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RMAJ7PWD–Illustration from Homilies on the Virgin, Byzantine manuscript, 12th century. Artist: James of Kokkinobaphos
RMBG8MPW–BYZANTINE ART. GREECE. Lectionary illuminated and manuscript containing the Gospel passages read during the Divine Liturgy.
RMMR5EXR–Armenian Christian illustrated manuscript showing Leo I(Levon); I, the fifth lord of Armenian Cilicia. In the 12th century, he learned to exploit the open, yet restrained, hostilities between the Byzantine Empire and the Crusader principalities of Edessa and Antioch. 14th century
RMMY9J6H–. English: The Byzantine Emperor Alexios V Doukas, nicknamed 'Mourtzouphlos', last ruler of the Byzantine Empire before its fall to the Fourth Crusade. Ελληνικά: Ο Βυζαντινός Αυτοκράτορας Αλέξιος Ε' Δούκας Μούρτζουφλος. Ανήλθε στο θρόνο κατά την πολιορκία της Κωνσταντινούπολης από την Τέταρτη Σταυροφορία. Medieval illustrated manuscript (probably 14th century). Unknown 32 Alexius V
RF2DDGYF7–illustrations - illuminations from the Byzantine history manuscript of John Skylitzes, 11th century A.D.
RMEAY60P–illuminated Byzantine manuscript of The Paris Gregory or the Homilies of Gregory of Homilies of St. Gregory of Nazianzus or Greg
RMGBEHKY–fine arts, religious art, resurrection Christi, illuminated manuscript to a script by Gregory of Naizanz, 11th century, Jerusalem, Greek patriarchate,
RMG15CB9–12th century Byzantine manuscript the oath was written out in the form of a cross, relating it visually to Christian ideas from the Folio Biblioteca Vaticana. Hippocrates (460-370 BC) was a Greek physician who is considered the father of medicine. His inf
RF2E1KX6H–Miniature from a Byzantine manuscript of the eleventh century ; a remarkable example of artistic decadence From the book ' Illuminated manuscripts in classical and mediaeval times : their art and their technique ' by Middleton, J. H. (John Henry), 1846-1896 Published in 1892
RM2FM14EB–A cropped fourteenth-century miniature Greek manuscript depicting scenes from the life of Alexander the Great, this scene shows Byzantine Greek musicians and various musical instruments. The scene depicted entirely in Byzantine fashion of the period. Late Byzantine period (1204-1453). “Alexander Romance” in S. Giorgio dei Greci in Venice.
RMM09T8A–Byzantine Mosaic of Byzantine Empress Zoe Porphyrogenita Holding a Scroll Manuscript in Hagia Sophia Church Museum, Sultanahmet, Istanbul, Turkey
RM2B0E15Y–Egypt, manuscript, papyrus, 30 x 92 cm, Coptic Period, Byzantine Period, after 435 AD, Egypt
RMWH9YXJ–Emperor Nicophorus III, ST John Chrysoslom and angel from Homites; from 11th century manuscript. Byzantine Empire.
RM2ANYW1B–Hand drawn Vitex agnus-castus from a Byzantine manuscript Aniciae Julianae Codex ca. 512. AKA vitex, chaste tree and Abraham's balm
RMMWWG1X–. Illustration from an unknown artist for Nikander of Colophon's Theriaca. Manuscript from the 10th century, Constantinople. Picture from the website of a college lecture on early Christian and Byzantine art by Professor Joe Byrne, Belmont University, Nashville, Tennessee, 2001. 10th century. Anonymous 604 Theriaca 002
RM2B00XE7–Turkey: The Siege of Constantinople (1453). Sultan Mehmet II’s camp outside Constantinople, taken from a French manuscript by Jean Le Tavernier (-1462), c. 1455. Constantinople, the capital of Constantine XI’s Byzantine Empire, was captured by Sultan Mehmet II and his Ottoman armies after a seven-week siege. Mehmet had applied pressure on Constantinople and the Byzantines by building forts along the Dardanelles. On 5 April, he laid siege to Constantinople with an army numbering 80,000 to 200,000 men.
RMHT17DB–Saint Gregory the Illuminator (From: Hymnal manuscript, Constantinople), 1678. Artist: Anonymous
RF2HW92PB–Art inspired by Manuscript Leaves from an Arabic Manuscript, 6th–14th century (?), Made in Byzantine Egypt, Arabic, Ink on paper, Overall (closed): 9 x 7 1/16 in. (22.8 x 18 cm), Manuscripts and Illuminations, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMBA7XP7–Alexios I Komnenos, 1048 - 15.8.1118, Byzantine emperor since 1078, full length, wood engraving, 19th century, after Greek manuscript, Bibliotheca Vaticana,
RMP3GX28–MISAL DE SAN ILDEFONSO RECOPILA SU OBRA - ESCUELA CLUNIACENSE - SIGLO XI. Location: BIBLIOTECA PALATINA, PARMA, ITALIA.
RM2ANYMKJ–Hand drawn Ecballium elaterium (Squirting Cucumber) from a Byzantine manuscript Aniciae Julianae Codex ca. 512.
RM2FM14E8–A cropped fourteenth-century miniature Greek manuscript depicting scenes from the life of Alexander the Great, this scene shows Byzantine Greek musicians and various musical instruments. The scene depicted entirely in Byzantine fashion of the period. Late Byzantine period (1204-1453). “Alexander Romance” in S. Giorgio dei Greci in Venice.
RMM09T0Y–Byzantine Mosaic or Portrait of Byzantine Empress Irene of Athens (c752-803) reigned 797-802, Holding a Scroll Manuscript in the South Gallery of Hagia Sophia Church Museum, Sultanahmet, Istanbul, Turkey
RMKCDNYM–Manuscript Leaf Fragment, 4th–7th century, Made in Byzantine Egypt, Coptic, Ink on parchment, Framed: 4 11/16 x 5 13/16 in. (11
RM2ANYW3N–Hand drawn Rubus fruticosus (Blackberry) from a Byzantine manuscript Aniciae Julianae Codex ca. 512.
![The 1906 caption reads: 'Kaiser Basileus II, the Bulgar Slayer. A miniature of one of the Kaiser's [emperor's] Book of Psalms. The origina; is in the library at San Mark's in Venice.' Basil II, (957/958—1025, known as “Slayer of the Bulgars” and Byzantine emperor (976–1025) was crowned co-emperor with his brother in 960. He exiled the grand chamberlain (985) and defeated rival generals (989) in order to gain the authority to rule. Basil became one of the strongest Byzantine emperors, winning territory in the Balkans, Mesopotamia, Armenia, and Georgia. He was noted for his victory (1014) in th Stock Photo](https://c8.alamy.com/comp/2R2R1HA/the-1906-caption-reads-kaiser-basileus-ii-the-bulgar-slayer-a-miniature-of-one-of-the-kaisers-emperors-book-of-psalms-the-origina-is-in-the-library-at-san-marks-in-venice-basil-ii-9579581025-known-as-slayer-of-the-bulgars-and-byzantine-emperor-9761025-was-crowned-co-emperor-with-his-brother-in-960-he-exiled-the-grand-chamberlain-985-and-defeated-rival-generals-989-in-order-to-gain-the-authority-to-rule-basil-became-one-of-the-strongest-byzantine-emperors-winning-territory-in-the-balkans-mesopotamia-armenia-and-georgia-he-was-noted-for-his-victory-1014-in-th-2R2R1HA.jpg "The 1906 caption reads: 'Kaiser Basileus II, the Bulgar Slayer. A miniature of one of the Kaiser's [emperor's] Book of Psalms. The origina; is in the library at San Mark's in Venice.' Basil II, (957/958—1025, known as “Slayer of the Bulgars” and Byzantine emperor (976–1025) was crowned co-emperor with his brother in 960. He exiled the grand chamberlain (985) and defeated rival generals (989) in order to gain the authority to rule. Basil became one of the strongest Byzantine emperors, winning territory in the Balkans, Mesopotamia, Armenia, and Georgia. He was noted for his victory (1014) in th Stock Photo")
RF2R2R1HA–The 1906 caption reads: 'Kaiser Basileus II, the Bulgar Slayer. A miniature of one of the Kaiser's [emperor's] Book of Psalms. The origina; is in the library at San Mark's in Venice.' Basil II, (957/958—1025, known as “Slayer of the Bulgars” and Byzantine emperor (976–1025) was crowned co-emperor with his brother in 960. He exiled the grand chamberlain (985) and defeated rival generals (989) in order to gain the authority to rule. Basil became one of the strongest Byzantine emperors, winning territory in the Balkans, Mesopotamia, Armenia, and Georgia. He was noted for his victory (1014) in th
RMRKNF95–Image from an illuminated manuscript, the Madrid Skylitzes, showing Greek fire in use against the fleet of the rebel Thomas the Slav. 12th Century
RMF7NB38–John VI Kantakouzenos presiding over the Council of Constantinople in 1351; Byzantine manuscript (Greek) 1370-1375
RMMWWFTE–. Theodora Kantakouzene, empress-consort of Alexios III of Trebizond. (File Formerly misidentified with Maria of Amnia) . mid-14th century. anonymous, byzantine manuscript 604 Theodora Kantakouzene
RM2B00WH5–Turkey: Image from the Skylitzes manuscript in Madrid, showing Greek fire in use against the fleet of the Byzantine rebel Thomas the Slav, c. 820 CE. The Madrid Skylitzes is a heavily illustrated illuminated manuscript of the Synopsis of Histories by John Skylitzes, which covers the reigns of the Byzantine emperors from the death of Nicephorus I in 811 to the deposition of Michael IV in 1057. The manuscript was produced in Sicily in the 12th century, and is now at the Biblioteca Nacional de Espana in Madrid, so is known as the Madrid Skylitzes.
RMP9GK8D–Byzantine besieging Messina, miniature in 'Scylitzes Matritensis', (facsimile edition of the orig…
RF2HW09CX–Art inspired by Manuscript Leaf Fragment, 4th–7th century, Made in Byzantine Egypt, Coptic, Ink on parchment, Overall: 4 1/8 x 4 1/2 in. (10.4 x 11.5 cm), Manuscripts and Illuminations, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMWH98NG–Frontispiece of a psalter, Emperor Basil II, (958-1025), Byzantine emperor, standing triumphant over the conquered Bulgarian chiefs.
RM2M0N7K1–Jesus Christ baptized by an angel in Byzantine costumes, 11th century. From a manuscript Gospels, MS 74 G, Bibliotheque Imperiale. L'ange du bapteme, Empire de Byzance, XIe siecle. Chromolithograph by Giare after an illustration by Claudius Joseph Ciappori from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
RMP4Y996–BYZANTINE ART. GREECE. Lectionary illuminated and manuscript containing the Gospel passages read during the Divine Liturgy. Open book. Byzantine Museum. Athens.
RM2ANYMJE–Hand drawn Tanacetum parthenium from a Byzantine manuscript Aniciae Julianae Codex ca. 512. AKA feverfew or bachelor buttons
RF2DDH01E–illustrations - illuminations from the Byzantine history manuscript of John Skylitzes, 11th century A.D.
RMKCDNYJ–Manuscript Leaves Fragment, 4th–7th century, Made in Byzantine Egypt, Coptic, Ink on parchment, Overall: 7 1/4 x 8 1/16 in. (18
RM2ANYW55–Hand drawn Papaver somniferum (opium poppy) from a Byzantine manuscript Aniciae Julianae Codex ca. 512.
RF2J18M3R–Byzantinischer Christuskopf aus einem Manuskript des 12. Jahrhunderts / Byzantine Christ head from a manuscript of the 12th century, Historisch, historical, digital improved reproduction of an original from the 19th century / digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt
RMMNTKB6–. English: Zodiac and months from Tetrabiblos of Ptolemaios (Ptolemy); from 9th century Byzantine manuscript: Biblioteca Apostolica Vaticana, Vat. gr. 1292 - fol.9 (Zodiakon) . 9th century. Ptolemy (100–160) Alternative names Ελληνικά: Κλαύδιος Πτολεμαῖος Latina: Claudius Ptolemaeus Description Roman mathematician, geographer, astronomer, astrologer, music theorist and philosopher Date of birth/death circa 100 circa 160 Location of birth/death Pelusium Alexandria Authority control : Q34943 VIAF: 54152998 ISNI: 0000 0001 2280 0429 ULAN: 500330559 LCCN: n50032768 GND: 118641786 Wor
RF2G60KDG–Celtic-Byzantine - Types of Decorative Painting - According to the Manuscript Illuminations - By The Ornament 1880.
RMP9GK8W–Saracens landed in Crete, Miniature in 'Scylitzes matritensis' (facsimile edition of the original…
RF2HW09DW–Art inspired by Manuscript Leaf Fragment, 4th–7th century, Made in Byzantine Egypt, Coptic, Ink on parchment, Overall: 5 11/16 x 5 1/16 in. (14.5 x 12.8 cm), Manuscripts and Illuminations, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKNTW92–Manuscript Illumination with the Evangelist Luke. Date: late 13th-early 14th century; Culture: Byzantine; Medium: Tempera and gold on parchment;
RM2HDR63N–Byzantine art: illuminated manuscripts, 11th century. Top flower 1 taken from Greek manuscript Bibliotheque Nationale MS 230, and all other borders 2-17 from MS 1075, Evengelieire ou Apocalypse d'Aquitaine ou d'Espagne. Byzantin. Hand-finished chromolithograph by Pralon from Albert-Charles-Auguste Racinet’s L’Ornement Polychrome, (Polychromatic Ornament), Firmin-Didot, Paris, 1869-73.
RMP9E995–Painted Byzantine ornaments. From C6th mosaics and marble pavements in Sta. Sofia, Constantinople 1-6, 8-9, 10-11, marble pavement in Agios Pantokrator 7, illuminated Greek manuscript 12-17, from St. Mark's Venice 18,24, Greek manuscripts 19-23, enamels 26-29, marble pavement St. Denis 30. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868.
RM2ANYME6–Hand drawn Physalis alkekengi from a Byzantine manuscript Aniciae Julianae Codex ca. 512. Common names include bladder cherry, Chinese lantern and Ja
RMBHFB09–religion, christianity, books, book of hours of the Duke of Berry, 'Tres Riches Heures', 1410/1416, miniature by Jean of Limburg, miracle of the True Cross, Musee Conde, Chantilly, ,
RF2DDGY7W–illustrations - illuminations from the Byzantine history manuscript of John Skylitzes, 11th century A.D.
RMKCDNYR–Manuscript Leaf Fragment, 4th–7th century, Made in Byzantine Egypt, Coptic, Ink on parchment, Overall: 5 11/16 x 5 1/16 in. (14
RMGG2CC7–Psalter with comment. David playing the lyre while watching over the city of Bethlehem. In the foreground, the mountain personified. Early 10th century Byzantine art
RM2B00W0Y–Turkey: An illustration from a 16th-century Ottoman manuscript depicting a scene from the market in Jerrapasha in Constantinople. Jerrapasha was, at the time, a popular Venetian trading centre. The spiral column in this painting was erected by the Eastern Roman emperor Arcadius in AD 405.
RF2CTY40F–Ancient map of Constantinople city from rare book by Cristoforo Buondelmonti printed in 1475. Old paper page with image of Constantinople, capital of
RMD961M5–Battle during the First Crusade (The People's Crusade) 1096-1099. Mounted knights are unhorsed and killed, foreground. In centre is a melee of hand-to-hand fighting with, on left, man wielding a two-sided battleaxe or bipennis. In background reinforcements are streaming out of city gates. Inset bottom left, Peter the Hermit (c1050-1115) pleads for help from the Byzantine Emperor Alexis I (1048-1118)? From 'Passages fait d'outremer' (Journeys to Palestine) illuminated by Sebastian Marmoret (c1490). Manuscript. Bibliotheque Nationale, Paris.
RMMP9WC2–. English: Skyllitzes Matritensis, fol. 166r. Miniature: The byzantines (under Emperor John Tzimiskes) conquer the city of Preslav. References: Ioannis Scylitzae Synopsis Historiarum. Editio Princeps. Rec. Ioannes Thurn, p. 296, in: Corpus Fontium Historiae Byzantinae 5 Series Berolinensis, 1973 Tsamakda V.: The illustrated chronicle of Ioannes Skylitzes in Madrid, p. 206 Hoffmeyer A.: Military Equipment in the Byzantine Manuscript of Scylitzes in Biblioteca Nacional de Madrid. In: Gladius, 1966, Vol. 5 Deutsch: Skyllitzes Matritensis, Fol. 166r. Miniatur: Die byzantinische Armee (von Kaiser
RF2G60JYB–Middle Age - Manuscript Ornaments, 8th Century - Between the Pompeian, Byzantine and Middle Age Styles - By The Ornament 1880.
RMP9GK8N–Bovine pest that devastated the empire during the reign of Romanus I, miniature in 'Scylitzes Mat…
RF2HW09EA–Art inspired by Manuscript Leaves Fragment, 4th–7th century, Made in Byzantine Egypt, Coptic, Ink on parchment, Overall: 7 1/4 x 8 1/16 in. (18.4 x 20.5 cm), Manuscripts and Illuminations, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMJR31B3–The First Crusade (1096-99) was the first of a number of crusades that attempted to capture the Holy Lands, called by Pope Urban II. It started as a widespread pilgrimage in western christendom and ended as a military expedition by Roman Catholic Europe to regain the Holy Lands taken in the Muslim conquests of the Levant (632-661). It was launched on November 27, 1095 by Pope Urban II responding to an appeal from Byzantine Emperor Alexios I Komnenos, who requested that western volunteers help to repel the invading Seljuq Turks from Anatolia. An additional goal soon became the principal objecti
RM2HDR617–Art of the Middle Ages: Manuscript decorations, 8th century. Borders taken from the Latin illuminated manuscripts Gospels of Saint-Sernin in the Louvre, and Gospels of Saint-Medard, Bibliotheque Nationale. Moyen Age. Transition from Greco-Roman to Byzantine style. Hand-finished chromolithograph by Bauer from Albert-Charles-Auguste Racinet’s L’Ornement Polychrome, (Polychromatic Ornament), Firmin-Didot, Paris, 1869-73.
RMPB1AJJ–Manuscript Illumination with the Evangelist Luke. Culture: Byzantine. Dimensions: 5 13/16 x 4 1/16 in. (14.7 x 10.3 cm). Date: late 13th-early 14th century. On a single page from a gospel book, the illumination shows the evangelist Luke seated on a backless chair, reaching with his left arm toward the open book on a pedestal before him. He wears a loose-fitting blue tunic and white himation, and sandals on his feet. He holds a quill pen in his right hand as he pauses to contemplate the text. His sandaled feet rest on a footstool, next to a small book cabinet that extends beyond the border of
RMGDHC3A–The throne of the emperor of constantinople, 9th century manuscript, Great Palace of Constantinople
RMGBTHTA–fine arts, religious art, resurrection Christi, illuminated manuscript to a script by Gregor von Naizanz, 11th century, Jerusalem, Greek patriarchate,
RF2DDGY94–illustrations - illuminations from the Byzantine history manuscript of John Skylitzes, 11th century A.D.
RMKCDNYK–Manuscript Leaf Fragment, 4th–7th century, Made in Byzantine Egypt, Coptic, Ink on parchment, Overall: 4 1/8 x 4 1/2 in. (10.4
RM2HHGBPX–Manuscript Leaves from an Arabic Manuscript 6th–14th century (?) Arabic. Manuscript Leaves from an Arabic Manuscript. Arabic. 6th–14th century (?). Ink on paper. Made in Byzantine Egypt. Manuscripts and Illuminations
RMHN2MG1–Miniature, Alexios I Komnenos (1048-1118), Byzantine emperor 12th century Folio 2r from the Panoplia Dogmatica (Panoply of Doctrine) by Euthymios Zigabenos Italy, Vatican Apostolic Library
RM2B01GN1–Greece/Byzantium/Turkey: An illustration of common hemp (Cannabis sativa) from the Codex Vienna Dioscorides, 512 CE. According to the accompanying description on page 168 recto, the plant is used as raw material for ropes, their fruits helps with ear problems. The Arabic text at left appears to read qinnab bustani قنب بستاني or 'garden hemp'. The Vienna Dioscurides or Vienna Dioscorides is an early 6th century illuminated manuscript of De Materia Medica by Dioscorides in Greek. It is an important and rare example of a late antique scientific text.
![Byzantine glass mosaic, coloured enamel, illumination, (1898). 'Fig 1: Glass-mosaic from the cylindrical vault above the central nave of the tomb-church of Galla Placidia at Ravenna [Italy]. Fig 2: Glass-mosaic from the walls of St. Mark's, Venice. Fig 3: Glass-mosaic from one of the semi-domes of Sta. Sofia, Constantinople [Istanbul]. Fig 4: Glass-mosaic from the vault of the Baptistery of Ecclesia Ursiana (S. Giovanni in Fonte) at Ravenna. Figs 5-9: "Émail cloisonné" from an Altar-Antependium in the Cloister-church at Comburg near Schwäbisch Hall [Germany]. Figs 10 a Stock Photo](https://c8.alamy.com/comp/2AG0HY1/byzantine-glass-mosaic-coloured-enamel-illumination-1898-fig-1-glass-mosaic-from-the-cylindrical-vault-above-the-central-nave-of-the-tomb-church-of-galla-placidia-at-ravenna-italy-fig-2-glass-mosaic-from-the-walls-of-st-marks-venice-fig-3-glass-mosaic-from-one-of-the-semi-domes-of-sta-sofia-constantinople-istanbul-fig-4-glass-mosaic-from-the-vault-of-the-baptistery-of-ecclesia-ursiana-s-giovanni-in-fonte-at-ravenna-figs-5-9-quotxc9mail-cloisonnxe9quot-from-an-altar-antependium-in-the-cloister-church-at-comburg-near-schwxe4bisch-hall-germany-figs-10-a-2AG0HY1.jpg "Byzantine glass mosaic, coloured enamel, illumination, (1898). 'Fig 1: Glass-mosaic from the cylindrical vault above the central nave of the tomb-church of Galla Placidia at Ravenna [Italy]. Fig 2: Glass-mosaic from the walls of St. Mark's, Venice. Fig 3: Glass-mosaic from one of the semi-domes of Sta. Sofia, Constantinople [Istanbul]. Fig 4: Glass-mosaic from the vault of the Baptistery of Ecclesia Ursiana (S. Giovanni in Fonte) at Ravenna. Figs 5-9: "Émail cloisonné" from an Altar-Antependium in the Cloister-church at Comburg near Schwäbisch Hall [Germany]. Figs 10 a Stock Photo")
RM2AG0HY1–Byzantine glass mosaic, coloured enamel, illumination, (1898). 'Fig 1: Glass-mosaic from the cylindrical vault above the central nave of the tomb-church of Galla Placidia at Ravenna [Italy]. Fig 2: Glass-mosaic from the walls of St. Mark's, Venice. Fig 3: Glass-mosaic from one of the semi-domes of Sta. Sofia, Constantinople [Istanbul]. Fig 4: Glass-mosaic from the vault of the Baptistery of Ecclesia Ursiana (S. Giovanni in Fonte) at Ravenna. Figs 5-9: "Émail cloisonné" from an Altar-Antependium in the Cloister-church at Comburg near Schwäbisch Hall [Germany]. Figs 10 a
Search Results for Byzantine manuscript Stock Photos and Images (1,127)
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