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New Creative Relevant Search filters Burne Jones' Stock Photos and Images  (2,599) burne jones angel | burne jones stained glass | edward burne jones photograph | edward burne jones angel | edward burne jones drawing | burne jones, edward coley Related searches: Narrow your search: Black & white | Cut Outs Page 5 of 26 King Mark and La Belle Iseult - Edward Burne-Jones.jpg - RFGYAT Portrait of Sir Edward Burne-Jones (1833-1898). Museum: Aberdeen Art Gallery and Museums. Author: LEGROS, ALPHONSE. A portrait. Reproduction of the painting by the pre-Raphaelite artist Edward Burne-Jones. Edward Burne-Jones, a record and review. [With plates.]. London : G. Bell & Sons, 1892. Source: LR.404.a.6 plate opposite page 83. Reproduction of the painting, 'the vampire', by Sir Philip Burne-Jones. A portrait of a femme fatale vampire leaning over her male victim. The model for Philip’s vampire was Mrs. Patrick Campbell, an actress. In 1897, he displayed the painting at an exhibition with a poem “The Vampire†by his cousin, Rudyard Kipling, that described the foolishness of a man allowing himself to be destroyed by a heartless woman. This exhibition was held only a few months before Stoker’s Dracula was first in print. Rudyard Kipling was allegedly inspired to write his poem ''The Vampire'' after viewing the King Cophetua and the beggar maid. Reproduction of the painting by the pre-Raphaelite artist Edward Burne-Jones. Edward Burne-Jones, a record and review. [With plates.]. London : G. Bell & Sons, 1892. Source: LR.404.a.6 frontispiece. Tree of Life. Museum: VICTORIA AND ALBERT MUSEUM. Author: Burne-Jones, Sir Edward Coley. Fatima. Museum: Collection Pérez Simón, Mexico. Author: Burne-Jones, Sir Edward Coley. Love among the ruins. Reproduction of the painting by the pre-Raphaelite artist Edward Burne-Jones. Edward Burne-Jones, a record and review. [With plates.]. London : G. Bell & Sons, 1892. Source: LR.404.a.6 plate opposite page 64. A reproduced plate of a painting by Philip Burne-Jones. Note: The quality of the plate in the book is not of good quality. The image shows a woman vampire poised above a sleeping man. The Vampire. A poem ... Written for a picture by Philip Burne-Jones exhibited at the New Gallery in London, 1897. [With a reproduction of the picture.]. [Washington : Woodward & Lothrop, 1898]. Source: Cup.402.a.30 frontispiece plate. Edward Burne-Jones (British (English), 1833 - 1898). Beauty, 1889. Collotype from red-chalk drawing on wove paper reimagined Fair Rosamund and Queen Eleanor Signed and dated, in red paint, lower right: 'EBJ | 1861' (initials in monogram reimagined M.G. Fuchs after Sir Edward Coley Burne-Jones, Mrs. Bonham, active c. 1890-1910, c. 1902, lithograph on wove paper [ reimagined Sir Edward Coley Burne-Jones (British, 1833 - 1898), La Belle au bois dormant, 1894, collotype in black on wove paper reimagined Sir Edward Coley Burne-Jones, British (1833-1898), La Belle au bois dormant, 1894, collotype on light brown wove reimagined Sir Edward Coley Burne-Jones, British (1833-1898), A Fragment from an Antique Frieze, black chalk heightened with reimagined Sir Edward Coley Burne-Jones, British (1833-1898), Orpheus and Eurydice, black and white chalk with traces of reimagined Sir Edward Coley Burne-Jones, British (1833-1898), Lady Picking Flowers, pen and black ink over graphite. Reimagined Sir Edward Coley Burne-Jones, Ariadne, British, 1833 - 1898, 1863-1864, watercolor and gouache over graphite on reimagined Sir Edward Coley Burne-Jones (British, 1833 - 1898), Orpheus and Eurydice, black and white chalk with traces of reimagined Sir Edward Coley Burne-Jones (British, 1833 - 1898), Orpheus and Eurydice, black and white chalk with traces of reimagined Sir Edward Coley Burne-Jones, Ariadne, British, 1833 - 1898, 1863-1864, watercolor and gouache over graphite on reimagined Sir Edward Coley Burne-Jones (British, 1833 - 1898), La Belle au bois dormant, 1894, collotype in black on wove paper reimagined M.G. Fuchs after Sir Edward Coley Burne-Jones, Mrs. Bonham, active c. 1890-1910, c. 1902, lithograph on wove paper [ reimagined Sir Edward Coley Burne-Jones, British (1833-1898), La Belle au bois dormant, 1894, collotype on light brown wove reimagined Sir Edward Coley Burne-Jones, British (1833-1898), Orpheus and Eurydice, black and white chalk with traces of reimagined Sir Edward Coley Burne-Jones, British (1833-1898), A Fragment from an Antique Frieze, black chalk heightened with reimagined Sir Edward Coley Burne-Jones, British (1833-1898), Lady Picking Flowers, pen and black ink over graphite. Reimagined Woman's head, detail from a sketchbook, 1886. Creator: Sir Edward Burne-Jones (1833-98). Woman in hat, detail from a sketchbook, c1880s. Creator: Sir Edward Burne-Jones (1833-98). Edward Burne-Jones, 'The Legend of St George and the Dragon, VI.jpg - R6FB4P Edward Burne-Jones, 'The Legend of St George and the Dragon, VI.jpg - R6AHYY Theatre programme for La belle au bois dormant by Henri Bataille and Robert d'Humières (Théâtre de l'Oeuvre, 24 May 1894). Dimensions: 17.2 cm x 27.4 cm, 12.5 cm x 21 cm. Museum: Van Gogh Museum, Amsterdam. Author: BURNE-JONES, EDWARD. Squire's tale. The Works of Geoffrey Chaucer now newly imprinted. Kelmscott Press: Hammersmith, 1896. Cambalo or Cambalus, the younger son of King Cambyuskan. The Squire's Tale. Image taken from The Works of Geoffrey Chaucer now newly imprinted. (Edited by F. S. Ellis; ornamented with pictures designed by Sir Edward Burne-Jones, and engraved on wood by W. H. Hooper.). Originally published/produced in Kelmscott Press: Hammersmith, 1896. . Source: C.43.h.19,. Language: English. Dancing. The Works of Geoffrey Chaucer now newly imprinted. Kelmscott Press: Hammersmith, 1896. Women dancing. Romance of the rose. Image taken from The Works of Geoffrey Chaucer now newly imprinted. (Edited by F. S. Ellis; ornamented with pictures designed by Sir Edward Burne-Jones, and engraved on wood by W. H. Hooper.). Originally published/produced in Kelmscott Press: Hammersmith, 1896. . Source: C.43.h.19,. Language: English. Last page of the poem. The Vampire. A poem ... Written for a picture by Philip Burne-Jones exhibited at the New Gallery in London, 1897. [With a reproduction of the picture.]. [Washington : Woodward & Lothrop, 1898]. Source: Cup.402.a.30 last page. Author: KIPLING, RUDYARD. Clerk of Oxenford. The Works of Geoffrey Chaucer now newly imprinted. Kelmscott Press: Hammersmith, 1896. Griselda. The Clerk of Oxenford. Image taken from The Works of Geoffrey Chaucer now newly imprinted. (Edited by F. S. Ellis; ornamented with pictures designed by Sir Edward Burne-Jones, and engraved on wood by W. H. Hooper.). Originally published/produced in Kelmscott Press: Hammersmith, 1896. . Source: C.43.h.19,. Language: English. The Knight's tale. The Works of Geoffrey Chaucer now newly imprinted. Kelmscott Press: Hammersmith, 1896. The beginning of the Knight's tale. Image taken from The Works of Geoffrey Chaucer now newly imprinted. (Edited by F. S. Ellis; ornamented with pictures designed by Sir Edward Burne-Jones, and engraved on wood by W. H. Hooper.). Originally published/produced in Kelmscott Press: Hammersmith, 1896. . Source: C.43.h.19, opposite 8. Language: English. Treatise on the astrolobe. The Works of Geoffrey Chaucer now newly imprinted. Kelmscott Press: Hammersmith, 1896. Treatise on the astrolobe. Prologue. Image taken from The Works of Geoffrey Chaucer now newly imprinted. (Edited by F. S. Ellis; ornamented with pictures designed by Sir Edward Burne-Jones, and engraved on wood by W. H. Hooper.). Originally published/produced in Kelmscott Press: Hammersmith, 1896. . Source: C.43.h.19,. Wife of Bath. The Works of Geoffrey Chaucer now newly imprinted. Kelmscott Press: Hammersmith, 1896. Beginning of the Wife of Bath. Image taken from The Works of Geoffrey Chaucer now newly imprinted. (Edited by F. S. Ellis; ornamented with pictures designed by Sir Edward Burne-Jones, and engraved on wood by W. H. Hooper.). Originally published/produced in Kelmscott Press: Hammersmith, 1896. . Source: C.43.h.19,. Language: English. Narcissus. The Works of Geoffrey Chaucer now newly imprinted. Kelmscott Press: Hammersmith, 1896. Narcissus looking at his reflection in a pool. Image taken from The Works of Geoffrey Chaucer now newly imprinted. (Edited by F. S. Ellis; ornamented with pictures designed by Sir Edward Burne-Jones, and engraved on wood by W. H. Hooper.). Originally published/produced in Kelmscott Press: Hammersmith, 1896. . Source: C.43.h.19,. Language: English. First page of the poem. The Vampire. A poem ... Written for a picture by Philip Burne-Jones exhibited at the New Gallery in London, 1897. [With a reproduction of the picture.]. [Washington : Woodward & Lothrop, 1898]. Source: Cup.402.a.30 First page of the poem. Author: KIPLING, RUDYARD. London, UK. 30th Nov 2018. Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S., Love disguised as Reason, Estimate GBP 40,000 - GBP 60,000 - Classic week at Christies King Street. Credit: Guy Bell/Alamy Live News Troilus and Cressida. The Works of Geoffrey Chaucer now newly imprinted. Kelmscott Press: Hammersmith, 1896. Troilus and Cressida. Second book. Image taken from The Works of Geoffrey Chaucer now newly imprinted. (Edited by F. S. Ellis; ornamented with pictures designed by Sir Edward Burne-Jones, and engraved on wood by W. H. Hooper.). Originally published/produced in Kelmscott Press: Hammersmith, 1896. . Source: C.43.h.19,. Language: English. Title page of the poem. The Vampire. A poem ... Written for a picture by Philip Burne-Jones exhibited at the New Gallery in London, 1897. [With a reproduction of the picture.]. [Washington : Woodward & Lothrop, 1898]. Source: Cup.402.a.30 Title page. Author: KIPLING, RUDYARD. (Whole folio) The Rubaiyat of Omar Khayyam, verses 74 - 75. Calligraphically written and decorated by William Morris, with borders of foliage. The two ladies holding a scroll, and the border figures with musical instruments, were designed partly by Morris, partly by Sir Edward Burne-Jones, and painted in by Charles Fairfax Murray. Rubaiyat of Omar Khayyam. England; 1872. Source: Add. 37832, f.12. Language: English. Author: MORRIS, WILLIAM. MURRAY, CHARLES FAIRFAX. Fitzgerald, Edward. Franklin's tale. The Works of Geoffrey Chaucer now newly imprinted. Kelmscott Press: Hammersmith, 1896. A figure looking at a ship in a storm. The Franklin's tale. Image taken from The Works of Geoffrey Chaucer now newly imprinted. (Edited by F. S. Ellis; ornamented with pictures designed by Sir Edward Burne-Jones, and engraved on wood by W. H. Hooper.). Originally published/produced in Kelmscott Press: Hammersmith, 1896. . Source: C.43.h.19,. Language: English. (Whole folio) The Rubaiyat of Omar Khayyam, verses 71 - 73. Calligraphically written and decorated by William Morris, with borders of foliage and flowers. The ladies in the borders playing musical instruments were designed partly by Morris and partly by Sir Edward Burne-Jones, and painted in by Charles Fairfax Murray. Rubaiyat of Omar Khayyam. England; 1872. Source: Add. 37832, f.11v. Language: English. Author: MORRIS, WILLIAM. MURRAY, CHARLES FAIRFAX. Fitzgerald, Edward. Prioress tale. The Works of Geoffrey Chaucer now newly imprinted. Kelmscott Press: Hammersmith, 1896. Beginning of the Prioress tale. Image taken from The Works of Geoffrey Chaucer now newly imprinted. (Edited by F. S. Ellis; ornamented with pictures designed by Sir Edward Burne-Jones, and engraved on wood by W. H. Hooper.). Originally published/produced in Kelmscott Press: Hammersmith, 1896. . Source: C.43.h.19,. Language: English. Troilus and Cressida. The Works of Geoffrey Chaucer now newly imprinted. Kelmscott Press: Hammersmith, 1896. The two lovers embracing. Image taken from The Works of Geoffrey Chaucer now newly imprinted. (Edited by F. S. Ellis; ornamented with pictures designed by Sir Edward Burne-Jones, and engraved on wood by W. H. Hooper.). Originally published/produced in Kelmscott Press: Hammersmith, 1896. . Source: C.43.h.19,. Language: English. Second page of the poem. The Vampire. A poem ... Written for a picture by Philip Burne-Jones exhibited at the New Gallery in London, 1897. [With a reproduction of the picture.]. [Washington : Woodward & Lothrop, 1898]. Source: Cup.402.a.30 page two. Author: KIPLING, RUDYARD. Knight's tale. The Works of Geoffrey Chaucer now newly imprinted. Kelmscott Press: Hammersmith, 1896. Palamon and Emily (Emeyle). Image taken from The Works of Geoffrey Chaucer now newly imprinted. (Edited by F. S. Ellis; ornamented with pictures designed by Sir Edward Burne-Jones, and engraved on wood by W. H. Hooper.). Originally published/produced in Kelmscott Press: Hammersmith, 1896. . Source: C.43.h.19,. Language: English. Theseus. The Works of Geoffrey Chaucer now newly imprinted. Kelmscott Press: Hammersmith, 1896. Theseus in the maze, holding the ball of string. Legend of the goode wimmen (good women). Image taken from The Works of Geoffrey Chaucer now newly imprinted. (Edited by F. S. Ellis; ornamented with pictures designed by Sir Edward Burne-Jones, and engraved on wood by W. H. Hooper.). Originally published/produced in Kelmscott Press: Hammersmith, 1896. . Source: C.43.h.19,. Language: English. The torture chamber. The Amber Witch ... Translated by Lady Duff Gordon. Edited, with an introduction, by Joseph Jacobs, and illustrated by P. Burne-Jones. D. Nutt: London, 1895 [1894]. Source: 012553.i.60, opposite page 153. Language: English. Author: Meinhold, Wilhelm. Prologue page. The Works of Geoffrey Chaucer now newly imprinted. Kelmscott Press: Hammersmith, 1896. The prologue page of The Canterbury Tales. Image taken from The Works of Geoffrey Chaucer now newly imprinted. (Edited by F. S. Ellis; ornamented with pictures designed by Sir Edward Burne-Jones, and engraved on wood by W. H. Hooper.). Originally published/produced in Kelmscott Press: Hammersmith, 1896. . Source: C.43.h.19, prologue. Language: English. Squire's tale. The Works of Geoffrey Chaucer now newly imprinted. Kelmscott Press: Hammersmith, 1896. A woman standing by a pool, looking at a bird in a tree. The Squire's tale. Image taken from The Works of Geoffrey Chaucer now newly imprinted. (Edited by F. S. Ellis; ornamented with pictures designed by Sir Edward Burne-Jones, and engraved on wood by W. H. Hooper.). Originally published/produced in Kelmscott Press: Hammersmith, 1896. . Source: C.43.h.19,. Language: English. Cleopatra. The Works of Geoffrey Chaucer now newly imprinted. Kelmscott Press: Hammersmith, 1896. Cleopatra, after discovering the dead Anthony, steps down into a pit of snakes. Image taken from The Works of Geoffrey Chaucer now newly imprinted. (Edited by F. S. Ellis; ornamented with pictures designed by Sir Edward Burne-Jones, and engraved on wood by W. H. Hooper.). Originally published/produced in Kelmscott Press: Hammersmith, 1896. . Source: C.43.h.19,. Language: English. Canterbury Tales. The Works of Geoffrey Chaucer now newly imprinted. Kelmscott Press: Hammersmith, 1896. Two scenes from the Canterbury Tales. Two illustrations and text. Image taken from The Works of Geoffrey Chaucer now newly imprinted. (Edited by F. S. Ellis; ornamented with pictures designed by Sir Edward Burne-Jones, and engraved on wood by W. H. Hooper.). Originally published/produced in Kelmscott Press: Hammersmith, 1896. . Source: C.43.h.19, plates 272-273. Angelus Ministrans. Dated: c. 1896. Dimensions: Overall: 25 x 13.3 cm (9 13/16 x 5 1/4 in.) overall: 35.6 x 27.9 cm (14 x 11 in.). Medium: brush and gold paint on wove paper prepared with black watercolor. Museum: National Gallery of Art, Washington DC. Author: Sir Edward Coley Burne-Jones. Lady Picking Flowers. Dated: c. 1890. Dimensions: overall: 10.2 x 8.5 cm (4 x 3 3/8 in.). Medium: pen and black ink over graphite. Museum: National Gallery of Art, Washington DC. Author: Sir Edward Coley Burne-Jones. Orpheus and Eurydice. Dimensions: overall: 35.6 x 26.3 cm (14 x 10 3/8 in.). Medium: black and white chalk with traces of graphite on brown paper. Museum: National Gallery of Art, Washington DC. Author: Sir Edward Coley Burne-Jones. Head of a Woman. Dimensions: overall: 25.5 x 20.6 cm (10 1/16 x 8 1/8 in.). Medium: graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: Sir Edward Coley Burne-Jones. A Fragment from an Antique Frieze. Dimensions: overall: 27.4 x 24.1 cm (10 13/16 x 9 1/2 in.). Medium: black chalk heightened with white gouache on brown wove paper. Museum: National Gallery of Art, Washington DC. Author: Sir Edward Coley Burne-Jones. The Golden Legend: the Golden Legend of Master William Caxton done anew. Dated: 1892. Dimensions: book: 30.3 × 21.7 × 5.5 cm (11 15/16 × 8 9/16 × 2 3/16 in.). Medium: bound volume with woodcut title by William Morris and 2 full-page woodcut illustrations by Sir Edward Burne-Jones (all in volume 1). Museum: National Gallery of Art, Washington DC. Author: Sir Edward Coley Burne-Jones, William Morris, and Jacobus de Voragine (author). Venus. Dimensions: overall: 25.2 x 17.8 cm (9 15/16 x 7 in.). Medium: graphite. Museum: National Gallery of Art, Washington DC. Author: Sir Edward Coley Burne-Jones. Detail of Burne Jones life of St Frideswide stained glass window in Christ Church Cathedral, Oxford. Includes Victorian flush toilet. DETAILS IN DESC. The Tree of Forgiveness, Edward Coley Burne-Jones, 1882, Lady Lever Art Gallery, Port Sunlight, Liverpool, England, UK, Europe The Beguiling of Merlin, Edward Coley Burne-Jones, 1872-1877, Lady Lever Art Gallery, Port Sunlight, Liverpool, England, UK, Europe Annunciation (by Edward Burne-Jones) - St Paul's Within the Walls - Rome Jesus with the Lamb of God, Stained glass by Morris and Co, St Marys Church, Buscot village. Oxfordshire. Fortitude and Valour, stained glass by Morris and Co at St Marys Church, Buscot village. Oxfordshire. London, UK. 22nd Oct, 2018. Tapestries - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. Tapestries - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. Tapestries - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. Tapestries - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. The Briar Rose Series - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. Tapestries and the Graham Paino - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. The Pilgrim outside the Garden of Idleness - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. Stained glass based on Chaucers tales - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. The Calling of St Peter and the Good Shepherd - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. Cupids Forge - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. Love leading the Pilgrim - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. Love leading the Pilgrim - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. Phyllis and Demaphoon and the Beguiling of Merlin - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. The Pilgrim outside the Garden of Idleness - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. The Pilgrim outside the Garden of Idleness - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. The Calling of St Peter and the Good Shepherd - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. Tapestries and the Graham Paino - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. Phyllis and Demaphoon and the Beguiling of Merlin - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. Lady Windsor - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. Love leading the Pilgrim - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. Phyllis and Demaphoon and the Beguiling of Merlin - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. Stained glass based on Chaucers tales - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. The Briar Rose Series - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. Tapestries - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. The Annunciation ande Adoration of the Magi - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. Tapestries - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. Tapestries - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. Tapestries - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News London, UK. 22nd Oct, 2018. Tapestries and the Graham Paino - A retrospective of Pre-Raphaelite painter Edward Burne-Jones at the Tate Britain. Renowned for otherworldly depictions of beauty inspired by myth, legend and the Bible, Burne-Jones was a pioneer of the symbolist movement and the only Pre-Raphaelite to achieve world-wide recognition in his lifetime. The exhibition brings together 150 works across painting, stained glass and tapestry. It runs from 24 Oct 18 - 24 Feb 19. Credit: Guy Bell/Alamy Live News Next page Recent searches: Search Results for Burne Jones' Stock Photos and Images  (2,599) Page 5 of 26 12345678910