 820 CE. The Madrid Skylitzes is a heavily illustrated illuminated manuscript of the Synopsis of Histories by John Skylitzes, which covers the reigns of the Byzantine emperors from the death of Nicephorus I in 811 to the deposition of Michael IV in 1057. The manuscript was produced in Sicily in the 12th century, and is now at the Biblioteca Nacional de Espana in Madrid, so is known as the Madrid Skylitzes.
Byzantine Greek Banquet Alexander Manuscript. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/byzantine-greek-banquet-alexander-manuscript-image223175052.html
RMPY2E1G–Byzantine Greek Banquet Alexander Manuscript.
Byzantine besieging Messina, miniature in 'Scylitzes Matritensis', (facsimile edition of the orig… Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/byzantine-besieging-messina-miniature-in-scylitzes-matritensis-facsimile-edition-of-the-orig-image212422685.html
RMP9GK8D–Byzantine besieging Messina, miniature in 'Scylitzes Matritensis', (facsimile edition of the orig…
Art inspired by Manuscript Leaf Fragment, 4th–7th century, Made in Byzantine Egypt, Coptic, Ink on parchment, Overall: 4 1/8 x 4 1/2 in. (10.4 x 11.5 cm), Manuscripts and Illuminations, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-manuscript-leaf-fragment-4th7th-century-made-in-byzantine-egypt-coptic-ink-on-parchment-overall-4-18-x-4-12-in-104-x-115-cm-manuscripts-and-illuminations-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462843386.html
RF2HW09CX–Art inspired by Manuscript Leaf Fragment, 4th–7th century, Made in Byzantine Egypt, Coptic, Ink on parchment, Overall: 4 1/8 x 4 1/2 in. (10.4 x 11.5 cm), Manuscripts and Illuminations, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Frontispiece of a psalter, Emperor Basil II, (958-1025), Byzantine emperor, standing triumphant over the conquered Bulgarian chiefs. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frontispiece-of-a-psalter-emperor-basil-ii-958-1025-byzantine-emperor-standing-triumphant-over-the-conquered-bulgarian-chiefs-image268809116.html
RMWH98NG–Frontispiece of a psalter, Emperor Basil II, (958-1025), Byzantine emperor, standing triumphant over the conquered Bulgarian chiefs.
BYZANTINE ART. GREECE. Lectionary illuminated and manuscript containing the Gospel passages read during the Divine Liturgy. Open book. Byzantine Museum. Athens. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/byzantine-art-greece-lectionary-illuminated-and-manuscript-containing-the-gospel-passages-read-during-the-divine-liturgy-open-book-byzantine-museum-athens-image209583058.html
RMP4Y996–BYZANTINE ART. GREECE. Lectionary illuminated and manuscript containing the Gospel passages read during the Divine Liturgy. Open book. Byzantine Museum. Athens.
Hand drawn Tanacetum parthenium from a Byzantine manuscript Aniciae Julianae Codex ca. 512. AKA feverfew or bachelor buttons Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hand-drawn-tanacetum-parthenium-from-a-byzantine-manuscript-aniciae-julianae-codex-ca-512-aka-feverfew-or-bachelor-buttons-image340513670.html
RM2ANYMJE–Hand drawn Tanacetum parthenium from a Byzantine manuscript Aniciae Julianae Codex ca. 512. AKA feverfew or bachelor buttons
Jesus Christ baptized by an angel in Byzantine costumes, 11th century. From a manuscript Gospels, MS 74 G, Bibliotheque Imperiale. L'ange du bapteme, Empire de Byzance, XIe siecle. Chromolithograph by Giare after an illustration by Claudius Joseph Ciappori from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jesus-christ-baptized-by-an-angel-in-byzantine-costumes-11th-century-from-a-manuscript-gospels-ms-74-g-bibliotheque-imperiale-lange-du-bapteme-empire-de-byzance-xie-siecle-chromolithograph-by-giare-after-an-illustration-by-claudius-joseph-ciappori-from-charles-louandres-les-arts-somptuaires-the-sumptuary-arts-hangard-mauge-paris-1858-image499567685.html
RM2M0N7K1–Jesus Christ baptized by an angel in Byzantine costumes, 11th century. From a manuscript Gospels, MS 74 G, Bibliotheque Imperiale. L'ange du bapteme, Empire de Byzance, XIe siecle. Chromolithograph by Giare after an illustration by Claudius Joseph Ciappori from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
Frederick Barbarossa, Holy Roman Emperor Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-frederick-barbarossa-holy-roman-emperor-28114355.html
RMBHMM43–Frederick Barbarossa, Holy Roman Emperor
Acts and Epistles, Title page of the Acts of the Apostles, This manuscript is one of the relatively few illustrated Byzantine copies of the Acts and Epistles of the Apostles. It consists of three parts produced at different dates: the New Testament text with its accompanying prefatory material (known as Euthalian apparatus, after the name of its supposed compiler Euthalius) was copied in the early twelfth century, then lists of readings were added at two stages, in the fourteenth and fifteenth centuries, to facilitate their use in church Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/acts-and-epistles-title-page-of-the-acts-of-the-apostles-this-manuscript-is-one-of-the-relatively-few-illustrated-byzantine-copies-of-the-acts-and-epistles-of-the-apostles-it-consists-of-three-parts-produced-at-different-dates-the-new-testament-text-with-its-accompanying-prefatory-material-known-as-euthalian-apparatus-after-the-name-of-its-supposed-compiler-euthalius-was-copied-in-the-early-twelfth-century-then-lists-of-readings-were-added-at-two-stages-in-the-fourteenth-and-fifteenth-centuries-to-facilitate-their-use-in-church-image573477607.html
RM2T904F3–Acts and Epistles, Title page of the Acts of the Apostles, This manuscript is one of the relatively few illustrated Byzantine copies of the Acts and Epistles of the Apostles. It consists of three parts produced at different dates: the New Testament text with its accompanying prefatory material (known as Euthalian apparatus, after the name of its supposed compiler Euthalius) was copied in the early twelfth century, then lists of readings were added at two stages, in the fourteenth and fifteenth centuries, to facilitate their use in church
illustrations - illuminations from the Byzantine history manuscript of John Skylitzes, 11th century A.D. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustrations-illuminations-from-the-byzantine-history-manuscript-of-john-skylitzes-11th-century-ad-image386991850.html
RF2DDH01E–illustrations - illuminations from the Byzantine history manuscript of John Skylitzes, 11th century A.D.
Miniature in 'Paralla patrum', Byzantine manuscript, Constantinople Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-miniature-in-paralla-patrum-byzantine-manuscript-constantinople-49908820.html
RMCW5F5T–Miniature in 'Paralla patrum', Byzantine manuscript, Constantinople
Byzantine Head of Christ from a manuscript of the 12th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/byzantine-head-of-christ-from-a-manuscript-of-the-12th-century-image67529539.html
RMDWT6H7–Byzantine Head of Christ from a manuscript of the 12th century
Hand drawn Papaver somniferum (opium poppy) from a Byzantine manuscript Aniciae Julianae Codex ca. 512. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hand-drawn-papaver-somniferum-opium-poppy-from-a-byzantine-manuscript-aniciae-julianae-codex-ca-512-image340517217.html
RM2ANYW55–Hand drawn Papaver somniferum (opium poppy) from a Byzantine manuscript Aniciae Julianae Codex ca. 512.
RMD95X42–Byzantine cavalrymen overwhelming enemy cavalry and footsoldiers. Illustrated manuscript.
Byzantinischer Christuskopf aus einem Manuskript des 12. Jahrhunderts / Byzantine Christ head from a manuscript of the 12th century, Historisch, historical, digital improved reproduction of an original from the 19th century / digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/byzantinischer-christuskopf-aus-einem-manuskript-des-12-jahrhunderts-byzantine-christ-head-from-a-manuscript-of-the-12th-century-historisch-historical-digital-improved-reproduction-of-an-original-from-the-19th-century-digital-restaurierte-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-genaues-originaldatum-nicht-bekannt-image465485995.html
RF2J18M3R–Byzantinischer Christuskopf aus einem Manuskript des 12. Jahrhunderts / Byzantine Christ head from a manuscript of the 12th century, Historisch, historical, digital improved reproduction of an original from the 19th century / digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt
. English: Zodiac and months from Tetrabiblos of Ptolemaios (Ptolemy); from 9th century Byzantine manuscript: Biblioteca Apostolica Vaticana, Vat. gr. 1292 - fol.9 (Zodiakon) . 9th century. Ptolemy (100–160) Alternative names Ελληνικά: Κλαύδιος Πτολεμαῖος Latina: Claudius Ptolemaeus Description Roman mathematician, geographer, astronomer, astrologer, music theorist and philosopher Date of birth/death circa 100 circa 160 Location of birth/death Pelusium Alexandria Authority control : Q34943 VIAF: 54152998 ISNI: 0000 0001 2280 0429 ULAN: 500330559 LCCN: n50032768 GND: 118641786 Wor Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-zodiac-and-months-from-tetrabiblos-of-ptolemaios-ptolemy-from-9th-century-byzantine-manuscript-biblioteca-apostolica-vaticana-vat-gr-1292-fol9-zodiakon-9th-century-ptolemy-100160-alternative-names-latina-claudius-ptolemaeus-description-roman-mathematician-geographer-astronomer-astrologer-music-theorist-and-philosopher-date-of-birthdeath-circa-100-circa-160-location-of-birthdeath-pelusium-alexandria-authority-control-q34943-viaf54152998-isni0000-0001-2280-0429-ulan500330559-lccnn50032768-gnd118641786-wor-image185553514.html
RMMNTKB6–. English: Zodiac and months from Tetrabiblos of Ptolemaios (Ptolemy); from 9th century Byzantine manuscript: Biblioteca Apostolica Vaticana, Vat. gr. 1292 - fol.9 (Zodiakon) . 9th century. Ptolemy (100–160) Alternative names Ελληνικά: Κλαύδιος Πτολεμαῖος Latina: Claudius Ptolemaeus Description Roman mathematician, geographer, astronomer, astrologer, music theorist and philosopher Date of birth/death circa 100 circa 160 Location of birth/death Pelusium Alexandria Authority control : Q34943 VIAF: 54152998 ISNI: 0000 0001 2280 0429 ULAN: 500330559 LCCN: n50032768 GND: 118641786 Wor
Crossing of the Red Sea by the Jews, Byzantine illuminated manuscript Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-crossing-of-the-red-sea-by-the-jews-byzantine-illuminated-manuscript-139696073.html
RMJ37KND–Crossing of the Red Sea by the Jews, Byzantine illuminated manuscript
Iran/Persia: Students studying astronomy with their teacher, reading measurements from an astrolabe. Miniature painting from a 15th century Persian manuscript. A Persian miniature is a small painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/iranpersia-students-studying-astronomy-with-their-teacher-reading-measurements-from-an-astrolabe-miniature-painting-from-a-15th-century-persian-manuscript-a-persian-miniature-is-a-small-painting-on-paper-whether-a-book-illustration-or-a-separate-work-of-art-intended-to-be-kept-in-an-album-of-such-works-called-a-muraqqa-the-techniques-are-broadly-comparable-to-the-western-and-byzantine-traditions-of-miniatures-in-illuminated-manuscripts-although-there-is-an-equally-well-established-persian-tradition-of-wall-painting-the-survival-rate-and-state-of-preservation-of-miniatures-is-better-image344245277.html
RM2B01MA5–Iran/Persia: Students studying astronomy with their teacher, reading measurements from an astrolabe. Miniature painting from a 15th century Persian manuscript. A Persian miniature is a small painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better.
Jews Byzantine Greek Alexander Manuscript. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jews-byzantine-greek-alexander-manuscript-image369368990.html
RM2CCX5WJ–Jews Byzantine Greek Alexander Manuscript.
Saracens landed in Crete, Miniature in 'Scylitzes matritensis' (facsimile edition of the original… Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saracens-landed-in-crete-miniature-in-scylitzes-matritensis-facsimile-edition-of-the-original-image212422697.html
RMP9GK8W–Saracens landed in Crete, Miniature in 'Scylitzes matritensis' (facsimile edition of the original…
Art inspired by Manuscript Leaf Fragment, 4th–7th century, Made in Byzantine Egypt, Coptic, Ink on parchment, Overall: 5 11/16 x 5 1/16 in. (14.5 x 12.8 cm), Manuscripts and Illuminations, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-manuscript-leaf-fragment-4th7th-century-made-in-byzantine-egypt-coptic-ink-on-parchment-overall-5-1116-x-5-116-in-145-x-128-cm-manuscripts-and-illuminations-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462843413.html
RF2HW09DW–Art inspired by Manuscript Leaf Fragment, 4th–7th century, Made in Byzantine Egypt, Coptic, Ink on parchment, Overall: 5 11/16 x 5 1/16 in. (14.5 x 12.8 cm), Manuscripts and Illuminations, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Byzantine Greeks Alexander Manuscript Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-byzantine-greeks-alexander-manuscript-132661822.html
RMHKR7E6–Byzantine Greeks Alexander Manuscript
Celtic-Byzantine - Types of Decorative Painting - According to the Manuscript Illuminations - By The Ornament 1880. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/celtic-byzantine-types-of-decorative-painting-according-to-the-manuscript-illuminations-by-the-ornament-1880-image433962412.html
RF2G60KDG–Celtic-Byzantine - Types of Decorative Painting - According to the Manuscript Illuminations - By The Ornament 1880.
Jesus Christ baptized by an angel in Byzantine costumes, 11th century. From a manuscript Gospels, MS 74 G, Bibliotheque Imperiale. L'ange du bapteme, Empire de Byzance, XIe siecle. Chromolithograph by Giare after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jesus-christ-baptized-by-an-angel-in-byzantine-costumes-11th-century-from-a-manuscript-gospels-ms-74-g-bibliotheque-imperiale-lange-du-bapteme-empire-de-byzance-xie-siecle-chromolithograph-by-giare-after-an-illustration-by-claudius-joseph-ciappori-from-charles-louandres-les-arts-somptuaires-the-sumptuary-arts-hangard-mauge-paris-1858-image571913104.html
RM2T6CW00–Jesus Christ baptized by an angel in Byzantine costumes, 11th century. From a manuscript Gospels, MS 74 G, Bibliotheque Imperiale. L'ange du bapteme, Empire de Byzance, XIe siecle. Chromolithograph by Giare after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
Hand drawn Physalis alkekengi from a Byzantine manuscript Aniciae Julianae Codex ca. 512. Common names include bladder cherry, Chinese lantern and Ja Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hand-drawn-physalis-alkekengi-from-a-byzantine-manuscript-aniciae-julianae-codex-ca-512-common-names-include-bladder-cherry-chinese-lantern-and-ja-image340513550.html
RM2ANYME6–Hand drawn Physalis alkekengi from a Byzantine manuscript Aniciae Julianae Codex ca. 512. Common names include bladder cherry, Chinese lantern and Ja
Byzantine art: illuminated manuscripts, 11th century. Top flower 1 taken from Greek manuscript Bibliotheque Nationale MS 230, and all other borders 2-17 from MS 1075, Evengelieire ou Apocalypse d'Aquitaine ou d'Espagne. Byzantin. Hand-finished chromolithograph by Pralon from Albert-Charles-Auguste Racinet’s L’Ornement Polychrome, (Polychromatic Ornament), Firmin-Didot, Paris, 1869-73. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/byzantine-art-illuminated-manuscripts-11th-century-top-flower-1-taken-from-greek-manuscript-bibliotheque-nationale-ms-230-and-all-other-borders-2-17-from-ms-1075-evengelieire-ou-apocalypse-daquitaine-ou-despagne-byzantin-hand-finished-chromolithograph-by-pralon-from-albert-charles-auguste-racinets-lornement-polychrome-polychromatic-ornament-firmin-didot-paris-1869-73-image455969801.html
RM2HDR63N–Byzantine art: illuminated manuscripts, 11th century. Top flower 1 taken from Greek manuscript Bibliotheque Nationale MS 230, and all other borders 2-17 from MS 1075, Evengelieire ou Apocalypse d'Aquitaine ou d'Espagne. Byzantin. Hand-finished chromolithograph by Pralon from Albert-Charles-Auguste Racinet’s L’Ornement Polychrome, (Polychromatic Ornament), Firmin-Didot, Paris, 1869-73.
A miniature depicting the defeat of Georgian king George I by the Byzantine emperor Basil II, Battle of Shirimni, Skylitzes Chronicle, 12th century, digitally restored Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-miniature-depicting-the-defeat-of-georgian-king-george-i-by-the-byzantine-emperor-basil-ii-battle-of-shirimni-skylitzes-chronicle-12th-century-digitally-restored-image612374882.html
RM2XG82BE–A miniature depicting the defeat of Georgian king George I by the Byzantine emperor Basil II, Battle of Shirimni, Skylitzes Chronicle, 12th century, digitally restored
Acts and Epistles, St. James the Apostle, This manuscript is one of the relatively few illustrated Byzantine copies of the Acts and Epistles of the Apostles. It consists of three parts produced at different dates: the New Testament text with its accompanying prefatory material (known as Euthalian apparatus, after the name of its supposed compiler Euthalius) was copied in the early twelfth century, then lists of readings were added at two stages, in the fourteenth and fifteenth centuries, to facilitate their use in church Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/acts-and-epistles-st-james-the-apostle-this-manuscript-is-one-of-the-relatively-few-illustrated-byzantine-copies-of-the-acts-and-epistles-of-the-apostles-it-consists-of-three-parts-produced-at-different-dates-the-new-testament-text-with-its-accompanying-prefatory-material-known-as-euthalian-apparatus-after-the-name-of-its-supposed-compiler-euthalius-was-copied-in-the-early-twelfth-century-then-lists-of-readings-were-added-at-two-stages-in-the-fourteenth-and-fifteenth-centuries-to-facilitate-their-use-in-church-image573477604.html
RM2T904F0–Acts and Epistles, St. James the Apostle, This manuscript is one of the relatively few illustrated Byzantine copies of the Acts and Epistles of the Apostles. It consists of three parts produced at different dates: the New Testament text with its accompanying prefatory material (known as Euthalian apparatus, after the name of its supposed compiler Euthalius) was copied in the early twelfth century, then lists of readings were added at two stages, in the fourteenth and fifteenth centuries, to facilitate their use in church
illustrations - illuminations from the Byzantine history manuscript of John Skylitzes, 11th century A.D. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustrations-illuminations-from-the-byzantine-history-manuscript-of-john-skylitzes-11th-century-ad-image386991245.html
RF2DDGY7W–illustrations - illuminations from the Byzantine history manuscript of John Skylitzes, 11th century A.D.
Depiction of Nicaea, Byzantine Empire - Illustration from The Nuremberg Chronicle, 1493. Illustrated by Wilhelm Pleydenwurff and Michael Wolgemut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/depiction-of-nicaea-byzantine-empire-illustration-from-the-nuremberg-chronicle-1493-illustrated-by-wilhelm-pleydenwurff-and-michael-wolgemut-image572588564.html
RF2T7FJFG–Depiction of Nicaea, Byzantine Empire - Illustration from The Nuremberg Chronicle, 1493. Illustrated by Wilhelm Pleydenwurff and Michael Wolgemut
Byzantine head of Christ from a manuscript of the 12th century, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/byzantine-head-of-christ-from-a-manuscript-of-the-12th-century-image210708040.html
RMP6PG74–Byzantine head of Christ from a manuscript of the 12th century,
Psalter with comment. David playing the lyre while watching over the city of Bethlehem. In the foreground, the mountain personified. Early 10th century Byzantine art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-psalter-with-comment-david-playing-the-lyre-while-watching-over-the-113150359.html
RMGG2CC7–Psalter with comment. David playing the lyre while watching over the city of Bethlehem. In the foreground, the mountain personified. Early 10th century Byzantine art
Battle during the First Crusade (The People's Crusade) 1096-1099. Mounted knights are unhorsed and killed, foreground. In centre is a melee of hand-to-hand fighting with, on left, man wielding a two-sided battleaxe or bipennis. In background reinforcements are streaming out of city gates. Inset bottom left, Peter the Hermit (c1050-1115) pleads for help from the Byzantine Emperor Alexis I (1048-1118)? From 'Passages fait d'outremer' (Journeys to Palestine) illuminated by Sebastian Marmoret (c1490). Manuscript. Bibliotheque Nationale, Paris. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-battle-during-the-first-crusade-the-peoples-crusade-1096-1099-mounted-57296069.html
RMD961M5–Battle during the First Crusade (The People's Crusade) 1096-1099. Mounted knights are unhorsed and killed, foreground. In centre is a melee of hand-to-hand fighting with, on left, man wielding a two-sided battleaxe or bipennis. In background reinforcements are streaming out of city gates. Inset bottom left, Peter the Hermit (c1050-1115) pleads for help from the Byzantine Emperor Alexis I (1048-1118)? From 'Passages fait d'outremer' (Journeys to Palestine) illuminated by Sebastian Marmoret (c1490). Manuscript. Bibliotheque Nationale, Paris.
religion, christianity, books, book of hours of the Duke of Berry, 'Tres Riches Heures', 1410/1416, miniature by Jean of Limburg, miracle of the True Cross, Musee Conde, Chantilly, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-religion-christianity-books-book-of-hours-of-the-duke-of-berry-tres-27997433.html
RMBHFB09–religion, christianity, books, book of hours of the Duke of Berry, 'Tres Riches Heures', 1410/1416, miniature by Jean of Limburg, miracle of the True Cross, Musee Conde, Chantilly, ,
. English: Skyllitzes Matritensis, fol. 166r. Miniature: The byzantines (under Emperor John Tzimiskes) conquer the city of Preslav. References: Ioannis Scylitzae Synopsis Historiarum. Editio Princeps. Rec. Ioannes Thurn, p. 296, in: Corpus Fontium Historiae Byzantinae 5 Series Berolinensis, 1973 Tsamakda V.: The illustrated chronicle of Ioannes Skylitzes in Madrid, p. 206 Hoffmeyer A.: Military Equipment in the Byzantine Manuscript of Scylitzes in Biblioteca Nacional de Madrid. In: Gladius, 1966, Vol. 5 Deutsch: Skyllitzes Matritensis, Fol. 166r. Miniatur: Die byzantinische Armee (von Kaiser Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-skyllitzes-matritensis-fol-166r-miniature-the-byzantines-under-emperor-john-tzimiskes-conquer-the-city-of-preslav-references-ioannis-scylitzae-synopsis-historiarum-editio-princeps-rec-ioannes-thurn-p-296-in-corpus-fontium-historiae-byzantinae-5-series-berolinensis-1973-tsamakda-v-the-illustrated-chronicle-of-ioannes-skylitzes-in-madrid-p-206-hoffmeyer-a-military-equipment-in-the-byzantine-manuscript-of-scylitzes-in-biblioteca-nacional-de-madrid-in-gladius-1966-vol-5-deutsch-skyllitzes-matritensis-fol-166r-miniatur-die-byzantinische-armee-von-kaiser-image185843618.html
RMMP9WC2–. English: Skyllitzes Matritensis, fol. 166r. Miniature: The byzantines (under Emperor John Tzimiskes) conquer the city of Preslav. References: Ioannis Scylitzae Synopsis Historiarum. Editio Princeps. Rec. Ioannes Thurn, p. 296, in: Corpus Fontium Historiae Byzantinae 5 Series Berolinensis, 1973 Tsamakda V.: The illustrated chronicle of Ioannes Skylitzes in Madrid, p. 206 Hoffmeyer A.: Military Equipment in the Byzantine Manuscript of Scylitzes in Biblioteca Nacional de Madrid. In: Gladius, 1966, Vol. 5 Deutsch: Skyllitzes Matritensis, Fol. 166r. Miniatur: Die byzantinische Armee (von Kaiser
Old Christian manuscript written in Cyrillic on church pulpit. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-christian-manuscript-written-in-cyrillic-on-church-pulpit-image226077794.html
RFR3PMEX–Old Christian manuscript written in Cyrillic on church pulpit.
Turkey: An illustration from a 16th-century Ottoman manuscript depicting a scene from the market in Jerrapasha in Constantinople. Jerrapasha was, at the time, a popular Venetian trading centre. The spiral column in this painting was erected by the Eastern Roman emperor Arcadius in AD 405. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/turkey-an-illustration-from-a-16th-century-ottoman-manuscript-depicting-a-scene-from-the-market-in-jerrapasha-in-constantinople-jerrapasha-was-at-the-time-a-popular-venetian-trading-centre-the-spiral-column-in-this-painting-was-erected-by-the-eastern-roman-emperor-arcadius-in-ad-405-image344226987.html
RM2B00W0Y–Turkey: An illustration from a 16th-century Ottoman manuscript depicting a scene from the market in Jerrapasha in Constantinople. Jerrapasha was, at the time, a popular Venetian trading centre. The spiral column in this painting was erected by the Eastern Roman emperor Arcadius in AD 405.
Jews Byzantine Greek Alexander Manuscript (cropped). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jews-byzantine-greek-alexander-manuscript-cropped-image369368987.html
RM2CCX5WF–Jews Byzantine Greek Alexander Manuscript (cropped).
Bovine pest that devastated the empire during the reign of Romanus I, miniature in 'Scylitzes Mat… Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bovine-pest-that-devastated-the-empire-during-the-reign-of-romanus-i-miniature-in-scylitzes-mat-image212422693.html
RMP9GK8N–Bovine pest that devastated the empire during the reign of Romanus I, miniature in 'Scylitzes Mat…
Art inspired by Manuscript Leaves Fragment, 4th–7th century, Made in Byzantine Egypt, Coptic, Ink on parchment, Overall: 7 1/4 x 8 1/16 in. (18.4 x 20.5 cm), Manuscripts and Illuminations, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-manuscript-leaves-fragment-4th7th-century-made-in-byzantine-egypt-coptic-ink-on-parchment-overall-7-14-x-8-116-in-184-x-205-cm-manuscripts-and-illuminations-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462843426.html
RF2HW09EA–Art inspired by Manuscript Leaves Fragment, 4th–7th century, Made in Byzantine Egypt, Coptic, Ink on parchment, Overall: 7 1/4 x 8 1/16 in. (18.4 x 20.5 cm), Manuscripts and Illuminations, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Byzantine Greek Alexander Manuscript Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-byzantine-greek-alexander-manuscript-132661836.html
RMHKR7EM–Byzantine Greek Alexander Manuscript
Middle Age - Manuscript Ornaments, 8th Century - Between the Pompeian, Byzantine and Middle Age Styles - By The Ornament 1880. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/middle-age-manuscript-ornaments-8th-century-between-the-pompeian-byzantine-and-middle-age-styles-by-the-ornament-1880-image433962015.html
RF2G60JYB–Middle Age - Manuscript Ornaments, 8th Century - Between the Pompeian, Byzantine and Middle Age Styles - By The Ornament 1880.
Art of the Middle Ages: Manuscript decorations, 8th century. Borders taken from the Latin illuminated manuscripts Gospels of Saint-Sernin in the Louvre, and Gospels of Saint-Medard, Bibliotheque Nationale. Moyen Age. Transition from Greco-Roman to Byzantine style. Hand-finished chromolithograph by Bauer from Albert-Charles-Auguste Racinets LOrnement Polychrome, (Polychromatic Ornament), Firmin-Didot, Paris, 1869-73. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-of-the-middle-ages-manuscript-decorations-8th-century-borders-taken-from-the-latin-illuminated-manuscripts-gospels-of-saint-sernin-in-the-louvre-and-gospels-of-saint-medard-bibliotheque-nationale-moyen-age-transition-from-greco-roman-to-byzantine-style-hand-finished-chromolithograph-by-bauer-from-albert-charles-auguste-racinets-lornement-polychrome-polychromatic-ornament-firmin-didot-paris-1869-73-image571832975.html
RM2T696P7–Art of the Middle Ages: Manuscript decorations, 8th century. Borders taken from the Latin illuminated manuscripts Gospels of Saint-Sernin in the Louvre, and Gospels of Saint-Medard, Bibliotheque Nationale. Moyen Age. Transition from Greco-Roman to Byzantine style. Hand-finished chromolithograph by Bauer from Albert-Charles-Auguste Racinets LOrnement Polychrome, (Polychromatic Ornament), Firmin-Didot, Paris, 1869-73.
Ancient map of Constantinople city from rare book by Cristoforo Buondelmonti printed in 1475. Old paper page with image of Constantinople, capital of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-map-of-constantinople-city-from-rare-book-by-cristoforo-buondelmonti-printed-in-1475-old-paper-page-with-image-of-constantinople-capital-of-image376765327.html
RF2CTY40F–Ancient map of Constantinople city from rare book by Cristoforo Buondelmonti printed in 1475. Old paper page with image of Constantinople, capital of
Art of the Middle Ages: Manuscript decorations, 8th century. Borders taken from the Latin illuminated manuscripts Gospels of Saint-Sernin in the Louvre, and Gospels of Saint-Medard, Bibliotheque Nationale. Moyen Age. Transition from Greco-Roman to Byzantine style. Hand-finished chromolithograph by Bauer from Albert-Charles-Auguste Racinet’s L’Ornement Polychrome, (Polychromatic Ornament), Firmin-Didot, Paris, 1869-73. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-of-the-middle-ages-manuscript-decorations-8th-century-borders-taken-from-the-latin-illuminated-manuscripts-gospels-of-saint-sernin-in-the-louvre-and-gospels-of-saint-medard-bibliotheque-nationale-moyen-age-transition-from-greco-roman-to-byzantine-style-hand-finished-chromolithograph-by-bauer-from-albert-charles-auguste-racinets-lornement-polychrome-polychromatic-ornament-firmin-didot-paris-1869-73-image455969731.html
RM2HDR617–Art of the Middle Ages: Manuscript decorations, 8th century. Borders taken from the Latin illuminated manuscripts Gospels of Saint-Sernin in the Louvre, and Gospels of Saint-Medard, Bibliotheque Nationale. Moyen Age. Transition from Greco-Roman to Byzantine style. Hand-finished chromolithograph by Bauer from Albert-Charles-Auguste Racinet’s L’Ornement Polychrome, (Polychromatic Ornament), Firmin-Didot, Paris, 1869-73.
The First Crusade (1096-99) was the first of a number of crusades that attempted to capture the Holy Lands, called by Pope Urban II. It started as a widespread pilgrimage in western christendom and ended as a military expedition by Roman Catholic Europe to regain the Holy Lands taken in the Muslim conquests of the Levant (632-661). It was launched on November 27, 1095 by Pope Urban II responding to an appeal from Byzantine Emperor Alexios I Komnenos, who requested that western volunteers help to repel the invading Seljuq Turks from Anatolia. An additional goal soon became the principal objecti Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-first-crusade-1096-99-was-the-first-of-a-number-of-crusades-that-image151886983.html
RMJR31B3–The First Crusade (1096-99) was the first of a number of crusades that attempted to capture the Holy Lands, called by Pope Urban II. It started as a widespread pilgrimage in western christendom and ended as a military expedition by Roman Catholic Europe to regain the Holy Lands taken in the Muslim conquests of the Levant (632-661). It was launched on November 27, 1095 by Pope Urban II responding to an appeal from Byzantine Emperor Alexios I Komnenos, who requested that western volunteers help to repel the invading Seljuq Turks from Anatolia. An additional goal soon became the principal objecti
Acts and Epistles, St. Peter the Apostle, This manuscript is one of the relatively few illustrated Byzantine copies of the Acts and Epistles of the Apostles. It consists of three parts produced at different dates: the New Testament text with its accompanying prefatory material (known as Euthalian apparatus, after the name of its supposed compiler Euthalius) was copied in the early twelfth century, then lists of readings were added at two stages, in the fourteenth and fifteenth centuries, to facilitate their use in church Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/acts-and-epistles-st-peter-the-apostle-this-manuscript-is-one-of-the-relatively-few-illustrated-byzantine-copies-of-the-acts-and-epistles-of-the-apostles-it-consists-of-three-parts-produced-at-different-dates-the-new-testament-text-with-its-accompanying-prefatory-material-known-as-euthalian-apparatus-after-the-name-of-its-supposed-compiler-euthalius-was-copied-in-the-early-twelfth-century-then-lists-of-readings-were-added-at-two-stages-in-the-fourteenth-and-fifteenth-centuries-to-facilitate-their-use-in-church-image573477603.html
RM2T904EY–Acts and Epistles, St. Peter the Apostle, This manuscript is one of the relatively few illustrated Byzantine copies of the Acts and Epistles of the Apostles. It consists of three parts produced at different dates: the New Testament text with its accompanying prefatory material (known as Euthalian apparatus, after the name of its supposed compiler Euthalius) was copied in the early twelfth century, then lists of readings were added at two stages, in the fourteenth and fifteenth centuries, to facilitate their use in church
illustrations - illuminations from the Byzantine history manuscript of John Skylitzes, 11th century A.D. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustrations-illuminations-from-the-byzantine-history-manuscript-of-john-skylitzes-11th-century-ad-image386991280.html
RF2DDGY94–illustrations - illuminations from the Byzantine history manuscript of John Skylitzes, 11th century A.D.
Depiction of Memphis, Byzantine Empire - Illustration from The Nuremberg Chronicle, 1493. Illustrated by Wilhelm Pleydenwurff and Michael Wolgemut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/depiction-of-memphis-byzantine-empire-illustration-from-the-nuremberg-chronicle-1493-illustrated-by-wilhelm-pleydenwurff-and-michael-wolgemut-image572588543.html
RF2T7FJER–Depiction of Memphis, Byzantine Empire - Illustration from The Nuremberg Chronicle, 1493. Illustrated by Wilhelm Pleydenwurff and Michael Wolgemut
The throne of the emperor of constantinople, 9th century manuscript, Great Palace of Constantinople Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-throne-of-the-emperor-of-constantinople-9th-century-manuscript-111635422.html
RMGDHC3A–The throne of the emperor of constantinople, 9th century manuscript, Great Palace of Constantinople
Miniature, Alexios I Komnenos (1048-1118), Byzantine emperor 12th century Folio 2r from the Panoplia Dogmatica (Panoply of Doctrine) by Euthymios Zigabenos Italy, Vatican Apostolic Library Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-miniature-alexios-i-komnenos-1048-1118-byzantine-emperor-12th-century-133440385.html
RMHN2MG1–Miniature, Alexios I Komnenos (1048-1118), Byzantine emperor 12th century Folio 2r from the Panoplia Dogmatica (Panoply of Doctrine) by Euthymios Zigabenos Italy, Vatican Apostolic Library
Manuscript Leaves from an Arabic Manuscript 6th–14th century (?) Arabic. Manuscript Leaves from an Arabic Manuscript. Arabic. 6th–14th century (?). Ink on paper. Made in Byzantine Egypt. Manuscripts and Illuminations Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/manuscript-leaves-from-an-arabic-manuscript-6th14th-century-arabic-manuscript-leaves-from-an-arabic-manuscript-arabic-6th14th-century-ink-on-paper-made-in-byzantine-egypt-manuscripts-and-illuminations-image458279218.html
RM2HHGBPX–Manuscript Leaves from an Arabic Manuscript 6th–14th century (?) Arabic. Manuscript Leaves from an Arabic Manuscript. Arabic. 6th–14th century (?). Ink on paper. Made in Byzantine Egypt. Manuscripts and Illuminations
fine arts, religious art, resurrection Christi, illuminated manuscript to a script by Gregor von Naizanz, 11th century, Jerusalem, Greek patriarchate, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fine-arts-religious-art-resurrection-christi-illuminated-manuscript-110564282.html
RMGBTHTA–fine arts, religious art, resurrection Christi, illuminated manuscript to a script by Gregor von Naizanz, 11th century, Jerusalem, Greek patriarchate,
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