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Brocading Stock Photos and Images
RM2A2K1DN–The London & York Royal Mail Coach, 1879, Possibly Thomas Stevens, England, Silk, plain weave with supplementary brocading wefts
RMAC7NC2–Bhutanese brocaded fabric with silk supplementary weft brocading Woven on a hip strap loom Bhutan
RF2HW3A2R–Art inspired by 和更紗模様帯, Obi with Design of Fish and Marine Objects, Taishō period (1912–26), Japan, Compound weave with brocading, 27 x 146 in. (68.6 x 370.8 cm), Costumes, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAXC6H–'Polonaise' Carpet. Dimensions: Rug: L. 158 in. (401.3 cm) W. 70 in. (177.8 cm). Date: 17th century. When, in 1878, a carpet similar to this one was exhibited in Paris, it was assumed that the coats of arms woven into the rug were Polish and that the rug was made in Poland. It was later recognized that this group, distinguished by a silk pile and metallic brocading, was Persian, made during and after the reign of Shah 'Abbas I, beginning around the end of the sixteenth or early seventeenth century. The name, however, persisted, and more than 200 examples still bear the name. Many pairs of th
RMMMR9XD–. English: Collection VOK: Caucasus - Persia 22 The exceptional quality of this red- and blue-ground Azeri cover (shadda) is striking. The ground is very finely woven, and the designs in the sumakh and brocading techniques are drawn with care. Six nested diamonds and three smaller diamonds adorn the field. The upper and lower ends of the field present a row of three and seven four-legged animals respectively, while three human figures depicted below the centre stretch out their arms horizontally as if attempting to join hands. The open red field and the wide, deep blue lateral sections are int
RM2BCW600–Fragments. Research in ProgressThree strips with a pomegranate motif. Red velvet with metallic brocading. Fragments
RM2PMG55Y–Skirt Fragment; satin with warp pattern stripes and brocading; silk, metal; lined with linen
RM2HYY8CH–Textile With Design of Stags and Birds. Italy, Venice, early 15th century. Textiles; textile lengths. Patterned silk, metal thread brocading
RM2RKXTDR–Bildnummer: 59084078 Datum: 15.01.2013 Copyright: imago/Xinhua (130115) -- SANYA, Jan. 15, 2013 (Xinhua) -- A woman of the Li ethnic group performs brocading in Sanya, a famous tourism city in south China s Hainan Province, Jan. 15, 2013. Although most of China suffers from cold weather, Hainan enteres its best season for tourism, attracting large numbers of visitors. (Xinhua/Zhang Jiansong) (zch/zc) CHINA-HAINAN-SANYA-TOURISM SEASON (CN) PUBLICATIONxNOTxINxCHN Gesellschaft ethnische Minderheit Tradition Handwerk Weben Brokat x0x xrj 2013 quer 59084078 Date 15 01 2013 Copyright Imago XI
![Carpet, so-called "Polonaise", 17th century. Stock Photo](https://c8.alamy.com/comp/2A50ET6/carpet-so-called-quotpolonaisequot-17th-century-2A50ET6.jpg "Carpet, so-called "Polonaise", 17th century. Stock Photo")
RM2DNB4C2–Textile, Medium: silk, metallic Technique: plain weave with discontinuous supplementary wefts (brocading), Curving festoons and flowers in pink and silver., 18th century, woven textiles, Textile
RMABT7K1–Bhutanese brocaded fabric with silk supplementary weft brocading Woven on a hip strap loom Bhutan
RF2HW3DXJ–Art inspired by 流水に花丸模様袋帯, Obi with Large Floral Roundels and Stream, late 19th–early 20th century, Japan, Twill-weave silk with supplementary weft patterning and brocading, 12 x 156 in. (30.5 x 396.2 cm), Costumes, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRX5MAE–Fragment. Chimú; Probably north coast, Peru. Date: 1250-1470. Dimensions: 34 x 33 cm (13 3/8 x 13 in.). Cotton and wool (camelid), plain weave with brocading wefts. Origin: Peru. Museum: The Chicago Art Institute.
RM2BF45Y6–Waistcoat pocket. Pocket flap of cut velvet and brocading in a design of roses and floral sprigs against a dark red serpentine ribbon.
RM2AG306Y–. Studies in primitive looms. outside ; the insideor concave surface is covered with red cotton cloth and this again iscovered with a piece of green hide with a pattern cut out of it likefretwork. There is one large transverse spool and six small spools (Fig. 136) for carryingthe embroidery weft in mauve, orange, yellow, red, green, and white. The warplaying repeats itself after every sixth thread. As the embroidery runs for everytwo and every four threads of warp (equals 6 threads) there is a correspondencebetween the warp laying and the brocading, from which one may conclude that thelaying i
RM2H0YMT0–Bedspread, 17th-18th century. Italy, Sicily, 17th-18th century. Linen ornamented with woolen brocading; overall: 223.5 x 175.2 cm (88 x 69 in.).
RM2DN7W5E–Ribbon, Medium: silk Technique: taffeta, brocading, Piece of light tan ribbon with a border design of birds in brown and yellow., France, 1850–1900, woven textiles, Ribbon
RMAMTBHF–Detail of Bhutanese brocaded fabric with sumptuous supplementary weft brocading Woven on a hip strap loom Bhutan
RF2HK5MDD–Inspired by Polonaise' Carpet with Split-Leaf Arabesque and Palmette Design on Silver Ground, Persian, Safavid period, 1501–1722, 17th century, Silk pile and metallic thread brocading, Made in Isfahan, Esfahan province, Iran, Asia, Coverings & hangings, textiles, 58 x 42 in. (147.3 x 106.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMRX56TA–Fragment. Possibly Chancay; Probably central coast, Peru. Date: 1000-1476. Dimensions: 19.1 × 17.8 cm (7 1/2 × 7 in.). Cotton, plain weave with brocading wefts. Origin: Peru. Museum: The Chicago Art Institute.
RM2BF2FT8–Fragment. White satin ground with design of floral sprays repeated in horizontal rows. Green and white continuous supplementary wefts form part of the design, with yellow and rose brocading.
RM2H12WFB–Length of Textile, early 1700s. France or Italy, early 18th century. Silk with supplementary weft brocading; overall: 81.7 x 56 cm (32 3/16 x 22 1/16 in.).
RM2DMXK5N–Fragment, Medium: silk Technique: plain weave with discontinuous supplementary wefts (brocading), Polychrome detached floral sprays and birds on cream ground, 17th century, woven textiles, Fragment
RMAMTBJ2–Detail of Bhutanese brocaded fabric with sumptuous supplementary weft brocading Woven on a hip strap loom Bhutan
RF2HKKX12–Art inspired by Polonaise' Carpet with Split-Leaf Arabesque and Palmette Design on Silver Ground, Persian, Safavid period, 1501-1722, 17th century, Silk pile and metallic thread brocading, Made in Isfahan, Esfahan province, Iran, Asia, Coverings & hangings, textiles, 58 x 42 in. (147.3, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRX13F8–Fragment. Possibly Chancay; Probably central coast, Peru. Date: 1000-1476. Dimensions: 21 × 21 cm (8 1/4 × 8 1/4 in.). Cotton, plain weave with brocading wefts. Origin: Peru. Museum: The Chicago Art Institute.
RM2BF2567–Chasuble fragments. Chasuble fragments. Blue satin ground with polychrome brocading in a design of buildings at edge of water and great ship. Trimmed with coral and yellow silk ribbon.
RM2H0XRNW–Lengths of Textile, early 1700s. France or Italy, early 18th century. Silk with supplementary weft brocading; average: 81.7 x 56 cm (32 3/16 x 22 1/16 in.).
RM2DMXKMD–Fragment, Medium: silk Technique: plain weave with discontinuous suypplementary wefts (brocading)., Symmetrical design of curving vines with flowering urn in the center., ca. 1750, woven textiles, Fragment
RMABT7K0–Bhutanese brocaded fabric with silk supplementary weft brocading Woven on a hip strap loom Bhutan
RF2HW3CEP–Art inspired by 紅茶段松皮菱繋花菱亀甲蜘蛛模様厚板, Noh Costume (Atsuita) with Clouds and Hexagons, Edo period (1615–1868), 19th century, Japan, Silk twill damask with silk brocading wefts and supplementary weft patterning in metallic thread, Overall: 65 x 55in. (165.1 x 139.7cm), Costumes, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRX158F–Fragment. Chancay; Peru, Central coast. Date: 1000-1476. Dimensions: 44.8 x 20.3 cm (17 5/8 x 8 in.). Cotton and wool (camelid), plain weave with patterning and brocading wefts. Origin: Peru. Museum: The Chicago Art Institute.
RM2BF535X–Valance. Valance in white linen with border brocaded with geometric ornaments based on stars and lozenges in blue, light brown and rose linen. Brocading done in imitation of embroidery.
RM2H0YAK8–Carpet, so-called 'Polonaise', 17th century. Iran, 17th century. Senna knot: silk, silver and gold filé brocading; average: 398.8 x 165.7 cm (157 x 65 1/4 in.).
RM2A2HMJF–Fragment, 1750/75, France, Silk plain weave with supplementary patterning and brocading wefts, 52.5 × 53.5 cm (20 5/8 × 21 1/8 in
RMAC7NAD–Bhutanese brocaded fabric with silk supplementary weft brocading Woven on a hip strap loom Bhutan
RF2HTYD89–Art inspired by The Holy Family, ca. 1500, Flemish, Southern Netherlands, Wool, silk, and gilt- and silvered-metal-strip-wrapped silk in slit, dovetailed, and interlocking tapestry weave with supplementary brocading wefts (in sewing basket, Joseph's coat, and hem of Mary's cloak), 40 9, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRX57B1–Fragment. Chimú; Probably north coast, Peru. Date: 1250-1532. Dimensions: 69.9 x 35.6 cm (27 1/2 x 14 in.). Cotton and wool (camelid), plain weave with brocading wefts. Origin: Peru. Museum: The Chicago Art Institute.
RM2BCYM1K–Fragment. Research in ProgressRed-orange ground with an incomplete spray of a flower and decorative foliage with brocading in two shades of red and flat metallic strips, metallic thread and metallic frisé thread. Fragment
RM2H12THJ–Length of Textile, early 1700s. France or Italy, early 18th century. Silk with supplementary weft brocading; overall: 6.5 x 56.8 cm (2 9/16 x 22 3/8 in.).
RM2A2KJFW–Panel, 1750/75, Germany or Netherlands, Germany, Silk, plain weave with supplementary patterning and brocading wefts, 181.7 x 48.2 cm (71 1/2 x 19 in
RMAMTBH9–Detail of Bhutanese brocaded fabric with sumptuous supplementary weft brocading Woven on a hip strap loom Bhutan
RF2B8Y26X–The London & York Royal Mail Coach, 1879, Possibly Thomas Stevens, England, Silk, plain weave with supplementary brocading wefts, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMRX50KT–Fragment. Italy. Date: 1325-1375. Dimensions: 15.8 x 15.8 cm (6 1/4 x 6 1/4 in.). Silk and gilt-animal-substrate-wrapped silk, plain weave with supplementary brocading wefts. Origin: Italy. Museum: The Chicago Art Institute.
RM2BF4TPX–Fragments. Green satin ground with imcomplete design of large-scale flowers and smaller scale tree. Design partly in white and brown secondary wefts and partly in polychrome brocading threads. c: has left selvage present.
RM2H12TKY–Gold Brocade, 1575-1600. Turkey, last quarter of the 16th century. Silk: compound weave, metal thread weft, brocading; average: 46.4 x 43.8 cm (18 1/4 x 17 1/4 in.).
RM2A2HME7–Panel, c. 1738/42, France, Silk, plain weave with patterning warps and patterning and brocading wefts, 102 × 53.6 cm (40 1/8 × 21 1/8 in
RMAMTBHB–Detail of Bhutanese brocaded fabric with sumptuous supplementary weft brocading Woven on a hip strap loom Bhutan
RF2B905XY–Panel, 1750/75, Germany or Netherlands, Germany, Silk, plain weave with supplementary patterning and brocading wefts, 181.7 x 48.2 cm (71 1/2 x 19 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMRX8NFW–Fragment. Possibly central coast, Peru. Date: 1000-1476. Dimensions: 59.1 x 55.2 cm (23 1/4 x 21 3/4 in.). Cotton and wool (camelid), plain weave with brocading wefts. Origin: Peru. Museum: The Chicago Art Institute. Author: Chancay.
RM2BF5PDK–Textile. Long silk textile, probably a shoulder cloth (selendang), in dark brown against red. Plaid ground with all-over brocading of geometric pattern with center motif on main ground. Heavy brocading in borders.
RM2H0Y5M7–Tunic, 1100-1532. Peru, Chimú or Chimú-Inka, 12th-16th century. White cotton; plain weave with supplementary weft brocading; overall: 57.2 x 151.1 cm (22 1/2 x 59 1/2 in.).
RM2A2KB9G–Panel, 18th century, France, Normandy, Normandy, Linen and wool, plain weave with supplementary brocading wefts, 91.8 x 62 cm (36 1/8 x 24 1/2 in
RM2GJMART–Everyday woman's huipil from Nebaj, Guatemala. Ixil Triangle. Supplementary weft brocading. Designs include stylised bird motifs.
RF2B8YN0A–Panel, 18th century, France, Normandy, Normandy, Linen and wool, plain weave with supplementary brocading wefts, 91.8 x 62 cm (36 1/8 x 24 1/2 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMRXJYB3–Panel. England, Spitalfields. Date: 1752-1755. Dimensions: 63.3 x 49.1 cm (25 x 19 1/4 in.). Silk, plain weave with supplementary brocading wefts and self-patterned by ground weft floats; watered (moiré). Origin: Spitalfields. Museum: The Chicago Art Institute.
RM2BD1FDC–Textile. Research in ProgressUndulating stems with flowers and fruit in polychrome silks and gold on a rust satin ground. The gold threads are gilded strips of paper cut to fit the desired pattern; not a true brocading technique. Textile
RM2H0YCJB–Tunic and Band, 1100-1532. Peru, Chimú or Chimú-Inka, 12th-16th century. White cotton; plain weave with supplementary weft brocading; overall: 57.2 x 151.1 cm (22 1/2 x 59 1/2 in.).
RMRY42NB–Length of Textile, early 1700s. France or Italy, early 18th century. Silk with supplementary weft brocading; overall: 81.7 x 56 cm (32 3/16 x 22 1/16 in
RM2GJMAR2–Detail of everyday woman's huipil from Nebaj, Guatemala. Ixil Triangle. Supplementary weft brocading. Designs include stylised bird motifs
RF2B907GY–Panel, Mid–1740s, England, Spitalfields, Spitalfields, Silk, plain weave with patterning warps and patterning and brocading wefts, 88.8 x 51 cm (34 7/8 x 20 1/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMRXAAHY–Panel. Turkey, Bursa. Date: 1601-1625. Dimensions: 204 x 63.5 cm (80 1/4 x 25 in.). Silk, cotton, gilt-metal-strip-wrapped silk, satin weave with brocading wefts; cut voided velvet. Origin: Turkey. Museum: The Chicago Art Institute.
RM2BF2YX1–Fragment. Fragment has a pink ground, originally orange, with wide horizontal ribbing formed by extra warp. Heavy serpentine of feathers or fur in brown and tan silk and brown chenille brocading. Trefoil blossoms in pink chenille scattered over the ground.
RM2HHH60H–Length of velvet 16th century Spanish or Italian The symmetrical pattern and the framework of pointed oval (or ogee) shapes of this velvet are a departure from the large meandering stems seen in many fifteenth- and sixteenth-century Italian velvets (see 46.156.120 and the back of cassone 14.39). The composition of this sumptuous 'pomegranate' velvet may have been influenced by textiles from the nearby Ottoman empire; it is characteristic of Turkish textiles of the period as well. However, this piece retains typically European technical features: the two heights of silk pile and metal brocading
RMRY42NC–Lengths of Textile, early 1700s. France or Italy, early 18th century. Silk with supplementary weft brocading; average: 81.7 x 56 cm (32 3/16 x 22 1/16 in
RF2B8XCDT–Panel (From a Dress), c. 1745/46, England, Spitalfields, England, Silk, plain weave with patterning and brocading wefts, 111 × 50.6 cm (43 3/4 × 19 7/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMRX78RY–Fragment. Provincial Inca; Peru, Possibly Nazca Valley, south coast. Date: 1476-1532. Dimensions: 58.3 x 33.2 cm (23 x 13 1/8 in.). Cotton and wool (camelid), plain weave with brocading wefts. Origin: Peru. Museum: The Chicago Art Institute.
RM2BF4M10–Textile. Tan colored silk damask brocaded in green and pink silk with metallic yarns. Brocading bound in twill by warps. Design in the ‘bizarre’ style shows a pattern of large florals with serpentine chains composed of scrolls. Both selvages persent.
RM2HH9AWH–'Polonaise' Carpet 17th century When, in 1878, a carpet similar to this one was exhibited in Paris, it was assumed that the coats of arms woven into the rug were Polish and that the rug was made in Poland. It was later recognized that this group, distinguished by a silk pile and metallic brocading, was Persian, made during and after the reign of Shah 'Abbas I, beginning around the end of the sixteenth or early seventeenth century. The name, however, persisted, and more than 200 examples still bear the name. Many pairs of the type also survive.The type of design on this carpet has its roots in
RM2A2KK9C–Panel, Mid–1740s, England, Spitalfields, Spitalfields, Silk, plain weave with patterning warps and patterning and brocading wefts, 88.8 x 51 cm (34 7/8 x 20 1/8 in
RF2B901G2–Panel, c. 1770, England, Spitalfields, Spitalfields, Silk, plain weave with patterning warps and patterning and brocading wefts, 113.3 x 50.5 cm (44 5/8 x 19 7/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMRXFGT6–Fragment. Italy. Date: 1650-1700. Dimensions: 20.3 x 29.6 cm (8 x 11 5/8 in.). Silk, silvered-metal strip, and gilt-metal-strip-wrapped silk, plain weave with supplementary facing and brocading wefts. Origin: Italy. Museum: The Chicago Art Institute.
RM2BF308F–Fragment. Peach and metallic silver fabric in a design of a large-scale central spray of roses flanked by scalloped ribbon serpentines meeting in the center. Large roses in high relief. Metallic brocading in several kinds of gold thread.
RM2HHWGBX–The 'Doria' Carpet 17th century This carpet is one of a pair; its counterpart is in the Carpet Museum in Tehran. The field pattern of both carpets is identical, and a balanced design is achieved when the two carpets are placed end‑to‑end. Both carpets are examples of the 'Polonaise' type, so called for a nineteenth-century misattribution of this type of carpet to Poland rather than Iran. This group, distinguished by a silk pile and metallic brocading, is now known to have been made during and after the reign of Shah 'Abbas I in workshops in Isfahan, Yazd, and Kashan.. The 'Doria' Carpet 45102
RM2A2KG79–Panel, c. 1770, England, Spitalfields, Spitalfields, Silk, plain weave with patterning warps and patterning and brocading wefts, 113.3 x 50.5 cm (44 5/8 x 19 7/8 in
RF2B8YME7–Panel, 1725/1775, France, Silk, plain weave with supplementary patterning warps and supplementary patterning and brocading wefts, 97.2 × 55.6 cm (38 1/4 × 21 7/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Search Results for Brocading Stock Photos and Images (1,706)
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